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contempo reviewer part 2

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Overview
The Gawad sa Manlilikha ng Bayan, or the National Living Treasures Award, is conferred on Filipinos
who are at the forefront of the practice, preservation, and promotion of the nation’s traditional folk
arts. This module will introduce you about different National Living Treasures Awards
CONCEPT DEVELOPMENT
In almost all art forms-painting,
sculpture, photography, music,
literature theater, or dance-there is
a subject that serves as the
foundation of the creation of the
work of art. The subject matter is
the most obvious aspect of an
artwork. It is what the work of art
depicts or represents. It may be a
person, an object, a scene, or an
event. The subject provides the
answer to the question: What is the work of art all about? The subject matter of art should
not be the basis for judging works of art. It doesn't mean that representational arts are
superior to non-representational arts. Some arts have a subject, others do not. Furthermore,
works that depict pleasant subjects are not necessarily greater than works that depict
unpleasant subjects. What matters most in art is not the subject matter, but how well the
artist handles or presents that subject matter in his or her work
SUBJECT
-The subject matter is the literal, visible image in a work while content includes the
connotative, symbolic, and suggestive aspects of the image. The subject matter is the subject
of the artwork, e.g., still life, portrait, landscape, etc.
CONTENT
-The content is not subject or things in the work of art but it is the communication of ideas,
feelings and reactions connected with the subject. When we look at an artwork its content is
what is sensed rather than what can be analyzed. It is the ultimate reason for creating art.
Types of Visual Art According to Subject
There are two basic types of Visual Art according to the subject matter.
Representational/Figurative Art
• Representational artwork aims to
represent actual objects or subjects from
reality.
•
They are artworks which are based on
images which can be found in the objective
world, at least in the artist's imagination;
i.e., images which can perhaps be named or
recognized.
• Subcategories under representational
art include Realism, Impressionism
idealism, and Stylization. All of these forms
of representational arts represent actual
subjects from reality.
Painting, sculpture, graphic arts, literature, and theater arts are generally classified as representational,
although some paintings and sculptures are without subjects
Non-Representational/ Non-Objective Art
•
•
•
•
Non-objective art is another way to refer to nonrepresentational art.
Essentially Non-Representational/ Non-Objective Art the
artwork does not represent or depict a person, place, or thing
in the natural world.
Usually, the content of the work is its color, shapes,
brushstrokes, size, scale, and, in some cases, its process.
Many people have difficulty in understanding the differences
between abstract art and non-objective art. The clear
difference lies in the subject matter chosen. If the artist
begins with a subject from reality, the artwork is considered
to be abstract. If the artist is creating with no reference to
reality, then the work is considered to be non-objective.
Architecture is mostly non-objective or non-representational.
It does not depict or portray a subject. It is its own form. Music
is also mostly non-objective or non-representational although some music depicts a subject
Ways of Presenting the Subject Matter in the Visual Art
History
History painting is a genre in painting defined by subject matter rather than an artistic style.
Historical paintings depict a moment in history rather than a subject such as a portrait. The
events depicted in historical paintings
are significant rather than scenes of
everyday life. History paintings can
include a range of subjects and topics.
The paintings often illustrate a part of
a story or a significant event.
Spoliarium (often misspelled Spolarium) is a painting by Filipino painter Juan Luna
Religion
There are many ways of defining religious art.
Religious art is:
1. any artwork that has a Christian or Biblical theme
(Christian art); or
2. any artwork which illustrates the worship of any
god, or deity; or
3. any artwork with an Islamic, Buddhist, Hindu, Sikh,
Juche Judaic, Bahai, Jainist theme, or any art depicting
themes of the Shinto, Cao Chinese religions; or Dai or
traditional
4. any artistic imagery using religious inspiration and
motifs and is often intended to uplift the mind to the
spiritual.
Mythological
Mythological art is a term used to describe art forms that draw on myth for
their subject matter. The characters in myths are usually gods, supernatural
heroes, and humans involved in extraordinary events or circumstances in a
time that is unspecified but which is understood as existing apart from
ordinary human experience.
a. Landscape
The landscape is a painting, drawing, or photograph which
covers the depiction of outdoor or natural scenery such as
mountains, valleys, trees, rivers, and forests. The
composition of a landscape painting is usually a wide view.
The sky is almost always included in the view, and the
weather is often an element of the image.
b. Cityscape
A cityscape is a painting, drawing, or
photograph with urban scenery or the urban
environment as its primary focus. It is the
urban equivalent of a landscape. Townscape
is roughly synonymous with cityscape,
though it implies the same difference in
urban size and density (and even modernity)
implicit in the difference between the wordscity and town.
c. Seascape
A seascape is a photograph, painting, or other work of art which depicts
the sea as is primary subject. By a backward development, the word has
also come to mean the view the sea itself and be applied in planning
contexts to geographical locations possessing a good view of the sea
d. Flora
By definition, flora is a word of Latin origin referring to Flora,
the goddess of flowers. Flora can refer to a group of plants, a
disquisition of a group of plants, as well as to bacteria Flora
is the root of the word floral, which means pertaining to
flowers. A floral art is a painting, drawing, or photograph with
flowers as its primary focus.
e. Fauna
Fauna can refer to the animal life or
classification of animals of a certain region
time period, or environment. Fauna is also of
Latin origin. In Roman Mythology, Fauna was
the sister of Faunus, a good spirit of the forest
and plains. Animal style art is characterized by
its emphasis on animal imagery as its primary
subject matter.
5. Genre
A genre is a painting photograph, or other artistic
representation of subjects from everyday life,
usually small in scale Developed particularly in
Holland in the seventeenth century, most typically
with scenes of peasant life or drinking in taverns.
Genre painting is one of the five genres, or types
of painting, established in the seventeenth
century.
6. Portrait
A portrait is a painting, photograph, sculpture, or other artistic
representation of a person. The intent is to display the likeness,
personality, and even the mood of the person. For this reason, in
photography, a portrait is generally not a snapshot, but a
composed image of a person in a still position. A portrait often
shows a person looking directly at the painter or photographer
in order to most successfully engage the subject with the viewer
7. Nude
The nude figure is mainly a tradition in Western
art and has been used to express ideals of male
and female beauty and other human qualities.
The nude is a work of fine art that has as its
primary subject the unclothed human body. The
nude evokes many contradictory things.
Historically, the nude figure has been seen as
representing innocence and purity as well as
sensuality and sexuality. The artistic nude can
be Apollonian, showing the harmonies of
sacred geometry as embodied in the human
form, or it can be Dionysian, expressing
unconstrained energy or emotion. Power and weakness, pride and shame, pleasure and pain all of these are the experiences
of being in the flesh, and all can be shown in the image of the flesh.
8. Still life
A still life is one of the principal genres or subject types
of Western art. Essentially, the subject matter of a still life
painting or sculpture is anything that does not move or is
dead. So, still life includes all kinds of man-made or
natural objects, cut flowers, fruit, vegetables, fish, game,
wine and so on. Still life can be a celebration of material
pleasures such as food and wine, or often a warming of
the ephemerality of these pleasures and e the brevity of
human life. In modern art simple still life arrangements
have often been used as a relatively neutral basis for the
formal experiment, for example by Paul Cézanne and the
Cubist painters
9. Surrealistic
Surrealists feasted on the unconscious. They believed
that Freud's theories on dreams, ego, superego and the id
opened doors to the authentic self and a truer reality (the
"surreal"). The word "surreal" is associated with strange
juxtapositions or absurd combinations, like those
experienced in dreams. Surrealistic art explores the
marvelous and the irrational as a valid form of reality, in
an effort to make art ambiguous and strange. By giving
impressions to what is in the subconscious, surrealists
compose dreamlike scenes that show an irrational
arrangement of objects. The images are recognizable but
are combined with fantastic and unnatural relationships
Functions
Function refers to the direct and practical usefulness of the arts.
Architecture is directly and almost entirely functional because buildings and other structures
are always built for some special purpose.
Painting and sculpture may be used to narrate events, to portray people or events, to
instruct, to commemorate individuals or historical events.
These art works referred to as utilitarian arts since they are intended for practical use or
utility.
The functions of art normally fall into three categories. These are personal, social, or
physical functions. These categories can and often overlap in any given piece of art.
Physical Functions
The physical functions of art
are most easily dealt with.
Works of art that are created
to perform some service have
physical
functions.
Architecture, any of the
craftworks and industrial
design are all types of art that
have physical functions.
Social functions when it addresses aspects of
collective life, as opposed to one person's point
of view or experience.
The Personal functions of art are the most
difficult to explain in any great detail. There
are many of them, and they vary from person
to person. An artist may create out of a need
for self-expression, or gratification, She or he
might have wanted to communicate a thought
or point to the viewer. Perhaps the artist was
trying to provide an aesthetic experience,
both for self and viewers. A piece might have
been meant to merely entertain others.
Sometimes a piece isn't meant to have any meaning at all Art may serve the personal functions
of control.
MEDIUM AND TECHNIQUE
MEDIUM
Many of the words used in discussions of art are vague because they were drawn from a
common language Form, style, color, and line are all in very general use and so have meanings
other than the special ones we have given them in the vocabulary of art. This was not
formerly true of the word media, but in recent years, it has come to be the case. Nowadays,
everyone speaks of the media. What they refer to are the media of mass communication:
radio, television, newspapers magazines, motion pictures, and so forth. Media is the plural
form of medium. We have the medium of radio, the television medium and broadcasting
media. In the fine arts, we are concerned with painting media, sculptural media, printing
media, and within painting, sculpture, and printmaking the oil medium, the medium of cast
bronze, and the medium of black print. The term medium refers to the materials which are
used by an artist to create works of art to interpret his feelings or thoughts, Medium denotes
the means by which an artist communicates his idea. Many materials have been used in
creating different works of art thus, the medium is very essential in the arts. Without a
medium, there is no art.
Two-Dimensional Media
Drawing
Artists use many different materials, or media, to create
art. In two-dimensional artworks, such as drawing and
painting, artists use media such as crayons, paints,
pastels. and pencils. Drawing is often the first step in
making an artwork.
The most popular drawing media are graphite pencils,
colored pencils, crayons, colored markers, pens, pastels,
and chalk.
Materials
in
Dimensional Media)
•
•
•
•
•
•
•
Drawing
(Two-
Graphite pencils
Colored pencils
crayons
colored markers
Pens
Pastels
Chalk
Painting
Painting is the process of applying
color to a surface such as canvas,
paper, or wood, using tools such as a
brush, a painting knife, a roller, or
even your fingers. All paints are made
up of pigments (colored powders),
binder (a material that holds the
grains of pigments together), and
solvent (a liquid that controls the
thickness of the paint).
Alternative in brush
• Painting knife
• Roller
• Fingers
Printmaking
Printmaking an artist repeatedly transfers an
original image from one prepared surface to
another.
Four main printmaking techniques
Relief Printing in art printmaking, a process consisting of cutting or etching
a printing surface in such a way that all that remains of the original surface is the
design to be printed.
Intaglio printmaking techniques in which the image is incised into a surface
and the incised line or sunken area holds the ink.
Lithography is a printing process that uses a flat stone or metal plate on
which the image areas are worked using a greasy substance so that the ink
will adhere to them by, while the non-image areas are made ink-repellent.
Screen printing is a printing technique where a mesh is used to transfer
ink onto a substrate, except in areas made impermeable to the ink by a
blocking stencil.
Three-Dimensional Media
In three-dimensional artworks, artists
use media, like clay and plastic, to
make solid forms that have height
width, and depth. The sculpture is a
three-dimensional work of art, which
sculptors can use clay, glass plastics,
wood, stone, or metal. Crafts, works of
art created by hand, are often three
dimensional. These objects are
functional as well as decorative. The
different categories of functional crafts
are weavings, quilts, baskets, pottery,
handmade glass objects, and jewelry
Architecture is another three-dimensional art form. It is the planning and creation of buildings
Architects must study engineering, as well as the visual arts, to create buildings that are functional
and pleasing to the eye. They must consider the environment in which a structure will be placed as
well as the strengths of the media they will use.
The sculpture is a three-dimensional work of art, which sculptors can use clay,
glass plastics, wood, stone, or metal
Crafts, works of art created by hand, are often three dimensional. These
objects are functional as well as decorative.
Architecture is another three-dimensional art form. It is the
planning and creation of buildings.
Technological Media
Artists constantly seek out new media,
leading to many new forms of art, such
as photography, film, video, and
computer art. Many artists use
photography to express their artistic
vision.
Photography
Photography is the technique of capturing optical
images on light-sensitive surfaces
Cinematographers
Cinematographers, artists who use movie cameras,
can use many different film media and production
processes to create exciting, artistic films.
Paint programs
Paint programs is the process wherein images are
made by filling in the tiny dots, called pixels, where
the images are stored.
Digital cameras and scanners
Digital cameras and scanners the process wherein
artists can create multimedia art, using computer
software to combine text, graphics, video, and sound
into a single artwork
In the visual arts, organization is governed by different principles of the art design that
guide the artist in making the art become more beautiful and interesting to the
observer. Through the combination of lines, colors, and forms, an artist can give the
observer new, varied, and satisfying experience. The design is the overall
organizational visual structure of the formal elements in a work of art. The principles
of art design are rules or guides to help one put these elements together to achieve
beauty. These principles are:
1. Rhythm
Rhythm can be described as timed movement through
space; an easy, connected path along which the eye follows a
regular arrangement of motifs.
The presence of rhythm creates predictability and order in a
composition. Visual rhythm may be best understood by
relating it to the rhythm in sound.
Rhythm depends largely upon the elements of pattern and movement to achieve its
effects. The parallels between rhythm in sound music are very exact to the idea of rhythm
in a visual composition.
The difference is that the timed "beat" is sensed by the eyes rather than the ears.
Linear rhythm refers to the characteristic flow of the individual line.
Accomplished artists have a recognizable manner of putting down the
lines of their drawings that is a direct result of the characteristic gesture
used to make those lines, which, if observed, can be seen to have a
rhythm of its own. Linear rhythm is not as dependent on the pattern but
is more dependent on the time movement of the viewer's eye.
Repetition involves the use of patterning to achieve timed movement and a
visual "beat" This repetition may be a clear repetition of elements in a
composition, or it may be a more subtle kind of repetition that can be
observed in the underlying structure of the image.
Alternation is a specific instance of patterning in which a sequence of repeating
motifs is presented in turn (e.g. short/long: fat/thin; round/square; dark/light) to
make the artwork more interesting and attractive.
Gradation employs a series of motifs patterned to relate to one another through
a regular progression of steps. This may be a gradation of shape or color. Some
shape gradations may, in fact create a sequence of events, not unlike a series of
images in a comic strip
2. Emphasis
Emphasis is also referred to as a point of focus, or
interruption. It marks the locations in a composition
which most strongly draw the viewers' attention.
Usually, there is a primary, or main, point of emphasis,
with perhaps secondary emphases in other parts of the
composition.
The emphasis is usually an interruption in the
fundamental pattern or movement of the viewers' eye
through the composition, or a break in the rhythm. The
artist or designer uses emphasis to call attention to
something or to vary the composition in order to hold
the viewers interest by providing visual "surprises."
Emphasis can be achieved in a number of ways.
Repetition creates emphasis by calling attention to the repeated
element through sheer force of numbers.
If a color is repeated across a map, the places where certain colors
cluster will attract your attention, in this instance graphing varying
rates of mortality from cardiovascular disease.
Contrast achieves emphasis by setting the point of emphasis
apart from the rest of its background. Various kinds of contrasts
are possible. The contrast of color, texture, or shape will call
attention to a specific point. The contrast of size or scale will as
well. Placement in a strategic position will call attention to a
particular element of a design
The use of a neutral background isolates the point of
emphasis.
3.
Unity
Unity is the underlying principle that summarizes all of the
principles and elements of design. It refers to the coherence
of the whole, the sense that all of the parts are working
together to achieve a common result a harmony of all the
parts. he B Michael Cono Batom (LOBO) by Colored glass
Unity can be achieved through the effective and consistent
use of any of the elements,
4. Balance
Balance is the condition or quality
which gives a feeling of rest repose,
equilibrium, or stability. In art, we
do not exactly arrange objects of
equal physical weights or sizes to
produce balance.
It is the visual weights" of lines,
forms, values, textures, and colors
that we really balance.
It may also be referred to as formal balance.
When the elements are arranged equally on
either side of a central axis, the result is Bilateral
symmetry. This axis may be horizontal or
vertical. It is also possible to build formal balance
by arranging elements equally around a central
point, resulting in radial symmetry
Symmetrical balance called approximate symmetry in which
equivalent but not identical forms are arranged around the
fulcrum line.
Asymmetrical balance, also called informal balance is
more complex and difficult to visualize. It involves
placement of objects in a way that will allow objects of
varying Visual weight to balance one another around a
fulcrum point. This can be best imagined by envisioning a
literal balance scale that can represent the visual "weights"
that can be imagined in a two-dimensional composition.
Proportion
Proportion is the principle which shows the
pleasing relationship between a whole and its parts
and between the parts themselves. It is the
arrangement of space divisions in pleasing
relationships.
Visual Plan of Art
There are other basic plans, organizations, or maps for the way visual arts are designed.
This means, simply, that what we see on the canvas or paper has been pre planned, preorganized, to fit a certain visual pattern. Here are some of the basic visual plans artists
frequently use:
1. The radial plan has its major lines radiating from a center
point. Or you could say that all major lines "point to" a single
place on the canvas.
This single place or center point usually is not in the exact
center of the canvas, but rather off to the side, top, or
bottom.
In fact, occasionally the center point may even be of the
canvas such that we see only the lines converging or pointing toward it, but not the point
itself.
In the radial plan, we can find a strong sense of unity, wholeness, strength, a feeling of
oneness and concentration because everything is focused on one central point or idea.
The pyramidal plan has main elements that form a triangle
(with the point at the top). Many buildings have pyramids as
part of their plan
Rectangular or columnar plan has a main object that forms an
upright or vertical rectangle or column. Most architectural formsbuildings-use this plan in some way. Paintings or drawings of one
human figure from head to toe, of a single tree, and of an entrance
to a building are examples of two-dimensional versions of the
rectangular or columnar plan.
The parallel or bisected plan has two sides that are parallel to each
other, almost as if the basic lines were drawn on one side in wet ink, and
then the sides were folded over to impress the same ink lines on the
right-side.
The mixed plan has two or more of the above plans used
to create its basic form.
The parallel or bisected plan, for example, sometimes
contains two sets of rectangular objects like each other And
the pyramidal may also be parallel if both sides of the
pyramid are similar. Other works of art may use different
plans on different parts of the carivas, all in one work of art.
The mixed plan offers several emotional feelings,
sometimes in harmony with each other and sometimes
competing on purpose
The breakaway plan has elements that break away
from, or disobey, the other plans. It has become
popular especially in the most recent century.
For example, a painting or drawing using a
pyramidal plan may have, on one side, an arm or
tree branch suddenly sticking out toward nowhere.
Or a parallel plan painting or drawing may
suddenly have, on one side, an object that is
glaringly obvious in the way it is not balanced by something similar on the other side. The
feelings we get from such breakaways are a surprise. confusion, and interruption.
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