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‘ Dressing Your Characters
|
in Casual Wear
THE SOCIETY FOR THE STUDY OF MANGA TECHNIQUES
ус
ле
DRESSING YOUR CHARACTERS
IN CASUAL WEAR
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information regarding
shapes of clothing all
the way down to
their wrinkles.
The drawings were
created to assist
you as reference
Images.
ti
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Port get too caught up in
theories. Use what you
can by incorporating the
развие
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Table of Contents
1. Giving Shape to багас1ёг5......................................... EA
OLEN THEE B
2. Visualizing Wrinkles ........................................................... A
RR IN 7
3. Creating Basic Three-Dimensionality.......................... C ———
——
HÀ "rom 8
4. Wrinkles Formed
RA:
9. Lines Found in Clothing.................................. ИМЕК ЕТЕН ——кило
—H— dame
Chapter 1 — Underwear and T-shirts ...............................................................................1]
Male Underwear — Undershirts.............................. Mr
12
Male Underwear— Underpants.......................... "RO
КЕТ
НЕРОН
14
Female Underwear— Вга$....................................... PE EEEE ENIA AAA
EAEE AIN T OS16
Female Underwear — Underpants ............................... eee
Om
19
Quarter Cup Bras (Pattern А)......................................... аканнан
A
Quarter Cup Brag {Patten В.
suse осаат
More Quarter Cup Bras (Pattern B)................................ ——————Q БЖ
овча ао
elut tutoris
е oi малталтын
|
Î
ата 22
23
Bikini Underpants...
bois
ананы
ны ВЕИТНАТА НАД г.
Quarter Cup Bras (Pattern A)with Bikini Underpants — Low Angle..———
касыма
л 25
Quarter Cup Bras (Pattern A) with Bikini Underpants— High Angle ........................ mE
2b
More Quarter Cup Bras (Pattern B) with Semi-bikini Underpants- Low Апдіе.............................28
More Quarter Cup Bras (Pattern B) with Semi-bikini Underpants — High Angle .......
КЕЛЕ.
Sportswear Undergarments ...........................................4
бə“.TERR
TER ERE 30
外的
31
standing Wearing a T- shirt...
"PEPPER
RE
ROTEN:
Standing Wearing a T-shirt—Low Angle "———— ———
M —— DN 40
sitting on the Knees Wearing a T-shirt .................................. —————M— a 41
Sitting at Ease Wearing a T-shirt...
2.42
Sitting with the Legs Extended Wearing .
a1 T-shirt ...
———ÓÓ—
T
—
Sitting Cross-legged Wearing à T-Shirt ees
= re
dU 46 i
standing on One Knee Wearing a T-shirt— Part 1.....................................
nre v;
Standing on One Knee Wearing а T-shirt — Part 2.2220...
itting іп а Chair Wearing а Т-ЕЛІН..............................................................................:.ь.."мал»».
Crossing the Legs Wearing a T-Shirt
eren
Chapter 2 - Tops and Skirts ........
Sweatshirts and Skirts ..................................
Crewnecks...
aaa RU, eB OH ЖҮР
ҮР
81-4
u
BL.
4
„0:55
Folding the Arms...
ee
Bending to the Side ...
A
Bending to the Side— High
nana...
В
co 613
BAER
|
co
Crewnecks — High Angle...
Turning the Body...
“42:
„ба
|
Е
| dingBack —High Angle
c
"EP
itingon the Knegs....................... MENT enisi: T
3 ting
Ди Easo АМРЕ а
аcachdae
10 with the Legs EXxtenmded
ии
69
——— E 70
EES
71
ии ааа
анали 73
19 with the Legs Bent...
e
oral
nd
pm ИРЕ Коре ............................................................................... ыыы
ting On and TakingOff Sweatshirts—Front МИШ
TC
ыны 75
ын ырынын
сал Т 77
tüng On and Taking Off Sweatshirts 一 Side Angle ................................................................... 79
Put
ttin
19
( On and Taking Off Sweatshirts— но
EEE PIN 81
Gin
ss
ÓÉÓO————Ó mo 83
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ding on All FOUTS
bro po
nnne
iei дана
Зэн n
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ter3 - Jackets and ВИДИ
nee
cius m
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86
ea
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andFeelVo
ans...ВЕН...
„88
T————Á—————É
CS IN
Tu
E
A
94
96
M
Ен MEMO
ndn= Zipped, Low Angle ................................20105 0080E SERDE
n Raised— Zipped, Slight Side Angle ............................. 人
Tre p
n Raised to the Side- Zipped, Front Angle ........................ ene — rcm:
e ArmRaised
to the Side— Unzipped, Rear Angle ........................ sss
98
100
102
104
106
Em Raised tothe Side—Unzipped, Right Side Front Angle .......... ИЕ A
108
EIS Raised 一 Unzipped...........................
nne Be
acia 110
Im ngtheBody - лең
acia
it
ari
in азасы ГОРОВА 112
ningthe
3 Body — Zipped, Low АОИ...
PERDU 114
nding to theSide—Zipped......................... mE
sa 116
diРИНРКС.-................................................... 118
t ЕНЕ...
t" —
|Cnоо
ЧС:Ес РЕ dimusАН
|қ Cosslegged ИРА
a
[10
44122
ngon_— A
II AA 123
за
10Back
оп All Fours— Unzipped ..
———————————
—
à 124
g On and Taking Off Jackets— Part 1............................ —— ———Ü
126
90 and Taking
ОТГ Jackets
AS
naad
128
When drawing
clothing, roughly
sketch the
character's entire
body. Give shape to
the character and
adjust the balance
of the drawing.
Picture the shape
as your character
naked. Think of
drawing clothing
as dressing your
character.
These drawings represent the shape of
the characters. Visualize the joint areas
as spheres in your mind when drawing.
Draw the clothing
on top of the
shape as if you
were dressing the
character. At this
point, take into
consideration the
size of the
clothing.
ТОООО
LOOSE
|
Eat.
М
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Жrinkles always come with
:othing. So, where do wrinkles
пт
Bn
n
View wrinkles as a
C means to express threenensionality.
2
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|
ERUMPLE-
CRUMPLE
ЙО
4
|
- ic theory involves
drawing
materialil depending on the
pansion and contraction of the
mhing in places where the body
е Mostwrinkles tend to
r in these places.
From a drawing standpoint,
wrinkles can be defined as
uneven areas formed from
expansion and contraction.
ie
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i
In this example, wrinkles gather
ra
-7
around a bent arm. Most of the
wrinkles form near the inside of
the contracted arm.
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In addition, when material is
7 — stretched as illustrated, small
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wrinkles are formed.
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Attaching a tone to the side
a box
is the basic method for bringing out
three-dimensionality. The same
method can be used for wrinkles by
attaching a tone to the bulged parts.
To accent the three-dimensionality, add a
tone to the bulge in the material just like
with the side of the box.
However, wrinkles form complex
shapes for various reasons. Don't
worry about the details too much.
Fill your head with the basics and
draw from there.
Light source
Eye-level
(horizon line)
Ч
pi
The shape of the bulges varies depending on
the angle in which they are viewed. Consider
the angle and the direction of the light
source when attaching tones to the shaded
areas of the material.
Attach a tone to the side
of box to accent the three-
| КҮ! Л А,
dimensionality.
A big part of drawing is
visualizing the image in
your mind. The same
logic can be applied to
drawing wrinkles. While
there is no better wayto
hone your imaginative
skills then practice,
AA
Light source
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understanding of the
when drawing is the
fastest way to improve
your skills.
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possessing an
fundamentals and taking
these into consideration
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First, consider the light
source and imagine
where the bulges in the
wrinkles will appear.
Then, attach tones to
accent the three-
dimensionality.
—
cpu
| Depending on the effects of gravity, a variety of
= wrinkles appear from wrinkles that fall lengthwise
e
О — Example A: Wrinkles that han
EL
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=
towards the ground
toward the ground to wrinkles that hang from the
left and right. Wrinkles also form in the direction of
the body motion.
u
Example B: Wrinkles that droop
down from the left and right.
M
24
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Raising the arms to
the right and left
E
stretches the clothing
°F The principles
C
ЖЭЛ ГАГ.
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| | from example
{ ‘Bean be
27 applied for
haracters
ii
mus
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forming wrinkles.
ж 74
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As the body bends
backwards,
wrinkles form in
the direction of
the body motion. ,
The skirt is probably
E
ЕС
E.
wrinkles also droop
down due to gravity,
the principles from
Example B can also
be applied here.
и.
1
However, since the
;
the area affected
297 | most by gravity and
the direction of
movement.
While the body
leans forward,
ү
= the skirt tilts
2554 backward.
та
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=
7
а
Skilled artists place high emphasis on
A
forms of clothing possess their own
the overall balance of the drawing as
unique lines. Being aware of this and
a silhouette.
visualizing them can help improve your
design skills.
The same principle can be applied to
drawing the bodies of your character.
Boxy line
10
straight line
Take into account the lines that different
types of clothing possess when considering
the overall balance of the character.
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Chapter 1
Underwear
4
and T-shirts
Underwear is something that is
generally not shown to other
people. Since you simply can't go
around asking the opposite sex to
show you their underwear, this
:
section has been designed for your
learning.
|
шоалых
жы
—
тс
——
Undershirts are male underwear
designed to cover the upper body
with the most basic type being
the T-shirt. Other general types
include: running shirts, nonsleeved shirts and surfer shirts.
The three basic necklines are
Illustrated here.
V-necks
12
| г
U-neck and V-neck types are often worn with
open-necked shirts or when shirts are worn
slightly unbuttoned.
Round necks 4 1
| ІН
ЧЕ.
таны
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Ш iMТ
М ME i!
Ти
бүл,
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While this is a nonsleeved shirt, the
design is slightly,
|3
от back area of running
|shirts has a varity of cuts
different.
ҮН he
.
|
Underpants are designed to Cover
the lower body. There are three
basic types: briefs, boxers and
trunks.
This part is
the opening.
Briefs with a high cut design are called
This illustration shows the basic brief
bikini briefs.
design. There is an opening in the іта
This design
has an
opening in
'
the front.
The shape of these briefs looks a lot like trunks. They are sometimes
called boxer briefs and have the same short, tight fit as briefs.
RT
Boxers vary in
their design
and whether
or not they
have an
opening.
Briefs with an extremely high
cut design are called super
bikini briefs.
S
runks, which are
sometimes called
| Е
srETIN
ныфь
boxers, have a straight // (ТТТ
Қ
look with plenty of
FE
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room to move around
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This type does not
have an opening.
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ПИТ,
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te
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leva lety of designs can be created by varying things like the
Here are just a few of the many possibilities.
neral,men's briefs have an
opening in the
t
T ta few types
do not.
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fs withan opening in the front.
x.
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Designer briefs with an opening
in the front.
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Female underwear is also known as innerwear. Female lingerie
comes in a wealth of designs with a much wider variety than male
underwear.
Bras come in a wide variety of cups, designs and functions to meet
the size of their users and to complement other clothing. Consider
which bra works best for the body shape and silhouette of your
character.
Most of these are geared for
characters that wear A or B
cupped bras.
|
ThisI"wraps the entire
|
breast area and is well suited) ||}
AN
for characters with large
^
MM
breasts.
This
wem ши has a wire attached
to the lower area that can be used
with a wide range of cup sizes.
(il
ar
u
AC
Lift Up
The material that makes up the cup
is divided into two layers. Straps on
the sides and the bottom push the
Push Up Bras
breasts together adding volume and
The construction of this bra brings
making the breasts rounder.
together the breasts from both sides
creating a cleavage lina.
16
y, ShoulderStr
| |!WW
"n
IN
|
Band
|
There is an extremely small joint, known as the hook,
which clasps the breasts together as shown in the
illustrations. However, not all designs like this can be
classified as front hook bras.
A long corset, also known as
a bustier, below the cups,
which acts like a belt gives |
this bra its name. The fit and
boning has an effect of
tidying up the waistline. This
is an interesting bra from a
design standpoint.
SER
UNIES
ааа
ath
A
A
WU
ARTE
ory
The straps on this bra
are removable making
|
it easy to wear with
This part has an
clothing that shows the
under-wire inside of it.
shoulders or cleavage.
!
Ж
ще-Wire is often attached under the
=» aidin the lifting function. Since
ecase, be sure and consider the
Bite cup and avoid getting off the
Ч elipse.
34|
17
—
Various other designs
exist in addition to the
previous examples.
Please compare the
differences.
There are also a
variety of cuts for
the cup area. | h
This is a full
cup bra where the cup and
strap are joined as one piece of material.
18
There are all sorts of differen
designs for the band below
the cup area.
ceawide variety of designs and
lems exist, we will examine the
ilccategories here.
1И JM
г.
with the cut around the leg
depending on the kind, the
==
тото
сж
sems
mma
=p
|
illustrations here show the basic
design of female underpants.
|
1
лен ИЙ
5 kind emphasizes design over
tion. Ifyour character is wearing this
|
| of underpants, she may be trying to
ва!tosome other character.
E
T
seien miceаах,
srs
а
Л, Сээр,
—
wate "a
The image usually associated with
this type is that of little girl. The
basic functions of these are
insulation to heat and absorption of
Women often wear this type with jeans or
trousers to avoid showing a panty line.
19
Ч
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Was.
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Fr
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Exe "лла
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's take a look at the
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indsand cut of the cup.
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The band des ign is
different.
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E
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angle of the leg cut shown
еisa standard type. Let's
ва look at the pants from a
lety of angles.
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тъй
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ee
The angle of the leg cut is
tighter than with the high-cut
underpants. Let's take a look at
these from a variety of angles.
24
TITEL
» Жа.
NIS,
ТЕ
ot Бузар
=
2ENY
A
:————À—XÀ
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Low Angle
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dme
While you won't see many people
wearing these, this type of
undergarment was thought up for
E
(f(оса
|
3
Soft Bra
people who play sports and exercise.
sports Shorts
The design looks like boxers or spats.
There should not be any problems when
you draw them as long as you decide
en
Е
|
|
|
whether they should resemble
underwear or sportswear.
While these bras do resemble sportswear,
some of them contain wires under the cup
area, which really makes them underwear.
However, since the back looks like aerobics
wear, it may better to draw them like
sportswear,
Р
|
There are also models
where the shoulder straps
crisscross in the back.
30
Lingerie seems to have the most sense of
fashion of all types of underwear. There is a
wealth af types from slips to camisoles.
|
s
ль
МАСТИ
A
DPA
( |
A camisole is a type of
underwear like a slip that has
been cut off at the waist.
duas
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nom
X
бо
е
у
ра
er
4
а
дамки
Ви
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come in a variety of lengths
ones that cover the
ution and ones that don't.
ho
31
Er
шіре
лік
cm
Lig
A
um
A
mqeLA a
{
A lot of camisoles are
designed so they can also be
worn as shirts. This type of
fashion was popular at one
time.
All sorts of shoulder (~~:
Straps with varying |
widths and designs
exist.
—
+
|
и.
И
This is known as à
There are also models
where the straps
crisscross in the back.
32
bra camisole. It is?
camisole with cupis
added to the breas”
area like a bra.
|
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z
31
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As the name suggests,
this is a combination of
two garments.
slips are designed 10:
prevent skirts from
sliding between the
legs.
Various sizes exist to go
with skirts of all lengths.
pons
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There are also slips
designed for adults
using lace and complex
patterns.
LLL
UM
aM
Le
EI
FEN
| ЦИ | 1
NEN
Мар
As shown in the drawing,
camisoles garnished with
patterned lace really look
like lingerie.
Since a camisole is like the upper part of a #
flare pants needs to make up for the lower pi
This is an example of — of the slip. Their design can be coordinated |
flare panties.
a petticoat pattern.
A teddie is a combination of a slip
and flare panties.
34
Teddies come in a variety of designs
from ones with the waist area
tightened to ones where the upper
and lower parts are separate.
These аге a
combination of several
pieces of lingerie
including a bra, a
bustier, to slim the
waistline, and garter
belts.
Caire
wifi)
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ee
ег
aa "ағы
ааа”
сап һе
worn as part of a
lingerie set or
independently.
4.
ereare all sorts of fasteners to hold up
ickings. One commonly seen type is
умп here.
А
ТРЕ
,
E
е”
-
”
| As illustrated,
| hidden fasteners
also exist.
Garter belts can
also be worn under
the panties.
35
These aareesганаа ир the bust, waist
and hips. Other types of underwear fashion
that shape up the body are bras, girdles,
TEN d lingerie sets.
This part has snaps attached
making these out on, as well
as, take off.
Differences in design
manifest in the back
area too. The
strength of the
shaping function
ranges from soft to
medium to hard and
the seams in the
materials tend to
‘differ depending on
this.
The greater the amount
Р Cir d c4:
A
These help shape
the body in the
waist and hip
36
|
seams, the better the bot
suit shapes the body.
=
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The color around the hip area
changes with the thickness.
Models w ith
seams around the
toes also exi
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37
Most of the patterns found in lingerie are
floral and leave prints.
How precisely you want to draw the
patterns is up to you. It is also okay to
gradate them.
Жер
Бы
яв ж
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While tones come in a
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people tend to use these
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Chap ter 2
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Here we introduce various
skirts and tops that make up
natal
E.
а
ensembles.
Please be aware that any
е|
*
Ч
"beste шэн pep
ee take а
нивы
is possible. Please
kinds
ipe use in
has a
| wida ran221.
Ä
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нг
ON referenc
ES make
e to them.
and
52
я
fashion. The biggest difference
designs is
in the ы”
! found in the
skr
High-neck
Crewneck
Zip-up Neck
U-neck
Turtle Neck
Polo Collar
AA
|
Super Mini: The shortest skirt possible.
Mini: A skirt cut above the knees
Normal: A skirt cut at the knees. Also
known as a knee length skirt.
Semi Long: A skirt somewhere between
a normal and long length.
Long: A long skirt.
Maxi: The longest skirt possible.
m 88 slit skirts. Slits are
1added to long skirts to
) make moving around in
пeasier.
unas a
Let's take a look at crewnecks.
At first glance, these look easy to draw, but when viewed from
different angles, they are harder to draw than you would expect.
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56
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While this pose has the
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67
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Watch the changes in the long skirt.
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| Side Angle |
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МАНН.
Chapter 3
Jackets and J eans
ee iy
Jackets come in a wide variety. Flight
jackets and riders jackets are two
commonly seen types.
In 1925, the U.S. military invented flight
jackets to protect pilots from cold
temperatures at high altitudes. It seems the
style grew in popularity and was utilized in
civilian fashion for riders jackets and
stadium jackets.
Motorcycle enthusiasts make use of the
anti-cold functionality and the collar and
cuffs are usually fitted with elastics or belts
to further protect the body from the wind.
Other parts of the jacket are made of
materials that permit the body to move
easily.
E
Int. ааб х
хад
The military probably thought
these up with their easy-towear nature in mind. The collar
and cuffs seem to be mostly
made of rubber.
88
EA
РҮҮ
A
төлө
AA
EA
EAS
eoo
т ‫ہے‬‎
Jacket is a general term for clothing worn for outdoor
use. The length extends a bit beyond the waist.
Anything longer is generally not called a jacket.
A
«vc
M
|)
|
м
ON
Today, flight jackets are а part of
ordinary fashion and are worn by
non-military people.
They are made of a variety of
materials from leather to nylon to
other synthetic fibers. Despite not
having many novelties, they are
rich in design.
i e flight jackets were
designed for the military, they
emphasize function aver style.
igndifferences exist in the
aside of collars.
Differences are noticeable
depending on the design such as
how the collar spreads out
towards the outside or if the tip
of the collar is rounded or not.
As the name suggests, these
jackets were thought up for
motorcycle riders. Simple, as
well às, lavish designs are
commonplace.
The design of the collar and
cutis has been tightened with
heat insulation in mind.
While flight jackets place a
preference on easy wear using
mainly elastic and/or strings to
tighten the clothing, riders
jackets make use of belts and
straps. This difference is
probably decorative and
interesting designs exist.
m
"L
д, и
m
р
а ала РЕНО
m a
1
e
D
E. 1
ст.
a
1
:
a,
This jacket is fitted
with two belts. The
sleeves are a bit on
the long side with
tightened cuffs.
Заг
пе,
Some designs interweav
the belt for tightening ini
jacket.
90
|
|
|
Tightening the straps
on the left and right
side prevents the
wind from coming in
from the bottom.
Some jackets utilize
zippers to tighten the fit of
the cuffs and sleeves.
While it is fine to draw designs
that actually exist for use in the
worlds you create, try drawing
your own unique designs. Use the
basic parts of other designs for
reference when creating the
different parts of your design.
While the example here is a riders
jacket, the same principles can be
applied to freely create other
costume designs. -
Jackets of this design seem to
actually exist.
Pala”mam
Балеа
ee e:
n
Here are a variety of collars in
addition to the ones mentioned
earlier.
stand-up Collars
Folded Collars
When all the fasteners
are closed, the jacket
looks like this.
92
Button-up Collars
эл: ши came into
lence as American sportswear and
ваvariety of uses like letterman
Swiss Collars
The collar is folded in two.
ets. In Japan, these jackets are often
Пав casual wear.
Ч |та
ET i
n
ТЇШ
om ШЫН
1
о ШШ Дь
Т T TE үги
|
<
|
1
=
TTE
TT
ТІНІТЫ
rei i 1ТЕ
ЮЙ
?
“= Л
Е
ги | ТЕ
i
Mons on women's jacket are on the
ile side from men's jackets. Please
(4
This jacket with a
nat most of the examples found in this
sailor collar is à
rare design.
|
Ev men's jackets. Also be aware
ome women prefer to wear men’s
even when women's designs exist.
&cision on where to place the buttons
im:
m
TuПІ
йин! ER
Ea
ins
ИТУ
" ! |Ша Үү |
[
П
li
вин ва з
1)
І
93
The lines of the wrinkles change
depending on the thickness of the
material. Thick materials produce fat
If a jacket you draw looks like a
jacket, most readers will be able to
imagine it as such and ascertain the
quality and feel of clothing based on
the shape. For those who want to
further emphasize the quality and feel
lines; thin materials produce detailed
lines. Leather is considered to be a
thick material.
in your drawings, start by first
considering the hardness and
thickness of the clothing.
The buttons on women's
jacket are on the
opposite side from
men's jackets. Please
note that most of the
examples found in this
book are for men's
jackets. Also be aware
that some women prefer
to wear men's jackets
even when women's
designs exist. The
decision on where to
place the buttons is
yours.
Coloring the shadows
with black is a basic
technique for
emphasizing the look
and feel of leather
jackets.
94
mol
Mn|
LTM
As you color the shadows,
consider the adjustment of
the light and the unevenness
| of the wrinkles in the leather.
i
y
“у
Then, attach a light amitoon (between 30 and
40%) or a gradation tone over the entire jacket.
Depending on the light, etch out areas that are
reflective and shiny.
Light strikes
И this part of
the wrinkle.
The rule of thumb is that wrinkles
are generally convex areas. Light
strikes the top part of the convex
wrinkle.
Finished work
95
= daсо = e ca
-
ка Laща
FarCLEL
=
каСа =
=
СЭ E ы
Е
=
cn ‎‫لے‬qa—en
take a look at their basic design.
IR
TTT
ila E stiil
Эз сс
рсэтэтгэ
АЕ
A
These are the same shape as the
made for cowboys who
wore boots. They were cut
straight cut but are a bit wider.
This is the most basic shape.
UN
These jeans were originally
|
1
„er
this way to ensure easy
Ta
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Че
гр
Ар
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down.
ee
characteristic of these
jeans is the way they
expand out from the knees
Ке“
the cowboy. The thigh area
is a bit thin, and the knee
area is tightened. The key
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the masculine silhouette of
Аруд,
"К
movement and maintain
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Tut
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as Wl
Slim cut jeans accent
the leg lines.
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These jeans
get thinner
towards the ankles. There are
various designs for the upper
area ranging from thin to thi
a p
96
diameters.
4
2||
This design flows straight
down from the waist with
plenty of room all over.
DA
1
На
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.
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This design, which was very
popular in the 70s, widens out
from the knees into the shape
of a bell.
A small pocket, known as а
coin pocket, is often attached
inside the right pocket.
E There are a variety of pocket
- lines on the front of the jeans.
a
ч
ot
4
Belt Loops
“Тһе stitching on the
A belt is threaded
-back pockets has a
through these. There
special design. These
vare different for each ДИ
manufacturer and act „ДИ“
as a trademark.
FE
-Jeans with hidden
are usually five belt
loops with two in the
front, two on the side
and one in the back.
A design also exists
with seven loops for
extra strength.
97
Let's take a look how the
d leather jacket
change depending on the
pose from a variety of
angles.
jeans an
98
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The way the
wrinkles are formed
around the shoulder
changes as the arm
is raised and
lowered from the
side of the body.
Wrinkles form in a
twisting and
wrapping manner
around the shoulder.
Raised forward.
M-
Wrinkles form from
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104
Raised to the side.
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Wrinkles form in a
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Wrinkles form in a
pulling manner
toward the shoulder.
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simply being conscious of the difference between how wrinkles are formed
when the arm is raised from the front or the side will definitely improve vour
drawings. This will also help add a sense of motion to your work.
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