False Inspiration-Seinfeld Preview warm up questions 1. Who has been a significant source of inspiration in your life, and in what ways did they influence you? 2. Can you recall a specific instance where someone's encouragement motivated you to achieve something you initially believed was beyond your capabilities? 3. What is your understanding of martial arts, and how does practicing them contribute to the development of self-discipline? Predict: What will the episode be about? Look at the 4 photos Listening Vocabulary 1. Inspiration 1k 2. Catalog 2h 3. Burma 3f 4. Sammy Davis 4g 5. (a body part) like noodles 5l 6. Run off to (somewhere) 6j 7d 7. Carpool 8b 8. To run (something) / In charge 9a 9. Qualified 10e 10. Dominating 11c 11. Markup (price) 12u 12. Support 13o 13. Look inside 14n 14. Spar 15m 15. Beat (someone) 16 16. Wring 17t 17. (To be) Blunt 18s 18. Burnt out 19p 19. Build (someone) up 20q 20. Stance 21r 21. Dojo A. B. C. D. E. F. G. H. I. J. K. L. M. N. O. P. Q. R. S. T. U. having particular skills to have responsibility over something or someone A raise in the price of an item for sale. a group of people who travel together, especially to work or school, usually in a different member's car each day a player, team, or performance that is clearly superior, controlling the game or match in such a way that their opponents have little chance of winning. It involves consistently outplaying the competition through skill, strategy, and physical prowess. An older historical name for Myanmar An American entertainer/singer-popular in the 1960’s70’s a listing (usually in magazine or online format), sometimes with explanations or pictures, of items offered for sale feeling weak, limp, or extremely fatigued, almost as if their muscles have no strength or structure. To suddenly leave someone or something that gives you ideas or motivation for doing something squeeze and twist (something) to defeat someone to engage in a practice combat to examine one's own thoughts or feelings to give assistance the way a practitioner positions their body, particularly their feet, legs, and torso, during training, combat, or movement. To provide balance, stability, and readiness for offense or defense. a training hall or classroom where martial arts are taught and practiced. a state of emotional, physical, and mental exhaustion caused by prolonged stress, often due to work, school, or other demanding responsibilities. to speak in a direct, straightforward, and often harsh or tactless manner. to encourage, praise, or support someone, helping to boost their confidence, self-esteem, or morale. It involves giving positive reinforcement and providing emotional or practical support to help them feel more capable or motivated. PREVIEW: Watch some silent stills of the film and predict what is happening - Use body language, facial expressions and settings for clues. Elaine’s CEO (Peterman) has left the company to vacation in Myanmar. He has abandoned a big catalog project and has left her to create the annual catalog for the company. She feels as if this is too difficult a responsibility for her. Kramer gives her some inspiration from his Karate lessons… Secretary: Elaine, it's Mr. Peterman on the phone. Elaine: (answers the phone) Hello, Mr. Peterman, how are you feeling? J. Peterman (CEO) : Elaine, I'll be blunt. I'm burnt out. I'm fried. _______________ is as barren as the My mind surface of the moon. I can run ___________________no longer. Catalog Elaine: What? Well, who's gonna do it? J. Peterman: What about you? Elaine: Me? Why me? J. Peterman: Why, indeed. Elaine: Mr. Peterman, you can't leave. Already left J. Peterman: I've ______________________, Elaine. I'm in Burma. Elaine: Burma? Know it as J. Peterman: You most likely _____________________ Myanmar, -------------------------Elaine is complaining to Jerry Jerry: Where? Elaine: Burma. Jerry: Isn't it Myanmar now? Wants me to run Elaine: Jerry, he ____________________________! It's crazy! I can't be in charge! Jerry: No, certainly not. Elaine: I mean, I can't give ____________________________! People orders Jerry: No one's gonna listen to you. Qualified to run Elaine: I am not ____________________________the catalog! Jerry: You're not qualified to work at the catalog. [Elaine groans in frustration as Kramer enters.] Whats wronf Kramer: Hey. (notices Elaine) ____________________________? Elaine: Oh, Peterman ran off to Burma, and now he wants me to run the catalog. Kramer: ____________________________? Where Jerry: Myanmar. Kramer: The discount pharmacy? Just gonna tell him no Elaine: Well, I'm just gonna ____________________________.I can't run the catalog. Kramer: Whoa, whoa. Can't? When did that word enter your vocabulary? What, is the job too difficult? (Jerry nods) What, U ____________________________ don’t enough experience ?(Jerry shakes his head) Oh, you're not smart enough? (Jerry shakes his head) Where's your confidence? (Jerry shrugs his shoulders) Look, Elaine, let me tell you a story. When I first studied karate... Elaine: Karate? Kramer: Yeah, karate. I had no support. Not from him, not from Newman, no one. The first time I sparred with an opponent, ____________________________. My legs, they were like noodles. But I was terrified then I looked inside, and I found my kata. Elaine: Kata? Kramer: Yeah, your spirit, your, uh, being. The part of you that says, ”__________________________”! Yes i can Jerry: Sammy Davis had it. Kramer: So I listened to my kata and now <vreep> I'm dominating the dojo. ____________________________. Im class champion Elaine: Well, you know, I, I have watched Peterman run the company. Kramer: Sure you have. Huge markup Elaine: I know how to do it. Pair of pants, a stupid story, ____________________________.I can do that. Kramer: You follow your kata, and you can do anything. (leads her to the door) Now get out of here. Elaine: (excitedly) Okay. [Kramer slams the door in her face] Kramer: That kid is gonna be all right. Jerry: No, she's not. [There's a knock at Jerry's door.] Joey: Come on, Kramer! Hey there Kramer: ____________________________. Down in the car Joey: Come on. Mom's ____________________________. Kramer: Okay, Joey. Dojo Jerry: You guys both have class at the ____________________________? Kramer: No, we're in the same class. Jerry: What do you mean you're in the same class? Kramer: He almost beat me. Jerry: Kramer, you're ____________________________? Fighting children Skill level Kramer: We're all at the same ____________________________Jerry. Jerry: He's nine years old! You don't need karate, you can just wring his neck! [Car horn honks.] Kramer: I got carpool! [New scene. Kramer's carpool.] Kramer: Thanks for the juice box, Mrs. Z. On the way home mom? Joey: Hey, could we stop for ice cream on ____________________, Mrs. Zanfino: Mmm, I don't know... [The kids begin pleading, so Kramer joins in.] ……………………………………………………………………………….. [New scene. Kramer's karate class.] Sensei: Are you prepared for kumite (combat)? Kramer & Joey: Yes, sensei (teacher). Stance Sensei: Fight ______________________. [Kramer & Joey assume fight stance.] Sensei: Begin! [Kramer then frantically makes several karate hand motions, intimidating Joey. What follows is a montage of sequences featuring Kramer challenging his class. He grabs an opponent by the foot and flips him over; knocks one out with a simple karate chop to the head; has another turned upside down being shaken violently; drags another along the floor; and chases several at once.] Sensei: (raising Kramer's arm as the champion) Winner! [The other kids bow their heads in disgrace.] [New scene. Kramer's karate class. Kramer is beating his opponent, a little girl. Elaine walks in, surprised.] Elaine: Kramer! Kramer: Oh, hey. Elaine: What ________________________? Kramer: Oh, well, I-I-I'm dominating. Elaine: You never __________________________ fighting children. Kramer: Well, it's not the size of the opponent, Elaine, it's, uh, the ferocity. Elaine: This is what you used to build me up? This is ______________________________ stupid katra stuff? Kramer: No, no. That's from, uh, (the film) Star Trek III... “The Search for Spock” (Note: Star Trek is a classic 1960s-1990s science fiction program). Elaine: Search... for Spock?! Kramer: Yeah, I know Jerry will tell you that “ The Wrath of Khan” (Star Trek II) is the better picture, but for me, I always... Elaine: (pushes him) You doofus (fool)! [As Kramer is knocked down, there is amazed murmuring among his peers.] ------------------ Sammy Davis (1960’s lounge singer) / Examples of Annual Clothing catalogs (note the fanciful descriptions of items as eluded to by Elaine) Comprehension Questions 1. What significant event triggers Elaine's stress in the script? 2. How does Elaine initially feel about taking on the responsibility of running the catalog? 3. What advice does Kramer give Elaine to help her overcome her self-doubt? 4. How does Jerry react to Elaine’s situation and Kramer’s advice? 5. What surprising fact about Kramer’s karate class is revealed at the end of the script? Vocabulary Questions 1. What does the word "abandoned" mean as used in the script? 2. What is the meaning of the word "inspiration" as used by Kramer? 3. What does "overwhelmed" mean in the context of Elaine’s feelings about the project? 4. How is the term "qualified" used to describe Elaine’s feelings about her ability to manage the catalog? After Viewing: Role Play the Script Underline and identify how the idioms or expressions are used in the script. Discussion 1. Do you think working for a fashion catalog company would be enjoyable? Why or why not? 2. Have you had experience delegating tasks to others? Describe that experience. 3. If you were in Elaine’s situation, do you believe you could effectively manage Elaine’s role? Why or why not? 4. Have you ever been assigned a project that felt overwhelming? How did you manage it? 5. Should Jerry inform Elaine about Kramer’s true Karate situation (where he is the champion in a room of children), or should he allow her to remain inspired by him? 6. What is your favorite fashion catalog, and what do you find appealing about it? 7. If your supervisor left you in charge of a major company project and then abandoned it to go on vacation, how would you handle the situation? 8. Have you ever been let down by someone who initially inspired you? Who were they, and what happened? 9. What is your interpretation of the saying “never meet your heroes”? Do you agree or disagree with it? 10. Have you practiced any form of martial arts? What was your experience like, and would you recommend it? 11. What type of personality is most likely to benefit from practicing martial arts? 12. Do you think children or adults gain more from martial arts training? 13. How do you think Elaine will react once she learns the truth about Kramer’s karate expertise? 14. Was Jerry acting as a bad friend to Elaine, or was he simply being practical and realistic? 15. Have you ever participated in carpooling? What was your experience? 16. Create your own question: ________________________________________ Themes of the Script 1. Responsibility and Self-Doubt: Elaine grapples with the challenge of managing a significant project after her boss abandons it. Her self-doubt and fear of inadequacy are central to the narrative, highlighting her struggle to accept and embrace the responsibility. 2. Inspiration and Self-Empowerment: Kramer's advice about karate and finding one's "kata" serves as a metaphor for self-belief and empowerment. He encourages Elaine to overcome her self-doubt by finding her inner confidence, reflecting the theme of personal growth through self-empowerment. 3. Mentorship and Guidance: Kramer's role as a mentor, despite his unconventional approach, underscores the theme of guidance. His attempt to inspire Elaine through his own experiences with karate illustrates the impact of mentorship on overcoming personal challenges. 4. Perception vs. Reality: The script plays with the discrepancy between how things appear and their actual nature. For example, Elaine's perception of her capability versus her actual experience is a key point, as is Kramer's exaggerated portrayal of his karate skills. 5. Challenge and Overcoming Fear: Elaine's fear of taking on a major project is a central theme. Her apprehension about managing the catalog reflects a broader theme of confronting and overcoming personal fears and insecurities. Kramer's story about karate underscores the idea that facing challenges can lead to growth. 6. Contrasts in Expertise and Experience: The contrast between Kramer’s exaggerated claims of karate prowess and his actual experience, along with Elaine’s perceived lack of qualification versus her actual experience with the catalog, highlights themes of expertise and experience. It reflects how perceived competence can differ from actual skills and knowledge. 7. The Influence of Role Models: Kramer's role as an unlikely role model for Elaine shows how people can be inspired by those who may not traditionally be seen as mentors. This theme explores how unconventional role models can provide valuable lessons and encouragement.
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