History Artikel: https://ijelt.com/index.php/ijelt Received Revised 26 Marchl 2025 13 April 2025 Accepted Published 14 May 2025 14 June 2025 Copyright (c) 2025 Aswinda Putri Lepir1, Kristin Marwinda2 Corresponding Author : Aswinda Putri Lepir1 Email : aswindaputrilepir08@gmail.com e-ISSN : (Media Online) Examining Gender Injustice in Hamnet: Relevance to Modern Feminism Discourse Aswinda Putri Lepir1, Kristin Marwinda2 Universitas 17 Agustus 1945, Semarang, Indonesia1,2 aswindaputrilepir08@gmail.com, kristin-marwinda@untagsmg.ac.id Abstract This research examines the gender injustice depicted in Maggie O’Farrell’s Hamnet and analyzes its relevance to contemporary feminist discourse. Using the theoretical framework of liberal feminism, with reference to Betty Friedan’s (1963) theory, this study identifies and examines various forms of gender injustice experienced by the female protagonist, Agnes, including marginalization, violence, and double burden. The research aims to reveal how Hamnet reflects and criticizes the gender inequality of her time. This analysis is conducted to highlight how historical fiction narratives can expose enduring patterns of gender oppression and contribute to our understanding of contemporary feminist challenges. This research uses a descriptive qualitative method with Hamnet as the main data source. The purpose of this study is to show how literary representations of historical gender oppression can illuminate ongoing feminist struggles, contribute to contemporary feminist theory, and help readers understand the continuity of women's experiences over the centuries. The study concludes that O’Farrell’s historical fiction serves as a powerful lens through which to examine the historical underpinnings of present-day gender injustice, offering valuable insights for modern feminist discourse. Keywords: gender injustic; feminis; hamnet INTRODUCTION Gender inequality remains a pervasive problem across cultures and historical contexts, manifesting in forms such as marginalization, violence, and the burden of multiple responsibilities. Maggie O’Farrell’s Hamnet presents an incisive exploration of these themes, particularly through the experiences of its female protagonist, Agnes. As Beauvoir (1949) noted in her groundbreaking work, women have long been defined as “The Other”, lacking full subjectivity and agency in a patriarchal society. In England, the period depicted in Hamnet, women’s lives were severely constrained by social expectations, legal restrictions, and economic dependence that reinforced their secondary status. Although there is extensive historical research on gender relations in the early modern period (Mendelson & Crawford, 1998; Wiesner, 2000), there remains a 116 [Examining Gender Injustice in Hamnet: Relevance to Modern Feminism Discourse - Aswinda Putri Lepir1, Kristin Marwinda2] significant gap in understanding how women navigated and sometimes subverted these constraints in their daily lives-a gap that historical fiction such as O’Farrell’s can address. This perspective is in line with Betty Friedan’s views (1963) observed in The Feminine Mystique, women’s dissatisfactions and struggles have frequently gone unnamed and unacknowledged, constituting what she termed “the problem that has no name." Although Friedan was writing about mid-20th century America, her insights about the invisibility of women’s oppression apply equally to historical contexts where women’s voices were even more systematically silenced. The novel follows the story of Agnes, the main female character, who experiences gender inequality that is reflected in her role as a woman of her time. As a wife and mother, Agnes is limited by societal expectations that determine her role and identity, leaving little room for autonomy or self-actualization. Her experiences highlight manifestations of gender inequality, such as marginalization, violence, and double burdens that reflect the broader challenges women faced during her time. The selected studies by Susanto and colleagues demonstrate a strong interdisciplinary approach to analyzing literary, linguistic, and cinematic texts, often with a focus on character psychology, thematic progression, and pedagogical applications. For instance, Trimurti et al. (2023) explore personality transformation in Turning Red, while Mahardhika et al. (2023) analyze defense mechanisms in The Kite Runner—both highlighting how narratives reflect societal constructs. Similarly, Septiana et al. (2023) and Salsabillah et al. (2023) emphasize the role of discourse and mood in shaping meaning, which aligns with feminist literary criticism. These methodological frameworks could be applied to Examining Gender Injustice in Hamnet, particularly in dissecting how Shakespearean-era gender roles are portrayed and their resonance with modern feminism. Just as Risyida et al. (2022) decode linguistic nuances in tongue twisters, a close analysis of Hamnet could reveal systemic oppression through language and narrative structure, bridging historical and contemporary feminist discourse. The writer analyzes these issues in Hamnet (2020) using the ideas of feminist Betty Friedan. Friedan, in The Feminine Mystique (1963), critically examined the constraints of domesticity and the systemic limitations imposed on women’s potential. Through this perspective, Hamnet can be seen as more than just a historical story; it is a profound exploration of “the problem that has no name” the deep-seated dissatisfaction of women trapped within narrowly defined social roles. By examining Agnes’s life through Friedan’s theoretical lens, the research reveals how patriarchal structures in 16th-century England mirror the psychological constraints Friedan identified in mid-20th century America, demonstrating the historical continuity of gender injustice and the ongoing struggle for women’s self-realization beyond domestic confines. METHOD Creswell (2014) explains that research methodology helps researchers know how to conduct their research, whether using quantitative, qualitative, or mixed methods. In 117 [Examining Gender Injustice in Hamnet: Relevance to Modern Feminism Discourse - Aswinda Putri Lepir1, Kristin Marwinda2] this research the writer will use a qualitative descriptive method. According to Moleong (2016:6), qualitative research aims to thoroughly understand the phenomena experienced by research subjects, such as behavior, perceptions, motivations, and actions. This understanding is conveyed through descriptions in the form of words and language, which are carried out in a natural context using various natural methods. RESULTS AND DISCUSSION The exploration of gender inequality in Maggie O’Farrell’s Hamnet reveals complex systemic resistance and marginalization in the 16th century. Using Betty Friedan’s theoretical framework, this research reveals deep continuities in women’s experiences of facing gender-based obstacles. This analysis not only highlights specific forms of gender inequality experienced by women in historical contexts, but also provides important insights into the ongoing struggle for women’s agency, recognition, and selfdetermination in contemporary feminist discourse. Results This result shows the research findings and discussion of gender injustice among Agnes in the novel Hamnet. The social system perpetuates a system and structure of gender injustice, where women and men are treated as unequal. Fakih (2008) identifies five distinct forms of gender injustice : marginalization, subordination, stereotypes, violence, and double burden. In this research, the writer found three types of gender injustice experienced by Agnes in the novel Hamnet. Discussion In this discussion, two main aspects are analyzed. The first explores the various forms of gender injustice experienced by Agnes in the patriarchal society of 16th-century England through the novel Hamnet (2020). The second examines the strategic relevance of these gender injustice experiences to contemporary feminist discourse, utilizing Betty Friedan's theoretical framework. 1. Manifestations of Gender Injustice in Hamnet Gender injustice refers to the unequal treatment or perception of individuals based on their gender, often resulting in systemic discrimination and inequality. In this study, the writer identifies three different forms of gender injustice: marginalization, violence, and double burden. These forms of injustice are explored through the experiences of Agnes, a character in the novel Hamnet, who highlights how these issues shape her life and reflect wider inequalities in society. a. Marginalization Betty Friedan (1963) put forward key concepts in liberal feminism that critically examine the systemic limitations imposed on women’s potential, especially in the domestic realm. She explains how societal structures limit women to narrow roles, 118 [Examining Gender Injustice in Hamnet: Relevance to Modern Feminism Discourse - Aswinda Putri Lepir1, Kristin Marwinda2] suppressing their intellectual and professional aspirations. In this research, the analysis also shows how female characters do not have the same rights to develop their potential. Specifically highlighting how social structures limit women's access to education. The following text supports this claim as follows: “She has asked Eliza to read it to her twice and she wants to ask her to read it again today, as soon as she can find her” (Farrell, 2020:157). The passage reveals Agnes’s limited access to knowledge, symbolized by her reliance on another person (Eliza) to read for her. This dependency illustrates Friedan’s concept of how patriarchal structures systematically restrict women’s intellectual growth. The act of repeatedly requesting someone else to read demonstrates not just a lack of literacy, but a broader systemic denial of educational and intellectual opportunities. It reflects Friedan's argument about how women are psychologically and socially constrained, prevented from fully exploring and expressing their potential beyond the confines of domestic life. This textual evidence becomes a powerful illustration of the “problem that has no name” the deep-seated dissatisfaction arising from women’s enforced intellectual limitations. Through this lens, the passage becomes more than a simple narrative detail; it becomes a critique of the systemic oppression that defines and restricts women’s identities and capabilities. b. Violence Againts Women In “The Feminine Mystique” (1963), Betty Friedan explored how patriarchal structures not only confine women to domestic roles but also systematically enable various forms of violence that maintain female subordination. Her analysis revealed that violence against women is not merely physical, but a complex system of psychological and social oppression designed to control and suppress women’s autonomy. Violence against women is a form of violence directed specifically at individual women. It can include physical, sexual, or psychological acts committed because of gender. Here the text that supports this claim is as follows: “Joan grabs by the arm, yanks her off the milking stool, and pushes her up against the stall partition. Joan has to fumble through the girl’s kirtle, the fastenings of her gown, and the girl is struggling, pushing her fingers away, trying to break free, but Joan gets her hand through, just for a moment, and feels – what? A swelling, hard in texture, and hot. A quickening mound, risen like a loaf. …………‘Whore,’ Joan spits, as Agnes pushes her away. ‘Slut.’ (Farrell, 2020:61). There is actual physical violence shown from the sentence “Joan grabs her by the arm, yanks her off the milking stool, and pushes her up against the stall partition”. It shows the physical assault from her stepmother. These actions clearly hurt the victim and can cause injury. Subsequently, this incident escalated to sexual harassment. Joan attempts to force her way through the girl’s clothes and touches her intimate parts without consent. This is described in the sentence “Joan has to fumble through the girl’s kirtle, the fastenings of her gown, and gets her hand through, just for a moment, and feels - what? A swelling, hard 119 [Examining Gender Injustice in Hamnet: Relevance to Modern Feminism Discourse - Aswinda Putri Lepir1, Kristin Marwinda2] in texture, and hot.” Throughout the incident, Agnes is depicted struggling and trying to free herself, which clearly shows her disapproval. Verbal abuse also occurs, with Joan using harsh and derogatory words to refer to Agnes. This entire scene depicts a very intimidating, emotionally scarring, and traumatizing situation for the victim, where Joan uses her physical strength and position to dominate and abuse Agnes. c. Double Burden In “The Feminine Mystique” (1963), Betty Friedan critically examined the concept of double burden, revealing how societal expectations trap women in a suffocating cycle of domestic responsibilities that simultaneously suppress their individual potential and personal aspirations. Friedan argued that the myth of domestic fulfillment masks a profound form of psychological and economic oppression, where women are forced to shoulder multiple roles without recognition or personal satisfaction. Here the text that supports this claim is as follows: “But she is busy, with the child, with the house, with her garden, with callers at the window, and he has been carrying on with his afternoons of tutoring and mornings of running errands for his father.” (Farrell, 2020:130) The sentence “But she is busy, with the child, with the house, with her garden, with callers at the window” clearly illustrates the traditional role of the female character as a housewife. She has a variety of domestic responsibilities to carry out every day - from childcare, to housekeeping, to tending to the garden. Even in the midst of her busy schedule with these household chores, she also still has to serve the guests who come to the house. This shows how women are expected to fulfill their domestic roles fully and perfectly. “The woman knocks again,...........people, people, always people, coming and going, arriving and departing.” ………her grandmother added, this business ever brought in a great deal. Her mother had said nothing, not raising her head from her sewing. (Farrell, 2020:43-44) In this quote “The woman knocks again,......people, people, always people, coming and going” it is seen how the woman’s burden is increased by the presence of business responsibilities. She has to constantly serve people who come and go on business, while her domestic responsibilities do not diminish. This is emphasized by the image of her mother who still has to sew in the midst of a busy business that is not even very profitable “this business never brought in a great deal. Her mother had said nothing, not raising her head from her sewing”. This situation illustrates a real double burden, where women have to fulfill their dual roles as housewives and breadwinners, with no relief in their domestic duties. 2. Relevance to Contemporary Feminists Analysis of gender inequality in the novel Hamnet reveals the continuity of women’s experiences across the boundaries of time and social space. Through Betty Friedan’s 120 [Examining Gender Injustice in Hamnet: Relevance to Modern Feminism Discourse - Aswinda Putri Lepir1, Kristin Marwinda2] theory, this research shows that the forms of marginalization, violence and double burden experienced by Agnes are not just historical phenomena but are systematic structures that are still intertwined with the experiences of contemporary women. The continuity of educational marginalization can be seen from Agnes' limited access to knowledge, as in the quote “She had asked Eliza to read to her twice” (Farrell, 2020: 157). This reflects the ongoing reality where women still face structural obstacles in developing their intellectual potential. Even though access to education has expanded, gender gaps in education, especially in certain areas, are still a fundamental issue for contemporary feminists. The gender-based violence that Agnes experiences, as in the scene with Joan grabbing and abusing her physically and verbally, has a horrifying parallelism with the experiences of modern women. Acts of violence involving physical domination, sexual harassment and verbal humiliation are still a form of systematic patriarchal control. This shows that even though social changes have occurred, the mechanisms of violence against women persist in various manifestations. The double burden depicted through the quote “But she is busy, with the child, with the house, with her garden, with callers at the window” (Farrell, 2020: 130) reveals a social structure that has not changed fundamentally. Contemporary women still face the challenge of balancing professional and domestic roles, often bearing a disproportionate workload without adequate recognition. Rereading the historical narrative through a feminist perspective in Hamnet allows us to understand that gender inequality is not just a story of the past, but a structure that continues to evolve but remains deeply rooted. Friedan’s concept of “the problem that has no name” is still relevant, showing that even though social transformation has occurred, the root problems of gender inequality persist. Friedan highlights how patriarchal structures limit women’s potential, and Agnes' experiences reflect these limitations clearly. First, Agnes’s limited access to education, as seen in her reliance on Eliza to read, shows how women are often prevented from acquiring the knowledge and skills necessary to develop themselves. Agnes' inability to access knowledge independently reflects Friedan’s argument about how the patriarchal system curbs women's intellectual growth. Additionally, Agnes’ experiences with physical and sexual violence from Joan illustrate the painful reality that many women faces. These acts of violence not only reflect individual oppression but are also part of a broader system that permits and reinforces such behavior, in line with Friedan’s analysis of violence as a form of social control. Lastly, Agnes also experiences a double burden, where she must carry out a domestic role while facing high social expectations. The myth of domestic contentment criticized by Friedan is evident in the daily routine of Agnes, who is trapped in responsibilities without recognition or reward. Through the lens of Friedan’s theory, Agnes’ experience in facing gender injustice becomes clearer, showing how patriarchal social structures not only limit individuals but also create an oppressive environment for women. 121 [Examining Gender Injustice in Hamnet: Relevance to Modern Feminism Discourse - Aswinda Putri Lepir1, Kristin Marwinda2] 3. Theoretical and Practical Implications This research makes a significant contribution to feminist studies by highlighting how literature can function as a tool to dismantle oppressive gender structures. Through character and narrative analysis in Hamnet, we can see how the experiences of marginalized and oppressed women can be expressed and understood. The significance of literature in this context lies in its ability to depict complex social realities and give voice to those who are often ignored. In addition, this research opens directions for further research that can explore more deeply how other literary works reflect and challenge gender norms, as well as how women can find a path to liberation and selfawareness in a broader context. Thus, this research not only contributes to academic understanding of feminism, but also has practical implications for advocacy and social change. CONCLUSION The exploration of gender inequality in Maggie O’Farrell’s Hamnet through the lens of Betty Friedan’s theoretical framework reveals the persistent and systemic nature of gender injustice that transcends time and societal boundaries. The analysis identifies three primary forms of gender injustice experienced by Agnes: marginalization, violence, and the double burden. These manifestations highlight the limitations imposed on women in the 16th century, which resonate with contemporary issues faced by women today. Agnes's reliance on Eliza for reading underscores the ongoing challenges related to educational access, while her experiences of physical and sexual violence reflect the enduring mechanisms of patriarchal control that continue to affect women globally. Furthermore, the depiction of Agnes’s overwhelming domestic responsibilities illustrates the double burden that many women still navigate, balancing professional aspirations with societal expectations of domesticity. This research underscores the relevance of Friedan’s concepts, particularly the notion of "the problem that has no name," as it remains applicable to contemporary feminist discourse. By reexamining historical narratives through a feminist lens, we gain insight into the structural inequalities that persist in modern society. The findings emphasize the importance of literature as a powerful medium for articulating the experiences of marginalized women and challenging oppressive gender norms. 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