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Price Vertigo

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What Price Vertigo?
04/2008-5342
This case was written by Ioana Popescu, Associate Professor of Decision Sciences at INSEAD. It is intended to be used
as a basis for class discussion rather than to illustrate either effective or ineffective handling of an administrative
situation.
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FB5721 at City University of Hong Kong - 4th November 2023 - 30th March 2024 - by Prof
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Vertigo & U2
On March 28 2005 in San Diego, U2 kicked off Vertigo – its
2005 world tour named after the first single from their new
album, ‘How To Dismantle an Atomic Bomb’.
Source http://www.macphisto.net/
The Irish band collected three Grammy awards for Vertigo:
best rock song, best performance by a group with vocal and
best short form music video. U2 claimed their sixth UK
Number One on February 13, 2005 with 'Sometimes You
Can't Make It On Your Own', beating Elvis Presley’s
'Wooden Heart’ to the top of the singles chart.
For the past two decades, U2 has charted success on its own terms, not just on the artistic, but
also on the business side of the music industry. U2's world tour was the top-grossing trek of
2005, according to figures from Billboard Boxscore.1 Vertigo reported $260 million revenues
and drew more than 3 million people to 90 concerts, all of which were sell-outs.
U2’s price strategy was defined on a worldwide basis for their tour. Ticket prices averaged
US$90 (and down to US$49.50) on the low end and US$165 on the high end. As usual with
U2, lowest priced tickets were on the floor: "The best seats are the cheapest, and we want
people to get excited," said longtime U2 manager McGuinness.
The first North American leg of the concert ran for two months, visiting 13 cities, ending in
Boston in late May. Vertigo 2005 arrived in Brussels on June 10th for the first of 24 scheduled
European performances, finishing up in Lisbon. The band stayed in Europe through midAugust, and then returned to North America for another run of 30 arena dates. More details
can be found on the official Vertigo site http://www.u2-vertigo-tour.com/ (see also Exhibit 2).
U2 played at the Stade de France on July 9th and 10th, 2005. Presale for U2 subscribers (a
US$40 annual membership) started on the official U2 website on February 1st 2005 for the
first concert, and March 1st for the second. Sales via other distributors started a few days later.
Stade de France
www.stadefrance.fr
Built to host the World Cup in 1998, Stade de
France is the biggest sports arena in France,
boasting over 80,000 seats. The Consortium Stade
de France (CSdF), a consortium of leading
building companies manages the facility based on
a 15-year build-operate-transfer (BOT) contract.
1 Billboard Magazine, December 24, 2005.
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04/2008-5342
Depending on the event, CSdF has different roles in the pricing and marketing of the venue.
For football and rugby matches, ticketing is managed by the relevant federations, with CSdF
playing an increasingly involved consulting role. CSdF also manages certain events, such as
the mega-production Journey to the Center of the Earth, in celebration of the centenary of the
death of Jules Verne. In productions like this, CSdF manages the entire event, which includes
defining tariffs, promoting the event and distributing the tickets.
In most cases, CSdF manages ticketing based on the constraints imposed by the producer,
with CSdF’s pricing power depending largely upon the producer’s bargaining power. Some
brands are so strong that they can practically command any price and fill any stadium. For
other events, such as Trophée Andros or Turandot, CSdF proposes a pricing scheme and a
promotion strategy to fill the stadium and maximize revenue.
Distribution
Stade de France distributes tickets through four relevant channels:
•
Loyalty schemes with France Billet (FNAC + Carrefour). France Billet is the leading
French retailer, with 80% of the market, and gets about 35% of tickets discounted by 712%.
•
Company programs. About 25% of tickets are sold to companies (Comités d’entreprises –
CE) that re-sell them to their employees at lower prices, as the CE picks up part of the
cost. The company discount is typically 8 to 11%, depending on ticket categories.
•
Intermediaries. These are allocated 10-15% of the tickets and re-sell them to smaller
collectivities. The selling price to these intermediaries is typically 9 to 15% below the full
price.
•
Direct to consumers. The remaining tickets are sold at full price via various channels, such
as the CSdF website, box offices, Ticketnet, etc.
Seating Categories
Stade de France has roughly 80,000 seats across several categories, including logia, VIP, gold
(Carré Or) and up to four seating categories. The allocation of one particular seat to a category
is done mainly based on physical attributes and location in the stadium, but it also depends on
the nature of the show (see Exhibit 1). Logia and VIP seats are very comfortable
arrangements, with access to a private bar and dining room, etc. They are typically sold to
corporations as part of high-value hospitality packages. A further option, standing general
admission (GA) tickets on the lawn, allows spectators to be very close to the scenes and have
the opportunity to dance.
Vertigo at Stade de France – Study Questions
1. What are the levels of differential pricing for Vertigo at Stade de France? What are the
relevant market segments? What other segmentation strategies can you propose? What
threats to these strategies do you identify?
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FB5721 at City University of Hong Kong - 4th November 2023 - 30th March 2024 - by Prof
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04/2008-5342
2. U2 – Pricing for fans: the fans always go for the GA tickets (“the best seats, also the
cheapest”). U2 is debating whether to offer discounts to U2.com members for GA tickets.
There are 10,000 U2.com members in France, and U2 believes that they would all would
show up if entrance was free. Members are mostly low-budget teenagers and students, so
the most that any of them could afford to pay for a GA ticket is €80. Hence, demand for
members can be estimated by the linear model DM=10,000–125P. For the general public,
demand is estimated as DG=40,000–200P. For security reasons, no more than 20,000
standing tickets may be sold at the SdF.
a)
Is it a good idea to give discounts to members, and if so what discount is most
profitable? In general, when is it a good idea to discount member tickets?
b)
If U2 were to charge a single price for GA tickets, what would it be? Which
customer segments benefit from differential pricing?
c)
The band feels it would not be fair to give more than a €30 (or $40) discount to
members (so as not to encourage people to buy U2 membership just for the concert
discount). What prices should be charged then?
3. Market research identifies that some of the older U2 fans who buy GA tickets are willing
to pay extra for a seated option in the lawn (GA) area. Fortunately, SdF can provide
flexible configurations that combine a standing zone at the front with a seated zone at the
back. They estimate that on average two seats displace 3 standing people. Demand for
seated arrangements is estimated as Ds=22,000–100P, and for non-seated DN=20,000–
100P. How many seats should be added and at what prices? State and criticize the
assumptions of this model, and propose potential improvements.
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This document is authorised for use only in the following programme:
FB5721 at City University of Hong Kong - 4th November 2023 - 30th March 2024 - by Prof
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04/2008-5342
Exhibit 1
Stadium Configurations for Vertigo and Turandot (opera)
Prices on Ticketnet:
Carré (Parterre) Or €116.50
Category 1: €92.30
Category 2: €69.20
Category 3: €58.20
Category 4: €47.20
Source: http://www.u2achtung.com
________________________________________________________________________
Prices on Ticketnet:
Carré (Parterre) Or: €110
Category 1 Tribune: €85
Category 1 Parterre: €85
Category 2 Tribune: €60
Category 2 Parterre: €60
Category 3: €35
Source: http://www.stadefrance.fr
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This document is authorised for use only in the following programme:
FB5721 at City University of Hong Kong - 4th November 2023 - 30th March 2024 - by Prof
Stephen SHUM. Any unauthorised use or reproduction of this document is a copyright
infringement.
04/2008-5342
Exhibit 2
Vertigo 2005 in Europe
EUROPEAN DATES AND TICKETING INFORMATION
June 10th Brussels – King Baudouin Stadium
June 12th Gelsenkirchen – Schalke Stadium
June 14th Manchester – City of Manchester Stadium
June 15th Manchester – City of Manchester Stadium
June 18th London – Twickenham Stadium
June 19th London – Twickenham Stadium
June 21st Glasgow – Hampden Park
June 24th Dublin – Croke Park
June 25th Dublin – Croke Park
June 29th Cardiff – Millennium Stadium
Buy U2 Vertigo Concert Tickets 2005
July 2nd Vienna – Ernst Happel Stadium
July 5th Katowice – Slaski Stadium
July 7th Berlin – Olympic Stadium
July 9th Paris – Stade de France
July 10th Paris – Stade de France
July 13th Amsterdam – Arena
July 15th Amsterdam Arena, Netherlands
July 16th Amsterdam Arena, Netherlands
July 18th Letzigrund Stadium, Zurich, Switzerland
July 20th San Siro, Milan, Italy
July 21st San Siro, Milan, Italy
July 23rd Rome – Olympic Stadium
July 27th Oslo – Vallehovin Stadium
July 29th Gothenburg – Ullevi Stadium
July 31st Copenhagen – Parken
Buy U2 Vertigo Concert Tickets 2005
July 3rd Munchen – Olympic Stadium
July 5th Nice – Parc de Sport Charles Ehrman
July 7th Barcelona – Camp Nou
July 9th San Sebastian – Anoeta Stadium
July 11th Madrid – Estadio Vicente Calderon
July 14th Lisbon – Alvalade
Source: http://www.u2ticket.com/
Copyright © 2006 INSEAD
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This document is authorised for use only in the following programme:
FB5721 at City University of Hong Kong - 4th November 2023 - 30th March 2024 - by Prof
Stephen SHUM. Any unauthorised use or reproduction of this document is a copyright
infringement.
04/2008-5342
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