r+ -ı ü. i iı!İ ğjtı_i --....-t*_*J;g [lagen CTEnAHOB TP|A |A3BECTH bı E n bECbı [lonynffpHbıe coıo Anfi Manoro 6apa6aHa B HOBbıX apaHXı4pOBKaX Yqe6uoe noco6ue PaveI STEPANOV TH RE E FAMOUS P ıECES Pop ular solos for snare d rı,jm in new arrangements Educational aid Ayg ııon p ilı oxeH il e Audio supplement CD (MP3) [1ogroroeneHo B cooTBercTBıln c CIe4epanuH bıMn rocyAa pcTBeH H bıMıı ıpe6oea )3I ITOP . CAHKT-IIETEPEI.T| C()\IP(IZIT()R . SAINT PETERSBURG K()\[l( 2019 u ıınıııı,ı (Ol-T) yüK 56K 789.1 85.958 C794 Creıauor, flanen Baıepnenuu. C794 Tpı,r ııssecrHble flbecbl : rlorry.[.gpHble co,rıo ArI-s Ma,ııofo 6apa6aua : yıe6uoe noco6ııe l I7agen CreıaHos. - AyAııoua CD (MP3). ClI6. : Ko}rnoslırop . Canxr-llerep6ypı 16 c. Tuı. n. napa[. pyc., aHIn. ISMN 979-0-3522-|476-7. B HoBbIx apaH)Kr{poBKax I]pI4no)KeFII4e 2019. - - - ,[aHnoe yue6rroe ıoco6r,ıe aApecoBalro yqau{]4Mc, cTapur{x K/Iaccots ıly3blKa^bHbIx rıKoı, a TaKXe Ko./IıeAxeü ra enıcııı,Ix yve6rrı,ıx saıe4eurrit. 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Xoreıocı 6nı rıanoııHl4Tb, qTo pyAIdMeHTııI - ocHoBa MbIIII/IeHIlt.fl w Texaurıı 6apa6aurqı,ı«os, uerr{ü yHI4KanbHbIü ııerog, I,ı3y.tafl xoropnıft, BbI IIoBbIcI4Te cBoe MacTepcTBo. flovır,ııvro caMux pyAIdMeHToB ecTb ueo6xogr,ıııocTb ,{3yrüaTb y| ,{c[oIIHflTb pyAL{MeHTa.IIbHbIe IIbecbI, qTo noMoxeT pa3BldBarn $pasnı, coe[I(HeHlrfl pyAI,IMeHToB, pa3BI,IBaTb I4cno/IHeHIlte PYE].{MeHTOB KaK MY3bIKa/IbHY}O COCTaBn-fIIOI4Yrc. Ha gııcre snı uaıhgöre HecKoIIbKo BapI4aHToB TeMnoB AIIfl pa3Hblx Bo3pacToB u yponueiı l4cllonHrITeneilı,. YEa,ıu B ocBoeHr{I{ AaHHbIx [poIl3Begeııııf,ı u BaIIIeM pa3BuI,IMIr M bIIII Iı eur{-rl pyAll M eH T a Irr,{CT a|, rlaaen cmenauoe Introductory speech This toolkit contains three rudimentary pieces that are most popular among performers around the world. I wanted to make the approach to them more modern, and try to play them with a more accurate sense of time, a sense of ensernble play. It is for this reason this book comes with a disc containing my personal audio recordings, which are arrangements for these pieces. "Crazy Army" - Ed Lemley's solo has an extra piece written by me, and is slightly modified in some accent hits. I would like to remind you that rudiments are the basis of a drummers üinking and technique, a certain unique method by studying which you will improve your skills. In addition to the rudiments themselves, there is a need to study and perform rudimentary pieces, which will help develop phrases, rudiments combinations, and develop performance of rudiments as a musical component. You will find several tempo options on this disc, intended for different ages and skill levels of performers. Good luck in mastering these pieces, and in developing a rudimentalist thinking! Pavel Stepanov |T Orenınnı Ko/Iner .ıro BepoırHo, cKoi]t,Ko B Mmpe 6apa6auıılwKoB, cToIIbKo I,{ Pa3Eapa6arıuue pyAr{MeHTbI - qToero? 6apa6aHrıue pyArüMeHrnı. 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C TexHnqecKoü roq«r 3peHz.g 6apa6auuııe HaBbIKr{ flasıa [o-HacTo,gqeMY OH npenocxo,qHo BnaAeeT BceMIlt 26 craugapTHblMr{ '{cKnlo'ı]4reııHıı! aMepl,_ KaH.KI{MI4 pyAI{MeHTauu, 40 Me)KAyHaPoğHbIMI{ 6apa6ariuıı MM pyEI,MeHTaMI{ PAS, conpeMeHHbIMI4 rn6pıı4HııııI4 pyAI4MeHTaMtr[, yMeer I4c[o.Ilb3oBarn Up ı,r Down Stiokes ırr cnoco6eu 6esyupeuuo [PI,!_ MeH''ITb PYEI''MeHTbI KaK An,g Y4aPııoü YcTaHoBKI{, TaK r B III]4poKoM cileKTpe yl{apHblx I4HcTpyMeHToB. flaseı TaK)Ke olüeHb ,,oMof MHe, KoIAa g, yoi'.',il ucTopıtrlopoccıırtcxrıx BoeHFIbIx 6apa6auoı gıa 3HaMeHI4Toflı cePum B,,Aeo'n,P "Mount & Blade Warband: Napoleonic Wars" oT KoMIIaHI,rı ..Taleworlds & FlY'ng Squirrel Entertainment'] gıx «oroPoü .fI 3aHr{Ma.IIc.g noAroTon«oıt cayrı4TpeKa u ilnflı<oropoü l.clIoIİ,,vIII naPTvIM Ha Ma)IoM 6aPa6aue, flocıe Ao/If],fx ıer 6ecııoAHblx .ro.iurron .,onyqldTb xor.g 6ıı KaKYIo-To ııuğoPılaql'flo o PYccKI4x BoeHHb]x 6apa6aHax, Inx McTopMu In cTullflxı,rrpıı flaneı HaKoHe. 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İ: H a ı ü,ı e ıwnu o u r,, İ::, ; "uY-?!;6apa6auy rumamoı Amepurcu no ManoMy u öeyrcpamuaıü no Oac-OapİOauy »Cİ, ap aı-ıjücup a ıu,lurc 6ap a6 auuoü apynnaı, m p ex Kp am u nuE ep nP en 6 ap a6 a u uo ü,o r,;Z|?f;#a/';İ::;: aqmop nbec, qneH htcnpu pa3nul4tlbtx KoHKypcoB, am e flb, My 3 b tK ar*, np oZ o İ, u4uü n a c m ep - Klı A c c b ı, qlıeH Mapureao)o KoMumema u no Hacmoflu4ee BpeMfl npeöceöameıb MapweBoıo KoMunre?na PAS oöa a Feedback from colleagues What is rudimentai drumming? There are probably as many different ideas as to what rudimental drumming is or isnt as there are drummers, and the simplest definition is that it is drumming where rudiments, or sticking patterns, are primarily played. But the essence of rudimental drumming is coordination. The more rudiments a drummer practices, the more developed will be their hand coordination. No matter what idiom of music is played, if a drummer or Percussionist is needed, that person will need to utilize sorne degree of coordination to deliver a rhlthm, or set of rhlthmS, in time. ^Mor. .o-plex rhlthms call for more hand coordination. Thus, the phrase "rudimental drumming" can be defined as drumming that is focused entirely on developing one's coordination by learning aS man} sticking combinations as possible. A word about Pavel Sİepanov and his passion for rudimental drumming. Pavel is an outliel which means he is a person who differs from ail other meınbers of a particular group, one who is outside the norm. Pavel doesnt choose to be just a drummer, or even just a drummer who wishes to study rudimental drumming. He chooses to be more; he chooses to be a pioneer, one who exPlores the opening of new territories. He wishes to explore and push his own personal drumming boundaries, by utiliİing rudiments to their fuliest extent so that he may excel as a rhlthmist. He seeks to spread and disseminate rudimental drumming to other drummers in his homeland, and with the internet, to the world. He has a passion not only for learning his craft, but also sharing it with others. Which makes him a teacher oİ the highest calibeı one who does it for passion and not because of reward. His books on rudimental drumming were written with this in mind; to share his knowledge so that others may benefit. Learn as much as you can from Pavel Stepanov, for he has proven himself as a major contributor of the artform of rudimental drumming. Rick Beckham, A-Time DCA lndividual World Snare Champion (1999, 200a, 2001, 2003), foun d er of www. rudim ent aldrumming. c o m, activ e rudim ent al a dy o c ate, writer, teacher and performer Power, Precision, Passion. Pavel Stepanov brings these quaiities to life consistently with ever} performance. Allow him to share his passion through his techniques and music. A great learning experience and inspiration for anyone with an ambition to learn his style of excellence! Danny Raymond, 2-Time DCA Individual (1989, 1990), Champion World Snare co?nposer, clinician, adjuıdicate marching arts co ntests (FFCC, FMBC, SWFIEA, NWAPA), instructor high schools, senior corps, junior corps, worked with the "Syracuse Brigadiers", "Boston Crusaders", "Carolina Gold", "Santa Clara Vanguard" I've had the distinct honor & pleasure of knowing my good friend and drumming comrade, Pavel Stepanog ever since we first made contact, back in }uly of 2011, when he became one of the first Russian drummers to join of our National Association of Rudimental Drummers (N,A.R.D.), of which where he holds the rank as an Honorary/Lifetime Member, He has been I am its current President a clriving force and very valuable ambassador for Rudimental Drumming, ever since. TechnicaliY ,p"ukirgl Pavelk drummİrrg skills are truly exceptional! He has a great command of all the 26 Standard Americİn Rudiments, the PAS 40 International Drum Rudiments, conternporary Hybrid Rudiments, 7 the use of UP and Dor'n Strokes, and has the ability to flawlessly apply the Rudiments to the Drum Kit and a wide assortrnent of percussion instruments. Pavel was also a great helP to me during the course of my research on the History of Russian Military Drumming, for the renorvned_ video"game ,.ri., .'üount & Blade Warband: Napoleonic -that I WarS" bY "Taleworlds & Fll'ing Squirrel Entertİinmgn1)' was directing the music soundtrack for and on which i also PlaYed the Snare Drum tracks. After many years of atteLpting, in vain, to gain anY kind of information on Russian Military Drumming, it, hirtory and stylings, pavel finally provided me with the valuable insight and knowledge that ı h# u..., searching for and helped me solve the puzzle for which I am very grateful! Throughout his successful career as a drurnmer, Pavel continues to promote Rudimental Drumming, bY waY of his "SkY RhYthm" rudimental drummt"g ;;;;; international drum clinics, videos, drum magazine articles, and recent Position as instructo" u"rr"urrg., and author or pi..., for the B06 drummers of the "Parade of l)rummers; during the Saint Petersbuİg's Day celebrations. As the President of NARD, Profeİsor of Percussion & öirector of the percussion Ensemble at Drexel lJniversitY in PhiladelPhia, Voting member of the GRAMMYs, author of my own DVD, ,,The Art of Ancient Rudimental Drumming," drum magazine articles and recording artist, I highly 'rrrr.rous recommend this new book on Rudimental Drummi"ğ, İy Pavel Stepanov _ a true ..Drummer,s Drummer"' one of the ToP Rudimental Drummers in tÜ World ... and I,m proud to say _ a fellow Brother in Christ! Mark Beecher Pavel StePanov is an insPiration to musicians as well as all mankind. His unique blend of talent, Passion, and humil§ showcases him as a powerful ambassador on behalf of the arts for the 21st Century. As an educator I believe his excePtional driye towards excellence and collaborative spirit is contagious, This book is an exciting next step in his professional story and I wait in great anticipation for his next musical projects. , and a nT;'İ,Yİ?; 3 - T i m e N o r t h e a s t er Corps Association Individual Snare Drum 2-Time Individual Bass Drum Champion, percussion grrcınger, snare drum section tİader, and currently serves as the Drum Group Leader in "The Old Guard", active speaker, author pieces, adjudicator, clinician, and music educator, Member of Marching Percussion Committee and currently as the chairman for the Marching Commiitee of PAS - C)/MACruEAIIIAfr AP;MvIfl CRAZY ARMY 3ı JIEMJII4 LEMLEY ApaHxııpo n Ka a Bap uaHT M,IJI o f o 6 ap a6 aaa flanı a C TEIIAH O B A Aırangeıneııt aırd variant for snare drum by Pavel STEPANOV FL L pp FLRL Ed LFR R RLRR 7> FR FL R L FR @L @LR F L RR @n l L RLR.L @n L R @L L F @ L R FL R L FR ---_lt ; F,LRLFR F L RR ı- F R. 1 RLR LRLR R RLR LR CD f RLRLRLR @ R 7> @ı- R RLR I-RLRR @ızıl F L R R @n ı r 7- z. FR Jl @L FR FLR F 7 >,8 7 = RLRLRLR F,L LR L RLRLR.LR .' > F @L FR >3 RLR'L R @ R. L R R @ 34> FL RR @n ı- r F R @r F R @ıc l35] RRRR mf n T. R L R L RR L R L R L L RR LR L LRRLLRLRLRRLRLL f RL LRL LR LR L L R L RL LRL RLRRLLRLRRLLRLRL RRLLRRL LR L LRLRLRRLRL FRLFRLR@LR@L tr R L L R L R R L R L L RRLLRRL I .l RLRLRL RL L R L R L RLRRLLRLRRLLRLRL L RLRRL 6 IRLFRLR @ı-n @rnRLLR L RRLLRRLt. @ 7>_ L 10 oEoI1MA CHARGER ApaırxrıposKa flaeıa CTEIAHOBA Aıranged by Pavel STEPANOV RL LRLLR LR RL FLR R @n L RLRLR Apryp KAIIII4O Arthur CAPPIO RRRR L RL LRLR FR L p RLR. RL RRL R sub. RI-RLRLRL FLRLRL LL R RLRLRLRL lJ .' LRLRLRLRL L RL FLRRFL FLR LRLR p sub. .' RLLL RLRLR R f RL RL R LRLR RLRLRLRL R RL R I- R L RLRL 13 L LL LRLLL RLR FLR R L F LR - FL R RLF ,"f FL RLLL J>_ R L F LR @n r FL RLI-L R L F LR @n c'7352 « ı R L F LR @n r FLR @nı- R L RRL LRLRLRLRL B LRR L L RL'R R L LRLRRLL L R L RR L L RLRRLL'RLRRLRL L'RL L LLLLL 25 R L R R L R L L R L R R L L R L R R L L'R 47> RL LRL RL LRL > LRI- LRL l5 L R CreSc l0 6 fp --i @R ? RL f RLRLRL RLRLRL R - -f, RL i5 r--.-----l f" RL -fp RLRLRL RL RLRLRL f" l5 R fp E RLRLRL RL r------;----l RLR L RL fp l5 r---,-----l L RL RLR L RLR. L RLR i--;----.l= RL RLR 56> LR RL -] 12 EAPAEAHI{uKu HA EAPAEAHI{UKU PARADE DR[IM CORPS ON oN PARADE IIAPAAE IIAPAAE Apauxııpoeıta üg.poBKa flasıa CTEIAHOBA Arranged by Pavel STEPANOV gedbY'*"]'3ou=, 3 >- IIPATT İ ğxou IIPATT lNoH John pRATT =-_ffi ffiffi,fl=ffi ffiffi,fr ıı:zfu,]ff] R R @ RLRLRL R @ RLRLRL R R RLRL F R R @ RLRLRL R ftr ftrı >__ğ_--___ 9- =- 5 R R RLRL @ RLRLRL | t F iffitJ,, miffitiffii=:ti,] tİ İffi,,E F RLRL R R @ ıRLRLRL R Rı RLRRLRLL LRRLRLL RLRRLRLL @ |RLRLRL lfl } > 5-3 FLRL 3 > F @ R RLRLRLR ffi ffil ,nT. L RLRI,RLR @ * ı( 15 :> n, R > RL @ F 5 ,9 LRLR @ n R tr =J]_jıffi ,fr,.=t-?,h'l ı]=Tlı l L F @ RR @n R @ FLR f ınf i7 FRR F @ FLRL FLRL ,ınf § > F tr mf §> @R f s :>->a R@ R RLRLR ınf @R FLRL >8 ) >j @ R@ 9 R@R R L R L R R |L R_L L|R @n FLRLRLRLRL F R RLRLRLRLRL 5 R F L L R L L R RLR LLı RLRLRLR \LRLRR|LR RLRL F > i @R R@ @R | L L RLRR R Gınn LL 5- 5> F LRLLRR @FLRL -sf FL @ r LRLLR c'7352 r R @n R LLR R ı] R L R L R R,,L R L R L L,RLRLRL 88ı] RL RL RRL L l I RLRRLRLL RLRLRL RLRLRRLR LRLLR LRLLRrı_RL RLRRLRLL R R mf R ı-ı-R L l\ RLRLRRLR L l\ l\ LRLL.R RLLRLRLRR R RLRLRRLR. LRLLRLRR f 9> LRLRLLRL RLRRLRLI- RLRR R LRLLR R L R R L R L L R ,L R L R L Ll lR L R L R RlL nft8 FL RR FLRL @n ı ı F LR @n f r F L R @n r F L R @ FLR @nı ffuru R,ı-ı-RLRLRR, LRLLR F 9 , R f F L\,@*r, F @nr F LR 14 ı-ıRLRLRLR lıRLRLRLR @ FL ınf L R RLRL .r\ RLRL tr J R R @n L c 7352 L f FR L FLRL >-5 @ı-FR 3 ,rıR,LRLRLR FL R ı< L nnLRLR Coöepxauue pelfu,. Konfle? .............." 3 BcmynumenbHafl Omstıaaı ..".",4 3. .Ileivıılı. CyMACIIEAIIIA.g APMI4_fi, Apauı«ııpoBKa Ma.IIofo 6apa6aua fI. CreıanoBa............. A. Kannno. OEOYIMA. Apauxııpon«a fI. ,[ıı<. I1t BapI4aHT """"""""",8 Creuarıora fiparr. BAPABAHU\IAKIA HA IIAPAIE. ApaııxIıpoBKa fI. ...""""""",10 CrenaHoBa................,_12 Contents Introductory Feedback speech from colleagues .............,.. .........""""""" 3 ...""""""" 6 E. Lemley. CRAZY ARMY. Arrangement and variant for snare drum by P. Stepanov..,...,...... A. Cappio. CHARGER. Arranged by }. Pratt. P. ........,^"""""",8 Stepanov............ DRUM CORPS ON PARADE. Arranged by P. Stepanov ..."""""", i0 -.,'""""""""12 Cuııcox SByKoBbIx Aopo»(eK rıa CD (MP3) l. Cyı,racureAI]IaJI apMl{.fl 2. Cl,nıacıueü[Iafl 77 _j, Cr-rıacııeJ[Ia-r{ apu\Ig, -i. Cr-rıacureJuIag apMl,ifl B0 5. Cl,rıacuıeJura.s apMrlg 6. Cr,ııacuretrula.g apMl{fl B6 7. O6oilıı,ra |. Crazy Army 75 apMl4-fl 2. 3. 4. 5. 6. B3 87 Army Army Arıny Army Army 75 77 80 83 86 87 90 B. Charger 95 9, Charger 100 10. Charger 105 11. Charger l10 12. Charger 115 13, Charger |20 Bapa6aHilIr{K]4 Ha [apaüe 15. Bapa6aHu][Kr{ Ha napage 16. Eapa6aHu]I4KI{ Ha [apaAe |4. Bapa6aHLL1I4Ki{ Ha Crazy Crazy Crazy Crazy Crazy 7. Charger 90 B. O6oüı.ıa 95 9. O6oüııa 100 10. O6oıivıa 105 11. O6oüıvıa 110 |2. O1oilı*ta 115 tr3. O6oıtııa I20 t7. Sound-tracks on the CD (MP3) [apaAe 1B. Eapa6aHiJj]ıKllt Ha IIapaAe 105 110 1i5 I17 l20 14. Drum tr5. Drum 16. Drum 17. Drum 18. Drum corps 105 corps 110 corps 115 corps ||7 corps I20