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Teenage Kicks
There is an unfair prejudice against teenage fiction, with
it often lampooned for its emphasis on wish-fulfilment
narratives. Adam Silvera’s More Happy Than Not turns this
convention on its head by having the protagonist wish for
something most rational people would baulk at.
Aaron Soto is gay, but doesn’t want to be. Living in
poverty and encountering violence on a daily basis, life
is hard enough without the added burden of his nascent
sexuality. In an act of self-preservation, he seeks the help
of The Leteo Institute, a body whose procedures claim
to allow “all memories…to be targeted and altered with
molecular precision”.
Although the novel’s premise echoes genre benchmarks
such as Eternal Sunshine of the Spotless Mind and Total Recall,
the story is nevertheless grounded in the here-and-now.
There are strong parallels to very real organisations offering
‘gay conversion’ therapies, and Aaron’s resulting emotional
fallout serves as a powerful warning for those who argue
morality is intertwined with positioning on the Kinsey
scale.
However, unlike gay conversion therapies, the work of the
Leteo Institute is portrayed in a far more neutral manner.
Instead of a marauding monster desperate to assimilate
the population, the author keenly emphasises the
technology’s capacity for good and ill. Indeed, one scene
presents the organisation’s leanings towards the former,
with Aaron shocked to discover the ethical bureaucracy in
place to remove unsuitable patients. Far from the instant
gratification promised, a Leteo procedure requires a long
wait for a consultation, followed by many appointments
www.thelancet.com/psychiatry Vol 2 December 2015
to ascertain the patient’s motives and suitability, and
ultimately to make an ethical decision regarding treatment.
Through this, the author makes an articulate and moving
point: the tragedy is not that Aaron can suppress his
sexuality, but that he feels he needs to.
This is particularly poignant given that Aaron is an
intrinsically likeable character. It is hard not to root for
someone who struggles so much, and who also displays a
relatable passion for all things geek. A recurring homage
to a certain boy wizard is one many tongue-in-cheek
references to the novel’s sci-fi and fantasy DNA, which
show that Silvera has drawn heavily on his knowledge
and personality to create Aaron. As such, the character’s
resolution to “kill that part of me that’s ruined everything”
is all the more heartbreaking.
As such, More Happy Than Not is a moving portrait of
what it’s like to grow up gay. Because of his sexuality,
Aaron is beaten up, let down, and pushed to breaking point
by the world around him. Thankfully, in our own world,
organisations like Stonewall and the It Gets Better Project
are working to make life safer for LGBT teens. However, with
websites like Facebook and Twitter increasingly encourage
us to edit the mundane and depressing from our lives, the
pressure to be happy all the time is crushing. The technology
that Silvera describes might be the stuff of fiction, but what
we already have is dangerous, and encourages us to redefine
‘happy’ in relation to others’ expectations—something
many gay people already know the perils of.
More Happy Than Not
Adam Silvera
Soho Teen, 2015
Pp 304. $18.99 (£12·52)
ISBN 9781616955601
For more on Stonewall’s antibullying in school campaigns
see http://www.stonewall.org.
uk/at_school/
For more on the It Gets Better
Project see http://www.
itgetsbetter.org/pages/about-itgets-better-project/
Andrew Bianchi
e37
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