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Vinh Nguyen Synthesis Essay

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Nguyen 1
Vinh Nguyen
Ms. Leonardi
ENG 1510
29 March 2023
The values and costs of Music Education
Traditionally, music classes were included in the American Public School Education
Curriculum as an option for extracurricular activities. The classes mainly focused on major
ensemble performances that students are required to participate for the to pass the class. As time
went on, music classes gained popularity among students, resulting in increasing funding and
support for music education. The focus caused the music education curriculum to be expanded,
with classes such as music theory and music appreciation being introduced into schools.
However, this is no longer the case in today’s education system. In contrast, music programs
nationwide are experiencing concerning rates of withdrawal from both students and funding.
Personally, my experience with the public school’s music program was less than ideal. I
grew up with no musical background, and in a country where music classes are very limited.
When I moved to America during high school, music classes were never offered or advertised to
me, so I went through high school with no knowledge of our music program. It was not until my
senior year that I enrolled in music theory accidentally. Currently, I am a music major with a
choral emphasis, all thanks so how versatile and expansive our music program was. This
highlights the major issue between schools and music curriculums. The lack of support for the
music program prevents students like me from discovering their musical aptitude. This paper
discuss the complex issues behind the slow decline of music programs.
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As with any educational curriculum, the focus of the program is on the students. What
benefits do students receive while learning is crucial to determine the effectiveness and value of
a program. In the article “Difference in Executive Functions Development Level between Two
Groups: Preschool Children Who Took Extra Music Classes in Art Schools and Children Who
Took Only General Music and Dance Classes Offered by Preschools”, Larisa Bayanova and
colleagues presented the findings of their research: “Our study revealed that children taking extra
music classes had a higher level of cognitive flexibility, than their peers who took only general
music and dance classes.” This result is critical, as it supports the claimed benefits of music
curriculums with concrete evidence. Bayanova’s findings contradicts common arguments
brought against music classes, such as they are extra and does not help students develop useful
skills. “By using correlation Pleiades, our work revealed that the children who took regular extra
music classes in art schools demonstrated better coordination of the development of different
[Executive Functions] components than children from the ‘general music and dance’ group.”
(Bayanova). Again, she strongly argues that music programs help students develop the necessary
skills much faster and better than others, and therefore they are very important to a child’s
development. Though music may not look as challenging as its relative subjects, research shows
that music challenges students in many unique ways, encouraging them to improve various skills
through entertaining participation.
Although students’ experiences are crucial, parents also have lots of control over what the
students are allowed to study. Parents are the driving force behind the students, therefore their
opinions toward music programs are very important. In Adrienne Rodriguez’s article “Parents’
Perceptions of Early Childhood Music Participation”, she stated: “[Parents] wanted their children
to have early musical experiences and desired to provide their children with opportunities to
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socialize and connect with their local community.” For her studies, Rodriguez created an ideal
musical environment for young children and their parents, with a variety of educational activities
aimed to expose students the various forms of music creation. The result was astoundingly
positive: “Parents enjoyed many aspects of music classes including learning about their child,
their interests and seeing them develop musically. Some participants also noted that their child
developed a sense of comfort or safety in music class” (Rodriguez). These findings further
strengthen the support for music education, emphasizing its importance for both students and
parents. It provides an opportunity for parents to deepen their connection with their children, and
allow the children grow in a safe environment.
Though proven beneficial, the music curriculum still carries many flaws. Specifically, an
investigation was conducted in 2015 on why students do not participate in music courses: “The
results indicated the school music program operated in a manner that blocked opportunities for
enrollment in several ways. These included prerequisites of the music program (instrumentation
and skill), time requirements outside the school day, and associated costs/fees of transportation,
instruments, and trips” (Pendergast). Current music programs proved to be too challenging and
unwelcoming toward beginners. Students and parents are required to invest lots of time and
money to be able to participate, and for some parents this is the defining factor on why they are
hesitant to enroll their students in music classes. Pendergast also mentions: “Both broad social
norms (e.g., ethnicity, gender, and cultural norms) and personal social norms (e.g., family and
friendship groups) seem to have an influence on participation in school music programs. To
illustrate, several scholars have shown that some males are reluctant to sing in school choirs
because of negative cultural stereotypes associated with males and singing.” Currently, problems
that music student faces such as judgments and stereotypes are not being dealt with effectively.
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This results in both the students and parents being reluctant to join music programs, despite its
proven benefits.
In conclusion, music education has been proven to be greatly beneficial, with multiple
research supporting its value toward children’s development and parental involvement. Music
classes can facilitate an incredible learning environment and provides both students and parents
with opportunity for growth. However, there remains issues with higher levels of music
education. The requirements of dedication for both parents and students proved to be a big
challenge for newcomers. Changes needs to be executed, with more support from schools and
programs to encourage new people.
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Work Cited
Bayanova, Larisa, et al. “Difference in Executive Functions Development Level between Two
Groups: Preschool Children Who Took Extra Music Classes in Art Schools and Children
Who Took Only General Music and Dance Classes Offered by Preschools.” Education
Sciences, vol. 12, Jan. 2022. EBSCOhost,
search.ebscohost.com/login.aspx?direct=true&db=eric&AN=EJ1340479&site=edslive&scope=site.
Pendergast, Seth. "Understanding participation in secondary music classes: A literature
review." Update: Applications of Research in Music Education 39.1 (2020): 38-49.
Rodriguez, Adrienne M. “Parents’ Perceptions of Early Childhood Music
Participation.” International Journal of Community Music, vol. 12, no. 1, Feb. 2019, pp.
95–110. EBSCOhost, https://doi-org.proxy.library.ohio.edu/10.1386/ijcm.12.1.95_1.
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