Hermes Astrology
Auras for Beginners
There is a scene familiar from countless paintings and religious
icons: a holy figure surrounded by a golden radiance, a luminous
halo crowning the head, an emanation of light that sets the sacred
apart from the ordinary. In Christian art, this is the halo or aureola;
in Buddhist iconography, it is the aura of the enlightened Buddha,
depicted in the seven colors of the Buddhist flag . In Hindu
paintings, gods and goddesses are marked by a luminous field at
the back of the head .
This artistic convention, however, is more than mere symbolism.
Across cultures and throughout history, there has existed a
persistent belief that living beings actually do emit a visible field of
energy—a luminous body that reflects physical, emotional, and
spiritual states. This field is known as the aura .
The word itself comes from Latin and Ancient Greek, where aura
means "wind," "breeze," or "breath" . By the late 19th century, it
had been adopted into spiritualist circles to describe a speculated
subtle emanation around the body . Today, the concept has
become a staple of contemporary spirituality, appearing in
countless books, workshops, and online resources promising to
teach seekers how to see, read, and interpret these colorful fields
of energy.
But what exactly is an aura? Is it a real phenomenon, measurable
by science? Is it a product of perception—a way of seeing that
reveals something genuine about human energy and emotion? Or
is it, as skeptics maintain, an illusion born of the brain's remarkable
capacity for pattern recognition and meaning-making?
This introduction aims to provide a comprehensive and balanced
overview of auras, tracing their historical development, exploring
their relationship to chakras and subtle anatomy, offering practical
guidance for those who wish to develop aura perception, and
engaging honestly with the scientific evidence and skeptical
critiques. For seekers and scholars alike, understanding auras
opens a window into the human conviction that we are more than
physical bodies—that we are beings of light, surrounded by light.
1. Defining the Aura: The Energy Body
At its most basic level, an aura may be defined as a luminous,
multi-colored energy field that surrounds all living beings .
This field is believed to reflect the physical, emotional, mental, and
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spiritual state of the individual, changing in color, brightness, and
density in response to inner and outer conditions.
1.1 What Is the Aura?
Contemporary spiritual teachers describe the aura in various ways:
●​ Electromagnetic Field: Some proponents, like artist
Christina Lonsdale, point to the fact that human beings
radiate a very low level of electricity—an electromagnetic
field produced by the body's electrical activity . This field can
be measured through techniques such as
electroencephalography (EEG) and electrocardiography
(ECG), and it extends beyond the skin, potentially forming
what might be called an aura .
●​ Subtle Energy Body: In esoteric traditions, the aura is
understood as a "subtle body"—a non-physical counterpart
to the physical form that interpenetrates and extends beyond
it . This subtle body is composed of increasingly refined
layers, each corresponding to different aspects of the
individual's being.
●​ Vibrational Frequency: The aura is sometimes described
as the manifestation of one's "vibrational frequency"—the
energetic signature that others sense as "vibes" . When we
say someone gives off "good vibes" or "bad vibes," we may
be intuitively sensing their aura.
●​ Map of Thoughts and Feelings: The aura has been
described as "a map of the thoughts and feelings
surrounding a person" . It reflects the inner landscape of the
individual, revealing emotional patterns, mental habits, and
spiritual development.
1.2 The Layers of the Aura
According to many systems, the aura is not a single, uniform field
but consists of multiple layers or "bodies," each with its own
characteristics and significance . While the number and naming of
these layers vary across traditions, a common seven-layer model
has emerged:
Layer
1st
Layer
Common
Names
Associated Aspects
Physical/Ether Physical health, sensations, vitality,
ic
closest to the body
3
2nd
Layer
Emotional/Astr Emotions, feelings, mood states
al
3rd
Layer
Mental/Lower
Mental
Thoughts, beliefs, logic, reasoning
4th
Layer
Astral/Heart
Love, relationships, connection to
others
5th
Layer
Etheric/Spiritu
al
Higher will, spiritual connection, divine
will
6th
Layer
Celestial/Intuiti Intuition, dreams, spiritual ecstasy
onal
7th
Layer
Causal/Absolu Ketheric template, integration of all
te
layers, connection to the divine
The British healer and clairvoyant Paul Lambillion, drawing on
decades of experience, described three visible layers: an inner
layer about half an inch thick correlating with the etheric body; a
yard-thick egg-shaped layer reflecting hormonal state and
emotions; and outer, barely perceptible layers corresponding to the
mental body and beyond . He noted that the aura is "light and
denser than the air in which the body is immersed" .
1.3 The Aura and Chakras
In most contemporary systems, the aura is intimately connected
with the chakras—the seven energy centers arrayed along the
spine . Each chakra is associated with a specific color, and these
colors are said to appear in the aura, particularly in the areas
corresponding to each chakra's location.
●​ Root Chakra (base of spine): Red — physical vitality,
grounding, survival
●​ Sacral Chakra (lower abdomen): Orange — creativity,
emotion, sensuality
●​ Solar Plexus Chakra (upper abdomen): Yellow — personal
power, confidence, intellect
●​ Heart Chakra (center of chest): Green — love,
compassion, healing
●​ Throat Chakra (throat): Blue — communication, truth,
self-expression
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●​ Third Eye Chakra (forehead): Indigo — intuition, insight,
spiritual perception
●​ Crown Chakra (top of head): Violet/White — spiritual
connection, transcendence
When a chakra is balanced and functioning optimally, its
corresponding color appears bright and clear in the aura. When a
chakra is blocked or imbalanced, the color may appear dull, murky,
or absent .
2. Historical and Cultural Origins
The concept of a luminous field surrounding sacred or enlightened
beings has ancient roots, but the modern understanding of auras
as personal, colored, and meaningful energy fields is largely a
19th- and 20th-century development.
2.1 Ancient and Classical Precursors
Throughout history, various cultures have depicted luminous
emanations around divine or holy figures:
●​ Hinduism: In many Hindu paintings, gods and goddesses
are marked by an aura on the back of the head . Ancient
Hindu scriptures such as the Vedas describe the human
being as composed of multiple layers, including an energy
body .
●​ Buddhism: The Buddhist flag represents the six colors said
to have emanated from the body of the Buddha upon his
enlightenment . In Tibetan Buddhist iconography, enlightened
beings are depicted with halos and rainbow-colored auras.
●​ Zoroastrianism: In ancient Iran, the concept of farr or
"glory" was depicted as a luminous emanation surrounding
Zoroastrian kings, indicating divine favor .
●​ Jainism: The concept of lesya links colors to mental and
emotional dispositions, describing how the soul takes on
different colorations based on karma and consciousness .
●​ Christianity: The halo in Christian art derives from earlier
pagan traditions and symbolizes sanctity and divine light.
The symbolism of light in the Bible is sometimes associated
with the idea of an aura or "body of light" .
●​ Neoplatonism and Kabbalah: In classical Western
mysticism, the aura was associated with the "luster" of the
astral body, which was linked to the planetary spheres and
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various mental faculties in elaborate systems of
correspondence .
2.2 The Theosophical Synthesis
The modern concept of the aura—as a personal, colored energy
field with specific meanings—was largely created by Charles
Webster Leadbeater (1854-1934), a former Anglican priest and
prominent member of the Theosophical Society .
Leadbeater had studied theosophy in India and believed he
possessed clairvoyant powers that enabled him to make "scientific
investigations" of the subtle realms . His claims were extraordinary:
he asserted that most men come from Mars, that more advanced
men come from the Moon, and that hydrogen atoms consist of six
bodies contained in an egg-like form .
In his 1903 book Man Visible and Invisible, Leadbeater illustrated
the aura of man at various stages of moral evolution, from the
"savage" to the saint . In 1910, he introduced the modern
conception of auras by incorporating the Tantric notion of chakras
in his book The Inner Life . However, Leadbeater did not simply
present Tantric beliefs to the West; he reconstructed and
reinterpreted them, mixing them with his own ideas without
acknowledging their sources. He described chakras as energy
vortices and associated each with specific glands, organs, and
body parts—innovations with no basis in traditional Tantra .
Leadbeater's ideas were subsequently adopted and reinterpreted
by other Theosophists, including Rudolf Steiner (who later
founded Anthroposophy) and Edgar Cayce . However, his occult
anatomy remained of minor interest within the esoteric
counterculture until the 1980s, when it was rediscovered by the
New Age movement .
2.3 The New Age Transformation
In 1977, American esotericist Christopher Hills published Nuclear
Evolution: The Rainbow Body, which presented a modified version
of Leadbeater's occult anatomy . Whereas Leadbeater had drawn
each chakra with intricately detailed shapes and multiple colors,
Hills presented them as a sequence of centers, each associated
with a single color of the rainbow. Most subsequent New Age
writers based their representations of the aura on Hills'
interpretation .
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By the late 1990s, chakras and auras had become a mainstream
part of esoteric speculations, though they were now less
connected with their Theosophical and Hindu roots and more
infused with New Age ideas. A variety of books proposed different
links between chakras, aura colors, personality traits, illnesses,
and even Christian sacraments .
2.4 Contemporary Aura Practitioners
Today, the concept of auras is widely accepted within New Age
and holistic healing communities. Practitioners claim to use aura
reading techniques for bioenergetic analysis, energy medicine, and
spiritual guidance . Authors like Robert Bruce have further
developed aura theory, classifying auras into three types—etheric,
main, and spiritual—and suggesting that auras are not actual light
but a translation of other sensory readings added to visual
processing .
Contemporary teachers emphasize that auras cannot be seen in
complete darkness and cannot be perceived unless some portion
of the person or object is also visible . This suggests that aura
perception is a form of enhanced or refined ordinary vision, not a
separate psychic faculty.
3. Aura Colors and Their Meanings
One of the most popular aspects of aura lore is the interpretation
of colors. While different systems offer varying interpretations,
certain patterns have emerged .
3.1 Primary Aura Colors
Color
Common
Interpretations
Associated Qualities
Red
Vitality, passion,
Grounded, energetic,
physical energy,
strong-willed; can indicate anger
strength, willpower or nervousness if dark or murky
Orange
Creativity,
enthusiasm,
emotion,
sociability, warmth
Adventurous, thoughtful,
expressive; muddier shades may
indicate pride or vanity
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Yellow
Intellect, optimism, Creative, relaxed, friendly,
joy, personal
analytical; darker yellows may
power, happiness indicate shyness or overthinking
Green
Balance, harmony, Social, communicator, nurturing,
healing,
reliable; dark green can indicate
compassion, love jealousy or uncertainty
of nature
Blue
Calm, intuition,
spirituality,
honesty, sincerity
Intuitive, spiritual, freethinking,
loyal; can indicate moodiness or
depression
Indigo
Intuition, wisdom,
psychic ability,
deep knowing
Curious, spiritually connected,
gentle, perceptive
Violet
Spirituality,
mysticism,
transcendence,
vision
Wise, intellectual, independent,
visionary; may indicate obstacles
or feeling misunderstood if dark
3.2 Other Aura Colors
●​ Pink: Love, compassion, gentleness, romance. Light pink
indicates a gentle, loving nature; darker pink may point to
immaturity .
●​ Magenta: Rare combination of red and blue, indicating a
potent understanding of the physical world combined with
elevated intuition. Well-suited to creative endeavors .
●​ White: Purity, truth, spiritual attainment. Often one of the first
colors beginners see; as a dominant color, it reflects high
spiritual development .
●​ Black: Protection, hidden aspects, negativity, blockages.
May indicate someone hiding something, carrying emotional
baggage, or with bad intentions . Darshan Kaur reports
seeing a black aura around someone who later was
convicted of assaults against women .
●​ Brown: Earthiness, grounding, new roots, centeredness.
Indicates logical, analytical, practical people who are
detail-oriented .
●​ Gold: Spirituality, wisdom, high attainment. Rarely seen;
indicates a naturally gifted spiritual teacher .
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●​ Tan: Extra logical or analytical, strategic, linear thinking.
Methodical, practical, risk-averse .
3.3 The Challenge of Interpretation
It is important to note that interpretations vary significantly
among different practitioners . A red aura to one interpreter
might mean anger or rage, while another claims red is passion and
love. Both anger and love are commonly associated with red,
though the two emotions are quite different . This lack of
consensus poses a challenge for any claim that aura colors have
fixed, objective meanings.
Additionally, the brightness, clarity, and location of colors matter.
A color may appear only in a specific area, indicating a localized
condition. Kaur describes seeing green on a friend's shoulder and
discovering she had recently received a massage for a sports
injury, with the green indicating healing energy focused on that
area .
4. Learning to See Auras: Practical Techniques
For those interested in developing the ability to perceive auras,
numerous techniques have been developed. These methods
emphasize patience, practice, and the cultivation of a relaxed,
receptive state.
4.1 Foundational Principles
Before attempting any specific technique, several principles are
essential :
●​ Relaxation: Tension inhibits subtle perception. The observer
must be physically and mentally relaxed.
●​ Soft Focus: Auras are perceived through peripheral vision,
not direct staring. The technique involves softening the gaze
and becoming aware of the whole visual field.
●​ Patience: Seeing auras is a skill that develops over time.
Most beginners do not see colors immediately; they may first
perceive a faint, colorless glow.
●​ Practice: Regular practice with willing subjects accelerates
development.
●​ Belief and Openness: A skeptical, closed mind may inhibit
perception; a balanced, open attitude is most conducive to
success.
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4.2 Step-by-Step Technique for Seeing Auras
Darshan Kaur, an NLP therapist who learned aura reading while
working in a bank, provides clear instructions :
1.​ Prepare the Setting: Place your subject against a pale,
neutral background such as a white or cream-colored wall.
Good lighting is essential—auras cannot be seen in
complete darkness .
2.​ Position Yourself: Stand about 10 feet away from your
subject.
3.​ Relax the Subject: Ask them to take a few deep breaths
and release any tension, particularly in the shoulders. A
relaxed subject emits a clearer aura.
4.​ Ground Yourself: Take a few moments to calm and center
your own energy.
5.​ Soft-Focus Gaze: Begin to look at the person, but gradually
defocus your eyes so that you become more aware of the
space around them than of their physical details. Shift your
attention to your peripheral vision.
6.​ Wait and Observe: After a minute or so, you may begin to
perceive a faint, cloud-like glow around the outer edge of the
person's head and shoulders. This may appear as a
colorless mist or a pale blue outline .
7.​ Continue Gazing: As you maintain the soft focus, colors
may begin to appear—first as flashes, then as more stable
fields. The entire process typically takes 3-4 minutes .
Traveler, a practitioner on a spiritual forum, confirms this approach:
"To see energy or someone's aura you need to unfocus your eyes.
Find a spot in the distance of whoever or whatever you're gazing at
so that you have the person or the object in the foreground and
you're looking past them to a spot in the background where you
still see the person or object. After a few moments you should
begin to see a bright energy light outline or a dark blue outline that
is very close to the body or object" .
4.3 Alternative Methods
Self-Observation: Stand before a mirror in dim light. Gaze softly at the
space around your own head and shoulders. Some practitioners
find it easier to perceive their own aura than another's .
Partner Practice: Work with a partner, taking turns as subject and
observer. Compare observations to overcome doubts about
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whether the perceptions are "real or imaginary." Kaur's team of
seven bank workers all saw the same colors when reading the
same subject, confirming for them that they were onto something .
Sensing Rather Than Seeing: Not everyone sees colors visually.
Some people "sense" colors intuitively, receiving impressions of
color without visual perception. This is equally valid .
4.4 Observing Aura Changes
Once you can perceive auras, you may notice how they change
with mood, activity, and health. Kaur describes reading a friend's
aura before and after attending a Rainsabai Kirtan (Sikh devotional
singing). Before, the aura was blue and purple around the top of
the head; afterward, it had moved to the throat area and was much
larger, reflecting the friend's focus on "singing" rather than thinking
.
5. Scientific and Skeptical Perspectives
Any scholarly introduction to auras must engage honestly with the
scientific evidence—or lack thereof.
5.1 Controlled Tests
Attempts to prove the existence of auras under controlled
conditions have repeatedly failed . Key studies include:
●​ Dark Room Test: One test involved placing people in a dark
room and asking psychics to state how many auras they
could observe. Results were no better than chance .
●​ Partition Test: An aura reader stood on one side of a room
with an opaque partition separating her from several slots
that might contain either actual people or mannequins. She
failed to identify the slots containing people, incorrectly
stating that all contained people .
●​ Behind-the-Partition Test: Another aura reader was placed
before a partition where five people were standing. He
claimed he could see their auras from behind the partition.
As each person moved out, he was asked to identify where
that person had been standing. He identified only 2 out of 5
correctly—chance level .
Psychologist Andrew Neher concludes that "there is no good
evidence to support the notion that auras are, in any way, psychic
in origin" .
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5.2 Alternative Explanations
Scientists have proposed several natural explanations for aura
perceptions :
●​ After-Images: Staring at a person and then looking away
can produce an after-image—a ghostly outline in
complementary colors. This is a normal physiological
phenomenon, not evidence of an energy field .
●​ Synesthesia: Some people experience synesthesia, a
neurological condition in which stimulation of one sensory
pathway leads to automatic experiences in another. For
example, seeing colors when hearing sounds or, potentially,
when sensing emotions . However, a 2012 study found no
link between auras and synesthesia, concluding they are
"phenomenologically and behaviorally dissimilar" .
●​ Migraines and Epilepsy: Some forms of migraine and
epilepsy produce visual auras—perceptual disturbances that
can include colored lights and patterns. These are
neurological phenomena unrelated to external energy fields .
●​ Eye Fatigue: Prolonged visual concentration can produce
optical effects, sometimes called "eye burn" .
●​ Psychedelic Drugs: Substances such as LSD can produce
vivid visual phenomena, including the perception of colored
fields around objects and people .
●​ Psychological Factors: Bridgette Perez, writing for the
Skeptical Inquirer, notes that "perceptual distortions,
illusions, and hallucinations might promote belief in auras...
Psychological factors, including absorption, fantasy
proneness, vividness of visual imagery, and after-images,
might also be responsible for the phenomena of the aura" .
●​ Pattern Recognition: The human brain is wired to find
patterns, even where none exist. The tendency to see faces
in clouds or hear voices in random noise (pareidolia) may
also lead people to perceive meaningful patterns in
ambiguous visual stimuli.
5.3 Aura Photography
Attempts to capture auras photographically have a long history:
●​ Kirlian Photography: Discovered in 1939 by Semyon
Davidovich Kirlian, this technique involves placing an object
on photographic paper and passing high voltage across it,
producing an image of a glowing contour around the object .
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Some parapsychologists proposed that these images show
psychic energies. However, studies have found that the
Kirlian effect is caused by moisture on the object. Electricity
produces ionization around moist objects (including living
things), altering the charge pattern on the film. No mysterious
process has been discovered .
●​ Aura Imaging Cameras: Introduced by Guy Coggins in
1992, these cameras claim to use biofeedback data to color
the subject's picture. The technique has failed to yield
reproducible results . Christina Lonsdale's Radiant Human
project uses hand sensors and a proprietary algorithm to
match energy to color, but this is an artistic interpretation
rather than a scientific measurement .
5.4 A Balanced Perspective
The scientific evidence strongly suggests that auras, as objective
energy fields visible to all, do not exist. However, this does not
mean that aura perceptions are meaningless or without value.
Many proponents acknowledge that auras are not physical light.
Robert Bruce suggests that auras are "not actual light but a
translation of other unknown sensory readings that is added to our
visual processing" . This interpretation allows for the possibility that
aura perception is a genuine form of intuitive or energetic
sensitivity, even if it does not involve literal photons.
Christina Lonsdale offers another perspective: "We're all
broadcasting like radio stations without even knowing it" . What we
call "vibes" may be a real, if subtle, form of communication—a
sensitivity to the emotional and energetic states of others that
manifests in consciousness as color perceptions.
6. Working with Auras: Practical Applications
Regardless of one's position on the objective reality of auras, many
people find value in aura work for personal growth and healing.
6.1 Aura Cleansing and Protection
Proponents believe that auras can become clouded, depleted, or
contaminated by negative energy, and that regular cleansing is
beneficial . Common techniques include:
●​ Positive Affirmations: "Bathing" oneself in positive thoughts
to wash away negative energy .
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●​ Meditation: Spending time focused on emotional and mental
health to make the aura more vibrant .
●​ Visualization: Imagining "cleaning" the aura by breathing in
positive energy and breathing out negative light .
●​ Smudging: Burning sage to clear rooms or people of
negative energy—an ancient tradition in many cultures .
●​ Energy Balancing: Working with spiritual teachers or energy
practitioners to identify and correct imbalances .
6.2 Aura Reading for Self-Knowledge
Aura reading can be a tool for self-understanding. By observing
how one's aura changes with different moods, activities, and
environments, one may gain insight into personal patterns and
needs .
6.3 Aura Reading in Relationships
Understanding auras may enhance relationships by providing
insight into others' emotional states and energetic compatibility. As
Mildon notes, "Our frequency, or vibe, is what others can sense or
what attracts or repels us from others, depending on how our
frequency works with theirs" .
6.4 Auras in Healing
In holistic and energy medicine, aura reading is used to assess
health and guide treatment . Practitioners claim that imbalances or
disturbances in the aura can indicate physical or emotional issues
before they manifest as disease. While this lacks scientific
validation, many clients find value in the holistic perspective it
provides.
7. Auras and the Spectrum of Consciousness
As we conclude this exploration, it is worth considering where
auras fit within the broader spectrum of spiritual topics we have
traversed in this series.
From Kabbalah, we learned of the subtle bodies and the
emanations of divine light. From astral projection and travel, we
encountered the astral body—a subtle counterpart to the physical
form that is often described as luminous. From dream analysis,
we discovered the symbolic language of the unconscious, where
colors carry meaning. From lucid dreaming, we found a state
where conscious exploration of inner worlds becomes possible.
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From spirit guides and spirit animals, we explored the concept
of nonphysical entities whose presence might be perceived as
colored energy. From guardian angels, we encountered beings of
light whose traditional depiction includes luminous halos. From the
Akashic Records, we learned of the cosmic library of all
knowledge. From third eye awakening, we explored the faculty of
inner perception that makes aura vision possible.
Auras represent the visible expression of the subtle energies and
states that these other topics describe. They are the interface
between the physical and the subtle, the outer manifestation of
inner conditions. To work with auras is to engage directly with the
energetic dimension of human existence—whether that dimension
is understood as objectively real, as a useful metaphor, or as a
fascinating product of the mind's interpretive capacity.
Conclusion: The Light We Share
The aura remains one of the most visually compelling and
personally meaningful concepts in the world of spirituality. Whether
approached through the elaborate color systems of modern energy
healing, the practical techniques of aura vision, or the critical lens
of scientific skepticism, it invites us to consider a fundamental
question: Is there more to human beings than meets the physical
eye?
For those who practice aura reading, the answer is a resounding
yes. They see—or sense—a world of color, energy, and meaning
surrounding every person they encounter. They use this
information for healing, guidance, and deeper connection. And
they report that their perceptions have been confirmed countless
times through comparison with others and through feedback from
subjects.
For skeptics, the answer is equally clear. The controlled tests have
been done; the results are negative. Auras are best explained as a
combination of perceptual illusions, physiological phenomena, and
the human mind's remarkable capacity for pattern recognition and
meaning-making.
Perhaps there is a middle way. Perhaps the aura is not an
objective physical phenomenon but a genuine expression of
something real—the subtle, complex, multi-dimensional reality of
human consciousness. Perhaps the colors are not literal but
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symbolic, the mind's way of translating subtle energetic
impressions into a language it can understand. Perhaps the value
of aura work lies not in its objective truth but in its capacity to
deepen our attention, sensitivity, and connection to ourselves and
others.
As Darshan Kaur writes, "Being able to see and appreciate auras
is one way of developing our subtle abilities. Spiritual states are
experienced through our senses at a very subtle level, manifesting
as visions, enchanting sounds, depth of feeling outside our normal
range of experience, tastes and fragrances, movement and
communication beyond the usual dimensions of time and space.
These spiritual experiences are the flowers growing naturally on
the wayside, they can be admired and connect us to an increasing
sense of awe of the magnificence of the Creator as we walk on our
spiritual path" .
Whether we see auras or not, we can all appreciate the beauty
and mystery of human consciousness—the invisible light that each
of us carries, the energy we share, the luminous field of connection
that binds us all.
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