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one thing you liked about the story
one question you had about the CRAFT or writerly decisions in the story
Kelsey Collins:
I liked the vivid imagery that was followed by a change of emotion in each sentence.
What do you think would be different if you added dialogue earlier in the story?
William Ince:
I like the attention to the presence of each character and what they bring to each scene.
Does the lynx need protection, or does it cause danger?
Alisha Monga:
I like a little understanding of the story before so when the crash happened, we felt the feelings
that came from it.
How is the beginning presented to each character?
Annabel Tevonian:
I like how the man is unknown, he’s just looked at for what he is as the focus is what he has.
What do you think would be different if the man had a name and was present from the start?
Samuel Thomas:
I like how the story was short but reading each line you wouldn’t be able to tell if it's going to
end or not.
What is the most prominent emotion you want to feel in the breaks of the paragraphs?
Easton waller:
I like the energy throughout the story, very upbeat through tears being known as a sad idea.
What resemblance do the twenty tears bring to the story, positively or negatively?
Emma Baldwin:
I like the set-up of the story as anxiety is built and felt by the main character.
What was the inspiration to write each event down in that order corresponding with the age?
Zachary Laforce:
I liked the small details of childhood, “if the seniors were right,” each reader would understand
and feel something even from that line.
Is being in the dark coincidental with how the boys are feeling throughout the story?
Grace Epperly;
I like how Ed didn’t move physically in the story, but every sentence was moving and easy to
understand.
How was Lucy made to feel as she became the outlet to the stars, Ed was feeling and now
seeing her as?
Lilly Reiner:
I like how the setting changed and the inner conflict stayed relevant to each feeling carried by
Sarah.
What is more important the feelings Sarah felt, or the actions that followed?
Maxwell Rule:
I like the middle paragraphs starting with a change of pace and peace of mind, so and despite.
What would be different if there were more details to settings as there was the feeling of the
rain?
Mason Turner:
I like how the story is short but still carries different emotions.
What would be different if the feeling at the end was placed after the sneeze?
Mackinzie Gatemeyer:
I like how at the end the character’s got closure just as the reader did.
How might the story differ if the dialogue didn’t reveal so much of each character’s personality?