Optomechanical Systems Engineering Lesson 2 – Optical Fundamentals Keith J. Kasunic, Ph.D. Technical Director Optical Systems Group, LLC 2.1 Optical Fundamentals 2.1.1 Imaging • A white card pointed at a scene does not produce an image image. • Lenses and curved mirrors modify wavefronts to create an image. • A diverging wavefront, for example, can be converted to a converging Converging wavefront, creating a point-to-point reproduction (i.e., an image) of the object. j • The lens index and radii determine the type and degree of modification. (a) Image Object Lens Copyright © 2012 by Keith J. Kasunic 2-2 2.1 Optical Fundamentals v1 = c/n1 Wavefront W f t Propagation > n1 0.2 to 30 microns m) m = 10-6 meters = 39.4 inches 25 um ~ 0.001” (1 mil) v2 = c/n2 Snell’s Law: n1sinI1 = n2sinI2 Copyright © 2012 by Keith J. Kasunic 2-3 2.1 Optical Fundamentals 2.1.1 Imaging Surface Normal i Snell’s Law for curved surfaces Paraxial Rays Marginal Rays n> 1 n= 1 Wavefronts and Rays Converging Image relies on the same optical path length OPL = ∑ niLi for all rays OPL = n1L1 + n2L2 + n3L3 As rays ttravell farther A f th in i air, they move through a thinner part of the lens Copyright © 2012 by Keith J. Kasunic 2-4 2.1 Optical Fundamentals How Does a Lens Change Wavefront Curvature? Lens Maker’s Equation (Thin Lens) 1 1 1 (n 1) f R1 R2 R1 = radius of1st surface of lens R2 = radius of 2nd surface of lens • The wavefront exits from the thinner edges of the lens first, and moves faster than in the lens • The shape of the transmitted wavefront depends on the shape of the surface • Spherical surfaces create spherical wavefronts g or diverge g which converge • Imperfections in the surface will create errors in the wavefront Copyright © 2012 by Keith J. Kasunic 2-5 2.1 Optical Fundamentals Lens Types Positive Lenses Negative Lenses Copyright © 2012 by Keith J. Kasunic 2-6 2.1 Optical Fundamentals Where is the Image Located? “Imaging Equation” (a) (a) so = ∞ si = f Co = 0 1 1 1 f so si (b) so = si = 2f Co = 1/2f (c) so = f si = ∞ f = lens focal length so = object distance si = image distance Co = 1/f Copyright © 2012 by Keith J. Kasunic 2-7 2.1 Optical Fundamentals Imaging • For a given focal length, the object bj t di distance t so determines d t i where the image is located (si). • For a distant object, the lens has enough power to bring the collimated wavefronts to focus at the focal length f. • But the lens doesn’t have enough power to first straighten g out a diverging g g wavefront, and then bring it to focus at the focal length. 1 1 1 f so si The sum of the wavefront curvatures (1/so + 1/si) is a constant ((= 1/f,, lens power) p ) Ci = 1/f Co = 0 Co = 1/so • So real images move away Co = 1/f from the lens as the object moves in closer. Copyright © 2012 by Keith J. Kasunic Ci = 1/si Ci = 0 2-8 2.1 Optical Fundamentals Summary of Imaging • The curved surfaces of a lens changes the curvature of the incident wavefront. Less power • How much a lens modifies the wavefront depends on the lens refractive power = 1/f = C1 + C2 • From a wavefront perspective, the sum off the th wavefront f t curvature t incident i id t on and exiting from the lens is a constant. • In most cases,, imperfections p in the index or surface will create errors in the wavefront. • Controlling these imperfections is a key task of the optomechanical engineer. Copyright © 2012 by Keith J. Kasunic 2-9 2.1 Optical Fundamentals 2.1.2 Field of View (FOV) • Not all p points on the object j are “on-axis”. • Instead, almost all points are “off-axis”, and these points determine the field-of-view (FOV) of the system. • The concept p of a ray y– i.e., a perpendicular to the wavefront – is used to determine the FOV. f • Parallel rays represent planar wavefronts. • Converging or diverging rays represent focusing or defocusing wavefronts. Copyright © 2012 by Keith J. Kasunic 2-10 2.1 Optical Fundamentals 2.1.3 Relative Aperture • Image g “brightness” g is proportional to the diameter D of the lens collecting light. • The collected power is ~ D2, so image brightness is ~ D2. • The same power spread out over a larger screen area reduces d th the iimage b brightness. i ht • Image area is ~ f2, so image brightness is ~ 1/f2. • Putting these two concepts together, we find that image brightness is ~ (D/f)2. • The relative aperture (f/#) depends on the inverse of this, or f/# = f/D. Dia. D Projection screen or white hit paper f • The longer focal length has a smaller IFOV, reducing the g collected by y amount of light each pixel. Copyright © 2012 by Keith J. Kasunic 2-11 2.2 Optical Fundamentals Wavefront Error and Aberrations Vincent Van Gogh, g , “Starry Night” Vincent Van Gogh Gogh, “Café Terrace at Night” Copyright © 2012 by Keith J. Kasunic 2-12 2.2 Optical Fundamentals Wavefront Error and Aberrations • The image quality may be a convolution of the geometrical image with th aberration-limited the b ti li it d lens l performance f (point ( i t spread d function) f ti ) • Each point on the object is blurred by the point spread function Spherical Aberration Lens Point Spread Function (PSF) Copyright © 2012 by Keith J. Kasunic 2-13 2.2 Optical Fundamentals Wavefront Error and Aberrations • Even for a lens with perfectly spherical surfaces, the wavefront may have errors (aberrations) • The reasons for aberrations and wavefront error (WFE) include: 1. Lens design (residual aberrations) 2 Fabrication 2. 3. Alignment 4. Environmental Factors: stress and strain, vibration, temperature changes temperature gradients, changes, gradients etc. etc Copyright © 2012 by Keith J. Kasunic vs. RMS 2-14 2.2 Optical Fundamentals Wavefront Error and Aberrations • Understanding what lens designers do gives us better insight into the challenges of opto-mechanical design • First-order designs based on geometrical optics do not produce good images… • The lens designer’s job is reduce red ce the aberrations fo found nd in a 1st-order order design to an “acceptable” level, thus improving image quality First-order design for a MWIR imager Credit: Warren J. Smith, Modern Optical Engineering (4th Edition), McGraw-Hill, 2008 Aberration-corrected design g for the same imager Copyright © 2012 by Keith J. Kasunic 2-15 2.2 Optical Fundamentals 2.2.1 Lens Design – Spherical Aberration • For lenses with spherical p surfaces,, it is seen as a difference in focal length for the paraxial (O) and marginal (R) rays • It is also seen as a large symmetrical blur of any point on the object • A result of the nonlinearity of Snell’s law creating changes in optical path length (or optical path difference, OPD): • Larger incidence angles bend differently than smaller Credit: Warren J. Smith, Modern Optical Engineering (4th Edition), McGraw-Hill, 2008 Copyright © 2012 by Keith J. Kasunic 2-16 2.2 Optical Fundamentals Lens Design – Coma • Seen as a cone-shaped p blur for off-axis p points • Coma is a result of upper (A) rays incident on the top of the lens seeing a different refraction angle i than the lower (B) rays • Blur size for a minimum-spherical lens depends on both the f/# and offaxis angle up i up Up = off-axis angle g ((radians)) Credit: Warren J. Smith, Modern Optical Engineering (4th Edition), McGraw-Hill, 2008 Copyright © 2012 by Keith J. Kasunic 2-17 2.2 Optical Fundamentals Lens Design – Astigmatism • Seen as distinct lines as the image plane is moved through focus • A result of the asymmetry of incidence angles for rays in the tangential plane, but not in the sagittal Angular blur size at intermediate focus, for minimum-spherical shape Credit: Warren J. Smith, Modern Optical Engineering (4th Edition), McGraw-Hill, 2008 Copyright © 2012 by Keith J. Kasunic 2-18 2.2 Optical Fundamentals Lens Design – Field Curvature • Seen as a parabolic “best surface” for the image of off-axis points • Not an aberration of image blur, but of image location (along z-axis) Credit: Warren J. Smith, Modern Optical Engineering (4th Edition), McGraw-Hill, 2008 Copyright © 2012 by Keith J. Kasunic 2-19 2.2 Optical Fundamentals Lens Design – Distortion • Seen as a scrunching or squeezing of off-axis points • Not an aberration of image blur, but of image location (in detector plane) Ref: f James C. C Wyant and K. Creath, C ““Basic Wavefront f Aberration Theory for f Optical O Metrology”, ” in APPLIED OPTICS AND OPTICAL ENGINEERING, VOL. Xl, Academic Press, 1992. Copyright © 2012 by Keith J. Kasunic 2-20 2.2 Optical Fundamentals Lens Design – Axial Chromatic Aberration • Seen as a colored blur surrounding a central point as focus is changed • A result of the wavelength dependence of the refractive index n() • Depends on the index dispersion through the Abbe V-number (V/#) Longitudinal axial: f = f/V Transverse axial: Credit: Warren J. Smith, Modern Optical Engineering (4th Edition), McGraw-Hill, 2008 Copyright © 2012 by Keith J. Kasunic 2-21 2.2 Optical Fundamentals Lens Design – Lateral Chromatic Aberration • Seen as a color separation in the image plane for off-axis points • A result of the wavelength dependence of the refractive index n() 19 1.9 Refractive Index, n( ) N-SF6 1.8 1.7 1.6 N-BK7 1.5 1.4 0.2 0.4 0.6 0.8 1 1.2 1.4 1.6 Wavelength, (um) Credit: Warren J. Smith, Modern Optical Engineering (4th Edition), McGraw-Hill, 2008 Copyright © 2012 by Keith J. Kasunic 2-22 2.2 Optical Fundamentals 2.2 Summary • Once aberrations are reduced to an “acceptable” p level,, lens designers g create prescriptions for each of the lenses (elements) in the system. • Even if aberrations could be completely removed, a phenomenon known as diffraction limits the smallest attainable blur size. Chief ray Marginal g ray Copyright © 2012 by Keith J. Kasunic 2-23 2.3 Optical Fundamentals Diffraction • The best performance attainable from a lens is known as “diffraction limited”, i.e., not limited by aberrations • A diffraction-limited (WFE = 0) lens has the smallest-possible blur size. Bessel J1(x)/x Airy disk size (angular , or physical B) Copyright © 2012 by Keith J. Kasunic 24 2-24 2.3 Optical Fundamentals Image Quality • The criterion for diffraction-limited i imaging i was established t bli h d b by JJohn h Strutt (Lord Rayleigh) using a perfect optic’s ability to resolve 2 point sources such as stars or laser beams • He found that points are resolved when the peak of one sits on the first zero off the th other th S = 1 1.22 22 x f/#. f/# • WFE of as much as /4 waves peak-to-valley p y (≈ ( /14 RMS)) is also difficult to distinguish from WFE = 0, and is also called diffraction limited. f/# Sparrow criterion S 1.22 f/# Rayleigh criterion WFE ≤ 0.25 PV ≤ 0.07 RMS • The WFE of an optical system is “Quarter-wave” optics = thus a key measure of resolving “diffraction-limited” optics power and image quality. Copyright © 2012 by Keith J. Kasunic 2-25 2.3 Optical Fundamentals Wavefront Error • WFE can be specified as either peak-to-valley (PV) or root-mean-square (RMS). • For example, California geography with Death Valley (-282 feet) and Mt. Whitney elevations (+14,494 ft) gives a PV deviation of 14,776 ft (4.4 km) • The Th RMS deviation d i ti averaged d over allll off California C lif i iis much h smaller. ll • The relationship between PV WFE and RMS depends on the aberration. • By removing outliers such as 6-sigma deviations, the RMS WFE is a much better statistical measure of image quality quality. WFE PV 5 WFE RMS For random fabrication errors Credit: Optimax Inc. Copyright © 2012 by Keith J. Kasunic 2-26 2.3 Optical Fundamentals Root-sum-square (RSS) addition for uncorrelated errors Wavefront Error • WFE budgets summarize the total WFE expected in a system (including lenses). • The Th RMS WFE budget b d t to t the right includes residual lens design WFE (aberrations) as well as optomechanical terms. • Defocus is often used for WFE budget comparisons (WPV = 3.5WRMS), such that /14 ((0.071 waves)) RMS ≈ /4 (0.25 waves) PV. Copyright © 2012 by Keith J. Kasunic WFE s WFE12 WFE 22 ... 2-27
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