P EN D R AW I N G A N I L L U S T R AT E D T R E AT I S E P E N AN I BY D R AW I N G LLU STRATED C H A R LES OR ER IN ST R T O R I IN S TR T O R RA IN F M LY UC IN UC IN P EN D LLU W 1 BATES G U B D . MAGINNI IN OSTO N A R ITE S TRAT O G, B T REATISE , A RT S C H O O L C T U RA L C L U B C O VV L E S CH 8 9 9 I L D CO O S TO N M PA NY S C o I> Y IRJ G H T ‘ . BAT E S GU 1 I LD C O MP A NY 8 99 — TH P R I N TBD A T E E x BR E T ? Bo s T O N P R ES S A C "N O WLEDGMENT T o l\ I r D av i d A G regg a n d t o M r B e r t ra m G G o od h u e w h o h av e ge n e ro u s l y m ade s pec i al d rawi n gs fo r t h i s l i t tl e b o o k a n d to t h e P u b l i s h e r s w h have co u rteo u s l y al l o wed m e t o m a ke u s e o f i l l u s t ra t i o n s ow n ed b y the m m y t ha n k s a n d m y co rd i al a c k n o w l e d m e n t s are d ue C D M g . . . . , , o , . . . . LI I F GU 1 T OF I LLU S . 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TRAT I S U . in g en . ” C D M D ra w n fo r C D M D ra w n fo r MA R T I N R I C O Fro m L . . . . . a . D ra w i n g D ra w i n g Pen Pe n ' I /w t m r iafl E xp a zz a/a y fl mer z m fl a C D M Dra w nfo r P e Dra w i n g D A N I E L V l E R C E F r o m Pa bl o d e S é g o v ie by F ra n ci sco d e Qi e e d o (Lé o n Bo n h o e Pa r i s ) F r om L [l f i E p fz y MA R T I N R I CO n . . “ , . v ~ ur : ' A? . Amer i m / m \ LI-R E D B R E ~ ‘ NNAN . F r om ry C o N Yo r k ) F r om LES L I E W I LL SO N tu : uf r / at : i k Me on i x ( S t Nl f/J o/d f T a oz a hC l e ew . c Up ’ L o n ( en don ) AG E v iii L I ST OF ILLUSTRATIONS D R A W I N G F R O M P H O TO G R A P H F r om H p Y N H ar r B r o h r s o r k Al g ) p ( J O SE P H P E N N E LL F r om T h sao n A S m m V o a g b y P h i l i p G i l b r H a m r o n (S l ar . ' t e a z zne a e “ e, y ” ee e v t e t er u e: e e er f ew : . ’ C o Lo n d o n ) A S mm J O S E P H P E N N E L L F r o LT h S é ” V o ya g by Ph i l i p G i l b r t H a m r t o n (S e l Co : L o n d on ) J O S E P H P E NN E LL F r om H p M g z u e (H B r o t h e r s Ne w Y o r k ) pe E D A NT A N F r o m L / l t ( Par i s ) F r om G z e t t Be x A t J F R A FF A ELL I ( Pa r i s ) C D M D ra w n fo r P Dra w i n g D A G R EG G F r om “ A r c h i t e c t u ra l R e n d e r ” i n g i n P e a n d I k b y D A G r e g g (T i c k n o r m : ‘ . e, ar . r e ev e e er ’ er u one : e ' r a z ar au r a : ’ . r . _ . ’ a . e a eIr : . . . . en . . . n DA N I E L n VI E R G E . , Fr o m . . Pa b l o d e S é g o v ie , by L o n i s é B o n h o u re : ) ( ” DA E ERGE F om b l o d e S é g o v ie , by F n ci s co d e Que v e d o (Lé o n Bo n h o u r e : i s) H A R R FE F om Tb e Cen t u ry M a g a z ine h e C e n t u y Co : Ne w Y o k T ) ( F r a n c I s c o d e (E ra N I L VI eve r . Y do Par Pa Pa r NN r r r R EG I NA LD B I RCH F r om Ta C yM g h Y T C n r C o N o r k ) ( JOS E PH P F r om Tb C y M g h Y T C n r C o N o r k ( ) B E R T R A M G G O OD H U E F r o m Ta A / i R i G i l d Co Bos o n ) (B a s J OS E P H P E N N E L L F r om C har i n g C r os s ” Pa l s by J s i n M C h (S l . e . e e tu y e e e . . tu y az e n t ur a a z zne ew : e . . e v ew a ew : E NN ELI te u reJ teet ur a / t : to . u ’ , Lo n d o n ) LE A R RAV E ON D u t P . G JE A N N I O T . c N HILL don ) DA NIEL VIERGE F ra n ci sco d e Q . Fro m a rt Fro m ee e y V P ' ze é Pa b l o d - e Me Up St . Co L on ( S é g o v ie , by (Lé on Bo n h o u r e : Par i s ) F r o m La V i e M od er n e (Par i s ) e vedo . in e en t u r LI ST PO R C H ILLUSTRATI O F AN or E NGLISH CHU RC H F ro m . O NS a Ph o D A G R E G G D ra w n fo r P e n D ra w i n g N O R M A ND Y M OA T H O US E F r o m a P h o t o g ra p h ” C D M D ra w n fo r P e n D ra w i n g S T R E E T I N H O LL A ND F r om a Ph o t o g ra p h “ C D M D ra w n fo r P e D ra w i n g C D M D ra w n fo r P e n D ra w i n g G E O R G E F N E WTON F r o m C a t a l og e o f t h e Ph i l a d e l p h i a B os t o n F a c e B r i ck Co (B os t o n ) C D M D ra w n fo r P e n D ra w i n g C D M D ra w n fo r P e n D ra w i n g F R A N " E W LL I F r om Ti mE ng in ee i g R e a H A R R Y AL L A N J A C OB S F r o m T/ e A e/ it eet u / R ev i w ( B a t e s 82 G u i l d C o : B os t on ) D A G R E G G F r o m “ A r c h i t e c t ra l R e n d r ” i n g i n P e a n d I k b y D A G r gg (T i ck n o r C o : B os t on ) D A G R E G G F r o m Tb B i ké i/ (R og e r s M a n so n : Bos t on ) H E R B E R T R A I L TO N F r o m Co a c h i n g D a ys a n d ” b y W O u t ra m T r i s t ra m (M a C o c h i g Wa ys m i l l a n Co : L n don) o D A G R EG G F r om Yke A t e i n A / t eet B i l d i n g N h ew s T e Am e r i ca n Arc h i te ct a n d ( C o : B os t o n ) W I L L I A M CA MP B E L L F r om Tb e A e z e n A b i t e t (T h e A m e r i c a n A r c h i t e c t a n d B i l d i n g N e w s Co : B o s t o n ) H E R B E R T R A I L TON F r o m Co a c h i n g D a ys a n d ” Co a c h i n g W a s b W O t ra m T r i s t ra m (M m i l l a n 3 C o L o n d on ) A F J C C C I F r om Tb e Ce t y M g z in h C o T e Cen tur : Ne w Y o r k y ) ( C L AU D E FA Y E TT E B R AG DO N F r om Tb e B i ti t on bu ild R o B os e r s " Ma n s o n g ) ( H A R E Y E L L I S F r om Tb e I n l n d A / it e et (Th I n l a n d P b l i s h i n g C o : C h i c a go ) . . . - . . . . . n . . . . . . u . . . . . . . . . s. A . . r n y . r ’ e er J ra e . . n . n , . e . e . . e u . r e ’ a er u . a n r ea n . . . c . , r e Jz u rn . r rt a u e . . y . y u . ac : 4 . , A A n ur . a a e . r t . : er V . u a rey e ix LI C ST E . ILLUSTRATI O F M A LL OW S . Fro m . L o n d o n ( ) O NS Yke Br i m /2 Ar eb z t e t t D M D ra w n fo r P e D ra w i n g D M D ra w n fo r P e D ra w i n g D M D ra w n fo r P e n D ra w i n g D M D ra w n fo r P D ra w i n g A B F R OS T F r om S ié ne M g z zn e (C h a l e Scri b ner S o n s : Ne w Y o r k ) AL F R E D G J O N E S F r om a B oo k Pl a t e W A LTE R A P P L ETO N CL A R " F r o m S e ié n er t M g z in e (C h ar l e s S c r ib n e r s S on s : Ne w Y o r k ) A C A M P B E LL C o s F r o m Qu t i L t in (Par i s) MUC HA F r o m a P os t e r D e s i gn “ H O W A R D P YL E F r om O t t o of t h e S i l v e r ” Hand b y H o w ar d P yl e (C har l s S c r i b n e r 3 S on s : Ne w Y o r k ) W I L L H B R A DL EY F r om a P sre D e sig n fo r Tbe C b p B aé (H e r b e r t S S t o n e "C z C h i c a go ) P J B I LL I N G H U R S T F r om” a B oo k P l a te BE G F r om a P os t r De T F B R OT H E R S S i gn F r o m a D si g n f t h e E D W A R D P E N FI E L D ” P os t r C a l e n d ar (R H R s s l l 8 S o n N w Yo r k ) RHEAD F r o m a P os t r D s i gn fo r LO U I S J d bo g s P r f m e s L W te S I M PSO N F r o m a B ook P l a J C C C C . . . n . . . n . . . . . . . en . ’ r tr . ’ a J a r 5 . . ’ r . a s ’ a R . s ar . a er . . e , . a . ' o - r o . o . . . GAR S AF e . e . . un . r ’ e . . u e u : : e . or e . . ’ e e O N C I T E N T S S tyl e i n P e n D raw i n g II M a te r i al s III T ech n i q u e IV Val u e s V P r ac t i ca l P ro b l e m s VI A rc h i t ec tu r a l D r aw i n g VI I D eco ra t i ve D r aw i n g . . . . " — . — . . . CHA S TYLE I N it s Art w i th P P TE R E N I D RAW I N G fi n i t e m ea n s ca n n o t h o p e t o r e co r d t h e i n fi n i te v a r i e t y a n d co m p l ex i ty o f N a t u re a n d s o c o n t e n t s i t s el f w i t h a p a r t i al s t a t e m e n t addres s i n g t h i s t o t h e i m agi n a t i o n fo r t h e fu l l a n d p erfec t m e a n i n g T h i s i n ad eq u a t i o n a n d t h e a r t i fici a l adj u s t m e n t s w h i c h i t i n v o l v e s a re to l e r a te d b y r i gh t o f w h a t 1 3 k n o w n a s a rt i s t i c co n v e n t i o n a n d a s eac h a r t ha s it s o w n p a r t i cu l a r l i m i ta t i o n s s o eac h h as i t s o w n p ar t i cu l a r co n ve n ti o n s S cu l p tu re r e p ro du ce s t he fo r m s o f N a t u re b u t d i scard s t h e c o l o r Wi t h o u t a n y s h o c k t o o u r i dea s o f v er i ty P a i n t i n g gi v e s u s t h e co l o r b u t n o t t h e t h i rd d i m e n s i o n a nd w e a re s a t i s fied ; a n d A rc h i t ec t u r e i s p u r ely co n v e n t i o n a l s i n ce i t d o e s n o t eve n ai m a t t h e i m i t a t i o n o f n at u r a l fo rm T/ O f t h e k i n d red a rt s wh i c h gr o u p t h e m s e l ves 0 u n d e r t h e h ead o f P a i n t i n g n o n e i s ba se d o n 2 2n 7 s u c h b ro ad co nv e n t i o n s a s t ha t w i t h wh i c h we D f a re i m m ed i a te l y co n ce r n ed the art of Pen D r a wi n g I n t h i s m ed i u m N a tu re s va ri e ty o f c o l o r wh e n n o t p o s it iv e l y ig n o r e d l S s u g ge s ted b y m e a n s o fs h a r p b l ac k l i n es o fv a r y in g th i c k n es s p l aced m o re o r l es s c l o s el y t oge t h e r , , , , . , , , , . , , , , . Ie 0 , r — ’ . , , , , , aw r PEN DRAWING 2 u p o n w h i te p ape r w h i l e n a tu ral fo r m d ep e n ds p r i m a ri l y fo r i t s r ep re s e n ta t i o n u p o n a rb i t rary b o u n da r y l i n es T h ere is o f c o u rs e n o a u t h o r it y I n N a t u r e fo r a p o s i t i v e o u tl i n e we fe r e n ce i n c o l o r of s e e o bj ec ts o n l y b y t h e d i f t h e o t he r o bj ec t s b e h i n d a n d a ro u n d t h e m T h e tec h n i cal cap a c i ty o f t h e p e n a n d i n k m ed i u m h owev e r d o e s n o t p ro vi d e a val u e co rres p o n d i n g t o ev e r y n at u ral o n e s o t h a t a b ro a d i n te r p re ta ti o n h a s t o b e a do p ted w h i c h e l i m i n a te s t h e l es s p o s i t i v e v a l u es ; a n d t h a t fo r m m ay n o t l i kew i s e b e s acr i fi ced t h e o u t l i n e b ec o m es n ece s s a r y t h a t l i gh t o bj ec t s m ay s ta n d r el i ev e d a gai n s t l i gh t T h i s o u tl i n e i s t h e m o s t ch ar a c te r i s ti c a s i t is t h e m o s t i n d i s p e n s ab l e o f t h e co n ve n t i o n s o f l i n e d r a w i n g T o s ee k t o ab o l i s h i t o n l y i n vo l ve s a r es o r t t o exp ed i e n t s n o l e s s a rti fic i al a n d t h e r es u l ts o f al l s u c h a t te m p ts d ep e n de n t a s t h e y n eces s a ri l y a re u p o n el ab o r a t i o n o f co l o r a n d a ge n e r al i n d i r ec t n es s o f m e th o d l ac k s o m e o f t h e b es t c h a r a c te ri s t i cs o f p e n d ra wi n g M o r e fr e q u e n tl y h o wev e r a n el ab o r a te c o l o r sc h e m e is m e rel y a s t r a i n i n g a t t h e t ech n i ca l l i m i t a t i o n s o f t h e p e n i n a n e fTo r t t o r e nd e r t h e g r e a te s t p o s s i bl e n u m b e r o f v al u es I t m ay b e w o r th wh i l e t o i n qu i re wh e th e r exce l l e n c e i n p e n d raw i n g co n s i s t s i n t h u s d i s w i t h i t s rec ogn i z ed c o n ve n t i o n s o r i n e n s in p g o t h e rwi s e t a xi n g t h e t ech n i cal res o u r ce s o f t h e i n s t r u m e n t T h i s i n v o l ve s t h e q u es t i o n o f , . , , . . , , , , , , . , . , , , , , . - , , . , . L E IN STY S tyl e , P E N DRAWING 3 f w ha t c h ara c ter i s t i c p e n m e t h od s q u es t i o n w h i c h we w i l l b r i efl y co n — o a re a S i der I t is a r ecogn i z ed p r i n c i p l e t h a t eve r y m e d iu m o f a r t exp res s i o n S h o u l d b e t re a ted w i t h d u e r eg ar d t o i t s n a tu re a n d p r o p er t i es T h e s c u l p t o r v ar i e s h is tec h n i q u e a cco r d i n g a s h e wo r k s i n wo o d g ra n i t e o r m a rb l e t h e p ai n te r h a n dl e s h i s wa te r c o l o r i n q u i te a n o t h e r m a n n e r t h a n t h a t h e wo u l d e m p l o y o n a n o i l p a i n t i ng o ft h e s a m e s u bj ec t ; a n d th e a rc h i tec t w i t h t h e s u b tl e s e n s e o f t h e c r a fts m a n ca r r i e s t h i s p r i n c i p l e t o s u c h a fi n e i s s u e a s t o i m p ar t a n i n d i v i d u a l exp re s s i o n ev e n t o p a r t i cu l a r w o o d s H e k n ow s t h a t w ha t m ay b e a n a d m i r a b l e d e s i g n w h e n execu ted i n b r a s s m ay b e a v e ry b ad o n e i n w ro u gh t i ro n a n d i s s u r e t o b e a n a b s u rd i ty i n w o od A n a r t i s t i c m o t i v e fo r a t o o is l i kel y t o p r ov e u gl y fo r S i l ver fl ago n p o t te r y o r c u t gl a s s a n d s o o n T here i s a ge n i u s b o r n o f i t s p a rt i cu l a r p r o p e r t i es i n ev e r y m ed i u m w h i c h de m a n d s i n d i v i d u a l ex p re s s i o n O b s e r v e t h e r efo re th a t A r t is n o t s a ti sfi ed w i t h m ere u n rel a ted beau ty o f fo r m o r co l o r I t r eq u i res th a t t h e r es u l t c o n fes s s o m e se n s i bl e r el a t i o n t o th e m e a n s b y w h i c h i t h a s b ee n o b ta i n ed ; a n d i n p r o p o r t i o n a s i t d o e s th i s i t m ay c l a i m t o p o s s es s th a t i n d i v i du a l a n d d i s t i n ct i v e c h a rm w h i c h w e cal l ” “ S ty l e I t m a y b e s ai d t h e r efo r e t h a t t h e tec h n i cal l i m i ta t i o n s o fp a r t ic u l a r m ed i u m s im — , . . , , — - , , . - . , , - . , . , , , . , , . , . , , PEN DRAWING p o s e wha t m i gh t p ro pe rl y b e cal l ed n a t u ral co n v e n ti o n s ; a n d wh i l e m i sgu i ded a m b i t i o n m ay se t th es e co n v e n t i o n s as i d e t o h a m m e r o u t e fie c t s fro m a n u n w i l l i n g m ed i u m t h e t ri u m p h i s o n l y m ech a n i ca l ; A r t d o es n o t l i e t ha t w a y O u gh t th e p e n t lie n t o b e p e rs u ade d I n to t h e r o v m c e o f t he b ru s ii 9 S i n ce th e n a tu res o f p t h e two m ea n s d i ffer i t d o es n o t s tu l t i fy t h e wa te r co l o r t ha t i t ca n n o t r u n th e deep ga m u t o f o i l E v e n ift h e c h u rch o rga n b e th e gra n d c s t a n d m os t co m p re he n s i ve o f m u s i cal in s t r u m e n ts we m ay s t i l l b e p e r m i t ted t o ch e ri s h o u r p i a n o E ac h h as it s o w n s p h e re i t s o w n r e a s o n fo r b ei n g S o o f th e p e n t h e p i ccol o fl u te o f t h e a r ti s t i c o rch es t ra L e t i t p i p e it s h i gh t reb l e a s m e r ri l y a s i t m a y b u t d o n o t co e rce i t i n to m i m i c k i n g t h e b as s o o n P e n d rawi n g i s m o s t a p t to l o s e I t s i n d i v i d w h e n i t b egi n s t o as s u m e t h e ch a rac te r u a l it y is t ic s o f was h d raw i n g s u c h as a n e l ab o ra te m as s i n g o f gray s s m al l l i gh t a reas a n d a ge n e ral i n d i rec t n es s o f m e th o d A p ai n te r o n ce to l d m e th a t h e was a l m o s t afra i d t o h a n d l e the pen I t i s s o fearfu l l y d i rec t h e sa i d H e u n d e rs to o d t h e i n s t ru m e n t ce r t a i n l y fo r i f t h e re i s o n e c ha rac te ri s t i c m o re t h a n a n o t h e r wh i c h s h o u l d d i s t i n gu i s h p e n m e t h o d s i t i s D i T h e n a t u re o f t h e p e n s ee m s t o re c t n e ss m a rk a s i ts p ecu l i a r fu n c t i o n t h a t o f p i c k i n g o u t t h e real l y V i tal fea tu re s o f a s u bj ec t P e n d raw i n g h as b ee n ap tl y term ed t h e s h o r t ha n d ‘ , . , . , ‘ — — . . , . , . , . ’ — , , , . , . , , , ‘ . . PEN DRAWING 6 o f A rt ; th e ge n i u s o f th e p e n p o i n t i s e s s e n t ia l l e p i to m e y I f w e t u r n t o t h e b ru s h w e fi n d i ts cap ac i ty S u ch t h a t a h i gh l i gh t m ay b e b ro u gh t do w n t o a m i n u t e frac t i o n o f a n i n c h w i th a few s wi ft s tro ke s o f I t wh e reas t h e t ed i o u s l ab o r n o t t o s p ea k o f t h e ac tu al tec h n i ca l d i ffic u l t i e s e n co u n t e red i n a t te m p t i n g s u c h a n e ffec t o f co l o r w i t h p e n a n d i n k i n d i ca tes t h a t w e a re fo rc i n g t h e m ed i u m M o reove r i t i s t e c h n i cal l y i m p o s s i bl e t o rep ro d u ce w i t h t h e p e n t h e l o w v al u e s w h i c h m ay b e o b ta i n ed w i t h th e b ru s h ; a nd i t i s u n w i s e t o a t te m p t i t T h e way fo r e x a m p l e i n w h i ch M r J o s ep h P e n n el l h a n d l es h i s p e n as co m p a red w i t h t h a t i n w h i ch h e h a n dl e s h i s b ru s h i s mo s t i n s t ru c t iv e as i l l u s t ra t i n g w h a t I h av e b ee n m a i n ta i n i n g H i s p e n d raw i n gs a re p i tch ed i n a h i gh k e y b ri l l i a n t b l ack s a n d l arge l i gh t a reas w i t h o fte n j u s t e n o u gh h al f to n e t o s o fte n t h e e ffec t H i s was h d raw i ngs o n th e co n t ra ry' are s o u t te rl yr d ifTe r e n t i n m a n n e r as t o h a v e n o t h in g i n co m m o n w i t h t h e o th e rs d i s ti n gu i s h ed as t h e y a re b y m as s e s o f l o w t o n e a n d s m al l l i gh t a reas C o m p a re F i gs I a n d 5 O bs erve th a t th e re i s n o s tra i n i n g a t t h e tec h n i cal capac i ty o f t h e p e n o r o f th e b r u s h ; n o a t te m p t t o o b tai n a n e iTe c t i n o n e m ed i u m w h i c h s ee m s t o b e m o re n a tu ra l l y adap ted t o t h e o th er I n d i i s i m p ar ted t o eac h by a fra n k co n V id u a l it y ces s i o n to it s p ecu l i ar ge n i u s — . , , , , . , . . , , . , , - . — , , , . . . LE STY FIG . IN P E N DRAWING 7 M AX I M E L ALA N N E 2 I h av e sa i d t h a t t h e ch i ef c harac te ri s t i c o fp e n m e th od s i s D i rec t n es s I th i n k I m a y n o w . sa y t h a t t h e ch i e f e l e m e n t o f s ty l e 1 3 E co n o m y o f M e a n s T h e d raw i n g b y M M axi m e L a l a n n e s h o w n i n F i g 2 i s a n e x cel l e n t exa m p l e o f t h i s eco n o m y ca rr i ed t o i t s e x t re m e Not a s tro k e co u l d b e s p ared s o d i rec t a n d s i m p l e i s i t a n d y e t i t i s s o co m p l e t e a n d h o m oge n o u s t h a t n o t h i n g co u l d b e add ed to m a k e i t m o re s o T h e a r c h it e c t u r e is l eft w i th o u t c o l o r a n d ee l th a t i t i s n o t w h i te y e t we a re m ad e t o f th i s s u b tl e s u gge s ti o n o f l o w c o l o r b e i n g o h t a in e d b y a ca re f u l av o i d a nce o f a n y S t ro n g bl ack n o tes i n t h e re n d e ri n g w h i c h wo u l d h av e i n te n s i fi ed t h e wh i tes a n d l i gh ted u p t h e p i c tu re F ig 3 b y th e sa m e a rt i s t i s ev e n m o re . . . . , , . , , . . , , STY F IG . LE I N P E N DRAWING FROM 4 . 9 A P H OT OG R A P H n o tab l e by reas o n o f t h e m as te rl y b r e ad th w h i c h c h arac te r i z e s th e t rea t m e n t o f a m o s t co m p l i ca ted s u bj ec t A co m p a r i s o n o f t h es e wi t h a d raw i ng o f t h e R e s to ra t i o n H o u s e a t R o c h es te r E n gl an d F i g 4 is in s t r u c t iv e I n t h e l a t te r t h e m e th o d is al m o s t p a i n fu l l y el a b o r a te ; n o t h i n g o f t h e e ffec t i s o b ta i n ed b y su gges t i o n T h e tech n i q u e i s va r i ed a n d in . , , . , . , . PE Io t e r e s t in N DR AWING b u t t h e w h o l e d r aw i n g l a ck s th a t g i n d i v i d u al s o m e th i n g w h i c h we cal l S t y l e I n the L a l a n n e d r a w i ngs we s e e fo l i age co n v in c in l rep res e n ted b y m ea n s o f t h e m e re g y o u tl i n es a n d a few s u b tl e s tro kes o f t h e p e n Th e re i s n o a t te m p t a t t h e l i t e ral re n de r i n g o f n a t u r a l o bj ec ts i n d e ta i l al l i s acco m p l i s h ed by su gges t i o n : a n d w h i l e I d o n o t w i s h t o b e u n d ers to o d a s i n s i s t i n g u p o n s uc h a s ev e rel y s i m p l e s ty l e m u c h l e s s u p o n t h e p u ri s t t h eo ry th a t t h e fu n c t i o n o f t h e p e n i s co n cern ed wi th fo r m a l o n e I w o u l d i m p res s u p o n t h e s tu de n t t h a t L a l a n n e s i s i n co m p a rab l y t h e fi n e r m a n n e r o f t h e tw o B e twee n t h es e two ex t re m es o f m et h o d t h e re i s a w i d e l a t i t u d e fo r i n d i v i d u a l c h o i ce C o n t r a s t w i t h t h e fo rego i n g t h e acco m p a n y i n g p e n d raw i n g b y M r P e n n el l F i g 5 w h i ch g i ves a , . . . , , , ’ . . fl . F IG . 5 , . , J O SE P H P E N N ELL STY LE IN PEN DRAWING I I fa i r i d e a o f t h e m a n n e r o f t h i s a d m i ra b l e s t y l i s t C o m p a r ed w i t h t h e s ke tc h e s b y L al a n n e i t h as m o r e r i ch n e s s o f co l o r b u t t here i s t h e s a m e fi n e r es t ra i n t t h e s a m e n i ce r ega r d fo r t h e i n s t r u m e n t T h e s t u de n t w i l l fi n d i t m o s t p r o fi t a b l e to s tu d y t h e wo r k o f t h i s m a s te rl y pe n m a n B y way o f w a rn i n g h owever l e t m e re m i n d h i m h e re t h a t i n s tu dy i n g t h e w o r k o f a n y acco m p l i s h e d d r a u gh t s m a n h e is s e l ec t i n g a s t y l e fo r t h e s t u d y o f p ri n c i p l es n o t t h a t h e m ay l e a r n t o m i m i c s o m eb o d y h owev er exce l l e n t t h e s o m eb o d y m ay b e ; t h a t h e m u s t t h ere fo re d o a l i t tl e t h i n ki n g h i m s el f ; t h a t h e h a s a n i n d i v i d u al i ty o f h is ow n w h i c h h e d o e s n o t co n fes s if h i s w o rk l o o k s l i k e s o m e o n e s e l s e a n d fi n al l y th a t h e h a s n o m o re r i gh t t o co n s c io u s l a p p r o p r i a te t h e p ecu l i ari ti es o f an y o th er s s t y l e t h a n h e ha s t o ap p r o p ri a t e h is m o re ta ngi bl e p ro p e r ty a n d n o m o r e r eas o n to d o s o tha n h e h a s t o wa l k o r ta l k l i k e h i m . , , . . , , , , , , , ’ , , , . A A d m,“ CH APTER II M A T E R I A L S E v er y i l l u s t ra to r h as h i s s p ec i al p red i l ec t i o n s i n t h e m at te r o f m a t e r ia l s j u s t a s h e h as i n t h e m a t te r o f m e th o ds T h e p u r p o s e o ft h is ch ap te r i s t h e refo r e ra t h e r t o a s s i s t t h e c h o i ce o f t h e s tu de n t by l i m i t i n g i t t h a n t o c h o o s e fo r h i m I t w o u l d b e adv i s ab l e fo r h i m t o b e c o m e a cq u a i n ted wi t h t h e v a ri o u s m a te ri al s t h a t I m a y h av e o cc a s i o n t o m e n t i o n ( al l of t h e m ar e m o re o r l es s e m p l o ye d b y t h e p r o m i n e n t p e n m e n ) a n d a p a r ti a l i t y fo r p ar t i cu l a r o n e s w i l l s o o n devel o p i ts el f H e i s rem i n d ed h owev e r t h a t i t i s eas i l y p o s s i bl e t o exagge r a te t h e i n t ri n s i c v al u e s o f p e n s a n d p a p er s ; I n fac t t h e b egi n n e r i n v ari ab l y exp ec ts t o o m u c h fro m t h em O f co u r s e h e S h o u l d n o t u s e a n y b u t t h e b es t ev e n V i erge co u l d n o t m a k e a go o d d rawi n g wi t h a bad p e n bu t the ar t is t i c V i r tu e s o f a p a r t i cu l a r I n s t ru m e n t ar e n o t l i kel y t o d i scl o s e t h e m s el v e s I n t h e r u d e sc ra tch i n gs o f t h e b egi n n e r H e h a s t o m a s te r i t t o ” b rea k i t i n e re h e c a n d i s co ve r o f wh a t ex c e l l e n t s e rv i ce i t i s cap a b l e T h e s tu de n t w i l l fi n d t h a t m o s t o f t h e s t eel p e n s m ade fo r a rt i s ts h av e b u t a s h o r t p e ri o d , . , , . 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" 1 P E N 4 DRAWING u n des i rab l e fo r ge n e ral u s e A s h ad e b i g ge r t ha n th i s i s th e G il l o t t 30 3 a v ery go o d av e rage s i z e N e i t h er o f t h e s e two p o s s es s es t h e s e n s i t i v e n es s o f t h o s e p re v i o u s l y m e n t io n e d b u t fo r wo rk d e m a n d i n g m o re o r l es s u n i fo rm i ty o f l i n e t h ey w i l l be fo u n d m o r e s a t i s fac t o ry T h e s m al l e r p o i n ts are l i ab l e t o l ead o n e i n to t h e q u agm i re o f fin ic a l n e s s W h e n we ge t b e y o n d t h e n ex t i n s i z e t h e t h ere I s n o t h i n g ab o u t th e c o a rs e G il l o t t 4 0 4 s tee l p o i n ts t o es p ec i al l y co m m e n d th e m fo r ar t i s t i c u s e T h ey are u s u al l y s tu p i d u n rel i abl e a ffai rs w h o s e real l y v al u ab l e exi s te n ce i s ab o u t fi ftee n w o r k i n g m i n u tes F o r deco ” “ s tu b r a t iv e d rawi n g t h e o rd i n ar y c o m m e r c i al w i l l b e fo u n d a v e r y s at i sf ac to ry i n s tru m e n t O f co u rs e o n e m a y u s e s ev e ral S i z e s o f p en s i n t h e sa m e draw i ng a n d i t i s o fte n n ec es s ary t o d o so B efo re l eav i n g t h e s teel p e n s t h e do u b l e l i n e p e n m a y b e m e n ti o n ed t h o u gh I t h a s o n l y a l i m i ted s p h ere I t I s a tw o p o i n ted a rra nge m e n t p rac t i ca l l y two p e n s i n o n e b y m ea n s o f wh i ch p aral l e l l i n es m a y b e m ad e wi t h o n e s t ro ke R a th e r i n tere s t i n g e ffec ts ca n b e o b t a in e d w i t h i t b u t o n t h e w h o l e i t i s m o s t v al T h o u gh s o m ewh a t o u t o f u a b l e as a cu ri o s i ty fas h i o n fo r ge n e r a l u s e t h e q u i l l o f o u r fath e rs i s fa v o red b y m a n y i l l u s t ra to r s I t I s s pl e n d id l y adap t ed fo r b ro ad v i go r o u s re n deri n g o f fo regro u n d e ffec ts a n d I s a l m o s t d an ge r o u sl y . , . , . . , , , . , . . , . , , . , , . , . , . , , MAT ERIALS 1 . 5 eas y t o h a n d l e R eed p e n s Wh i c h h av e s o m e wh a t s i m i l a r v i rtu e s a re n ow l i t t l e e m p l o y ed a n d ca n n o t b e b ou gh t T h e y h av e to b e cu t fro m t h e n a tu ral reed a n d u s ed w h i l e fres h F o r m a n y u se s i n d eco ra t i v e d raw i n g o n e o f t h e m o s t s a ti s fac to ry i n s t r u m e n t s is t h e gl as s p e n w h i c h gi ve s a n ab s o l u te l y u n i fo r m l i n e T h e p o i n t b e i n g rea l l y t h e e n d o f a t h i n t u b e t h e s t ro ke m a y b e m ade i n a n y d i rec t i o n a m o s t u n i q u e ch a rac te ri s t i c i n a p e n I t h a s h owever t h e d i sadva n tages o f b e i n g fri ab l e a n d exp e n s iv e ; a n d as i t n eed s to b e kep t cl ea n t h e p a te n t wate r p ro o f i n k s h o u l d n o t b e u s ed wi t h i t u n l es s a bs o l u tel y n eces sa r y A fl a t p i ece o f co rk o r r u b b e r s h o u l d b e p l aced i n s i de t h e i n k b o t tl e w h e n t h i s p e n i s u sed o t h er w i s e it i s l i ab l e t o b e s m a s h e d b y s tri ki n g th e b o t to m o f t h e b o t t l e T h e facu l ty p o s s es s ed b y t h e J ap a n es e b ru s h o f re ta i n i n g it s p o i n t re n de rs i t a l s o av a i l ab l e fo r u s e a s a p e n a n d i t is o fte n s o em p l o yed I n d raw i n g fo r rep ro du c t i o n t h e b e s t i n k is t h a t w h i c h i s bl ack es t a n d l ea s t s h i n y U n t i l a fe w y ea rs ago i t was th e cu s to m o f p e n m e n t o gri n d t h e i r I n di a i n k t h e m s el v es ; b u t b e s i de s th e d iffic u l t y o fa l w a ys e n s u r in g t h e p r o p e r co n s i s te n cy i t wa s a cu m be rs o m e m e t h od a n d i s n o w l i t tl e re s o r ted to es p eci a l l y a s n u m ero u s exce l l e n t p repa re d i n k s a re r ead y t o h a n d T h e “ b et te r k n o w n o f t h ese p rep a red i n k s a re H ig gi n s A m eri ca n (ge n e ral a n d wa te rp ro o f ) . , , , . , . , , , . , , , , - . - , . , . , . , , , , . , I , h is PEN DRAWING ’ ” “ “ B o u rgeo i s E n cre de C h i n e L i q u i de C ar ” “ ” “ ter s W i n s o r £9 N ewto n s and Row ” n ey s H i ggi n s a n d C a r ter s hav e t h e ex t r in s ic adva n tages o f be i n g p u t u p i n b o t tl es w h i ch d o n o t t i p o ve r o n t h e s l i gh tes t p r o v o cati o n a n d o f lb e i n g fu r n i s h ed w i th s to p pe rs wh i ch ca n b e h a n d l ed w i th o u t s m ea r i n g t h e fi ngers O th e rw i s e t h ey ca n n o t b e s ai d t o p o s s e s s s u p e r i o r i ty o ve r t h e o th e rs cer ta i n l y n o t o v e r th e E n cre de C h i n e L i q u i de S h o u l d t h e s t u de n t h ave o ccas i o n t o d ra w o v e r sal t p ri n t s h e w i l l fi n d i t Wi s e t o u s e wate r p ro o f i n k as t h e b l eac h i n g ac i d w h i c h 1 3 u s ed to fade t h e ph o to grap h ic I m age m a y o t h e rw i s e cau s e th e i n k t o r u n B ri s to l b o ard 1 3 p r o b ab l y t h e m o s t p o p u l ar o f al l s u rface s fo r p e n d raw i n g I t I s c erta i n l y t ha t m o s t ap p ro v ed b y t h e p ro ces s e ngrave r wh o s e p o i n t o f V i ew i n s u c h a m a t t er th o u gh a p u re l y m ec h a n i cal o n e i s wo rt h y o f c o n s id I t h as a p e r fec t l y s m o o t h s u r face e r a t io n s o m ewh at d i ffic u l t t o e ras e fro m wi t h ru b b e r an d w h i c h h a d b e t te r b e s cratch ed w i t h a k n i fe w h e n a n y co n s i d e rab l e e ras u re i s n ecess ary A s t h e c h eap b o ard s a re m e rel y a padd ing ve n eered o n e i t he r s i de wi th a t h i n co at i ng o f s m o o t h p ap e r l i t tl e s cra p i n g i s req u i red t o dev e l o p a fuzz y s u rface u p o n w h i ch I t I s I m p o s s i b l e t o wo rk O n l y t h e b es t b oa rd s u c h as R e y n o l d s t h e re fo re s h o u l d b e u s ed B ri s to l bo ard ca n b e p ro c u red i n s h ee ts o f va ri o u s t h i ck n es s e s as we l l as i n b l ocks , ’ 7 ’ , , ’ ’ ’ ~ . , . , , . , I . , , , . , , . 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M Wh a t m a ATERIALS x 7 h o t p re s s ed p ap e r a ffo r d s a n o t he r excel l e n t s u rface a n d p o s s es s es s o m e adva n tage s o ver t h e B ri s to l b o ard I t co m es i n s h ee t s o f v ar i o u s S i z es wh i c h m ay b e e i th e r “ tacked do wn o n a b o ard o r e l s e s t retch ed T ack i n g w i l l b e s a t i s fac to ry e n o u gh ift h e d raw i n g i s s m al l a n d is to b e co m p l e ted i n a few “ h o u rs ; o t h e r wi s e t h e p ap e r i s s u re t o h u m p u p es p ec i al l y i f th e weath e r b e da m p T he p ro c es s o f s t re tch i n g i s a s fo l l ow s : F o l d u p th e edges o f t h e S h ee t al l aro u n d fo rm i n g a m a rgi n ab o u t a n i n c h w i de A fte r m o i s te n i n g th e p a pe r t h o ro ugh l y Wi t h a d a m p s p o n ge cov e r t h e u n de r s i d e o ft h is t u r n ed u p m a r g in w it h p h o to grap h i c p as t e o r s t ro n g m u c i l age D u r i n g t h i s o p e rat i o n th e s hee t wi l l h ave s o fte n ed a n d “ h u m p ed u p a n d w i l l ad m i t o f s t re tch i ng N o w t u r n dow n t h e ad h es i v e m argi n a n d p res s i t fi rm l y w i t h t h e fi n ge rs s t re tch i n g t h e p ap e r ge n t l y a t t h e sa m e t i m e A s t h i s es s e n ti al p a r t o f t h e p roces s m u s t b e p er fo rm ed qu i ckl y a n a s s i s ta n t I s req u i s i te w h e n t h e s h ee t 1 3 l a rge C are sh o u l d b e tak e n t h a t t h e pap er i s n o t s t rai ne d t o o m u ch as i t i s t h e n l i kel y t o bu r s t wh e n i t aga i n co n t rac ts A l t h o u gh ge n e ral l y e m p l o y ed fo r wa te r “ col o r d raw i n g W h a t m a n s co l d “p res s ed p a p e r h as s o m e ad va n tage s a s a p e n s u rface S l i g h tl y ro u gh i s h I n tex tu re i t gi v e s a n i n te r e s t i n g b ro k e n l i n e wh i c h I s a t t i m e s de s i rabl e A p ecu l i a r p ap e r w h i c h h as c o n s i de rab l e ’ n s — — . , . . , , . , . . , , . , . , . ’ , , , . 1 PEN DRAWING 8 vo gu e es p ec i al l y i n F ra n ce a n d E ngl a n d 1 3 ” “ wh a t is k n o w n a s cl ay b o a rd I t s su r face i s c o m p o s ed o f C h i n a c l a y gr a i n ed i n v a ri o u s way s t he t o p o f t h e g r a i n be i n g m ar k e d w i th fi n e b l ack l i n es wh i c h g i v e a g ra y to n e t o th e p ape r d a rke r o r l i gh te r a cco r d i n g t o t he c h a r a c te r o f t h e p a t ter n T h i s to n e p rov i des th e m i ddl e t i n t fo r t h e d r a w i n g B y l igh tl y s c rap i n g w i th a S ha rp p e n k n i fe o r sc r a tc h e r b efo re o r a fte r t h e p e n wo rk i s d o n e a m o re d e l i ca te g r ay t o n e m a y b e o b ta i n ed w h i l e v i go ro u s s c rap i n g w i l l p r o du c e a n a b s o l u t e wh i te W i th th e p e n w o r k a d d e d it w il l b e s ee n t ha t a go o d m a n y v al u es a r e p o s s i b l e ; a n d i f t h e d r a w i ng b e n o t r ed u ced m o re t h a n o n e t h i rd i t w i l l p ri n t exce l l e n tl y T h e gra i n ru n n i n g a s i t d o es i n s t r a i gh t l i n es o ffe rs a go o d dea l o f o b s t ru c t i o n t o t h e p e n h ow ev e r s o t h a t a real l y go o d l i n e is i m p o s s i b l e T h i n l e t ter p ap e r is s o m e t i m e s reco m m e n d ed fo r p e n a n d i n k wo rk c h i e fly o n acco u n t o f i ts t ra n s p are n cy w h i c h o bv i a te s t h e n eces s i ty o f r e d rawi n g a fte r a p rel i m i n a ry s ke tc h h as bee n wo rk ed u p i n p e n c i l O v er t h e p e n c i l s tu dy a s h ee t o f t h e l e t te r p a p e r is p l a ced o n w h i ch t h e fi n a l d raw i n g m a y b e m ade w i t h m u ch del i be ra t i o n B o n d p ap e r h o wev er p o s s es s e s th e s i m i l a r adv a n tage o f t ra n sp are n cy b es i de s a ffo rd i n g a b e t te r t ex tu re fo r t h e p e n , , — . , , , . — . , , , . 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C H A P TE R I II T E C H N I QU E T h e fi rs t req u i re m e n t o f a go o d p e n tech n i qu e is a go o d I n d i v i d u a l L i n e a l i n e o f fe el i n g a n d q u a l i ty I t i s u s u al l y a s u r p r i s e t o t h e b egi n n e r t o b e m ad e awa re t h a t t h e in d i v i d u al l i n e i s a t h i n g o f co n s eq u e n ce a s u rp r i s e d u e w i th o u t do u b t to t h e ap p a re n tl y care l es s m e t h o d s o f s o m e s u cces s fu l i l l u s t r a t o rs I t i s t o b e b o r n e i n m i n d h ow ev e r th a t s o m e i l l u s t ra to rs are s u cces s fu l i n s p i te o f t h e i r tech n i q u e r a th e r t h a n b ecau s e o f i t ; a n d a l s o t h a t t h e ap p a r e n tl y free a n d eas y m a n n e r o f s o m e a d m i r ab l e t ec h n i c i a n s i s i n r eal i ty ve ry m u c h s tu d i ed v e ry de l i b era te a n d n o t a t al l t o b e co n fo u n d ed w i t h t he u n s o p h i s t i cated s c ri b b l i n g o f t h e b egi n n e r T h e s tu d e n t is ap t t o fi n d i t j u s t a b o u t a s e a s y t o d raw l i ke M r P e n n el l as t o w ri te l i k e M r "i p l i n g T h e bes t way t o acq u i re s u c h a s u p e r b fr eedo m is t o b e v e ry v e r y care fu l a n d p a i n s t a k i n g T o ap p rec i at e h o w b eau t i fu l t h e i n d i v i d u al l i n e m ay b e o n e h a s b u t t o o b s e rv e t h e r i c h d eco ra t i ve s t ro k e o f H o wa rd Pyle Fig 66 o r that of M ucha Fig 6 5 the t e n de r o u t l i n e o f B o u te t d e M o n ve l t h e tel l , . — , , , . , , , , . . . . , . , , . , . , , , PEN DRAWING FIG . 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D G I BSO N . i n g m a s terl y s wee p o f G i b s o n o r t h e s h o r t crIs l i n e o f V i erge o r R i co C o m p a red w it Ii p a n y o f t h e s e t h e l i n e o f t h e b egi n n er w i l l b e e i t h e r feeb l e a n d te n ta t i v e o r h ars h w i ry a n d co ars e T h e s ec o n d re q u i s i t e i s V a ri e t y o f L i n e n o t m e rel y v ar i e ty o f s i z e a n d d i rec t i o n b u t s i n ce each l i n e o u gh t t o ex h i b i t a feel i n g fo r t h e p a r t i cu l a r t ex tu re wh i c h i t is co n t r i b u t i n g t o exp re s s v a r i e ty o f ch a rac ter M r G i b s o n 5 m a n n e r o f p l aci n g v e ry d e l i c a te gra y l i n es aga i n s t a s e r i es o f h e a vy b l ack s tro ke s exe m p l i fies s o m e o f th e p o s s i b i l i t i es o f s uc h vari e t y O b s erve i n F i g 6 w h a t a b e a u t i fu l q u al i ty i s i m pa r ted t o t h e v i go ro u s o u tl i n e s , , , . , , , . , , . , . , . , . , PE DRAWING N o f th e figu res by v i r tu e o f t h e fo i l o f d el i c a te g r ay l i n e s b e h i n d t h em T h i s p ar t i cu l a r co n j u n c t i o n h o wev er w a s m u c h ea r l i e r e m p l oy ed b y M r H erbe r t R a i l to n wh o h a s m a d e a beau t i fu l u s e o f i t i n h i s q u a i n t a r ch i tect u r al s u bj ec t s M r R a il t o n s t ech n i q u e i s r em a r k ab l e a l s o fo r th e vari ed d i rec t i o n o f l i n e a n d i t s exp res s i o n o f text u r e N o te th i s c h arac t e r is t ic i n h i s d raw i n g o f b u t t res s es F i g 7 my T h e t h i rd el em e n t o f go o d t ec h n i qu e is E co n o m y a n d D i r e c t n e s s o f M e t h o d A t o n e s h o u l d n o t b e b u i l t u p o f a l o t o f m ea n i n g l es s s t ro k e s E ach l i n e o u gh t s e n s i b l y a n d d i r ec t l y t o co n t r i b u te t o t h e u l t i m a te r es u l t T h e o l d m ec h a n i cal p r o ces s o f co n s t r u c t i n g to n e s b y c r o s s h a tch i n g is n o w al m o s t o b s o l e te I t i s s t i l l e m p l o y ed b y m od er n p e n d ra u gh t s m e n b u t i t is o n l y o n e o f m a n y r e s o u rce s a n d i s u s e d w i t h n i ce d i s cri m i n a t i o n A t t i m es a c ro s s h a tch i s v e ry des i r ab l e a n d v ery e ffec t i v e a s fo r exam p l e i n a ffo rdi n g a s u bdu ed b ackg r o u n d fo r figu r es h a v i n g s m a l l h i g h l i gh ts A v e r y p re t ty u s e o f i t is s ee n i n t h e t o we r o f M r G o o d h u e s d r aw i n g F i g O b s e r v e h e r e h o w t h e i n t i m a te t r e a tm e n t 8 o f th e r o o fs is e n h a n ced a n d r el i eve d b y t h e fo i l o f cl o s el y k n i t h a tc h o n t h e to we r w a l l a n d h o w e ffec t i v e i s t h e l i t t l e ar ea o f i t a t t h e b a s e o f t h e S p i r e T h e c r o s s h a tch a l s o a f fo rd s a s a t i s fac to ry m e t h o d o f o b t a i n i n g d eep ” “ q u i e t s h ado ws S ee t h e a rchway B i n F i g 9 . , , . , ’ . . . . , . E co n o . ' . , . , — . , . , — — , , , , . ’ . . , . - — , - e . , . . . F IG . 8 B . G G OOD H U E . PE N 24 F IG . DRAWING 9 C . D . M . O n t h e w h o l e h o wev e r t h e s t u d e n t is a d V iSe d t o accu s to m h i m s el f t o a v e ry sp a r i n g u s e o f t h i s exp ed i e n t C o m p are t h e two e f fee t s i n F i g 9 S o m e exa m p l e s o f go o d a n d b ad c ro s s h a tch i n g a re i l l u s t ra ted i n F i g fo “ “ T h o s e m a r ke d I and J m a y b e se t d o w n a s b ad b e i n g t o o c o a rs e The o nl y s a t i s fac to ry c ro s s ha tc h a t a l a rge s cal e w o u l d “ s ee m t o b e t h a t s h o w n i n N w h ere l i n es cro s s a t a s h a rp a n gl e ; a n d t h i s v a r i e t y i s e ffec t i v el y e m p l o ye d b y figu r e i l l u s t r a to rs P e r h a p s n o b e t te r a r gu m e n t aga i n s t t h e n e c e s s it fo r t h u s b u i l d i n g u p t o n es co u l d b e y ad d u ced t h a n th e l i t t l e d raw i n g b y M ar t i n R i co s h o w n i n F i g I I N o t i ce w h a t a b e a u t i fu l t ex t u re h e gi ve s to t h e s h ad o w w he r e , , . . . — . . . , , . , . . FI G . I I M A R TI N R I C O T E C H N I QU E i t fal l s o n t h e s t ree t h o w i t d i ffers fro m t h a t o n th e wal l s h o w d eep a n d c l o s e l y k n i t i t a l l i s a n d y et t h a t t h e re is ab s o l u tel y n o c ro s s h atch i n g R e m a r k al s o h o w t h e text u r es o f t h e wal l s a n d r o o f a n d s k y are o b tai n ed T h e s tu d e n t wo u l d do w el l to co p y s u ch a d raw i n g a s t h i s o r a p o rt i o n o f i t a t l ea s t o n a l a rge r s cal e as m u c h ca n b e l ear n ed fro m i t I h av e S h ow n v a ri o u s m e th o d s o f m ak i n g M e n e a to n e i n F i g 1 2 I t w i l l b e o b se rv ed t h a t [ fl ki g R i co s s h ad ow i n F i g I I i s m ad e u p o f a ” c o m b i n a t i o n o f B a n d C excep t t h a t h e ” u se s B h o r i z o n tal l y a n d m ake s t h e l i n e h eav y a n d d raggi n g T h e c l ea r cr i s p S h adow s o f V i erge are a l s o wo rth y o f s tu d y fo r t h e s im i l c it o f m e th o d T h i s i s b eau t i fu l l y i l l u s p y t r a t e d i n t h e de ta i l F i g 1 3 I t wo u l d b e i m p o s s i b l e t o s ugges t a t m o s p h ere m o re V i b r a t in g w i t h s u n l i gh t ; a r es u l t d u e t o t h e t r a n s p aren cy o f t h e S h ad o ws t h e l i n es o f w h i c h a re s h a rp a n d c l ea n w i t h n ev e r a s u g ges t i o n o f c r o s s h a tc h N o t i ce h o w t h e l i n e s o f t h e arc h i tec tu ra l s had ow s a re s to p p ed a b ru l t im e s i t v in a t a n em p has i s wh i ch a dd s p y g g t o t h e b ri l l i a n c y o f t h e e ffec t T h e d raw i n g o f t h e b u i l d i n gs o n t h e ca n a l b y M a rt i n R i co F i g I 4 o ugh t al s o t o be ca re fu l l y s t u d i ed i n t h i s co n n ec t i o n O b s e rv e h o w t h e s h ad o w l i n es i n t h i s d rawi n g as i n t ha t p rev i o u s l y m e n ti o n ed a re m ad e t o su gge s t t h e d i r ec t i o n o f t h e s u n l i gh t wh i c h i s h i gh i n t h e h eave n s , , , . , , . , , , . , ac . . a ’ . , , , , . , . . , . , , — . , . , . , , . , , , . n . P E N D RAWI NG 2 3 FIG . 1 L ES L I E 6 WI L L S ON excel l e n t a t refi n e d a n d i s A n exa m p l e o f a l l t h i n p e n t ech n i qu e i s t h e drawi n g b y M r A l fred wo u l d do T h e s tu de n t B re n n a n F i g 1 5 . , . . T E C H N I QU E 33 we l l t o s tu d y t h i s c are fu l l y fo r i t s m a rv e l l o u s b e a u ty o f l i n e T h e re is l i t tl e h a tch i n g a n d ye t t h e t o n e s are deep a n d r i c h T h e wa l l to n e w i l l b e fo u n d t o b e m ade u p s i m i l a rl y t o “ A and H i n F ig 1 2 The to ne B i n t h e s a m e F i gu re i s m ad e u p o fl in e s w h i c h a re t h i n a t t h e e n d s a n d b i g i n t h e m i dd l e fi t t i ng i n t o each o t h e r i rregu l arl y a n d i m p a rt i n g a t ex tu re s o m ew ha t d i ffe re n t fro m t ha t o b t a i n ed b y t h e a b ru p t e n d i n g o f th e s t ro k es o f A T h i s m e t h o d i s al s o e m p l o yed b y B re n n a n a n d I S a v e ry e ffec t i ve o n e A go o d exa m p l e o f t h e u s e o f t h i s c h arac te r o fl in e (u n k n i t ted h o wev e r ) i s t h e d raw i n g b y M r L es l i e W i l l s o n F i g 1 6 T h e i rregu l a r l i n e C h as go o d p o s s i b i l i t i e s fo r t ex tu re a n d t h e wavy c h a r a c te r o f D i s m o s t e ffect i ve i n t h e r e n de ri n g o f s had ows g i vi n g a ce r ta i n v i b ra t i o n t o t h e a t m o s p h e re E a n d F su g ge s t a fre e r m e t h o d o f r e n de ri n g a t o n e ; w h i l e G s h o ws a s c ri b b l i n g l i n e t ha t i s s o m e t i m e s e m p l o y ed t o ad va n tage T h e v e ry in t e r e s t in tex t u re o f t h e co a t F i g 1 7 i s m ade g wi t h a h o ri z o n ta l l i n e h av i n g a s i m i l a r re t u r n s tro k e a s m ay b e n o t i ce d w h ere t h e re n de ri n g e n d s T h e re a re t i m es w h e n a n i rres p o n s i b l e s o r t o f l i n e i s p o s i t i ve l y d es i rab l e s a y fo r ro ugh fo regro u n d s u gge s t i o n o r fo r free i n g t h e p i c tu r e a t t h e edge s I h av e i n va ri a b l y fo u n d t h a t wh a t p r e s e n ts th e c h i e f d i ffi cu l t y to t h e s tu de n t o f p e n a n d . , . . . , , . , . , . . , . , , . . , . , , . — , . PEN DRAWING FIG Fr o m Ha rp e r ’ 1 . sW t a 7 g ax m e , by D R A W I N G F R O M P H O TO G R A P H p e r ss i o op r i rp e r r o er s mi n . C y g h t , 1 8 9 2 , by H a (9 ’ B th . i n k is t h e m a n age m e n t o f t h e O u t l i n e W h e n i t is real i z ed t h at b y m e re o u t l i n e o n e m ay exp res s t h e t ex tu re o f a co a t o r a t r ee o r a wal l w i t h o u t a n y re n de r i n g w h a tev e r i t w i l l b e s ee n t h a t n o t h i n g i n p e n d r aw i n g i s r ea l l y o f s o m uc h i m p o rta n ce N o t i ce fo r exa m p l e t h e w o n de rfu l d raw i ng o f t h e d o g i n F i g 34 A ga i n i f a c o n n ec ted l i n e h ad b ee n u s ed t o de fi n e t h e co r n er s o f R a il t o n s b u t t res s e s i n F i g 7 a l l th e t ex tu r e wo u l d h av e b ee n de . Ou t /m e , , , . , , . , ’ . , . T E C H N I QU E 5 s tro y ed I n s t ead o f t h i s h e h a s u s ed a b r o ke n o u tl i n e s o m e t i m es o m i t t i n g i t al to g e th e r fo r a co n s i de r a b l e s p ace O n th e l edges to o t h e l i n e s ar e b ro ke n I n R i co s d r aw i n g F i g I I a l l t h e o u t l i n e s m ay b e o b s e rved to h ave a b r e a k h e re an d t h e r e T h i s b r o ke n l i n e is p a r fec t i ve i n o u t do o r s u bj ec t s a s i t t ic u l a r l y e f hel p s t o s ugges t s u n l i t a t m o s p h ere a s w el l a s t ex tu re A rc h i tec tu ra l o u tl i n e s h owev e r a re n o t p ar t i cu l a rl y s u b tl e ; i t is w h e n w e co m e t o r e n d e r a n y th i n g w i t h v agu e b o u n d a r i es s u c h as fo l i age o r cl o ud s fo r exam p l e t h a t t h e c h i ef d i ffic u l t i e s a re e n co u n te red F o l i a ge is a n i m p o r t a n t el e m e n t o f l a n d s cap e d r aw i n g a n d des e r v e s m o re t h a n p as s i n g c o n s i de ra t i o n T o m a k e a s u cces s fu l r e n d e ri n g o f a t ree i n p e n a n d i n k t h e t re e m u s t b e fi rs t we l l d raw n i n p e n c i l I t i s ab s o l u t e l y i m p o s s i b l e t o o b ta i n s u c h a c h a r m i n g e ffec t o f fo l i a ge a s t h a t s h o w n i n M r P e n n e l l s s k e tc h F i g 1 8 w i t h o u t th e m o s t p a i n s ta k i n g p rep ara t i o n i n p en c i l T h e s u cces s o f t h i s r es u l t is n o t a t t ri b u t a b l e m e re ly to the di f fe re n ce i n t ex tu re s n o r t o t h e d i rec t i o n o r c h a rac te r o f t h e l i n e ; i t i s fi rs t o f al l a m a t te r o f go o d d raw i n g T h e o u t l i n e s h o u l d b e free a n d s u b tl e s o a s to s u g g e s t t h e edges o f l eafage a n d t h e h o l es n e a r t h e edges s h o u l d b e acce n ted o t he rwi s e t h ey w i l l b e l o s t a n d t h e t r e e w i l l l o o k s o l i d a n d c h ar ac t e rl e ss O b s e r ve i n t h e sa m e d rawi n g h ow . , . , , , . ’ . . — , . , , , , . . . ’ . . , , . , . , , . , , , FIG Fr o m H J OS E P H 20 . a rp e r ’ sM ag a z in e , by p e r m ss o i i n . op r C y i a g h t , 1 8 93 , by H P rp e r E N N E LL 5 r B o ers th . TECH N I QU E 39 toge t h e r T h i s is a n excel l e n t e x a m p l e fo r s tu d y a s i s al s o t he p o rtrai t by R a ffa el l i F i g 22 T h e t ex tu res i n th e l a t te r d r aw i n g a re . , . , . w o n d erf u ll w ell y c o nv e y ed the h a rd b o n y face the stubby b eard a n d t h e wo o l e n cap w i t h i t s tas s el i n s i l h ou ette For t h e exp res s i o n o f tex tu re w i th th e l eas t e ffo rt th e d raw i n gs o f V i erge a r e in comparable T h e a r c h it e c tu ra l d rawi n g b y M r G regg I n F i g 50 I S we l l w o r t h c a r e fu l stud y i n t h i s co n n e c t I o n as a re al l o f H e r , , , , . . . , FIG . Z I E . D A NT A N PEN DRAWING 4o FI G . 22 J . F . R A FF A E LL I b e r t R a il t o n s ad m i rab l e d raw i n gs o f o l d E n g l i s h h o u s e s (I reco m m e n d t h e s t u d y o f M r R a il t o n s wo rk w i th a go o d d eal o f r es e r v a t i o n h o w ev e r W h i l e i t i s ad m i rab l e i n res p ec t o f tex tu re s a n d fas c i n a t i n g i n it s co l o r t h e va l u es a re l i kel y to b e m o s t u n r e a l ’ . . ’ , , , T E C H N I QU E a n d t h e m a n n e r i s m s a re s o p ro n o u n ced a n d s o ti r e s o m e t h a t I rega r d i t a s m u c h i n fer i o r t o t h a t o f M r P e n n el l w h o s e a rch i tec tu re a l w ay s app ea r r a t l eas t t o h ave b ee n h o n es tl y d r aw n o n t h e s p o t ) T h e h a t s I n F i g 1 0 a r e m e r el y s u gge s t i o n s t o t h e s tu d e n t I n t h e s tu d y o f e l e m e n ta r y co m b i n a t i o n s o fl in e I n exp res s i n g t ex tu re s A s t h e m ec h a n i c a l p ro ces s e s o f R e p r o d u c t i o n h av e m u c h t o do w i th d et e r m i n i n g p e n m et h o ds t h ey b eco m e i m p o r ta n t fac to r s fo r co n s i d e ra ti o n W h i l e t h e i r wayw ar d n es s a n d . , , , . . . . i n flex i b i l i ty are th e ca u s e o f n o l i t t l e d i s t res s t o t h e i l l u s tra to r t h e l i m i ta t i o n s o f p ro ce s s e s ca n n o t b e s ai d o n t h e w h o l e t o m ak e fo r in fe r io r s ta n da rd s i n drawi n g as w i l l b e s ee n b y th e fo l l o wi n g ru l e s wh i c h t h e y i m p o s e an d fo r w h i c h a s t r i c t regard w i l l b e fo u n d m o s t a d v is ab l e F i rs t : M ak e each l i n e cl ea r a n d d i s t i n c t D o n o t p atc h u p a weak l i n e o r l eav e o n e wh i c h h a s b ee n b ro k e n o r b l u rred b y r u b b i n g fo r h ow ev e r h arm l es s o r eve n i n te re s t i n g i t m a y s ee m i n yo u r o r i gi n al i t w i l l a l m o s t ce rta i n l y b e n ei t h e r i n t h e rep ro d u c ti o n W h e n y o u m ake m i s take s e ras e th e o ffe n s i v e pa r t c o m p l e t e II o r i f y o u a re wo rki n g o n B ri s t o l bo a r d a n d t h e a rea o f u n sa ti s fac to ri n e s s b e co n s i d e rab l e p a s te a fres h p i ece o f pape r o ve r i t a n d r e d raw A im fo r S eco n d : "eep y o u r wo rk o p e n , , , , , . . , . , , , , . . D r a aw PEN DRAWING 42 eco n o m y o f l i n e I f a s h ad ow ca n b e re n d e r ed w i t h twe n ty s t ro k e s d o n o t c ro wd i n fo r ty a s y o u w i l l e n d a n ge r it s t ra n s p are n cy R e m e m b er th a t i n r ep ro d u c t i o n t h e l i n es te n d t o t h i ck e n a n d s o t o cro wd o u t t h e l i gh t b e twee n t h em T h i s i s s o d i s t res s i n gl y t r u e o f n ew s p ap e r r ep ro du c ti o n t h a t in d rawi n gs fo r t h i s p u rp o s e t h e l i n es h av e t o b e ge n e r al l y v e r y th i n s h a rp a n d wel l ap ar t T h e ab o v e ru l e s h o u l d be pa rt i c u l a rl y r ega r ded i n a l l cas e s w he re t h e d raw i n g i s t o b e s u bj ec t t o m u ch r edu c t i o n T h e degre e o fr e d u c t io n o f w h i c h p e n d raw i n gs ar e s u s cep ti b l e i s n o t a s is co m m o n l y s u p p o s ed s u bj ec t t o ru l e I t al l de p e n ds o n th e s cal e o f t h e t ech n i q u e T h i rd : H av e t h e val u es few a n d p o s i t i v e I t i s n eces s ary t o keep t h e gr a y t o n es p re t ty d i s t i n c t t o p rev e n t th e rel a t i o n o f va l u e s b e i n g i nj u red fo r wh i l e th e gra y t o n es da rke n I n p r o p o rt i o n t o t h e degre e o f redu c t i o n t h e bl ack s ca n n o t of co u rs e gro w b l ac ke r A gra y t o n e w h i c h m ay b e l i gh t a n d d el i ca te i n t h e o ri gi n al w i l l es p ec i al l y ifit b e cl o s e l y k n i t da rke n a n d t h i ck e n i n t h e p r i n t i n g T h es e r u l e s a re m o s t s t ri c t l y t o b e o b s erv ed wh e n d raw i n g fo r t h e ch eap e r c l as ses o f p u b l i c a t i o n s F o r b o o k a n d m agaz i n e w o rk h o wev e r w h e re t h e p l a te s a re t o u ch ed u p b y t h e e n grav e r a n d t h e v al u es i n a m e a s u re re s to red t h e th i rd ru l e is n o t s o arb i t ra ry N eve rth el es s t h e b egi n n er wh o h as am b i t i o n s i n t h i s d i rec t i o n w i l l . , . . , . , ' ' . , . , . . , , , , . , , , . . , , , , . , T E C H N I QU E d o we l l n o t t o p u t d i fficu l ti es i n h i s ow n w a y b y s u b m i t t i n g wo r k n o t d i rec tl y p ri n ta b l e T h ere a re a n u m b e r o f m o re o r l es s fa n ci fu l exp ed i e n t s e m p l o yed i n m o der n p e n wo rk w h i c h m ay b e n o ted h e re a n d w h i c h are i l l u s t ra t ed i n F i g T he s tu de n t i s advi sed 10 h o wev er t o re s o r t t o t he m a s l i t tl e a s p o s s i b l e n o t o n l y b eca u s e h e i s l i a b l e t o m ak e in j u d i c i o u s u s e o f t h e m b u t b ecau s e i t i s w i se r fo r h i m t o cu l t i va t e t h e l es s m e re t r i c i o u s p o s s ib il it ie s o f t h e i n s t ru m e n t S p a t te r wo rk i s a m ean s o f o b tai n i n g a del i cat e p r i n t a b l e t o n e co n s i s t i n g o f in n u m e r abl e l i tt l e d o t s o f i n k s p a t te red o n t h e p ap e r T h e p ro ces s i s a s fo l l ow s : C a r efu l l y co ver w i t h a s h ee t o f p ap e r al l t h e d r aw i n g excep t t h e p o rt i o n w h i c h i s t o b e s pa t te r ed t h e n take a to o t h b ru s h m o i s te n t h e e n d s o f t h e b r i s tl e s co n s i s te n t l y w i th i n k h o l d t h e b r u s h b ack d o w n wa rd s i n th e l e ft h a n d a n d w i t h a wo o de n m a tch o r to o th p i c k ru b t h e b ri s tl es t ow a r d you s o t h a t th e i n k w i l l s p ray o v er t h e pap e r P a rt i cu l a r ca re m u s t b e tak e n t h a t t h e b ru s h i s n o t s o l o ad ed w i t h i n k t h a t i t w i l l s p a t te r i n b l o t s I t i s wel l t h e refo r e t o t r y i t fi r s t o n a ro u gh s he e t o f p a p e r t o r e m ov e a n y s u l e rf uous i nk I f t h e sp a t te r i n g i s wel l d o n e p i t gi v es a ve ry del i ca t e to n e o f i n tere s t i n g tex t u re b u t i f n o t cl eve rl y em p l oy ed a n d e s e c ia l l i f t h e r e be a l a rge a rea o fit i t i s v e r y p y l i kel y to l o o k o u t o f c ha r ac te r wi t h t h e l i n e p o r ti o n s o f t h e d rawi n g . , . . , , , , . , , — , , , , , — . . , , , . , , , , . . e S om E x p ed ier , PEN DRAWING ' 44 A m e t h o d s o m e t i m es e m p l o yed t o gi v e a s o ft b l ac k e ffec t i s t o m o i s t e n t h e l o be o f t h e t h u m b l i gh tl y w i t h i n k a n d p res s i t u p o n t h e p ap e r T h e s e r i es o f l i n e s o f t h e s k i n m a k e a n i m p re s s i o n t ha t ca n b e rep ro d u ced b y t h e o rd i n a ry l i n e p ro ce s s es A s i n t h e c a s e o f s pa t te r w o rk s u p e r flu o u s i n k m u s t b e l o o ked a fte r b e fo re in a k in g th e i m p re s s i o n s o a s to av oi d l eav i n g h a rd edges T h u m b m a rk i ngs l e n d t h e m s e l v e s t o th e re n de ri ng o f d ark s m o k e a n d t h e l i ke w h e re th e edges r eq u i re t o b e s o ft a n d v agu e a n d t h e fre e d i rec t i o n o f t h e l i n e s i m p a r t a fee l i n g o f m o v e m e n t I n teres t i n g e ffec t s o f tex tu re a re s o m e t i m es i n t r o du ced i n t o p e n d raw i n gs b y o b ta i n i n g t h e I m p res s i o n o f a ca n vas gr a i n T o p ro du ce t h i s i t I s n ec es sa r y t h a t t h e d rawi n g b e m ad e o n fa i rl y t h i n pap e r T h e mot/u: op er a nd i I s a s fo l l ow s P l ace th e d raw i n g o v e r a p i ece o f m o ii n t e d ca n v as o f t h e des i red co a rs e n es s o f gra i n a n d h o l d i n g I t fi rm l y ru b a l i t h og r ap h i c c ra y o n v i go ro u sl y o ve r t h e s u rface o f th e p ap e r T h e g r a i n o f t h e ca n va s wi l l b e fo u n d t o b e c l ea rl y re p ro du ce d a n d a s t h e cr a y o n i s ab s o l u tel y b l ac k t h e e ffec t 1 3 cap a b l e o f r ep ro d u c t i o n b y t h e o r d i n a r y p h o t og ra p h i c p ro c . . , . , , , . . , . . , , , . , , C S S CS . , PEN DRAWING te n t w i t h a n a tu ra l e ffec t o fl i h t a n d s h ad e N o w g t h e g r ad a t i o n fro m b l ack t o w h i te fo r e x a m p l e i s a p l eas i n g s c h e m e a s m ay b e o b s e r v ed i n F i g 2 4 y e t t h e e ffec t i s u n n a t u ra l s i n ce t h e s k y i s b l ack I n a p u rel y deco r a t i v e il l u s t ra t i o n l i ke t h i s h ow eve r s u c h l o gi c n eed n o t FI G 4 D A G R EG G b e c o n s i d e red S i n ce a s I sai d b e fo r e co l o r is t h e fac to r w h i c h m ake s fo r t h e u n i ty o f t h e res u l t t h e fi rs t p ri n c i p l e t o b e r ega r ded i n i t s arra n gem e n t i s t h a t o f P r i n c i p al i t y t h e re m u s t b e s o m e do m i n a n t n o t e I n t h e re n d e r i n g T h ere s ho u l d n o t fo r i n s ta n ce b e two p r i n c i p al dark s p o ts o f eq u a l v al u e i n t h e sa m e d r a w i n g n o r two e qu al l y p ro m i n e n t a reas o fw h it e T h e V i e rge d raw i n g F i g 2 5 a n d t h a t b y M r P e n n e l l F i g a re n o excep t i o n s t o t h i s ru l e t h e b l a c k fi ; 5 g u re o f t h e o l d m a n co u n t i n g a s o n e n o t e i n t h e fo r m e r a s d o t he d ar k a rc he s o f t h e b r i dge i n t h e l a t te r T h e wo r k o f bo t h t h e s e a r ti s t s i s e m i n e n tl y wo rt h y o f s tu d y fo r t h e k n ow i n g m a n n e r i n w h i c h t h ey d i s p o s e t h e i r v al u es T h e n e x t t h i n g t o b e s o u gh t i s V ar i e ty T o o o b v i o u s o r p o s i t i v e a s ch em e wh i l e p o s n o t u n s u i tab l e fo r a co n ve n t i o n al d eco s ib l y m a y n o t b e wel l a dap ted t o a r a t iv e d raw i ng . , , , . , , . , 2 . , . . . , , , , . , , , . . , , . . , , , . . y . , , ALUES F IG . 2 47 DA N I EL I ER V 5 GE p e rs p ec t i v e s u bj ec t T h e l arge co l o r a rea s s h o u l d b e ec h oed by s m al l e r o n e s t h ro u gh o u t th e p i c t u re T ake fo r e x a m p l e t h e V i erge d raw i n g s h o w n i n F i g 2 6 O b s e rv e h o w t h e m a s s o f s h ad o w i s rel i ev ed b y th e two l i gh t h o l es s ee n t h ro u gh t h e i n n d o o r W i th o u t . . , , . . . P E N 48 FI G . DRAWING D A N IEL I ER GE 26 V t h i s rep e t i t i o n o f t h e w h i t e t h e d raw i n g w o u l d l o s e m u ch o fit s ch arac te r I n R i c o s d r a wi ng F i g 1 1 a t i n y w h i te s p o t i n th e s h adow cas t o v e r t h e s t r ee t wo u l d I v e n t u re t o t h i n k b e h el p fu l b e a u t i fu l l y c l ea r a s i t is ; a n d t h e b l ac k a re a a t t h e e n d o f t h e wa l l s ee m s a d efec t a s i t co m p e tes i n v al u e w i t h t h e d a r k fig u r e ’ . . , , , , , . ' VALUE S L as t l y B r e a d t h o f E ffec t h as t o b e , 49 co ns id e r ed I t i s r eq u i s i t e t h a t h o weve r n u m e ro u s t h e t o n e s a r e (a n d t h ey S h o u l d n o t b e to o n u fec t s h o u l d b e S i m p l e m e r o u s ) t h e ge n e ra l e f a n d h o m oge n eo u s T h e co l o r m u s t co u n t to ge t he r b r o a d l y a nd n o t b e cu t u p i n to p a tc h es I t i s i m p o r ta n t t o re m e m b e r t h a t t h e ga m u t fro m b l ac k t o w h i te i s a s h o r t o n e fo r t h e p e n O n e n eed o n l y t ry to fai t h fu l l y r e n de r th e h i gh l i gh t s o f a n o r d i n ary tab l e gl as s s e t aga i n s t a gr a y backg r o u n d t o b e as s u red o f i t s l i m i re t a t io n s i n th i s s p ec t T o rep re s e n t e ve n a p p r o x 1 m a t e l y t h e s u b tl e v al u e s wo u l d req u i re so much i nk that nothi ng short of a pos i tively blac k backg r o u n d wo u l d s u ffice t o g i v e a se m b l a n ce o f t h e d el i ca te t ra n sp a re n t e ffec t o f t h e gl as s a s a w h o le T h e gray backgro u nd wo ul d t h ere fo re b e l o s t a n d i f a rea l l y b l ack o bj e c t w e r e a l s o pa rt o f t h e p i c tu re FI G 7 H A R R Y I t co u l d n o t b e rep , . , . , . , . . , , , . 2 P E NN P E N 50 r e se n ted a t al l DRAWING O bs e rve i n F i g 2 7 h o w j u s t s u c h a p ro bl e m h as b ee n wo r k ed o u t by M r H arry F e n n I t w i l l b e m a n i fe s t t h a t t h e s tu de n t m u s t l e a r n t o t h i n k o f t h i ngs i n t h e i r b ro ad rel a t i o n T o b e S p ec i fic i n th e exam p l e j u s t co n s i de red i n o rde r t o i n t ro du ce a b l ac k o b e c t th e sc h e m e o f co l o r wo u l d h av e n eed ed j b ro ade n i n g s o t h a t t h e gra y backgro u n d co u l d b e g i ve n i t s p ro p e r v al u e th u s d e m a n d i n g t h a t t h e el ab o ra te v al u e s o f t h e gl as s b e I g n o red a n d j u s t e n o u gh s u gges ted t o giv e t h e ge n e ral e ffec t T h i s reas o n i n g w o u l d e q u al l y ap p l y we re t h e l i gh t o bj ec t i n s tead o f a gl a s s s o m e t h i n g o f i n t r i ca t e d es i gn p rese n t i n g p o s i t i v e s h ado ws J u s t s o m u c h o f s u ch a d es i g n s h o u l d b e re n de red as n o t to dark e n t h e o b e c t b el o w i ts p ro p e r r el a t i v e val u e a s a wh o l e j I n t h i s facu l ty o f s u gges t i n g t h i n gs w i t h o u t l i te ra l l y re n d e r i n g t h e m co n s i s t s t h e s u b t l e ty o f p e n d raw i n g I t m ay b e s ai d t h e re fo re t h a t l arge l i gh t areas r e s il l t in g fro in t h e n eces sa ry e l i m i n a t i o n o f val u es ar e ch a r ac t er i s t i c o f p e n d rawi n g T h e degree o f s u c h el i m i n a t i o n dep en d s o f c o u r s e u p o n t h e c h a racte r o f t h e s u bj ec t t h i s be i ng e n t i rel y a m a t te r o f rel a ti o n T h e m o r e b l ack t h e re is i n a d raw i n g t h e g r ea te r t h e n u m b e r o f v al u e s t h a t ca n b e re p r es e n ted G e n e ral l y s p eak i n g th ree o r fo u r are a l l t h a t ca n b e m a n aged a n d th e b egi n n er h ad b e t te r . . , , . . , , , , : . , , , . . . , , . , , , . . , , VALUE FIG 2 . S R EG I N A L D 8 BI R C H ge t al o n g wi t h th ree bl ack h al f to n e a n d wh i te W h i l e i t i s t ru e th a t e ve r y s u bj ec t i s l i ke l y V r s t o co n tain s o m e m o t i v e o r s u g g es ti o n fo r i t s $52 22; ap p ro p r i ate co l o r s ch em e I t s t I l l h o l d s t h at m a n y t i m es a n d e s pec i al l y i n th o se ca ses wh e re t h e i n tro du c ti o n o f fo regro u n d fea tu res a t co n s i d e rabl e scal e i s n eces sa ry fo r t h e i n ter es t o ft h e p i c tu r e a n a r ti fic i al a rra n ge m e n t h as t o b e d ev i sed I t i s wel l t he r efo re t o b e a c u a in t e d wi th t h e p o s s i b i l i t i e s o f certa i n co l o r q — , , , . a — , , , , . , , i ou P E N 52 DRAWING co m b i n at i o n s T h e m o s t b r i l l i a n t e ffec t i n b l ac k a n d w h i te d raw i n g i s t h a t o b t a i n ed by p l ac i n g t h e p ro m i n e n t b l ac k aga i n s t a w h i te a rea s u r r o u n d ed b y gray T h e w h i te s h ows w h i te r b eca u s e o f t h e gray a ro u n d i t s o t h a t t h e co n t ras t o f t he b l ac k aga i n s t i t i s ext re m e l y v i go ro u s a n d tel l i n g T h i s m a y b e s a i d to b e t h e i l l u s t ra t o r s t our d e for ce W e h av e i t il l u s t r a ted b y M r R egi n al d B i rc h s d r aw i n g F i g 2 8 O b s e rv e h o w t h e co n t ras t o f b l ac k a n d wh i te i s fra m ed i n by t h e gray m a d e u p o f t h e s k y t h e l e ft S i d e o f t h e b u i l d i n g th e h o rs e a n d t h e k n i gh t I n t h e d raw i n g b y M r P e n n el l F i g 2 9 w e hav e t h e s a m e s c h e m e o f co l o r N o t i ce h o w t h e t ree s a re d a r k e s t j u s t w h e re t h ey a re req u i re d t o te l l m o s t s t ro ngl y agai n s t t h e wh i te i n t h e ce n tre o f t h e p i ctu re A n a d m i r a b l e i l l u s t ra t i o n o f t h e e ffec t i ve n e s s o f t h i s co l o r s c he m e i s s h o w n i n t h e B ecke t p o s te r b y t h e Be g g a r s t a ff B ro t h ers F i g A n o t he r s c h em e 1 3 t o hav e t h e p ri n c i p al b l ac k i n th e gray a r ea a s i n th e V i e rge d rawi n g F i g Fig 1 1 2 6 a n d i n R i c o 3 s k e tc h S t i l l a n o t h e r a n d a m o re r es tfu l s ch e m e i s t h e ac tu al grada t i o n o f co l o r T h i s g r ada t i o n fro m b l ac k t o w h i te w h e r e i n t h e w h i t e o c c u p i es t h e ce n tre o f t h e p i c tu re i s to b e n o ted i n F i g 2 0 O b s e r v e h o w t h e da r k s i de o f t h e fo r egro u n d t r e e tel l s a ga i n s t t h e l i g h t s i d e o f t h e o n e b ey o n d wh i ch i n i t s tu rn i s y e t s o s t ro ngl y S h ad ed a s to co u n t b r i l l i a n tl y aga i n s t . . , . ’ . ’ . , . . , , . . , , . , . . - . , , . , , . . , , , . . , , . , FIG . 3 0 B . G GO O D H U E . VALUE FIG . S 5 J OS E H 31 PENNELL P t h e w h i te b u i l di n g S t i l l aga i n i n M r G o o d h u e s d rawi n g F i g 30 n o te h o w t h e t ra n s i t i o n fro m t h e b l ac k t re e o n t h e l eft to t h e w h i te b u i l d i n g i s pl eas i n gl y s o fte n ed b y t h e gra y s h ad o w N o ti ce to o h o w t h e b r i l l i a n c y o f t h e d raw i n g is h ei g h te n ed b y t h e g ra d u a l e m p h as i s o n t h e s h ad ow s a n d t h e o p e n i n gs a s t h e y a p p ro a ch th e ce n tre o f t h e p i c tu r e Y e t a n o th e r exa m pl e o f t h i s co l o r s ch e m e i s t h e d r a wi n g b y M r G regg F i g 50 T h e grad a . . , ’ . , . , , , . - . , . . P E N 56 DRAWING t i o n h e re i s fro m th e t o p o f t h e p i c t u re d o w n wa rd s T h e s ke tc h o f t h e co s te r wo m e n b y M r P e n n el l F i g 3 1 s h ow s t h i s gr a d a t i o n r e v e rs ed T h e d raw i n g o f t h e h a n s o m cab F i g 32 b y M r R av e n H i l l i l l u s t r a te s a ve ry s t ro n g color scheme gray a n d w h i te s ep a r a te d b y b l ac k t h e gray m o de ra t i n g t h e b l ack o n th e l eav i n g i t t o tel l s t r o n gl y aga i n s t u p p e r s i de t h e w h i te b el o w N o t i ce h o w l u m i n o u s is t h i s s a m e re l a t i o n o f co l o r w h e re i t o ccu r s i n th e V e n e t i a n s u bj ec t b y R i co F i g 1 4 T h e s h ad o w o n t h e wa te r q u al i fies t h e b l a ck n es s o f t h e go n do l a b el o w p er m i t t i n g a b r i l l i a n t co n t ras t w i t h t h e w h i te wal l s o f t h e b u i l d i n g a b o ve I t i s i n te re s t i n g t o o b s e r ve h ow V i e r ge a n d P e n n el l b u t ch i e f l y t h e fo rm e r ve ry o fte n de p e n d fo r t h e i r gray s m e r el y u p o n t h e d el i ca te t o n e r es u l t i n g fro m t h e r e n d e ri n g o f fo r m a n d T hi s o fd ir e c t s h ado w w i th o u t a n y l o cal co l o r m ay b e s ee n i n t h e V i e rge d raw i n g F i g 33 O b s erv e i n t h i s a s a co n s eq u e n ce h o w b r i l l ia n t l y t h e t i n y b l ac k co u n t s i n t h e l i t t l e fi gu re i n t h e ce n t re N o t i ce t o o i n t h e d r a w i n g o f t h e s o l d i e rs b y Je a n n io t F i g 34 t h a t t h e re i s v e ry l i t tl e b l ac k ; a n d ye t s e e h o w b r i l l i a n t i s th e e ffec t ow i n g l a rgel y to th e fi gu re s be i n g p e r m i t ted t o s t a n d o u t aga i n s t a w h i te gro u n d i n w h i ch n o t h i n g is i n d i c a ted b u t t h e sk l i n e o f t h e l arge b u i l d i n g i n t h e d i s ta n ce y . . . , , . . , . , , — , , , . . , . , . , , . , , , . . . , , , , . , , — . F IG . 3 2 L . R A EN H I LL V CH A P TER V RACTICAL P P R O BLE M S I h av e t h o u gh t i t adv i sab l e i n t h i s c h ap te r t o s e l ect a n d t o w o rk o u t i n s o m e d e ta i l a few , , ac t u a l p ro b l em s i n i l l u s t ra t i o n s o a s t o fa m i l ia r iz e th e s t u de n t wi t h th e p rac t i ca l ap p l i ca t i o n o f s o m e o f t h e p r i n ci p l e s p rev i o u s l y l a i d d ow n I n t h e fi rs t exa m pl e t h e p h o tograp h F i g s h o ws th e p o rc h o f a n o l d E n gl i s h co u n t r y 35 ch u rc h L e t u s s e e h ow t h i s s u bj ec t h a s b ee n i n t erp r e ted i n pen and i n k by M r D A G reg g F i g I n re s p ec t t o 6 3 t h e l i n e s t h e o ri g i nal co mpos i t i o n p res en ts n o th i ng e s s e n t i al l y u n p l e a s ant W here t h e s t r o n g acc e n t o f a p i c t u re o ccu r s i n th e ce n t r e h o wev er i t is ge n e r al l y d e s ir a b l e t o a V O I d m u C h F I G 35 M , . , . , . . . . , . . , . , , . FRO A P H OTOG R A P H PEN DRAWING t o gi ve i t a fa i n t gray to n e s u ffi c i e n t t o r el i ev e i t fro m t h e wh i t e wal l T h e l o w co l o r o f t h e gra s s we re i t re n de red l i teral l y w o u l d m a ke t h e d raw i n g t o o h eavy an d u n i n te r es t i n g a n d t h i s I s t he re fo re o n l y s u gges ted I n t h e s ke tch Th e ro o f o f t h e m a i n b u i l d i n g b e i n g eq u al l y o bj ect i o n ab l e o n acco u n t o f it s m as s o f l ow t o n e i s s i m i l arl y t rea ted M r G r egg s excel l e n t h a n d l i n g o ft h e o l d wo o dwo rk o f t h e p o r c h is wel l w o r t hy o f s tu dy L e t u s take a n o th e r e x a m p l e T h e p h o to grap h i n F i g 37 s h ow s a m o a t h o u s e i n N o r m a n dy ; a n d excep t th a t t h e l o w to n e s o f th e fo l i age a re exaggera ted b y t h e ca m era t h e co n d it io n s are p rac t i c a l l y t h o s e w h i c h w e w o u l d h ave t o co n s i de r were we m ak i n g a s ke tc h o n F i rs t o f al l t h e n d o es t h e s u bj ec t t h e sp o t fro m t h e p o i n t o fv ie w a t w h i c h t h e p h o togr a p h i s tak e n co m p o s e wel l I t ca n n o t b e s ai d th a t i t do es T h e ve r t i cal l i n es m ad e b y t h e two t owe rs a re u n p l eas a n tl y e m p h as i z ed b y th e t ree s b e h i n d t h em T h e t re e o n t h e l eft we re m u ch b e t t e r r edu ce d i n h e i gh t a n d p l a ced s o m ewh a t t o t h e r i gh t s o t h a t t h e t o p s h o u l d fi l l o u t t h e awk w a rd a n g l e s o f t h e r o o f fo r m ed b y t h e j u n c t io n o f t h e to we r a n d th e m a i n b u i l d T h e t rees o n th e r i gh t m i gh t b e l o we r ed mg al s o b u t o t h e r w i s e p e r m i t ted t o r e ta i n t h e i r p res e n t rel a t i o n T h e g r o w t h o f iv y o n t h e . , , , . , ’ . , . . . — . , , . , , , , . . , . , . "Th e p osi t i o n . st ud e n t i s ad v is e d to r e ad Bu r n e t ’ s P ra c t i c a l H i n t s on Com PRACTICAL PR FIG . O BL E FROM 37 MS 63 A P H O TO G R A P H t o we r ta kes a n u gl y o u tl i n e a n d m i gh t be m a de m o re i n te res t i n gl y ir r e g il l a r I n fo r m T he n ext co n s i de r a ti o n i s t h e d i s p o s i t i o n o f t h e v a l u e s I n th e p h o tograp h th e w h i te s ar e c o n fi n ed t o t h e r o adwa y o f t h e b ri dge a nd , . . P E N 64 DRAWING t h e b o t to m o f t h e t owe r T h i s i s ev i d e n tl y d u e h o weve r t o l o cal c o l o r ra t h e r t ha n t o th e d i rec t i o n o f t h e l i gh t w h i c h s t ri ke s t h e n e a re r towe r fr o m t h e r i gh t t h e r es t o f t h e w a l l s b e i n g i n s h ado w W h i l e t he b l ac k a r eas o f t h e p i c tu re a r e l arge e n o u gh t o ca rry a m a s s o f gray w i t h o u t s acri fic i n g t h e s u n ny l o o k s u c h a s c he m e w o u l d b e l i kel y t o p r o d u ce a l ab o r ed e ffec t T w o a l te r n a t i ve s c h e m e s r ead i l y s u g ges t t h e m s el ve s : F i r s t t o m a ke t h e a r c h w a y t h e p ri n c i p a l d a rk th e wal l s l i gh t w i t h a l i gh t h al f t o n e fo r t h e r o o f a n d a da r ke r e ffec t fo r t h e t r ees o n th e r i gh t O r s ec o n d to m a ke th e s e t rees th e m s e l v e s t h e p ri n ci p a l d ar k a s s u gges t ed b y t h e p h o tograp h a l l ow i n g t h e m t o co u n t ag a i n s t t h e g r ay o f t h e r o o f a n d t h e i v y o f t h e t o we r T h i s l a t te r s c h e m e i s t h a t wh i c h h a s b ee n ad o p ted i n t h e s ke tc h F i g 38 I t wi l l b e n o t i ced t h a t t h e trees a r e n o t n ea rl y s o d ark a s i n t h e p h o to g rap h I f t h ey we re t h ey wo u l d b e o ve rp o we r i n g I n s o l a r ge a n a rea o f w h i te I t w as t h o u gh t b e t te r al s o t o c h a n ge t h e d i rec t i o n o f t h e l i gh t s o t h a t th e da rk i vy i n s tead o f act i n g co n t rad i c to ri l y to t h e e ffec t m i gh t l e n d c h arac te r t o t h e s h aded s i de T h e l o we r p o r t i o n o f t h e n e a re r to we r was t o n ed i n p a rtl y t o q u a l i fy t h e v e rt i cal l i n e o f t h e t owe r wh i c h wo u l d h ave b ee n u n p l e a s a n t i f t h e s h a d i n g we re u n i fo r m a n d p ar tl y t o ca rr y t h e g r ay a ro u n d to t h e e n t r a n ce It wa s t h o u gh t adv i s a b l e a l s o t o c u t fro m th e , , , , . , . , , , , . , , , , . . , . . , , , , , , , , . , , , PRACTICAL PR ( FI G . i n O BL E MS 65 v c 38 . D . M . fo regro u n d ra i s i n g t h e u p p e r l i m i t o f t h e p i c tu re co rre s p o n d i n gl y (I t i s fa r fro m m y ih te n t i o n h o weve r to co n vey t h e i m p re s s i o n t h a t a n y l i b e r t i es m ay b e take n w i th a s u bj ec t i n o rde r t o p e r s u ad e i t i n to a p art i cu l a r s ch e m e o f c o m p o s i t i o n ; a n d i n t h i s v e ry i n s ta n ce a n a rt i s t i c p h o tograp he r co u l d p ro ba b l y h av e d i s , . , , PEN DRAWING co ve red a p o s i t i o n fo r h i s ca m era w h i c h w o u l d have o b v i a te d th e n eces s i ty fo r a n y c ha nge wh at eve r ; a n ea r e r v i ew o f t h e b u i l d i n g fo r o n e t h i ng wo u l d h av e c o n s id l owe re d t h e e rab l y t r e es ) W e wi l l co n s i d e r s t il l a n o t h e r s u b e c t j T h e p h o tograp h F i g 39 s h o ws a s tree t i n H o l l a n d I n t h i s c a s e t h e fi rs t t h i n g we h av e to d e te r m i n e i s wh e re t h e i n te res t o f t h e s u bj ec t ce n t res I n s u c h a p ers p ec t i v e t h e s al i e n t p o i n t o f F R O M A P H OTO G R A P H 39 t h e p i c tu r e o fte n l i es I n a fo r egro u n d b u i l d i n g o r I f t h e s t reet b e m e r e l y a s e t t i n g fo r t h e r ep res e n tat i o n o f s o m e i n c i d e n t i n a gro u p o f fo regro u n d fig u res I n e i t h e r cas e t h e e m p h a s i s s h o u l d b e pl aced i n t h e fo regro u n d t h e di s ta n t v a n i s h i n g l i n e s o f t h e s t r e e t b e i n g re n de red m o re o r l e s s vagu el y I n t h e p res e n t s u bj ec t h oweve r t h e co n ve r g i n g s k y a n d s t ree t l i n es a r e b ro ke n b y t h e q u a i n t c l o ck to we r T h i s a n d t h e bu i l d i n gs u n der n ea t h i t ap p eal t o u s a t o n ce a s t h e m o s t — , , . . , . , . , . FIG . , , . , . , . , PRACTICAL PR O BL EMS 67 i m p o r ta n t e l e m e n t s o f t h e p i c tu re T h e n ea r e r b u i l d i n gs p res e n t n o t h i n g i n t r i n s i ca l l y i n ter es t i ng a n d t h e refo r e s e r v e n o b e t te r p u rp o s e t h a n t o l ead t h e e ye t o t h e ce n tre o f i n te re s t W h a tev e r a c tu al v al u es t h es e i n te r m ed i at e b u i l d i n gs hav e t ha t w i l l h i n d er t h e i r u s e fu l n es s i n t h i s r ega r d c a n t h e refo re b e ch a n ged o r ac tu a l l y i g n o r ed w i t h o u t a ffec t i n g th e in t e r it y o f t h e s ke tc h o r cau s i n g a n y p a n gs o f g co n s c i e n ce T h e b u i l d i n g o n t h e ex t r e m e l eft s h o ws v ery s t ro n g co n t r a s ts o f c o l o r i n t h e b l ac k s h ad o w o f t h e eav e s a n d o f t h e s h o p fro n t b el o w T h e s e co n t ras ts co m i n g a s t h e y d o a t t h e edge o f t h e p i c t u re a re b ad T h ey wo u l d ac t l i ke a s h o wy fra m e o n a del i ca t e d r a wi n g keep i n g t h e ey e fro m t h e r eal s u bj ect I t m ay b e o b e c t e d h o weve r t h a t i t i s n atu ra l t h a t t h e co n j t r a s t s s h o u l d b e s t ro nge r i n t h e fo r eg r o u n d Y e s ; b u t i n l o o k i n g s t rai gh t a t t h e cl o c k to we r o n e d o e s n o t s ee a n y s u c h d a r k s had o w a t t h e t o p o f t h e v e ry u n i n teres ti n g b u i l d i n g i n t h e l eft fo regro u n d T h e ca m e ra s aw i t b ecau se t h e c a m e r a w i t h i ts h u n d red e yes s ee s eve ry th i n g a n d d o e s n o t i n te res t i ts el f ab ou t a n y o n e th i n g i n pa rt i cu l ar B es i d es i f t h e keep e r o f t h e s h o p h ad t h e b ad ta s te t o p a i n t i t da rk we a r e n o t b o u n d t o m ake a reco rd o f th e fac t ; n o r n eed w e as su m e t h a t i t was d o n e o u t o f r ega rd t o th e p i c to r i a l p o s s i b i l i t i es o f t h e s t ree t W e d eci de t h e re fo re t o re n de r a s . , . , , . — . , . , , . , , . . , , . . , , , , PEN DRAWING fa i t h fu l l y as w e m ay t h e v a l u es o f t h e cl o c k t o we r a n d i t s i m m ed i a t e s u rro u n d i n gs a n d to d i s reg a rd t h e d i s co rda n t el e m e n t s a n d we h ave n o h es i ta t i o n i n s el ec t i n g fo r p ri n ci p al e m p h a s is i n o u r d raw i n g F i g 4 0 t h e s h ado w u n d e r t h e p roj ec t i n g b u i l d i n g T h i s d ar k a cce n t w i l l co u n t b r i l l i a n tl y a ga i n s t t h e fo r egro u n d a n d th e wal l s o f t h e b u i l d i n gs w h i c h w e w i l l t r ea t b ro ad l y a s i f wh i t e I gn o r i n g t h e s l i gh t d i ffe r e n c e s I n va l u e s h ow n I n t h e p h o tograph We re ta i n h o wev er t h e l i te r a l v al u e s o f t h e cl ock t owe r a n d t h e b u i l d i n gs u n de r n e a t h i t a n d exp re s s a s n earl y as w e c a n t h e i r i n te r es t i ng vari a t i o n s o f tex t u re T h e b u i l d i n gs o n t h e r i gh t a r e t o o b l ac k i n th e p h o tog r ap h a n d t h es e as wel l a s t h e s h a d o w t h ro w n ac ro s s t h e s t ree t we w i l l co n s i d e rab l y l i gh te n A fte r s o m e e x p e ri m e n t we fi n d t h a t th e b u i l d i n g o n t h e e x t re m e l eft i s a n u i s a n ce a n d w e o m i t i t E ve n t h e n t h e o n e wi th t h e b al co n y n ex t to i t re qu i res t o b e t o n ed d o w n i n i t s s t ro n g va l u es a n d s o t h e s h a do ws h ere a re m ade m u c h l igh t er t h e w al l s b ei n g k ep t w h i te I t w i l l b e fo u n d t h a t a ny t h i n g l i k e a s t ro n g e m p h as i s o f t h e p roj ec t i n g eave s o f t h e b u i l d i n g wo u l d d e t rac t fro m t h e e ffec t o f th e to we r s o t h a t t h e s h adow u n d e r t h e eav e s is t h e r efo r e m ad e graye r t h a n i n th e p h o t o grap h w h i l e t h a t o f t h e b al co n y b e l o w i s m ade s tro n ge r th an th e S h ado w o f t h e eav es b u t i s l i gh te n ed a t t h e edge o f t h e d raw i n g to t h ro w t h e e m p has i s t o wa rd t h e ce n t re , , . , , . , , . , , , . , , . , , , . , , . , o , , , , , y . 70 P E N DRAWING T o a dd i n te r e s t t o t h e p i c tu r e a n d m o r e e s p ec i a l l y t o gi v e l i fe t o t h e s h ad ows s ever a l figu r es a re i n t r o d u ced I t w i l l b e n o t i ced t ha t th e ca r t i s i n s e r ted a t t h e fo cal p o i n t o f t h e d ra w i ng t o b e t te r a s s i s t t h e p e r s p ec t i v e , , . . CHA P TE R ARCH ITECT URAL V I D RAWING ’ I t is t iv e s b u t a few y ea rs s i n ce arch i tec ts p e r s p e c w e re b u i l t u p ( i t wo u l d b e a m i s tak e “ to s a y d raw n by m ea n s o f a T s q u a re a n d t h e r u l i n g p e n ; a n d i f a rc h i tec tu ra l d raw i n g h a s n o t q u i te k ep t p ace w i t h th a t fo r ge n e r a l i l l u s t ra t i o n s i n c e a b ackwa rd gl a n ce ov e r t h e p r o fes s i o n al m ag a z i n es e n co u rage s a feel i n g o f co m p a r a t i v e co m p l ace n cy T h a t s o h i gh a s ta n d a r d o r s o a rt i s t i c a c h a r a c te r i s n o t o b s e r v a b l e in a rc h i tec tu ral a s i n ge n e ra l i l l u s t rat i o n i s I t h i n k n o t d i fficu l t to exp l a i n V e ry few o f t h e c l ev e r a rc h i tec tu ra l d rau gh t s m e n a re i l l u s t r a to r s b y p ro fe s s i o n F ew e ve n o f t h o se w h o a re ge n e r a l l y k n o w n as i l l u s t r a to rs are a n y t h i n g m o re I s h o u l d p e rh ap s s a y a n y t h i n g [err th a n v e rs a t i l e a rch i tec ts ; a n d ye t M r P e n n el l w h o wo u l d ap pea r t o as s u m e I n h is b o o k o n d raw i n g th a t t h e p o i n t o f V i ew o f t h e a rc h i tec t i s n o r m al l y p i c t o ri al s eem s a t a l o s s t o e x p l a i n w h y M r R o be r t B l u m fo r in s ta n ce ca n i l l u s t ra te a n a rc h i tec tu ral s u bj ec t m o re a rt i s t i cal l y t h a n a n y o f t h e d rau g h t s m e n i n t h e p ro fe s s i o n W i th o u t accep t i n g h i s p re m i s es i t i s r e m a rkab l y c red i tab l e to a rch i — , . , . , ‘ . , , — — . , , , , . , . , , PEN DRAWING tec tu r e t ha t i t co u n ts a m o n g i t s m em b e r s i n t h i s co u n t ry s u c h m e n a s M r B G G o o d hu e a n d M r W i l so n E y re Jr a n d i n E n gl a n d s u c h t h o ro u gh ar t i s t s a s M r P re n t i ce a n d M r E r n es t G eo rge m e n k n o w n eve n t o d i s ti n c ti o n fo r t h ei r s k i l l a l o n g l i n es o f p u r el y a r ch i tec tu ral p rac ti ce y e t a n y o n e o f w h o m wo u l d I ve n tu re t o say ca u s e co n s i de ra b l e d is p l ace m e n t d i d h e i n v ade t h e r a n k s o f m agaz i n e i l l u s t ra t o rs M o r eo ve r (a n d t h e s u gges ti o n i s n o t u n k i n d l y o ffered ) we re th e a rch i tec ts a n d th e i l l u s t r a to r s 't o c h a nge p l ac es a r c h it e c tu re wo u l d s u ffer m o s t by t h e p r o ces s T h a t t h e ave rage a r c h i tec t s h o u l d b e in cap ab l e o f ar t i s t i ca l l y i l l u s t r a t i n g h i s o w n d e S i gn o u gh t I t h i n k t o b e l es s a n o cc a s i o n fo r s u r r I s e t h a n t h a t few p a i n te rs w h o s e p o i n t o f p V i ew i s e s s e n t i al l y p i c t o ri al ca n m ake eve n a t o l erab l e i n te rp re ta ti o n i n l i n e o f t h e i r o w n p ai n t i ngs B e i t re m e m b e r e d th a t t h e p i ct u r e s m ade b y t h e a rch i tec t a re s el do m t h e r eco r ds o f ac tu al i t i es T h e b u i l d i n gs t h e m se l v e s a re m e rel y co n te m p l a ted a n d th e i l l u s t r a t i o n s a re wo rked u p fro m geo m e t r i cal el ev a t i o n s i n t h e o ffi ce v e r y v e r y fa r fr o m N a tu re M o r eo ve r t h e s u bj ec ts are n o t i n fr eq u e n t l y s u c h a s l e n d t h e m s el ves w i t h a n i l l grace t o p i c tu res q u e i l l u s t ra t i o n T h e s t ru c tu re t o b e dep i c ted m ay fo r i n s ta n ce b e a h eav y cu b i ca l m as s w i t h a bal d u n i n t e r es t i n g s ky l i n e ; o r i t fice b u i l d i n g i m p o s s i b l e t o m a y b e a tal l o f . . . , . . , . — . , , , . , . , , , , , . . , , . , , , , - , ARCH ITECTURAL DRAWING 73 r eco n ci l e w i th n a t u ral acce s s o ri e s e i th e r i n p i c t o r ia l s cal e o r i n co m p o s i ti o n T h e s e n a t u r al to o t h e d rau gh ts m a n m u s t w i t h c c e s s o r ie s . , , , a n o ccas i o n al reco u rs e to h i s p ho tograp h a l b u m evo l v e o u t o f h i s i n n e r co n s c i o u s n es s W h e n i t i s fu rt h e r co n s i de red th a t s u c h s t ru e t u re s eve n wh e n ac tu al i t i e s are u n co m p r o m i s in g l y s t i f f a n d i m m ac u l at e i n t h e i r n ew n es s p r e s e n t i n g ab s o l u tel y n o n e o ft h o s e i n teres t i n g acc i de n t s s o d ea r to th e ar t i s t a n d p er h a ps w i t h n o t h i n g wh a tev e r ab o u t t h e m o f p i c tu res q u e s u gges t i o n we h av e a p ro b l e m p res en ted wh i c h i s s o m ewh a t a n al ogo u s t o t ha t p res e n ted b y t h e s c u lp t u re s q u e p o s s i b i l i t i es o f fas h i o n abl e t ro u s er i n g T h a t wi t h s u ch u n i n s p i ri n g co n d it io n s a rc h i tec tu ral i l l u s t ra t i o n do es n o t de s o i n te res t i n g a c h a rac te r n o r a t ta i n to v elo p h i gh a s ta n da rd as d i s t i n gu i s h es ge n eral so i l l u s t ra t i o n i s n o t t o b e wo n de red a t I t is r a t h e r a n o ccas i o n fo r s u rp r i se t h a t i t e x h i b i t s s o l i t tl e o f t h e a r t ific ia l it y o f t h e fa s h i o n p l ate a fte r al l a n d t h a t t h e b e t te r pa r t o f i t a t l eas t i s n ot m o re u n wo r th y t h a n figu r e i l l u s t ra t i o n wo u l d b e we re i t d en i ed t h e i n val u ab l e a i d o f t h e l i v i n g m odel S o m u c h b y way o f ap o l og y T h e a rc h i tec t u ral pe rs p ect i v e h o weve r I s TI A n o t t o b e regard ed p u re l y fro m t h e p i c to ri al g gy; " p o i n t o f V i ew I t i s a n i l l u s t r a t i o n fi rs t a V e p i c t u re a fte rwa r d s a n d a l m o s t i n va ri ab l y deal s w i t h a n i nd i v i d u a l b u i l d i n g w h i c h i s t h e e s I h is b u i l d i n g ca n n o t t h e re s e n t ia l s u bj ec t . , , , , , , . , , ' . — , , , . , . , , , . . , , i w P E N 74 DRAWING fo re b e m ad e a m ere fo i l fo r i n te r e s t i n g p i c n o r s u b o rd i n a ted to a n y t u r e s u e r ie s sc e n I c q e ffec t o f l a n ds cape o r C h i a ro s cu r o N a t u r a l acces s o ri es o r i n te re s t i n g b i t s o f s t r ee t l i fe m ay b e add ed t o gi v e i t a n a p p r o p r i a te s e t t i n g ; b u t t h e r es u l t m u s t c l earl y r e a d B u i l d i n g ” w i t h l a n d scap e n o t L a n ds c a p e w i t h b u i l d , , . , , In g , . M u c h s ugges t i o n fo r t h e s y m p a t h e t i c h a n d l i n g o f p ar t i cu l a r s u bj ec ts m ay b e fo u n d i n t h e c h a ract e r o f t h e a rc h i tec tu re i ts el f T h e i l l u s t ra t o r o u gh t t o e n t e r i n to t h e s p i r i t o f t h e d es i gn e r o u gh t t o fee l j u s t w h a t n a t u ra l a c c e s s o r ie s l e n d t h e m s el ve s m o s t h ar m o n i o u sl y t o t h i s o r t h a t p a r t i cu l a r ty p e I f t h e a rc h i tec t u re b e q u a i n t a n d p i c t u res q u e i t m u s t n o t h ave p ro s a i c s u rro u n d i n gs I f o n t h e o t h e r h a n d i t b e fo rm a l o r m o n u m e n tal t h e ch a r ac te r a n d s ca l e o f t h e acce s s o r i es s h o u l d b e acco rd i n gl y s e ri o u s a n d d i gn i fi ed T h e t e n d e r i n g o u gh t a l s o t o v a ry w i th t h e s u bj ec t a free p i c t u res q u e m a n n er fo r t h e o n e a m o r e s t u d i ed a n d res p o n s i b l e h a n dl i n g fo r t h e o t h e r T ec h n i q u e i s t h e l a n gu age Of a r t a n d a s t i ff p o m p o u s p h ras e o l o gy w i l l acco rd i l l w i t h a s t o ry o f q u a i n t h u m o r o r p a t h o s wh i l e t h e h o m el y d i c t i o n t ha t m i gh t a n s we r v e ry we l l wo u l d b e s u re t o s tru ggl e a t a d i s a dv a n tage wi t h t h e s ta te l y m ea n i n gs a n d d i p l o m a t i c s u b t l e t ie s o f a s t a te d o cu m e n t . , . . , , , ” , , . , , ‘ . A R C H I T E C T U R A L D R AW I N G I t w o u l d b e we l l fo r t h e s tu de n t 75 befo r e v e n tu r i n g u p o n wh o l e s u bj ec t s to l ea r n t o re n de r d e ta i l s s u c h a s w i n d ows co r n i ces e tc W i n d o ws are a m o s t i m p o rta n t fea tu re o f t h e a rch i tec t u ra l d raw i n g a n d t h e b egi n n er m u s t s t u d y t h e m carefu l l y exp e ri m e n t i n g fo r t h e m e t h o d w h i c h w i l l b e s t rep res e n t t he i r gl as s y s u rface s N o m a te ri al giv e s s u c h p l ay o fl ig h t a n d s h ad e a s gl as s do es O n e w i n dow 1 3 n ev e r ab s o l u tel y l i ke a n o t h e r ; s o t h a t w h i l e a cer ta i n u n i fo r m i t y i n th e i r v a l tie m ay b e req u i red fo r b read t h o f e ffec t i n t h e d raw i n g o f a b u i l d i n g t h ere i s p l e n t y o f o p p o r tu n i ty fo r i n c i d e n ta l va r i e ty i n t h e i r t rea t m e n t A few p rac t i ca l h i n t s o n t h e re n deri n g o f w i n do ws m ay p rov e s erv i ceab l e A l way s e m h a s iz e th e sa s h W h e r e t h ere i s n o r eces s p a s i n w o od e n b u i l d i n gs s tre n gth e n t h e i n n e r l i n e o f s as h a s i n F i g 4 1 I n m as o n ry b u i l d i n gs t h e fra m e a n d s as h ca n b e gi v e n t h e i r p ro p e r v al u es t h e a rea o f wo o d b e i n g t rea ted b ro ad l y w i t h o u t r egard to t h e i n d i v i du a l m e m b e rs T h e w o o d m a y h o wev e r b e l eft w h i t e i f r eq u i red a s wo u l d b e t h e cas e i n C o l o n ia l d es i g n s I n e i t h e r c as e t h e da r k s h ado w w h i c h t h e s as h cas t s o n t h e gl a s s s h o u l d b e s ugge s ted i f t h e s cal e o f t h e d rawi n g b e s u c h a s t o p er m i t o f i t D o n o t try t o s h o w t o o m uc h O n e i s a p t t o m ake a fu s s y e ffec t i f fo r i n s ta n ce o n e i n s i s t s o n a l wa y s s had i n g t h e s o ffi t o f t h e m as o n r y o pe n i n g e s p ec i a l l y i f t h e , , , . , , , , . . , . . . , , . , . , , . , , , . , . . , , , , P E N 6 7 DRAWING s cal e o f t h e d raw i n g b e s m al l B es i d es a w h i te s o ffi t i s n o t a fa l s e b u t m e rel y a fo rce d v al u e a s i n s t r o n g su n l i gh t t h e r e flec te d l i gh t i s c o n s i de ra bl e I f th e fra m e b e l eft w h i te h o w e v e r t h e s o ffi t o u gh t to b e s h aded o t h erw i s e i t w i l l b e d i ffi cu l t t o k eep t h e v a l u es d i s t i n c t I n r e s p e c t o fw o o d e m b u i l d i n gs t h e re i s n o n eed t o a l way s co m p l e te t h e m o u l d i n gs o f th e arc h i t rav e N o t i ce i n F ig 4 1 that i n t h e w i n do w wi t h o u t th e m u n t i n s M 4 t h e m ou l d i ngs h av e b ee n ca rr i ed r o u n d th e t o p t o gi v e c o l o r b u t t h a t i n th e o t h e r t h ey a re m e rel y s ugge s ted a t t h e c o r n e rs s o a s t o a v o i d co n fu s i o n C are s h o u l d b e ta ke n t o av o i d m ech a n i ca l r e n deri n g o f t h e m u n t i n s F o r t h e gl a s s i ts el f a u n i fo r m l y fla t to n e i s t o b e av o i ded T h e t o n es s h o u l d s o fte n vagu el y I t wi l l b e fo u n d t o o t h a t i t is n o t adv i s ab l e t o h a v e a s t r o ng da r k e ffec t a t t h e t o p o f t h e w i n d ow a n d a n o t h e r a t t h e b o t to m ; o n e s h o u l d p r e d o m in a t e f . , , . , , , . . . , , FIG , 1 C . R . , . . , . . , , P E N 8 7 DRAWING i t T o o b ta i n fo r t h i s s h ado w th e v ery d i s t i n c t val u e wh i c h i t o u gh t t o h av e h o w ever do es n o t req u i re t h a t t h e ro o f b e kep t al way s m u ch l i gh te r t h a n i t I n th e gab l e r o o f i n F i g 57 t h e to n e o f t h e ro o f i s s h aded l i gh te r a s i t ap p ro ach es t h e eav e s t ha t t h e S h ado w so m a y co u n t m o re em p h a ti cal l y T h i s o r de r m ay b e r eversed a s i n t h e cas e o f a b u i l d i n g w i t h dar k L r o o fa n d l i gh t wal l s i n w h i c h cas e t h e s h ado w m ay b e graye r t h a n t h e l o wer p o rt i o n o f “ t h e ro o f a s i n B i n Fig 44 B u t t h e b eg i n n e r s h o u l d n o t y e t h u rry o n t o wh o l e s u bj ec ts FI G 2 G E O R G E F N E WT O N 4 A c h u rc h p o r ch a s i n F i g 3 5 o r a d o r m e r w i t h it s s h a do w cas t o n a ro o f a s i n F i g 4 3 wi l l b e j u s t a s b e n e fic i al a s t u dy fo r h i m a s a n e n t i re bu i l d i n g a n d . , . , . . , , . , ‘ _ , , . . . . . , . , , . , , A R C H I T E C T U R A L D R AW I N G 79 w i l l a ffo rd q u i te a s go o d a n o p p o r t u n i ty fo r t es t i n g h is k n o w l e d g e o f t h e p r i n c i p l es o f p e n d raw i n g w i t h t h e a dded a dva n tage t h a t e i t h er o f t h e s u bj ec t s m e n ti o ned can be m a p p ed o u t i n a few m i n u tes a n d t h a t a fa i l u r e o r two t h e r e fo r e w i l l n o t p ro v e s o d i s co u ragi n g a s i f a m o r e i n t r i ca te s u bj ec t h ad t o b e r e d raw n I h av e k n o w n p ro m i s i n g b egi n n e r s to g i v e u p pe n a n d i n k d r a w i n g I n d es p ai r becau s e t h ey fo u n d t h e m s el ve s u n e q u a l t o s u bj e c t s wh ich wo u l d h ave p r e s e n ted n o t a few d i ffi cu l t i e s to th e ex i l l u s t r a to r e r ie n c e d p VV h e n t h e b e g i n n e r g r o w s fa i n t h ea rted FI G 3 C D M 4 l e t h i m s ee k co n s o l a t i o n a n d e n co u rage m e n t i n t h e t h o u gh t th a t we re p e n d rawi n g s o m e t h i n g to b e m as te red i n a wee k o r a m o n t h t h e re w o u l d b e s mal l m e ri t i n t h e acco m p l i s h m e n t I t i s a c o m m o n fau l t o f s tu de n ts t o d i ve , , , , . . - , . . . . . PEN DRAWING i n to t h e p i c tu re u n t h i n k i n gl y b egi n n i ng a n y Ge e r l wh ere w i t h o u t t h e vagu es t p l a n o f a ge n e ra l Sys e m e ffec t w h e re as i t i s o f t h e u t m o s t i m p o r ta n ce t h a t ev ery s tro k e o f t h e p e n b e m ad e w i t h in t e l l i e n t r eg a rd t o t h e u l t i m a te r es u l t T h e g fo l l o w i n g ge n eral m e t h o d w i l l b e fo u n d v a l u a ble P e n ci l t h e o u tl i n e o f t h e e n t i re s u bj ec t b e fo r e b egi n n i n g t h e p e n wo r k I t w i l l n o t d o t o s t a r t o n t h e re n d er i n g as s o o n a s th e b u i l d i n g a l o n e is p e n cil l ed o u t l eav i n g t h e acce s s o r i e s t o b e pu t I n as o n e go e s a l o n g The adj ace n t b u i l d i n gs t h e fo l i age a n d ev e n th e figu res m u s t b e d raw n care fu l l y d raw n b e fo re t h e p e n i s ta ke n u p T h e w h ol e su b e c t fr o m th e v ery b egi n n i n g s h o u l d b e u n de r j co n tro l a n d t o t h a t e n d i t b eco m e s n eces s ar y t o hav e al l t h e e l e m en t s o f I t p re arra n ged N ex t s c h e m e o u t th e v al u es Th i s is th e t i m e t o d o t h e t h i n k i ng D o n o t s tar t ou t r a s h l y a s s o o n a s ev e ry th i n g i s o u t l i n ed i n p e n ci l co n fide n t I n t h e b el i ef t h a t al l Wi n do ws fo r i n s t a n ce a re da rk a n d t h a t yo u m a y a s wel l m ak e t h e m s o a t o n ce a n d b e d o n e w i t h t h e m T h i s w i l l b e o n l y to co u r t d i s as te r B es i des al l w i n dows a re n o t da r k ; t h ey m ay b e v e r y l i gh t i n d eed T h e co l o r val u e o f n o t h i n g i s a b s o l u t e A s hado w m ay s ee m a l m o s t b l a ck t i l l a figu r e p as s e s i n to i t w h e n i t m a y b eco m e q u i te gray b y co m pari s o n S o a w i n d o w w i th t h e s u n s h i n i n g fu l l u p o n i t o r , n a , t , . . . , . . , , — . , . . . , , , , . . , . . , . , A R CH I T E C T U R A L D R AW I N G 81 eve n o n e i n s h ade o n w h i c h a re flected l igh t i s ca s t m ay b e b ri l l i a n tl y l i gh t u n t i l th e n ex t i n s t a n t a c l o u d sh ad o w i s re flec te d i n i t m a k i n g i t de n s el y b l ac k A rra n ge t he va l u es t h e r efo re w i t h re fe ren ce t o o n e ge n era l e ffec t d ec i d i n g fi rs t o f al l o n th e d i rec t i o n o f th e l i gh t S h o u l d th i s b e s u c h a s t o th ro w l arge a re a s o f s h ado w t h es e m as s e s o f gray w i l l b e i m p o rta n t el e m e n t s i n t h e co l o r sc he m e A n exce l l e n t way to s tu d y val u es i s t o m ake a t rac i n g pap e r co p y o f t h e l i n e d raw i n g a n d t o exp e r i m e n t o n t h i s fo r t h e co l o r w i t h c h arco al m a k i n g s ev e ral s k e tc h e s i f n eces s a r y A fte r h a v i n g d e te rm i n ed o n a s at i s fac to ry s ch em e p u t fix a t ifo n t h e ro ug h s ke tch a n d keep i t i n s i gh t O th erw i s e o n e is l i ab l e e s p ec i al l y i f t h e s u bj ec t i s a n i n t ri ca t e o n e t o b e l ed as t r ay b y l i t tl e o p p o r tu n i t i e s fo r i n te r es t i n g e ffec ts h e re a n d t h e re o n l y t o d i sco ve r wh e n t o o l at e t h a t th es e e ffec t s d o n o t h a n g t oge t h e r a n d t h a t t h e d r a w i n g h as l o s t it s b read t h T h e ro u gh s ke tch i s to t h e d rau gh t s m a n wh a t m a n u sc r i t n o te s are to t h e l ec t u re r p D o n o t b e o ve r c o n s c i o u s o f d e ta i l It i s a co m m o n wea k n es s o f t h e a r c h i tectu ra l d rau gh ts m a n t o b e to o s op h i s t i cated i n h i s p i c t o ri al i l l u s t rat i o n H e k n o ws s o m u c h ab o u t t h e b u i l d i n g t ha t n o m a t te r h o w m a n y t h o u sa n d y a r d s away fro m i t h e m ay s ta n d h e wi l l se e t h i n gs t h a t wo u l d n o t rev e a l th e m s el ve s to a n o t h e r w i t h t h e a s s i s ta n ce o f a fie l d , , , . , , , . , — . - , . , . , , , , , , . . - . . Tr ea t mer D e ta t PEN DRAWING 82 gl a s s H e is co n s c i o u s o f t h e fa c t th at t h e r e a re j u s t s o m a n y b r i c k co u r s e s to th e fo o t th a t t h e cl a p b o a rd s a re l a i d j u s t s o m a n y i n ch es t o th e wea t h e r t h a t th e re a re j u s t s o m a n y m o u l d i n gs i n t h e b el t co u rs e that eve ry th i n g i n ge n e ral i s v e ry v ery m a t h e m a t ic a l T h i s is n o t b ec a u s e h is p o i n t o f v i ew i s to o bi b u t b ecau s e i t i s t o o s m a l l g H e w h o s ees s o m u c h n eve r b y a n y c h a n ce s ees t h e w lool e bu ild ing L e t h i m t ry to t h i n k b ro ad l y o f t h i n gs E v e n s h o u l d h e s u cceed i n fo rge t t i n g s o m e o f t h es e fa ct i t i o u s de t a i l s t h e r es u l t w i l l s t i l l b e s t i ff e n o ugh s o h ar d is i t t o r e adj u s t o n e s a t t i tu d e a fte r m a n i p u l a t i n g t h e T S q u are I s t ro n g l y reco m m e n d a s a n i n val u ab l e a i d t o ward s u c h a r e a dj u s t m e n t th e h ab i t o f s k e tch i n g fro m N a t u re fro m t h e figu r e d u r i n g t h e w i n te r ev e n i n gs a n d o u t o f d o o rs I n s u m m e r T h e b egi n n e r i s ap t t o fi n d h i s e ffec ts a t fi rs t ra th e r h a rd a n d m ech a n i cal a t t h e b es t b ecau s e h e h as n o t y e t a t ta i n ed th a t fr ee d o m o f h a n d l i n g w h i c h i g n o res u n i m p o r ta n t d e ta i l s s u gges t s rat h er t ha n s t a t es g i v e s I n ne o f l i n e a n d t o a n d t e r e s t in v ariati on s g d i ffere n t i a te s tex tu re s A go o d p a r t o f t h e u n p l ea sa n t n es s o f e ffec t w i l l u n do u b ted l y b e fo u n d t o b e du e t o a m i s t a k e n r ega r d fo r accu r a cy o f s t a t e m e n t i n d i v i d u a l m o u l d i n gs b e i n g l i n ed in a s d e l i b e r a te l y a s i n t h e geo m e t r i cal o ffice d raw i n gs a n d n o t a n egg n o r a . , , , , . . , . . , , ’ - - . , , , , . , , , , . , , A R C H I T E C T U R A L D R AW I N G 83 d ar t s l i gh t ed T a ke fo r exa m p l e th e c a s e of a n o l d C o l o n i a l b u i l d i n g w i t h i t s w h i t e co r n i ce o r a n y b u i l d i ng w i t h w h i te t ri m m i n gs S ee t h e e f e l eva t i o n fec t o f s u c h a o n e i n a n ” wh e r e a l l t h e de t a i l is d r a w n a s i n A F i g n ece s O b e r v e t h a t t h e a m o u n t o f i n k s 44 . , , . , . , , . Gu m FI G . C 44 . D . M . s ar y to exp r e s s t h i s de tai l h a s m ade th e co r n i ce d a r k e r t h a n t h e r es t o f t h e d r aw i n g a n d ye t t h i s is q u i te t h e r eve r s e o f t h e v a l u e wh i ch i t wo u l d h av e i n t h e a c t u al b u i l d i n g s e e B T o o b t a i n t h e t ru e v a l u e t h e d i ffe r e n t m o u l d i n gs wh i ch m a k e u p t h e co r n i ce s h o u l d b e m e r e l y s u gges ted W h e r e i t i s n o t a q u e s t i o n o f l o ca l c o l o r h o wev e r t h i s m a t te r o f el i m i n a t i o n i s l a rge l y s u bj ec t to t h e ex i ge n ci e s o f r e p r o d u c t i o n ; th e m o re p rec i se l y a n d i n tim a te l y o n e a t te m p t s to re n d e r d e ta i l t h e s m a l l e r t h e s c a l e o f th e t ec h n i q u e r eq u i r es to b e a n d th e , . , . , , , , PEN DRAWING 86 H A R R Y A LL A N J A C OB S el s e fo r t h a t m a t te r i n qu i te t h e sa m e w a y a n d s o I ca n n o t p res e n t a n y a u th o r i ta t i ve fo r m u l a fo r do i n g s o T h i s s u bj ec t h a s b e e n t rea ted h o wev e r i n a p r e v io u s ch ap te r a n d n o th i n g n eed b e added h e re excep t t o c a l l a t te n t i o n t o a n em p l oy m e n t o f fo l i age p ecu l i a r , , . , , , A R C H I T E C T U R A L D R AW I N G 87 t o a rch i tec tu ra l draw i n gs T h i s i s t h e b ro ad s u gges t i v e r e n d e ri n g o fdar k l ea fage a t t h e s i des o f a b u i l d i n g t o g i v e i t rel i ef T h e exa m p l e s h ow n I n F i g 4 7 i s fro m o n e o f M r G regg s d r aw i n gs T h e r e n de r i n g o f t h e h u m a n figu re n eed n o t b e d ea l t w i th u n d e r t h i s h ead a s figu re s i n a n arc h i tec tu ra l s u bj ec t a re o f n e c e s s i t y r e l a t i vel y s m al l a n d t h e refo re h av e to be ren dered very b ro a dl y C a refu l d raw i n g i s n o n e t h e l es s e s h owev e r i f t h e i r s e n t ia l . . , . . . , , . , , “ u h FI G . D 47 . A G R E GG . p re s e n ce i s to b e j u s t i fied ; a n d b adl y d raw n fig u res fu r n i s h a tem p t i n g ta rge t fo r t h e c ri t i c of a rch i tec t u ral p i c tu res C e r ta i n l y i t i s o n l y to o ev i de n t t ha t th e p e o pl e u s u a l l y s ee n i n s u c h p i c tu re s a re u t te rl y i n cap ab l e o f tak i n g th e s l i gh te s t i n te re s t wh a teve r i n a rch i tec t u re o r i n a n y t h i n g el se ; a n d n o t i n freq u e n t l y t h ey s ee m . , , PEN DRAWING 88 t o b e eve n m o re i m m ov a b l e o bj ec ts t h a n th e b u i l d i n gs t h em s el ves s o fixed a n d i n flex i bl e a r e t h ey S u c h figu res a s t h es e o n ly d e t ract fro m t h e i n teres t o f t h e d raw i n g i n s tead o f a dd i n g t o i t a n d th e d rau gh ts m a n w h o h a s n o s p ec i a l ap t i tu d e is w i s e I n e i t h e r o m i t t i n g t h e m a l t oget h er o r i n u s i n g v ery few a n d is p e rh a p s s t i l l w i s e r i f h e e n t r u s t s t h e d raw i n g o f th es e t o o n e o f h is a s s o c i a te s m o re acco m p l i s h e d i n t h i s s p ec i al d i rec t i o n T h e fi rs t t h i n g t o deci d e i n t h e m a t te r of figu r e s i s t h e i r a r r a n ge m e n t a n d gro u p i n g a n d w h e n t h i s h a s b ee n d ete rm i n e d t hey s h o u l d b e s ke tch ed i n l i gh tl y i n p e n c i l I n t h i s co n n ec t i o n a fe w wo rd s b y way o f s u gges t i o n m a y b e fo u n d u s efu l B e ca r efu l t o a v o i d a n y t h i n g l i ke a n e qu a l s p ac i n g o f t h e figu res G ro u p t h e p eo p l e i n tere s t i n gl y I h ave s ee n a s m a n y a s t h i rt y i n d i v i d u a l s i n a d raw i n g n o two o fw h o m s ee m ed to b e acq u a i n t ed a ve ry u n h ap p y co n d i t i o n o f a ffa i rs eve n fro m a p u rel y p i eto r i a l p o i n t o fv ie w D o n o t ov e r em p h as i z e t h e b as e o f a b u i l d i n g b y s t ri n gi n g a l l t h e figu re s a l o n g t h e s i dewal k s T h e l i n es o f th e c u rb s w o u l d t h u s co n fi n e a n d fr a m e t h e m i n u n p l e a s an tl B reak t h e co n t i n u i ty o f th e s t ree t l i n es y w i t h figu res o r carr i ages i n t h e ro adwa y as i n F i g 5 5 A fter t h e figu res h ave b ee n s a t is fa c t h e y o u gh t t o b e c ar efu l l y t o r il y a r r a n ged d r a w n a s to o u tl i n e I n d o i n g s o take p ai n s t o va r y t h e p o s tu re s gi v i n g th e m ac t i o n a n d , . , , , , . , . . . . , — , . . . , . . , . , , , DRAWING P E N 90 arch i tec tu ral p e n m a n fo r t h e s tu d y o f p r i n c i p l es t h a n M r G regg A rch i tec tu ra l i l l u s t r a t i o n i n A m e ri ca o we s m u c h t o h i s i n fl u e n ce — . FI G . . D 48 . A G R EG G . a n d i n deed h e m ay b e sa i d to h av e fu r n i s h ed i t w i th a gra m m ar T ak e h i s d raw i n g o f th e E ngl i s h co t tage s F i g 50 I t i s a m as te rl y p i ece o f p e n wo rk T h e re i s n o t a feeb l e o r t e n ta t i v e s t ro k e i n th e w h o l e o f i t T h e co l o r i s b ri l l i a n t a n d th e tex t u re s a re exp res s ed w i t h wo n derfu l s k i l l T h e s t u de n t o ugh t t o care fu l l y o b s erv e t h e re n de ri n g o f t h e va ri o u s ro o fs N o t i ce h o w t h e ch arac te r o f th e t h a tc h o n t h e s eco n d co t tage d i ffe rs fro m t ha t o n t h e fi rs t a n d h o w rad i ca l l y t h e m e t h o d o f re n der i n g o f e i t h e r va ri es fro m t h a t u s ed o n t h e s h i n gl e ro o f a t th e e n d o f t h e p i ctu re C o m p are al s o t h e two n ea res t ch i m n ey s w i t h eac h o t he r a n d wi t h t h a t s ee n o ver t h e to p s o f t h e t rees H e r e , , . . , . - . . . . , . . D R A I N G W A RC H I TE CTU RAL F IG 9 1 H E R B ER T R A I L TO N . i s a d raw i n g by a n arc h i tec tu ral d rau gh ts m a n o f a n arch i tec t u ra l a c t u a l ity a n d n o t o f a n a r t i T h i s i s a fai re r gro u n d o n fic ia l ab s t rac t i o n wh i c h to m ee t t h e i l l u s t ra t o rs o f t h e p ic t u r . CS q UC . ru PEN DRAWING FIG mp l es . D 50 . ’ A G R EG G . M r C a m p b el l s draw i n g i s a v e r y 1 5 go o d exa m p l e o f t h e re n de ri n g o f s to n e tex t u res T h e o l d m as o n ry i s cap i tal l y exp res s ed b y t he s h o r t i rregu l a r l i n e T h e s tu de n t is . , . . , PE 94 FIG . DRAWING H E R B E R T R A I L TO N 52 adv i s ed t o s el ec t s o m e p o rt i o n o f th i s a s wel l a s o f t h e p reced i n g e x a m p l e to co p y u s i n g n o m a t ter h ow s m al l t h e d rawi n gs h e m a y m ake a p e n n o t s m al l e r t h a n n u m b e r 30 3 I k n o w o f n o arc h i tec tu ra l i l l u s t ra t o r w h o h i ts s to n ewo rk o ff q u i te s o cl eve rl y as M r G o od h u e N o t i ce i n h i s d rawi n g o f th e m as o n ry i n F i g 8 h ow th e s to n e s are p i ck ed o u t a n d re n de re d i n d i v i du al ly i n p l ace s a n d h o w t h i s i n t i m a te t rea t m e n t i s co n fi n e d t o t h e to p o f , , , , . . , . , , P E N 6 9 FI G . D RAWING C 54 F B R A G DO N . . t h e t o we r w h e re i t tel l s aga i n s t t h e te x tu re s o f th e va ri o u s r o o fs a n d h o w i t is t h e n m erged i n a b ro ad gra y to n e wh i ch is ca rri ed t o th e s tre e t M r R a il t o n s s k e tch es are fu l l o f cl eve r s ugges t i o n fo r t h e a rch i tec tu ra l i l l u s t rato r i n t h e way o f te x t u re F i gs 7 a n d 5 2 s h o w h is free re n de r i n g o f m as o n ry T h e l a t ter i s a n es p ec i al l y ve ry go o d s u bj ec t fo r s t u dy O b s erve h o w wel l th e tex tu re te l l s i n t h e h i gh p o r ti o n o f t h e a b u t m e n t b y r eas o n o f th e t h i ck b ro ke n l i n es F o r a d i s ta n t e ffec t o f s to n e t extu re t h e d rawi n g b y M r Ja c c a c i F i g 53 i s a fi n e exa m p l e I n t h i s t h e r e n de ri n g i s co n fi n ed m e rel y t o t h e o rga n i c l i n es o f t h e arch i tec tu re a n d y e t th e tex t u re is cap i t al l y exp res s ed b y ’ . . . . . . , . . , , . , . , E N 98 FI G . DRAWING C 56 E . M A LLo w . s t h e q u al i t y o f t h e s t ro k e wh i ch i s l o o s e a n d m u ch b ro ke n T h e ge n e ral res u l t is ext re m e l y c ri s p a n d p l eas i n g F o r b ro ad re n der i n g o f b ri c k tex tu re s p e rhap s th ere i s n o o n e wh o sh o ws s u ch a m a s te rl y m e th o d a s M r G regg A s m a y be s ee n i n h i s s ke tch o f th e b l ack s m i th s h o p F i g 4 8 h e e m p l o y s a n i rregu l a r d rag gi n g l i n e w i t h a grea t dea l o f fee l i n g T h e b ri ck p a n el b y M r B ragd o n F i g a n ea t i ece o fw o r k T h ere 1 3 excel l e n t tex tu re to o p I n t h e p i c t u re s q u e d raw i n g b y M r H a rv ey E l l i s F i g 55 o b se rve t h e re n de ri n g o f t h e ro u gh b r i ck s u rface a t th e l eft s i de o f t h e bu i l d , . . , . . ' , . , . , . . , . , . , A R C H I T E C T U R A L D R AW I N G 99 A m o re i n t i m a te t re a t m e n t i h t i l l u s t r t d i n t h e d e ta i l b y M r C E M al l ows th e E n gl i s h d ra ugh t s m a n F i g 56 I n th i s i ng s t . a e . . . , . . , a d r a w i n g h oweve r th e edge s o f t h e b u i l d i n g a r e u n p l easa n tl y h a rd a n d a re s o m ewh a t o u t o f c h arac te r w i t h t h e q u a i n t re n de ri n g o f t h e s u rfaces M r G o o dh u e u s es a s i m i l ar t rea t m e n t a n d I t h i n k ra t h e r m o re s u cce s s fu l l y O n t h e wh o l e t h e b ro ade r m e t h o d wh e re th e text u re i s carr i ed o u t m o re u n i fo r m l y i s m o re t o b e c o m m e n ded a t l eas t fo r t h e s tu d y o f t h e b egi n n er S o m e exam p l e s o f s h i ngl e a n d s l a te tex t u r es a re i l l u s t ra ted b y F i g 5 7 I t i s a d v i s a b l e t o e m p l o y a l arge r p e n fo r t h e s h i ngl e so as t o e n s u r e t h e req u i s i te c o a rse n es s o f e ffec t T o favo rab l y i l l u s t ra te a n a rch i tec tu ral s u b e c t i t w i l l b e fo u n d ge n e ral l y exp ed i e n t to i ve j g p ro m i n e n ce t o o n e p art i c u l a r e l eva t i o n i n t he p e r s p ec t i ve t h e o t h e r b ei n g p e rm i t ted t o va n is h s h a r p l y F i g 5 8 m ay be sa i d t o b e a fa i rl y ty p i cal p ro b l e m fo r t he a rch i tec tu ral p e n m a n T h e ol d b u i l d i n g o n t h e ri g h t i t m u s t b e u n d e rs to od i s n o t a m ere acces s o ry b u t i s a n es se n t i al p a r t o f t h e p i c t u re T h e m at te r o f s u r ro u n d i n gs i s t h e fi rs t we h ave t o dec i de u p o n a n d t h es e o u gh t al way s t o b e d i s p o s ed w i t h r e fe re n ce t o th e pa rt i c u l a r fo rm o f co m p o s i t i o n w h i c h t h e s u bj ec t m a y s ugges t W e re we d eal i n g w i t h t h e fo regro u n d bu i l d i n g a l o n e ficu l t y i n adj u s t i n g th e t h e r e wo u l d b e n o d i f , , , . . , , , . , , , , . . . , . , . . . , , , . , . PEN DRAWING I02 FIG . 59 C . D . M . fo r t h e c o n v e rgi n g l i n e s o f s i dewal k a n d ro o f t h u s q u al i fy i n g t h e v e r t i ca l e ffec t o f t h e b u i l d i n g o n th e righ t A s t h e o b l i q u i ty o f th e c o m p o s i t i o n i s s t i l l o bj ec t i o n abl e we dec i de to i n t ro du ce a fo regro u n d figu re wh i ch w i l l b reak u p t h e l i n e o f t h e l o n g s i dewal k an d l ace i t s o t h a t i t w i l l i n creas e t h e i n u e n ce o f f l p s o m e co n t ra ry l i n e s e e F i g 59 W e fi n d th a t b y p u t t i n g i t a l i t t l e to t h e ri gh t o f th e e n t ran ce a n d o n a l i n e w i th th a t o f th e l eft s i de wal k th e p i c t u re i s p l eas i n gl y b al a n ced W e a re n o w ready to co n s i d e r th e d i s p o s i t i o n o f t h e v al u es A s I h av e s a i d befo re t h es e a re d e te rm i n ed b y th e s ch e m e o f l i gh t , . , , , , . . , . , A R C H I T E C T U R A L D R AW I N G 1 0 3 a n d s hade F o r t h i s reas o n a n y gi ve n s u bj ec t m ay b e va r i o u s l y trea ted W e d o n o t n e c e s s ari l y s ee k t h e s ch em e w h i ch w i l l m a ke t h e m o s t p i c t o r i al e ffec t h o weve r b u t t h e o n e w h i c h w i l l s e rv e t o s et o ff t h e b u i l d i n g t o t he b es t a dva n tage I t I S ap pa re n t th a t t h e m o s t i n te l l i gi b l e i dea o f t h e fo r m o f t he s t ru c tu re w i l l b e g i v e n b y s h ad i n g o n e s i d e a n d as t h e fro n t i s t h e m o re i m p o r ta n t a n d t h e m o re in e l eva t i o n o n w h i c h we n eed s u n l i gh t t e r e s t in g t o g i v e exp re s s i o n t o t h e co m p o s i t i o n i t i s n a tu ra l to s h ade t h e o th e r t h u s a ffo rd i n g a fo i l fo r t h e b r i gh t e ffec ts o n t h e fro n t T h i s b ri gh t e ffec t w i l l b e fu rt h e r e n h a n ced i f we as s u m e t ha t t h e l o ca l co l o r o f t h e r o o fis darke r t h a n t h a t o f t h e wal l s s o t ha t w e ca n gi v e i t a gra y t o n e wh i ch w i l l a l s o m ake t h e m ai n b u i l d I f h oweve r in g s t a n d awa y fro m th e o th e r we we re t o l i k ewi s e as s u m e t ha t t h e ro o f o f t h e o th e r b u i l d i n g w e re da rke r t h a n it s wal l s we s ho u l d b e o b l i ged t o e m p h a s i z e t h e o bj e c t io n a b l e r o o f l i n e a n d a s i n a n y cas e we w a n t a dark e ffec t l o we r d o w n o n t h e wal l s t o gi ve r e l i e f to o u r m ai n b u i l d i n g we w i l l as s u m e tha t th e l ocal co l o r o f t h e o l d e r wa l l s i s d arke r t h a n t h a t o f t h e n ew T h e s h ado w o f t h e m ai n co r n i ce w e wi l l m ak e q u i t e S t ro ng e m p ha s i s b ei n g p l aced o n t h e n ea re r co rn e r w h i c h i s m ad e al m o s t b l ack T h i s co l o r i s rep e a ted i n t h e w i n d o ws wh i ch co m i n g a s t h e y d o i n a gro u p a re s o m e o f t h e m m o re fi l l ed i n t h a n . . , , . , , , , , . , , ' ” , , , , , , , . , , . , , , P E N 1 04 . DRAWING o t he rs t o av o i d a n e ffec t o f m o n o to n y T h e s tro n g n o te o f t h e d rawi n g i s th e n gi v e n by t h e fo regro u n d figu re A n o th e r s ch em e fo r t h e t rea t m e n t o f t h i s s a m e s u bj ec t is i l l u s t r a ted b y F i g 6 0 H e r e , . . . FI G . . , c 60 . D . M . b y t h e i n tro d u ct i o n o f t h e t r ee a t t h e r i gh t o f th e p ic t u r e a t r i a ngu l a r co m p o s i ti o n i s a do p ted O b s e rve t h a t t h e S i d ew a l k a n d ro o f l i n es a t t h e l eft s i de o f t h e b u i l d i n g r ad i a t e t o t h e b o t to m a n d to p o f t h e t ree r es p ec t i v el y T h e S had o w o f t h e t r ee h el p s to fo r m t h e b o t to m l i n e o f th e t ri a ngl e I n t h i s c a s e t h e fo regro u n d fig u r e is o m i t ted a s i t wo u l d h a v e m ad e t h e t r i a ngu l a ri ty to o o b v i o u s I n t h e co l o r s ch e m e t h e t ree i s m ade t h e p r i n ci p al d ar k a n d t h i s . , . . . , - . , HA C D CO E P TE R VI I RATI VE D R AW I N G I n al l m o de r n deco ra t i ve i l l u s t ra t i o n a n d , in , deed in a l l d ep ar t m e n ts o f deco ra t i v e d es i gn th e i n flu e n ces o f two v e ry d i ffe re n t a n d d is t i n c t p o i n t s o f v i ew a re n o t i cea b l e ; t h e o n e dem a n d i n g a real i s t i c t h e o t h e r a p u r e l y co n ve n t i o n al a r t T h e l ogi c o f t h e fi r s t i s t h a t a l l go o d p i c to r i a l a r t i s e s s e n t i al l y d eco ra t i v e ; t ha t o f t h e s eco n d th a t t h e d eco r a t i v e s u bj ec t m u s t b e d es i g n ed i n o rga n i c r e l a ti o n to t h e s pace w h i c h i t I s t o o cc u p y a n d b e s o tre a ted th at th e d e s i g n w i l l p r i m a r i l y fu l fil a p u rel y o r n a m e n tal fu n c ti o n T h a t i s to s a y w ha t eve r o f d ra m a t i c o r l i te ra ry i n te res t t h e d eco r a t iv e des i g n m ay p o s s e s s m u s t b e as i t w e re wo v e n i n to i t s o t h a t t h e ge n e ral e ffec t s h a l l p l ea s e a s i n s ta n t l y as d i rec tl y a n d a s i nd e p e n d e n tl y o f t h e m ea n i n g a s th e pa t te r n o f a n O r i e n tal r u g T h e fo rm e r i t w i l l b e s ee n i s a n i m i ta t i ve t h e l at te r a n i n v e n t i ve a r t I n th e o n e t h e e l e m en ts o f th e s u bj ec t a re re n d e re d w i t h al l p o s s i b l e ii a t u r a l is m ; wh i l e i n th e o th e r e ffec ts o f a t m o s p h e re a n d t h e acc i de n tal p l ay o fl ig h t a n d s h ade are sac ri ficed t o a co n v e n t i o n a l re n deri n g b y w h i c h t h e d es i gn , , , . , , , , . , , , , , , . , , . , , , , , DEC O RATIVE DRAWING 1 07 i s kep t fl a t u p o n t h e p ap e r o r wal l O n e r ep r es e n ts t h e p o i n t o f V i ew o f t h e p ai n te r a n d t h e p i c to r i a l i l l u s t ra to r t h e o t h e r t h a t o f th e d es i g n e r a n d t h e a rc h i tec t T h e s eco n d o r co n ve n t i o n a l i d ea h a s n o w co m e t o b e w i del y a ccep ted a s a t r u e bas i c p r i n c i p l e i n deco ra t i v e art T h e i de a i s n o t b y a n y m ea n s n ov e l ; i t ha s Tb N De al way s b ee n t h e fu n dam e n ta l p r i n ci p le o fJa p g/22 " s a n es e a r t ; b u t i t s g en es i s w a s n o t I n J apa n T h e i m m ed i a t e i n s p i r a t i o n o f t h e n ew D eco ra t i v e s ch o o l a s far a s i t i s co n ce rn e d w i t h t h e dec o r a ti o n o f bo o k s a t l eas t was fo u n d i n t he a r t o f D ii r e r H o l bei n a n d t h e G e r m a n e u grave r s o f t h e s i x tee n t h ce n tu r y i n t ere s t i n w h i c h p er i o d h a s b ee n l a te l y s o s t i m u l a ted b y t h e A rt s a n d C raft s m o ve m en t i n E n gl a n d T h i s m o v e m e n t wh i c h m ay fai rl y b e rega rded a s o n e o f t h e m o s t p o we rfu l i n flu e n ce s i n l a t te r day a rt wa s b egu n w i t h t h e ai m o f res to r i n g t h o s e h eal t h y co n d i t i o n s w h i c h o b ta i n ed b efo re t h e a r ti s t a n d t h e c rafts m a n ca m e t o b e two d i s t i n c t a n d ve r y m u ch e x t r a n g e d wo rk e r s T h e a c t i v i ti e s O f t h e m o vem e n t we re a t fi rs t m o re d i rec tl y co n ce r n ed w i t h t h e a r t o f go o d b o o k m a k i n g wh i c h fr u c t ifie d i n th e fa m o u s "e l m s co t t P res s (a n i n s t i t u t i o n wh i c h w h i l e n ece s s a ri l y u n d e m o c ra t i c h as exe r ted a t re m e n d o u s i n flu e n ce o n m o d e r n p ri n t i n g ) a n d t o day t h e re i s s ca r cel y a n y s p h e re o f ih d u s t r ia l a r t w h i c h h as n o t b ee n i n fl u e n ced by t h e A rt s a n d C ra ft s i m p e tu s . . , , . c et ’ . , , , , , , . , - , . - , , , , — . PEN DRAWING " r i t icisms f t be o 36 11 0 01 T h i s m od e r n d eco ra t i v e r e n a i s s a n ce h as a r o o t i n s o u n d a r t p ri n c i p l es wh i ch p ro m i s es fo r I t a v i g o r o u s V i ta l i ty ; a n d p e rh ap s th e o n l y s e ri o u s c r i t i c i s m w h i c h h a s b ee n d i rec ted aga i n s t i t is t h a t i t e n co u rages a rch a i c c ru d i t i es o f tec h n i q u e w h i c h i g n o re t h e h i gh deve l o p m e n t o f t h e r ep ro du c t i v e p ro ces s e s o f th e p rese n t day ; a n d m o reo v e r t h a t i t s sy m p at h i es te n d to wa rds m ed i aeva l l i fe a n d feel i n g W h i l e s u c h a c r i t ic is m m i gh t r eas o n ab l y b e s u gges ted by t h e w o rk o f s o m e o f i t s i n d i v i d u al adh e re n t s i t d o e s n o t t o u ch i n t h e l eas t t h e es s e n t i al p ri n c i l e s o f th e s ch o o l A r t ca n n o t b e s ai d t o p sco u t m oder n i t y b ecau s e i t refu s e s t o adj u s t i ts el f to t h e eve ry cap ri ce o f S c i e n ce T h e arch i tec t r a t h e r de s p i s es t h e m ec ha n i cal l y p er fe c t b r i c k (ve ry m u c h to t h e s u rp r i s e o f th e m a n u fac t u r e r ) a n d t h o ugh t h e ca m e ra ca n r e co rd m o re t h a h t h e p en c i l o r t h e b r u s h ye t t h e a r t i s t i s n o t t r y i n g t o s e e m o re th a n h e eve r d i d b efo re T h e re a re to o m a n y dec w h i l e v ery d i s ti n c tl y o r a t iv e i l l u s tra to rs wh o co n fes s i n g t h e i r i n deb ted n e s s to o l d exam p l es a re y e t p erfec tl y ecl ec t i c a n d i n d i v i d u al b o th i n t h e c h o i ce a n d d e v e l o p m e n t o f m o t i ve T ak e fo r exa m p l e t h e v e r y m od er n s u bj ec t o f t h e cycl i s t b y M r A B F ro s t F i g 6 1 T h e r e a re no a rch a i s m s i n i t w h a tev e r T h e d r aw i n g i s a s n atu ral i s ti c a n d j u s t a s ca r efu l a s i f i t we re des i gn ed fo r a p i c tu re T h e s had o ws t o o a re cas t gi v i ng a n e ffec t o f s tro n g , , , , . , . ' . , , . , , , , , ‘ . , , . . . . , . . , , , . R cl a rio n PEN DRAWING t h o s e c a rt o o n s w h i c h a r e dev o i d o f p h ys i ca l cari c a tu re (a n d t h e y are ge n eral l y fre e fr o m t h i s ) we s e e a t a gl a n ce t h a t i t is t h e p o l i t i ca l a n d n o t t h e p e r s o n a l rel a t i o n s o f t h e p ers o n a: th a t a re r ep re s e n ted ; w h ereas i n t h e n a tu ral is t ic c a r to o n s o f P u ck fo r exa m p l e o n e c a n n o t r es i s t t h e feel i ng t h a t p e r s o n al i t i e s are b e i n g r o u gh l y h a n d l ed A c h i ef p ri n c i p l e i n al l deco ra t i v e d es i g n a n d t re a t m e n t i s t h a t o f R el a t i o n I ft h e s p a ce t o b e o r n a m e n ted b e a b o o k p age t h e des i gn a n d t r e a t m e n t m u s t b e s u c h a s t o har m o n i z e w i t h t h e p ri n t i n g T h e typ e m u s t b e c o n s id e r ed a s a n e l e m e n t i n t h e de s i gn a n d a s t he e ffec t o f a p age o f t yp e i s b ro ad a n d u n i fo rm l y fl a t t h e o r n a m e n t m u s t b e m ad e t o co u n t a s b ro a d a n d fl a t l i k ew i s e T h e sam e p r i n ci p l e h o l ds e q u a l l y i n m u ra l d eco r a ti o n T h ere t h e d es i gn o ugh t t o b e S u b o rd i n a te t o t h e ge n eral e ffec t o f t h e a rch i tec tu re T h e wal l i s n ot t o b e c o n s i d e red m e rel y a s a co n v e n i e n t p l a ce o n w h i c h t o p l as te r a p i c tu re i t s s tru c tu ral p u r p o s e m u s t b e reg a rded a n d t h i s c a n n o t b e exp re s s ed i f t h e d e s i g n o r t r ea t m e n t b e p u r el y i f v a gu e p e r s p ec t i v e d i s t a n ces a n d p i c to r i al s t ro n g fo regro u n d acce n t s b e u s ed w i t h o u t s y m m e t r y o r o rd e r excep t t h a t o rder wh i ch go ve r n s i ts el f al o n e I n o t h er w o r ds t h e dec o ra t i o n m u s t b e o rg a n i c D eco r a t i ve i l l u s tr a t i o n s m ay b e b ro a d l y cl as s i fi ed u n der t h ree h ead s as fo l l o ws : F i rs t , , , . . . , , , . . . , , — , . , . , FI G . 62 A L F R E D G J O N ES . PEN DRAWING t h o s e w here i n t h e co m p o s i t i o n a n d t h e trea t m e n t are b o t h co n v e n t i o n al as fo r exa m p l e i n t h e ex l i b ri s by M r A G J o n es F i g 6 2 S eco n d w h ere th e co m p o s i t i o n is n a tu r a l is t ic a n d th e t reat m e n t o n l y is c o n v e n as i n M r t io n a l F r o s t s d es i gn T h i rd wh ere t h e co m p o s i t i o n i s d eco rati v e b u t n o t co n v e n t i o n a l a n d t h e t rea t m e n t i s s e m i n a t u r a l a s i n t h e d raw i n g b y M r W al te r A p p l e to n C l a rk F i g T h e l a t te r 63 ub s ( e c t i s o f s u c h a c h ar j ac te r as t o l e n d i ts el f w i t h o u t co n ve n t i o n t o FI G 6 CLA R" 3 a d e c o r a t i v e e ffe c t ; a nd al t h o ugh th e fi gu re i s m o del e d a s i n a p i c to r i a l i l l u s t r a t i o n t h e o rg a n i c l i n e s a re s o e m p h a s i z ed t h ro u gh o u t a s t o p res erv e t h e d ec o r a t iv e c ha ra c te r a n d t h e wh o l e k eep s i t s p l ace o n th e p age ) U n d e r t h i s t h i r d h ead wo u l d b e i n cl ud ed t h o s e s u bj ec t s o f a p i c to r i al n a tu r e w h o s e c o m p o s i t i o n a n d v al u e s are s u c h a s t o m ak e t h e m r eco n c i l a b l e t o a deco r a t i ve u s e b y m e a n s o f b o r de rs o v e r y defi n ed edges as i n , , , — . . . . . , , , . , ’ . , , , . . , . . w . A P P L ET 0 N , , , . r , PEN DRAWING 1 14 h e a vy a n d y e t b e r i ch a n d feel i n g as m ay b e s ee n i n t h e M u c ha des i gn F i g 6 5 G e n e ra l l y s p e a k i n g t h e l i n e o u gh t n o t t o b e m ad e w i t h a n e rv o u s s t ro ke b u t ra t h e r w i th a s l o w del i be r a t e d rag T h e n a tu ral wav e ri n g o f t h e h a n d n e ed o cca s i o n n o a n x i e ty a n d i n deed i t i s o fte n m o re h el p fu l to t h e l i n e t h an o t h e rwi s e P e rh ap s th e re i s n o m o re d ifli c u l t t h i n g to d o wel l t h a n t o m od e l th e figu r e MUCHA wh i l e s t i l l p r e s e r v m g t h e d eco ra t i ve o u tl i n e S eve ra l e x am p l e s o f t h e s k i l fu l acc o m pl i s h m e n t o f t h i s p r o bIe m are i l l u s t ra ted h e re O bs e rve fo r i n s ta n ce h o w i n t h e q u a i n t D u re r l i ke d es i gn b y M r H o wa rd P yl e F i g 6 6 t h e edges o f t h e d rap e ry fo l d s are e m p h as i z ed i n th e s h ado w b y keep i n g t h e m w h i t e a n d s e e h o w wo n de r fiil l y e f fec t i v e t h e r es ul t 1 3 T h e s am e d ev i c e i s a l s o t o b e n o t i ced I n t h e b o o k p l a t e des i gn by M r A G J o n e s F i g 6 2 a s wel l a s i n th e m o re co nv e n t i o n al t rea t m e n t o f t h e b l ack fig u re i n t h e B rad l ey p o s te r F i g 6 7 I n t h e re n d e ri n g o f d eco ra t iv e s u bj ec t s t h e , , . , . , , , . , , , . ‘ . . , , — . , . , , . - . . . , . , , . . , FI G . 66 H O W A R D YL E P FIG . 67 WI LL H B R A D L E Y . PEN DRAWING T h e co l o r s c h em e o ugh t t o b e s i m p l e a nd b ro a d N o s e t r u l es ca n b e l a i d d ow n to g o v er n i t s d i s p o s i t i o n w h i c h m u s t a l ways h a ve r efe re n ce t o t h e w h o l e de s ign T h e i m p o rta n ce o f e m pl o yi n g s u c h a b ro ad and s i mpl e scheme i n d ec o r a t i v e d raw i n g n eed s n o b e t te r a rgu m e n t t h a n t h e e ffec t i ve p o s te r d e s i gn b y t h e B eggar Fig s t a fi B ro th e rs 69 and that by M r P e n fie l d F i g 70 O f co u rs e t h e m o re co n v e n t io n a l t h e d es i g n t h e l e s s rega rd n ee d 69 R OT E R S b e p ai d to a n y th i n g l i k e a l ogi cal d i s p o s i t i o n o f co l o r A figu re m ay b e s e t agai n s t a bl ac k l a n dscap e w i t h w h i te t ree s w i th o u t fea r o f c ri t i c i s m fro m reas o n ab l e p eo pl e p rov i ded i t l o o k s e ffect i ve t h e re A wo rd o r two i n co n cl u s i o n co n cer n i n g s o m e o f t h e m o de r n d eco ra t i v e d rau gh ts m e n O f t h o s e wh o w o rk i n t h e s i x teen t h ce n tu ry m a n n e r M r H o wa r d P y l e i s u n q u es t i o n a bl y th e s u p e ri o r tec h n i c i a n H i s l i n e m as terl y i n it s s u re n es s i s r i ch a n d ch a rged w i t h feel — . , . . , . , . , . F IG “ . B E GG A R S T A F F B H . . , , , . , . . , , DEC RATIVE DRAWING O I I 9 E DW A R D P E NFI E L D ing H O s p o v a t o n e o f t h e y o u n ge r gro u p o f E n gl i s h deco ra to rs h a s al s o a c h ar m i n g t ech n i q u e ra t he r fre e r t ha n th a t o f M r P yl e a n d y e t re m i n d i n g o n e o fit M r Lo u i s R h ead is a n o t h e r o f t he s a m e s c h o o l wh o s e d es i gn s a re d e se rv i n g o fs t u d y T h e e x a m p l e o f h i s w o rk s h o w n i n F i g 71 excel l e n t b o t h . . , , , , . . , . — . 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