LGBTQ+ Digital Publics and Counterpublics on Social Media The ability to operate outside the public mainstream has been important to the LGBTQ+ rights movement for as long as it has existed. Because of the intense stigmatization, and often outright criminalization, of their identities, the queer community has had to create spaces for themselves in which to find each other, build community, and organize for change. With physical, in-person queer spaces moving toward a sort of neoliberal apoliticism as the twenty-first century has progressed, the ways in which LGBTQ+ rights advocates engage in discourse have also changed dramatically, moving from the back rooms of cafes and gay bars to the new online spaces brought forth by the growth of the internet. This essay will examine how modern queer spaces across different social media platforms serve as digital publics and counterpublics for the LGBTQ+ community. First, the essay will analyze Tumblr’s emergence as a digital counterpublic. Then, there will be a look at how the LGBTQ+ community’s presence on Twitter and integration into the mainstream have created a more outward-facing digital public as queer issues have entered the mainstream discourse. The essay will make reference to both the LGBTQ+ community and the queer community. While the terms “LGBTQ+” and “queer” do have functionally different definitions, they will be used interchangeably. Firstly, it’s important to understand how Hill explains the concept of the “digital counterpublic”. The digital counterpublic is rooted in Nancy Frasers’s (1990, quoted in Hill, 2018) idea of the subaltern counterpublic. Fraser’s work is itself a critique of the sociological concept of the “public sphere”. In sociology, the public sphere is a collective of public spaces, including restaurants, cafes, general stores, and community gathering spaces, where private citizens can gather to share ideas, discuss problems, and air grievances against the powers of the State. Fraser argues that the initial construction of this concept does not acknowledge the ways in which marginalized groups have historically been excluded from the public sphere, especially when viewed through the lens of White, middle-class life. Additionally, the framework “presumes a level of individual agency and collective self-identity” (Hill, 2018), which ignores how existing power structures affect the social order. This is where the subaltern counterpublic comes into play. As numerous scholars have pointed out, marginalized groups such as women, the working class, the LGBTQ+ community, and Black people have created counterpublics away from the gaze of the mainstream in order to build their own interpretations of their identities, needs, and community interests. Hill takes Fraser’s conception of counterpublics and expands upon it in a modern context. Specifically, he argues that with the rise of digital media and communication and the growing ease of access to smartphones, the established subaltern counterpublics have either extended their reach or moved fully to online, digitally networked spaces, leading to the creation of these “digital counterpublics”. The coffee shops and Black churches of the past have largely given way to the public forums of the Internet. Cavalcante’s (2018) analysis of queer users’ experiences on Tumblr discusses the platform’s origins and appeal to LGBTQ+ users. Tumblr is an online blogging site launched by David Karp in 2007. Karp was frustrated by the clunky, text-focused nature of existing well-known blogging platforms such as LiveJournal and Wordpress and wanted to create an alternative that was easier to use and allowed the incorporation of other types of media. Tumblr’s early user base consisted of blogs on a wide variety of topics, ranging from analysis and discussion of popular media to erotic writing and art. The abundance of erotic and often pornographic content on the platform was a result of extremely lax moderation policies and Tumblr’s “ethos of permissiveness.” Because of the lack of content policing at the site’s inception, “Tumblr gained a reputation for providing digital space to society’s mainstream, its fringe, and everything in between” (Cavalcante, 2018). This, in addition to Tumblr’s option to open multiple blog pages on a single account and the fact that users aren’t required to provide a “legal” name on signup, made the site very attractive to queer internet users, many of whose identities are multifaceted and constantly shifting. Tumblr’s unique layout also gave users the chance to express and explore their identities in ways that more text-heavy blogging and social media platforms didn’t allow. As Cavalcante puts it, “The site encourages… a “crafted identity”..., one that is characteristically patchwork, dynamic, and evolving. Its design permits users to integrate text, photos, links, and video on their pages, allowing for a multimedia expression of self. Tumblr allows young LGBTQ+ users to mix and match visual imagery, snippets of popular culture, poetry, and so on to express an emergent identity in a way that sites such as Facebook and Twitter simply do not allow” (Cavalcante, 2018). This ability for expression allowed users to create, explore, and discuss new, deeply intersectional aspects of queer identity on the platform. In the years following Tumblr’s creation, it became a bastion of queer expression and community online. Tumblr’s user algorithm and extensive tagging system meant users were connected with others based on shared interests or identities, rather than connecting with people they knew offline as they would on sites such as MySpace, Facebook, or Twitter. This, along with the features already described, meant that Tumblr became a relatively safe place for young LGBTQ+ people to meet others who shared their experiences without the fear of being “outed” to those outside of the community. The result was a strong social network of queer users that could be joined without the risk that came with joining similar communities on other platforms (Cavalcante, 2018). It was within this community that many queer youth took their first “baby steps” into activism. Tumblr provided a space where LGBTQ+ people of different identities and backgrounds could come together and discuss issues affecting both the community at large and them more specifically. These ranged from issues already relevant in the cultural zeitgeist, such as marriage equality and employment discrimination, to movements that sprung up wholesale on the platform itself. The most infamous of these involved discourse surrounding queer microlabels, known more commonly as the MOGAI (Marginalized Orientations, Gender Alignments, and Intersex) movement. The goal of many within the MOGAI movement was largely to create new labels for every possible experience of gender, sexuality, or the lack thereof. Because of an emphasis on language in these new online spaces, many very young users felt that it was important to have language to describe as many different experiences as possible in order to validate all queer experiences. However, the movement never gained traction in the cultural mainstream, or even in the wider queer community. This is because discourse surrounding MOGAI skewed incredibly young, with many in the movement being pre-teens or early teenagers. Because of this, “most of the MOGAI community doesn’t navigate queer life offline” (Lily Alexandre, 2021, 16:48). Discourse surrounding neolabels almost always centered around the politics of validation rather than the structural oppression that comes from actually living with these identities. While young queer people often haven’t yet dealt with the effects of said oppression, “chances are they have dealt with invalidation and shame at a personal level” (Lily Alexandre, 2021, 17:30). Their view of what constitutes oppression is therefore wildly different from that of a queer adult who has experienced these effects. This results in a disconnect between the changes this movement pushes for and the needs of adult LGBTQ+ people who actually engage with queer life offline. While the movement itself didn’t gain much traction outside of Tumblr, its members certainly gained a reputation across the mainstream internet, becoming one of the inspirations for the popular “Tumblr SJW” stereotypes commonly seen in conservative media. While Tumblr doesn’t have a great track record as a launchpad for activism, it has done a great job of connecting people to existing causes. For many young prospective activists, Tumblr has served as a “gateway drug to activism” (Safronova, 2014). As discussed above, the site’s design means that users are connected by shared interests more than any other factor. As a result, anyone with a passing interest in activism can find others who are passionate about the same issues with the click of a few buttons. “...if you type in #marriageequality in the search bar you’ll find posts that show people who are in support of it. Those are the people I would follow. You collect them” (Wargo, 2017, p. 22). The tagging system on Tumblr creates a convenient system for drawing users with passions about similar issues together, as well as providing a fairly in-depth archive of discourse about said issues that take place in these spaces. Tumblr may be slightly different from Hill’s intended definition of the digital counterpublic largely because there wasn’t exactly a real-world equivalent before the advent of the internet. In his discussion, digital counterpublics form as more traditional subaltern counterpublics transition into existing in online spaces. Tumblr’s queer community, however, initially formed on the internet. Because of a lack of physical spaces for queer youth to safely gather and interact, Tumblr was the first interaction that many of its very young users had with the LGBTQ+ community. However, the lack of an origin in the physical world doesn’t discount all of the characteristics of a digital counterspace present in Tumblr’s LGBTQ+ user base. Tumblr has given queer people a space to develop community identity, engage in discourse with other like-minded individuals about issues affecting the community, and discover and explore aspects of their own queer identity in a relatively low-risk way in a space which, thanks to Tumblr’s slightly more obscure status when compared to other popular sites, is removed from the mainstream discourse of the Internet. Before moving to the ways in which “Gay Twitter” functions as a networked public, it’s important to have an understanding of what exactly a networked public is. A networked public extends the concept of the public sphere, which was briefly discussed on the first page of this paper. Similarly to the relationship between counterpublics and digital counterpublics, a networked public is a public whose existence and dynamics have been changed by the advent of networked media. Boyd (2010) discusses the dynamics that differentiate networked publics from traditional publics. Most notably, the audience isn’t always visible when contributing to discourse in a networked public, and the lack of barriers of space and time that exist in physical spaces make it difficult to ensure that whatever contributions are made remain situated in their specific context. The increased visibility and lack of spatial limitations on the number of participants offered by networked media have drastically changed the ways in which individuals interact with publics. Some of the most prolific mediums in the creation of these networked publics are, obviously, social media platforms such as Twitter. One of the larger and more well-known networked publics on Twitter is its LGBTQ+ community, known more colloquially as “Gay Twitter”. As Zulier (2021, p. 101) points out, Gay Twitter isn’t a concrete community, but rather an “arbitrary construct with a sense of a particular community, safety, support and escapism from heteronormativity among queer identities” (p.101). Gay Twitter is admittedly only a subculture of the wider LGBTQ+ community on Twitter. Other sub-spheres of the wider queer cyberspace also exist on the platform, such as Trans Twitter, which engages in its own discourse about issues especially relevant to the community, such as the realities of transition and transphobia. For many queer individuals, Gay Twitter serves as a virtual alternative to the social third spaces that are so quickly either disappearing entirely from public life or being placed behind monetary barriers. Instead of the earrings and handkerchiefs that have often been used to signal queerness in bars and nightclubs, “users on Twitter communicate coded content using self-evidential language, subcultural vernacular, emojis in their profiles, or visuals to symbolize their queerness to others” (p. 104). Among all this coding and community building, however, the LGBTQ+ community on Twitter still experiences much more scrutiny and visibility from the mainstream than a platform such as Tumblr due to the platform’s wider reach. However, this level of visibility does paradoxically limit many queer people from being able to engage in this space. Queer youth of color from the United States are often unable to safely engage with Gay Twitter without having to take the risk of being outed to potentially homophobic friends and family who also use the platform. Because publicness is the default on Twitter, the downside becomes that there’s always a chance of being outed because somebody who didn’t need to know found your Twitter. For this reason, many prefer the seclusion of a platform like Tumblr, where it’s much easier to conceal their identity and they are able to safely express their thoughts about their politics and their experience of queerness without the fear of the damage it might cause to their lives and their relationship with their family (Cho, 2017). In direct contrast with this experience, young LGBTQ+ people in non-Western countries often flock to Twitter as a safe place for them to disclose and explore their queerness. In a study of young queer Malaysian Twitter users (Mohamad Tuah and Mazlan, 2020), many respondents used Twitter for a variety of reason relating to their queer identities. Some used to platform as a way to disseminate knowledge about their own experiences, as well as to gain new information about both their own identities and the identities of other users. For example, one respondent, a pansexual trans man, wanted to use Twitter to educate others about lesser-known identities under the queer umbrella, including his own pansexual identity. Another common answer was that users disclosed their queer identities on Twitter in an attempt to find community and further the LGBTQ+ rights movement. Many felt that it was important to show the larger Malaysian public “that we are humans, that their negative ideas might be wrong, that the whole surface of being LGBTQ is love, and no one can take that from us” (Mohamad Tuah and Mazlan, 2020, p. 441). In addition to fighting bigotry and negative stereotypes, respondents often stated that they were hoping to find some sense of belonging through their disclosure. They hoped that by being openly queer on the platform, they would find other queer people, or at least LGBTQ+-friendly groups, that shared similar interests. But what exactly is it about the queer community’s presence on Twitter that differentiates it from digital counterpublics like Tumblr’s queer users? The answer lies in Gay Twitter’s engagement with mainstream discourse. Unlike Tumblr’s more secluded, insular community of queer users, queer users on Twitter experience a far greater level of visibility. Unlike Tumblr, whose structure encourages the formation of small communities based on shared interests that don’t necessarily interact very often, Twitter thrives on high-visibility posts and public one-to-one conversations. Therefore, there isn’t nearly the same level of concealment of discussions of queerness and queer issues on Twitter as there is on Tumblr. This means that Twitter’s queer community lives in the public eye in a way that makes it impossible for them to move away from the gaze of the public mainstream. Therefore, it’s not possible to categorize Gay Twitter as a digital counterpublic in the same way that Tumblr is categorized as one. Instead, its increased prominence and constant interaction with the mainstream discourse on Twitter means that Gay Twitter moves past the digital counterpublic and becomes a part of the public sphere, therefore making Twitter’s queer community a networked public and thrusting its issues into mainstream consciousness. Social media has become an incredibly important part of the way that queer people navigate the world and society in the years since its creation. While Twitter and Tumblr exist in different contexts and serve different purposes for the larger queer community, both play a part in the way that LGBTQ+ community discuss the issues that affect the community as a whole and the individuals within it. Tumblr creates a place where users can discuss these issues in a more anonymous way, away from the public eye. Then, once there’s been a chance to flesh out the community’s thoughts and needs, they can be brought to the far more visible, outspoken community on Twitter and have the potential to enter the public sphere. Word Count: 2714 Works Cited boyd, danah (2010) ‘Social Network Sites as networked publics: Affordances, Dynamics, and implications’, A Networked Self, pp. 47–66. doi:10.4324/9780203876527-8. Cavalcante, A. (2018) ‘Tumbling into queer utopias and Vortexes: Experiences of LGBTQ social media users on Tumblr’, Journal of Homosexuality, 66(12), pp. 1715– 1735. doi:10.1080/00918369.2018.1511131. Cho, A. (2017) ‘Default publicness: Queer Youth of color, social media, and being outed by the Machine’, New Media & Society, 20(9), pp. 3183–3200. doi:10.1177/1461444817744784. Hill, M.L. (2018) ‘“Thank you, Black Twitter”: State violence, digital counterpublics, and Pedagogies of Resistance’, Urban Education, 53(2), pp. 286–302. doi:10.1177/0042085917747124. Lily Alexandre (2021) Millions of Dead Genders: A MOGAI Retrospective. 11 January. Available at: https://www.youtube.com/watch?v=DoZFZto6Wqg&ab_channel=LilyAlexandre (Accessed: 22 April 2024). Mohamad Tuah, K. and Mazlan, U.S. (2020) ‘Twitter as safe space for self-disclosure among Malaysian LGBTQ youths’, Jurnal Komunikasi: Malaysian Journal of Communication, 36(1), pp. 436–448. doi:10.17576/jkmjc-2020-3601-25. Safronova, V. (2014) Millennials and the age of Tumblr activism, The New York Times. Available at: https://www.nytimes.com/2014/12/21/style/millennials-and-the-age-oftumblr-activism.html (Accessed: 23 April 2024). Wargo, J.M. (2017) ‘#donttagyourhate: Reading, Collecting, and Curating as Genres of Participation in LGBT Youth Activism on Tumblr’, Digital Culture & Education, 9(1), pp. 14–30. Zulier, N.G. (2021) ‘Conceptualization of a queer cyberspace: “gay twitter”’, FZG – Freiburger Zeitschrift für GeschlechterStudien, 27(1), pp. 95–111. doi:10.3224/fzg.v27i1.07.
0
You can add this document to your study collection(s)
Sign in Available only to authorized usersYou can add this document to your saved list
Sign in Available only to authorized users(For complaints, use another form )