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Theory of Music Grade 6 Past Paper (Nov 2020)

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G R A D E
06
THEORY OF MUSIC
PAST PAPER
November 2020 Grade 6
(C Paper)
ISBN 978-1-80051-488-1
Published by
Trinity College London Press Ltd
trinitycollege.com
Registered in England
Company no. 09726123
Copyright © 2021 Trinity College London Press Ltd
This impression August 2021
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Theory of Music Grade 6
November 2020
Your full name (as on appointment form). Please use BLOCK CAPITALS.
________________________________________________________________________________________
Your signature
Registration number
________________________________________
____________________________
Centre
_________________________________________
Instructions to Candidates
1. The time allowed for answering this paper is three (3) hours.
2.Fill in your name and the candidate number printed on your appointment form in the appropriate
spaces on this paper, and on any other sheets that you use.
3. Do not open this paper until you are told to do so.
4. This paper contains seven (7) sections and you should answer all of them.
5. Read each question carefully before answering it. Your answers must be written legibly in pen or
pencil in the spaces provided.
6. You are reminded that you are bound by the regulations for written exams displayed at the exam
centre and listed on page 4 of the current edition of the written exams syllabus. In particular, you are
reminded that you are not allowed to bring books, music or papers into the exam room. Bags must be
left at the back of the room under the supervision of the invigilator.
7. If you leave the exam room you will not be allowed to return.
Examiner’s use only:
1 (10)
2 (15)
3 (15)
4 (15)
5 (10)
6 (15)
7 (20)
Total
(C–06)
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Grade 6
November 2020 (C)
Section 1 (10 marks)
1.1
What does the time signature
Boxes for
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use only
6
16 indicate?
�������������������������������������������������������������������������������������
1.2
Of which minor scale is Bb the dominant?
�������������������������������������������������������������������������������������
1.3
On the stave below write an augmented triad on Bb:
B
1.4
Name the note which is a perfect 5th above G#.
�������������������������������������������������������������������������������������
1.5
Write the correct figured bass indication below the chord:
b
b
& b
w
w
? b nw
bb w
{
1.6
Write below (in ascending) order the names of the notes which form a chord of F# major,
second inversion.
�������������������������������������������������������������������������������������
2
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November 2020 (C)
Grade 6
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1.7
What is meant by con sordino?
�������������������������������������������������������������������������������������
1.8
Name the notes (in ascending order) which form the chord indicated by the chord symbol B7/F#.
�������������������������������������������������������������������������������������
1.9
What is another name for ABA structure?
�������������������������������������������������������������������������������������
1.10
Which two keys have a key signature of three flats?
�������������������������������������������������������������������������������������
3
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Grade 6
November 2020 (C)
Section 2 (15 marks)
2.1
Add accidentals to the notes which need them to make this a descending scale of F melodic minor:
B w
2.2
Boxes for
examiner’s
use only
w
w
w
w
w
w
w
Using the correct key signature, write in four groups of four quavers an ascending broken chord
of the dominant 7th, second inversion, in the key of D:
?
2.3
This passage is for clarinet in Bb. Rewrite it at sounding pitch. Do not use a key signature but
add accidentals to notes which need them.
˙ œœ ˙ œ
4
˙ nœ œ ˙ #œ
bœ Œ Ó
&4
#œ œ #œ œ œ #œ
œ œ #œ œ #œ œ
Verdi
4
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Grade 6
November 2020 (C)
Section 3 (15 marks)
3.1
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Write an 8-bar melody for violin in the key of D major. You may use the following as a start if
you wish:
## 3 œ
& 4
Grazioso
œ œ œ
œ
œ
œ
mf
## 3
& 4
Section 4 (15 marks)
4.1
Continue this chord progression by writing it one step lower at each repetition to form a
harmonic sequence, ending as shown:
b4 Œ œ œ œ
b
& 4 ˙™
œ w
w
{
? bb 4 ˙™
4 ˙™
b
&b
{
? bb
œ œw œ œ œ œ œ
œ
œ
w
w
w
w
(Please turn over for section 5)
5
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Grade 6
November 2020 (C)
Section 5 (10 marks)
5.1
Write out this passage in open score:
#2 œ œ œ
j œ œ
œ
œ
.
& 4 œ œ œœ. œ œ #œ
J
œ. œj œ œ
? # 2 œœ œœ œœ œ.
œ œ œ
4
J
{
Boxes for
examiner’s
use only
j œ œ
j œ œ
‰
œ
œ
œ
.
œœ œ œ œ #œ
œœ œJ œ
œ
œœ ‰ œœj œœ œ œ œ.
œ œ œ œj œ œ
œ œ œ
J
Tchaikovsky
˙˙
˙˙
6
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Grade 6
November 2020 (C)
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Section 6 (15 marks)
6.1
Label the chords of this phrase with Roman numerals below the stave and chord symbols above,
and complete it with an appropriate cadence.
#c
œ
œœ
œœ
œ
œ
? # c œœ
œ
œ
œ
œ
œ
œ
œœ
œœ
&
{
Dix
œ
˙
(Please turn over for section 7)
7
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Grade 6
November 2020 (C)
Section 7 (20 marks)
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Study this passage and answer the questions opposite.
Æ
œÆ œÆ œ
œ œÆ œ™ œ
Presto, ma non troppo
## 2 j
& 4œ œ
{
œ œ
œ
' '
p innocentemente
. .
‰ œœ œœ ‰
. .
‰ œœ œœ ‰
? ## 42 ‰
œœœœœ œ
Ϫ
#
&#
6
{
? ## ‰
œœ. œœ.
#
& # œœ œœ
. .
## œœ
&
16
{
m
#œ ™ œ œ
œ. œ. œ. œ.
œ œ œ œ
œœÆ œJ
J
œ
Œ
Ϯ
? ‰
Ϯ
œ. œ.
? ## ‰ œ œ ‰ ‰
‰
&
n œœ. œ œœ. œ
‰
œ 9œ
‰ ™™ ™™ J
œœ. œœ.
‰
‰
#œ
J
œœ. œœ.
œÆ œ
Æ
#œ
œ ‰ ™ ™‰ ‰
™ ™ & œœ œœ ‰
œ
. .
f
œœ œœ œ
. . œ
‰
Æ
œÆ œ œ ™
‰
Æ
œÆ œ
4p
œ œ œÆ œÆ œ
œ œ œ œ
œ œ
'
## Ϫ
&
11
{
œœ.
œœ. œœ.
‰
Haydn
‰ œœ œœ ‰
. .
Ϯ Ϯ
œ œœ œœ™™ œœ œ œ
œ '
'
œ. œ.
œ. œ.
‰ œ œ ‰ ‰ œ œ ‰
œ œ
œœ œ œ
' '
œ œ ‰
œ. œ.
œ™ œ œÆ œ.
‰ œ œ ‰
œœ œœ
. .
œ ™ œ œÆ .
œ
‰ œ œ œ
œ. œ. œ.
œ
œ
? œ
‰ ™™
‰ ™™
8
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November 2020 (C)
Grade 6
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7.1
Through which key does the music pass in bars 9-10?��������������������������������������
7.2
Write the correct Roman numeral below the chord on the first beat of bar 11.
7.3
Write the correct chord symbol above the chord on the second beat of bar 2.
7.4
Circle an accented passing note in bar 6.
7.5
Write out the ornament in bar 7 as it would sound.
7.6
Write the correct figured bass indication below the chord on the second beat of bar 19.
7.7
Name the interval between the bracketed notes in the lower line of bar 19.
��������������������������������������������������������������������������������������
7.8
What is the name of the cadence in bars 11 (second beat) to 12 (first beat)?
�������������������������������������������������������������������������������������
7.9
Give the number of a bar which contains only notes of the subdominant triad. ������������������
7.10
What is the meaning of Presto, ma non troppo?
�������������������������������������������������������������������������������������
9
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