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1
10
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to
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s,
I N TR OD U C TI ON
13
w
th i s l i ttl vo l u m
e preserved i n the Bri t i sh Museu m
re d u nder d te f A pr i l 3 6
S E ll
G lobe
m
l i eu ord i n i re ou l njoue l
y f t r prese nt é
m
di
d More de V e ni se
There n be l i ttl e doub t
l hi t i
th t t hi s re fers to Sh kes pe re s pl y
E
E
LT
E
n
T h story f O l l /l
n
rs
to
h
ve
bee
t
ke
ro
the
f
pp
n It l i n novel i st first
f G i l d i C i nt h i
t m
m
i t /i
M
i
n
n
R
i
n
i
i
bl
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sh
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Mo
te
le
S
c
ly
6
f
the
t
le
O
t
5 5
g
p
de fi t V erpl nck
nd the use th t Sh kes pe re h
mrks
ffi
T h follo wi ng i the utl i ne f the or i gi n l story ;
c i nt to e n ble the re der to jud ge fthe e te nt fthe Eng
l i sh dr m
t i st s bl i g t i o ns to the It l i nnovel i st wh i ch
m
uch less th n i co m
o nly u pposed by those wh t ke
m
the i r i de s fthe It l i n s t ory fro m
so m
e fthe cr i t i cs nd
su ppose i t to be novel filled wi th d i logu nd se nt i m
e nt
e gre t le n t lo nger th n n t f Ot l l l
i nste d f
l i nt Moor held i ngr t e tee m
T here l i v d t V e ni ce
D d m
o n l dy f
f hi m
i l i t ry t le nt nd s rv i ces
rvellous be uty ttr cted n t by fe m
le f ncy ( pp t i t
i
i
h
i
m
n
d nn
m
but
by
h
v
rtues
bec
e
e
oured
the
h
f
g
)
Moor wh retur ned her love nd i n s pi te fthe ppos i t i o n
rr i ed her They l i ved i ngre t h ppi ness
f her rel t i o ns m
n oth r n m
i nV ni ce u nt i l the Moor ( he h
e i nthe story )
i l i t ry co m
mnd fCyprus wh i ther hi
w
chose n to the m
n
i
m
w
i
n
h
wi f
e i ns i sted
cco m
y
i
He
took
i
t
h
h
m
p
g
n fgre t perso n l b uty but f the
f vour i te e ns i gn m
m
ost de pr ved he rt bo ster nd co w rd H i wi fe i
the fri e nd fDesde m
o n T h e ns i gn f lls p ss i o n te l y i n
love wi th Desd m
o n w h wr pped p i n love f her hus
b nd p ys n r g rd to hi mH i love the n tur ns to b i tter
h te nd he resolves to ch rge h wi th i nfidel i ty nd to
fv
ri te c pt i n f hi
fi the Moo s sus pi c i ns u po n
In
e
,
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TH
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.
4
I
TH E M O OR
O TH ELL O,
VEN I CE
OF
.
Soo n fter th t fii
stri kes nd wou nds sold i er n
i
i
h
i
D
u
rd
f
w
h
ch
the
Moor
c
sh
ers
esde
o
n
n
g
to bt i n hi p rdo n nd th i s gi ves t h e ns i gn n
d
i
n
i
i
i
n
n
f
n
i
n
i
n
ort
ty
s
u
t
ccus
t
o
s
st
her
rous
n
d
pp
g
g
T hese sus pi c i o ns h co nfir m
i ng the Moor s je lousy
s by
ste l i ng fro m
her f vour i te worked h ndkerch i e f nd le v
i ng i t n the c pt i ns bed
The n the Moor nd hi e ns i gn
i
D
m
n
n
lot
to
ether
to
k
ll
esde
o
d
her
su
osed
lover
p
g
pp
The l tter i w yl i d nd wou nded i n the d rk by the n
s i gn Desd m
o n i be te n to de th by hi mlso wi th
stock i ng filled wi t h s nd nd the n the Moor nd he t
n
i
i
n
w
n
te m
t
to
co
ce
l
the
r
urder
by
ull
do
the
ce
l
i
i
n
p
p
g
g
nd gi v i ng out th t she w
k i lled by t h f ll f be m
The Moor beco m
es l ost fr nt i c wi th hi loss— tur ns u po n
h de gr des nd dr i ves fro m
the e ns i gn who m
h i mThe
e nsi gn reve nges h i sel f by d i sclos i ng the m
urder to the
c pt i n u po n whose ccus t i o n to the se n te the Moor i
rrested tr i ed tortured nd the n b ni shed nd fter w rds
k i lled by Desde m
o n s rel t i o ns
The t le h l i ttle be uty fstyle po wer fn rr t i o n or
v i v i d del i ne t i on fch r cter I ndeed no ne fthe perso n
D
m
n
n
n
es
e
ce
t
esde
o
h
ve
e
n
d
st
ctly
n
i
i
n
g
p
y
y
nd n tur lly dr wnch r cter ; n h
the n rr t i ve ny f
th t ch mf e press i o n nd se nt i m
e nt wh i ch h
de
others f the It l i n stori es throu gh l d Bocc cc i o s lore
or Dryde ns l y port i o n fthe po pul r l i te ture fevery
ci v i l i ed n t i o n Its m
er i t co ns i sts i n the i f re l i ty nd
i
w
n
re
t
truth
the
story
h
ch
I
sc
rcely
doubt
f
n
;
pp
re l eve nts preserved i n t h
i n subst nce dr wn fro m
w
t r d i t i o n ry or jud i c i l h i story fV e ni ce
Sh kes pe re o wes to i t the ge ner l pl n f h i plot nd
t h su ggest i o n f the first p ss i o n nd the ch r cter f D
so fte ned nd elev t d
n w h i ch ho wev r h h
l
i nuter i nc i de nts
e p nded The pecul r i t i es nd m
well
f the story gi v t the dr m ch r cter f re l i ty such
a
a
,
ce r
o
a
or
,
a
e av o u r s
O
m
a
a
O
s
O
u
a
a
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o
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as
I N TR OD U C TI O N
5
1
ig
h
m
i
ure
ve
t
o
seldo
tt
n
He
lso
so
e
bl
m
n
i
n
n
i
n
p
t i o n t C i nt hi f the rt f l nd d rk i ns i nu t i o ns by wh i ch
I go first rouses the Moor s sus pi c i o ns B t l l else th t i
esse nt i lly poet i c or dr m
t i c i the poet s wn C i nt h i
s v ge Moor nd cu nni ng e ns i gn h ve sc rc ly ny th i ng i n
co m
o n wi th the hero i c the ge ntle the t e rri ble O thello
m
i
i
n
w
i
t
tuous
tellect
b
tter
cool
wi t h I go s proud co nte m
p
w to
ili
l i gnity nd le r ned s pi r i t C ss i o nd Em
R oder i go Br b nt i o
l l th i r i nd i v i du l i ty
S h kes pe re
e nt i rely hi cre t i o n
nd the est
a
ca
a
or
o
o
a
a
u
a
a
’
a
s
m
o s
.
e
a
or
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,
,
s
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o
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u
.
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a
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as a
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a
‘
a
,
r
a
a
e
CR I
.
T
Mrs
I CA
L
m
’
a
,
a
,
.
MM ENTS
e s o ns
a
.
CO
e
a o
:
a
s
m 7m
II I
a
a
.
ar e
,
Fr o
[
’
a
a
a
a
,
,
,
L
Y
W
o
f
m
ea
a
ON TH E P A
CIz a r act cr zst i cs
o
e
.
n
”*
.
J
The love fDesde o n f O thello pp rs t first such
i ol t i o n f l l prob b i l i t i es th t her f ther t o nce i m
utes
p
i
i
w
i t to m
n
m
f
c
to
s
ells
d
tures
o
er
ul
o
er
the
blood
p
p
g
v
a
“
a
a
a
a
o
a
or
a
o
a
.
S he , i nS pi t e O fna t u r e ,
O f e ar s , o fco u nt r , cr e di t , e v e r t hi ng,
’
T o fa i n o v e w i t h wh at s he fe ar d t o o o k
y
”
’
x
a
,
a
a
y
y
ll l
l
n
l i gni ty f I go whose co rse i nd
A nd the dev i l i s h
nt
n t co nce i ve n ffect i o n fou nded p r ly i n s n i m
her love i tsel f stro ng rgu m
e nt g i nst her
i ves fro
b h l d wi h y
Ay h
h p in
d mh
ny p p
N
f
f
lp i n nd d g
O fh
wn C l i m m
m
m
o
r
,
ot
a
o
a
u e
’
s t
ere
t , as t o
o
e
t o a e ct a
W he r e t o
ro
e , co
er o
we
e
a
a
t
a
,
a
a
m
o
a
t
o
e
t
e
ca
,
a
n
de
.
o u,
at c e s
o se
ex o
,
a
e
re e,
i n al l t hi ngs na t u r e t e nds ,
etc
Not wi thst nd i ng t hi s d i s p ri ty f g ch r cter cou ntry m
h
i
n
i
i
n
l
o
w
d
tted
to
the
secre
see
her
love
r
se
w
m
t
i
p
n tur lly nd necess r i ly out f the le d i ng pro pe ns i t i es f
her n ture
A t the per i od
f t h story
s pi r i t f wi ld dve nture h d
se i ed l l Euro pe T h d i scovery fboth I nd i s w yet
i s phere st i ll f ble
ce nt ; o er the shores f the wester n he m
,
se e ,
a
ex
a
e,
,
a
o
ar e
a
a
a
e
a a
,
a
,
,
co
,
a
o
a
o
.
e
o
z
a
O
.
a
e
.
v
A
o
a
m
a
o
e
O
re
as
a
n e d ( Bo s t o n
e r i ca
a
.
,
p
.
24 1
fo l
.
O TI I EL L O ,
16
m
ystery hu
TH E III O OR
VE A I CE
'
OF
the i r di m
e nch nt m
e nts v i s i o n ry
i ses ! p r i lous
i
i
terrors
old ro m
d
o
s
n
n
d
i
d
p
t nt voy ges wer every d y u ndert k n fro m
hope f pl n
der or m
ere love f e nt r pr i se ; nd fro m
thes the d n
ntres v st nd d
t ure s retur ned wi th t les f
t wi ld
ch oth r t fA nthro poph gi nd
fc nni b ls th t d i d
mnwhose he ds di d growi be ne th thei r shoulders Wi th
just such stori es d i d R le gh nd C l fford nd the i r follo w
ers retur n fro t h N w World nd thus by the i r sple nd i d
n
w
f
or fe rful e gg r t i o ns wh i ch the i m
er
ct
k
o
l
d
e
f
p
g
those t i m
es could n t re fute w the p ss i o nf the ro m
n
rvellous n ur i sh d t ho mp rt i cul rly m
o ng the
nd m
ti
e n A c v l i r f those d ys h d n ne r r n surer
wom
w i th th se
i stress s he rt th nby e nt rt i ni ng h
w y to h i m
Wh t w g ner l fe ture fh i t i m
e
wo ndrous n rr t i ves
se i ed nd d pted to h i purpose wi th t h m
ost
Sh k p
e q i i te fel i c i ty f e ffect Des de m
o n le v i ng h house
hold c res i n h ste to h ng bre thless n O thello s t les w
doubtl e ss pi cture fro m
the l i f ; nd her i ne per i e nce nd
i
i
n
i
n
n
her qu i ck i m
t
o
le
n
d
t
dded
ro
r
ety
th
n
her
i
g
p p
i
n
i
n
i
i
i
i
n
l
l
co m
ss
o
te
d
s
os
t
o
terested
by
the
d
s
strous
i
p
p
ch nces h i r bre dt h c pes nd m
ov i ng cc i de nts by flood
nd fi ld fw h i c h he h
to t ll nd her e ceed i ng ge ntle
ness nd t i i d i ty nd her do m
est i c tur n fm
i nd r nd r h
ore s i ly c pt i v ted by t h m
i l i t ry r no w n the v lour nd
lo fty be ri ng fthe noble Moor
A nd
hi h n
nd h i
li n p
h h
D
l nd f n n
The co nfess i o n nd t h cuse f her lo e w ll pl ced i n
outh fDe d m
o n wh i l t h h i story fthe r i s fth t
th m
lov nd f h i course f woo i ng i wi th the m
ost gr ce
f l pro pr i ty
she i co ncerned s pok n by O th llo
f
nd i n her bs nce
i ng p t h
T h l st t w l i nes su
whol
d
an
t
ng, wi h
an
d g
enp
,
a
a
a
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or
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or
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e
o
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a
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al l
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m
m
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o
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u
,
e
I N TR OD U C TI ON
m
17
.
m
fo r t h e da nge r s I h ad pas s ( I
’
A nd I l o v d h e r t h at s h e d i d pi t t he
S he l o v d
’
e
y
i
f
n
i
m
m
n
n
om
r
se
hol
volu
es
se
t
e
t
d
t
hys
cs
m
i
w
p
p
o n d i s pl ys t t i m
es tr n i nt e nergy ri s i ng
D sd m
i
t
h
n
i
n
o
er
ct
o
but
tl
ess
ves
w
f
f
n
th
f
fro m
p
g
p
g
v i l i ng to ne to t h ch r cter g ntle n ss i n i t c ss
—
i
h
n
w
n
t
n
i
n
n
e
tl
ess
ver
ss
v
ess
tle
ess
h
c
n
n
i
n
g
p
g g
g
nly c nnot r se nt but c nno r s i st
i
n
n
i
n
d
l
A nd h n f
O / ll
g
n
l
Ay
I g
g
e
c
a
a
e
e
o
e
e
a
o
e
a
,
e
a
t
a o
t
o.
ze
too
,
.
e
o
,
t e
e
e
o
,
.
t
t e a co
e
so
re
ex e
s
e
t
a
e
e
e
a
,
,
e
e
a
O
.
s e
a
e
a a
e
o
a
a
a
e
a
o
.
n
Here the e c d i ng so ft ness f Desde m
o n s te m
er i
tur n d g i nst her by I go th t i t su dd nly str i kes O th llo
i n b i l i y to res i st te m
n
i n n w po i nt f v i e w
th
t
t
i
o
;
p
who l e t h i s
but to us wh p rc i ve the c h r ct r
tr m
n
i
i
w
n
i
h
n
n
tle
ess
f
n
tur
i
d
l
e
ted
t
such
e
ceed
t
g
g
y
nt th t the e f
fin m
fect never ppro ches to feeble n ss
It
i true th t n her e tre m
i d i ty le ds her i n m
e ti m
om
e nt
f co nfus i o n nd terror to prev r i c t
bout the f t l h nd
k rch i e f T h i s h ndkerch i e f i the or i gi n l story fC i nt hi
i m
ere l y n fthose e broi dered h ndkerch i fs wh i ch were
f h i o n ble i n S h k p
ti m
e i n our wn; but the
i nut descr i pt i o n f i t
m
l or to ll m
oresc t t i l i i
su ggested to the poet i c l f ncy f S h k p
n fthe m
ost qu i s i te nd ch r cteri st i c p s ges i n the
whole pl y
kes poor Desde m
o n bel i eve t h t t h
O thello m
h ndkerch i e f w
t li sm
n
Ot /ce l l o
t h at
N ay ,
.
’
s ce r t a i
x ee
a
o
e
a
o
O
e
e
e
e
a
e
80
a
e
as
,
e
,
a a
e
s
e
a
o
o
e
o
as
as
as a
e
m
e o
a
a
e
s
o
a e
a
a
a
a a
a
’
as
a
av
e
ex
o
a
a
a
a
A
Si b
yl
a
The r e
’
,
s
as a
agi c
i nt h e we b
o fi t
l
.
’
m
y
ll
se w
’
d t he wo r k
m
y
mm
m
m
o
w d t h at di d b r e e d t h e
’
i
d in u
, w h ch t h e
’
”
’
C o ns e r v d o f ai de ns he ar t s
e
.
i ng
m
o re
a
nu b e r d i n t he wo r d
ak e t w o h u n
d r e d co pas s e s ,
my
l
sk i
B
lf l
Si
s,
e an
ll
lk
;
u
m
h
o de r nEn
i
s
b e i ng i nt e r pr e t e d i nt o
,
g
t hant hat t he pa t t e r nwas w hat we no w ca
,
e ar e
s
a
T he s u n t o
I n h e r pr O phe t i c fu r
T h e wo r s we r e h a
W hi ch
a
o
a
ss
a
t h at h ad
A nd i t w as d
a so
a
a a
m
m
m
as a
o,
o
a
.
a
e
as
e ar e s
.
O
a
e
re
e
h
,
e
x
a
o
e x
,
a
a
a
s
a
x
.
s
e
a
a
p
t
a
ce
’
e
a
a
s
a
o
a
a
e
.
l
I be i e v e
a r a be s ue .
g
.
e
TH E M OOR
O TH EL L O,
18
VEN I CE
OF
m
n
f
esde
o
hose
so
t
cred
l
ty
hose
tur
the
i
w
f
w
n
D
i
d
n
h
d
d
n
vello ns whose susce pt i ble i m
i
n
t
o
first
ecte
g
thou ghts nd fl t i n to O th llo i prec i sely the wo n to
be fri ghte ned out fher se nses by such t l th i s nd b
i
i
n
n
i
i
f
m
n
by
her
e
rs
to
o
e
t
ry
ter
vers
t
o
It
m
d
t
g
y
ost n tur l i n such be i ng nd shows us t h t eve ni n the
m
n be n co plete ness nd
weetest n tures there
ni
te n y wi thout m
or l n gy fi
Whe n O t hello first outr ges h i n m
nner wh i ch p
i
i
n
i
e
rs
e
l
c
ble
she
seeks
n
fi
ds
cuses
d
n
f
h
m
p
p
i nnoce nt th t n t o nly she c nnot bel i eve h
She i
sel f sus pected but she c nnot co nce i ve the e i st nce f
i
i
u
lt
n
others
g
m
u
a,
ar
or
,
a
a
,
.
,
m
ir
a
er
'
a
a
ec
o
s
e
a
s
,
a
e
ra
a
a
a
ca
e
a
e
o
x
a
er
er
,
a
a
co
s s
a
a
a
ex
o
or
.
a
er
x
a
,
m
m
m
m l
y
l
l
m
m
ml
.
s
.
a
a
s SO
,
e
“
a
a
a
a
m
a
,
a
s
a
a
as
a e
a
o
o
e
ng s u r e , o fs t at e ,
V e ni ce , o r s o e u nhat ch d pr act i ce
Ei t he r fr o
M ade de o ns t r ab e he r e i n C pr us t o hi ,
e t hi
So
,
H at h p u dd e d hi s
c e ar s pi r i t
m
’
.
ns o
e n ar e n
o t go ds ,
s u ch O b se r v an
ce s
’
k,
ust t hi n
N ay , we
or
ook f
N o r o ft he
A s fit t he b r i da
T is
ev e
l
in
A nd whe n the d i rect ccus t i o n f cr i e i flu ng n h
ng r but stu n her
i fi t tr ns
t h v i lest ter s i t does n t
fi d her whol be i ng ; she tte pt s n r ply n de fe nce ;
nd r p ro ch or r s i st nce never e nters her thou ght
l [1 M di V n i whi h
n inid n in h
i gi n l
Th
i
l d n w ll b n f d h d mb whi h i y ff i
n
h
i
m
y D dm
ni l h
fh
nd dd I h i nk
by
i d n l ly d p h h ndk
h
l nf m
n
hi f i i
d
i n nd b i b
l i l hi l d ni nf n f h y
l d wh m
h
I g
h f
Th l
h
fD d m
n f
l i l pl y f ll w
hi
hi l d h
— h p
i ng i
y d i p i n f h k i ng i i n h mnd
m
i n
b
i
h
w hi l i p fi
l h h ndk h i ff m
by i
n
f
m
I
w ll i m
i
n
d
i
lly
l
n
h
i
n
n
b
d
f
d
d
g
g
lp yi ng hi wni nn n hi l d h i n m
n f h i i nf n l i l l y
h n nn
nd i n
y h f h fi nd hi h nd
dd
d p
m
.
e
m
xe
e
e
a
*
“
e re
s a
co u
ot
o
oes
’
to t
t
e
e
t
e
ar e
t
e
e
t
e
re
tt
.
a
e
e
ee
er, a
a
s a
i sh
ch a r act e r .
t O
t
as
,
e
o
er
O
e au t
o ce
to
a
,
~
o
,
e rc
u
e
e ar s O
or
a
ta
t
t
s c
t
a
t
e
a
ar
s
erc
e
st r u
e ce ss a r
e c r cu
e
t o uc
t
o
t ra
o
e
s a
r
ro
e
es
e
a
o
t,
o so
er
ce o
er
s
t
er
a
car e s s
a
st a
o
e
ro
tt e
er
.
er
e
e
e ct v e ,
e
es
.
st o e
s
o
,
t
ste a
t
;
e st o r
t
c
ez a ,
s v er
c
o rr o rs o
a
o
as
a
t
e
or o
ut
a,
ra
to
u
t c
t r ut
e
ree
e
ta e,
a
a
t
es
o
o
a
,
to
e
t s S t u at o
s o
o
a
ov e
ts
ro
or
st a
t
ro
t
e
e c r cu
a
e s cr
t
s e r re
ta
,
m
er
.
t
to t
e c
o
s
a
e
e tra
,
t acc
tt
o s
a
c
t
s,
a
a
a
e
e
e
a
o
,
a
o
a
a
to
o
a
a
e
ai i
v
s
e
,
i
o
TH E M O OR OF VEN I CE
O TH EL L O,
20
ever eflect o so th t I c ot
throu h
m
out se te ce e er l l c t o The s m
e re m
rk
es to M r d
to other e m
le ch r cter
mort ce or terest ve to hel m
rest
h t I sh d to
sde o
bee
t c ted by
o ym
o s cr t c
so be ut ully so
justly so eloque tly e ressed th t I th le sure er se m
e to m
ke roo m
observes th s r ter
love story
th t
belo tr edy the ss o love t ke
y o ce
by the ul h r cter
thello
such he see m
s to us to
be d s ed to be He e rs ever
lover but o ce
husb d
the r l t o
lov m
de d fied
husb d s j st fic t o
mrr e lso d fied
sold r s rel t o
ster
er lous l e
love tsel lo
h y er ectly c l m sere e
the rotect te der ess
husb d It
t ll
d sordered th t
e s
ss o the
sho
mhty be struck th
o er co te t o t ts
de th
br
ro m the de ths l e co vuls o s
ti
nt
e
a
l
i
p
i
p
T he
a
nd n
n n
o
a
,
o fw
wi
a
e
n an n
n
xp
a wf
a
a
it is
as
a
p
i
a
nd
,
d ag ni
an
’
a
it
i n O fh i s
app
o
app ar
y
al l
;
n awa
a
a
n
at
,
i gni
a
i ag
a
,
is
f
,
a
p
a
nd
no t i
it is
n is
i ng
Of
al l
p
x i i i n o ft he p w
w
i n of if, i a
,
His
n
.
a
is
.
ig
—
e lf a
if
a
n
i n:
a
,
as
i gni
a
na nd p i
is p
n
at
,
e
fa
as
f
up
p
,
a
a
as a
i n o fh i s
a
i ngi ng
a
n
i n O fh i s
n n i n wi h i
in
a
i
ng as i t i s
i ng
n n
f, as
w
p
e a
u
if
a
r
f
o
;
app a
nd
’
ie
a
i
—
n ;
an
n
.
o fO
.
.
w i
a
p
a a
C
i gn
as a
i t is
in
ag
ny
na has
wi
i s no
,
i no f
is
i
w
,
ap
o fa
a a
nd
a
a
,
fo r h i s
a
,
i i
u
a
o f De
s ay
g
a
.
a
wnpag
e
a
n a app i a i n
i a n a ; and
no
f a
—
ia
in
no t e n O p
an
n i i pa
is
nn fi nd
a
o fg
,
o
i n
fr
.
wn
a
wi
n
if
i n
o es It i n e h b t o
o er fthe p ss i o n
l e v t lly ou nded nd el f
f love but f the p ss o
verm
ster i ng I f Desde m
o n h d b e n re lly gu i lty t h
w
l
w
re
t
ess
ou
d
h
ve
bee
destroyed
bec
use
love
ould
n
n
hi
g
h ve bee n u nworthy f lse But she i goo d nd h i lov i
ost perfect just nd good T h t m
n should pl ce h i
i
n
d
n
i
i
i
er
f
ct
love
n
retched
th
n
ser
bly
d
b
s
w
g
p
g
hock i ng to thou ght ; but th t lov i ng perfectly nd well he
hould by hell i sh hu n c i rcu m
ve nt i o n be brought to d i
trust nd dre d nd bjure h i wn per f ct l ove m
ost
i ty four good n ture w rest
ournful i ndeed i t i the i nfirm
m
l i ng i n v i n wi th the stro ng powers f ev i l Moreover he
o n bee nf lse h ve bee n t h m
ere v i ct i m
would h d Desde m
nner h i
wn i ct i mH i
ff te where s he i n w i n m
h ppy lov w hero i c te nder ness ; h i i njured love i terri
O
,
O
a
o
s
.
o
a
a
.
a
a
m
a
a
,
,
,
o
e
a
m
S
m
a
.
a
s
e
,
s
s
.
a
a
a
,
s
a
,
e
a
a
o
,
e
s
a
s
a
a
a
e
a
,
a
a
a
,
s
a
S
a
a
,
—
e
o
s
a
a
o
a
a
a
a
a
e
as
s
o
a
,
.
e
a
,
is
a
o
a
,
,
o
s
a
s
s o
a
s
v
.
s
s
I N TR OD U C TI ON
2:
ble p ss i o n; nd d i sordered power e nge nde ed wi th i n i tsel f
to i t wn destruct i o n i the he i ght f l l tr gedy
The ch r cter f O hello i perh ps the m
ost gre tly
dr wn t h m
ost hero i c f ny f S h k p
ctors ; b t
lso fwh i ch h i re der l st cqui re
i t i perh ps th t n
the i ntell i ge nce The i ntellectu l nd w rl i ke e nergy fhi
i nd — h i
te nde ne s f ffect i o n hi lo ft i ness f s pi ri t
-hi
— im
n
n
i
ty
etuos
ty
l
ke
fr nk ge nerous
m
i
i
i
g
p
t hu nderbol t nd th t d rk fierce flood f bo i l i ng p ss i o n
— co
i
i
n
n
h
i
i
i
n
n
ollut
eve
t
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cter
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g
p
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p
t i ly ori gi n l m
ost d i fficul t to del i ne te b t perfectly de
l i ne ted
i l i i n th i s pl y i
i
Em
f
f
er
ect
ortr
t
ro
co
o
l
e
i
m
n
f
m
m
p
p
i sh sty l e ; nd thou gh n t n
sterpi ece i n the Fle m
s ry
co ntr st i t c nnot be but th t the thorough vul g r
i t y the loose pr i nc i ples f th i s pl be i n wo m
n u ni ted t
h i gh degree f spi r i t e ne get i c f el i ng stro ng se nse nd l w
cu nni ng serve to pl ce i n bri ghter rel i e fthe qu i s i te fin
e nt the or l gr ce the u nble i shed truth nd the soft
ub i s i o n fDesde m
on
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F
[
m
Ve r pl a ncb
’
s
w
S b a be spea n
]
’
,
W i th i n f w ye rs n w v i e w fO thello s ch r cter h
fou nd f vour wi th
bee n m
i nt i n d by Schle gel wh i ch h
sever l Engl i sh cr i t i cs wh h ve re pe ted i t i n v r i ous
s It i th t i n O thello t h poet h p i nted n t g n
for m
er l n ture but the h l fci v i l i ed Afri c n pr i nce Schlegel
recogni es i n h i mthe w i ld n ture f th t glo wi ng o ne
ost fur i ous be sts f prey nd the
wh i ch ge ner tes the m
ost de dly po i so ns t m
ed o nly i n ppe r nce b t h de
m
n
s i re ff m
e by for i gn l ws fho nour nd by ge ntler m
i n t f the
n cr i t i c
H i je lousy s ys the G er m
ners
w
h
i
i
n
n
i
he rt wh i ch i co m
t
ble
t
the
te
n
derest
f
e
l
d
g
p
di d b y G C V pl n k ( N w Y k
d Sb b p
Tb I l l
,
,
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s
a
a
o
a
,
-
z
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e
as
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”
a
,
u st r a t e
v o
l i ii p 61
.
.
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te
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or
,
O TI I EL L O, TH E M OOR OF
VE N I CE
'
22
.
dor t i o n f the beloved bject ; i t i f th t sens l sort
wh i ch i n torr i d cl i m
s gi ves b i rt h to the i m
r
so
e
t
i
n
n
f
p
wi ves
nd other b rb rous us ges
A dro p f th i s po i so n
flo ws i n the Moor s ve i ns nd l l h i blood i i nfl m
ed He
see m
s nd i noble fr nk nfidi ng gr te ful hero
worthy ge ner l
f i th ful serv nt fthe St te ; but the phys i
l force f p ss i o n puts to fl i ght t o nce l l h i
cqu i red
nd ccusto m
ed v i rtues nd gi ves the s v ge wi t h i nh i the
n T h tyr nny fthe blood over the
rule over the m
or l m
wi ll betr ys i tsel f i n hi des i re
f eve nge g i nst C ss i o
I n hi re pe nt nt sorro w
e
u
i
e
te
der
ess
h
i
m
n
f
n
n
n
g
nt f nni hi
dered wi fe bursts forth wi th the p i nful se nt i m
l ted re put t i o n nd he ss i ls h i m
sel fwi th the r ge wh i c h
des pot d i spl ys i n p ni sh i ng u n w y sl ve He su ff rs
double n t o nce i nthe h i gher nd the lo we sphere
i nto wh i ch h i be i ng i d i v i ded
nd eloque nt ; yet to
A l l th i s i i nge ni ous or i gi n l
y
i nd wi dely d i f
fere nt fro m
the poet s i nte nt i o n nd the t
m
l ch r cter he h
so v i v i dly portr yed
So f the p ss i o ns flove nd je lousy the results
four co m
m
o n n t re the i r ni fest t i o ns ust be l i ke i n
th
Moor nd the Europe n d i ff ri ng o nly m
od i fied by
th
ore q i ckly e c i ted nd i nfl m
ble te per m
e nt f
m
t h ch i ldre n f the
n or the lo wer nd ste d i er te m
er
p
m
n f the North
e nt f the m
But the cr i t i c co nfou nds
fere nce
the
wi th th i s d i f
nother n th t result i ng fro m
n i n t h h l fc i v i l i ed
d egr ded nd e nsl ved st te f wo
There the je lous r ve nge f the
f the E st
n t i o ns
mster husb nd f re l ori i mgi n d evi l i buti the ni g y
ch st i se m
e nt f n off nd ng sl ve n t the terr ble s cr fice
s pu ni sh m
e nt
f hi
wn h ppi ness i nvolved i n the v i ct i m
Whe n wo m
ni
sl ve pro perty th i ng l l th t je lousy
w
i
n
i
i
n
n
n
h
n
i
ro
t
do
e
to
use
t
ello
s
d
st
ct
o
m
i
O
m
p
y p
h te nd n t i n love But O h llo i portr yed wi th n
s i ngle tr i t i n co m
o n wi th the tyr nt f the E ster n or
m
a
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I N TR OD U C TI ON
’
.
r c nser gl i o H i e rly l ove i n t n fwi ld p ss i o n
f Desde o n s ge ntle v i rtue fgr t i tude f
but festee m
her u nlo ked f i nterest i n h i m
sel f nd h i h i story nd f
i
i
n
n
r
de
her
stro
t
ch
e
t
T
oet
l
boured
to
m
n
h
h
t
p
g
p
n
sho w th t hi i the c l mnd ste dy ffect i o n f
st nt noble n ture i t i respect ful nfidi ng wr pt p i n
m
e sureless co nte nt nd m
ni fest i ng te nd r nd protect
i ng su per i or i ty wh i ch h
i n i t so eth i ng l m
ost p re nt l
I nh i je lousy nd reve ng he rese bles n t the M h
uch the proud nd se ns i t i ve C st i l i n He i
t n so
ch r ct ri ed by l l t h h i gher qu l i t i es f Europe n ch i v
l y
nd espec i lly by th t qu i ck se nse f perso n l re put
t i o n wh i ch feels st i n l i ke wou nd nd k es hi wn
i
w
l i fe nd th t fothers l i ke che p i nhi eyes com
red
th
p
h i ho nour
It i th i s together wi th the other h b i ts nd
i l i t ry l i fe
ch r cter i st i cs f n tr i ned i n n dve nturous m
by wh i ch he i i nd i v i du l i ed He i m
de Moor nt b
c use th t i t ll necess ry to the story but bec use the
i
h
n
i
t
f
n
i
w
i
oet
ou
d
the
t
le
ro
h
ch
der
ved
outl
e
t
n
f
m
i
h
p
f h i plot ; nd i t w
do pted
n i nc i de nt pl st i c to h i
f
i
i
ur
ose
by
ecul
i
r
i
ty
i
v
th
t
re
l
ty
to
n
i
i
n
d
t
p p
p
g
g
th
story wh i ch cc i de nt l nd u nesse nt i l c i rcu st nces
n
i
i
n
such
ure
t
o
ould
h
ve
d
c
ted
n
t
i
i
i
n
w
n
p
g
lone co nfer It i nth i s ccou nt i ndeed th t the ori gi n l
t le i tsel f to y i nd h n t the ppe r nce f product
nt i c
ff ncy but see s l i ke m
ny f our tr d i t i o n ry ro m
n rr t i ves fou nded u po n so m
e occurre nce i n re l l i fe
O thello Moor i sh blood i thus ( to use
logi c l phr se )
n cc i de nt d i st i ngu i sh i ng the i nd i v i du l ch r cter nd dd
i ng to i t the e ffect f l i f
nd re l i ty ; but i t i n t i n ny
se nse esse nt i l to i t se nt i m
e nt or p ss i o n The tone f
l i l
ho nour nd i l i t ry be r i ng i m
uch ore so
nd yet th t serves o nly to m
od i fy nd colour t h e h i b i t i o n
fp ss i o ns co m
on to c i v i l i ed m
n Th h i story nd do
—
ti
t d i t i o ns nd leg l records fSp i n nd It ly nd
Af i
a
a
or
o
-
c
a
s
a
s
a
,
m
a
a a
e
a
a
a
s
o
a a
s a
a
,
a
e
o
s
,
a
a
a
z
a
.
a
o
m
mm
m
,
a
a
,
e
a
a r o
a
a
a
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a
C i v a r o us
a
es
c
ra
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a
,
a
,
as
a
,
e
a co
o
m
m
a
as
a
a
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a
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co
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,
as
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a
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or
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x
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a
a
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,
TH E M O OR OF
O TH EL L O,
m
24
VEI VI CE
m
er y
l d
er c
e h t my
st ce co rser
u oet c l or s je lous
ve e
t l th t the Moor ve h le th s
to
ss throu h the ress the e s ers rel te
uch bloody stor es h v rece tly occurred
r v te
e t the te St tes
the je lous urderer
st ce
l sh
other Fre ch
eve
.
m
—
n
a
n
d
A
n
n
a
i
a
n
i
x
E
a
i
b
no fG
a
n
c
a
,
,
g
i a f
a
an
d np
of
a
a n i n an , i n
re
of
i e di
ng as fa a as
a
E nw i
w
n
a
i n i s pa i ng
a
t wo
,
p
g
p p
i
a in
as
n
inp i a
s
g
an
a
d
a
U ni d
l i f wi hi n
wa s
an
d i n t he
i n o ne i n an an Eng i
a
n
, an
an
,
.
m
m
m
Were thello but the s r ted ortr t
hl t m
ed
b r
should v e m bold
y oet c l
co ce t o
such the oet s o k mht s t s y our
cr t c l jud m
e t but
bec use de cts oble md
rou ht by dee ss o
d rk dev ces to o es suc
every
m
ht eel th t
k s our stro es sy m
th es We see th s dr m r d
true m
or l c
ure
re d
ro ou d eth c l lesso
to
borro
(
the just me the cl ss c l o th ) h le the m
tchl ss
ork bu lt
to the oblest he ht
oetry r sts
o
dee est ou d t o s true h loso hy
hese otes u o
c ot be m
ore
ro r tely
closed th by the re m
rk ble cr t c s m B sho o th
just
lluded
to
co
t
ed
ectures
Hebre
(
)
Poetry h ch o te be ore quoted
or
l e qu s te
t ty deserves to be m
ore m
l rly k o to
s re der
He hose e us
u olded to m
the k o led e
ms tu e the orce mss o s t u ht m
the c uses by h ch the soul
oved to stro e m
ot o s
or c l m
ed to rest
e bled m o ly to e l
ords those e m
ot o s but to e h b t the m
v v dly to other
eyes thus rul e c t d str ct soo h our el s
th s m ho ever l ttle ded by
d sc l e le r
m
jud m
e t h l so her
h hest k
th s m er
s le dr m
t c ble our
Sh k
e re the ss o j lous
c uses ro ress c de
.
i
i
p
O
a
i a n, we
w
g
o
i
ne
we
i
i
up
L a i ni
li h
w i
,
f n
h
t
a
p
i
t
p
a
w
a
fp
i
p
,
p
nn
,
e
it
e
.
i
a
pp p
i
w
L
p
a
i i i
of
i n hi s L
on
w
in its
i gi na
x
i i
fa i i a
n wn
t he En
g
a
na i n
a
i f
ni
w i
f
a
in
n
ng
n
a
n
a
d
g
i a
n fo r
o
i
n
a
ag
o
b ar
a
e
ig
a
ig
i
a wa
a a
l
z el l o
t
n
O
p
a
nd h app p
a f a
i
p
a
na i n
f
a
r
f n
i a L w
a
p
fa
it
n
p
n
an
,
it
a
up
n t he
T
a
w
a
a
,
of
ag
is
w
i ni t
a
’
i n a nd
f
in i
o
a
p
it is
ig
.
as
,
a
p
p
as
p
i w hi
n p i n, a nd, as
i i a
n
g
ai
f
,
a
w
na
an
’
a
r
i
n
g
an
d
h as
f
nf
o
w i
h
as
;
a
i ng,
x
i n
f h i s pa
is
na
hi
i n,
w
x
i i ng, i
i
ai
nw
hi
a
h as
a
g
i n,
.
no t
n
i i
i ng,
xp ai
ni n
i i
t
i ng
fe
— i
w
t he
i ip i n of
an
,
i
n
a
o
h
i ng, i s , i n y
o
f
e
i
t
,
p
p
g
g
a
fa
n , i n a i ng
a i
an
In i
of
o wn
i
i
f
s
a
a
n
t
a
o
e
sp a
i
i
n
y
,
p
,
,
p g
,
f
hi
g
ng
o
i ng
n
r an
a
.
a
nt s,
I N TR OD U C TI ON:
m
5
2
m
e ffects h ve bee n m
ore truly or cutely ore copi
bee n do ne
ly
nd ore i press i v ly del i ne ted th n h
by ll the d i squ i si t i o ns f l l the ph i losophers wh h v
tre te d nth i s d rk rg m
e nt
mm
an
d
a
,
o us
a
,
o
a
o
[F r o
m
as
a e
.
S l i a éspear e
s
a
o
m
U l r i ci
’
,
a
u
a
a
a
e
a
a
e
,
’
s
m
Dra
at i c
m
A
It i
s i ngul r i st ke whe n Schlegel nd wi th hi
i n O thello o nly the Moor wh
ost cri t i cs wi s h us to
bec se Moor h u n voi d bly f lle n i nto t h bl i nd p
nd t h th i rs t f reve nge pecul i
i nt n
t h je lousy
i st ke th t they
to hi r ce i t i lso s i ngul r m
ke t h
brut l feroci ty fthe co m
o n negro the sse nce fO thello
m
ch r cter nd degr de h i vi rtues i nto
rt i fic i l h b i ts
m
ere e m
ty
e
r
n
ces
p
pp
It i n t o nl u ntru th t O thello s bloody deeds
p
f
i
i
i
n
n
h
osed
to
b
the
burst
ort
h
co
o
t
re
n
f
h
f
p
g
i nn te brut l feroc i ty but eve n the cc s t i o n f the bl i nd
je lo sy nd v i nd i ct i ve ness l i d to hi ch rge i thoroughly
i
n
ut
t
o
Th
t
je
lousy
ctu
lly
rt
f lse i m
i
n
f
t
p
p
hi n ture n t n fthe f nd m
nt l fe t res fh i
h rc
ter th t i ntrut h b possesses o nly
uch fi t
ll
n
i
ttested n t o nly by I go s pr i se f hi free nd ope n
—
n t re
ny te nde ncy to
wh i c h pl i nly bsolves h i
fro
—
i
n
sus p c i o the presu ppos i t i o n fje lousy i t i corrobor ted
n t o nly by h i
w n test i m
o ny ( i i i n t only by the words
i
n
n
f
d
oke
ce
f
h
i
olu
n
t
ry
de
th
n
ttested
by
i
t
p
f
n
i
n
S
e
k
I
m
oth
e
te
n
u
te
but
i
;
( p
g
bove l l proved by hi w n co nduc t I f S h k p
h d
wi shed to
ke je lousy t h ce ntre f hi ch r cter why
does O thello no where gi ve utter nce to i t be fore he i e
c i ted nd s purred n to i t by I go ? Not word f n i ety
f u ne s i ness or f sus pi c i o n p sses h i l i ps n t
thou gh t
f the poss i b i l i ty f Desde m
o n s i nfidel i ty i i n hi he rt
D m
Sb b p
i A
by D H m
nn U l i i
nl
d f m
m
a
s
a
a
e
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a
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a
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u
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e o
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a
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as
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a
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a
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as a
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a
o
a
t h e t hi r d
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ea r e s
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ra
a
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er
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v o l.
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s
ne d b y L D S ch i t z ( Lo ndo n,
a
o
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m
r
a
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at c
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e
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a
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a
o
S
su
o
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a
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a u
a
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a
a
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o
o
as
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ar e
,
s a
m
mm
e
a
a
o
a
s
a
e
a u
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s
a
a
s
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u a
a
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a
s
o
a
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ar
a
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a
as
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or
e
a
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o,
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s a
a
s
as
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e s s,
a e
a
se e
,
au
s o
a
a
ro
i p 404 f
ol
.
.
.
.
O TH EL L O,
26
VEN I CE
TH E M O OR OF
ve n I go s ssert i ons
by n m
e ns trusted t o nc ;
O hello de m
It i
nds p roo fs str i k i ng i rres i st i ble p roo fs
o nly whe n he th i nks th t he h the ev i de nc cle rly i n hi
h nds th t there first s pri ngs forth th t je lo usy wh i ch h d
m
i
n
h i therto e i sted but
er
m
be
ho
ever
tured
by
w
g
g
hi h t blood by h i
e c i t ble f el i ngs nd the glowi ng
w
B
t
o
er
f
hi
t
i
o
re
ds
l
i
ke
w
i
ld
fire
i
m
n
n
t
i
p
p
g
n wh h
the m
re so ns f be i ng je lous h i m
sel f n t
ctu lly je lous T h n t re f t he p ss i o n co ns i sts r th r
i n the f ct th t i t i nv r i bly seeks f so m
eth i ng where noth
i ng i to be fou nd
The p ss i o n fp i n nd nger bout
ctu l i nfidel i ty i just i fi ble th t e c i ted by ny other
m
or l ffe nce co m
Nevertheless
i tted b y the n w love
m
n
O thello s p i n nd r ge h ve e ter n lly t h
f
e
r
ce
pp
je lousy p rtly n ccou nt fthe vehe m
e nce wi t h wh i ch he
f
f
i
m
resses
h
el
rtly
bec
use
the
roo
s
yet
roo
s
f
p
p
p
p
nly f t i
i f t
i n re l i ty n p
f
bec use i t i h i m
n to be i ne press i bly bel i e d nd dece i ved
It i m
uc h the s e reg rds O thello s v i nd i ct i ve ness
I nthe firs t pl ce i t i
i
n
i
h
i
I
o
test
fi
s
to
be
n
w
h
i
g
g
f
lovi ng noble n ture N w noble lov i ng perso n
c nnot poss i bly be reve nge ful the pi ri t freve nge l i ke l l
m
other we k nesses m
i
n
deed
be
i
n
ture
er
but
i
n
h
g
y
i t c nnot be n f the fu nd m
nt l fe t ures nd m
ot i ves f
hi
h r cter
I n the seco nd pl ce h w forbe r i ng nd
o nc i l i t ry O thello i to Br b nt i o ! A lthough the l tter
he ps u po n hi m
the severest nd ost u njust buse yet
O thello ns wers h i m
wi th ge ntle ness nd res pect
I n l i ke
mnner he be rs the mt i fi t i n fhi rec ll fro Cyprus
wi th c l ness
nd res i gn t i o n I n both c se w r ther
i
n
i
m
i
n
i
i
erce
ve
ly
r
de
n
oble
d
ty
such
su
lly
p
p
g
o pled wi th true gre t ness wh i ch be i ng co nsc i ous f i t
wnworth overlooks u n
just buse
T h seed freve nge
hoots forth i n hi bre st o nly fter he i co m
letely
p
h i sel f Love nd ho nour the very f nd
t ng d fro
E
’
a
a
t
o
ar e
a
s
as a
,
o
s
a
a
a
o
a
a
as
a
a
a
a
,
ex
u
r
m
a
,
e
m
s
a
a
o
a
.
a
s a
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a
’
a
.
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o
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o
s C
a a
c
.
e
a
a
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a
a
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m
a
a
a
a
s
ra
,
mm
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e
,
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o
o
a
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.
a
s
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m
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e
a
a
a
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as
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s
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e
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a
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o
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a
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e
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a
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s
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a
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,
a
a
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o
es
s
ar e
s
ou
a
‘
TH E M OOR OF
O TH ELL O,
23
VEN I CE
There i b rb resque gr ndeu nd s i m
l
i
c
ty
bout
i
h
t
p
ove e nts fhi soul He se s th i ngs wi th l rge nd g n
e o ns eye n t pry i ng i nto the cur i ous or the occ lt He i
l i ber l cce pter fl i fe nd wi th c reless m
fice
ce
e
r
n
i
n
w
g
bout h i the or n e nt fstr nge e per i e nce e ori es f
nd d
n
i dl
R gh q
nd h i ll wh
i
k
h d
h h
n
e or i e f d i s strous ch nces f ov i ng cc i de ns by
flood nd field There i so m
eth i ng fgr nd i nnoce nce i n
h i loy lty to V e ni ce by w h i ch Mr Bro wni ng w
nt n
f
f cted w he n b co nce i ved h i Moor i sh co m
m
nder Lur i
O thello
str nger w i th t wny k i n nd fierce tr d i t i o ns
i n h i blood i f sc i n ted b the gr ve se n te the nobly
dered l i fe ( possess i ng cert i n r i ch colour i ng f i t wn)
nd the stute i ntell i ge nce o fthe C i ty ft h S
W i th th i s loy lty to V e ni ce there i lso n i nst i nct i v
tur ni ng to w rds the b rb r i c glory wh i c h he h surre n
dered He i the ch i ld f roy l ncestry I fetch m
l
e
i
f
y
nd be i ng fro
n f roy l s i e ge
ore joyous
A l l the m
n th i s ccou nt i t i to devote h i m
sel f to the e v i ce fthe
St te
The n ture f O thello i free nd o pe n h looks n n
wi th
i
e
too
l
r
e
n
d
roy
l
to
sus
ect
the
l
n
i
ty
f
g
g
p
g
nd fr ud he i
mn n t e s i ly j lous
M y n bl M
I
fm
i nd nd m
h b
d
fn
n
A j l
He h ho wever se nse f h i wn i n fli i n y i n de l i ng
i
i
n
h
wi t h t h co m
n
n
i
n
i
f
le
subtle
co
d
t
o
s
l
e
do
ted
f
i
d
p
p
cou ntry Where l l i pl i n nd bro d he r l i es u pon h i
wnjud g e nt nd e nergy
He i m
ster fs i m
le
p
nd i ng ct i o n Whe n u po n the ni ght fDesde m
o n s de
f
f
f
i
n
rture
ro
her
f
ther
s
house
Br
b
n
t
i
o
d
the
cer
p
w i th torche
nd we po ns eet h i
s in
nd tu ult see m
mm
m
s
a
a
a
o
t
s
a
r
o
a
a
m
o
mm
s
o
a
s
a
a
,
e
s
,
s
a
a
v
a
a
a
mm
s
.
a
e
o
a
a
o
a
a
.
s r
a
s a
a
ea
o
s
s
t r ue O
a
,
a
e a o us cr e at u r e s ar e
as ,
,
a
o
oor
e
e o
o s uc
as e
e
c e
m
m m
.
o
.
s
o
a
a
s
s a
a
a
,
’
a
mm
,
a
a
,
,
o
,
a
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a
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s
e
a
a
a
s a
a
s a
.
.
a
c
o
a
a
e ss
”
x a
e
a
o
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e
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e
a
a
o
m
mm
a
s
a
a
a
:
“
”
a
o
az
e
as
.
a
,
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a
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o
.
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s
s
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e
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a
a
a
.
,
o
o
a
a
or
a
,
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a
a
a
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,
a
a
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a
as
S
a s
t
a
a
,
s a
,
a
s
a
e av e
.
e
a
m
o
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e,
e a s t o uc
o
,
e s ar t s
a
,
s
.
,
as t
e
a
mm
a
o se
s
a
a
a
x
tres v
u ar r e s , r o c s , a
“
a
a
a
ou
a
a
e
a
u
a
,
a
e
.
o
,
a
a
.
O
co
’
s
I N TR OD U C TI ON
29
v i t ble O thello subdues i t wi th the ntroubled l rge v l i d
i t y fh i w i ll
K p p y b i gh w d f h d w wi ll
h m
f
h
But f cur i ous i nqu i ry i nto co m
le
cts
he
culty
n
f
p
he loses hi be ri ngs b i ng wrought u po n he i p
l
i
n
n
h
i
d
the
e
tre
e
The
t
hot
M
ur
t
blood
i
n
i
n
p
ou nts qu i ckly to t h po i nt f bo i l i ng I f he be i nfected
the po i so n hurr i es through h i ve i ns nd he r ges i n hi
n
o
y
g
H re po n the n s i de i
ter i l f future c t s
t
h
i
i
n
d
n
i
n
i
the
other
there
esde
o
s
t
d
ty
A
D
p
Whe n she could st nd by O th llo s s i de Desde m
on w
ble to co nfro nt h f ther nd i n prese nce f t h Duke
nd m
n
i
n
fi
decl
re
th
t
she
w
ould
retur
n
to
the
t
g
ho m
e she h d b ndo ned But duri ng O thello s courtsh i p
Desde o n h d s h ru nk fro mny s p c h po n th i s m
tter
wi th Br b nt i o
m
nd by i nnoce nt reserves nd l i ttle d i
bl i ngs h d ke pt h i i n i gnor nce f h i s gre t eve nt i n her
n
i
h
i
hi t y fi
Th
Moor h ad m
oved her i m
t
i
o
n
by
g
str nge nob i l i ty hi e ot i c gr ndeur But h w i f fter w rds
i
i
n
n
her i m
n
t
o
be
c
i
ted
by
so
m
e
str
e
terror
bout
her
g
g
T h h ndkerch i e f she h
husb nd
lost beco m
es ter
r i ble to her whe n O thello wi th O r i e nt l r pture i nto the
rvellous descri bes i t v i rtues
n
h
f
h
i
i
w
b
i
m
g
h d nm
b
d i n h w ld
A i byl h
Th
n
w h nd d
m
p
h
h
i
k
y
I nh
f
d
p p
di d b
h ll w d h
i lk
Th w m
w
d h
m
m
y h i h h ki l f l
A nd i w
dy d i nm
e
a
u
,
a
,
a
s
o
u
ee
o ur
t s
r
or
s
m
m
a
e xe
x
“
oo
,
.
u
m
a
m
co e s ,
a
a
a
a
s or
m
a
e
a
a
s
a
a
o
.
a
a
as
a
a
a
,
s
“
S
,
ro
or
e
t
as
C o nse r v d
’
a
m
e
m
ll m
o
f
e re
a i de
nce wh i ch I ago
’
o s
i nd
st a
er
o
t c ur
e re
s
t
u
a
t o co u r s e t
er
e
at
t
e su
f
ac
e
o
t
h
e
O
e
p
sse
t
o
a
,
r cu
a
u
ee
ex
!
as
o
a
,
Ci
,
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e
a
x
s
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a
a
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A
a
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a a
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m
a
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m m
or
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er
,
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s
ro
e
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or
a
t
or
s,
se
o
’
s
’
t
w
’
’
t
t
u
e
ns he ar t s
as se s ,
wo r
;
t
ree
c
t
e s
o
t
.
e s
u
”
’
.
af
t e r war ds
t ur ns t o
y
m
m
m
m
ar r i n
Sh e d i d de ce i v e h e r fat h e r
g y ou ;
’
A nd w he ns he se e
d t o s hak e and fe ar o ur
S he l o v d t h e
ost
"
And s o sh e di d
’
e
co
at
w
e
or
e
re
u
t
c
a
y
.
.
acco u
l
o o ks ,
nt agai ns t
t he
O TH EL L O,
°
3
TI I E AI OOIC OF
m
m
VE N I CE
.
For Desde o n wi th h s ooth i ntell i gi ble gi rl s l i f i n
V e ni ce h v i ng t i t l rgest i t l i t t le p th t i c ro m
nce f
i d B rb r wi th her so ng f Wi llo w here flo wed i n
her m
o nce too stu pe ndous too torri d nd l i e n to be other
th n dre d fu l Sh ll w wo nder th t i n her d i sturb nce f
m
i nd she t r m
bles to decl re to h husb nd t h t th i s t l
n could n t be fou nd ? U nder ne t h the
i sm
o e nt ry
su perfic i l f lsehood re i ns the co nst ncy nd fidel i ty f
her he rt ; throu gh l r mnd hock nd surpr i se nd
ul lter t i o n f the world her he rt never s wer es fro m
wf
loy lty to her husb nd I f she h d dece i ved Br b nt i o
i nhi
tter f the h nd
nger he decl res nd i f i n th i s m
kerch i fshe h d f ltered fro m
the truth Desde m
o n to nes
f
these u nver c i t i es n t by cqu i s i t i o n f co nfide nt
c ndour such cour geous de l i ng w i poss i ble f D
de m
o n but by n ore f lsehood the s cred l i whi ch
i m
ur ured by her l i ps they gro w forever s i le nt
er
a,
a
a
,
m
r
a
a
a
.
e
a
a
a
a
a
a
or
,
—
m
a
m
a
—
a
s
a
o
o
e
as
a
a
a a
m
o
a
a
or
a
,
as
,
o
es
e
as
m
y m
y l
m
mmm l
m
E i l i a 0, wh o h at h do ne t h i s de e d ?
ar e we
s e f; f
D esde o na N o b o d ; I
n
k
w
i
d
o
d
O
f
r
e
en
d e to
r
a
e
,
y
.
ll
.
Co
a
a
a
a
a
a
v
a
,
,
o
a
.
a
e
a
a
S
a
a
a
a
s
mm
a
o
a
o
a
a
a a
a
,
a
a
a
a
a
er
m
o
a
a
a
a
o
,
a
e
a
”
“
,
a
e
a
o
a
e
,
s
a a,
a
a
s
’
ll
;
m
m
the s m
e u nk no w ble force wh i ch ni fests i tsel f
throu gh m
ni fests i tsel f l i ke wi se throu gh the ni m
l
n
i ght su ppose th t there were so e p ec i l f
world w
bet wee n the soul f O thello nd the l i o n fhi
fi ni t i
l i gn nt po wer th t
em
A ssuredly the s m
l desert
t
lurks i n the eye nd th t fills wi th ve no m
the f ng f the
serpe nt would see to h ve brou ght i nto e i ste nce I go
It i t h stre ngth f the b se ele m
e nt th t i so dre d f l
i n the ser pe nt i t i t h v ry o ni pote nce f the e rth
It sc rc ly bre thes wi th i t n lu ng ( the other hri velled
n nd sh de nd i
nd bort i ve ) ; i t i p ss i ve to the
cold or h t l i ke sto ne ; yet i t n outcl i m
b the o nkey
outs wi m
the fish outle p the ebr out wrestle the thlete
d i v i ne h i eroglyph f the de
nd cr sh t h t i ger
It i
If
m
m
a
a
e
,
a
a
ce s r a
.
m
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e
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S
o
es
“
a
a
o
u
.
m
,
a
a
a,
.
s
,
,
'
I N TR OD U C TI ON
.
o c o er the e rt
the e t re e rthly t re
m
Suc the serpe t I o
the l st sce e the l y thello c lls
ss o (
c ot h m
sl
ro ch the horror) to t rro te I
ml t cr m
res ect the m
ot v s
e
ni a
w
p
o
f
In
a
i
nn
n
i
g
p
Wi
W hy
he
a
n
n
h is
a
g
of
i
ll y
O
a
p
o
y
r
a
p
na
a
u
,
n Ca
o
a
i ne
a
e
I
o u,
ni
Of
fh i s
m
i gnan
m
m
a
i
a
’
g
i
l
y
—
u
a
m mm
m
nd
De
Fr o
the
ar e
u
a
a
o
nd t ha t de i -de v i
od
ar d
b
s o u l an
sn
d
en
y
de
h e hat h t h u s
a
fo i
ag
a
I go forecloses l l i nq i ry wi th the words they
l st words t h t he tters
A nd
.
.
f app
e
a
—
h
,
3
e
a
wh a t y o u k no w y o u k no w ;
”
fo r t h I ne v e r wi s pe a k wo r d
no t h i ng
ll
Sh ks pere would h ve us bel i eve th t th re i p ss i o n
ot i ve but good ness i tsel f so there i
fgood ness wi th n
lso dre d ful c p c i ty i n the soul f devot i o n to v i l i
de pe nde ntly f ot i ves or out f l l pro port i o n to such
i
i
i
h
e
st
I
o
the
bsolute
fidel
i
n
f
ti
g
;
y
d vo i d f l l f i t h i nbe uty nd i nv i rtue T i o nd i sb l i ves
but h beco es des per te nd b ndo ns l i fe I go fi nds i t
n
r i ght nd n tur l to l i v i n world i n wh i ch l l m
k n ves or fools nd l l wo n th t wh i ch Desde m
on
i u n ble to n m
e
Together wi t h ev ry th i ng be u t i f l every t hi ng noble
nt f the e rth
there i nev i t bly e i sts gross l m
It i
u po n th i s gross ele nt lo ne th t I go b tt ns nd he n
i ss i ng l l th t
d i scover i t everywhere by d ny i ng nd d i s m
tr ns for s puri fies nd e nnobles i t O thello wi th hi h
ro i s i pl i c i ty nd roy lty fsou l
W i ll
nd ly b l d by h n
t hi s t i
e
m
a
a
o
o
m
m
m
o
ves
as
o
e
e
x
a
a
a
a
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o
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.
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er
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.
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as
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o
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e
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u
t
e
”
.
o se
e
m
ss i o wh i full fch i v lr i c e nthus i s f h i gre t le der
nd the be ut i ful br i de w ho m
he h w n i to I go
k n ve very voluble n f rth r co nsc i o n ble th n i nputt i ng
R k i n Ti
Th w d q
d by M R k i n
Q n qf / A i
Ca
o
,
a
s
o
a
a
a
as
a
o
us
,
re
ar e t h o s e o f M r
or
.
u ee
t
u
ze
.
.
,
a
e
r
R i ch ar d O we n
o
e
or
s
s
s
a
a
“
a
a
uo t e
r.
us
a
TI I E M O OR
O TH E L L O,
2
3
m
OF VE N I CE
the m
ere for fc i v i l nd h m
ne feel i ng f the better
i
n
i
f
h
i
m
n
co m
ss
s
lt
n
d
ost
h
dd
l
ose
o
fl
i
t
n
p
g
n
full fm
D d m
l im
ost blessed n
R od r i go i
d i ti on
Bl
nd ! h wi n h d i nk i m
I g
d fig
fg p
d
if h
h
l d h M
h d b nbl
d h w ld n
Bl
d p d
h
i
h
h
h
d
l
w
l
n
d
d i ng ! D i d
m
f
h
h
D
i
i
n
?
d
d
p
p
On
.
o
u
a
a
.
or
,
”
'
o
a
es
s
a
a, e xc a
o
e
'
e
a
e
s
“
s
,
a
ec
o
o
.
co
”
.
a
a o.
e ss e
e e
e ss e
m
no t
ar k
t
st
’
t
s e
s
e
”
t ha t
?
e s
a
er
e
s
r
av e
ever
ou
o t se e
ou
e
t
ov e
t
t
e
m
s
e
ra
o o r.
a
e
e O
a
o
es :
s
e sse
s
e
u
st
a
i
n
Moor h i nfl ed her i m
t
o
th
b
i
i
n
i
w
n
gg g
g
nd t ll i ng h f nt st i c l l i es
erely lust f
i m
Love
V i rtue i
fig !
the blood nd perm
i ss i o n f the w i ll
t i i n ourselves th t w
thus nd thus
O I h ve lost
m
i
m
m
n
re
ut
t
o
ss
o
cr
es
I
h
e
lost
the
ort
l
rt
i
i
i
l
C
p
y
p
fm
ysel f nd wh t re m
My reput t i o n I go
i ns i best i l
m
i
re
ut
t
o
n
!
p
y
T he
as
a
er
e
a
’
a
a
a
a
”
a
,
a
,
.
a
av
a
s
a
a
a
.
a
a
,
,
”
a
I ag o
a
,
a
a
o
s
.
e ar e
a
a
s
.
o
a
o
“
a
s
ra
a
a
As I
a
m
a
m
n h o ne s t
a
n, I
t h o ught
y
had
ou
r e ce i v e d
so
m
e
ly w nd
A l l t h i s i t h e rth i ness fthe ser pe nt ; the dull eye wh i ch
qu i cke ns o nly to f sc i n te nd to str i ke ; the uddy sk i n
d i scolour d wi th fou l blotches nd the dust wh i ch i the
serpe nt s mt Th i s cold m
l i gn nt po wer p ss i o nless nd
i ntellectu l ly se nsu l
the soul i t s l f h v i ng beco m
or
ni
l th n the body n ever b i i nc rn ted i n the p
n f
n st i ll you ng I go h
re ch d the g ft we nty
e i ght A nd he i
rry k n v Wh i l e nt i c i ng C ss i o to
n
i
n
i
w
hi ru i n he e ntert i ns the co m
y
th
cl
tter
so
n
g
g
p
n k i n C l i nk l i nk !
h
A nd l
m
A nd l
mh n ki nCl i nk
i r t h f gh ou l
I t i t h gr i n f de th s h d the m
S i nc C oler i d ge m
de the re m
rk ll cri t i cs fO thello
co nstr i ned to re pe t fter hi th t t h p ss i o n ft h Moor
i t i r ther the go ny f be i ng
i n t ltog ther je l ousy
d
i
com
elled
to
h
te
th
t
w
h
ch
he
su
re
ely
love
p
p
.
bo d i
ou
.
e
s
a
o
a
a
a
e
a
’
ea
.
,
m
m
—
a
a
a
a
so
o
a
a
a
s a
m
s
e
a
e
et
e
t
e ca
a
et
e t
e ca
a
a
e
a
a
,
a
c
o
,
m
,
s
a
a
.
o
a
e
a
—
e o
a
a
a
a
a
a
ea
a
e
o
’
a
a
o
e
a
e
.
e
er
a
e
a
a
a
s
a
s
as
a
.
.
s
—
e
a
e
a
e
ca
a
,
,
s
,
a
a
m
m
a
m
ar e
O
a
e
o
I N TR OD U C TI ON
ll
Exce
nt wr e t ch !
e
m
Pe r di t i o ncat ch
m
s o ul
y
t he e n
ot
Bu t I do l o v e t he e , a nd whe nI l o v e
”
C hao s i s co e agai n
.
It i wi th n go ni ed se nse fjust i ce th t he destroy the
i nthe world k no wi ng cert i n
cre ture wh i de res t to h i m
wn true l i f
e u t ce se N y i t i n t
l y th t wi th h er h i
wi th the cess t i o n f Desde m
o n s bre t h th t the l i fe f
O thello e nds he i u n ble to surv i ve the loss ff i th i n he t
l
l
A
h
d
i
f
n
er
ect
ur
ty
th
t
bee
lor
ous
beco
e
re
ote
i
m
m
p
p
g
i fDesde o n be f lse
nd i poss i ble f h i
We he r the
f
b
re
t
ch
l
l
ke
Othello
s
soul
i
i
d
g
o
a
z
a
a
s
s o
s
a
s
a
,
s
o
a
a
m
a
s
a
o
a
’
a
.
a
s
,
o
a
o
'
s
m
a
a
m
a
.
or
so
a
m
a
a
a
.
’
o
lm
0 no w fo r e v e r
i nd far e w e
t he t r anq ui
ll
ll
a
s
a
m
mm
F ar e we
Far e we
o
l
e d t ro o
t he p u
p
,
b i t i o n v i r t ue
a
ll
co
nt e nt !
nd t he b i g war s
Fro m
the first suggest i o n fsus pi c i o nby hi n n O t h l l
ssur nce nd fi nds suspe nse i nt oler ble
i i p t i e nt f
Why ? Not surely bec use he i e ger to co nv i ct h i wi f f
i nfidel i ty ; but r ther bec use he wi ll n t llo w hi p ss i o n t
des i re to bel i e e h pure to buse h i mnd ret i n hi m
in
m
n
i
re
t
o
y
ss
bly
re
m
i
n
b
fool s p r d i se wh i le
p
g
y
g
f re hi
O f the tr gi c story wh t i the fi n l i ssue ? T h ce nt r l
i
i
i
n
n
w
o
i
t
r
tu
l
ort
l
s
the
co
tr
st
b
t
ee
o
n
i
i
i
f
n
t
I
g
p
p
p
I go wi t h kee n i ntellectu l f cult i e nd
nd hi v i ct i
ni fold culture i n It l i n i ce l i ves nd thr i ves fte hi
nd l l be uty
wh i ch l l v i rtue
f sh i o ni n world fro m
bse nt O thello wi th h i b rb r i c i nnoce nce nd reg l m
g
ust ce se to l i ve the o e nt he ce se t
ni fi né fsoul
et i nf i th i nthe puri ty nd go d ness wh i ch were to hi the
h i ghest nd o t re l th i ngs u po n e rth O i f he l i ve l i fe
ust beco e to hi cru l go ny Sh kspere co m
ls
p
to ck nowledge th t sel fsl ghter i r pturous e nergy
th t suc h prolo nged go ny i joy i n co m
r
so
t
the
i
n
i
w
h
p
e rthy l i f i nd e th f such soul th t f I go Th
T hat
m
o
or
a
s
ak e a
a
a
s e
,
’
o
m
a a
m
a
o
s S
s
,
m
a
a
m
a
,
a
a
s
a
m
m
m m m
,
ce
r
a
e o
,
a
s
a
a
a
a
a
a
e
a
o
a
e
a
a
r
a
a
a
ar e
au
s
a
m
a
C
s
o
,
e
us
a
s
a
a
a
a
.
s
a
r
.
a
s
a
o
e
e
e
mm
a
-
a
a
a
a
a
a
a
a e
a
a
a
s
a
a
,
e o
o
a
v
a
.
a
a
a
.
a
e
a
a
s
,
a
a
a
o
a
.
s
a
a
.
a
a
s
er
o
e
a
a
v
ar e r ,
a
a
a
s
a
as
a
o
a
.
e
,
O TH ELL O,
34
TH E M O OR
VEN I CE
OF
.
ob e n ture i t ke n i n t h toi ls bec use i t i noble I g
suspects hi wi fe fevery b se ness b t the s s pi c i o n h n
other effect th n t i nte ns i fy hi
l i gni ty I go could n t
be c ptured nd co nstr i ned to hero i c sufferi ng nd ge
Th sh
e f eve y be i ng wh be rs the n e fwo n i
cred i ble to I go nd yet he n gr te fro hi thro t t h
i
r
i
n
us
c
g
j
h
A nd l
m
n ki n l i nk l i nk !
h
n k i n l i nk 1
A nd l m
Ther i therefore Sh kspere would h ve us u nderst nd
ni t y th n su f
o eth i ng m
ore i ni i c l to h m
fer i ng n m
e
n i nc p c i ty f noble p i n T d i
ly
O the l lo d i es i
i ndeed gr i evous
But to l i ve I go l i ves devour i ng the
dust nd st i ngi ng th i s i m
ore pp ll i ng
Such i the s pi ri tu l m
ot i ve th t co ntrols the tr gedy A nd
d n
t h v l i d i ty fth i s truth i de o nstr ble to every sou n
sci e nce No su per n tur l uthori ty needs to be su mo ne d
to be r wi t nes to th i e l i ty fhu n l i fe No p ll i d fl m
e
fhell n s ple ndour fd wni ng he ve n nee ds ho w i tsel fb
i ne th i s truth
yo nd the ve ge f e rth to i llu m
It i p
t i o n fthe sce t i ned f ct fhu n n ture nd fth i s our
m
ort l e i ste nce We look u po n the tr gi c lo d i ng fthe
bed nd w
I go i nprese nc fthe u i nhe h wrought
We n t co pelled to seek f ny resolut i o n fthese p
i
i
n
n
i
f
re
d
scord
lle
ed
l
e
to
co
e
Th
t
lso
n
t
p
g
y
y
be w sh l l cept i t i f i t be But look i ng ster nly nd
i ght w
stri ctly t wh t i n w ctu l nd prese nt to
h
i
i
n
i
n
r
s
b
ve
des
r
D
esde
o
s
dhes
o
to
her
t
p
y
b nd nd t love surv i ved the ulti te tri l O thello d i es
u po n k i ss He perce i ves hi wnc l i tous er or nd
h w
h recogni e Desde o n pure nd l oy l
G ood
It i evi l wh i ch suffers de fe t
ness i just i fied fher ch i ld
It i I go whose whole e i ste nce h bee n ost bl i nd p
d
m
i
n
ser
ble
stru
le
i
n
st
the
v
i
rtuou
l
gg
g
p
i
w
i
n
n
er
f
the
w
orld
by
h
ch
t
l
t
he
t
d
co
v
cte
d
w
p
nd o nde n d
n l
a
s
s
a
m
m
a
e
o
a
e
a
ar
,
m
a
ca
,
t
e
e t
e ca
m
a
—
a
s
s
o
r
,
o
e
a
.
z
s
a
c
m
m
m
a
m
e
.
,
a
.
’
S
,
a
a
e
s a
.
a
o
a
,
or
a
a
r
o
as
m
o
a
m
a
a
mm
m
m
a
a
.
—
a
us
.
a a
s o
a
a
as s
e
r
as
,
as
a
a
as
a
.
s
a
e
,
a
a
a
a
o ur s
’
.
a
a
.
x
o
.
co
.
.
a
s
a
a
o
a
as
a
or a
o
a
.
e o
a
s
a
o
a
s
o
a
,
,
a
m
”
o se e s s ,
a
a
a
a
o
e
as
o
,
s
a o
a
s
a
a
a
a
a
s r
ac
a
—
e
o
a
s
a
a
.
a
m
e se e
e
a
.
a
e
a
r a
x
ar e
e
”
“
a
a
s
c
,
c
a
o
a
a
”
a
o
o
o
.
a
s
c
m
s
s
,
a
o
a
a
.
o
a
a
u
or
a
a
ra
a
a
a
o
m
m
m
a
e ca a
.
e
a
.
a
,
a
o
:
s,
a
as
a
o
et
s
a
r
et
e
m
s
a o
.
u
a
o
a
s
u
,
o
a
a
a
a
,
.
ur
s
a
s a
s
A A AC
’
DU C
s r . M A Rx S A ND
'
A CT
NE I
SC E
L P
I
E, V EN I CE
L
.
.
A S t r ee t
.
.
DE
nd I
Tush ! never tell ; I t ke i t m
uch u nk i ndly
Th t thou I go wh h st h d y purse
A i ft h str i ngs were th i ne shouldst k no w fth i s
I g
Sbl ood but you w i ll n t he r ;
I fev r I d i d dre
tter
f such
Abhor
R d ig
Thou t l d t thou di d t hold hi i nt hy h te
I ag
i f I do n t
Three gr t o nes f the
Des pi se
c i ty
Ent er R O
m
m
m
m m
m
m
m
m
R I GO a
AGO
a
e
a
a
,
o
,
a
e
s
o
a
e
,
er
.
a
a
o
.
e
a
o
a
o
o
,
e
o
a
’
.
.
,
.
o
,
o
e,
,
’
s
a
s
e
o
.
ea
o
.
TH E ll/001i
O TH E LL O,
8
3
V EN I CE
OF
!
erso n l su i t to m
k mh i l i eute n nt
h
n
i
d
f
f
m
by
the
t
Of
f pp d to h i m
n
;
I k no w y pr i ce I m
l
ce
worth n worse
p
lov i ng hi wn pri de nd pur poses
B t he
wi th
bo m
b st c i rcu m
st nce
Ev des t he m
Horri bly stu ffd wi th e pi thets fw ;
A nd i n co nclus i o n
N n i t y ed i tors f C ertes s ys he
I h ve lr dy chose m
fli
y
he
A nd w h t w
i
F
th
re
t
r
th
et
i
c
i
n
m
g
Flore nt i ne
O n M i ch el C ss i o
nd i n f i r w i fe ;
ost d m
A fello w l m
T h t never set
squ dro n i n t h field
N
the d i v i s i o n f b ttle k no ws
More th n pi nster u nless t h book i sh theor i c
Where i n the toged co nsuls n pro pose
A m
sterly he ere pr ttle wi thout pr ct i ce
I
l l h i sold i ersh i p
But he i h d the elect i o n
A nd I fwho m
h i eyes h d s e n t h proo f
A t R hodes
nd nother grou nds
t Cyp rus
C hr i st i n nd he the n m
ust be b lee d nd l nd
By deb i tor nd cred i tor t h i s cou nter c ter
He i ngood t i m
e m
ust hi l i eute n nt be
A nd I
rk l hi Moorsh i p s nc i e nt
G d bless the m
R d g By h e ve n I r ther would h ve bee n h i h
I np
a
a
m
’
-ca
u
e
e
a
,
o r so o
a
a
e
o r,
a
a
o
a
e
a
a
:
m
o
a
a
a
,
a
a
e
o
,
’
a
s
,
o
a
’
ca i
- as
,
,
,
a
e
a
—
s r,
e
a
s
a
,
,
a
,
ca
.
,
,
e
s
,
a
a S
as
S a
,
a
or
a
.
,
’
a
s
.
’
a
,
a
a
a
,
ce r
a
a
a
’
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a
a
ar
‘
o
as
,
a
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ea
a
,
,
a
a
a
a
a
a
o
mm
s
su
o
,
a
’
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o
o
a
,
a
a
s o
a
.
s
a
,
as
,
i
—
a
,
’
s
a
m
Why there
re m
edy
the curse
Pre er m
e t oes by letter
ect o
by old r d t o here e ch seco d
Stood he r to first
be jud e yoursel
Whether I
just ter mm
love the Moor
I ould
o lo m
the
o
e/a o
a
I ago
a
.
,
a
.
,
.
no
s
n g
g
i
’
a
A nd no t
a
t he
a
To
nd
a
o
si r ,
a fli
g
nd
’
.
w
.
O,
si r,
co nte nt you
no t f l
w hi
n
.
ng
a
serv i ce
f
n
a
N o w,
.
t is
i n,
af
f
i n, w
i n a ny
I ago
s
n
’
f
a
.
f
,
,
ACT I
m
S CEA E I
’
u
a
a
e
e
a
or a
,
.
a
’
u
a
a
-
s o
o
,
s
a
,
v
a
ar e
o
,
m
m
a
,
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er i
o
a
ca
m
m
m
a
e
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o
er i
a o
.
o
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o,
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e
a
o
s
,
a
a
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o
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a
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m
.
-
a
s o
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m
m
a
a
a
s
,
s
a
o
e
m
a
r
,
’
o
,
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u
a
,
,
s
xa
’
m
,
a
:
a
a
u
,
a
a
s
a
O
a
,
.
a
.
s r,
a e
a
ee
so u
,
a
a
m
c
a
a
a
x
’
a
a
a
or
,
ac
,
m
m
or
o
a
u
s,
,
m
s
er
,
a
,
o
o
.
as
u
s as
cas
o
e
a o
,
o
a
v
o
s O
’
ar e
a
,
as s ,
.
o
o
e
a
a
a
.
,
’
’
a
a
a
a
s
m
m
m
m
,
e
O
,
’
r
a
,
e
a
a
ou
.
a
u
a
a
o
o
39
m
h
i
n
n
I fol l o w hi to serve m
tur
o
p
y
st rs n l l m
sters
W c nnot l l be m
Y
s h ll m
rk
C nnot be tr ly f l l w d
M ny d teous nd k nee crook i ng k n ve
Th t dot i ng n hi wn bs qu i ous bo nd ge
We rs out hi t i m
em
uch l i ke h i m
ster s
For nou ght but prove nder nd whe n he l d hi d
Wh i p msuch ho nest k n ves O thers there
Who t i m
d i nfor s nd v i s ges fduty
selve
K ee p yet t he i r he rts tte nd i ng n the m
A nd thro wi ng but sho ws f serv i ce n the i r lords
nd w he n they h ve l i nd the i r
D wel l thr i e by the
D the m
sel es ho ge these fe l lo ws h ve so m
e l
n do I pro fess ysel f For i
A nd such
It i
s re you
R oder i go
Were I the Moor I would n t be I go
I follo w but ysel f;
I nfollo wi ng h i
n
t
n
He ve ni m
jud
e
I
f
love
d
duty
g
y
i
n
d
But see i ng so f m
ecul
r
y p
i
n
m
n
For whe n m
out
w
rd
ct
o
doth
de
o
str
t
y
T h n t i ve
he
rt
nd fi gure f m
t
y
e nt e ter n t i n t lo ng fter
I n co pl i m
m
n
But I wi ll we r m
he
rt
u
o
sleeve
p
y
y
n t wh t I
For l ws to p k t I m
w
R d g Wh t
ful l fortu ne does the th i ck l i p
I fhe
n c rry t thus !
C ll p her f ther
R o se hi
mke fter hi po i so nhi delii ght
P rocl i m
i nce nse her k ns
n
i n the streets
hi m
A nd thou gh he i n fert i le cl i
te d we l l
P l gue h i
wi th fl i es thou gh th t hi joy be joy
Y t thro w such ch nges fve t i o n n t
m
lose
so
e
colour
A it
y
Here i her f the s ho se I l l c ll loud
R d g
I g
D wi th l i ke t i orous cce nt nd d i re yell
.
a
e,
O TH ELL O,
°
4
TH E M O OR OF
VEN I CE
.
he n by night nd negl i ge nce the fire
I s pi ed i n po pulous c i t i es
Wh t ho Br b nt i o ! Si gni Br b nti o ho !
R d ig
I g
A w ke ! wh t ho Br b nt i o
th i eves t hi eve !
th i e es !
Look to y our house your d ghter nd your b gs !
Th i ve l hi eves !
B B NT pp
t
b
w i nd w
B
Wh t i the re so n fth i s terr i ble su m
m
o ns ?
b nt i
Wh t i the
tter there
i
l
l
S
i
n
i
or
your
f
m
i
ly
w
i
th
i
n
?
R
g
g
your d or l k d
I g
Why where fore k you t hi ?
B
b nt i
e p t n y our
Z ou nds i y
bb d f sh m
I g
n
o
w
;
g
Your he rt i burst you h ve lost h l fyour soul
Aw ke the s nort i ng c i t i e ns wi th the bell
ke gr nds i re fy
O else the dev i l wi ll m
A r i se I
y
Wh t h ve you lost your wi ts ?
B
b nt i
Most revere nd i gni or do you k no w y vo i e ?
R d g
Not I wh t you ?
B
b nt i
My n e i R oder i go
R d ig
T h worser welco m
b nt i
B
I h ve h g d thee n t to h u nt bout m
doors
y
I n ho nest pl i nness thou h st he rd m y
M y d u ghter i n t f thee nd n w i n m
d nes
Be i ng ful l fs pper nd d i ste peri ng dr ughts
l i c i ous br very dost thou co m
e
U p nm
i
qu
et
T st rt m
y
i
i
Si
R d g
But thou ust needs be sure
B b nt i
w
i n t he
o
e
My s pi r i t nd y pl ce h
p
ke th i s b i tter to the
T
As w
a
,
,
S
.
o
o
er
a o
a
.
,
,
a
.
a
a
pr
a
a
,
s
a
a
,
,
a
v
au
,
e
s
t
IO a
RA A
ra
m
o
a
a
o
o
o
a
oc
s
ou
s r,
s
’
ro
re
a
sa
,
o
o
ra
.
o
a
o
o er
a
,
a
o
S
a
o
a
a
c
e
a
.
a
m
a
a
u
o
e sa
o
s,
a
,
a
,
a
a
a
.
o
r, s r, s r,
.
o
ra a
a
or
o
9o
'
.
e
s
m
m
,
s
’
a
er i
.
ar e
a
o
ou
o
.
ar
c
a
a
m
.
.
ra a
a
a
.
o
,
.
r a a
o er i
u
,
a
a
o
or
z
r
s
as
’
a
,
a
o
?
,
,
a
o
’
.
.
.
o
s a
,
A re
.
o
a
?
.
ra a
a o
a
a
od er i
ea r s a o v e , a
s
a
.
s
a o
a
a
,
a
.
m
a
av e
e
.
m
m
t oo
r
ACT 1
B r a ba nt i o
e ce
My house i n t
V ni
o
s
t e ll
a
r
g
a
’
st
e
ng
a
1
4
.
t e ce good i
tho m f robb i ng ? th i s
Pa i n
Wh t
.
S CEN E 1
.
,
e
u
s r
.
is
o
.
M ost gr ve Br b nt i o
I n s i ple nd pure soul I co m
e to you
I g
Z ou nds i you
n fthose t h t wi ll n t serve
G d i fthe dev i l b i d you
B
Thou rt v i ll i n
b nt i
You
e n to
Th i s thou sh lt ns wer ; I k no w thee R d
B b nt i
er i go
R d g S i I wi ll ns wer ny th i ng
But I bes ch
I f t be your p le sure nd
ost wi se co nse n
A p rtly I fi nd i t i th t your f i r d u ghter
A t th i s odd eve n nd dull w tch
the ni ght
T n p t d wi th n worse n better gu rd
But wi th k n ve fco o n h i re go ndol i er
T o the gross l s ps f l sc i v i ous M oor
I fth i s be k no wn to you nd your llo w nce
We the n h ve do ne you h ld nd s ucy wro ngs
B t i fyou k no w n t th i s
m
ers
tell
n
m
n
y
We h ve your wro ng rebuke D n t bel i eve
Th t fro the se nse f ll c i v i l i ty
I thus would pl y nd tri fle wi th your revere nc
Yo r d u ghter i fyou h ve n t gi ve nher le ve
i
I
n
h
th
de
ross
r
volt
y g
g
Tyi ng her du t y be ty wi t nd fortu nes
I n n e tr v g nt nd wheel i ng str nger
O fhere nd every where
Str i ght s t i s fy yoursel f;
I fshe be i n her ch
ber or your ho se
the just i ce fthe st te
L t loose n
For thus delud i ng you
B
b nt i
Stri ke nthe t i nder ho l
G i ve
t per ! c ll p l l y people
m
a o
o
a
a
a
a
,
.
ar e
s r,
,
.
,
e
o
a
o
o
.
o
ra a
a
.
'
a
a
.
—
ar e
a s
ra a
o
a
.
a
a
r
.
,
o
.
o
o
er i
r,
.
’
a
s
a
a
or e
s
,
a
0
m
m
o
C a
a
o
a
a
o
,
a
sa
a
a
,
a
x
a
,
a
a
m
a
a
o
o
,
a
e
m
a
,
au
a
a
o
a
a
a
,
,
m
ra a
a
a
a
a
e a
u
e
o
.
o
a
u
a
,
a
m
o
.
a
,
e
.
o
,
e
a
e
a
a
a
m
m
a
,
a
.
a
u
,
o
a
,
e
m
,
,
a
a
a
’
a
a
u
,
or
o
a
t,
a
a
ee
,
.
a
a
s,
-
ra
m
a
a
,
v o u,
TH E M O OR
O TH E LL O,
2
4
VE N I CE
OF
s cc i de nt i n t u nl i ke m
dre
m
y
Bel i e f fi t o pp r sses mlre dy
i
Li ght I
l
ht
E
i
t
!
b
g
y
[
F re well f I m
ust le ve you
It see m
s nt m
eet n wholeso m
e to m
l
ce
y p
To be p d d
i f I st y I sh ll
Ag i nst the Moor f I do k no w the st te
h
i
w
i
Ho wever th i s m
ll
t
so
e
check
h
m
y g
C nnot wi th s fety c st hi m
f he
b kd
W i th such loud re so n to the C y prus w rs
W hi ch eve n n w st nd i n t th t f the i r souls
A nother fh i f t ho m
they h ve no ne
T le d the i r bus i ness
i n wh i ch re g rd
T hou gh I do h te h i m I do hell p i ns
Yet f necess i ty fpr se nt l i fe
Im
ust ho w out fl g nd i gn flove
Wh i ch i i ndeed but i gn Th t you sh ll surely fi nd hi
Le d to the S gi tt ry the r i sed se rch
S f re well
A nd there wi ll I be wi th h i
nd Se v nts w i t / t l
Ent
B NT
bl w B
B
It i too true nevi l go ne she i
b nt i
i
A nd wh t
i
m
to co m
e fm
des
sed
t
e
p
y
I nou ght but b i tter nes
N w R oder i go
W here d i dst thou see her
0 u nh ppy gi rl
Wh would be f ther
Wi th the Moor s y st thou
—
she 0 she dece i ves
H w d i dst thou k no w t w
—
P st thought l Wl t s i d she to you G t m
ore t pers !
i
i
A
i
k
dred
they
rr
ed
th
k
you
n
n
R i se l l m
y
Tru l y I th i nk they
R d g
—
H w g t she out
n
t
n
B
i
O he ve
b
0 tre so n f
the blood
i nds
F thers fro m
he nce trust n t your d u ghters m
—
w
By h t you see the
Is there n t ch r m
s
t
i dh od
By wh i ch the proper y fyouth nd m
Th i
a
s
o
a
e
e
o
a
a
.
x
sa
,
o
— as
,
uc
ro
a
a
a
a
a
a
,
a
,
’
or
,
s e
o
s
ac
a
,
a
,
,
e
a
a
s
a
a
S
o
m
a
e o
,
o
ra a
,
O,
s
S
r
,
o
a
o
i a
a
a
ra
a
a
,
a
.
.
a
.
o
m
re
a
ar e
o
a
ac
t
o
e
,
.
-
’
a
a
o
.
a
m
a
o
o
a
e
—
a
m
a
,
,
o
o r c z es
,
as
—
o
z
,
—
’
’
er i
a
s
—
o
.
o
—
s
a
a
a
’
a
,
a
I O, a
A
s
.
a
a
RA
m
,
a
.
.
er
,
,
a
S
,
- a
as
S
,
,
a
o
’
,
a
or
,
or
a
a
.
,
ar
a
a
.
,
m
a
o
a ov e
a
m
o r,
:
a
a
or
,
’
a
or
a
o
.
a
o
a
o
TH E M O OR
O TH E L L O,
44
VE N I CE
OF
m
do s te
My serv ces h ch I h ve do e the s ory
Sh ll out to ue co m
l ts
yet to k o
Wh c
e I k o th t bo st
ho our
I sh ll ro m
ul te
etch ml e
be
Fro m
m
roy l s e e
m
de m
er ts
e k u bo eted to
roud ortu
th s th t I h ve
k o I o
But th t I love the e tle esde m
o
mu housed ree co d t o
I ould
Put to c rcu m
scr t o
co fi e
For the se s orth
look h t l hts co m
e yo d
Those
the r sed ther
r e ds
You ere best
Not I I m
ust be ou d
mer ect oul
My rts mt tle
Sh ll m est mr htly
they
Ot l z e l l o
i
Le t h i
.
w i
ng
wh n
hi s
-
a
h,
i
a
p
nw
a
g
a
i g
no f
a
M ay S p a
n nn
e
i
AS
a
,
no t
w
in
y
n
f
a
n
d
i
y
p
D
f
a
’
w
Bu t ,
.
w
ne
f
a
,
! w
ai
ar e
.
,
i
y
i p i n and
i
n
i ng
a
n w ag
na,
ni i n
nn
d
n
‘
fo r
’
n
g
n w,
1 is
.
nd
as
r e ach
a
a
I ago
a
"
i ng i s
a
I f
—
i
p
i g ni
hi s
n
i
n
a
p
a
.
n
ig
a
fa
,
a
nd hi s f i n
in
o
g
.
f n
a
p
y
an
if
,
a
I ago
i
,
a
n
d
f
y p
Is it
ig
e
a
o
,
E nt e r CA SS I O,
?
.
By J nus I th i nk n
.
s
nd
.
n O fli ce r s w i t /z
The serv nts fthe duke nd m
l
eute
t
i
n
n
y
The good ness fthe ni ght u po nyou fri e nds !
Wh t i the ne ws ?
The duke does greet you ge ner l
A nd he requ i res you h ste post h ste ppe r nce
Eve n n the i nst nt
Wh t i the m
tter th i nk you ?
i
i
n
So eth i ng fro Cyprus I m
d
v
e
i
C
y
It i bus i ness fso m
e he t the g lleys
H ve se nt do e n seque nt m
esse ngers
Th i s very ni ght t n nother s heels
i d nd
A nd
ny fthe co nsuls
t
lre dy you h ve bee n hotly
A
t the duke s
Ot l z ell o
a
o
a
.
cer t a i
a
a
,
o
t o r c/z e s
a
s
r
o
a
ass o
a
-
a
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your lod gi ng to be fou nd
,
’
d
S CEN E 11
A C T 1:
45
.
se n te h th se nt bout t hree seve l quests
T se rch you out
well I m
fou nd by you
I
Ot b l l
I wi ll but s pe nd word here i n the house
A nd g wi th you
A nc i e nt wh t m
kes he he e ?
i
C
F i th he to night h th bo rded l nd c r ck
I g
mde f ever
I fi t prove l wful pr i e he
i
I do n t u nderst nd
C
He
rr i ed
i
To wh
C
LL
E nt
OT
—
M rry to Co e c pt i n wi ll you g ?
I g
H ve wi th
Ot / ll
i
Here co m
es nother troo p to seek f you
C
I g
It i Br b nt i Ge ner l be d i d
He co m
es to b d i nte nt
nd O f
B B NT R OD E
fcers w i t / t
Ent
l
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a
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it is
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r
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oder i go co m
e i I m
f you
K ee p p your br i ght s words f the d
T
b
ey dr a w
[
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m
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or
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ore co mnd wi th ye rs
T h n w i th your w e po ns
B
b nt i
O thou foul th i e f where h st thou t
d u ghter
D
nd
thou t thou h st e nch nted her ;
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i
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t
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O TH ELL O,
6
4
VEN I CE
TH E NI O OR OF
id
Wheth r m
te nder f i r nd h ppy
m
i
i
h
n
n
d
os
te
to
rr
e
th
t
she
S
pp
g
The we lthy curled d rl i ngs four n t i o n
Would ever h ve to i ncur ge ner l m
ock
R nfro her gu rd ge to the sooty boso m
th i ng thou to fe r n t to del i ght
O f uc h
i
i
n
f
n
i
ud
e
the
w
orld
t
t
ross
n
se
s
g
J g
oul ch r m
T h t thou h st p
t i d n her wi th f
i ner l
Ab
d her del i c te youth wi t h dru gs or m
Th t we ke nm
ot i o n I 11 h ve t d i s puted n
T i prob ble nd p l p ble to th i nk i n
g
I the e fore pprehe nd nd do tt ch thee
For n bus r fthe world pr ct i ser
O f rts i nh i b i ted nd out f w rr nt
i f he do res i st
L y hold u po n h i m
Subdue hi t h i peri l
Hold your h nd
Ot / l l
Both you f y i ncl i ning nd the rest
t
i
Were i t m
cue
to
fi
h
I
should
h
ve
k
o
t
n
w
n
g
y
i
w
W i thout pro m
ter
Where
ll
you
th
t
I
p
g
To ns wer th i s your ch rge ?
B
b nt i
To pr i so n t i ll fi t t i m
O f l w nd course fd i rect sess i o n
C l l thee to ns we
Wh t i f I do bey ?
w
i
i
the
duke
be
there
th
s
t
sfied
H w m
y
i
e se nge s here bout m
s
de
Whose m
y
e prese nt bus i ness fthe st te
U po n so m
to hi
T b i ng m
T i true m
ost worthy s i gni
The duke i ncou nc i l nd your noble sel f
I sure i se nt f
B
H w the duke i n cou nc i l 1
b nt i
I n th i s t i m
e fthe ni ght Bri ng h i mw y ;
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e
a
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,
ACT 1
S CEN E 1 11
m
brothers the st te
ot but eel th s ro
ere the r
For suc ct o s mh ve ss e ree
Bo d sl ves
s sh ll our st tes m
e be
O r any
C ann
if
n
of
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of
y
f
h
i
a
ay
’
as
nd pagan
47
.
,
i
t w
f
ag
a
p
a
o
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n
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a
E
x e un
t
[
.
b
S EN E III A C ni l k m
i
n
t
n
d
t
t
l
t
b
O
f
f
i
cers
Tn D K E nd Se n tors i t t i n
;
g
g
i
n
i
n
i
n
os
t
o
these
e
w
s
D k There i n co m
p
Th t gi ves t he cred i t
I ndeed they di p p t i nd
S nt
My letters y hu ndred nd seve ng lleys
i ne
hu ndred nd forty
D k A nd m
i ne t w hu ndred ;
A nd m
S nt
n
n
n
just
ccou
t
t
B t tho ugh they ju m
p
r ports
A i n these c ses where the i
—
n
ft wi t h di fl
yet do they l l co nfir
T i
A Turk i sh fleet nd be r i ng p to Cy prus
e nt
D k N y i t i poss i ble e nou gh to j ud gm
I do n t so secure i nthe error
But the i n rt i cle I do pp rove
I n fe rful se nse
Wh t ho ! wh t ho wh t ho !
S il
esse nger fro m
the g lleys
Ofi
A
S i lor
Ent
N w wh t s the bus i ness ?
S il
The Turk i sh prep r t i o n kes f R hodes
So w I h i d re port here to the st te
By S i gni or A ngelo
D k H w
n
i
you
by
th
s
ch
e
?
g
y
Th i s c nnot be
S nt
By n ss y fre so n t i p ge nt
T kee p us i n f lse g e
Whe nw co ns i der
n
f
The i m
ort
cy
y
rus
to
the
Turk
C
p
p
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'
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s
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,
0 1 11 5 1 1 0,
43
M OOR OF VEN I CE
7 7 15
m
m m
.
r lve g i nb t u nderst nd
Th t i t or co ncer n the Turk th n R hodes
b
i
h
f
w
8
t
or
c
i
le
quest
o
be
r
i
n
i
t
y
For th t i t t nds n t i nsuch w rl i ke br ce
But ltogether l cks the b i l i t i es
—
Th t R hode i d
d i n i fw
ke thou ght fth i s
W
u t n t th i nk the Turk i so u nsk i l ful
To le ve th t l test wh i c h co ncer ns h i m
first
Neglect i ng n tte pt fe s nd g i n
To w k nd w ge d nger p fit l
D k N y i n l l co nfide nce he
n t f R hodes
Here i ore ne ws
Ofi
Messe nger
Ent
i
i
n
n
n
The
revere
d
n
r
c
ous
O
t
t
M
t
d
g
g
S teer i ng wi t h due course to w rds the i sle fR hod s
H ve there i njo i nted the wi th n fter fl et
—
ny
H w m
you guess
S nt
A y so I thou ght
ng
il
nd n w they do
ste
O fth i rty
M
The i r b ck w rd course be ri ng wi th fr nk ppe r nce
—
The i r purposes to w rd Cy pru S i gni or Mo nt no
Your trusty nd ost v l i nt serv i tor
m
W i th hi fr e duty reco m
e nds y thus
A nd pr ys you to bel i eve h i
T i cert i n t h n f C y prus
D k
M rcus L i i n t he i n to w n
He n w i n Flore nce
S nt
to hi post post h s t e d i sp tc h
D k Wr i te fro
Here co
Br b nt i o and the v l i nt Mo r
S nt
nd Off
i cers
NT O TH ELLO I
R DE
Ent B
ust str i ght e ploy you
D k V l i nt O thello w
n
A g i nst the ge ner l ne y Otto
m
n
i
w
n
i
n
I
see
you
elco
e
e
tle
s
or
t
i
i
n
t
d
T
d
B
b
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]
[
W l k d y our cou nsel nd yo r hel p to ni ght
A nd l e t
a
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A CT I
S CEN E I I I
.
I yours
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m
Ne ther ml c
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mbed dot the
th
ro m
m
T ke hol
m m rt cul r r e
B r a bant i o
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.
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.
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D
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m
m
m
m
ed
a
Ay ,
nd corru pted
She i b d stole nfro
By s pells nd ed i c i nes bought f ou nteb nks
For n ture so pre posterously to err
Be i ng n t defic i e nt bl i nd or l m
e fse nse
S ns wi tchcr ft could n t
D k Wh
he be t h t i n th i s foul proceed i ng
H th thus b g i l d your d u ghter fher el f
A nd y
the bloody book fl w
fh
Y
sh ll yoursel fre d i n the b i tter letter
A fter your wn se ns
h
thou
our
ro
er
n
p p
y
g
Stood i n your ct i o n
B b nt i
Hu bly I th nk your gr ce
n w i t see m
Here i the n th i s Moor who m
s
nd t e f the st t
Your s pec i l m
f
f i rs
H th h i ther brought
D k nd S n t
We very so y f t
D k [
T Ot k l l ] Wh t i n yo r wn p rt
ny
to th i s ?
B b nt i
Noth i ng but th i s i so
Ot / l l
Most pote nt gr ve nd revere nd i gni ré
My very noble nd pp d good m
sters
Th t I h ve t e n w y th i s old m
ns d ugh te
It i
ost true true I h v
i ed her
us
s a
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Is fso flood te nd b i ng n ture
Th t i t e ngluts nd s w llo ws oth r sorro ws
A nd i t i
t i ll i ts l f
Why wh t the m
tt r
My d u ghter O m
d
u
hter
!
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g
y
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j
O TH EL L O,
’
s
o
TH E M O OR OF
VE N I CE
m mm
mm
m
.
The very he d nd fro nt f y ffe nd i ng
H th th i s e te nt n m
ore R ude I i n y s peech
A nd l i ttle blest wi th the so ft phr se fpe ce
For s i nce these r s f i ne h d seve nye rs pi th
Ti l l n w so e ni ne m
oo ns w sted they h ve d
The i r de est ct i o ni n the te nted field
A nd l i t t le fth i s gre t world
n I s pe k
More t h npert i ns to fe ts fbro i l nd b ttle
c
use
A nd there fore l i ttle sh ll I gr ce m
y
I ns pe k i ng f
ysel f Yet by your gr c i ous p t i e nce
I wi ll rou nd n ni h d t le del i ver
flove wh t dru gs wh t ch r s
O f y whole cours
Wh t co njur t i o n nd wh t i ghty gi c
h g d wi th l
For s ch proceed i ng I
I w nh i d u ghter
A
i de nnever bold ;
ot i o n
O fs pi r i t so st i ll nd qu i et th t her
Bl h d t h rsel f; nd she i n s pi te fn ture
O fye r
fcou nt y cred i t every th i ng
To f ll i n love wi th wh t she f d to look n!
It i jud g e nt i m
ost i perfec t
d nd m
Th t wi ll co nfess per fect i o nso could err
A g i ns t l l rules fn t re nd
ust be dri ve n
To find out pr ct i ces fcu nni ng hell
Why th i s should be I there fore vouch g i n
i tures po wer ful o er the blood
Th t wi th so e m
O wi t h so e dr
nj
d to t h i s e f
f ct
He wrought po nher
To vouch th i s i n proof
W i thout ore wi der nd ore overt test
Th nthese th i nh b i ts nd poor l i kel i hoods
O f oder n see i ng do pre fer g i nst h i m
But O thello s pe k
S nt
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nd po i so nth i s y u ng m
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,
5
TH E M O OR
O TH ELL O,
2
O F VEIVI CE
.
0
ro w be ne th the i r shoulders Th i s to he r
o n er i ously i ncl i ne
Would Desde m
But st i ll the house ff i rs would dr w her the nc
Wh i ch ever she could wi th h ste d i sp tch
She d co m
e g i n nd wi th greedy
i
i
w
h
d
scourse
h
c
I
observ
Devour p m
i
n
y
g
Took o nce pl i nt hour nd fou nd good m
e ns
To dr w fro m
her pr yer fe nest he r t
Th t I would l l y pi l gr i ge d i l te
Whereo fby p rcels she h d so m
eth i ng he rd
I di d co nse nt
B t n t i nte nt i vely
A nd o fte n di d be gu i le her f her te rs
Whe n I di d s pe k fso e d i str ss ful stroke
f
f
d
n
Th t m
youth
My
story
be
do
i
n
g
y
i
n
She g v mf m
s
orld
s
hs
w
i
f
y p
g
She s wore i nf i th t w str nge t w p ss i ng str nge
n
i
i
f
w
w
t
ul
o
drous
t
ul
t
i
i
f
I w
p
p
S h wi h d she h d n t he rd i t yet she wi h d
Th t he ve nh d de her such
n she t h nk d
i fI h d
fr i e nd th t l
A nd b de m
d her
I should but te ch hi h w to tell y story
A nd th t would w
her U po n th i s h i nt I s p ke
She l d mf the d ngers I h d p d
d her th t she d i d pi ty the
A nd I l
Th i s o nly i the wi tchcr ft I h ve us d
Here co es the l dy let her wi t ness i t
DE D EM N I
Ent
nd A tte nd nts
D k I th i nk th i s t le would wi n y d u ght r t
Good Br b nt i o
T ke p th i s ngl ed tter t t h best
M nd the i r broke nwe po ns r the use
Th n the i r b re h nds
B
b nt i
I pr y you he r her s pe k
h l fthe wooer
I fshe co nfess th t she w
Do g
a
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as s
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A GO , a
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or
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:
a
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.
A CT 1
S CEN E 11 1
o
o
es
m
o
e
a
or
a
a
e
o u ar e
t
o
m
a
as
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a
ue
,
.
—
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a
a
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.
or
m
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a
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,
,
m
,
a
a
as a
a
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,
,
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a
ro
e
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a
a
a
a
m
m
a
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—
a
,
a
a
a
a
u
m
e
a
o
,
,
u
,
a
a
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53
m
i
m
struct i o n n m
he
d
f
bl
e
b
d
y
y
—
i stress
n C o e h i ther ge ntle m
L i ght n the m
D you perce i ve i n l l th i s noble co m
n
y
p
Where ost you w obed i e nce ?
D dm
n
My noble f t he
I do perce i ve h re d i v i ded duty
To you I m
bou nd f l i fe nd educ t i o n
My l i fe nd educ ti o nbot h do le r n
H w to res p ect you y
the lord fduty
n
I m
h i herto your d ughter but here m
husb
d
y
m
w
uch duty
other
sho
d
A nd so
y
T you pre f rr i ng you be fore her f ther
f
So uch I ch lle nge th t I m
ro
ess
y p
to the Moor m
lord
D
y
G d be wi th you
I h ve do ne
Ple se i t your gr ce nto the st te ff i rs ;
I h d r ther to dopt ch i ld th ng t i t
C o e h i ther Moor
I here do gi e thee t h t wi th l l m
he
rt
y
Wh i ch but tho h st lre dy wi th l l y he r t
I would kee p fro thee F or your s ake je wel
I gl d t soul I h ave n other ch i ld
For thy esc pe would te ch mtyr nny
—
I h ve do ne
To h ng clogs nthe
lord
y
spe k l i ke yoursel f nd l y se nte nce
D k L t m
m
Wh i ch
r
se
ste
hel
these
lovers
i
p
y
p
g
I nto your f vour
i
f
st
the
r
e
s
e
ded
n
Whe n re ed i es
g
p
By ee i ng the worst wh i ch l te n ho pes de pe nded
i sch i e fth t i p st nd go ne
To ourn m
i sch i e f n
Is the ne t w y to dr w n w m
d whe nfort ne t kes
Wh t c nnot be p
P t i e nce her i njury ockery m
kes
i les ste ls so m
The b b d th t s m
eth i ng fro m
the t hi e f;
He robs h i m
sel fth t s pe nds bootless gr i e f
De
.
’
a
u
a
.
,
.
a
a
a
.
.
TH E M O OR
O TH EL L O,
54
VE N I CE
OF
.
So let the Turk fCy prus us begu i le
i le
We lose i t n t so lo ng w ns m
He be rs th se nte nce well th t noth i ng be rs
B t the free co fort wh i ch fro m
the nce he he s
But he be rs both the se nte nce nd the sorro w
Th t to p y gri e f ust fpoor p t i e nce borro w
T hese se nte nces to s g r or to g ll
Be i ng stro ng nb oth s i des
equ i voc l
But words words I never yet di d he r
Th t the b i d he rt w pi erced throu gh t h
Beseec h you n w to the ff i rs fst te
D k Th Turk wi th
i ghty p re p r t i o n
m
ost m
ks
f C y prus -O thello the fort i tude fthe pl ce i best k no wn
to you ; nd though w h ve th re subst i tute f m
ost l
i stress fe f
lo wed fii i n y yet opi ni o n sovere i gnm
fects
thro ws m
ore s fer o i ce nyou you ust there fore be n
te nt to slubber the gloss fyour n w fortu nes wi th th i s m
ore
st bbor n nd bo i sterous e ped i t i o n
T h tyr nt custo
ost gr ve se n tors
H ath de the fli nt y nd steel couch fw
My thri ce dri ve n bed fdown I do gni e
i
A n tur l nd pro m
t
l
cr
ty
p
I find i n h rd ness nd do u ndert ke
i tes
These prese nt w rs g i nst the O tto m
M ost h bly there fore be nd i ng t your st te
I cr ve fit d i s pos i t i o nf y wi fe
re fere nce fpl ce nd e h i b i t i o n
D
W i th such ccomod t i o n nd be ort
A levels wi th her breed i n
g
I fyou ple e
Be t t her f ther s
I 11 n t h ve i t so
B r a bant i o
o
.
o
,
e
a
u
a
a
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as
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m ther mt e t thou hts
D es de
To p
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r
es i de
,
SCENE 1 1 11
By be i ng i n h i eye
Most g c i ous duke
To y u nfold i ng le nd your prosp rous
A nd let
ch rter i nyour o i ce
fi nd
T
ss i st y s i ple ness
D k Wh t would you Desde o n ?
D d
n Th t I d i d love the Mo r t l i ve w t h
M y do wnr i ght i ole nce nd stor
ffortu nes
M y tru pet to t h world
he
rt
subdue
d
y
Eve nto the ve y qu l i ty f y lord
I w O thello s i s ge i n hi i nd
A nd to h i ho nours nd h i
l i nt p rt
D i d I y soul nd fortu nes co nsecr t
So th t de r lords i f I be l e ft beh i nd
A oth fpe ce nd he g to the w
The ri tes f wh i ch I lo e hi
bere ft
A nd I
he vy i nter i sh ll su pport
By h i de r bse nce L t g wi t h hi
Ot l l / L t her h ve your vo i ces
V ouc h wi th
he ve n I there fore b g i t n t
To ple se the p l te f y ppet i te
Nor to co ply wi th he t the you ng ffect
—
In
f
n
de u ct nd pro per s t i s f ct i o n
But to be free nd bou nt eous to her i nd
A nd he ve n de fe nd your good souls t h t y
thi nk
I wi ll your seri ous nd gre t bus i nes sc nt
i
For she i w th
N w he n l i ght wi ng d t ys
O ff t h d C u pi d see ] wi th w nto n dul ness
My s pecul ti ve nd fli d i nstru e nts
Th t y d i s ports corru pt nd t i nt y bus i ness
ke sk i llet f y hel
L t house wi ves
A nd l l i nd i gn nd b se dvers i t i es
M ke he d g i nst y est i t i o nl
you sh ll pr i v tely deter i ne
D k Be i t
Th
f
f i r cr i es h st
Ei ther f her st y or go i ng
ust ns wer i t
A nd s peed
A CT I
mm
mm
m
m
s
ra
.
e
e
a
a
es
o
e
a
a
,
o
v
a
’
sa
m
m
s
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.
a
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a
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a
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e
.
or
c
m
mm
m
a
a
a
o
a
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0,
.
mm
mm
,
,
,
m
a
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mm
v
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s
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a
s v a
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,
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,
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a
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55
TH E M O OR
O THE L L O,
6
5
VENICE
OF
m y to ht
W th mhe rt
e the m
or
h re
m
eet
thell le ve so m
e o c beh d
he sh ll our co m
ss o br to you
m
W th such th s else qu l ty
res ect
doth m
ort
So le se your r ce m c e t
A mhe
ho esty
trust
To co vey ce I ss m e
W th h t else eed ul your ood r ce h ll th k
To be se t te m
be so
S e na t o r
1
Ot ke/l o
D u ke
O
o,
i ng
i
p
n
is
y
o
n
hi s
w
a
a
n
ou
n
n
a
p
an
d
i gn
a
agai
.
n
.
e
g
a
an
y
,
i n
i
w
f
,
y
f
af r
y
a
.
n
f
al l
’
a
i
i
.
ni ng e
we 11
in ,
f
fi e:
i i n i ng
,
a i
d
of
an
p
’
a
a
awa
i
A t ni n i
.
As
ni g
-
.
A nd
‘
You ust
.
.
g
g
a
in
a
s
.
Le t i t
.
ood ht to every n A nd noble s i gnior
I fv i rtue n del i ghted be uty l ck
ni nl w i f m
ore f i r th n bl ck
Your
o n wel l
S nt
A d i eu br ve Moor ! use Desde m
B b nt i . Look to her Moor i fthou h st eyes to see
She h d i d her f ther nd m
thee
y
ni g
G
—
e
o
o
-
so
e
1
a
-
a or
a
.
,
a
a
a
.
a
,
a
,
e ce v
as
,
a
ar
s
o
ra a
,
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a
,
a
,
a
a
.
E
x e u u t D u ke , S e n
rs O
a
t
o
[
fi
—
ai
n
f
n
a
o
p
g ,
Mv l i fe u o her th Ho est I
My esde o n m
u t I le ve to thee
I r thee let thy wi fe tte nd n her
A nd br i ng the
fter i n the best dv nt ge
o n I h ve but n hour
C o e Desde m
tters nd d i rect i on
O flove f worldly m
To spe nd wi th thee w m
ust obey t h t i m
m
m
m
Ot ke l l o
D
i
,
p
.
a
o
a
,
a
a
.
a
a
a
a
,
e
e
e
t
E
xeu n
t
k
el l o
O
[
.
a
nd D esde
Wh t s y st tho noble he rt ?
Wh t w i l l I do th i nkest thou ?
R d k
I g
Why g to bed nd slee p
R d i g I wi ll i nco nt i ne ntly dro wn m
ysel f
I f thou dost I sh ll neve love thee
I g
t hou s i lly ge ntle m
n!
I ago
o
a
o
er z o
o
a o
,
o
’
a
u,
a
.
.
er
a
a
.
,
o
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a
.
.
.
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,
a
ee r s ,
,
a
a
o
,
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s
a
,
.
a
r
m
o
na
.
SCENE
57
s i ll i ness to l i v wh e n to l i ve i tor e nt ;
i
i
i
t
i
h
t
n
w
h
n
resc
o
e
de
t
d
p
p
A CT 1
m
It i
nd the n h ve w
hys
c
i
i
n
p
I g
O v i ll nous ! I h ve loo ke d u po n t h w i d f
eve n ye s ; nd s i nce I could d i st i ngu i sh b
four t i e
t wi t be nefit nd n i nju y I never fou nd n th t k ne w
h w to love h i m
sel f E I wo ld y I would d o wn m
y
sel ff the lov f g i ne h n I would ch nge y hu n
i t y w i th
b boo n
R d g Wh t sh uld I do ? I co nfess i t i m
sh
e
t
y
be so fo nd but i t i n t i n y v i rtue to e nd i t
V i tue !
I g
fig ! t i i n ourselves th t w
thus
thus O bod i es
our g rde ns to the wh i ch our wi lls
i
n
w
w
n
rde
ers
th
ll
l
ettles
t
t
i
n
w
f
p
g
lettuce set hyssop nd weed p thy m
e su pply i t wi th n
i
i
n
m
i
i
e
der
f
herbs
or
d
str
ct
w
th
n
y
ther
to
h
ve
t
i
t
g
n red wi th i ndustry why t h
ster i le wi th i dle n ss or m
i
f
i
i
i
i
o
w
er
n
corr
i
i
ble
uthor
ty
th
s
l
es
n
our
w
ll
d
I
f
p
g
th b l n
ce four l i ves h d n t n sc le fre so nto po i se
nothe
f e nsu l i ty the blood nd b se ness four n ture
would co nduct us to
ost p e posterous co nclus i o ns but w
n
i
i
n
n
cool
ot
o
s
our
c
r
l
st
n
s
h ve re so n t
i
g g
g
our u nb i tted lusts whereo f I t ke th i s th t y c ll love to
be sect sc i o n
n
I
n
c
ot
be
R dm
t
g
i ss i o n f
It i erely lust fthe b l ood nd per m
I g
n D ro wn thysel f! dro wnc ts nd
t h wi ll
C o e be
bl i nd pu ppi es I h ve pro fessed
thy fri e nd nd I n
fess m
k ni t t thy deserv i ng wi t h c bles f perdur bl
tough n ss I could nev r better ste d thee th n n w Put
o ney i n thy purse ; follo w these w rs ; de fe t thy f vour
wi th n usur ped be rd
I y ptm
o ney i n thy purse I t
c nnot be th t Desde o n should lo ng co nt i nue her lov t
—
th
Moo p t m
o ney i n thy purse n he h i t her i t
m
v i ole nt co m
e nce e nt nd thou sh l t see n ns wer
w
R o de ngo
'
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E
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V
N
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8
5
ble equest t i n — p t b t m
o ney i n thy purse Thes
Moors
ch nge ble i n the i r wi lls fil l thy purse wi t h
the food th t to hi m
nwi
lusc i ous locusts
ny
h ll be to hi shortly b i tter ol qu i nt i d She ust
ch nge t youth whe n she i ted wi t h hi body she wi ll
ust h ve ch nge she
f her cho i ce ; h
fi nd the erro
ust th re fore p t o ney i n thy purse I fthou wi lt needs
d m
ore del i c te w y th n dro wni ng
n thysel f d i t
M ke l l the o ney thou c nst i f s nct i o ny nd fr i l
V
i
i
n
d
n
b
rb
r
su
ersubtle
e
et
w bet wi t n err i n
n
n
p
g
be n t too h rd f y wi ts nd ll the tri be f h ll thou
h lt e njoy h there fore ke m
o ney A p f dro wn
i ng thysel f! i t i c l e n out ft h w y ; seek thou r t her to
be h nged i n co p ss i ng thy joy th n to be dro wned nd
w
i
thout
her
g
n
f
ho
es
i
I
de
e
n
d
R d g W i lt thou be f st to
p
p
y
t h i sue ?
—
Tho t sure f
ke o ney I h ve
G
I g
t old thee o f
te n nd I tell thee g i n nd g i n I h te the
Moor y c use i he rted th i ne h th n l ess e so n L t
us be co nju nct i ve i nour reve nge g i nst h i mi f thou c nst
cuckold h i m
tho dost thysel f ple sure
s port There
ny eve nts i n the wo b f t i e whi c h w i ll be d l i v
red Tr verse ! g prov i de thy o ney We wi ll h ve
ore fth i s t orro w A d i eu
ee t i the or ni ng
R d i g Where sh ll w m
i
n
lod
I g
At
y
g g
I l l be wi th thee bet i m
es
R d ig
I g
D you he r R oder i go ?
G to f re well
you
R d g Wh t
y
No ore fdro wning do y he r ?
I g
i
E
t
R d ig
I ch nged I l l sell ll y l nd
[
I g
Thus do I ever ke y fool y purse
I i ne wng i nd k n wl d ge hould pro f ne
F
I f I would t i e e pe nd wi th such
s ni pe
TH E M OOR OE
O TH EL L O,
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II
S EN I
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C
.
A S eapo r t i n Cy pr u s
.
A
.
m
M NT N nd t w G e ntle e n
Wh t fro t h c pe nyou d i scer n t ?
Al nt
G nt l m
h i gh wrought flood
n Noth i ng t l l i t
I c nnot t wi t the he ve n nd the i n
Descry
s il
M nt n M th i nks the wi nd h th s poke loud t l nd ;
A fuller bl st ne e sho k our b ttle m
e nts
I fi t h th
fii nd so u po n t h
Wh t r i bs f k whe n m
ou nt i ns elt n th
ort i se ? Wh t sh ll w he r fth i s
C n hold the
G nt l m
n A segreg t i o n fthe Turk i sh fle t
i ng shore
do b t st nd upo nthe fo m
F
E nt e r
au o
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,
SCENE I
6
The ch i dde nb i llo w see s to pelt the clouds
The wi nd h k d surge wi th h i gh nd o nstrous ne
c st w ter n the bur ni ng Be r
S
s t
A nd que nch the gu rds fthe ever fi d pol
I never di d l i ke olest t i o n v i e w
O n the e nch fed flood
I fth t the Turk i sh flee t
M nt n
Be n t n h l t d nd b y d they dro wnd ;
It i i poss i ble they be r i t out
t / t G e ntle
Ent
n
t
n
Ne
w
s
l
ds
our
w
rs
do
n
e
n
l
!
G
3
The des per te te pest h th so b ng d the T urks
T h t the i r d es i gn e nt h lts
nobl sh i p f V e ni c
H th see n gri evous wr ck nd fl n
O n os t p rt f the i fleet
M nt n H w ! i th i s true
i
i
n
t
l
n
The
sh
her
i
n
G
t
3
p
p
A V ero nes M i ch el C ss i o
Li eute n nt to the w rl i ke Moor O thello
Is co e nshore the Moor h i sel f t
A nd i i nfull co
i ss i n here f C y prus
M nt n I
i
w
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d
orthy
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or
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f
3
g
p
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Touch i ng the T urk i s h loss yet h looks dly
A nd pr ys the Moor be s fe f they we e p rte d
W i th foul nd v i ole nt te pest
M nt n
Pr y he ve ns h b
nco
nds
For I h
nd the
d hi
full sold i e
Li ke
to the se s i de ho !
L t
A well to see the vessel th t
co e i n
A to thro w out our eyes f br ve Othello
ke the i n nd the er i l blu
Eve n t i ll w
A n i nd i st i nct re g rd
ACT I I
ee
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TH E M O OR OF
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C SS
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Th nks you the v l i nt fth i s w rl i ke i sl
C
T h t so pprove the Moor !
0 let the he ve n
de fe nce g i nst the ele e nts
Gi v hi
For I h ve lost hi n d ngerou
M nt n Is he well hi pp d ?
H i b rk i stoutly t i b d nd h i p i l o t
i
C
O fvery e pert nd pp
d llo w nce ;
T he e fore
ho
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ted
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My hope do sh pe h i f the gover nor
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i
Most fortu n tely he h th hi d
C
T h t p r go ns descr i pt i o n nd wi ld f e
O n th t e cels the qu i rks fbl o ni ng pe ns
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Does t i re the e ngi ner
nd G e ntle
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H o w no w ! who h as pu t i n?
60
SCENE 1
63
nc i e nt to the ge ne l
n T i
n I g
G nt l
He h d ost f vour ble nd h ppy s peed
i
C
Te pests the selves h i gh se s nd h wli ng wi nd s
The g t t d rocks nd co ngreg ted nds
Tr i tors n t p d to clog the gu i ltless keel
A h v i ng se nse fbe uty do o i t
The i r ort l n t res lett i ng g s fely by
The d i v i ne Desde o n
W h t i she ?
She th t I s p ke f our gre t c pt i ns c pt i n
i
C
Le ft i n the co nduc t fthe bold I g
Whose f ot i ng here nt i c i p tes our th u ght
A se nni ght s s peed G re t J ove O thello gu rd
A nd s well h i s i l wi th th i ne wnpo wer ful b re th
Th t he y bless th i s h y wi th hi t ll sh i p
n w d fire to our e t i ncted s pi r i ts
Gi ve
A nd br i ng l l C y prus o fort !
I
R
Ent DE D EM N EM L
co
nd A tte nd nt
o behold
The i che fthe sh i p i co e nsho e l
n fC y prus let her h ve your k nees
Y
H i l to thee l dy ! nd the gr ce fhe ve n
Be fore beh i nd thee nd neve y h nd
Enwheel thee rou nd !
I th nk you v l i nt C ss i
nyou t ell
f y lord ?
Wh t t i d i ng
H i nt y t
i d n k no wI ugh t
i
C
B ut th t he wel l nd wi ll be shortly here
D d
n 0 but I fe r
H w lost you co p ny ?
Th g e t co nte nt i o n fthe
i
C
nd sk i es
P rted our f llo wsh i p But h rk ! s i l
/
i
t
n
i
i
l
W
A
s
l
s
l
i
n
a
G
[
n They gi ve th i r gre t i ng to t h
G nt l
it d l;
Th i s l i ke wi se i fri e nd
ACT
11
m m
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n
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n
T h t I e te nd m
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th i s bold sho w fcourtesy
so m
uch fher l i ps
I g
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fh
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A
You d h ve e nough
n speech
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I n f i th too
uch
I g
I fi nd i t st i ll whe nI h ve l i st to slee p
M rry be fore your l dysh i p I gr nt
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A nd ch i des wi th th i nk i ng
i li
You h ve l i ttle c use to y so
Em
i
ctures
out
doors
f
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p
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juri es dev i ls be i ng offe nded
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Pl y rs i nyour hou wi fery nd house wi ves i nyour beds
n O fi
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N y i t i true or else I mTurk
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n Wh t wou l ds t thou wr i te f
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to t
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D d
n C o e n ss y
Ther
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h rbour ?
d
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D d m
n I
nt
erry but I do beg i l
Th th i ng I a by see i ng other wi se
e h w wouldst thou pr i se ?
Co m
G
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VENICE
TH E M O OR OF
O TH E LL O,
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SCENE 1
bout i t ; b t i nde d y i nve nt i o n
i
i
i
f
te
b
rdl
e
does
ro
r
e
f
y p
br i ns nd l l but y Muse l bours
A C T 11
m
55
m
I
e fro m
m
Co m
m
It plucks t
d
A nd thus h i d l i
I fshe be f i r nd wi se f i r ness nd wi t
The n f use the o t her useth i t
n Well p i d !
H w i f she be bl ck
nd
D dm
wi tty
I g
wi t
I fshe be bl ck nd thereto h ve
She l l find wh i te th t sh ll her bl ck ness fit
n Worse nd worse
D dm
Em
H w i ff i r nd fool i sh ?
ili
She never yet w fool i sh t h t w f i r ;
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n T hese
old fo nd p r do es to ke fools
D d m
i ser ble pr i se h st thou f
l ugh i the lehouse Wh t m
th t foul nd fool i sh ?
h
There no ne so foul nd fool i sh thereu nto
I g
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n 0 he vy i gnor nce ! thou p i
t the wors t
D dm
best But wh t pr i se couldst thou besto w n deserv i ng
eri t di d
n i ndeed n th t i n the uthor i ty f her
wo m
justly p t n the vouch fvery l i ce i tsel f?
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I g
neve lou d
H d to ngue t wi ll nd y t w
Never l k d gold nd yet we nt never g y
Fled fro m
her wi sh nd yet s i d N w I m
y
S h th t be i ng ng d her reve nge be i ng ni gh
B de her wro ng st y nd her d i s ple sure fly
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To ch nge the cod s he d f the s l m
o ns t i l
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See su i tors follo wi ng nd n t look b h i nd
wi ght i fever such wi ght were
Sh w
n T do wh t ?
D dm
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66
To suck l e fo ls nd chro ni cle s ll beer
I g
n
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n 0 ost l m
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D d m
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—
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n t le r n fh i m
i l i thou gh he be thy husb nd
Em
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wh i s per ; wi th
i le u po n her do ; I wi ll gyve thee i n
fly C ss i o Ay s m
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m
n w g i nyou
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My de r O thello !
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l
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b h i lls fse s
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fro
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O TH EL L O,
68
m
TH E M O OR
VEA I CE
OF
'
.
Her eye ust be f d nd wh t del i ght sh ll she h ve t
look n the d v i l ? Whe n the blood i
de dull ther
should b g i n to i nfl m
e i t nd to gi ve s t i ety fres h p
i
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te
lovel
ess
vour
sy
thy
ye
rs
ers
n
n
m
n
n
d
p
p
be ut i es ; l l wh i c h the Moor i de f ct i e i n N w f w nt
f these requ i red co n e ni e nces her d el i c te te nder ness wi l l
fi nd i tsel f bused be gi n to he ve the gorge d i srel i sh nd h
h
t h Moor ; very n ture wi ll i n
struct her i n i t nd m
l
m
i
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to
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ted
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m
i ne nt i nthe de gree fth i s fortu ne
C ss i o does ? k n ve
very voluble n further co nsc i o n ble th n i n putt i ng nthe
m
ere for mfc i v i l nd hu ne s e m
i ng f t h bett r
m
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sl i pper nd subtle k n ve fi nder f
occ s i o ns th t h n eye n st p nd cou nterfe i t d n
t ges though true dv nt ge never prese nt i ts l f; dev i l i sh
k n ve ! B s i des the k n ve i h ndso m
e you ng nd h th l l
i nds look fter
th o se requ i s i tes i nh i m
th t f lly nd gree nm
n
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blessed co nd i t i o n
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Blessed fig nd ! the wi ne she dri nks i
d f
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h
n
w
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bee
blessed
she
ould
ever
h
ve
loved
i
f
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the Moor Blessed pudd i ng ! Di ds t thou n t see her p d
dle wi th the p l mfhi h nd ? d i ds t n t rk t h t ?
Yes th t I d i d but th t w but co rtesy
R d ig
n i nde
nd obscure pr l
Lechery by th i s h nd
I g
ogue to the h i story flus t nd foul thoughts T hey t so
ne r wi th the i l i ps th t the i r bre ths e br ced togethe
But i be you ruled by ;
V i ll nous thou ghts R oder i go
W tch you to ni gh t f
V e ni ce
I h ve brought you fro m
the co m
mnd I l l l y t u po n you C ss i o k nows you n t
you do y fi nd so m
e occ s i o n to n
I 11 n t b f fro
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.
SCENE 1
69
i
l
i
i
i
i
n
n
n
h
i
t
C
ss
o
e
ther
by
s
e
k
too
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oud
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t
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i
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g
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l
n
e
or
f
ro
w
h
t
other
course
le
se
w
h
ch
the
t
p
p
y
sh ll ore f vour bly i ni ster
R d i g Well
I g
S i he i r sh nd very sudde ni n cho l er nd h ply
i
str
ke
t
you
rovoke
h
i
th
t
he
f
eve
n
t
y
p
y ;
f th t wi ll I c use these fC y prus to
ut i ny whose q l i fi
c t i on sh ll co e i nto n true t ste g i n but by the di
n
i
n
f
i
l
t
C
s
o
So
sh
ll
you
h
ve
shorter
jour
n
ey
to
p
g
your des i res by the e ns I sh ll the n h ve to pre fer the
nd the i ped i e nt
ost profit bly e oved wi thout the
wh i ch ther were n e pect t i o n four pros p r i ty
R d ig
I wi ll do th i s i f I n bri ng i t to ny pp
A C T 11
er
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m
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3 59
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O
3 69
I w rr nt thee Meet by nd by t the c i t del
I ust fetch hi necess ri es shore F rewell
I ago
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s
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a
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a
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a
.
h t C ss i o loves her I do well bel i eve i t
Th t she loves hi t i pt nd fgre t cred i t
The Moor ho wbe i t th t I e ndure h i m
nt
I
f co n t nt lov i ng noble n ture
A nd I d re th i nk he l l prove to D esde o n
ost de r husb nd N w I do love her too ;
A
Not out f bsolute lust though per dve nture
I st nd ccou nt nt f gre t i n
n
B t p rtly led to d i et
reve
e
g
y
For th t I do su pect the lusty Moor
H th l p d i nto y se t the thou ght whereo f
i ner l gn w y i nw rds ;
Doth l i ke po i so nous m
n or sh ll co nte nt y soul
A nd noth i ng
wi fe f wi fe
Ti ll I
nd wi th h i
O f i l i ng so yet th t I p t the Moor
je lousy so stro ng
A t le st i nto
Th t judgm
e nt c nnot cur Wh i ch th i ng to do
I tr sh
I fth i s poor tr sh fV e ni ce who m
I ago
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,
a
TH E M O OR
O TH EL L O,
0
7
VENICE
OF
.
For h i qui ck hu nt i ng st nd the putt i ng n
I 11 h ve our M i ch el C ss i o n the h i p
to the Moor i n the r nk g rb
A buse h i m
i
For I f r C ss i o wi th m
htc
too
n
p
g
y
M ke the Moor th nk
love mnd e w rd
k i ng h i mgregi ously n
F
A nd pr ct i s i ng u po n h i p ce nd qu i et
Eve n to m
d ness T i here but yet nf d
K n very s pl i n f ce i never see n t i ll us d
s
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,
a
a
m
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e, a
a
co
,
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or
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ea
o
a
.
II
Her ld w i l l p l m
t i n Pe ple f l l w i n
g
nd v l i nt
H
ld I t i
O t hello s ple sure our noble
n
m
i
i
i
i
i
n
w
i
e
er
l
th
t
u
o
cert
n
t
d
n
s
rr
ved
ort
n
n
p
g
p
g
g
n p t hi m
ere perd i t i o n fthe Turk i sh fleet every m
h m
n
m
m
s l f i nto tr i u m
h
so
e
to
d
n
ce
so
e
to
ke
bo
fires
m
p ;
e ch m
dd i ct i o n le ds h i m
n to wh t s port nd revels h i
f bes i des these be nefic i l ne ws i t i the celebr t i o n fhi s
So m
uc h w h i ple sure should be procl i m
ed
nu pt i l
o pe n nd there i full l i berty ffe st i ng fro m
A l l fli
th i s prese nt hour ffive t i ll the h l l h ve told eleve n H
n bless the i sle fC y prus nd
noble ge ner l O thello !
S C EN E
Ent e r
er a
a
t
a
a
r oc a
’
s
.
,
: a
a
a
A S t r ee t
.
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t
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xeun
[
.
S EN E III A H l l i n t i l C t l
D E D EM N
nd A tte nd nts
C
Ent
O T ELL
G ood M i ch el look you to the gu rd to ni ght
Ot l l l
te ch ourselves th t ho nour ble stop
L t
Not to outs por t di scret i o n
I go h th d i rect i o nwh t to do
i
C
But not wi thst nd i ng wi th y perso n l eye
Wi ll I look to t
I go i m
ost ho nest
Ot h l l
M i ch el good ni ght to orro w wi th your e rl i est
C
H
er
ze
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e
o
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as
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.
A SS I O , a
A,
a
a
s
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a
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a
-
.
SCENE 1 1 1
h ve speech wi th you T D d
L t
de r love
t
E
l
G ood ni ght
n
t
D
l
n
O
l
d
[
A C T 11
m
e
.
a
e
o
.
a
x eu
m
e m
m] om
m
ze
o,
I
Ent e r
o
es e
.
.
7
.
es
e
o
na
a, a
C
1
y
,
nd A t t endant s
.
Welco e I go w m
ust to t h w tch
Not th i s hour l i eute n nt ; t i n t yet t n t h
I g
clock O ge ner l c st us t hus e rly f the love fh i
e
n t t h ere fore bl
Desde o n w h let
st e qu i s i t e l dy
i
Sh
C
Wh t n eye she h ! eth i nks i t sou nds p rley
I g
fprov c t i o n
i
A ni nv i t i ng eye
nd yet eth i nks r i ght odest
C
A nd whe n h s pe ks i i t n t n l
m
to l ove ?
I g
i
She i i ndeed perfect i o n
C
Well h ppi ness to the i r sheet ! Co m
e l i eu t e n nt
I g
I h ve stou p fwi ne ; nd here wi thout
br ce f
e sure to the
C y prus g ll nts th t would f i n h ve
he lt h f bl ck O thello
i
Not to ni ght good I go I h ve very poor nd
C
u nh ppy br i ns f dri nk i ng ; I could well wi sh courtesy
would i nve nt so e other custo m
f e nte t i nm
e nt
I g
our fri e nds ; b t n p I l l dri nk
0 they
f you
i
I h ve dru nk but n p to ni ght nd th t w
C
cr fti ly qu l i fied too nd behold wh t i nnov t i o n i t kes
here I m
u nfortu n te i n the i nfir i ty nd d re n t t sk
n
i
n
e
k
ess
th
ore
w
w
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ni ght frevels ; the g ll nts de
n t i
I g Wh t
i re i t
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Whe
they
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Here t the door I p y you c l l the i n
i
I 11 do t ; but i t d i sl i kes
C
I fI
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n f ste nbut n
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W i th th t wh i ch he h th dru nk to ni ght l re dy
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2
7
VENICE
TH E M O OR OF
O TH ELL O,
.
be full fqu rrel nd offe nc
i
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f
R
you
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stress
d
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n
A
g
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Who m
love h th tur d l m
ost the wro ng s i de out
d
To Desde o n h th to ni ght
Pot t i o ns pottle dee p nd he to w tch
—
Three l ds fC y prus noble s well i ng s pi r i ts
Th t hold the i r ho nours i n w ry d i st nce
The ery ele e nts fth i s w rl i ke i sle
H ve I to ni ght fl t d wi th fl wi ng cu p
o ngst th i s flock f d nk
N w m
A nd they w tch too
rds
I to p t our C ss i o i n so m
e ct i o n
Am
—
Th t y offe nd the i l But h re they co m
e
m
dre
I fco n eque nce do but pprove m
y
M y bo t s i ls freely both wi th wi nd nd stre
C
M NT N nd G e ntle e n S
w i t nk i m
R nt
He
s
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m
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er
Fore G d they h ve gi ve n m rouse lre dy
l i ttle n ; n t p st pi nt I
M nt n G ood f i th
msol d i er
So e wi ne ho !
I g
n
i
k
i
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k
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ki
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m
M
t
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[ g]
na nt s fo ll o w i ng w i t ! : w i ne
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i
C
I le r ned i t i n Engl nd where i ndeed they
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n nd
ost pote nt i n pott i ng ; your D ne your G er m
—
i
n
noth i ng to
your s w g b ll i ed Holl nder Dr k ho
your Engl i sh
Is y our Engl i sh n so e qu i s i te i n h i dr i nk
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70
SCENE 111
73
I g
Why he dri nks you wi th f c i l i ty your D ne de d
dru nk ; he s we ts n t to overthro w your A l i n h gi ves
your Holl nder vo i t ere the ne t pottle n be filled
i
To the he lth four ge ner l
C
nd I l l do you just i ce
f i t l i eute n nt
M nt n I
I g
0 s weet Engl nd
k
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T i s pr i de t k u t pu l l s t ke co u nt r y do w n
e a ul d cl o ak a bo u t t l z ee
Tk ent a ke t k i n
H e wa s
w i g/ct
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,
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Why th i s i
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Wi ll y he r t g i n
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A y b t by your le ve n t be fore mthe l i
i
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t n
nt i to be s ved be fore the nc i e nt
h en m
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fth i s let
to our ff i r — Forgi ve us our si ns ! G nt l
n let
look to our bus i nes D n t th i nk ge ntle m
en I
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d
dru nk th i i y nci e nt ; th i s i m
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th i s i y le ft I m
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74
Al ant a no
wa
tch
To the pl t for
a
.
VENICE
ters ; co e let s
TH E M O OR OF
O TH E L L O,
mm
as
,
m
.
’
,
.
You see th i s f llo w th t i go ne be fore ;
He i sold i er fit to st nd by C s r
nd do but see hi v i ce
A nd gi e d i rect i o n
T i to h i v i rtue
just equ i no
Th
n
lo ng the other t i pi ty fh i m
I fe r the trust O thello puts h i m
in
e odd t i e fhi i nfir m
i ty
O n so m
W i ll sh ke th i s i sl nd
M nt n
But i he o fte n thus ?
1 i ever ore the prologue to h i slee p ;
I g
He 11 w tch the horologe double set
I fdr i nk rock n t hi cr dle
It were well
T h ge ner l were p t i n m
i nd fi t
Perh ps he sees i t n t or hi good n ture
Pri es the i rtue th t ppe rs i n C ss i o
A nd looks n t nhi ev i ls i n t th i s true ?
Ent R D E
k
i
t
i
H
w
n
w
oder
o
!
A
i
d
m
R
I g
g
]
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I pr y you fter the l i eute n nt g
M nt n A nd t i gre t pi ty th t the noble Moor
Should h rd such pl ce hi wn seco nd
i ty ;
fir m
Wi th n f n i ngr ft i n
It were n ho nest ct i o n to y
So to the Moor
Not I f th i s f i r i sl nd
I do love C ss i o well nd would do uch
I o cure hi fth i s evi l But h rk wh t no i se
/
!
t
i
n
Hel
hel
w
i
!
C
p
p
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n
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Ent
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p
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C
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rogue ! you r sc l !
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VE NICE
For C hr i st i n sh e p t by t h i s b rb rous br wl !
He th t st i rs ne t to c rve f h i wnr ge
Holds hi soul l i ght he d i es u po nhi m
ti o n
S i l nce th t dre d ful bell i t fri ghts the i sle
—
Fro her propr i ety Wh t i the m
tter m
sters
Ho nest I go th t l k t de d wi th gr i ev i ng
S pe k wh beg nth i s ? nthy love I ch rge thee
I do n t k no w fr i e nds l l but n w eve n n w
I g
I nq rter nd i n ter s l i ke br i de nd gro
nd the n but n w
Devest i ng the f bed
e pl net h d u nwi tted n
A i fso m
S words out nd t i lt i ng n t other s bre st
I c nnot s pe k
I n ppos i t i o nbloody
A ny begi nni ng to th i s peev i sh odds
A nd would i n ct i o nglor i ous I h d los t
Those legs th t brought mto p rt fi t !
H w co es i t M i ch el you
thus forgot ?
Ot l ll
i
I pr y you p rdo nm I c nnot s pe k
C
Worthy Mo nt no you were wo nt be c i v i l ;
Ot / l l
The gr v i ty nd st i ll ness fyour youth
The worl d h th note d nd your n m
e i gre t
ouths fwi sest ce nsure wh t the tter
Inm
Th t you nl ce your re put t i o n thus
e
A nd s pe nd your r i ch pi ni o n f the n m
O f ni ght br wler ? gi ve mns wer to i t
hurt to d nge
M nt n Worthy O thello I m
Your officer I go ni nform
you
Wh i le I sp re s peech wh i ch so m
th i ng n w offe nds
O f l l th t I do k no w ; n k no w I u gh t
By th t s i d or do ne i ss th i s ni ght
U nless sel fch r i y be so m
et i m
v i ce
es
in
A nd to de fe nd ourselves i t be
Whe nv i ole nce ss i ls us
N w by he ve n
Ot k l l
i
M y blood begi ns m
s
f
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des
to
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6
7
O TH E L L O,
TH E M O OR OF
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,
SCENE 11 1
A nd p ss i o n h v i ng y best jud g e nt coll i ed
I fI o nce st i r
A ss ys to le d the w y
the best fyou
O do but l i ft th i s
Sh ll s i nk i n y rebuke G i ve to kno w
H w th i s foul rout beg n wh set i t n
i
i
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n
f
d
th
s
o
e
ce
f
A nd he th t i
pp
Though he h d t wi nnd wi t h both t b i rth
Sh ll lose
Wh t ! i n to wn fw
Yet wi ld the peo ple s he rts bri ful ffe r
To n ge pri v te nd do m
est i c qu rr l
I n ni ght nd n the court nd gu rd fs fety !
T i
o nstrous I go wh beg n t ?
M nt n I fp rt i lly fli nd or l g d i n o ffice
T hou dost del i ver
ore or less th ntruth
Thou t n sold i er
Tou h mn t so ne r
I h d r ther h ve th i s to ngue cut fro
out
h
y
T h n i t should do off
e nce to M i ch el C ss i o
Yet I persu de ysel f to s pe k the trut h
—
T hus i t i ge ner l
Sh ll noth i ng wro ng hi
Mo nt no nd m
ysel fbe i ng i n speech
There co es f llo w cry i ng out f hel p
A nd C ss i o follo wi ng h i m
i nd s word
w i th d t
To e ecute u po n hi
n
S i th i s ge ntle
Ste ps i nto C ss i o nd e ntre ts hi p use ;
Mysel fthe cry i ng fello w di d pursue
—
Lest by h i cl
our
i t so fell out
The to wn i ght f ll i nfr i ght he wi ft ffoot
O utr n y pur pose nd I
t
nd the r ther
For th t I he rd the cl i nk nd f ll fs words ,
A nd C ss i o h i gh i n o th wh i ch t i ll t ni ght
I ne er i ght y be fore Whe n I c b ck
—
For th i s w bri e f I fou nd the close together
A t blo w nd thrust eve n
n
they
ere
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w
g
Whe ny
yours l fdi d p rt th
ACT II
a
a
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77
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O TH ELL O,
78
TH E
m
m m m
m
mm
m
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.
lI O OR
VEN I CE
OF
.
M ore fth i s tter c nn t I e port
n the b st so m
But n
t i es forge t
T hou gh C ss i o d i d so e l i ttle w ro ng t o h i
n i n r ge str i ke those t h t wi sh the
A
bes t
Y t surely C ss i o I bel i eve
i d
Fro hi t h t fled so e str nge i nd i gni ty
Wh i ch p t i nce could n t p ss
I k now I go
Thy ho nesty nd love doth i nce th i s tter
—
i
i
i
h
i
n
t
M k g l ght to (
C ss i o I love thee
But neve ore be offi cer f i ne
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I o look th c re bout the to
s le ce those ho m
th s v le br l d str cted
om
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the sold ers l e
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ook
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SCENE 1 11
79
n e p t t i o n t l l u nl ss you re pute yoursel fsuch loser
Wh t n! there
w ys to recover the ge ner l g i n
i
m
i
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Sue
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i
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—
sh do w O thou i nv i s i ble s pi r i t f wi ne i f thou h st n
c ll thee dev i l !
n e to be k no wn by let
Wh t w he th t you follo wed wi th y our s word ?
I g
Wh t h d he do ne to y ?
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C
Is t poss i bl
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ly
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br i ns ! th t w should wi th joy ple s nc revel nd p
f
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It h th ple sed the dev i l dru nke nness to gi ve pl ce
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to t h dev i l wr t h n u nperfect ness sho ws
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C o e you
too severe
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the pl ce nd the co nd i t i o n f th i s cou ntry st nds I could
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it i
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ll
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A C T 11
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2 57
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TH E M O OR OF
O TH ELL O,
8°
mm
VEN I CE
i l i r cre ture
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n m
ore g i nst i t A nd good
i f i t be well used ; e cl i m
l i eute n nt I t h i nk you th i nk I love you
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nl i v i ng m
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A nd wh t
Whe nth i s dv i ce i free I gi ve nd ho nest
Prob l to th i nk i ng nd i ndeed t h cours
To wi n the Moor g i n? For t i ost e sy
The i ncl i ning Desde m
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f m
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fru i t ful
I n ny ho nest su i t she
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A the fre ele m
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Eve n
W i th h i we k f nct i o n H w I the n i ll
T cou nsel C s i o to th i s p r llel course
Di rectly to h i good ? D i v i ni ty fhell !
Whe n dev i ls wi ll the bl kest s i ns p t n
They do su ggest t first wi th he ve nly shows
A I do n w f wh i les th i s ho nest fool
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Th t she re pe ls hi f her body s l ust ;
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oo
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S h sh ll u ndo her cred i t wi th the Moor
S wi l l I tur n her v i rtue i nto pi tch
k the n t
A nd out fher wngood ne s m
Th t sh ll e n esh the l l
A CT I I
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E nt e r R O
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ho nd
R d i g I do follo w here i n the ch se n t l i ke
th t hu nts but n th t fills p the cry My o ney i l
m
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led ; nd I th i nk the i ssue wi ll be I sh ll h ve so m
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e per i e nce f y p i ns nd so wi th n m
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l i ttle m
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they th t h ve n t p t i e nce !
I g
H w poor
Wh t wou nd d i d ever he l but by degrees ?
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e
A nd wi t de pe nds n d i l tory t i m
Does t n t g wel l ? C ss i o h th be te n t h ee
A nd thou by th t s m
ll hurt h st hi d C ss i o
Though other th i ngs gro w f i r g i nst the n
first wi ll first be r i pe
Y t fru i ts th t blosso m
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Cl w n Sh i st i rr i ng i ; i f h wi ll t i r h i ther I sh ll
em
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Is th t she wi ll to vi rtuous Desde m
on
Procure so e ccess
I l l se nd her to y pre e ntly ;
m
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A nd I l l dev i se
O t fthe w y th t your co nverse nd b
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A CT 1 1 1
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I hu bly th nk y f t — [E i t I g ] I n ve
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E nt
EM L
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orro w good l i eute n nt I
Em
G ood
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For yo r d i s ple s re b t l l wi ll sure be well
The ge ner l nd hi wi fe t lk i ng fi t
A nd she spe ks f you s t outly the Moor re pl i e
Th t h you hurt i fgre t f e i n Cyprus
A nd gre t f
fi ni ty nd t h t i nwh ol so mwi sdo
He i ght n t but re fuse you ; but he prote ts he lo s
A nd nee d s n oth r su i tor b t hi l i k i ng
To t ke t h f t occ si o nby t h fro nt
To br i ng you i n g i n
Y t I beseech you
I fyou th i nk fit or th t i t
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W i t h Desde m
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Pr y you co e i n
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N E II A R i n t k C t l
Ent
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O T H ELLO I G
Ot l l l
These letters gi ve I go to the pi lot
A nd by h i
do y dut i es to the se n te
Th t do ne I wi ll be w lk i ng n the wo ks
Re p i there to
Well y good lord I l l d t
Thi s f
Ot k l l
ort i fic t i o n ge ntle e n sh ll w see t ?
n We 11 w i t u po nyour lordsh i p
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TH E M OOR OF
O TH EL L O,
86
VEN I CE
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S EN E III T/ G d n of M C tl
nd EM L
DE D EM N
Ent
C
n Be thou ssur d goo d C ss i o I wi l l do
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D dm
C ss i o
B ut I wi ll h ve y lord nd you g i n
A fr i e ndly
you were
Bou nteous m
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Wh teve sh ll beco m
e f M i ch el C ss i o
He never ny th i ng b t your true serv ant
n I k no w t I th nk you
Y
do love
D dm
lo d
Y
h ve k no wnh i
lo ng nd be you well ssur d
He sh ll i nstr nge ne s st nd n further ff
Th n i n pol i t i c d i st nce
Ay but l dy
Th t pol i cy y e i ther l st lo ng
O feed u po n such ni ce nd w te i sh d i et
O breed i tsel fso out fc i rcu m
st nce
i
Th t I be i ng bse nt nd m
l
ce
su
l
ed
pp
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M y ge ner l wi l l forget y love nd serv i ce
D d
n D n t do bt t h t ; be fore Em
i l i h er
I gi ve thee w rr nt fthy pl ce Assure thee
I f I do
w
it
fr i e ndsh i p I l l per for
To the l st rt i cle y lord sh ll never re t
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out fp t i e nce
I 11 w tch hi m
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H i bed sh ll see msch ool h i bo d
I l l i nter m
i ngle ev y th i ng he does
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A C T 11 1
S CE N E 1 11
.
37
.
For t hy ol i c i tor sh ll the di
Th ngi ve thy c se w y
Em
i li
M d here co m
es y lord
C
i
M d I 11 t k y le ve
n Why t y nd he r
D dm
spe k
C
i
M d nt nw I m
ve y i ll t e
i ne wn pur poses
U nfit f
n Well do your d i sc t i o n
D dm
i
t
E
C
[
E nt O T ELL
nd I G
H ! I l i ke n t t h t
I g
Ot k ll
Wh t dost t hou y ?
—
I g
Noth i ng y lord or i f I k no w n t wh t
Ot k ll
W n t th t C ss i o p rted fro
e
i
w
f
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y
I g
C ssi o y lord ! No sure I c nnot th i nk i t
Th t h would ste l w y gu i lty l i ke
S ee i ng you co i ng
I do bel i eve t w h
D dm
n H w n w y lord !
I h v bee n t lk i ng wi th su i t r he
n th t l ngu i she i nyou d i s ple su
A
Who i t y
e n?
Ot l ll
n Why your l i eute n nt C
i
D d
I f I h ve ny g ce or po w r to
ove y
H i prese nt eco nc i l i t i o n t ke
For i f he be n t n t h t truly loves you
Th t errs i ni gnor nce nd n t i n cu nni ng
I h ve n j d gm
e nt i n n ho nest f c
I pr i thee c ll hi b ck
We nt he h e nce n w ?
n A y ooth so h m
D dm
b l ed
Th t h h th le ft p rt fh i gr i e fwi th
b ck
fer wi th hi
T su f
G ood love c ll h i
Not n w s weet Desde m
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Ot l l l
n B t sh ll t be shor t ly ?
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TH E M OOR OF
O TH EL L 0,
33
m
m
Ot l z el l o
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VEN 1 CE
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I sh ll n t d i ne t ho e
Ot k l l
Im
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n Why the n to m
orro w ni ght or Tuesd y or n
D d m
nWed nesd y or n
O n Tuesd y noo n or ni ght
I pr i thee n e the t i e but let i t n t
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;
p
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A nd yet h i tres p ss n our co m
S ve th t they y the w rs m
ust m
ke e pl e
ost f ult
O t fthe i r be t i n t l m
To i ncur pri v te check Whe n sh ll he co e ?
Tell mO th llo ; I wo nder i n y soul
Wh t you would k mth t I should de ny
eri ng n Wh t ! M i ch el C s i o
O st nd so
Th t c m
e wooi ng wi th you nd so ny t i m
e
W he n I h ve s poke fyou d i s pr i s ngly
H t h t e nyou p r t to h ve so m
uch to do
To br i ng hi i n! Trust mI could do uch
P r i thee n
ore let h i co e whe nhe wi ll
Ot k ll
I wi ll de ny thee noth i ng
n
D dm
Why th i s i n t boo n;
T i
I should e ntre t you we r your gloves
O feed nnour i sh i ng d i shes or kee p you w
to do pecul i r profit
O sue to y
To your wnperso n n y whe n I h ve su i t
Where i n I e nto touch your love i ndeed
fi cult we i ght
I t sh ll be full fpo i se nd d i f
A nd fe r ful t be gr nted
I wi ll de ny thee noth i ng ;
Whereo n I do beseech thee gr nt mth i s
To le ve but l i ttle to m
ysel f
D dm
n S h ll I de ny you ? n fare well
lord
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S CEN E 111
A C T 1 1 11
m
m mm
39
m
F re well y De de m
o n I l l co e to thee
str i ght
—
D d
n E i l i co m
e B s y our f nc i es te c h y ;
Wh te er y
be I obed i e nt
O t k el l o
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I love thee
a
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D
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celle nt wretch ! P i i n
y
nt
But I do love thee ! nd whe n
C h os i co e g i n
I g
My noble lord
Wh t dost thou y I go ?
I g
Di d M i ch el C s i o whe ny
l
dy
woo d
y
K no w fyour love ?
He di d fro m
first to l st ; why dost thou k ?
Ot k l l
I g
B ut f
t i s f cti o n f y thought
N further h
Why fthy thou ght I go ?
I g
I di d n t th i nk he h d bee n cqu i nted wi th her
nd we nt bet w e n
very ft
Ot k ll
0 yes
I g
I ndeed
I ndeed ! y i ndeed ; d i n t thou ught i nth t !
Ot k l l
Is he n t ho nest ?
Honest y lord !
Ho nest ! y ho nest
Ot k ll
I g
M y lord f ught I k n w
Wh t dost tho th i nk ?
Ot k l l
Thi nk y lord
Th i nk y l ord
Ot k l l
By he ve n he echoes
A i f there were so e m
o ns t e i nhi though t
—
T
h i deous to be sho wn Thou dost e n so eth i ng
I he rd thee y eve nn w tho l i k d t n t th t
Whe n C ss i o le ft m
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VEN I CE
TH E M O OR OF
O TH EL L O,
0
9
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tho the nh dst shut p i nthy b i n
So m
e horr i ble co nce i t Ift hou dost love m
Sho w t hy thou ght
I g
My lord you k no w I love you
I t hi nk tho dost ;
Ot I l l
nd ho nesty
t full
flov
A nd f I k no w tho
A nd w i gh t thy words be fore thou gi
t the
bre th
There fore these stops fth i ne fr i ght the ore
F
such th i ng i n f lse d i sloy l k n v
n th t
A
tri cks fc sto m
but i n m
ju t
They close del t i o ns work i ng fro m
the he rt
Th t p ss i o nc nnot ule
For M i ch el C ss i o
I d re be s worn I th i nk th t he i ho nest
I th i nk so too
Ot k l l
M n sho ld be wh t they see
i ght see
no ne !
O those th t be n t would they m
n should be wh t they see
Ot l ll
C ert i n
Why the n I th i nk C ss i o n ho n st n
I g
ore i nth i s
N y yet there
Ot / l l
I pr i thee spe k to
to thy th i nk i ngs
i n te nd gi ve thy worst fth u ght
A thou dost r m
The worst fwords
G ood m
lord
rdo
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p
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Though I m
bou nd to every t fduty
free to
I m
n t bou nd to th t l l sl ves
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A where
So m
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B ut so e u ncle nly pprehe ns i o ns
K ee p le ts nd l w d ys and i n s ss i o n i t
ed i t t i o ns l wful ?
Wi th m
Thou dost co nspi re g i nst thy fri e nd I g
Ot k l l
k
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A str nger to thy thou ghts
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TH E M O OR OF VEN I CE
O TH EL L O,
2
9
th i s ?
thou I d m
ke l i fe fj lousy
To follo w st i ll the ch nges fthe m
oo n
W i t h fresh sus pi c i o ns ? No to be o nce i ndoub t
f
l d e ch nge m
Is o nce to be
o
t
g
Whe n I sh ll tur n the bus i ness fm
soul
y
T such
nd blo wn sur m
i ses
f
fli t
M tch i ng thy i nfere nce T i n t m
k
je lou
T
i
m
n
i
i
f
f
w
e
r
eeds
ell
loves
co
y
w
f
p
y
y
Is free fs peech s i ngs pl ys nd d nce well
ore v i rtuous
Where v i rt e i these
i ne wn we k
Nor fro m
m
er i ts wi ll I dr w
Th s
llest fe r or doubt fher revolt
For she h d eyes nd chose m No I go !
I 11 be for I doubt whe n I do bt prove
ore but th i s
A nd nthe proo fthere i n m
A w y t o nce wi th love or je lousy
i
f
f
n
w
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l
d
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ll
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To sho w the love nd duty th t I be r you
I bou nd
Wi th fr nker s pi ri t t here fore
m I spe k n t yet fproof
R ece i v i t fro m
well wi th C ss i o
Look to y our wi fe observe h
We r yo r eye thus n t je lous n secure
I would n t h ve your free nd noble n ture
d look to t
O t fsel fbo nty be b
I k no w our cou ntry d i spos i t i o n well
I nV e ni ce they do let he ve n see the pr nks
They d re n t sho w the i r h sb nds the i r best co nsc i e nc
Is n t to le ve t u ndo ne but keep t u nk nown
Dost thou
so
?
Ot k l l
y
She di d dece i ve her f ther rry i ng you
I g
d to sh ke nd fe r y our look
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d the
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A nd so h d i d
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S CEN E I I I :
A C T /1 1
.
m
93
She th t so y ou ng could gi v out such see i ng
To seel her f ther s eyes p close
k
H thou ght t w
wi tchcr ft
m
but I m
uch to bl e
I hu m
bly do beseech you fyour p rdo n
For too uch lov i ng you
I bou nd to thee f ver
I g
I see th i s h th l i ttle d h d y our s pi ri ts
Ot k l l
Not jot n t jot
I f i th I fe r i t h
I hop y wi ll co ns i de wh t i s poke
m
C o es fro m
love
But
I
do
see
ov
d
y
y
I m
to pr y you n t to str i n m
s
eech
y p
T grosser i ssues n to l rger re c h
Th n to sus pi c i o n
I wi ll n t
Ot k l l
Sho ld you do so y lord
My speech s hould f ll i nto such v i le success
A m
i
i
tho
hts
ss
o
ort
y
r
e
d
n
t
t
w
h
n
C
f
i
y
g
y
My lord I see you
ov d
No n t m
ch ov d ;
I do n t t h i nk but Desde m
o n ho nest
I g
Lo ng l i ve h so ! nd lo ng l i ve y
to th i nk so !
A nd yet h w n t re err i ng fro m
i tsel f
Ot k ll
—
I g
Ay there
the po i nt
to be bold wi th you
ny p ro posed
tches
N t to ffec t
i
n
n
e co m
le
o
de
ree
d
O fher wn cl i m
p
g
Whereto w see i n l l th i ngs n t ure te nds
m
n
Foh ! n m
s
m
ell
i
n
suc
h
w
i
ll
ost
r
k
y
Foul d i s pro port i o n tho ghts u nn tur l
But p rdo n
I do n t i npos i t i o n
D i st i nctly s pe k f her thou gh I m
f
y
Her wi ll reco i l i ng to her better jud gm
e nt
tch you wi th her cou ntry for s
M y f ll to m
A nd h ppi ly re pe nt
F re well f re well
Ot I l l
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94
TH E M OOR OI " VEN I CE
O TH EL LO,
mthyth
m m
m
.
dost p ce i ve let k now r
wi f
e to obser e le ve
I go
S t n
m
My
lord
t
ke
le
ve
I
I g [
G in
g]
y
Why di d I rry ? Th i s ho nes t cre t r doub t
U t k ll
les
uch ore th nh u nfold
nd k no ws ore
S ee
n
i
t
t
n
n
i
My
lord
I
w
ould
I
h
t
re
yo
t
I g
R
g]
g
[
ho nour
c n th i th i ng n f ther le ve i t to t i e
T
Th ugh i t be fit t h t C ss i o h ve hi pl ce
ure h fill i t p wi t h gre t b i l i ty
F
i
m
le
se
t
hold
h
w
h
i
le
f
f
Y t i fy
p
sh ll by th t perce i ve h i nd hi e ns
Y
Note i fyo r l dy str i n hi e ntert i n e nt
i
ortu
n
ty
Wi th ny stro ng or vehe e nt i m
p
Much wi ll be see ni nth t I nthe e n t i e
be tho ght too busy i n y fe rs
L t
A worthy c use I h ve to fe r I
A nd hold her free I do beseech your ho n ur
Fe r n t y gover nm
e nt
Ot k l l
I o nce ore t ke y le ve
I g
T hi s fello w
fe ceed i ng h nesty
Ot I l l
ows l l qu l i t i es wi th le rned s pi r i t
A nd k n
nde l i ng
I fI do prove her h gg rd
O fhu
n
T b gh th t her jesses were m
de
r
he
rt
str
i
y
g
I d wh i stl h ff nd let h do wnthe wi nd
T prey t fortu ne
H ply f I bl ck
A nd h v n t those so ft p rts fco nvers t i o n
Th t ch berers h ve or f I d l i nd
—
I nto the v le fye rs yet th t n t ch
n
m
o
e
I
n
rel
e
Sh
b
d
i
d
f
g
y
M us t be to lo t h e her 0 curse f rr i ge
Th t w nc ll these del i c te cre ture ours
to d
A nd n t the i r ppet i tes ! I h d r ther b
f
n
And li e u p n t h
o
d
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n
p
g
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ur
A C T 11 1
S CEN E 1 1 1
.
95
.
Th n kee p corner i nt h th i ng I lo
For other uses Yet t i the pl gue fgre t n ;
i
they
less
th
n
the
b
se
t
d
P
g
T i dest i ny u nshu nn ble l i ke de t h
Eve n the n th i s forked p l g e i f ted to
—
i
Whe nw d qu cke n Desde m
o n co es
Ent DE D EM N
nd EM L
I fshe b f lse 0 t he n he ve n ock i tsel f!
I l l n t b el i eve t
H w n w y de r O thello !
Your d i nner nd the ge nerous i sl nders
By you i nv i ted do tte nd y our prese nce
I to bl e
Ot I l l
Why do y
e
k
tly
f
i
n
?
p
A
you n t well ?
I h ve p i n po n y fo ehe d here
Ot k l l
D dm
n F i th th t s wi th w tch i ng ; t wi ll w y g i n
L t
but b i nd i t h rd wi th i n th i s ho r
It wi ll be well
Your n pk i n i too l i ttle
a
a
re ro
v
’
’
s
’
e
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’
ar e
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o
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m
m
th you
s
m
m m
[
m
I ml d I h ve ou d th s k
Th s
her first re m
em
br ce ro m
the Moo
M y y rd husb d h th h dred t m
es
Woo d m
to ste l but she so loves the toke
dk
z i effr o
H
e p ut s t ke k an
er c/
[
’
n
1
1
i
w
i
o
n
C
,
g
lo e
a
D esde
o
E i li a
i
o e I
I very sorry th t you
.
na
a
.
a
g
a
.
a
a
was
n
wa wa
’
a
e
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ki
.
ar e
co
ur
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er
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a
a
,
n,
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a
a
ell
.
r
a
nd i t dr ops
a
‘
o
a
s
.
Ex eu nt Ot k el l o and D esde
f n
i nap i n
an
f
r
a
un
i
he nj d h she should ever kee p i t
h t she rese ves i t ever m
ore bou t h
To k i ss nd t lk to I 11 h ve the work t e n
A nd gi ve t I go wh t he wi ll do wi th i t
He ve nk nows n t I
I not h i ng but to ple se hi f nt sy
Fo r
T a
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.
O TH EL L O,
96
TH E M OOR OF
VEN I CE
.
h t do you here lo ne ?
ch d I h ve th i ng f
co
n th i ng
m
th
m
m
m
m
To h ve ool sh e
m th t Wh t ll ve m
For th t m
e h dkerch e
Wh t h dkerc e
m Wh t h dkerch e
Why th t the Moor first ve to esde m
o
Th h c so o te you
m
ste l
H st stol
ro m
her
m No th she let dro by e l e ce
H o w no w ! w a
E i l i a Do no t y o u
i e
I ago A
i ng fo r
e ? it is
E i li a H a !
I ago
.
.
.
a
or
a
a
y
ou
.
o
a
.
I ago
E i li a
O, i s
.
a
wi f
i
al l
a
sa
a
f
a
a
.
?
.
wi
a
n
ou
y
a
a
.
n
n
f n
I ago
a
.
E i li a
A nd,
e
a
.
?
fa i
,
.
di d bi d
n I! f
e
na
D
a
g
w i h
at
h i f?
a
i f
a
,
no w
e
i f?
a
E i lia
i
g
it
n g ig n
p
,
to the dv nt ge I be i ng here took t p
Look here i t i
A good we nch gi ve i t
i li
Wh t wi l l y do wi th t th t you h ve b ee n
Em
e r nest
To h ve mfil h i t ?
w
t
i
Why
h
t
th
t
to
I g [
?
Sn t l i n
g ]
y
I fi t be n t f so e pur pose fi m
ort
E ili
p
1
i
n
1
oor
l
dy
she
n
d
Gi e t
p
g
Whe nshe sh ll l ck i t
B e n t ck no wn n t I h ve
I g
f it
i
i
t
m
E
i
l
E
G le ve
[
I wi ll i nC ss i o s l od gi ng l ose t h i s n pk i n
i
fi nd i t
Tr i fles l i ght
A nd let h i m
to the j lous co nfirm
t i o ns stro ng
A
i
n
do
so
eth
A proo fs fholy wr t th i s
y
g
The Moor lre dy ch nges wi th y po i so n
i n th i r n tures po i so n
D ngerous co nce i ts
Wh i ch t the first sc rce fou nd to d i st s t
h
n
b
t
o
t
lo
d
l i ttle
B t wi t h
p
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31 9
.
i
a
mm m
a
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A CT 1 1 1
mm
S CEN E 1 1 1
.
97
.
B rn l i k the i ne f ul ph ur
so
;
y
Look where he co es !
Ent O T ELLO
nd gor
Not poppy n
Nor l l t h dro wsy syru ps fthe world
Sh l l ever ed i c i ne thee to th t s weet sleep
Wh i ch thou w d t yesterd y
?
H ! h ! f lse to
Why h w n w ge n r l n re fth t
I g
t
A v u nt ! be go ne ! thou h st
nthe r ck
Ot k ll
I s we r t i better to be m
uch b d
Th nb t to k no w t l i ttle
lord
H w nw
y
W h t se nse h d I fher tole n hours f
Ot k l l
I w t n t thou ght i t n t i t h d n t m
I sle pt t h ne t ni ght well w free nd m
erry
I fou nd n t C ss i o s k i sses n her l i p
He th t i robbed n t w nt i ng wh t i stol n
L t hi
n t k no w t nd he
nt
bb d t ll
I sorry to he r th i
I g
I h d bee n h ppy i f the ge ner l c p
Ot l l l
P i o ne rs nd l l h d t sted her s weet body
So I h d noth i ng k no wn 0 n w f ever
F re wel l the tr nqu i l i nd ! f re well co nte n
t!
F re well the plu m
ed troo p nd the b i g w rs
Th t
ke b i t i o nv i rtue O f re well !
F re well the ne i gh i ng steed nd the shr i ll tru p
The s pi r i t st i rr i ng dru the pi erc i ng fif
The oy l b nner nd l l qu l i ty
Pri de po p nd c i rc m
st nce fglor i us w !
A nd 0 you m
ort l e ngi nes whose rude thro ts
The i m
ort l J ove s dre d cl o rs cou nterfe i t
F re well ! O th llo s occ p t i o n go ne !
I g
Is t po s i ble y lord ?
s o
e
u
,
s
— I di d
.
H
er
e
a
a
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o
.
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TH E M O OR
O TH ELL O,
8
9
m
.
be sur thou pr ve y l ov whore
B e sure fi t gi ve mthe ocul r proof;
O by the wort h fm
ns eter n l soul
Thou h dst bee nbetter h ve bee n bor n d g
Th n nswer y w k d wr th
Is t co m
e to th i s ?
Ot k l l
M ke to
st so prov
t th l
t
Th t the prob t i o nbe r n h i nge n l p
To h ng doubt n or w u po nthy l i fe !
I g
My noble lord
Ot k ll
I fthou dost sl nder her nd torture m
Neve pr y ore b ndo n l l re m
orse
O nhorr r he d horrors ccu ul t
D deeds to
ke he ve n weep ll e rth
d
For not h i ng c nst thou to d n t i o n dd
G r ter th n th t
O gr ce O he ve nforgi ve
n? h ve you
A
you
soul or se nse ?
i ne o f
t ke m
fice O wretched fool
G d be wi y
Th t l i t to ke th i ne ho nest v i ce
O
o nstrous world T ke note t ke note O world
To be d i rect nd ho nest i n t s fe
I th nk you f th i profit nd fro he nc
I 11 love n fri e nd s i th love breeds such offe nce
Ot k l l
N y st y tho shoulds t be ho nest
I should be wi se f ho nesty
I g
fool
And loses th t i t works f
By the world
Ot k l l
I th i nk y wi fe be ho nes t nd th i nk she i n t
I th i nk th t thou t just nd th i nk tho t n t
fres h
e th t w
I 11 h ve so e proo f Her n m
d nd bl ck
A Di ns v i s ge i n w b g i m
I f there be cords or k ni ves
i ne wn f ce
A
Po i so n or fire or suffoc t i ng stre m
s
I 11 n t e ndure i t Would I wer s t i sfied !
0t lze l l o V i
.
o
ll
VEN I CE
OF
n,
ai
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,
TI I E M O OR
O TH EL L O,
t oo
VEN I CE
OF
m
.
I g v h such n ; t w y first gi ft
I k no w n t t h t ; b t such h ndkerch i e f
I g
I m
sure i t w your wi fe s— d i d I tod y
See C ss i o wi pe h i be rd wi t h
I fi t be th t
Ot k l l
hers
I g
I fi t b th t or ny th t w
It s pe ks g i nst her wi th the other proofs
Ot k l l
0 th t the sl ve h d forty thous nd l i ves l
n
reve
e
O n i too poor too we k f m
y
g
Look here I go ;
N w do I see t i tr e
All m
f
n
o
d
love
t
us
do
I
blo
w
to
he
ve
h
n
y
I i go ne
A r i se bl ck ve nge nce fro m
the hollo w hell
Y i eld p 0 love thy cro wn nd he rted thro ne
To tyr nnous h te S well boso wi th thy fr u gh t
For t i f s pi cs to ngues
Yet be co nte nt
Ot nl l
0 blood blood blood
n
i
y
ur
d
erh
s
ch
I g
m
P t i e nce I
n
p
g
y
p
y
Never I go Li ke to the Po nt i c
Ot k l l
Whose i y curre nt nd co puls i ve course
N feels ret i r i ng ebb but kee ps due n
To the Pro po nt i c nd the Helles pont
Eve n so m
n
bloody
thou
hts
w
i
th
v
i
ole
ce
t
p
g
y
Sh ll ne r look b ck ne er ebb to hu m
ble love
Ti ll th t c p ble nd wi de reve nge
n
m
n
by
yo
d
rble
he
ve
w
N
S w llo w the m
p
w
I n the due revere nce f s cred
w
I here e ng ge m
ords
y
D n t r i se yet
Wi t ness you ever bur ni ng l i ghts bove
ele e nts t h t cl i p us rou nd bout
Y
Wi t ness th t here I go doth gi ve p
The e ecut i o n fhi wi t h nds he rt
nd
To w ng d O th llo s rv i c ! L t hi m
co
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.
ACT III
S CE N E I V
mm
.
1 01
.
to bey sh ll be i n e r
I
k
Wh t bl ody bus i n ss ver
[ y
I greet t hy l ove
Not wi t h v i n th nks b t wi th cce pt nce bou nt o s
An
d wi l l u po nt h i nst nt p t thee to t
W i t hi nthese three d ys let mhe r thee y
Th t C ss i o n t l i ve
My fri e nd i de d t i do ne t your q est
I g
B t let her l i ve
D
n her le wd i n ! O d
nh !
i
w
i
w
h
w
Com
e g wi th
rt
I
ll
t
dr
p
To fur ni s h wi th so e s wi ft e ns fde th
For the f i r dev i l N w t thou y l i e te n nt
E
I your wnf ever
I g
[
And
o
a
o
o se ,
e r
a
e
e
e
.
r i fe.
,
a
a
a
u
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a
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s
re
a
m
m
m
m m mm
m
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a
e a
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.
t
xe u n
.
.
NE I V B f tl C tl
nd C lo wn
Ent
D E D EM N EM L
n D y
D dm
k no w s i rr h where Li eute n nt C
i l i es ?
i
n
w
Cl wn I d re n t
he
l
es
here
y
y
n Why
n
D d
sold i er nd f n to y sold i er l i e i
Cl w n He
t bb i ng
n G to where lodges he ?
D d
Cl w n T tell you where he lod ges i to tell you wher
SC E
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er
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s
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I li
a
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a
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o
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ze
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a
m
Ik o
m
s
,
e
th i ng be de fth i s ?
n w n t where he lod ges ; nd f
Cl wn
to dev i s
in
i
w
l
l od gi ng nd
i
i
he
l
es
here
or
he
l
es
there
ere
to
y
i ne wn thro t
D d m
n C n you i nqu i re h i
out nd be di fi d by
e port
mk
Cl w n I wi ll c tech i e the world f h i ; th t i
quest i o ns nd by t he ns wer
D e sde
o
m
on
a
.
C an a ny
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.
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s,
a
e
TH E M OOR OF VEN I CE
O TH EL L O,
eek m m
co m
e h ther tel m
I
m
ve m
oved m
lord
beh l
ho e
ll be e l
To do th s
th the co mss ms
there ore I ll tte m
t the do
m Where shoul I lose th t h dkerch e
m
l
o
m
d m
mmI k Bel
eve mI
r ther h ve ost mur
Full crus does
but moble Moor
Is true md
m
de
such b s es
je lo s cre tures
ere e ou
m
to th k
Is he je lous
m
m Who he I m
th k the
here he
bor
re
such hu m
ours ro m
es
mm I l le ve mookt ll eress heo co m
Be
to m
T LL
th you mlord
Well m ood l d [ ]
h rd ess
d sse m
ble
do
de m
o
ood lord
mve myour h dWell hm
sh d m
os m
l y
h th elt
k o
so r
mTh sIt yet
r ues ru t ul ess
l ber l he r
m
Hot hot
o st th s h d yours requ re
sequ ster ro m
l berty st
r yer
Much c st t o e erc se de ou
For here
you
e t dev l her
Th t co m
o ly rebels
ood
m
r k
m You m deed som
For
th t h d t t ve y he
1 02
D esde
o
na S
hi
.
ha
Cl o wn
an
d
f
,
o n hi s
y
wi
a
a
a
i ll
T o pu t h i
E i li a
a
a
had
e,
D
w
na
.
in
?
f
,
al l
E i li a
D es de o na
cal l
hi
wi l
no t
y
,
D
e
s
o
u
Ho w
,
y
D es de ona
e
Ot k e l l o G i
D es de o na
i a g
Ot kel l a
i
:
a
n
d
,
,
i
f
e
A
x
a i ga i n
,
.
.
.
’
HE
t wi
g
a
n
a
A f an
D es de
’
o
ne
t was
,
wh
O
i
.
?
y
A s i de
,
—
y
,
n
O,
i
ay
n
to
y g
.
T i
.
a
t ;
v
a
T is
i ng
a
g
i
,
in
h a ga
,
s ay
a wa
e,
b and,
;
y
v
,
,
.
a
n
a
i t
n is
a
f no age no r n w nno
f i f n
an
a
d i
a t
i
i s
an o f
fa i ng a nd p a
,
a
’
.
a
.
Ca
.
a
on
n
was
na ?
ng and s w
s a
s
?
no w i
.
’
n
.
Ho w i s
.
e
se
.
hi
a
Ent e r O
Ot ke l l o
i
i f,
y p
nw
L
hi
d
’
n
l
a
su
.
.
n wi t ,
.
no t
o
a
a
a
.
D es de
a
’
.
n
y
o fn
o
a
n gh
ar e , i t w
i n i ng
a
u
of
.
.
d
.
a
p
w l
i ng
.
.
l hi
;
al l wi
a
p
p
D esde o na
E i ia
n w no t ,
E i li a
i
D esde o na
a
d,
an
of
d
a
o f i n an
As
f, and
in
i s wi
i
.
i
bi d h i
.
ar t .
ad
r o w.
.
.
TH E M O OR
O TH ELL O,
1 04
OE VEN I CE
mm
dyed i n u my wh i ch the sk i l ful
i de ns he rt s
d fm
C n
I ndeed i t true
Most ver i t ble there fore look to t well
Ot h ll
n The n would to G d th t I h d never see n t !
D dm
H ! where fore ?
O t h ll
n Why do you s pe k so st rt i ngly nd r sh ?
D dm
Is t lost ? i t go ne ? s pe k i i t out o the w y
Ot h l l
n He ve nbless us !
D d
S y you
Ot h l l
n It i n t lost but wh t n i fi t were ?
D dm
A nd i t was
’
se r v
o
’
a
o
a
.
.
’
s
e
es
o
o
e
es
o
a
a
a
.
’
s
.
o
o
e
’
a
a
o
m
e
.
.
.
o
e
es
a
o
e
es
a
.
e
’
a
’
a
,
a
a
a
’
s
a
80
a
.
a
.
o
e
a
m
O t h el l o H o w
D es de o na
.
o
s
.
I
a
lost
a
Fetch t let msee t
n Why so I
D d
n i but I wi ll n t n w
i
Th i s i tri ck to p t mfro m
m
su
t
;
y
i d g in
Pr y y l t C ss i o be
Fetch mthe h ndkerch i e f; y i nd i sgi ves
Ot h l l
D d
n C o e co m
e
Yo 11 never
eet ore su ffic i e nt n
The h ndkerch i e f!
Ot h l l
I pr y t lk
fC ss i o
The h ndkerch i e f!
Ot h ll
n
D dm
n th t l l h i
A
H th fou nded hi good fortu nes nyour love
Sh r d d ngers wi th you
The h ndkerch i e f!
Ot h l l
n I nsooth you
to bl e
D dm
Aw y !
Ot h ll
ili
Em
Is n t th i s nje lous
n I ne er
D dm
w th i s be fore
Sure ther so e wo nder i n th i s h ndkerch i e f;
I
ost u nh ppy i nthe loss fi
T i nt
ili
ye r or t w shows us m
Em
n
T hey
l l but sto m
chs nd w ll but food
.
m
es e
o
a
s ay
.
e
es
’
u
ca
,
,
s r,
r e ce v
’
a
a
e
o
a
.
,
o
a
.
.
a
e
o
o
e
es
a
.
a
s
a
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es
o
a
.
a
.
o
.
o
e
a
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e
,
’
.
m
a
a
.
ar e a
a
sa
o
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.
.
s
s
a
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a
a
’
a
a
m
ar e
,
m
m
m
es
a
a
e o
,
a
o
e
,
,
.
e
a
o
a
e
.
a
.
a
.
mm m
m
m
m
a
a
a
e
o
.
e
a
.
’
e
o
m mmm
o
e
.
,
u
o u,
e
,
’
s a
a
i t i s no t
o
a
a
a
t
.
o
,
a
a
e a
a
.
.
A CT 111
S CEN E 1 V
.
1 05
.
They t us hu ngerly nd whe n they full
h
n
They belch us Look you C ss i o nd m
usb
d
!
y
E nt
nd I
C
There i n other w y t i she ust do t
I g
nd i m
ortu
e
her
n
And lo the h ppi ness ! g
p
n H w n w good C ss i o ! wh t
the ne ws
D dm
w i th you ?
m
f
m
i
Md m
or
er
su
t
I
do
beseech
C
i
y
y
T h t by your v i rtuous
e ns I m
n
i
y g
em
ber fhi love
E i st nd be
Who I wi th ll t h o ffice fm
he
rt
y
Ent i r ly ho nour ; I would n t be d l y d
f
f
n
f
i
o
e
ce
be
such
ort
l
k
d
m
n
I fm
y
Th t n m
serv
i
ce
s
n
rese
t
sorro
s
n
w
t
y
p
p
Nor p p d m
eri t i n futur i ty
mi nto hi love g i n
C n r nso
n
t
But to k no w so ust be m
be
efi
y
So sh ll I clothe mi n f d co nte nt
ysel f p i n so m
e other course
A nd shut m
To fortu ne s l s
t h ri ce ge ntle C ss i o !
D d
Al
n
My dvoc t i o ni n t n w i n tu ne
My lord i n t y lord n should I k no w hi m
Were he i n f vour i n hu our l t d
So hel p mevery s pi r i t s nct i fied
best
A I h ve s poke n f you l l m
A nd stood wi th i n the bl nk fh i d i s ple sure
i
m
w
i
n
For m
ree
s
e
ch
You
ust
h
l
be
t
e
t
f
p
p
y
Wh t I n do I w i ll ; nd m
ore I wi ll
Th nf m
ysel f I d re let th t su ffice you
n
Is m
lord
ry
I g
?
g
y
i li
H we nt he nce but n w
Em
A nd cert i nly i n str nge u nqu i et ness
I g
C n he be ngry ? I h ve see n the c nno n
ea
,
ar e
a
.
,
s
.
,
es
o
e
a
.
a
,
o
a
a
,
a
o
m
’
m
m
m
m
e
a
a
s
a
a
,
,
’
o rc
a
e
a
.
or
a
os
e a
’
a
or
ur
a
s
o
a
a
o
e
s
a
ou
a
o
e
’
:
,
a
m
’
.
m
m
a
s
.
a
,
a
m
x
o
A GO
’
a
o
.
a
as s a
a
o
a
,
a
a
A SS I O a
er
a o
a
u
’
es
e
a
o
a
a
.
a
s
.
s
as ,
o
o
o
m
a
or
,
as
a
,
a
a
e
or
a
s
-
y
o
a
or
o
a
.
a
.
o
e
.
a
.
a
a
a
a
a o
e
a
ca
a
a
s
e
a
.
,
a
a
er
’
a
a
a
,
.
a
a
,
TH E M O OR
O TH EL L O,
VEN I CE
OF
.
Whe n i t h th blo wnhi r nks i nto the i
A nd l i ke the dev i l fro m
hi very
m
P f
fd hi
wn brother
nd
n he be ngry
So m
eth i ng fm
om
e nt the n I w i ll g m
eet h i m
;
There
tter l n t i ndeed i fhe be ngry
D dm
n I pr i thee do
t
i
E
I
g
[
So eth i ng sure f t te
Ei ther fro m
V e ni ce or so m
e nh t h d pr ct i ce
M de de m
o nstr ble here i nC yprus to hi m
H th puddled hi cle r s pi r i t nd i n such c ses
Me ns n tures wr ngle wi t h i nfer i or th i ngs
Though gre t o nes the i r object I i eve nso ;
For let our fi nger che nd i t i ndues
O
other he lth ful m
e bers eve nt th t se nse
O fp i n n y w m
n t gods
ust th i nk m
n
Nor fthe lo k f such observ ncy
ili
A fits the br i d l
Beshre w m
uch Em
I w u nh ndso e w rr i or I
soul
A rr i gni ng hi u nk i nd ness wi th m
;
y
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i nd i cted f ls ly
A nd h
i li
Pr y he ve ni t be st te m
tters you th i nk
Em
A nd n co nce p t i o nn n je lous toy
C o ncer ni ng you
D dm
n A l s the d y ! I never g ve h i m
c ue
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Em
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n
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W i ll you th i nk so ?
Th i nk so I go !
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hy ocr i sy g i nst the dev i l ;
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TH E M O OR
VEN I CE
OF
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Her ho nour i n sse nce th t n t ee n;
They h ve i t very ft th t h ve i t n t
But f the h ndkerch i e f
By he ve n I would ost gl dly h v f rgot
Ot h l l
—
Thou s i d st O i t co es o er m
y
A doth the r ve no er the i nfected house
—
B d i ng to l l h h d y h ndkerch i e f
I g
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i stress
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c nnot hoose
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H th h s i d ny t hi ng ?
I g
He h t h y lord but be you well ssur d
No ore t h nhe 11 u ns we r
Wh t h th he s i d ?
I g
F i th th t he di d— I k no w n t wh t he di d
Ot h ll
Wh t ? wh t
H ndkerch i ef co nfess i o n
—
n
h dke ch i e fl To co nfess nd be h nged f hi l bour ;
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g
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wi thou t so m
e i nstruct i o n It i n t words th t sh ke m
t hu
P i h l Noses e rs nd l i ps
C n
I
t poss i ble
—
fess h ndkerch i e f
n
t
l!
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l
l
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I g
Work n
M y ed i c i ne work ! Thus credulous fool s c u ght
A nd
ny worthy nd ch ste d
es eve n thus
—
l l gu i ltless
ee t re pro c h Wh t ho ! y l ord !
M y lord I
Othell
!
!
y
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O TH ELL O, TH E
1 12
m
VEN I CE
OF
m
m
.
ss i o n ost nsu i t i ng such
n
C ss o c m
e h i ther I sh i fted hi w y
A nd l i d goo d scuse u po nyour ecst sy
B de h i mno n retur n nd here s pe k wi t h
The wh i ch he p i d D but e nc ve yoursel f
rk the fl
the gi bes nd not ble scorns
A nd
Th t d well i n eve y regi o n fhi f ce ;
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ke h i tell the t le ne w
Where h w h w ft h w lo ng g nd whe n
He h th nd i g i nto cope your wi fe
I y but m
rk hi gesture M rry p t i nce ;
l
l
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A nd noth i ng f
Dost thou he r I go ?
i
I wi ll be fou nd os t cu nni ng i nm
t
e
n
ce
;
y p
—
—
But dost thou he r
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Th t n t
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B ys hersel fbre d nd clothes i t i cre ture
Th t dotes n C ss i o ; t i the stru pe t s pl
ny nd be b g i l d by n
To begu i le m
He whe n he he rs fher c nnot re fr i n
Fro the e cess fl ughter Here he co es
N o w wi
a
a,
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m e
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m
he sh ll s m
le Othello sh ll m
u book sh je lousy m
ust co strue
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orser th t you ve mthe dd t o
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;
S CEN E I
A CT I V
.
1 13
.
th i su i t l y i n B i nc s po wer
H w qu i ckly should you s peed
f
A l s poor c i t i f
Look h w he l u ghs lre dy !
Ot h l l
I g
I never k ne w wo n love m
n so
i
I th i nk i f i th she loves
C
A l s poor rogue
N w he de ni es i t f i ntly nd l u ghs i t out
Ot h l l
I g
D you he r C ss i o ?
N w he i portu nes hi m
To tell i t o er g to ; well s i d well s i d
I g
She gi ves i t out th t you sh ll m
r y her ;
D you i nte nd i t ?
N o w, i f
s
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tr u m
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o
do
you
tr
u
h
?
?
p
p
I rry her ! wh t
custo m
er ! Pr i thee be
so e ch ri t y to y wi t ; do n t th i nk i t so u nwholeso e
Cass i a H a, h a, ha !
Ot hel l o Do y o u i
a
Cass i a
.
m
m
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a
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a
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m
ar
,
o
a
H a, h a ha !
Ot hell o
,
I ago
ai
,
i
Ca s s i a
a
.
,
So so so so they l ugh th t wi n
F th the cry goes th t you sh ll m
rry her
Pr thee y true
I g
I
very v i ll i nelse
n
H ve you scored m
Ot h l l
? Well
i
Th i s i the m
onkey s wn gi v i ng out ; she i p
C
r y her out fher wn love nd fl tte y n t
d d I wi ll m
i
out fm
ro
se
y p
I go becko ns m n w he begi ns the story
Ot h l l
here eve n n w ; she h u nts mi n every
i
C
Sh w
w
i
n
n
i
n
l
ce
I
the
other
d
t
lk
the
b
k
th
w
p
y
g
cert i nV e net i ns nd th i ther co m
es the b uble nd by th i s
thus bout m
eck
h nd she f l ls
n
y
i t were ; h i gesture
Ot h l l
C y i ng O de r C ss i o
i
im
t
orts
p
i
So h ngs nd 1 11 nd wee ps u po n ; so h les
C
nd pulls
h h h !
N w h tells h w she plucked hi
to y ch
Ot h l l
H
,
.
.
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O TH ELL O, TH E M O OR OF
j 14
VEN 1 CE
.
ber
I see th t nose f yours but n t th t d g I s h ll
t hro w i t to
n
Well I m
ust le ve her co m
y
i
C
p
Be fore ! look where she co es
I g
T i such nother fi t h w !
rry perfu ed n
C i
B N
Ent
e n b y th i s h u nt i ng fm
?
Wh t do you m
h u nt you Wh t di d
Bi n
d hi d
L t the dev i l n
you m
e nby th t s m
h ndkerch i e fyou g ve meve nn w ?
—
I w fin fool to t ke i t I m
ust t ke out the work A
l i kely pi ece fwork th t you should find i t i nyo r ch m
ber
nd n t k no w wh le ft i t there ! Th i s i so e i n s t oke n
nd I
ust t ke out t h work ? Th re gi ve i t your h obby
h orse w heresoever you h d i t I l l t ke out n work n t
i
n
i
s
w
eet
B
c
h
w
n
h
w
n
w
H w nw m
w
!
!
C
y
i
n
f
By he ve n th t should be m
h
dkerch
e
!
Ot h ll
y
n
A nyou 11 co e to su pper to ni ght you m
Bi n
y ;
i
E
t
you wi ll n t co e whe nyou ne t pr p red f
[
A fter her fter h
I g
i
F i th I m
ust ; she l l r i l i n the street else
C
W i ll you p there ?
I g
i
F i th I i nte nd so
C
n
f
w
Well I m
ch
ce
to
you
I
ould
ve
y
I g
;
y
f i n pe k w i th you
Pri thee co m
e wi ll y ?
i
C
i
n
m
t
i
E
ore
I g
G to ;
C
[
y
i
n
Ad
n
i
H
w
sh
ll
I
urther
h
I
o
?
Ot h l l
g]
g
[
Di d you perce i ve h w he l u ghed t h i v i ce ?
I g
O I go !
Ot h l l
I g
A nd di d you see the h ndkerch i e f?
W th t i ne ?
Ot h l l
Yours by th i s h nd ; nd to see h w h pri es the
I g
nd h h th gi ve n
ny our wi fe ! she g ve i t hi m
fool i sh wo
i t h i whore
.
— O
,
.
a ss a
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,
.
a
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1 38
e
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O TH ELL O,
1 16
m
mm
So eth i ng fro
C o e fro the duke ;
I ago
.
Ent e r
L o dov i co
sure
meseeceyour
VEN I CE
.
ov r
o
V ni
a
,
,
T is L
.
O
.
A, a
a
a
,
Ot hel l o
I k i ss t h
e
.
s
a
.
m
f
.
m
m
a
i
G
o es h i
[
o
s
ou
o
a
stru e nt
in
co
s
,
S
,
—
’
a
L o dov i co
m
odovi
nd
wi f
e i wi th hi
nd A tte nd nt
L n co DE D EM N
S ve you worthy ge ner l !
Wi th l l y he rt
The duke nd e n tors fV e ni ce greet y
a
.
TH E M OOR OF
the i r ple sures
a
si r
,
.
.
l et t er
a
.
.
h t the e s ood cous odov co
m
I m
very l d to see you s or
Welco m
e to Cy ru
I th k you
oes eute
C so
ve
m ous there lle bet ee m m
lord
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S CEN E 1
A CT I V
I
m
[
m
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O t he l l o
D e s de o na
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ml d
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see you
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1 17
.
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e
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m
ev
r
s
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,
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dev i l dev i l
I fth t the e rth could tee
wi th wo m
ns te rs
E ch d p she f lls would prove
crocod i le
i
s
h
t
!
O t fm
g
y
n
D dm
I wi l l n t st y to offe nd you
Truly nobed i e nt l dy
L d i
I do beseech your lordsh i p c ll her b ck
M i stress !
Ot h l l
n
My lord ?
D d m
Wh t would y wi th her i
Ot h l l
Who I y lord ?
L d i
Ay
you di d wi sh th t I would ke her tur n
Ot h l l
n tur n nd tur n nd yet g
n
S i she
n wee p i wee p ;
A nd tur n g i n; nd she
A nd she
obed i e nt you y obed i e nt
—
n
Proceed you i nyour te rs
V ery obed i e t
i
O w ll p i nted p ss i o n
C o ncer ni ng th i
nded ho m G t you w y ;
co m
I m
I l l se nd f you no n Si I obey the m
nd te
He nce v u nt
A nd wi ll retur n to V e ni c
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welco e i to Cy pru
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Who p ss i o n could n t sh ke whose sol i d v i rtue
na
2 49
xit
E
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.
O TH EL L O, TH E M O OR OF
1 18
VEN I CE
.
ho t f cc i de nt n d rt fch n
ce
C ould ne i ther gr e n pi erce ?
He i m
uch h ng d
fe ? i he n t l i ght fbr i n?
A
L d i
hi wi ts
He th t he i ; I y n t bre the y ce nsur
I g
—
i
i
n
i
i
f
w
Wh t he m
h
h
t
he
ht
he
b
t
t
g
g
I would to he ve n he were !
Wh t str i ke h i wi fe !
F i th th t w n t so well ; y t would I k ne w
I g
Th t stroke would prove the worst !
Is i t hi
?
O d i d the letters work po n h i bl od
And n w cre te th i s f ult ?
Al s l s !
to s pe k
I t i n t ho nesty i n
Wh t I h ve see n nd k no wn You sh ll observe
wncourses wi ll de note h i
so
A nd h i
f
Th t I m
s
ve
m
s
eech
do
but
ter
;
g
y p
y
rk h w he co nt i nues
A nd m
E
i d i nh i m
I sorry th t I m
d
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T H ELL nd EM L
h ve see n noth i ng the n?
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Ot h ll
Nor ever he rd n ever di d sus pec t
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Yes you h ve see nC ss i o nd she togethe
Ot h l l
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Etni l i
de p bet wee nthe m
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Wh t d i d they never wh i sper
Ot h ll
Em
i li
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Nor se nd you out o the w y ?
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1 20
OI " VEN I CE
TH E M OOIr
O TH EL L O,
’
m
m
.
.
es t be i ng l i ke n fhe ve n the dev i ls the selves
Should fe r to se i e thee there f re be d oub l e d nd
S we r thou t ho nest
n
He ve ndoth truly k no w i t
D d m
Ot h l l
He ve ntruly k no ws th t thou t f lse hell
n To who
D dm
i
h
ord
w
th
ho
I
l
?
w
?
w
y
f lse
O Desde o n ! w y ! w y ! w y !
Ot h l l
D d
n A l s the he vy d y ! Why do you wee p ?
Am
I the ot i ve fth se te rs m
lord
?
y
I fh ply you m
f
ther
do
sus
ec
t
y
p
A n i nstru m
e nt fth i s your c ll i ng b ck
L y n t your bl m
e n ; i fyou h ve lost hi m
Why I h ve lost h i m
too
H d i t pl
d he ve n
To try mwi h ffl i ct i o n h d t hey r i nd
A l l k i nds fsores nd sh m
es n y b re he d
i npoverty to the very l i ps
St p d m
nd y ut m
ost hopes
G i ve n to c pt i v i ty
I should h ve fou nd i nso m
e pl ce fm
soul
y
A dro p fp t i e nce but l s to m
ke
A fi ed fi gure f the t i e fscor n
To po i nt hi slo w u nm
ov i ng fi nger t !
Yet could I be th t too ; well very well
But there where I h ve g n d p y he rt
Where e i ther I m
ust l i ve or be r n l i fe
n
n
The fou nt i nfro m
the wh i ch m
curre
t
ru
s
y
—
to be d i sc rded the nce !
O else dr i es p
c i ster nf fou l to ds
O kee p i t
i
n
To k not nd ge nder i n Turn thy co m
le
o
there
p
P t i e nce thou you ng nd rose li pp d cherub i n
A y there look gr i
hell !
n
m
m
n I ho pe m
oble
lord
estee
s
ho
est
D dm
n
y
su er fl i es i n the sh m
ble
O y ;
Ot h l l
Th t qu i ck nev nwi t h blo wi ng
O thou weed
L
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s,
S CEN E 1 1
A CT I V
12 1
l l t so s wee t
so lo ely f i r nd m
Th t the se nse ches t t hee would thou h dst ne er bee n
bor n
na A l s wh t i gnor nt i n h ve I co m
m
i tted ?
D d
W th i s f i r p per th i s ost goodly book
Ot h l l
M de to wri te whore u po n? Wh t co m
m
i tte d !
m
o ner !
i tted ! O thou publ i c co m
Co m
I should m
ke very forges fm
cheeks
y
Th t would to i nders bur n p m
odesty
Wh t co m
i tted !
Di d I but s pe k thy dee d
He ve nstops the nose t i t nd t h oo n wi nks ;
T h b wdy wi nd th t k i sses l l i t m
eets
Is h h d wi th i n t h hollo w i ne fe rth
i tted !
A nd wi ll n t he r i t
Wh t co m
I pude nt stru m
e
t
!
p
By he ve n you do mwro ng
A
nt y
stru m
et
Ot h l l
?
p
n
D d m
No I mC h i st i n;
I f to p reserve th i s vessel f m
lord
y
Fro mny other foul u nl wful touch
Be n t to be stru m
et
I
e
n
n
p
Wh t n t whore ?
Ot h l l
No I sh ll be d
Is t poss i ble ?
Ot h ll
n O he ve nforgi ve us !
D d m
I cry you ercy t he n;
I took you f th t cu nni ng whore fV e ni ce
—
Th t m
rri ed wi th O thell You i stress
Th t h ve t h fli ppos i te to S i nt Peter
A nd kee p the g te fhell !
Ent
EM L
You you y you
W h v do ne our course ; there
o ney f you p i ns
I pr y you tur nthe key nd ke p our cou ns l
i
E
t
[
.
Who
ar t
a
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1 22
O TH EL L O,
TH E J V OOR OF V EN I CE
m l s h do th s tlemc nc ve
do you m
d m
you mood dy
F th h l slee
m
m ood md mh t the m
tte h m
m
W th
m W th mlord md m
m W thy lord
m
He th t yo rs s eet l dy
m I h e o e do t lk to m m
l
E ilia
A
.
a
,
w
at
n o
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n
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i
es
.
ei
a
?
h
a
a
o
w
l
d
o
a
Ho w
,
,
y g
a
ai
fa
D esde o na
,
p
a a
w
a
r
a
i
5
t
l
w
r
d
E il i a G
o
?
,
y
i
who ?
D e sde o na
hy , wi
a
E i li a
a
y
ho i s
D es de ona
?
E i li a
a is
a
u
w
,
D es de ona
av
nn :
no t a
e, E i ia;
an
n w p, no r an w
a
1 n n,
w a s
o
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n
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a
P
w
,
g
g
i
Lay o n y
w
n
:
;
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y
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A nd a
an
’
E i li a
H
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an
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t
s a
g
[
"
D e s de o na
1 is
,
n b e h av d , a
ig
i
Ho w a e
i no n y
i
a l l s t O pi n
a
s
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.
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.
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,
.
.
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I c ot ee
s er h ve o e
But h t hould by ter r thee to ht
mbed edd sheets re m
em
ber
c ll thy husb d h ther
m
ere
ch e deed
eet I should be us d so very m
eet
m m
h v I bee
th t he ht st ck
The m
o
le st m
suse
nt
wi t h I
EM L
R
I g Wh t i your ple sure m
dm
? H w i t wi th you ?
Those th t d te ch you ng
n I c nnot tell
D dm
bbs
D i t wi th ge ntle e ns nd e sy t sks
i ght h ve ch i d m
He m
so ; f i ngood f i th
I mch i ld to ch i d i ng
Wh t the tter l dy ?
w
h
b
d
i li
lor
d
h
th
so
her
A l s I go
Em
y
s po nh
Thro wn uch des pi te nd he vy ter m
A true he rts c nnot be r
n Am
I th t n mI go ?
D d
e f i r l dy
Wh t n m
n S uch
i
w
she s ys m
l
ord
d
I
D d m
d
y
y
He c l i d her whore begg r i nh i dr i nk
i li
Em
C ould n t h ve l i d such ter s u po n hi c l l t
Why di d he
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m
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12 4
VEN I CE
TH E AI O OA OF
O TH EL L O,
’
m
i ne eyes
i ne e r or ny se ns
th t m
i n ny other f
el hted the m
or m
th t I do n t yet nd ever di d
—
w
ever i ll thou gh he do sh ke
f
f
To begg ly d i vorce m
e nt love hi m
de rly
! U nk i nd ness
do
uc
fort fors we r
h
Com
;
y
f
m
de
e
t
l
i
e
f
A nd hi u nk i nd ness
y
y
n
But never t i nt m
love
I
c
ot
hore
n
w
y
y
n w I s pe k the word
I t dot h b hor
i ght the dd i t i o n e r n
T do the
t th t m
ss fv nity could ke m
N t the world s m
I pr y you be co nte nt t i but hi hu m
our
I g
The bus i ness fthe st te does h i m
offe nce
And he does ch i de wi th you
D d
n I f t were n other
T i but so I w rr nt
a
Or
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a
Or
A nd
,
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TH E M OOR OF
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1 26
VEN I CE
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g Is th t true why the nO thel l o nd Desde o n
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u ps to ni gh t wi th h rlo t ry nd th i ther wi ll I g to h i m
;
he k no ws n t y t f h i ho nour ble fortu ne I f you wi ll
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TH E M O OR
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1 28
OF VEN I CE
em
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ost thou co nsc i e nce th i nk
i li
Em
Th t there be wo m
e n do buse the i husb nds
I n uch gross k i nd ?
Em
ili
There be so e such n ques t i o n
n Wouldst thou do such
D dm
de d f l l the
world ?
Why would n t you ?
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S CEN E I I I
A CT I V
.
1 29
.
No by th i s he ve nly l i ght !
i li
Em
Nor I ne i ther by t h i s he ve nly l i ght ;
i ght do t
well i t h d rk
Im
n
D dm
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world
i li
Em
The world
huge th i ng ; i t i gre t pri c
sm
ll v i ce
F
n
D d m
I n troth I th i nk thou wouldst n t
I n t roth I th i nk I should ; nd u ndo t whe n I
i li
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c ps n ny petty e h i bi t i o n but f the whole world
w hy wh would n t
k her husb nd cuckold t
ke
h i mm
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D d m
n B shre w
i fI would do uch
wro n
g
For the whole world
i li
Em
Why the wro ng i but wro ng i the world nd
h v i ng the world f your l bour t i wro ng i n your wn
world
ke i t r i ght
nd you m
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n I do n t th i nk there i
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D d m
Em
ny to the v nt ge
Yes do e n; nd m
ili
would store the world they pl yed f
But I do th i nk i t i the i r husb nds f ults
I fwi ves do f ll
S y th t they sl ck the i r d ut i e
ore i gn l p
t tre sures i nto f
A nd pour
O else bre k out i n peev i sh je lous i es
Thro wi ng restr i nt u po n us ; or y they stri ke
O sc nt our for m
er h v i ng i n des pi te ;
Why w h ve g lls nd thou gh w h ve so m
e gr c
Yet h ve w so m
e reve ng L t husb nds k no w
The i r wi ves h ve se nse l i ke the mthey see nd s l l
And h ve the i r p l tes both f s weet nd sour
Wh t i i t th t they do
A husb nds h ve
Whe n they ch nge f o t hers ? Is i t s port ?
I th i nk i t i ; nd doth ffect i o nbreed i t ?
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O TH EL L O,
1 30
TH E M O OR O F VE N I CE
.
I th i nk i t doth ; i t fr i lty th t thus errs ?
It i so too ; nd h ve n t w ff ct i o ns
n h ve ?
Des i res f s port nd fr i lty
The nlet the m
use us well ; else l t th k no w
The i lls w do the i r i lls i nstruct us so
n G ood ni ght good ni ght ; he ve n m
D d
such uses
se nd
t
E
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TH E M O OR OF
O TH EL L 0,
1 32
VEN 1 CE
.
I h e n gre t devot i o n to the deed ;
s t i s fy i ng re so ns
And y t he h th gi ve n m
mngo ne Forth m
i
s
ord
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w
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N w w hether he k i ll C ss i o
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kes y g m
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hi
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on ;
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It
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Th t kes mugly ; nd bes i des the M oor
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a
.
a
r
a
a
s
a o
o
av
.
s
ai
g
t
’
,
is
t
i
.
.
he — V i
.
m
m
ll
ai
thou d i est !
n,
Th t thrust
bee
e e em
y deed
th t mco t better th hou
I ll ke
th e
I sl
M
a ke s a pa s s a t Ca s s i a
[
h ad
n in n
in
Cass i a
a
,
’
n
an t
k
o w st
Bu t
a
a is
y
r a ws a n
D
n
d
w
u
i
o
n
d
s
wi
r Oo fo f
R
o
a
d
e
r
i
o
[
g
p
a
a i n!
O
s Ca ss i o i n t h e l eg, a n
d
w
o un
d
eh i n
d
ex i t
ago fr o
b
I
[
.
m
I
ther
Ca ss i a
.
‘
a
m
mmm
.
,
d fo r
’
ai
o
,
.
o
er i
e
e
o
o
.
a
a
a
u
,
,
’
.
.
m
s
a
a
a
a
s
.
o
a
o
O
H
.
ass a
e
Ent e r O
.
e
s
.
a
,
e
.
m
—
e
a
.
ever Hel p ho ! m
urther !
T ELL
The vo i c fC ss i o ; I go keeps hi word
Ot h ll
!
R d g O v i ll i n th t I
It i eve n so
Ot h l l
surgeo n!
i
0 h l p ho ! l i ght !
C
—
i
h
T
O br ve I go ho nest nd jus t
Ot h l l
Th t h st such noble se nse fthy fr i e nd s wro ng !
M i ni o n your de r l i es de d
T hou te chest
!
And y o r u nbles t f te h i es ; stru p t I co
e
.
a
a
o
,
a
,
,
’
m m
a
a
e
,
e
,
.
m
.
ur
S CEN E ]
ACT V
1 33
d
n
m
i
ort h fm
e
t
those
ch
r
s
th
e
eyes
blott
h
r
;
y
T hy bed lust t i nd sh ll wi th lust s blood be s pott d
.
F
a
a
o
’
-s a
.
,
,
e
ar e
’
a
D
e
T N
ss ge ? urther !
m m
Wh t ho ! n w tch ? n p
ther !
i sch nce the cry i
em
ery d i r ful
G t i n T i so m
C i
O hel p !
H rk !
L d i
O wretched i ll i n!
R d ig
h e vy ni ght ;
T w or three gro n; i t i
L d i
n
n
f
i
t
be
cou
ter
e
ts
let
th
k
u
s
e
These m
n
f
i
;
y
T co m
e i n to the cry wi thout m
ore hel p
e ? the n sh ll I bleed to de t h
R d g Nobody co m
L d i
H rk
I
R nt
wi t h
l i ght
G t i n Here
n co m
es i n hi sh i rt wi th l i ght nd
we po ns
I g Who s there ? whose no i se i th i s th t cr i es n
ther ?
L d i
We do n t k no w
Di d n t you he r cry ?
i
C
Here here f he ve ns s ke hel p !
Wh t s the m
tter ?
G t i n Th i s i O thello s nc i e nt
I t ke i t
L d i
The s e i ndeed ; very v l i nt fellow
I g
Wh t you here th t cry so gr i evously ?
i
i
C
l
n
i
I go O I m
d
u
do
n
e
by
v
ll
i
s
n
!
p
so e hel p
Gi ve
I g
0
l i ute n nt ! wh t v i ll i ns h ve do ne th i s ?
C
i
I th i nk th t n fthe i here bout
k wy
And c nnot m
0 tre cherous v i ll i ns
Wh t
you there ? co e i n nd gi ve so m
e hel p
E nt e r LO
Ca s s i a
a
.
ra
o
a
O
IA
.
a
a
a
s v
ur
e
.
,
.
o
ov co
o
er
o
GRA
o
s
.
a ss a
a
o
,
’
d
O V I CO a n
a
.
o
o v co
a
v
.
a
s a
a
o
.
’
a
’
s
a
o
.
o
er i
o
o v co
o
a
o
o
o
s
.
A GO ,
er
’
a
a
a
.
e
s
,
m
.
s
.
o
.
.
ass a
.
a
ra
o
o o v co
a o.
m
a
a
.
a
e,
e
s
e
as
a
’
a
a
.
a
.
’
o
a
a
a
a
,
m
a
o
a
a
,
40
e
,
a
.
.
ar e
a
,
as s a
a
a
a
a
?
e
.
m
’
ar e
mm
m
.
a
a
s
.
a
a ss a
a
or
,
’
ur
o
a
o
a
a
‘
o ov co
a o
.
a
.
e e
ra
a
a
.
e o
a
a
s
a
,
.
m
a
,
a
a
.
T
o L o dov i co
[
a
nd G r a t i ana
.
TH E M o o
O TH EL L O,
1 34
m
n OF
VEN I CE
hel p here !
Th t s n fthe m
R o de r i go
Ca ss i a
0,
.
e
’
a
.
e o
o
.
O
R o der i go
m
I o
m the d rk
Od
.
.
u r t he r o u s
sl ve ! O v i ll
a
m
Where be these
Ho l m
urther m
urther
you ood or ev l
nd
’
a
m
t
a bs R o de r i
S
[
hu
! O in
ag
ai
a
n
g
o.
n do g !
ni
l
bloody
th i eves
—
H w s i le nt i th i s to wnl
fg
Wh t y you be ?
i ?
L d i
A you sh ll prove us pr i se us
S i gnior Lodov i co ?
I g
He i
L d i
I cry you ercy Here C ss i o hurt by v i ll i ns
I g
G t i n C ss i o !
H w i t brother ?
I g
i
M y l g i t i nt w
C
M rry he ve nforb i d
Li ght ge ntle e n; I l l b i nd i t wi t h y sh i rt
I ago
Ki l
.
a
m
o
o v co .
o
’
e
s
a
ar e
s
o v co .
o
a o
m
s r
,
.
a
a
ra
a
,
.
.
’
a
s
.
a
.
a
.
o
a o.
o
a
o.
a
a
—
l
s
’
,
e
as s a
.
m
,
s cu
o.
m
a
’
a
,
.
B N
Bi n
Wh t i the tter ho ? wh i t th t cr i ed ?
I g
Wh i t th t cr i ed !
i
i
Bi n
i
w
de
r
C
ss
o
s
eet
ss
o
C
ss
o
!
C
!
O
O
y
y
C ss i o C ss i o !
I g
t
you
sus
ec
C ss i o m
O not ble stru pet
p
y
Wh they should be th t h ve thus
ngled you ?
No
C
i
sorry to find you thus ; I h ve bee nto seek
G ti n I
m
Ent e r
ca
a
a o
ca
o
.
’
a
a
a
,
a
s
a
s
m
o
.
a
a
a
.
o
I ago
.
be r
m
m m
a
Pt c
a
a
ou
80
a
.
L n
hi
e a
a
g
—
.
—
SO
.
.
h le o d C ss o
,
a
a
m
e d m rter
ch r
m
e s ly he ce
l s he ts
C ss o
Cs
e tle m
e
I do sus ect th s tr sh
rty th s jury
.
.
be
a
a
,
O , fo r
To
a
a i
n !
B i anca A a ,
fai n ! O a i
I ago G n
n al l ,
p
To
a pa
in i in
—
a i e n e aw i
i
a
r C0
, g o
.
s
a
a
a
y
o
’
.
.
ra
.
a
a
a ss a
CA
,
—
a
.
IA
.
,
a
ai
C as s i a,
i
a
mo m
e
e, c
,
a si o
!
1
6
3
O TH EL L O,
m
TH E M O OR OF VEN I CE
m
.
l s good ge ntle n! l s good C ss i o !
—
i
i
i
f
Th
i
s
the
ru
t
f
w
hor
n
Pr
thee
l
i
i
i
I g
E
g
i
d
to
ht
n
G k no w fC ss i o where he
pp
g
Wh t do you sh ke t th t ?
Bi n
He pp d t m
house
but
I
there
ore
sh
k
f
;
y
E
i li a
a
o
A
.
a
,
ca
a
m
a,
-
.
a
’
su
.
’
su
a
a
a
,
,
a
o
a a
o
s
.
o
a
a
,
a
a
e
he ? I ch rge you g wi th m
F fie u po n thee stru m
et
E
!
p
n stru m
f
I m
et
but
l
f
e
ho
es
i
n
Bi n
t
;
p
A you th t thus buse m
Em
i li
A I
foh l fie u po nthee !
e n let g see poor C ss i o d d
I g
K i nd ge ntle m
Com
e i stress you ust tell nother t le
n you to the c i t del
E i li
lord
l
dy
h
t
h
th
n
d
w
h
A nd t l l m
d
pp
y
—
W i ll y go o n I pr y [A i d ] Th i s i the ni gh t
n
t
E
Th t e i ther kes or fordoes qu i te
[
no t
.
m
0, d i d
ie ,
i li a
I ago
so
.
a
ca
o
a
.
s
o
a
a
a
e
5
o
’
,
,
a, r u
a
a
e
ou
S CE
’
,
.
a
E
be d
a
s
a
a
m
e
’
.
s
e
xe u
.
asl e e
p
Ent e r O
a
l i ght bu r ni n
g
DES
DEM N
O
.
TH ELLO
It i the c use i t i the c use y soul
Ot h l l
n t n e i t to you you ch ste st rs
L t
Y t I 11 n t shed her blood
I t i the c use
Nor sc r th t wh i t er sk i n fhers th ns no w
o nu e nt l l b ster
A nd s ooth
ust di else she 11 betr y ore n
Y t h
P t out the l i ght nd the n p t out the l i ght !
I fI que nch thee thou fl m
i ng i ni ster
I n g i n thy for er l i ght restor
Should I re pe nt ; but o nce p t out thy l i ght
Tho nni ng t p tter n fe cell i ng n ture
I kno w n t where i th t P ro m
ethe nhe t
Th t n thy l i ght relu e Whe n I h ve pl k d the
m m
e
e
o
s
.
a
s
e
.
s
m mm
m
a
u
,
ca
a
a a
u cu
o
a
ca
s
a
s
e
m
e
e
’
.
.
u
m
m
a
,
mm
a
a
a
,
a
a
—
a
,
,
u
O
m
a
.
,
,
’
e,
m
o
o
e
,
a
’
as
e
a
,
a
a
.
s
,
a
o
e
a
.
.
be r i n t h e Cas t l e
A B edcha
.
a
s a
e
a
r e ss
a
’
,
a
,
as
s
.
a
.
.
m
m
m
mm
N II
m
a o
e
,
.
a
o
,
,
x
a
,
a
a
a
uc
’
A
.
in
S CE N E 1 1
ACT V
.
Ic
1 37
.
m
ot gi ve i t v i t l gro wth g i n
ust nee ds wi ther ; I ll s m
ell i t n the tree [K i i ng h
It m
y bre th th t dost l ost persu de
Ah b lm
n
n
w
i
!
m
ust
ce
to
bre
k
her
s
ord
ore
ore
O
J
Be thus whe n thou t de d nd I wi ll k i ll the
ore nd th i s the l st ;
A nd love thee fter
On m
So s weet w ne er so f t l I ust wee p
But they cruel te rs th i s sorro w he ve nly ;
It stri kes where i t doth love She w kes
n Who
D d m
there ? O thello ?
A y Desde o n
Ot h l l
n W i ll you co m
e to bed y lord ?
D d m
H ve you p y d to ni ght Desde m
on ?
Ot h l l
n
D dm
lord
Ay
y
I fy
beth i nk yoursel f f ny cr i m
O t h ll
nil d
U n
yet to he ve n nd gr ce
Sol i c i t f i t str i ght
D d m
n Al s m
m
w
n
lord
h
t
do
e
by
th
t
?
y
y
Well do i t nd be br i e f; I wi ll w lk by
Ot h l l
I w uld n t k i ll thy u npre p red s pi ri t ;
No ; he ve n forfe nd I would n t k i ll thy soul
D d m
n T lk you fk i ll i ng ?
A y I do
Ot h l l
n
D dm
The nhe e n
H ve ercy n !
he
rt
A e n wi th l l
!
Ot h l l
y
i
n I fyou
w
n
i
so
I
ho
e
ll
k
ll
t
D d m
p y
y
a
nn
a
a
’
a
a
,
,
o
a
,
a
a
a
a
a
’
as
a a
ar e
a
,
,
m
a
,
.
e
o
e
es
o
o
o
es
o
o
r e co
,
a
’
o
a
,
,
es
a
ou
a
a
a
a
o
e
o
o
,
a
a
e
e
a
a
,
,
o
es
a
.
.
a
.
.
o
a
as
a
a
,
o
a
o
.
-
ou
c
e
ra
m
m
m
a
,
,
.
e
’
.
.
or
es
s
a
a
a
a.
.
e
e
.
,
s
.
e
e
a
,
a
’
:
er .
ss
.
e
.
’
e
o
a
e
.
m
a
e
ar
es
.
a
.
.
o
a
,
.
.
m m m
m
m
m
m yet I e r you you t l the
your eyes roll so
I should e r I k o
e
o
a
o
e
o
av
.
e
es e
o
a
sa
.
a
a
,
.
ou
,
o
O t h el l o H u
D e sde o na And
e
.
.
fo r
fa
n
fa
: why
in g i in
n w no t , b u t y e t
fel
in
Ot he l l o T i n o n
T
D esde o na
ar e
a
O t he l l o A y , a nd fo r
i
.
Whe
S ce u lt ess I k o
h k thy s s
m
m
.
.
.
D es de
o
na
.
ar e
fa
a
n
n w no t ,
I e I fe r
a
.
.
hey loves I be r to y
th t thou d est
Th t de th u nn tur l th t k i lls f l ov i ng
a
ou
.
a
a
’
s
a
a
a
or
.
.
TI I E AI O OR OF
O TH E L L O,
1 38
VEAVI CE
.
l s why gn w you so your nether l i p ?
So m
e bloody p ss i o n sh kes your very fr e
These porte nts but yet I hope I hope
They do n t po i nt nm
Pe ce nd be st i ll
D dm
n I wi ll
Wh t the m
tter ?
Ot h l l
Th t h nd kerch i e fwh i c h I so l d nd g ve t hee
Thou g t t C ss i o
D d m
n
No by y l i fe nd soul !
Se nd f the m
n nd k h i m
Ot h l l
S weet soul t ke heed
T ke heed fpe jury ; thou t n thy de th bed
n A y but n t yet to d i
D d
Y
rese
tly
n
p
There fore co nfess th freely ft hy i n
For to de ny e ch t i cle wi t h th
C nnot re m
ove n choke the s ro ng co nce pt i o n
Th t I do gro n wi th l Thou t to di
D d m
n T he n Lord h ve m
ercy n m
!
I y en
D d m
n A nd h ve you m
ercy too ! I never d i d
fe nd you i n y l i f ; never l
Of
d C ss i o
But wi th such ge ner l w rr nty fhe ve n
i ght love ; I never g ve h i m
toke n
A I m
By he ve n I w mh ndkerch i e fi n h nd
Ot h l l
n! thou dost sto n m
he
rt
d wo m
0p j
y
c ll wh t I i nte nd to do
k t
A nd
urther wh i ch I thou ght s cri fice
A m
I w the h ndkerch i e f
n
He fo nd i t the n;
D d m
I never g ve i t hi se nd f hi h i ther ;
co nfess truth
L t hi m
He h th nf d
Ot h l l
n Wh t
lord
D d m
?
y
Th t he h th us d th
Ot h l l
A
a
a
,
a
a
a
ar e
,
o
o
e
o a
e
o
e
so
.
a
.
’
av s
es e
o
a
5
a
m
.
,
a
,
as
’
a
r
ar
o
a
e
,
.
.
e s,
ee
o
ar
a
a
oa
t
a
a
es
o
e
es
o
e
a
a
ar
.
e
a
.
.
m
o
ov
e
a
’
a
o
a
e
s
es
o
e
a
m
m
a
:
a
e
e
es
o
.
o
e
e
o
a
.
a
a
a
,
a
.
m
u
or
.
a
.
5
a
a
.
.
’
e
a
a
.
.
y
,
sa
m
a
a
’
a
sa
,
mm
e r ur
’
,
a
a
a
.
e
a
s
o
.
sa
a
e
:
s
or
a
50
-
a
o
,
.
a
.
,
m
o
a
a
.
o
es e
a
.
.
a
o
’
a
ov
a
or
e
,
a
o
a
,
.
a
es
m
a
co
,
a
’
ee
.
e ss
’
.
a
.
O TH EL L O,
1 40
TH E M OOR OF
VE N I CE
.
I th i nk she st i rs g i n
Wh t best to do ?
f
I fshe co e i n she 11 sure s pe k to m
i
w
y
i
M y wi fe !
w
i
f
n
i
f
e
h
e
I
h
ve
w
e
f
!
w
t
w
?
y
0 i nsu pport ble ! 0 he vy hour !
Meth i nks i t should be n w huge ecl i pse
oo n nd th t the ffri ghted globe
O f n nd m
Should y wn t lter t i o n
Em
t
n
h
i li
i
I
do
beseech
you
W
i
]
[
Th t I m
m
s
e
k
w
th
you
ood
lord
i
0
g
y
y p
Ot h l l
I h d forgot thee 0 o m
e i n E ili
So ft ; by nd by L t the curt i ns dr w
n
l
h
Where t thou ?
k
U
t
[
E nt
EM L
Wh t the tter wi th thee n w ?
n
!
ood
lord
yo
n
der
f
oul
urther
do
e
Em
i li
O
y g
Wh t n w ?
Ot h l l
But n w y lord
i li
Em
It i the very error fthe oo n;
Ot h l l
She co s m
ore ne rer e rth th n she w wo nt
nm
kes m
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i li
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lord
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k
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t
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g
C l l d R o der i go
R oder i go ki l l d
Ot h ll
A nd C ss i o k i l l d !
No C ss i o i n t k i l l d
Not C ss i o ki l l d the n urther
ftu ne
Ot h l l
t
And s weet reve nge gro ws h rsh
n O f lsely f lsely
D d m
d
th
A l s wh t cry i t h t
Th t ! wh t
Ot h l l
Em
i li
l
dy
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vo
ce
O t nd l s ! th t w
i
y
—
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i str ss s pe k !
o n ! 0 s weet m
S w t Desde m
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n A g i ltles de th I d i
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S CEN E I I
A CT V
h t do e th s deed
m
ysel F re ell
m Nobody I m
om
m
e d mto mk d lord
r ell
Why
sh uld she be m
ls
k o
m
You he rd her
hersel
I
She s d so I m
ust eeds re ort the truth
m She
l ke l r o e to bur
hell
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n
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D es de o na
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I th t ki ll d her
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.
el
ng
s he ,
you the bl cker dev i l
She t nd to folly nd she w whore
Ot h ll
i li
T hou dost bel i e h
Em
dev i l
nd thou t
She w f lse w ter
Ot h l l
Thou t r sh fire to
Th t she w f lse 0 she w he ve nly tr e
Ot h ll
O I were d m
nd be ne th l l de p th i n hell
B t th t I d i d proceed u po nj st grou nds
T th i s e tre m
i ty
Thy husb nd k ne w i t l l
Em
i li
My husb nd !
Ot h l l
T hy husb nd
i l a T h t she w
Em
f lse to wedlock ?
Ot h l l
A y wi t h C s i o
N y h d she bee ntru
I fhe ve n would m
ke such nother worl d
O f n e nt i re nd per fec t chrysol i te
I d n t h v sold her f i t
Em
ili
My h sb nd !
Ay t w
he th t told first ;
A n ho nest
n he i
nd h tes the sl i e
Th t st i cks n filthy deeds
E il
My husb nd !
Ot h l l
Wh t needs th i s i ter nce wo m
thy
n? I
y
husb nd
i li
Em
O m
i stress v i ll ny h th
de m
ocks wi th love !
M y husb nd y th t she w f lse !
A nd
a
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ur
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O
H
E
M
OR
0
1
VEN 1 CE
T
O TH EL L O,
143
m
.
He wo
I y thy h sb nd dost nderst nd the word ?
My fr i e nd thy husb nd ho nest ho nest I go
m
i
i
i
h
n
so
er
c
ous
soul
Em
i li
I f he
p
y
y
R t h l f gr i n d y ! he l i es to the he rt ;
She w too fo nd fher m
ost filthy b rg i n
Ot he l l o
u
sa
a
o
a
,
a
m
O t he l l o
E i lia
Ha
Do
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n
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,
.
.
thy worst ;
Th i s d ed fth i ne i n ore worthy he ve n
Th n tho w s t worthy h
Pe ce you were best
Ot h l l
Thou h s t n t h l fth t po wer to d
h r
i li
Em
A I h ve to be hurt
O gull ! O dolt !
d i rt ! thou h st do ne deed
A i gnor nt
ke thee k no wn
I c re n t f thy s word ; I 11 m
—
Though I lost t we nty l i ve Hel p ! hel p ho ! hel p !
i
The Moor h th k i l l d m
stress
Murther
urther
!
!
y
E nt
M NT N G T N I
nd t h
M nt n Wh t i the
tter H w n w ge ner l
w
Em
ili
n
co
e
I
o
you
h
ve
do
e
ell
m
O
g
y
Th t n ust l y the i r urthers nyour neck
G t i n Wh t i the
tter ?
mn;
i li
Em
D i s prove th i s i ll i n i fthou be st
H s ys tho t l d t hi
th t hi wi fe w f l e
I k no w tho d i dst n t thou t n t such v i ll i n;
S pe k f y he rt i full
I g
wh t I thou gh t
I told hi m
ore
nd told n
Th nwh t he fou nd h i m
sel fw pt nd true
Em
ili
But di d you ever tell hi she w f lse ?
I g
I di d
Em
i li
You told l i n o di ous d ned l i ;
l
U po n m
i
i
i
soul
cked
w
l
!
y
—
She f lse wi th C ss i o di d you y wi th C ss i o ?
I g
Wi th C ss i o i stress G to ch r m
your to ng e
.
s
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O TH ELL O,
1 44
Whi ch
TH E M O OR
VEN I CE
OF
.
I first g ve her I w i t i nh i h nd ;
It w h ndkerch i e f n nt i que toke n
My f ther g v m
other
m
y
i li
nl po wers !
O he v n O h
Em
I g
C o e hold your p e ce
i li
1 wi ll out t wi ll out
Em
No I wi ll s pe k l i ber l t h north
ll
n nd dev i ls let the
L t he ve n nd
A l l l l cry sh mg i nst
yet I 11 s pe k
ho e
I g Be wi se nd g t y
I wi ll n t
E i li
a
as a
a
a
,
a
o
m
.
a
.
e av e
e
"
a
v
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sa
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ce
p
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‘
a
,
.
m m m
m
m
m
m
W
[
F
Your s ord u o
om
m tho dull Moor th t h dkerch e
I ou d by ortu e
ve mhusb d
For o e th so me r e t ess
More h
deed
to such tr fle
mto ste l
as
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to
st a b
G r a t i a na
ie
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of
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l
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ll nous whore
ili
Em
S h gi ve i t C ss i o ! n
l s I fou nd i t
A nd I d i d gi ve t
husb
d
n
y
F i lth thou l i est
Em
ili
By he ve n I do n t I do n t ge ntle m
en
th
O m
co co b ! wh t should such foo l
D wi th so good
e?
wi f
Ot h l l
A
there n sto nes i n he ve n
But wh t serve f the thu nder P rec i ous v i ll i n
a
m
e
.
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a
e ro us
ur
a
o, a a
a
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beh i nd, s t a bs E
I ago , fr o
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m lls sure he h th
mby mm
stress s de
an f
a
G r a t i a na T he w
E i l i a A y , ay
0, l ay
G r a t i a na
s g n,
’
M o nt a na T i s a n
i
.
m
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or
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e
[
a
o
;
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o e but h i
otor ous v i ll
s
y
wi f
e
ai
n
.
s
nd
ex i t .
e
k i l l d hi s wi f
i
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i li a,
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m
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.
ki l l d
’
.
T ke you th i s we po n
a
a
,
S CEN E I I
A CT V
m
.
Wh i ch
[4 5
.
I h ve here
d fro
the Moor
e gu rd the door wi thout ; let h i m
Com
n t p ss
But k i ll hi m
r ther I l l fter th t s m
e v i ll i n
n
t
n
n
n
For t i d m
ned sl ve
E
M
t
d
G
[
n t v l i nt ne i ther
I m
Ot h ll
B t every pu ny wh i pster gets m
s
ord
w
y
But why should ho nour outl i ve ho nesty ?
r e co v e r
a
’
.
a
,
’
a
’
s a
o
e
a
o
a
.
a
a
a
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x eu
.
a
.
o
o
,
r at i a
a a
a
a
a
u
,
no
.
.
m
Le t i t go
E ilia
al l
.
Wh t di d thy so ng bode l dy ?
H rk c nst thou he r ? I wi ll pl y the s w n
A nd d i i n m
us i c [S i ngi ng] Wi l l w w i l l w w i l l w
Moor she w c h ste ; h loved thee cruel M oor ;
So co m
e y l to bl i ss I spe k tru e
So s pe k i ng
I th i nk I di I di
I h ve nother we po n i n th i s ch m
ber ;
Ot h l l
It i s word fS p i n the i brook s te m
er
p
0 here i t i
ust co e forth
U ncle I m
G t i n [Wi t h i n] I f thou
i
i
w
tte m
t
t
ll
cost
thee
t
i
p
de r ;
Thou h st n we po n nd perforce st su ffer
L ook i n po n m
Ot h l l
the n nd s pe k wi th m
Or n ked I
I wi ll ss ult thee
nt G T N
R
G t i n Wh t i the m
tter ?
Ot h l l
Behold I h ve we po n;
A better never di d i tsel fsust i n
U po n sold i er s th i gh I h ve see n the d y
Th t wi th th i s l i ttle
nd th i s good s word
I h ve m
de m
throu
h
ore
ed
e
ts
w
m
i
m
i
m
n
y
y
g
p
Th n t we nty t i m
es your stop But O v i n bo st
Wh
n co ntrol h i f te ? t i n t so n w
B n t fr i d thou gh y
do see mw p nd
n
n
Here i m
jour
ey
s
here
butt
d
i
m
y
y
A nd v ry
mrk fm
ut
ost
s
l
m
i
y
a
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,
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a
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er
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:
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TH E M O OR OF
O TH EL L O,
1 46
VEN 1 CE
you g b ck d i s m
y d t i lost fe r ;
but r sh g i nst O thello s br st
—
A nd he ret i re
Where should O th llo g
N w h w dost tho look n w ? 0 i ll t
d we nch !
P le
thy s m
ock ! whe n w sh ll m
eet t co m
t
p
T h i s l ook fth i ne wi ll hurl m
soul
f
ro
he
ve
m
n
y
A nd fie nds wi ll s n tch t i t
rl
i
C old cold
y g
E e n l i ke thy ch st i ty
O cursed cursed sl ve
Wh i p mye dev i ls
Fro m
the possess i o n fth i s he ve nly s i ght !
Blo w
bout i nw i nds ! ro st mi n sul phur !
W sh mi nstee p do wngul fs fl i qu i d fire !
0 Desde m
o n ! Desde m
o n ! de d !
Do
M an
o
a
a
a
’
a
u
’
?
s a
a
’
a
ea
s
o
a
,
o ?
e
o
,
.
-s a r r
o
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e
as
a
a
O
a
a
v
.
m
,
,
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,
e,
,
m
o
a
e a
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e
-
e
a
,
a
a
,
’
o
a
a
a
Oh ! Oh ! O h !
M NT N C
i d in
fi c rs w i t h I
i
n
Of
p
Wh re i th i s r sh nd m
L d i
ost u nfortu n te m
n?
Th t
b th t w
O t h ll
O the l lo ; here I m
Where i th t v i per ? br i ng the v i ll i n forth
L d i
I look do wn tow rds hi feet ; but th t
f ble
Ot h ll
devi l I c nnot k i ll thee [W nd I g
I fth t thou be st
Wre nch hi sword fro m
L d i
hi m
I bleed i but n t k i l l d
I m
I d h ve the l i v ;
n t sorry ne i the
Ot h l l
For i n y se nse t i h ppi ness to d i
L d i
O thou O th llo th t wert o n e so good
ned sl ve
F lle ni nthe pr ct i ce f d m
Wh t sh ll be s i d to thee
Why ny th i ng
urtherer i fyou wi l l ;
A n ho nour ble m
For n ught I d i d i n h te but l l i n ho nour
Th i s wr tch h th p rt nf d h i i ll ny
L d i
D i d you nd h co nse nt i n C ss i o s de th ?
Ent e r LO
D
O V I CO ,
O
O,
A
e
o
o v co
e
o
o
o v co
e
o
ov
,
co
e
a
s
a
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.
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,
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s a
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a
s
r :
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r so
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as
,
.
.
o v co
AGO ,
a
m
o
ca r r e
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.
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.
A SS I O
a
,
a
.
co
a
a
’
e ss
a
’
s v
a
.
.
O TH ELL O,
148
TH E M O OR
VEN I CE
OF
ter lo ng see m
i ng de d I go h urt h i m
I go set hi n
L d i
You ust fors ke th i s roo mnd g wi th
mnd i t ke n ff
Yo r po wer nd your o m
A nd C ss i o rules i n C ypru
For th i s sl ve
I fthere be ny cu nni ng cruelty
Th t
n tor e nt h i much nd hold h i m
lo ng
I t sh ll be h i
You sh ll close pri so ner rest
Ti ll th t the n ture fyour f ult be k no wn
—
V
i
To the e net n st t Co m
e br i ng hi mw y
Ot h l l
Soft you ; word or t w be for you g
I h ve do ne the st te so m
e s rv i ce nd they k now t
N m
ore fth t I pr y you i nyour letters
Whe n you sh ll these u nlucky deeds r l t
i
n
S pe k fm I m
n
oth
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te
u
te
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g
Nor set do wn ught i n l i ce ; the n m
ust you s pe k
O f n th t l
d n t wi sely but too well ;
O f n n t e si ly je lous but be i ng wro ght
P pl
tre m
e ; f n whose h nd
d i n the
Li ke the b se I nd i n t h re w
e
rl
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w
p
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A l b i t u nused to the m
el t i ng m
ood
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f st
the A r b i n trees
T he i r m
ed i c i n ble g mSet you do wnth i s
i
A nd
bes
des
th
t
i
A
le
o
o
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ce
n
pp
y
Where
l i gn nt nd turb nd T urk
B e t V e net i n nd t d d the st te
I took by the thro t the c i rcu m
c i sed d g
t
A nd s m
ote hi mthus
hi
m
i
S
b
h
[
[ d 2 O bloody per i od !
s poke i m d
A ll th t
G ti n
I k i d the ere I k i l l d thee n w y but th i s
Ot h l l
ysel f to di u po n k i ss [F ll n t h b d nd di
K i ll i ng m
T h i s d i d I fe r but t ho ght he h d n we pon;
C
i
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he w gre t fhe rt
m
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a
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.
A CT
S CEN E 1 1
V
.
1 49
.
S p rt n d g
More fell th
u sh hu er or t h
!
Look n the tr gi c lo d i ng fth i s bed ;
T h i s i thy work the objec t po i so ns s i ght ;
L t i t be h i d
G r t i no kee p the house
A nd se i e po n the fortu nes fthe Moor
For they succeed nyou T you lord governor
R em
i ns the ce nsure f th i s hell i sh v i ll i n
Th ti m
e the pl ce the torture ; 0 e nforc i t !
Mys l fwi ll str i ght bo rd nd to t h st te
Th i s he vy t wi t h he vy he rt rel t
L o do v i co
.
o I ago
T
O
]
[
n
i
a n an
,
g
g
a
a
o
s
a
,
a
o
e
se a
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:
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a
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a
,
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E
e un
x
t
[
.
VI EW O F CERTN I ,
C
YPR U S.
A B B R EV I A T I O N S U S ED I N T H E N O T ES
m
m
A b bo t t s S ha ke spe a r i a n Gr a
Abbo t t ( o r
a r ( t h i r d e di t i o n
)
A S Ang o Saxo n
A V A u t ho ri z e d Ve r s i o no ft he
ib e
on
t and
an
e t ch e r
d F ,
e au
J , Be nJ o ns o n
”
Ca b r i dge e di t i o n o fS ha h e spe a r e , e di t e d b y Clar k and
Ca b cd ,
Cf (co n
fe r ), co par e
’
Cl ar k e ,
Cas s e ll s I l u st r at e d Shak e s pe ar e ,
e d i t e d b y Char l e s an
d
Cl ar k e ( o ndo n, n
COIL, Co i e r ( se co nd e di t i o n)
us cr i pt Co r r e ct i o n
Co l M S ,
an
s o fS e co n
d o i o , e di t e d by Co l i e r
D ,
d e d i t i o n)
ce ( se co n
H H u ds o n ( fir s t e di t i o n)
I d ( i de ) , t h e sa e
K , Kni gh t ( se co nd e di t i o n)
N ar e s, Gl o ss a ry , e di t e d b y H a i we l and
r i ght ( o n
do n, 1 8
P r o o g ue
Pr o
S , S hak e s pe ar e
’
t
S ch i d , A S ch i dt s S ha k e spe a r e -L e x i co n ( Be r n
a,
S r , S i nge r
S t , S t a u nt o n
he o
h e o bal d
V , V e r p anck
W , hi t e
.
B
B
l
.
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m
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Cr i t i ca l Ex a
m
i na t i o n of t he
f
o
S ha ke spe a r
e
,
.
ur t o
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ar
,
i ct i o ar
’
i ct i o
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e
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o re
Si d
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r e v se d
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m
ar
qu ar t o
qu ar t o
e di t i o
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)
no f
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ll
y
ly
u nde r s t o o d ; as
T he abb r e v i at i o ns o ft he na e s o fS hak e spe ar e s Pl a s wi b e r e adi
T N fo r Twe ty t h N i ght , Co r fo r Co r i o la nu s , 3 H e n VI fo r The Th i r d P a r t ofK i ng
V a nd A t o Ve nus
H e nr y t he S i x t h , e t c P P r e f
a t e P i lg r i
e rs t o The P as s i o n
’
an
d A do ni s L C t o L o v e r s Co pl a i nt ; and S o nn t o t h e S o nne t s
.
.
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.
W
l
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.
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m
m
m
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yi
h e n t he abbr e v i at i o n o f t he na e o f a pl a
’
t
e an
R o fe s e di t i o n o f t h e pl a i s
T he nu be r s o f t he i ne s ( e xce pt fo r Ot he l l o )
’
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m
l
l
y
.
s
l
m
fo l o we d by
.
a
.
.
ar e
.
t h o s e o f t he
re f
e re
l
nce
G o be
to
pag e ,
e d. o r
of
O T ES
G EN ER A L O I?
T
V EN I CE, I N
A CT I
.
IM E OF
WAR
.
.
D R A M AT I S PER SO N l E — N o t h i ng o ft h e k i nd i s gi v e n i n t he
b u t a t t he e nd o ft h e p a i n t h e I s t fo i o we fi nd t h e fo o w i ng
ly
l
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ly
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T h e o n o t he r p l a
T G of V . M / ar M .
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.
l
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i n t h e fo i o t o whi ch s i i l ar i s t s
W T , 2 H e n I V and T of A
s
.
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,
.
.
ll
ar e
appe
nd e d
q
ar e
u ar t o
Te
;
m
pe
1 54
N O TES
m
e s o ft he
T he N a
ll
Act o r s
m
m
m
V
.
S ay /o r e
Cl o w ne
.
.
D e s de
.
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.
m
.
o
na ”fife
.
l
m
M o nt ano , Gou e r no u r of Cy pr u s
Ge nt l e e n of Cy pr
Lo d o u i co , a nd G r at i ano , t w o no bl e
.
O t he o , t /z e Al o o fe
Br ab ant i o , F a t /r e f t o D e sde o n
a
C ass i o , a n H o no ur abl e Li e u t e na nt
i l l a i ne
I ago , a
’
R o d o r i go , a gu l l d Ge nt l e a n
D u ke of Ve ni ce
.
.
Bi a nca,
m
'
C
a
t o Ot /z e l l o
,
'
m
m
.
t ez a n
.
l
S C EN E I
T he r e pub i c o fV e ni ce b e ca e t he v i r t ua s o v e r e i gns o f
C pr u s i n 1 4 7 1 ; w he n t he s t at e as s u e d t he gu ar di ans hi p o f t he s o n
o fC a t h ar i n
e Co r n
ar o , w h o h ad
a r r i e d t he i e gi t i
at e s o n o f o h n I I I
an
d, b e i ng e ft a w i d o w, wa nt e d t h e pr o t e ct i o n o f t he s t at e
o f L u s i gn
, an
ai n
d h ad us u r pe d T he i s a nd was
to
t ai nt he po we r whi ch he r h u s b an
e d by V e n
e t i a n t r o o ps
C a t har i ne i n 1 4 89 abd i ca t e d
t he n r s t gar r i s o n
i n fav o ur o f t he r e pu b i c
t
C pr us was r e t ai ne d b t h e
t he s o v e r e i gn
1 570, w he n i t w as i n
v ade d b y a po we r f
u
V e ne t i ans t i
T u r k i s h o r ce ,
na
i ni o n o f S e i
s u b e ct e d t o t he d o
I I i n 1 57 1
an
d was
Fr o
o r
e d a par t o f t he T u r ki s h e
t hat pe r i o d i t h as f
Le i ko s i a , t h e
pi r e
i nand capi t a o f t he i s and, was t ak e n b y s t o r
; a nd F a agu s t a, t h e
e
f
t
n
r
a
e
a
o
t
a
i
t
u
t
a
e
r
a
o
r
n
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a
s
c
d
a
n
a
n
t
f
e
n
i
d
c
a
d
e
c
t
i
s
e
I
,
p
p
g
p
g
p
o r e t h at we
us t r e f
ze l l o t o a
t t he r e f
e r t h e act i o no f Ot /
e v i de n
pe r i o d b e
The o ca i t y o ft he s ce ne s
fo r e t h e s u b ugat i o no fC pr us b y t h e T u r k s
— a
at F a
ag u s t a, w h i ch wa s s t r o n
u s t b e p ace
f
r
i
fi
af
t e r act i
o
t
e
d
g
‘
us t
h a v e k no wn whe n ( i i i 2 3) he w r o t e
fact w hi ch S hak e s pe ar e
I
’
w i b e w a ki ng o n t h e w o r ks
’
V e ce l l i o s Ha bi t ; A i e /i i , 1 590 a nd r e ppe
T he cu t o n p 1 53 i s fr o
t i ca d r e s s wo r nb y Pr i nce V e n
se n
t s t he i de n
ad e ge n
i e r o , whe nhe was
e r a at t h e t i
e o ft he T ur k i s h war , i n 1 70
o
f
V
h
e
t
h
e
n
T
r
a
e
e
e
n
e
g
5
at i o n h e
t i anf
o r ce s , t o w hat e v e r n
i gh t t r ace h i s b i r t h ( and i t w as a w ay s
’
‘
r
or e
n
o was se e ct e d f
h
af
e
w
u
s
s
o
r
t
h
a
t
s
u
o
v
s
s
a
a
i
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f
fi
c
e
a
P
o
s
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e
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ll
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y
p
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u i ar
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s
h
a
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n
t
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d
e
d
o
s
s
u
e
o
f
a
y
,
p
g
h ab i t , co ns i s t i ng o fa fu go wn o fcr i s o nv e v e t w i t h o o s e s e e v e s o v e r
w h i ch w as w o r n a
t e o fc o t h o fgo d, b u t t o ne d u po n t he r i gh t s h o u l
an
t he
d
s o n v e v e t , an
de r wi t h
a p w as o f cr i
s
h
as s
n
T
e
c
o
d
b
u
t
t
o
g
b at o no fo f
fi ce was o fs i v e r , e ns i gne d w i t h t he w i nge d i o no f S t M ar k
’
A no t he r po r t r ai t o fPr i nce V e ni e r o ( s e e p 1 31 ab o v e ) i nt he H a bz t i d
i nar o u r b u t s t i w e ar
fl u o i ni e D o nne Ve ne t i a ne , 1 609 , r e pr e s e nt s h i
O t he o s pe ak s
i ng t he
an
t e an
d b e ar i ng t h e b at o n a r e ady de s cr i be d
“
ur
a
r
o
h
w
o
r
t
h
e
o f hi s
u
a
t
e
i
o
n
d
o
f
o
r
s
i
n
e
he
a
c
e
n
c
i
( 3
o f t h e pe r i o d, w hi ch w as
u ch t he s a
e t h r o u gho u t C h r i s t i an Eu r o pe
E
"
1
T ux/z
O i t t e d i nt he fo l i o s
y
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fi
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he r e t hat w e do no t pr o po s e t o gi v e a l l t he i t t e d i fie r e nce s be
o r s ha
we i nal l case s s t at e o ur r e aso ns fo r ch o o si ng
o ios : n
t w e e n t h e q ua r t o s a d t he f
cu no us
t
h
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o
s
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ay
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1
N O TES
6
5
m
l
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l
B e -l e e d
P ace d o n t he l e e , o r i n a po s i t i o n u nfa v o u r ab e t o t he
’
”
r
f
w i nd ( S ch i dt )
Th e fo i o h as
r
wh i ch
e
s
to
C h r i s t e nd,
e
p
Cb r i st i a n
r e at i se s o n
1
D
t
i
o f ce r t a i n an
i
en
t
e bi t o r a n
cr edi t o r
T
h
t
e
c
t
d
e
3
u
i
e
a
r
e
n
k
e
e
n
h
e
r
s
n
i
n
a
S
o
c
t
e
r
cas
t
e
r
i
e
u
C
o
e
d
a
s
a
c
k
k
s
bo o k
;
)
(
p g
t
us f
n
t
h
r
k
o
n
rs
u
o
n
w
o
s
te
a
n
a
c
u
n
o
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e
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b
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o
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n
e
f
o
t
o
r
c
o
a
t
C
co n
,
p
y
i t s u s u p t h o u s ands
b v 4 1 74
O t he ch ar i t o fa pe nn co r d
Cy
’
i na t r i ce : y o u h av e no t r u e de bi t o r and cr e d i t o r b u t i t
o fw h a t s pas t ,
i s , and t o co e , t he di s ch ar ge ; o ur ne ck , s i r , i s pe n, bo o k , a nd co u n
”
te rs
S e e a s o A Y L p 1 64
o d e r ne ds pu t a pe r i o d a f
t e r cr e di t o r
T he fo i o s and s o e
rk !
n
o
l
s
/
z
a
o
e
e
1
o
G
d
b
es
t
e
V
1
8
r
R
a
d
1
h
S
1
1
86
T
e
,
33
f p 3
7 p
fo i o o i t s Go d
A nci e nt
Ens i gn S e e H e n V p 1 54
“
at i o n
t
h
et t e r
n
d
b
e
r
6
L
e
s
e
t
c
i
d
t
a
r
R
e
co
S
C
k e s ug
)
(
3
y
t
o
r di n t o t h e
e
s
t
s
h
a
t
i
a
t
r
h
i
i
t
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cc
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o
f
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r
o
r
a
a
s
e
e
o
in
g
g
p
y
a cco r da n
k no w e dge and pr e t e ns i o ns
ce w i t h t h e o r e t i ca
cf 1 7 o r 2 4
(
”
T he C o
a bo v e )
M S gi v e s fa v o u r
’
r
t
t
i
o
l
d
a
a
i
o
n
T
h
a
b
s
h
o
r
r
r
o
t
i
C
a
s
f
O
e
e
e
d
d
e
o
f
o
n
r
o
M
p
37
g
f
By co d gr ada t i o n ( t h a t i s , b y de i be r at e s t e ps )
M i v 3 1 04
’
n
A
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i n 7 C i v 1 1 9 fo l
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49 H o ne st kna v es
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“
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T o , and b y C ape t o
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I n pai no f o u r di s i k e , e t c
Gr 1 60
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1 42
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Cf i 2 1 7
”
“
be o w
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“
t he n
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b e ar i ng o ne o ft ho se di s t i nct i v e na e s , and e v e n s i gns , w hi ch i t was t he
”
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i n y b r e as t
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1 56 M o r e
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S e e G r 335
1 62
M a i d/ o d
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an
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w ha t fo o ws
1 60 P a ss i n
e nu se d adv e r b i a
ut o n
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by S t e e v e n
o de r n r e ad e r b e h ur t he r e a n
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1 63 H e r
T hat i s , fo r he r ; t ho u gh s o e t ak e i t t o
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T he fo r e r e xp a n
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1 73 Ta ke up, e t c
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1 65
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o t e o n 1] i t pl e a s c y o u
o r M of V p 1 34 , n
S e c III qf V p 1 32 , no t e o n I h ad r a t h e r t o be
1 9 1 [l a d r a t he r t o
a r r i ed
1 94
Wh i ch , e t c T hi s i ne i s o i t t e d i nt he l s t q uar t o
“
fo r t he s ak e o f t he
H a n e r r e a ds A nd fo r o u r
1 9 5 Fo r y o u r
e as u r e
C f G r 4 84
ay h av e t he s e n
se o f
sa
1 9 7 Es cape
C a r k e t hi nk s t he w o r d
,
”
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199
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H e n I V i i i 1 2 64 :
T i s t he ne x t way t o t u r n t a i l o r , e t c
Fo r ne w
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t he
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2 1 3 The fr e e co fo r t , e t c
T he gr at u i t o u s s e nt i e nt s o f co ns o a
”
t i o nw h i ch he h e ar s d e i v e r e d t o ge t he r wi t h t he se nt e nce
( C ar k e )
2 19
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P i e r ce d
C f Ill of V v 1 6 7
Wit h
’
s we e t e s t t o uche s p i e r ce
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5
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;
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”
be s e e ch y o u, pr o ce e d t o t he affa i r s o fs t at e
hav e I h u b
’
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2 2 2 F o r t i t u de
S t r e ngt h
h i s o w n ar
C f 1 H e n VI i i 1 1 7
s
”
fo r t i t ude
A l l ow ed
A ck no w e dge d ; as i n H e n VI I I
22 4
A nd o n
4
’
”
a l l o w d,
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e tc
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Cf
i n 1 07 ab o v e
225
M o r e s afi r
o r e wi de r
a s o Te p i 2
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etc
o r e be t t e r ,
2 2 6 S l u bbe r
Su
S us e s t he wo r d o n he r e and i n i i i of V
, so i
i i 8 39
S u bb e r ( = s i ght , s u r o v e r ) no t b u s i ne s s fo r
b ut
y s ak e
we ha v e be s l u bbe r ( = da u b, s e ar ) i n 1 H e n I V i i 4 34 1
“
F o r t he
ch A do , i i i 2 6
e t a p ho r , cf M n
t ha t w o u d b e as gr e at a
”
s o i i nt he n
e w g o ss o f o ur
ar r i age ,
etc
an
d l i l acb i 7 34 :
W h i ch
”
s ho u d be wo r nn
o w i nt h e i r n
e we s t g o s s
”
“
“
”
2 29
Co u ch
T he q uar t o s ha v e
co o ch,
t he f
o i os
co ach
2 30
Th r i ce -dr i v e n
R e fe r r i ng t o t he s e e ct i o n o f t he fe at he r s b y
dr i v i ng w i t h a fan, t o s e pa r a t e t he i gh t fr o
t h e he av
n
o
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)
(
Ag ni z e
A ck no w e dge co nf
M a o ne qu o t e s A S u
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ar i e
R epo r t , e t c , 1 586 :
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N O TES
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H ar dne ss
har dne ss
H ar ds h i p ; as i n Cy b i i i 6 2 1
”
O fh ar di ne s s i s
o t he r
2 36
R efe r e nce
o we d b y 3d
o
A s s i gn e nt
T he i s t
u ar t o ( f
”
h
t
fo l i o s ) has
r e ue r e n
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4
Ex hi bi t i o n Pr o v i s i o n, a o wance ; as i n T G of V i 3 69
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24 7
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o n
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’
t o t he D u k e s
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fo r e he i s h e r e a bo d par t i s ano fa t r u t h, b u t y e t o fa t r u t h co nv e r t e d i nt o
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.
t
s
se
as s o s
e t
te
a
e
s
ce
e
’
o ss
,
a
ra s
o
e
er
e
a
e v se e u o
e xce
“
v
cr e a t o
er
ts to
e ar e a
s
s o
e
s
e
e
at
uc
v e st u r e
”
v e st e
er
t
t
,
ee
t e c r cu
u s
o st
e xce
t ur e s o
ov e o
ro u
at
a o, a
e
ur e
az o
t
t to
a
e
ex
e
o us
.
o
a
re
s rea
t to
t
ote
o u
ce t s ; as
at
ov era
as s o s r e
t
o e v e r at t e
res
t
us t
t
o
a
’
.
t
as
.
”
t,
e e ss e
cr e a t o
t
ut
a
.
sa e t
e
e e rs
e
o
:
t
a so
e s
co
ts o
2
.
as s o s
a
ee
ut
a e
o rtu
o st
re r, a
t
e
co
e
e r e ct
e
u s as t c a
t
e
et
,
t
t
e t e st a
e
'
u r
a
t
s a
at
s
e , as
r e s se s
e a r e ar e
.
re
ex
a
,
ot
ou
e r s ar e
s
a.
a o s
tor s
o s a
o
at
’
’
’
ss
’
a
e
at
t
’
t
,
e ar t e
ar
s
as s o
.
or
es
a, a
a
e st ,
o
s
es
e
v
o
e
as s o s
t
e
.
.
’
s
o
or
’
e
e
a
;
es
u e e ss
e ar t e
‘
es
e r, o
t
se r v e
e re
s
r a se
,
at e
a
re
e
.
ea
.
e s t r u ct v e .
,
ee
c
.
.
.
1
-
l
ac
e s
a
or
.
.
.
a
.
ta
’
m
g
s o e v ct r e ss ,
77
.
A do , i i
f
av e .
M as t e r
’
a
e sar s
c
.
.
e s ar
v
.
.
.
s
:
e
.
S e e A Y L p 1 77
W e hav e sev e n-ni ght i n M u ch
an
d PV TI i 2 1 7
I hav e no t t h e s a e s t do ub t t h at t he
F o r t hi s ab s u r di t
o f t he
R e v e s, and no t o u r po e t , i s a ns we r ab e
( M a o ne )
Se n
’
.
ta
s ca
ht
’
s.
.
.
.
l
.
.
y
.
.
.
.
mll
l
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.
A C T 11
m
m
l
S CEN E 1
.
73
1
.
y
F ar fr o
C a r ke r e ar ks
t hi n
k i ng t h at t h e r e i s e i t he r ab s u r di t
in
t he wo r d, o r t h at i t was a s ub s t i t u t i o nf
o r an o t h e r , we b e i e v e i t t o hav e
y
’
be e n t he a u t ho r s o wn w o r d, cha r act e r i s t i ca
u
i
n
t
t
o
a
s
s
i
C
o s
o ut h
p
T o t hi s day I t a i a ns us e
t h o o gi ca a d u r a t i o n
he r e
s i n co
o n
’
wi t h C hr i s t i an a ppe a s ; a nd i n S ha k e s pe a r e s t i e t he cus t o
was
”
o s t un
i v e r sal
al
U s e d b y S o n] h e r e ; b ut we h av e e x t i nct i n R i ch
i 3 1 1 8, ant e x t i nct u r e i nL C 2 94
1 1 i 3 2 2 2 a nd Li a
8 1 A nd br i ng , e t c
T h i s i ne i s fo u nd o ny i nt h e qu ar t o s
8 2 R i che s
S i ngu a r , as i n i i i 3 1 73 b e o w
C f S o nn 8 7 6 :
or
f
”
t ha t r i che s , e t c
Enco pass
86 E nw heel
G 1 44 0
D e s i r e , i nc i nat i o n; t he r e adi ng o f t s t qu ar t o
1 03 L i s t
T he f
o ios
”
”
“
“
d t he C o
MS
d a t e r u ar t o s ha v e
an
an
e av e ,
us t
1 06 Chi de s
S co ds
a s i n A Y L i i i 5 64, 6 5, e t c
1 1 0 S ai nt s i ny o u r I I I/ur i e s
S a nct i o ni o u s w he nd o i ng i nu r i e s
= hus s i e s
111
H o u se w i v e s
t
u
s
l
Of
t e n u s e d co n
te
o
C
v
u
f
i
1
8
p
7
y
be o w, a nd s e e H e n V p 1 83
Cr i t i ca l
1 18
e s at i r e ,
C e ns o r i o us ; as i n l l] N D v 1 54
so
k e e na nd cr i t i ca
b ut he h as cr i t i c i n t he
S us e s t he wo r d o n t w i ce
”
sa
se i n L L L i v
e se n
i
t
i
T
o
n
T
h
1
0
c
r
c
i
u
n
s
i
a
s
n
o
o
e
7
3
a l wa s z ce n
r e r , car e r
s
u
o
n
n
n
n
1
1
2
T
a
d C v 2 1 31 , e t c
a
s
i
S
1
0
,
p
y
“
no t
12 1 1 a
er ry , e t c
T he s t r ugg e o f co ur t e s i n D e s de o na
”
t o ab s t r act he r at t e nt i o n ( C o e r i dge )
n
o
t
o
n
i
2
e
e
L
d
1 2 5 B i r d/l i ne
F o r t he a u s i o n, s e e H a
,
p
33
e d a ga i n i n M W v
tion
1
en
6
P r i z e i s a co ar s e w o o e n c o t h,
4
5
i
k
u
e
e
T h e e xcus e s t u ck u po n y t o n
S t e e v e ns quo t e s The P u r i t a n
,
g
’
”
ar i n
s hi p pi t ch u po n a
e r s go w n
Wh i t e T he r e i s a p a o n w h i t e and w i ght ( S ch i dt ) ; and i n
1 32
e ss
t e nz wa n
t o nn
S e e o nv 2
1 35 u s t b e o w, o n
e o nfo l ly , wh i ch was o f
1 32 be l o w
d
1 37 F o n
F o o i s h as i n i 3 31 7 ab o v e
’
che e r d u p t h e he av y
Du
H e av y
C f K y al , i v 1 4 7
142
”
ti e, etc
e t hat , e t c
1 44 On
O ne wh o , i n t he co ns ci o u s ne s s o f he r o wn e r i t ,
dar e cha e nge t he t e s t i o n o f a i ce i t s e fi n he r b e h a f
e a cho i ce b i t f
r
o
n
e
t
s ( G r 2 8 1 ) t o ch an
o
s
s
e
e
e
c
A
1 53 To ch a n
,
g
g
’
Ite ,
S t e e v e ns ci t e s Qu e e n El i z abe t h s H o us e ho l d B oo h
e st e e
ed
’
”
o ns t a i l e s
e e al l t h e s a
t he M as t e r C o o ke s h av e t o f
T hi s i ne i s no t i n t he 1 s t q ua r t o
1 55 S ee su i t o r s, e t c
i
t
o
h
x
a
n
d
a
d
b
o
t
s
s
r
e
D
e
C
a
e
1 56 Wzgh t
f
O r i gi nal ly = pe r s o n
,
pp
y
’
to n
Ely s
, M u se s
’
an
t s l o v d a ass
h e se s pr i ght
m
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C a l l d Li r o pe t e b r i gh t ;
I n t he w ho le wo r ld t he r e scar ce
”
S o de l i ca t e a w i gh t
’
.
.
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,
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was
l
o u s e ho d acco un
T hat i s , k e e p pe t t
ts
Ch r o ni cl e s a l l be e r
d l i be r al co u nse l l o r
C o ar s e a nd w ant o n t a ke r
Fo r
1 6 1 P r ofa ne a n
2
o r o a ue , cf 2 He n 1 V v 5 54
d
an
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8
p 5
/
1 58
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m
m ly
m mm
m
m
f
mW
W l
Ho
T hat i s , wi t h o u t r e se r v
’
s he l l t a x hi
29
ho e
( r e pr o v e hi
M o r 111 i v 3
o n l a y ho
e t o hi
”
1 63
.
o
e
.
.
.
C f fl an i i i 3
( S ch i d t )
Lo o k
so un
d ) Id iii 4 1 :
e
1 48 :
.
A ccus e hi
mm
ho
etc
e,
.
.
.
.
.
.
.
.
l
ll
.
e
a
nd
as i n i v 1 1 07 a n
d v 1 9 8 be o w
l do ne
F e t t e r , s ha ck e ; t he o n i ns t a nce o ft he v e r b i n S Cou r t
1 6 7 Gy v e
= co u r t e s ; as i n L L L v 2
o ur t
n
f
u
f
a
6
T
r
i
a
t
s
o
c
sh i
,
3
y
3
g
p
”
s h i p an
d o fs t a t e , e t c
P a t he fi ne ge nt e an F o r t h e i r o ni ca use , cf
1 7 1 P l ay t he s i r
“
t hi s g r e a t s i r
IV 7 3 i 2 2 1 2
Cy b i 1 1 66 :
T o dr a w u po n a n
O b r av e s i r
etc
e xi e
I t i s do u b t fu whe t he r t hi s r e f
e r s t o C ass i o o r De s d e
1 72
Co u r t e sy
se o fan act o fs a u t a t i o n was u s e d o f b o t h
on
a, as t he wo r d i n t he se n
s e xe s
S e e M u ch A d o, p 1 59 , no t e o n Co u r t e si e s and cf R qfL 1 338
”
T he h o e l y v i l l ai nco u r t s i e s t o he r l o w
t o t he
I n p a fu a us i o n t o he r hav i ng fo l o we d h i
Wi z r r i o r
1 78
wa r s and pe r haps De s de o na has t he pr e se nt addr e ss i n i nd i ni i i , 4
i
h
s t o s ho w t h at En
i
i
s gi v e s s u n
s
St e ev e n
dr
uo t a t i o n
1 50 be o w
g
i s t r e sse s war r i o r s
t a t o r s o ft he Fr e nch s o nn
e t e e r s o t e n ca e d t he i r
Ot he l l o do
( g u e r r i ér e s ) b u t , as S ch i dt r e ar k s , t he s e pas s age s fr o
no t p r o v e t hat S w as a o ng t he
“
Ex u i s i t e
t r u e t o s uch a nat u r e as D e sd e
My de a r Ot he l l o !
’
o r e wo r ds t h an t h i s s i
on
a s , he r h a v i n
p e e xc a at i o n i n
g no
w h i ch t o e x pr e s s he r fu -h e ar t e d ha ppi n
e s s ; whi e e u a
t r u e t o t he
’
r e as O t he l o s i s h i s g i v i n wa
t
t
at
f
uc
h
a
n
u
o
h
i
s
d
u
r
o
a
t
o
w
n
r
o
a
g
g
y
g
an
b u r s t o fe o qu e nt t e nde r n
e s s w hi ch de s cr i be s t he o v e r o w o f hi s
d e i g ht
( C a r ke )
H appi ne s s , j o y ; as i n 1 87 a nd 1 9 2 us t b e o w
Cf
1 79
Co nt e nt
1 65
e l l sa i
.
d
e
.
l
.
.
.
.
.
l
m
m
.
l
m
m
l
l
l
m
ml m
m m
m
l
lm
l q lly
.
m q
m
m
mq m
ly
m
ll
l
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ll
l
mly
fl
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l
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l
j
.
t hi s ni
To f
t e nt an
ai r co n
“
m
l
ml m
m
.
l
l y l ll
.
.
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’
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ht he de d i cat e s
y o u,
"
e t c.
ml
m
l
m
Set
le t
b u t , as M a o ne s ugge s t s , se t
C han e d b y Po pe t o
do w n t he pegs
a v e b e e n t he
u s i ca t e chni ca i t
av
o ft he t i
e
2 0 1 I l o i z ey
Se e R a nd 7 p 1 77, no t e o nH o ney nu r se
’
”
S t e e v e ns e x p a i ns w e l l de s i r d as
v i t at i o n
s,
b ut
u ch s o i ci t e d b y i n
“
=
i t s e e s t o b e s i pl y we l l b e o v e d, a fa v o u r i t e
O t he o adds , 1 ha v e
”
fo u nd gr e at o v e a o ngs t t he
2 03 Ou t offi zs h i o n
O u t o f co nv e nt i o na
e t ho d
( C l ar k e ) C f
H e n V i v 1 85
2 06 M as t e r
T ha t i s , t he capt a i n ( as we s t i
us e t he t e r
), no t t he
t
h
n
s
l
o
o
n
so
e
x
i
i
i
a
a
n
s
t
C f Te p i 1 2 , 8, 1 1 , 1 3, i i 2 48, v 1 99 ,
,
p
p
M a cb i 3 7, e t c
e n, e t c
2 1 1 B a se
T he i ns o e nt co nt e pt w i t h whi ch I ago t r e at s
R o de r i go , no t e v e n car i ng t o co nce a t h e d i s d ai nh e f
fe r i o r
o r hi s i n
ee s f
i t y o f i nt e e ct a nd we a k cr e du i t , i s o ne o ft he pe cu i ar i t i e s o f hi s t act
I t co o
e s h i s o wn s u pe r i o r i t
i n s wa i ng t h i s po o r d u pe
as s u
as a n
y
i nco nt r o v e r t i b e fact , w hi ch i po s e s u po n hi s v i ct i , and t a e s hi
i nt o
i
r
k
n
n
s
i
o
a
e
u
s
i
n
e
t
i
o
u
b
ss
C
un
)
g
(
q
2 1 2 A no bi l i ty , e t c
M a o ne u o t e s Ha
i v 5 161 :
N at u r e i s fine i n
19 7
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N O TES
76
1
m
i t i o ni s u i t e i n S hak e s pe ar e s
an
ne r
Fo r
’
h unt e r s t e r z che ck , ke e p ack s e e Te p p 1 1 3 I ago
e an
s
r e s t r ai n
i k e a ho u nd fo r h1s t o o i pat i e nt pu r s ui t o f
s R o de r i go
e r a l l y ado pt e d
T he
.
t r a s h,
t
a
mfi
ha t he
De s de
m
m
mm
.
o
na
’
r e pe t
.
l
.
.
,
.
l
.
F o r t he r s t t r a s h W ar b s ubs t i t u t e d br ach ( = a wo r t h e s s ho u nd ),
w hi ch C o
ado pt s
29 1
on
i
s re f
r s t o h i s pi ck i n
u
Th
e
a
r
r
i
The pu t t i n
a
e
w
t
h
C
o
ass
i
,
g q
g
“
d
e
o n
tin
o
f
s
a
u i ck h u n
D
no t t o hi s
e
g
A ter
i n w r e s t i ng,
hav e t he ad v an
2 9 2 O nt he h i p
e an
i ng t o
”
“
on
I fI ca n cat ch hi
ce u po nt he h i p
t age o f
C f h i of V i 3 4 7 :
”
N o w, i n de , I hav e y o u o n t he hi p
d 1 d i v 1 334 :
an
t he r a nh ga r b
I nt he co ar s e s t fas hi o n F o r ga r b, cf 11 a
11
"
i
s ga r b ,
etc
w
i
h
n
h
t
o
u
t
i
2 390 :
co
p ’
y
T he fu de s i gn o f k nav e r y i s ne v e r
2 99
I t na v e ry s pl ai nface , e t c
’
es f
o r i t s be i n pu t i n p r act i ce
t he
o
ti
en
t co
I
a
s
v i s i b e un
o
g
g
o
w
v
n
i
n
i
w
i
i
a
s
n
n
c
n
t
e
i
n
h
a
h
i
s
e
a
o
s
f
o
t
o
o
f
i
s
s
i
f
d
a
ce
t
o
n
o
c
,
p
p
g
an who s e pr i de o fi n
t e e ct i s
t ho s e o f a
s co u n
dr e i s , a r e t ho r o u gh
f
n
e
i
o
r a be au t
n
h
a
o
e
r
t
o
n
o
o
i
r
o
s
i
n
d
w
o
h
s
n
o
e
c
r
s
a l l -e n
a
d
,
p
p
g
g
g
‘
fo r d t o a o w t hat t he M o o r i s o fa fr e e and o pe n
H e can e v e n af
ni t y
’
’
‘
na t u r e , t hat he i s o f a co ns t ant , o v i ng, no b e na t u r e , e v e n t ho ugh he
hat e s hi , be caus e h e h o ds t he s e as v e r po o r and co nt e pt i b e char ac
i t s t he po s s i b i i t o fhi s hav i ng anadu t e r o us
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C p 1 29 ,
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I n al l t he se h i s t he o
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11 0
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ua r t o h as
S e e o n 1 1 5 a bo v e
1 49
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d u nce r t ai n o b s o r
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v at i o n
W ha t s t o co e i s s t i l u ns u r e , e t c
C f 7 1 I V i i 3 50
v e h ad i n
1 5 5 Go o d na
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b r e ns gr o u nde , o f
( A t h i ng no t v e r s t ab e )
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t ho ught
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1 66 Gr ee n ey e d
Cf M of V i i i 2 1 1 0 :
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w h i ch S ch i dt t hi nk s
C h ange d by H an e r t o
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He re
ach b e ar s t h e s e n
be r i g ht
C ar ke s a s :
s e o fd i s d ai n
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,
t e a r wr at h fu
fe e d i ng o n
e a o us , e v e n w hi e g r e e d i
, e v e n w hi e
d e v o u r i ng s cr a ps o fe v i de nce , a nd s t r a t o k e ns o fs u ppo s e d gu i t , b i t t e r
”
s co r n
s t he
an
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A fu r he r e , a d w i t h i a g i n d fo o d ,
H o l di ng no r e a gr o u d o w h i ch t o ra i se
b u i di ng o f s u s pi ci o s h e was e v e r
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w i t h F u r ne s s wh o s a s :
T he
Fo r o u r s e f
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o f e a o us y
t h e e a o us
a n w ho i s
o ck e d w i t h
fe e d s o n i s t he v i ct i
”
“
o ck s t h e
C f H u nt e r :
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ha v e go t i nt o t h e i r po we r
t r i b e s po r t w i t h t h e pr e
T he ca t
”
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i s g u e n ey e ct
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o n
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st e r
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y
”
b e h i s cr e d u o u s v i ct i , t h a t i s , t he e a o u s
an
”
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un
l
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1 70 S t r o n
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fo nd
M a o ne u o t e s D o r as t u s a na F i ne/ni t : ( t he
1 72
P o o r a nd co nt e nt , e t c
W e a r e r i ch, i n t h a t we ar e
no v e o n w hi ch IV 7 1 i s fo u nde d) , 1 59 2
”
t
o r w i t h co n
t
n
o
e
p
I n ni t e , b o u nd e s s ; t h e o nl i ns t ance o f t he wo r d i n
1 73 F i ne l e ss
o
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2
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6
2
tec
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1 86
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so n
t u o u s b y i t s e nd a nd a pp i cat i o n ( o h n
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s)
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C o nc us i o ns
2 1 9 I ss u e s
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he r e f
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g.
i t h s o e s u ch ar ke d pl a g ue y o u be no t s i t t e n,
”
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t wo s e r i e s o ft i
”
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t h e pr o t r a ct i v e s e r i e s
i nd i ca t e d
b l e a nd e xp i ci t
as
an
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’
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t wo c o cks
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fe ct o f co n ugal u ni o n, i n o r de r t o
he had a s o t o gi v e t he e ngt he ne d e f
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fe ct , he t h r o ws i no cca
b r a t i o no ft h e i r nu pt i a s
t o pr o d u ce t he a t t e r e f
”
di cat e a o nge r pe r i o d
s i o u a t o uch e s t ha t i n
wo u d
2 94 S h o u l d
T h e V ar o f 1 82 1 has
C f S o nn 32 7
R e se r v e t he
fo r
P r e s e r v e s , k e e ps
2 9 5 R ese r v e s
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r e s e r v e T ha t e xce e n
1 40
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e
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e ad i n
o ft he f
t
a
o
h
e
u
r
o
h
e
2
t
t
1
i
d
d
;
9
g
3
q
’
“
no t y o u k no wn o n t
d 3d u ar t o s h a v e
an
i ng i s ,
T he
do no t
e an
”
o n
v en
f
e s s t o t he k n
h
i
a ch n o l e
e
o w e dge o f i t
c
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S
d
t
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e
e
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)
d
(
g
’
—
i
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s
d
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o t be s o b o de o f h o pe a c
o
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d
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:
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w
b
e
d
u
n
c
r
t
I
s
t
O
o
g
“
k no wne t o b e
so
an
d Pu t t e nha , A r t e of Eng l i s h P o es i e , 1 589
w o u d I no t ha v e a t r a ns l a t o u r be as h a e d t o b e ack no w e no f hi s t r ans
’
at i o n
I nt he L ifi q
r i ost o a
o ns 0r
e
n
e
t
i
h
n
H
ar
r
i
n
t
o
r
d
d
o
S
g
pp
l a ndo F u r i o s o , w e r e ad
S o e s a y he was
ar r i e d t o he r pr i v i l i e , b u t
”
d u r s t no t b e ack no wne o fi t
2
Th
r , etc
M
o
o
e
i
i
n
t
h
r
h
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n
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o
t
e
to
T
s
e
t
u
a
s
r
3 5
on
2
6
t
i
s
o
c
e
o
C
n
t
n
n 1 1 5 ab o v e
C
e
i
o
s
e
e
c
S
3
p
2
i
st a st e
D
n
s
o
i
t
f
r
o
av o u r y
T
b
d
t
s
e
u
u
C f 7 1 a nd C i v 4
e
s
a
7
3
”
“
i
0
t
D
s
a
i
n
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r
w
b
s
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e
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a
o
f
t
s t as t e d
i n t he
t
a
r
e
s
d
5
(
g
= e hi t t e r ) i n
r t o s)
ua
se d t r an
i
s
u
s
v e
i
I
t
t
n
i
i
i
a
d
2 123
C
(
q
C a nno t d i s t as t e t he go o d ne s s ; a nd — d i s i k e ) i n 1 d i i 2 66
Al
t h o u gh
i
t
w
i
d
s
as t e w h at i t e e ct e d
y
.
.
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J
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190
A ct
A ct i o n, o pe r at i o n as i ni 1 6 2 ab o v e
se e s b
s t s a 1d
H
e
r i n t o w ha t h e has
u
i
s ay
so
R
e
f
r
I
d
d
e
2
g
y
3 9 ’
”
“
o
o
i
u
n
h
i
s
d
r
o
i
s
o
n
s
b
i
n
O t h e o s o o k s t ha t t he
p
g
s co n
e ct
r ak e
r t he v ar i o us s u pe r s t i t i o n
n
r a or a
n
d
F
o
M
M
d
a
0
g
33
d r a he s
t , s e e R a nd 7 p 2 06 , n
o t e o nAl an
C f A a nd
e d wi t h t h e p an
l
f
o
C i
4
r
n
r e an
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v
1
r ups
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i
1
0
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C
U
S
8
4
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y
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33
”
rs
d ho
a
e
r
w ho e s o e s r u ps , d r ugs , a n
p
i
v
b
at
2
r
2
M
e di ci n
e
s e d aga i n as a v e r b i n Cy
G
e
U
2
4
3
33
”
e
i
s
i
c
n
e
e
s
s
e
d
t
h
e
rie f
s
I
e
,
,
g
’
st
O
t
w
d
w
n
h
d
s
t
as i n i 1 66 a bo v e
O
d
s
a
e
;
,
333
h
T
W
h
a t se n
se , e t c
s qu o t e s M i dd e t o n
e I Vi t ch
s
e
ee ven
S
t
e
8
,
(
33
Ill a cb p I I )
’
f,
I fe e l e no e as e ; t he b ur t he n s no t y e t o f
S o l o ng as t h e ab u se s t i ck s i n y k no w l e dge
O h t i s a pa i ne o fh e l l t o k no w o ne s s ha e !
2
8
3
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H ad i t b y n h i d and do n i t had b y n do n happ
Fo r he t h at s i gno r ant l i v e s l o ng and
e rr
;
.
‘
a
nd a3ai n
,
b v ns e cr e t , t h e n h ad I b y nh ap p .
A nd had a ho pe ( l i ke
an
) o f o i e s t o co e
N o w h e r e 1 s t a nd a s t a ne t o
y cr e at i o n
A nd, w h i ch i s h e av i e r t ha nal l t o r n
e,
i e nt s t o
"
T he u nd e r s t a ndi ng o ft h i s base ad u t e r , e t c
H ads t
t ho u
.
l y
n
i
i
f
T
n
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n
d
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n
f
l
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i
m
y
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n
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a
n
d
4
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g
3
g
l p d Th f l i d h n ni gh w ll f d w ll w f
n
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6
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Pi n
in h l
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Th w d i h
98
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e a
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o
e e rs
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t
”
o
e
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e
c t o
.
o rea
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e r s.
o
.
t
ex t
e
.
s,
ca
t
t
as
e
e
,
1
m
m
e re
e
e
e
as
,
re e ,
1s t a
e
ra
e
m
”
.
o s,
o
s
so
a
etc
2
or
e
.
e ra
ts
a
u ar t o s a
e
ee
.
ee rs
o
.
t
e rs
os
o
t
e xt
e
o
at e r
e
“
t
o
o
e re
2
e rs, a
m
i nt e d t o t ha t o f
C f D av i e s , Th e A r t ( 7 PV ar ,
fice as a pu ni s h e nt
16 19
S uch a o ne i s t o be d i s i s s e d wi t h p u ni s h e nt , o r t o b e
a de
”
so
e ab e ct pi o n
er
P r o v i d e d t hat , i f G r 1 33
0 no w, e t c
S e e p 33 a bo v e
34 7 S o
h
r - i e r ci n
2
T
a
W
ar
b
n
z
e
e
a
t
d
o
h
a
h
e
w
n
e
t
c
i
e
t
s
o st e x re s
35
p
g
f
g
j
p
’
s i v e e pi t h e t t o
C
o
f
f
V
i
i
e a r -s pe r s i n
M
0
f
g
5 3
po
mj
.
.
.
m
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'
.
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.
.
.
And t he
an
d se e
v
i le
.
ln
sq u e a
i g
o
m
.
wh e ny o u he ar t he dru
.
.
ne ck d fife
ft he wr y '
m
m ly
no t e i n o u r e d i t i o n, p 1 4 2
A cco r d i ng t o W ar t o n, t he fi f
w e r e u se d t o ge t he r i n t he
e an
d dr u
Eu r o pe a na r i e s e s pe ci a
rst
as t h e
i n t he G e r an, as e ar
u
r
a
r
t
e
q
o ft he 1 6 t h ce n
i
v e nu
h
t ur y
T he fi f
t
n
i
sh
e was s u b s e q u e n
i
n
t
e
E
p
g
g
s e r t i ce a n
t i o n o fi t u nt i l 1 74 7, w he n i t was us e d b t he
en
d we fi nd no
y
o r de r o ft he D u k e o f C u
b e r and i nt he ca p a t M ae s t r i cht
I t i s un
k no wn t o t h e F r e nch e v e n no w ; a nd M A l fr e d de V i gn , i nt r ans a t i ng
t hi s pas s age o f Ot he l l o , gi v e s u s o n t he d r u
m
.
.
lly
m
ml
,
.
,
ly
ly
fi
m
m
.
y
l
l
.
m mm
mm
Adi e u do nc l e co u rs i e r qu e l a t r o pe t t e ani e ,
Et se s h e nnt ss e e nt s e t l e s b r u ns d u t a bo u r
’
L ét e nda r d q u o n dép l e a v e c de s cr t s d a o u r
.
.
m
’
r cu
t
i
s
a
n
c
e
C
4
35
C f R cf L 1 2 62 a nd
.
.
.
.
.
S
.
.
.
t he
us e s
1 703, e t c
.
si
ngu
m
,
l
ar
a
‘
l l
nd t he p
ur a
l l l d lf
IC t C ll l l y
’
.
IVO TE S
192
m
.
l
q
h
o
s
av e
t
h
ol
r
n
h
u
a
h
o
i
T
h
h
f
o
e
i
t
e
r
t
h
h
a
e
o
l
l
w
e
l
l
T
o
d
e
435
y
g
e d t o ag r e e w i t h
c in
l o w ce , whi ch
e r ; b u t we a r e i n
o s t e d i t o r s pr e f
h
eav e n
C
f
t h a t h e l l was i nt e nd e d t o b e a nt i t he t i cal t o t he pr e ce d i n
g
M i l t o n, P L i 31 4
ll
.
K
.
l
.
.
.
.
.
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He
cal l
’
O fh e ll
d
ln
o ud
so
r e so u
al l
t hat
de d
ll
ho l
t he
l
ow
de e p
I d i 54 2
A s ho u t t hat t o r e he s co ncav e
“
rt
a r t e d t hr o n
t
h
h
a
e
e
e
e
H
v
r
t
o
n
i
6
1
a
o
e
e
a
6
H
e
d
S
e
b
e
43
3 3
ed
o nw h i ch t ho u was t e nt h r o n
( o hnso n) C f 7 3I V i i 4 2 2
d
an
.
.
.
.
.
W
l
.
J
.
I t gi v e s
he r e
’
L
.
a v er
ov e is t
.
.
t o t h e se at
e ch o
y
.
.
.
h r o nd
’
m
.
l
lly
i
ra
n
h
t
i
t
i
u
s
F
r
e
i
o
a
d
I
t
d
e
v
r
a
h
t
s
e
T
IV
1
u
F
64
,
437
g
g
“
an
C a nd
d I ! A i 1 71
t he
d he r fr a ught fr o
t h e P hoe ni x a n
’
”
C ffr aug h t age i n C ofE i v 1
b ar k t ha t h at h d i s cha r g d he r fr a ugh t
8 7 and T a nd C p r o ] 1 3
—
i
o t i nt he l s t
r
o
t
v
n
u
e s t s t h at
n
a
r
n
a
t
S
e
e
s
s
u
T
h
e
s
e
e
s
e
e
8
1
44 44
g
g
q
’
h
e se a Po n
us e v e r
n
t
t
d
:
A
H o a nd s P l i n
S t o o k t he s i i e fr o
y
o r e fio w e t h a n
d r u nne t h o u t i nt o Pr o po nt i s , b u t t he s e a ne v e r r e t i r e t h
”
b ack e aga i ne wi t hi n P o nt u s
i
a
n
i
i
s
i
v
i
u
l
s
i
v
e
s
e
d
a
a
n
11
i
8
6
Cf
co
u
a
t
e
i
n
2
o
U
l
C
4
44
p
p
g
i 1 1 03
11 a
“
“
i
/
h
f
o
o
h
v
o
k
e
a
r
s
T
e
s
e
e
s
e
e
k
e
F
ee
T he C o
MS
44 3
p
ps
h as
k no ws , wh i ch W ado pt s
o us , a
a
i
b
a
h
o
er
l
e
C
c
n
t
a
a
e
F
o
r
e
i
a
u
C
a
r
u
c
o
s
f
t
h
e
e
44 7
p
p
p
p
w o r d , s e e A Y L p 1 82
’
N o t t o b e pr i nt e d
von
d, as i t o ft e n i s
S e e Te p p
44 8 Yo nd
1 2 1 , o r 7 C p 1 34
Pr o b ab l y r e v e r l a s t i ng ( S ch i d t ) C f Cy
IlI ar b/e
b v 4 87
Pe e p
“
ar b e
sio n
I d v 4 1 20
t h r o u gh t hy
an
T he
a r b e pa v e
en
t
”
c o se s
an
d T ofA i v 3 1 9 1
t he
ar b e d
an
s i o na l l a b o v e
P
n
a
e
e
d
C
A
Y
v
f
L
0
E
e
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45
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etc
.
Thi s apo s t r o ph e pr o v e s t hat S i nt e nde d t h i s s ce ne
I Vi t ne ss , e t c
s h o u d b e i nt he o pe n ai r
i
b
r
a
s
u
r
r
n
l
e
o
C
f
2
E
c
u
d
K
o
h
n
u
n
C
v
e
t
e
2
N
s
,
,
45
p
4
p
7
3
b i i 3 1 39
Cy
s , w ho cl i ppe t h t he e a b o u t
ar
45 1
l
/
m
.
.
m
.
.
.
m
.
.
.
m
.
T
’
.
e an
e st
His
.
.
gar
my
e
nt
.
,
m
l ym
l
mll m
m
ll
m y
l
m
m
m m
mJ
h at
hat h b u t
ev er
’
cl i pp
d hi s bo d
”
,
etc
.
i
n
n
1
1
1
u
t
i
o
t
V
u
x
o
e
L
E
e
c
x
e
r
e
n
H
E
e
c
s
e
C
f
,
4
45
3
3
p
”
C f t he u s e o f e x e cu t e i n
T he e xe cu t i o n o f y b i g-s wo n he ar t , e t c
”
“
I nfe e s t
ne r e xe cu t e y o ur ar s , e t c
an
T a nd C v 7 6 ;
“
n
o
v
n
o
t
s
a
t
t
f
r
o
h
a
c
b
e
6
e
s
Pi
t
as
i
n
a
b
e
I
a
6
R
o
e
,
9
;
45
3
no t o f a i ce t o o t he r s , b u t o ft e n
de r ne s s t o o bey h i
cr u e t , b u t of t e n
de r ne ss fo r hi
( o hns o n) S t e e v e ns co par e s Cr b i v 2 1 68
.
.
.
.
.
ly
.
.
.
.
.
.
m
I d l e t a par i s h o fs u ch C l o t e ns b l o o d ,
”
o r char i t
A nd pr ai se
y s e lff
’
457
.
.
.
.
.
.
.
B u s i ne ss
ev er
.
T he q uar t o s h av
y
e
.
w o r ke
so e v e r.
.
.
.
A C T 111
S CE N E I V
.
1
.
93
m
m
S C EN E I V — 2 L i e s
Lo dge s , r e s i de s
C f 7 2 G of V i v 2 1 37
W he r e i e s S i r P r o t e u s
2 H e n I V i i i 2 2 99 :
w he n I l ay a t C e
”
’
n, e t c
S e e a s o M i t o n, L A l l 79
t s in
W h e r e pe r h aps s o e
en
”
i e s, e t c
b e au t
an
sw e r
T hat i s , b y t he
b e e nab e d t o ans we r , o r ge t
1 7 By t he
a
n
s
w
e
r
at i o n t o u s e i n
or
t h e i nf
y
Co u d
C f H e n VI I I i i i 2 1 60
W ha t s h o u d t h i s
2 2 S ho u l d
”
e an?
G r 32 5
”
u a r t o h as
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p 193
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l11
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12 7 M e
Gr 2 2 0
Cf i 1 49 ab o v e
T he r s t
”
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b y t h i s h and s he fa s t hus , e t c
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S e e M u ch A do , p 1 37
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Cf 7 2
a nd C v 1 6 7 an
d Le a r , i v 6 12 4 F o r t he i di o at i c u s e o fs uch a no t he r ,
cf M W i 4 1 60, T a n
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F o r t he co nt e pt u o us u se o f t he wo r d, s e e M uch
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A do , p 1 44
1 54 Ve r y fai n
W e s ho u d no t us e t hi s e xpr e s s i o n no w, t ho ugh we
a
C f M u ch A do , p 1 1 8, no t e o n Ve r y
v er
uch gl a d
s ay
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1 69
I t i s t h i s ne ce s s i t fo r r o pt v e nge a nce o nt he par t
To -nzgh t
p
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at i s t t hr o w 1no ccas i o n
a t o u che s o fs ho r t
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t i e ; as i t i s t he n
fe ct o f de s t r uct i o n t o est a bl i she d w e dde d
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or ef
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’
1 8 5 P a t e nt
Pr i v i e ge , fo r a pe r i s s i o n M a o ne co par e s A i ng
”
Edw a r d
W hy t he ngi v e s i na pass po r t t o o ffe nd
1 59 6 :
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de r t ake s o t he r pe o p e s b us i ne s s
T he r s t
2 03 S a v e y o u , e t c
u ar t o h as
G o d s av e t h e wo r t h ge n
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202
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i ngs o fa t o ne ,
e an
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se e A
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M a o ne s a s
S he r e a u de s t o t he fa b u o u s acco u nt s o fcr o co d i e s
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g
”
t e ar s ar e pr o v e r b i al l
fa aci o u s
Bu l l o k ar , i n hi s Eng l i s h Expo s i t o r ,
’
s ay s :
I t i s wr i t t e n t h at he wi l we e p o v e r a
ans he ad whe nhe h at h
2 32
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N O TES
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t h e C a b e d i t o r s , C l ar k e , a nd o t h e r s
“
“
t he s co r nfu w o r d
t he s co r nf
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a
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an
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r ; at t hi s do t h o u , e v e nt ho u, r o s
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6 2 R o s e l ipp d ch e r u bi n Cf T A 11 4 2 4
t hy r o s e d l i ps
ch e r u bi n, s e e Te
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D i i 1 129
t he wan
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82 Th i s v e sse l
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= wo an) i s u s e d i n L L L
T h e Bi b i ca ph r as e
t h e w e ak e r v e s s e
i 2 2 76, A Y L i i 4 6, e t c
“
89 M a r r i e d w i t h
C f M IV D i 1 40
to
e t r i us
ar r wi t h De
S e e a s o M u ch A do , v 4 37, R a nd 7 i i i 5 2 1 9 , H a
i 2 1 5 1 , e t c S o t he
“
t r an
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as i n A a nd C i 2 2 9 :
es
to
ar r
e wi t h
O ct av i u s C ae s ar
b ut t o i s o ft e ne r u se d
T o t hat qf S ai nt Pe t e r
F o r t he e i ps i s , cf 7 C
90 To S a i nt P e t e r
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IVi t h w h o 4? S e e o n i 2 52 abo v e
’
’
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1 07 H o w ha v e I be e nbe ha v d
i i i 1 35
Cf H a
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Se e G r 2 9 5
1 08 L e a st
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T he t s t
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a e st
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ay be a cas e
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S CEN E I I
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l i k e t ho s e e xp ai ne d b y S ch i dt 1n h i s Appe ndi x, p 1 42 0, and r e fe r r e d
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an
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e
t o i nA Y L p 1 56 no t e o n N o
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a
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y
7 p
no t h i ng s l o w t o s l a ch h i s h a st e
o t e o nA nd I a
1 99 , n
“
T hi s s ho ws t hat E i i a, a o ng he r
Th r o w n s u ch de spi t e , e t c
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i
st e n
ors
r
o t he r i b e cuo n
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S e e p 1 9 abo v e
A co ar s e o r l e wd wo an, a dr ab
1 2 0 Ca l /a t
C f W T 11 3 90, 2
H e n VI i
an
d 3 H e n VI 11 2 1 4 5
M a o ne qu o t e s H ar r i ngt o n
’
”
A r i o st o , 1 59 1
A nd t hu s t hi s o l d, i l l fav o u r d s pi t e fu ca e t
F o r t he us e o ft he w o r d h e r e , s e e H a
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y
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G r e e ks , e t c
S e e a s o M u ch A do , p 1 64
i s t ak e o f de i v e r i ng t h i s
A s C l ar ke no t e s , act r e s s e s o ft e n ak e t he
s pe e ch t n a
ne r t o i ndi cat e t hat E i i a s u s pe ct s he r hus band b u t
an
c e ar
H e r s us pi ci o n ne v e r fo r an i ns t ant fa s
t hi s i s n
o t t h e case
u po nl a 0
1 39
o t or i ous
N o t ab e , e gr e g10u s as i nv 2 2 38 b e o w Cf C of E
iv
1 54, e t c
1 40 Co pa ni o ns
C o nt e pt uo u s , as fe l l ow no w i s
S e e a no t he r e x
a p e 1nn
o t e o n 1 31 us t abo v e
C f Te p p 1 31 , no t e o n You r fi l l o w
1 42 R ascal s
F o r t he o r i gi na
i ng o ft he wo r d, s e e A Y L p
e an
1 79
1 43 Spe a k w i t h
do o r
T hat i s , no t s o l o ud as t o be he ar d o u t s i de
t h e h o us e (J o h n
so n
)
1 44 S qu i r e
F o r t he co nt e pt u o us us e o ft he wo r d, s e e M uch A do ,
P 12 7
1 4 5 Th e sea y si de w i t h ou t
Cf 11
W ho
o v e hat h
abo v e
’
t u r nd a
o s t t he wr o n
i
u
t
s
d
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o
g
”
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D i s cur s i v e r a nge o f t ho u ght
C
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r t hat
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e Gr 2 87
,
3
1 5 9 D ef
De s t r o
C f S o nn 6 1 1 1
M
i ne o w n t r ue o v e t h at
ea t
y
u 1n
r e s t de f
n
o u n:
d
s t r u ct i o n
do t h
e
a
t
o
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e
S
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H
2
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,
p 14
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I t i s ab ho r r e nt t o
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1 6 1 I t do t h a bh o r
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e w i t h ho r r o r ,
v
1 2 07 ( 1 s t
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i
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Cf fl a
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s
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p
p
g
’
ab ho r r e
e
N a e , t i t e ; as i n i v 1 9 7 ab o v e
1 62 A ddi t i o n
“
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1
1
1
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Cf
S
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1 66 Ch i de w i t h
e
o
,
Q
y
”
b v 4 32
W i t h M ars fa o u t , wi t h
e chi de ;
o u wi t h F o r t u n
Cy
”
o ch i de ,
etc
un
F o r s t ay , s e e H a
ea t
A r e wai t i ng fo r s uppe r
1 69 S t ay t h e
p
i
s
f
V
n
c
e
u ar t o r e ad s
A nd t he gr e at
o
e
T he t s t
e ss e n
e
r
2 68
g
s t ay
’
“
as , i t he co n
t r ar ,
t r a ry
C f H e n VI I I 1i i 2 1 82
1 73 I nt he co n
1 31
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N O TES
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Ev e ry day
The
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1 74
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l ng
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D aj i s o n ano t he r fo r
do t t s
o fa
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d
qfl
j
S e e M uch A do , p 1 38
”
W e no w s ay pu t up wi t h
1 78 P u t up i nfe nce w ha t , e t c
Cf T
i
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A i 1 433
A nd b as e
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1 88 R e spe ct
A t t e nt i o n, no t i ce ( S ch i d t ) as i n 1 H e n I V i v 3 31
t
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I t i s R o we s co r r e ct i o n o ft he fo pt
1 9 3 F o bbe d
e ds
o f t he e ar l
C f 1 H e n I V i 2 68
A nd r e s o ut i o nt h us fo b be d
as i t i s w i t h t he r u s t
a t he r a n
cu r b o f o ld f
t i c t he l aw
Co r i 1 9 7
”
o t t hi n
o f
us t n
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ob of
f
r di s gr ace w i t h a t a e ,
k
t
o
u
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t
c
y
1 99
You ha v e sa i d
W e s ai d , qui t e r i ght ( S ch i dt ) ; as i n7 3 G
o/ V i i 4 2 9 , T N i i i 1 1 2 , e t c
t e nd e nt
200 I n
I nt e nt i o n S e e A Y L p 1 39
2 02 M e t t l e
T he e ar
e ds
ake n
o di s t i n
ct i o n b e t we e n
e tt l e an
d
e t al
S e e R i ch I I p 1 5 7, no t e o n Th a t
e t al
H o ne s t , i n a s t r ai gh t fo r war d
2 06 D i r e ct ly
ne r
an
C f Cy b i i i
”
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3
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2 1 4 En
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t o r t ur e
C f Le a r , i 4 2 90 :
T hat , i ke an e ngi ne , wr e nch d
f
r
a
e
y
”
”
Bu t i t
a si
o fn
at u r e
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t he i r p r o
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g
”
an
d al l t he s e e ngi ne s o f us t , e t c
2 2 1 Li n
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2 22 Deter
i nat e
De ci s i v e ; as i n H e n VI I ] 11 4 1 76
a de t e r
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Lo r d
T o e t and M a o ne be i e v e t h a t i t was o i t t e d i n t he fo i o o n
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WOR D S
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2 12
de fe at
201
de fe at
1 69
de fe nd
1 67
d e l at i o n
s, 1 83
de l i gh t e d
1 68
d e l 1v e r ( 2 r e at e 1 6 3, 1 7 9
d e and
209
de e r i t s
1 59
d e o ns t r ab l e ( acce nt ) , 1 9 4
de no t e e nt , 1 8o
d e pu t i ng 1 9 8
D e sd e o n, 1 82
de s i gn e nt , 1 7 1
d e t e r i na t e 2 0 2
de v e s t i ng, 1 7 8
i ab o ! 1 7 8
d i l a t e 1 64
d i r e ct
202
d i sco nt e nt , 2 09
d i s co u r se o ft ho u gh t , 2 0 1
d i s l i k e s ( z d i s pl e as e s 1 7 7
d i s p e as ur e , 1 8 2
d i s po r t s 1 6 7
d i s po se ( no u n) 1 70
d i s pu t e d o n, 1 6 1
d i s t as t e ( v e r b ), 1 89
d i s t e pe r i ng 1 5 7
di v i s i o n
1 55
do t a e o f, 1 9 5
do u b e ( v o i ce ) , 1 59
do u b t
1 82
do u bt
1 86 , 1 1
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en
192
gage
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g e r, 1 72
en
e s, 2 02
gi n
en
g u t s, 1 62
en
s t e e pe d, 1 7 2
e nt e r t a i n e n
t , 1 87
e nt r e at s h i s paus e , 1 7 9
whe e , 1 7 3
en
e qu i n
o x, 1 7 8
e r ri n
g, 1 69 1 8 7
e r r o r ( o ft he
oon
) , 206
e s se n
t i al , 1 7 2
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1 67
.
1 89 .
.
m
y
m
.
u ar t e r , 1 7 8
.
.
i n t e be s t ad v ant age , 1 68
i n t h e co nt r ar , 2 0 1
i n t h e r ank gar b, 1 7 6
i ncl i ni ng, 1 80
i nco nt i ne nt ( adv e r b ) , 2 03
i nco nt i ne nt , 1 68
i nde x 1 7 5
I nd i an, 2 09
i ndi gn, 1 6 7
i ngr aft , 1 7 8
i no i nt e d, 1 62
i nt e nd e nt , 2 0 2
nt e nt i v e l y , 1 6 4
uv e n
t i o n, 1 9 8
i ss u e s 1 86
i t i s, 1 7 1 , 1 9 7
1t was
y h o t , 1 63
i t e rance , 2 0 7
y
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.
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j m
.
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171.
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had r a t h e r , 1 9 3
h ad r a t h e r t o , 1 6 5
hadst be e nb e t t e r hav
.
.
m
.
.
.
.
.
e
be e n,
.
ha ar d, 1 88
ha e s , 1 9 7
1 87
happi l
h ap i i ne s s
go o d u ck ) , 1 9 4
1 66
h ar ne ss
h ar o t r , 2 0 2
-has t e , 1 60
t
has t e s
o
p
hau nt ( i nt r ans i t i v e ) , 1 5 7
j
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.
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ju
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l
j
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m
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j ly
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.
2 0 4.
161 .
p
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(
:
181.
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16 1
.
1 6 3.
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1 87 .
.
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i d e ( b ar r e n) , 1 63
i d l e ne ss 1 63
i po r t
i po r t
i po r t anc , 1 6 2
= 0u ), 1 5 8
i
de s pi t e , 2 04
11 h a p p
ti
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192
n 1 66 2 04
an
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e xt r a v aga
l
.
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1 79
,
e xs u fll i ca t e , 1 86 .
f
a l to
.
.
he av
2 05
h e av
1 73
h i gh s u p pe r -t i e , 202
h igh-w r o ugh t , 1 70
h 1s ( = i t s l , 1 9 6
h o b b -ho r se , 1 98
h o ds
e we , 1 70
ho e , 1 74
ho ne s t , 1 99
ho ne , 1 7 4
h o r ne d an, 1 96
h o r o o ge , 1 7 8
ho u s e w i v e s, 1 73, 1 9 7
h o w sa y o u b y , 1 6 1
h u nge r , 1 94
h u r t t o da nge r , 1 7 9
H dr a, 1 80
m
l
.
y
.
n
1 70
e av e n ( pl u r a l ‘ , 1 99
y
.
.
e xh i b i t i o
e xt t
fo r be a r
1 59
fo r do e s , 2 0 5
fo r e , 1 7 7
fo r e l e nd 2 06
fo r ke d l agu e , 1 88
fo r t h o 2 0 5
fo r t i t ude
st re n
gt h) , 1 6 5
fr aught ( no u n), 1 9 2
—
fr e e
1nn
o ce nt ) , 1 80, 1 87
fr e e
167
fr i z e , 1 7 3
=
fr o
( awa fr o ) , 1 5 8
1 80
fr u i t fu l
fu
17 1
fu nct i o n ( e nt al ) , 1 80
fu nct i o n
1 99
.
.
e xe r ci se , 1 9 3.
nce ,
.
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e xe cu t i o n
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e xec u t e
e xpe r t
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y
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e ter
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gr ange . 1 5 7
gr e e n, 1 7 5
r
n
e
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e e d, 1 85
g
gr i s e 1 6 5
gr o s s i nse nse , 1 6 1
gr o ws t o was t e , 202
g u a r dage 1 6 1
g u ar d s o t h e po e ,
i
h e n, 1 68
n
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g v e : 74
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t he go r ge ,
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1 60.
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2 00.
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l
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m
m
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1 69 , 1 7 5 , 1 9 4
fe ar 1u l , 1 6 1
fi l t h ( pe rs o na ) , ao 8
fine
1 85
fine l e ss 1 8 5
fi t ch e w, 1 9 7
d e e r s, 1 9 7
fo bbe d , 2 02
fo ll
206
fo nd
19 1
fo r
as f
o r ) , 1 84
fo r
b e ca use ) , 1 6 7 , 1 7 9,
1 83, 1 88, 1 9 5
.
.
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.
y
.
m
1 89 .
.
.
hav e be e nbe hav e d,
av e w i t h y o u , 1 60
av i n
g
e ar t e d , 1 69 . 1 9 2
1 9 8.
,
.
1 77.
,
ll y
m
fa s (t r ans i t i v e
t as
f
an
fat h o , 1 5 8
fav o ur
)
ga s ( no u n) , 2 0 4
gas t ne s s , 2 0 5
=
e
n
d
r
e
k 1ndl , 1 69
(
g
1 88
ge ne r o u s
gi v e awa ( = gi v e u p ) , 1 83
Go d b l e s s t h e
ar k ! 1 5 6
go v e r n e nt , 1 87
1 9 0.
e cs t as
A N D P H R A S ES EXP L A I N E D
k nav
e
kne ecr o o k
m
g,
1 5 8.
1 56 .
.
WORD S
I N D EX OF
l -y
ll nn
l
n
n
ll l 5
ll
n
ll
n
)
(
ll ( n )
( d
ll ly
)
(
n
ack
1 89
l a w da
l ay
80
e d,
1 88
e e t s , 1 84
t he w 1
b s e r v ance , 1 85
c , 194
o b s e r v an
e v en
1 57
o d d,
o
1 88.
1 66
.
.
.
.
.
o st
a d v e r b , 2 00.
1 59
ak e s
e r i ng,
a
ar r i e d
1 60, 1 9 5
.
1 8 3.
1 7 9.
az z a r d , 1
e
8
18
7
1 56 , 1 6 1 ,
.
,
t t l e , 2 02
1 76 .
.
i s u s e , 2 00
o ck , 1 8 5
o de r n
.
,
203
ns t r o us
o
n,
1 7 1.
(t r is
lab
2 09
1 63.
=
b y ), 2 0 5
se
rs
a
s
( p
pass i n
g ( ad v e 1 b ) , 1 64
pa t e nt , 1 9 8
ab e ), 1 8 1
pa t i e nce ( t r i s
pe cu i ar , 1 8 3, 1 9 6
pas sage
yll
e
),
1
79
.
.
t h,
o
1 66 .
o tio
u
,
,
napki n
1 88
.
1 69 .
1 62 .
19 3
.
st e r
1 99 .
handk e r ch i e f),
m
ne w cr e at e , 1 99
ne w s ( nu be r ) ,
ne xt
l
1 7 8, 2 04
pe e v i s h
pe r du r ab le , 1 69
2 10
pe r i o d
pe s t i e nce , 1 80
pi e r ce d, 1 65
p i o ne r s , 1 9 0
p ane t , 1 7 8
p a t he s i r , 1 7 4
p e as ance , 1 80
po i nt o n, 2 06
z
i
we i ght ), 1 8 3
o
se
(
p
po r t ance , 1 6 3
1 87
po s i t i o n
- o st o
s
has t e , 1 6 2
t
p
p
l
o
t
t
e
d e e p, 1 7 7
p
l
.
.
165
.
i e w) ,
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ly
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B I SH E
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W o r ds and
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BY
H A R P ER
BR O T H ER S , N EW Y O R K
.
A
bo o kse ll e r s , o r t hey w i ll be se nt by H R PER
ER S t o a n
RO
If o r de r e d se nt by
y a d d r e ss o n r e ce i pt of pr i ce a s quo t e d
o fe r ce n
sna i l , n
t sh o ul d he a dde d t o t he fr i cc t o co v e r co st of po st ag e
.
The
a bo v e
w o r ks
ar e
fo r
sa le
by
al l
.
.
.
R O BERT BR OWN I NG
’
.
C T PO EM S O F R O B ER T B R OWN I NG Edi ted
wi th Notes by W LL M J R L F E A M for erly He d
M ster fthe H i gh School C bri dge M s nd H E
S E E H E S EY
Ill str ted 6 P per 4 ce nt
n
w
i
t
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C loth 5 6 ce nts
R
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f
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.
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whi l e
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ne r ab o u t h i
o r e o r l e ss sch o a r
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M i ss H e r
d i ca t e s t he b l e nd i ng o f t w o e xce pt i o nal u a i t i e s — t h e po
se
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y
g
—
v
B o st o n Tr av e l l e r
s t r u ct i e
T o say t ha t t h e se l e ct i o ns hav e b e e n ade b y M r R o l fe i s t o say t ha t
h av e no t o nl b e e n ad e by a car e fu a nd accu r at e scho l ar b u t b y
t he
d b e au t i fu l t as t e
The N o t e s wh i ch ti l so e
a
an o f pu r e a n
— JV Y M a i l a nd
i
i
h
d
b
r sco e an
t hi r t
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n co nsci e nt i o usl s ay t ha t b o t h t h e ar r ange e nt o f t h e se e c
t i o ns a nd t h e fu ne ss as we
as t h e i
u
i na t i ng ch ar act e r o f t h e a nno
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t a t i o ns ar e al l t h at t h e
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wo r k i s w e
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hav e no t b e e n a o ng t h e se a ne w se nse o f
Br o w ni ng s s t r e ngt h and b e a u t as a w r i t e r -H a r tfo r d Ti es
T he
ar v e l o f i n
du s t r i o u s
S e l e ct Po e s o f R o b e r t Br o w ni ng i s a
i
n
n
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ro
A
ud
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en
t s o n t he
t ab l e o f h i s w o r k s and a se r i e s O f e xt I act e d cr i t i cal co
d
B
s i d e s t h e s e t he r e ar e at t h e e n
s
e
o e t pr e ce de t h e se r i e s o f s e e ct i o n
p
an
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i nu t e
s i v e v al uab e
O f t he b o o k v e r
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ar
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a
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u
1
V
e d t o rs w e r e u n
S
t
ul l
abl e f
to c e
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p
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l
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ll fi
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.
L
TH
PU B
IT
The
m
I S H ED BY
abo v e
w o r ks
ER S t o
8r B R O
t
a i l , 1 0 pe r ce n
a
.
ar e
n
y
sa l e
add r e s s o
sh o ul d
be
by
al l
bo o kse l l e r
n r e ce i pt
a d de d
.
.
BR O T H ER S , N EW Y O R K
H A R PER
fo r
,
,
,
t o t he
of
s, o r
pr i ce
pr i ce
to
as
co v e r
t he y w i l l be
quo t e d
.
If
se
nt by H
or
de r e d
fpo st ag e
cost o
.
.
A
se
R PER
nt by
R O B ERT BR O W N I NG
B LO T
.
S CU TC HEO N A N D O T H ER DR A
By R B E T B WN N Ed i ted wi th notes by
M AS
E H
EY
W LL M J R L F A M nd H EL
W i th Portr i t 6 mP per 4 ce ns C loth 56 ce nts
A
I N TH E
O
.
IA
I
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m
a
or
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.
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m
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m
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a
a
,
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m
m m
an
ne r as t h e pr e v i o u s v o l u e upo n
Pr e par e d i n t h e sa e t ho r o u gh
an
u al s o f M r
t h e S e l e ct Po e s o f t h e sa e au t ho r and t h e nu e r o u s
l
.
N o po e t ne e ds fo r t h e av e r age r e ade r su ch ani nt e r pr e t a t i o n
R o fe
R
a
r
re n
a
re f
e
d
f
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l
w
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o
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o r e t h an Br o w ni n
as i s h e r e gi v e n
g
d
t he no t e s o f t h e e d i t o r s , t h e r i ch ne ss o f t h e gr e a t po e t s t h o ugh t s an
’
—
Z l o ns H e r a l d, Bo s t o n
fanci e s w i l b e t he b e t t e r appr e h e nde d
O u t o f t he e i gh t d r a as wh i ch t h e po e t wr o t e b e t w e e n 1 837 and 1 84 5
ly
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ne s hav e b e e n se e ct e d and a fu l i de a o f
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s
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y
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p
i o ns o f M r Br o w ni ng s w o r k s i s i ncl u de d I n t he v o u e
T h e sa e
o pi n
ar k e d Pr o f
e sso r R o l f
s o f Sh ak e spe ar e
car e fu l sch o a r sh i p t h at
e s e di t i o n
i s sho w n i n t h i s e d i t i o n o f B r o w ni ng
Th e l o v e rs O f t h e po e t w i l l b e
h
an n
i
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w
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or
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R o b e r t Br o w ni ng w i l l fill
r e a de r s w i l b e a t t r a ct e d t o t h e a u t h o r b y i t
e a r e ad
u t u r e t h a nh e h as d o n
a a r e r s ace I n t h e w o r d s e y e i n t h e f
g
p
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T h e b o o k i t se f 15 no t
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ly
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l d b d i d IV Y S n
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R l f nd M i
H
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T h e i nt r o du ct i o n a nd no t e s
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a s,
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en
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b u t i t i s v a u ab e fo r t he co
o
e a
ss
o
an
ne r b y Pr o fe sso r
e r se
b e e n do ne i na nab l e
i ng s t u d e nt s — P hi l a
has gai ne d a h i gh p ace a o ng t h e
o de r n Br o wn
.
,
de lphi a B u l l e t i n
.
my
m
nd
m
nt ai ns no t
e re l
B r o w n g s d r a as w i t h t he a u t h o r s l at e s t e e nd at i o ns a nd co r
r e ct i o n
s bu t n
o t e s an
d e s t i a t e s cr i t i ca a nd e xpl anat o r
i n s u ch v o l
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T P O EM S OF O LI V ER G O LDSM ITH Edi t d
wi t h Notes by W LL M J R L F E A M for
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M st f the H i gh School C bri d ge M
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i nci de nt s and ci r cu s t ance s at t e ndi ng t he i r co n
I nt el l i ge nce r , N Y
T he no t e s a r e us t and di scr i i nat i ng i nt o ne , and s u ppl v al l t hat i s
ne ce ss ar e i t he r fo r u nde r s t andi ng t he t ho ught o ft he s e v e r a l po e s , o r
fo r a cr i t i ca s t u d o ft he anguage T he us e o fS u ch bo o ks i nt h e s cho o l
can
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