Angelina
Tommy Emmanuel
(transcribed from a mixture of performances)
Music by W. T. Emmanuel
Dropped D
6 =D
= 128
Emmanuel regularly uses a standard pick for this song, smoothly mixed with normal finger picking.
Intro
Esus2
Emaj7/G#
A(2)
2
0
Bsus4
Esus2
Emaj7/G#
A(2)
2
0
Bsus4
Esus2
Capo. fret 2
2
3
0
0
2
0
Emaj7/G#
2
0
0
4
A(2)
2
0
5
Bsus4
2
0
3
2
0
2
0
0
Esus2
2
0
4
Emaj7/G#
5
2
0
2
2
0
3
A(2)
5
2
0
2
2
0
0
0
4
2
0
0
0
2
2
0
5
3
2
0
2
2
0
2
0
0
4
0
2
0
X
5
(0)
(2)
(0)
2
3
0
(5)
* Lay down the outer joint of your middle finger to fret that note A.
A
E
Emaj7/G#
A
Cdim7
Dsus2
C m
Em/G
F 7 B7sus4
9
3
0 2
0
0
5
2
2 2
4
(X)
(X) 3
(X) 4
0 (X)
(X)
(X) 5
0
4
(X)
(X)
(X)
(X)
(X)
(X)
0
2
1
2
0
(X)
(X)
(X)
(X)
(X)
(X)
2
2
3
4
4
2
3
2
3
3
5
3
5 2
3
Transcribed by Maitinin@gmail.com - Just ask if you would like to copy or use anything.
All Rights Reserved - International Copyright Secured
0
2
3
(X)
3 (X) 3
1 (X) 0
(X)
(X) 0
2 (X)
2
0
1/4
E
Emaj7/G#
C m7
E/B
C6( 11)
A/B
B
0 1 3
2 4
3 5
0
2
2
2
0
F 7
13
0 2
5
2
2 2
0
0
(X)
(X) 3
(X) 2
0 (X)
(X) 2
(X)
4
(X) 0
(X)
2 (X) 0
4
(X)
(X)
(X)
3
3
1
0 0 2
3
2
3 5
2 3 2
0
0 0 2
4
2
4 6
2
1
0
0
2
0
You rarely find two Emmanuel-performances alike, so take the timing of this tab as little rigid as he would.
E
Emaj7/G#
A
Cdim7
Dsus2
C m
Em/G
F 7 B7sus4
17
0 2
0
5
2
2 2
0
E
(X)
(X) 3
(X) 4
0 (X)
(X)
4
(X)
(3)
(4)
5
0
(X) 0
(X) 2
(X)
(X)
(X) 1
(X)
F m7
G m7
A6
3
3
5
5
7
5
7
5
(X)
(X)
0 (X)
(X)
(X)
(X)
2
2
3
4
4
2
2
3
2
(X)
(X) 3
5 (X) 2
(X)
(X)
(X) 3
3
5
3
B/A
(3)
(2)
0
(X)
3 (X) 3
1 (X) 0
(X)
(X) 0
2 (X)
2
(3)
E/A
D/G
2
0
A/G
21
0 2
0
2
0
0
0
2
2
4
4 5
5
5
7
5
5
7
5 7 8 7 5
7
7
5
6
6
5
5
(X)
7 (X)
7 (X)
(X)
(X)
(X)
5
5
3
(5) 6
5
3
4
3
3
0
B
Esus2
E(9)
C m(4)
E/B
G 7 +/C
25
0
0
0
0
2
2
0
0
3
2
0
0
2 0
0
4 2 0
3
2
2 4
X
0
0
0
3
2
4
X
0
6 7
0
X
9
9
7
7
0
7
0
0
(0)
7
X
8
8
7
0
7
8
8
X
X
X
0
2/4
A
F 7
E/G#
C m7
29
0
7
7
7
5
7
3
7
0
0
1
0
X
2
1
0
2
A
0
2
4
0 2 4
2
4
5
F m9
0
3
0
4
2
4
C m(4)
3
2
4
2
0
5
G 7+
5
3
2
2
2
0
0
0
G 7 +/C
3
33
2
4
0 2 4
5
3
5
0 (X)
(X)
(X)
(X)
(X)
(X)
E/B
2
0
0
0
X
2
(2)
(0)
(0)
(0)
3 2 0
2
0
0
(X)
(X)
(X)
(X)
(X)
(X)
(2)
0
3
3
4
X
4
7
7
9
4
7
7
0
7
8
9
A
F 7
0
7
7
0
7
7
8
8
E/G#
C m7
F 7
37
0
7
7
7
0
7
5
0
0
1 1
0
0
X
2
2
3
0
2 4 5
Em6/B
F 11
2 3
0 2 4 4
2
0
0
5
B(2)
5
2 3
2
4
4
5
3
2 4
4 2 2
4 5
3
3 3
4
4 4
2
2
2
2
2
2
Bsus4
3
42
3
10 10
7
7
7
7
7 9 7
9
7 9 7
9
7
7 8 7
6
7
0
5
0
6
X
3 2 0
<7>
<7>
<7>
(<7>)
3 2 0
2
0
0
2
3
0
2
3 20
3
0
3/4
Esus2
A6
B/A
E/A
D/G
A/G
D/G
A/G
3
3
4
3
5
5
3
3
4
46
0
3
0 2
0
0
0
0
5 7
5
7
0
0
8 7
5
5
6
7
5
5
5
(X)
5 7 (X) 3 5
6 7 (X) 5
(X) 3
(X)
(X)
3
5
5
(5)
(5)
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
This Outro is occasionally also used as an intro.
Outro
D/G
A/G
D/G
A/G
3
5
5
3
3
4
3
5
5
3
3
4
Esus2
E(2)
50
3 3 3 3 3 3 3 3
3 3
3
3
0
3
3
3
3 3
2 02
0
0
0
3
2
0
0
0
0
<12>
3
0
<12>
<12>
<12>
<12>
<7>
<7>
<7>
<4>
54
<7>
<5>
<7>
<12>
<12>
<7>
<12>
<12>
<7>
<12> <7>
<12>
<4>
<7>
<7>
<5>
<7>
<12>
<7>
<7>
<12>
<12>
<7>
<12> <7>
<12>
<4>
<7>
ritardando...
E
3
58
3
<7>
<5>
<12>
<7>
<7>
<12>
<12>
<12>
<12>
<12>
2 3 2 0
7
<7>
(<7>)
<7>
<7>
3
2 4 2 0
3
2
2
X
0
4
4/4