Qui
z1.
1:HoaandToa
1.
TheEgy
pt
i
anconst
r
uct
st
hei
rpy
r
ami
dsandt
empl
ebyusi
ngpost Tr
abeat
edt
y
peof
andl
i
nt
el
.Whatdoy
oucal
l
t
hi
ssy
st
em ofconst
r
uct
i
on?
Const
r
uct
i
on&
Col
umnart
y
peof
Const
r
uct
i
on
2.
Whatar
et
hear
chi
t
ect
ur
al
char
act
er
sofMesopot
ami
an
Ar
chi
t
ect
ur
e?
3.
Py
r
ami
dswer
ebui
l
tbecauseofr
el
i
gi
ousi
nf
l
uence.Whi
choft
he
f
ol
l
owi
ngar
et
hepr
i
mar
yr
easons?
4.
Enumer
at
et
hepar
t
sofapy
r
ami
dcompl
ex
El
ev
at
edCauseway
,
Of
f
er
i
ngChapel
,
Mor
t
uar
y
,
Val
l
ey
Bui
l
di
ng
5.
Whi
chi
st
her
i
ghtchr
onol
ogi
cal
or
derofMesopot
ami
an
Ar
chi
t
ect
ur
ePer
i
od?
Baby
l
oni
an,
Assy
r
i
an,
NeoBaby
l
oni
anand
Per
si
anPer
i
od
6.
Whati
st
het
y
peofconst
r
uct
i
onsy
st
em ofGr
eekAr
chi
t
ect
ur
e?
7.
Ar
chi
t
ect
ur
eChar
act
er
i
st
i
csoft
heGr
eekCi
v
i
l
i
zat
i
onAr
chi
t
ect
ur
e
ar
ef
ol
l
owed:
Si
mpl
i
ci
t
y&Har
mony
,
Per
f
ect
i
onof
Pr
opor
t
i
onsand
Ref
i
nementofDet
ai
l
s
8.
Thechar
act
er
i
st
i
cRenai
ssancewal
l
whi
chhascutst
oneshav
i
ng
st
r
ongl
yemphasi
zedr
ecessedj
oi
nt
sandsmoot
horr
oughl
y
t
ext
ur
edbl
ockf
acesi
s
Rust
i
cat
edMasonr
y
9.
Undert
heHi
ghRenai
ssanceper
i
od,
t
her
ewasaphasewher
ei
n
bui
l
di
ngwer
econcei
v
edi
nanonRomanway
:
Manner
i
st
10.
Mi
chel
angel
oBuonar
r
ot
t
i
pr
esent
edaLat
i
nCr
ossPl
anf
ort
heSt
. Fal
se
Pet
er
’
sBasi
l
i
ca
11.
Ext
r
emef
or
msofAr
chi
t
ect
ur
ei
nbar
oquewhi
chwasdev
el
opedi
n RococoDesi
gn
Fr
ance
12.
Whi
choft
hef
ol
l
owi
ngar
echar
act
er
i
st
i
csofRococo?
13.
TheChi
nesepagodai
st
y
pi
cal
l
yhowmanyst
or
i
es?
14.
At
y
peoff
i
r
edr
ooft
i
l
e,
nor
mal
l
ymadef
r
om cl
ay
.I
ti
ssshapedi
n Pant
i
l
e
appear
anceandi
ssi
ngl
el
ap,
meani
ngt
hatt
heendoft
het
i
l
el
aps
onl
yt
hecour
sei
mmedi
at
el
ybel
ow.Fl
att
i
l
esnor
mal
l
yl
apt
wo
cour
ses.
15.
Agener
al
bel
i
ef
sandt
r
adi
t
i
onsofChi
neseaboutl
uckt
hataf
f
ect
s Fengshui
ar
chi
t
ect
ur
e
16.
ThebestofJapan’
scast
l
eswi
t
hsomeofi
t
sor
i
gi
nal
i
nt
er
i
orand
Massi
v
eness,
Monument
al
i
t
y
,
Gr
andeur
9or13
Hi
mej
i
Cast
l
e
ext
er
i
orar
est
i
l
l
i
nt
act
.I
thasmanagedt
obei
ngdest
r
oy
edbyaf
i
r
e
ornat
ur
al
di
sast
erandwasnev
erat
t
acked.I
twasbui
l
tbyI
keda
Ter
umasa
17.
For
mer
l
yt
her
esi
denceoft
heDal
ai
Lama,
i
tcont
ai
nsov
era
t
housandr
oomswi
t
hi
nt
hi
r
t
eenst
or
i
esandconsi
der
edast
he
mosti
mpor
t
antexampl
eofTi
bet
anar
chi
t
ect
ur
e
18.
I
ti
st
het
r
adi
t
i
onal
Mar
anaohousef
ort
heupper
cl
assmember
s
oft
hecommuni
t
y
19.
Themosti
mpor
t
antr
easononhav
i
ngt
hi
sar
eai
nahouseon
Si
l
ong
st
i
l
t
si
st
ocr
eat
eabuf
f
erar
eaf
orr
i
si
ngwat
er
sdur
i
ngf
l
oods,
and
t
opr
ev
entpest
ssuchasr
at
sf
r
om get
t
i
ngupt
ot
hel
i
v
i
ng.
20.
I
ti
sconsi
der
edast
he1stsky
scr
aperi
nt
hePhi
l
i
ppi
neshav
i
ng12
st
or
ey
sdesi
gnedbyAngel
Nakpi
l
21.
I
ti
st
hef
i
r
stheadquar
t
er
soft
hePhi
l
i
ppi
neNat
i
onal
Bankwhi
chi
s
cTempl
e
l
ocat
edi
nEscol
t
a.I
ti
sal
soconsi
der
edast
hef
i
r
stmul
t
i
st
r
uct
ur
e Masoni
andconcr
et
ebui
l
di
ngi
nt
hePhi
l
i
ppi
nes.
22.
Heasconsi
der
edas“
Youngwi
t
hFl
ai
r
”ar
chi
t
ectoft
hePhi
l
i
ppi
ne
Cont
empor
ar
yar
chi
t
ect
ur
e
23.
Ar
chi
t
ectFr
oi
l
anHongat
t
empt
edt
ogett
heessenceoft
he
Mani
l
aFi
l
m Cent
er
Par
t
henoni
nAccor
dancewi
t
ht
hewi
shesoft
heFi
r
stLady
,
I
mel
da
Mar
cos.Ther
esul
ti
spr
obabl
ynotent
i
r
el
ysat
i
sf
act
or
y
.Whatdo
y
oucal
l
t
hi
sst
r
uct
ur
e?
24.
Theset
woFi
l
i
pi
noAr
chi
t
ect
swer
ebr
oughtt
oEur
opet
ost
udy
Mast
erBui
l
derCour
se
25.
I
nGr
eekt
empl
es,
i
tr
ef
er
st
ot
hesuper
st
r
uct
ur
eofmol
di
ngsand
bandswhi
chl
i
ehor
i
zont
al
l
yabov
ecol
umns,
r
est
i
ngont
hei
r
capi
t
al
s
26.
Char
act
er
i
st
i
csofEt
r
uscanar
chi
t
ect
ur
e
27.
ForGr
eeks,
i
ti
scov
er
edwal
kway
sorpor
t
i
cos,
commonl
yf
or
publ
i
cusage.
St
oa
28.
Anopenai
rt
heat
er
,
usual
l
yhol
l
owedoutoft
hesl
opeofahi
l
l
si
de
wi
t
hat
i
er
edseat
i
ngar
eaar
oundandf
aci
ngaci
r
cul
aror
chest
r
a
backedbyt
heskene,
abui
l
di
ngf
ort
heact
or
s’
use.
Odei
on
29.
I
ti
sananci
entGr
eekwr
est
l
i
ngschool
.Al
so,
t
hesoci
al
cent
erf
or
mal
eci
t
i
zensi
ncl
udedspect
at
or
sar
eas,
bat
hst
oi
l
et
s&
cl
ubr
ooms.
Pal
aest
r
a
30.
I
ti
saGr
eekt
empl
eont
heAt
heni
anAcr
opol
i
sdedi
cat
edt
ot
he
Gr
eekgoddessAt
hena
Par
t
henon
31.
Compl
et
i
ngt
hewor
l
df
amousPi
saGr
oupar
et
he:
Chur
ch,
Bapt
i
st
er
y
,
Campani
l
e
32.
St
r
ai
ghtt
ower
sshaf
t
s,
gener
al
l
yst
andi
ngal
one.I
tal
soser
v
esas
Campani
l
e
Tor
ogan
Pi
cacheBui
l
di
ng
Leandr
oLocsi
n
Ent
abl
at
ur
e
ci
v
i
cmonument&wat
cht
ower
.
33.
Masonr
ysuppor
tbet
weenopeni
ngssuchasar
cades.Ty
pi
cal
l
yi
t
i
ssl
enderandhasar
ect
angul
ar
,
pol
y
gonal
,
orr
oundcr
osssect
i
on,
butdoesnott
aperandof
t
enhasnocapi
t
al
.
Pi
er
s
34.
Themosti
mpor
t
antst
r
uct
ur
al
dev
el
opmentofRomanesque
ar
chi
t
ect
ur
e.
35.
Thebasi
cchur
chpl
anofRomanesquear
chi
t
ect
ur
e.
Lat
i
nCr
oss
36.
Thel
eani
ngt
owerofPi
sai
sanexampl
eof
:
Campani
l
e
37.
Usual
el
ement
sof_
_
_
_
_ar
chi
t
ect
ur
ear
er
oundar
ches,
bar
r
el
v
aul
t
s,
pei
r
ssuppor
t
i
ng,
v
aul
t
sandgr
oi
nv
aul
t
s.
Romanesque
38.
Af
amouschur
chi
nI
nt
r
amur
os,
Mani
l
ai
nt
hest
y
l
eofBar
oque.
SanAgust
i
nChur
ch
39.
At
endencyi
nar
chi
t
ect
ur
e&t
hedecor
at
i
v
ear
t
st
of
r
eel
ymi
x
hi
st
or
i
cal
st
y
l
es,
wi
t
ht
heai
m ofcombi
ni
ngv
i
r
t
uesofdi
v
er
se
sour
ces,
orofi
ncr
easi
ngal
l
usi
v
econt
ent
,
par
t
i
cul
ar
l
yi
nt
he2nd
hal
foft
he19thcent
ur
y
.
40.
Newbui
l
di
ngmat
er
i
al
sbr
oughtbyt
hei
ndust
r
i
al
r
ev
ol
ut
i
on.
41.
Anar
t
sschool
bui
l
di
ngi
nGer
manyt
hati
sf
ocusedont
hef
or
mal
el
ement
s(
shape,
col
or
,
l
i
neset
c.
)
Bauhaus
42.
Famousar
chi
t
ect
ur
ebyLeCor
busi
er
’
si
nRonchamp
Not
r
eDamedeHaut
43.
Thepai
nt
eroft
hef
amousf
r
escoedcei
l
i
ngofSi
st
i
nechapel
Mi
chel
angel
o
44.
Abui
l
t
i
nr
ecessedspacei
naJapanesest
y
l
er
ecept
i
onr
oom,
i
n
Tokonoma
whi
chi
t
emsf
orar
t
i
st
i
cappr
eci
at
i
onar
edi
spl
ay
ed.Al
soknownas
Toko.
45.
Ty
peofmatusedasf
l
oor
i
ngmat
er
i
al
si
nt
r
adi
t
i
onal
Japanesest
y
l
er
ooms.
46.
I
nThai
ar
chi
t
ect
ur
e,
i
ti
sadi
st
i
nct
i
v
edesi
gnofanopenpav
i
l
i
on
Sal
aThai
usedasameet
i
ngpl
aceandt
opr
ot
ectpeopl
ef
r
om sunandr
ai
n.
Mostar
eopenonal
l
f
oursi
des.
47.
I
ti
st
hemostr
ecogni
zabl
ear
chi
t
ect
ur
al
det
ai
l
i
nanywatt
hat
showsaf
i
er
cebi
r
dknownGar
uda,
f
r
om t
heHi
ndumy
t
hol
ogy
.I
t
means“
t
assel
ofai
r
”
48.
Thecei
l
i
ng/r
oofoft
hePar
i
shoft
heHol
ySacr
i
f
i
cei
nUPDi
l
i
man
i
nmadeofconcr
et
ebyusi
ngwhatt
y
peofconst
r
uct
i
on?
49.
Whoi
st
hear
chi
t
ectofAnt
i
pol
oChur
ch?
JoseDeOcampo
50.
Ar
chi
t
ectofMani
l
aCi
t
yHal
l
Ant
oni
oTol
edo
Casti
r
on,
st
eel
and
gl
ass
Tat
ami
Chof
51.
Ar
chi
t
ectofPhi
l
i
ppi
neGener
al
Hospi
t
al
Wi
l
l
i
am Par
sons
52.
Ar
chi
t
ectofMet
r
opol
i
t
anTheat
er
JuanAr
el
l
ano
53.
Ar
chi
t
ectofLungcent
erandHear
tcent
er
Jor
geRamos
54.
Ar
chi
t
ectofI
gl
esi
aNi
Cr
i
st
o(
mai
n)
Car
l
osSant
osVoi
l
a
55.
Howhi
ghi
st
heQuezonMemor
i
al
Monument
?
66met
er
spay
tme
56.
I
ti
st
heur
bandesi
gnpr
i
nci
pl
ebr
oughtbyt
heAmer
i
cansandwas Ci
t
yBeaut
i
f
ul
usedt
opl
anMani
l
aandBagui
o.Thepr
i
nci
pl
esbehi
ndar
e
Mov
ement
beaut
i
f
i
cat
i
onandmonument
al
gr
andeuri
nci
t
i
es.
57.
Out
l
i
neoft
hehumanf
ace,
di
st
i
nct
i
v
eout
l
i
ne
Pr
of
i
l
e
58.
Apr
i
smat
i
csol
i
dboundedby“
si
x”equal
squar
esi
des,
t
heangl
e
bet
weenanyt
woadj
acentf
acesbei
ngatr
i
ghtangl
e?
Cube
59.
Whi
chi
snott
r
uei
nspat
i
al
r
el
at
i
onshi
p?
Spacesl
i
nkedby
adj
acentspace
60.
Al
gebr
ai
cexpr
essi
onofGol
denRat
i
o
61.
Maybef
l
ushed,
pr
oj
ect
edorr
ecessedf
r
om t
heout
si
det
oi
nsi
de. Ent
r
ance
62.
Lessi
smor
e
Ev
er
ygr
eatar
chi
t
ecti
s-necessar
i
l
y
-agr
eatpoet
.Hemustbea
gr
eator
i
gi
nal
i
nt
er
pr
et
erofhi
st
i
me,
hi
sday
,
hi
sage.
Ludwi
gMi
esVande
Rohe
Fr
ankLl
oy
dWr
i
ght
Funct
i
oni
nf
l
uencebutdoesnotdi
ct
at
ef
or
m
Eer
oSaar
i
nen
Ar
chi
t
ect
ur
eshoul
dspeakofi
t
st
i
me,
pl
ace,
buty
ear
nsf
or
t
i
mel
essness
Fr
ankGehr
y
Ar
chi
t
ect
ur
ear
ousessent
i
ment
si
nman.Thear
chi
t
ect
’
st
ask
t
her
ef
or
ei
st
omaket
hosesent
i
ment
smor
epr
eci
se.
Moder
nar
chi
t
ect
ur
eneednott
obewest
er
n.
I
nanyar
chi
t
ect
ur
e,
t
her
ei
sequi
t
ybet
weent
hepr
agmat
i
cf
unct
i
on
andt
hesy
mbol
i
cf
unct
i
on.
Adol
fLoos
KenzoTange
Mi
cheal
Gr
av
es
63.
Ar
chi
t
ect
ur
ei
st
hewi
l
l
ofanEpocht
r
ansl
at
edi
nt
ospace
Ludwi
gMi
es
Vander
ohe
64.
Topr
ov
i
demeani
ngf
ul
ar
chi
t
ect
ur
ei
snott
opar
odyhi
st
or
ybutt
o
ar
t
i
cul
at
ei
t
Dani
el
Li
beski
nd
65.
Towhom wast
he“
f
er
r
ocement
o”const
r
uct
i
oni
nt
hef
r
i
sthal
fof Pi
erLi
gi
Ner
v
i
t
h
t
he20 cent
ur
yi
nI
t
al
yat
t
r
i
but
ed?
66.
Anot
edJewi
shGer
manar
chi
t
ectknownf
orhi
s“
expr
essi
oni
st
”
Er
i
chMendel
sohn
ar
chi
t
ect
ur
ei
nt
he1920’
s,
aswel
l
asf
ordev
el
opi
ngady
nami
c
f
unct
i
onal
i
sm i
nhi
spr
oj
ect
sf
ordepar
t
mentst
or
esandci
nemas.
67.
Mexi
canar
chi
t
ectendengi
neerwhoi
nt
r
oducedThi
nshel
l
const
r
uct
i
on
Fel
i
xOut
er
i
no
Candel
a
Thef
at
herofmoder
npi
ct
ur
ebooksofar
chi
t
ect
ur
e
Andr
eaPal
l
adi
o
69.
Ani
nt
er
nat
i
onal
phi
l
osophyandst
y
l
eofar
t&ar
chi
t
ect
ur
e
especi
al
l
ydecor
at
i
v
ear
t
s,
knowni
nFr
enchas“
NewAr
t
”
Ar
tNouv
eau
70.
Hi
sf
amousat
t
ackonar
chi
t
ect
ur
al
or
nament
at
i
on,
Adol
fLoos
“Or
nament
at
i
oni
sacr
i
me,
l
i
keat
at
t
oooft
hehumanbody
,
asi
gn
ofdegener
at
i
on”
71.
Theacoust
i
cpr
oper
t
i
esofanenv
i
r
onmentt
hatcont
r
i
but
esone’
s
abi
l
i
t
yt
ohearwhatneedst
obehear
dandt
omaskt
heunwant
ed
sound.
Audi
bi
l
i
t
y
72.
Anannual
pr
emi
erwar
di
nar
chi
t
ect
ur
et
ohonoral
i
v
i
ngAr
chi
t
ect
i
r
r
espect
i
v
eofcr
eed,
r
ace/nat
i
onal
i
t
y
,
andi
deol
ogywhosebui
l
t
wor
ksdemonst
r
at
est
hequal
i
t
i
esoft
al
ent
,
v
i
si
onand
commi
t
mentwi
t
hasi
gni
f
i
cantcont
r
i
but
i
ont
ohumani
t
yi
s?
Pr
i
t
zkerPr
i
ze
73.
Ar
chi
t
ectofFEUMai
nBui
l
di
ng
Pabl
oAnt
oni
o
74.
Fi
nal
desi
gn&pr
esent
at
i
on.Pr
oductoff
i
nal
desi
gnsol
ut
i
on&
del
i
v
er
yf
orappr
eci
at
i
on.
Desi
gn
I
mpl
ement
at
i
on
75.
Whi
choft
hef
ol
l
owi
ngar
eFi
bonacci
number
s?
89,
144,
233,
377
76.
Thesci
ent
i
f
i
cdi
sci
pl
i
neconcer
nedwi
t
ht
heunder
st
andi
ngof
er
gonomi
cs
i
nt
er
act
i
onsamonghumansandot
herel
ement
sofasy
st
em,
and
t
hepr
of
essi
ont
heappl
i
est
heor
y
,
pr
i
nci
pl
es,
dat
aandmet
hodst
o
desi
gni
nor
dert
oopt
i
mi
zehumanwel
l
bei
ngandov
er
al
l
sy
st
em
per
f
or
mance.
77.
Thesci
enceofhumanmeasur
ement
78.
Setofpost
ur
esorv
al
uesaboutdesi
gnt
hatadesi
gnerr
el
i
esupon Desi
gnObj
ect
i
v
es
f
ormaki
ngofsol
ut
i
onst
odesi
gnpr
obl
em.
79.
Thi
sal
l
owst
heor
gani
zat
i
onoft
het
asksonspaceaccor
di
ngt
o
t
hei
rr
el
at
i
onshi
pt
ooneanot
her
.
68.
Ant
hr
opomet
r
y
Spacepl
anni
ng
80.
Whatar
et
hepr
oper
t
i
esofpl
ane?
81.
Fi
v
epoi
nt
sofmoder
nar
chi
t
ect
ur
eaccor
di
ngt
oLeCor
busi
er
82.
I
ti
sanar
chi
t
ect
ur
al
st
y
l
et
hati
susual
l
ymar
kedbyhor
i
zont
al
Pr
ai
r
i
eSt
y
l
e
l
i
nes,
f
l
atorhi
ppedr
oodswi
t
hbr
oadov
er
hangi
ngwav
es,
wi
ndows
gr
oupedhor
i
zont
al
bandsandi
nt
egr
at
i
onwi
t
hl
andscapeand
di
sci
pl
i
nei
nt
heuseofor
nament
.I
twaspi
oneer
edbyFr
ankLl
oy
d
Wr
i
ght
.
83.
I
ti
sanar
chi
t
ect
ur
al
st
y
l
et
hati
sdesi
gnedbasedonl
ocal
needs,
av
ai
l
abi
l
i
t
yofconst
r
uct
i
onmat
er
i
al
sandr
ef
l
ect
i
ngt
r
adi
t
i
ons
84.
I
ti
sanar
chi
t
ect
ur
al
st
y
l
et
hatemer
gedi
n1920’
sand1930’
st
hat I
nt
er
nat
i
onal
st
y
l
e
showcasesemphasi
sonar
chi
t
ect
ur
al
st
y
l
e,
f
or
m andaest
het
i
cs
t
hansoci
al
aspect
soft
hemoder
nmov
ement
.I
twasast
y
l
e
def
i
nedbyPhi
l
i
pJohnson.
85.
Pi
l
ot
i
s,
f
r
eef
açade,
openf
l
oorpl
an,
unencumber
edv
i
ews
andr
oofgar
den
Ver
nacul
arst
y
l
e
Gl
asshousei
n
Connect
i
cut
Namet
hi
sst
r
uct
ur
edesi
gnedbyPhi
l
i
pJohnson
86.
Far
gusFact
or
y
I
nGer
many
Namet
hest
r
uct
ur
edesi
gnedbyWal
t
erGr
opi
us
87.
Fal
l
i
ngwat
eri
n
Pennsy
l
v
ani
a
Namet
hest
r
uct
ur
edesi
gnbyFLW
88.
Fr
ankLl
oy
dWr
i
ght
Sol
omonR.
Guggenhei
m Museum
Manhat
t
anNYC
Whodesi
gnedt
hest
r
uct
ur
eabov
e?
89.
OscarNi
emey
er
OscarNi
emey
er
Museum i
nBr
azi
l
Whodesi
gnedt
hest
r
uct
ur
eabov
e?
90.
ZahaHadi
d
BakuMuseum of
Moder
nAr
tat
Azer
bai
j
an
Whodesi
gnedt
hest
r
uct
ur
eabov
e?
91.
RenzoPi
ano&
Ri
char
dRoger
s
Cent
r
ePompi
dou,
al
soknownast
he
Pompi
douCent
r
ei
n
Par
i
s
Thest
r
uct
ur
eabov
eshowsst
r
uct
ur
al
i
nt
egr
i
t
yandhonest
yof
desi
gn,
whi
chdesi
gnedby
92.
Guggenhei
m Museum
Namet
hi
sst
r
uct
ur
edesi
gnedbyFr
ankGehr
y
,
l
ocat
edi
nBi
l
bao
Spai
n
93.
Whi
chi
sNOTakeyel
ementoft
hePr
ai
r
i
est
y
l
e?