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Introduction to Literature: Definitions & Divisions

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INTRODUCTION
TO LITERATURE
Assoc. Prof. Wilfredo M. Valois
LITERATURE defined:
From the dictionary:
Literature refers to writing considered to be an art form
or any single writing deemed to have artistic or
intellectual value, often due to deploying language in
ways that differ from ordinary usage.
"Great literature is simply language charged with
meaning to the utmost possible degree."—Ezra Pound
"It is in literature that the concrete outlook of humanity
receives its expression." —Alfred North Whitehead
"Literature is where I go to explore the highest and
lowest places in human society and in the human spirit,
where I hope to find not absolute truth but the truth of
the tale, of the imagination and of the heart." Salman
Rushdie
Matthew Arnold puts it as a “criticism of life” because
our connection with literature provides an objective
base for our understanding of life.
Henry Van Dyke, however, gives an
encompassing definition for literature, its
scope and characteristics. According to
this writer, literature
“consists of writings which interpret the
meanings of nature and life, in words of
charm and power, in artistic forms and of
permanent interest.”
DIVISIONS OF LITERATURE
◦ POETRY
◦ PROSE
◦ “literature that evokes a
concentrated imaginative
awareness of experience or
a specific emotional
response through language
chosen and arranged for its
meaning, sound, and
rhythm.”
the other division of literature
which uses a natural form of
expression. Prose writing does
not adhere to the rules of
rhyme, rhythm and meter
rather it employs a language
characterized by its close
semblance to the patterns of
everyday speech. In such, the
difference between prose and
poetry is the difference in form.
POETRY
LYRIC-consists of poems which deal with emotions or
feelings.
NARRATIVE- referred to as a story telling verse. These
are poems that narrate stories.
DRAMATIC-consists of poems in which everything is
conveyed through the words of a single speaker who
reveals background circumstances and conflicts and
provides insight into his own character, as well as that
of the others.
PROSE POETRY- has all the characteristics of poetry
such as vivid imagery, poetic meter, heightened
emotion, and language play except that it is written in
sentences
On His Blindness BY JOHN MILTON
When I consider how my light is spent
Ere half my days in this dark world and wide,
And that one talent which is death to hide
Lodg'd with me useless, though my soul more bent
To serve therewith my Maker, and present
My true account, lest he returning chide,
"Doth God exact day-labour, light denied?"
I fondly ask. But Patience, to prevent
That murmur, soon replies: "God doth not need
Either man's work or his own gifts: who best
Bear his mild yoke, they serve him best. His state
Is kingly; thousands at his bidding speed
And post o'er land and ocean without rest:
They also serve who only stand and wait."
LYRIC-consists of poems which deal with emotions or feelings. This
correlates to Wordsworth’s definition of poetry as “the spontaneous
flow of emotion.” Subjective and personal, lyric types which abound
with figures of speech include sonnet, song, elegy, ode and simple
lyric.
Sonnet- fourteen line poem with rhyme pattern which may be
Shakespearean or Petrarchan
Song – lyric poem intended to be sung; melodious and perfect in
rhythm
Elegy- lamentation for the dead; sorrowful in tone
Ode- poem of praise written in formal, elevated style; noted for
formal language and structure
Simple lyric- all the rest that do not fall under the first four, the
poems have general and loose characteristics
Narrative poetry is referred to as a story telling verse.
These are poems that narrate stories. Under this are the
ballad, metrical tale, metrical romance and epic.
Ballad- narrative poem intended to be sung… either
folk or modern ballad
Metrical tale- real or imaginary story peopled by
ordinary folks; deals with any topic under the sun
Metrical romance- a genre of courtly literature that
poeticized knighthood in the figures of such heroes in
the figures of such heroes as King Arthur, Lancelot,
Tristan, Gawain, Percival. The chilvalric romance
poeticized the exploits of knights performed in the name
of glory, love, and moral perfection.
METRICAL ROMANCE
an epic genre of courtly literature that
romanticizes knighthood in the figures of such
heroes as King Arthur, Lancelot, Tristan, and
Percival .
The chivalric romance idealizes the
exploits of knights, performed in the name of
glory, love, and moral perfection.
metrical tale and metrical
romance
◦ Ordinary characters
◦ Any topic under the sun
◦ Folk tales, fables, legends,
myths, ancient stories, stories
retold
◦ Canterbury Tales
◦ Album of the Old England
◦ Characters of noble or royal
origin
◦ Story featuring the chivalry of
a knight
◦ Has the elements love,
chivalry, and religion
◦ Presence of a quest
◦ Warrior in arms
◦ Devotion to a lady arising
from a virgin cult
EPIC
◦ narrates the exploits of a hero side by side the
development of a nation
◦ longest narrative poem
◦ myths, legends, tradition, history
◦ begins with an invocation
◦ begins in medias res
◦ features the mortal combat of two major
characters
◦ record of the growth of civilization
Drama is defined as a “composition in verse or
prose intended to portray life or character or to tell
a story usually involving conflicts and emotions
through action and dialogue and typically
designed for theatrical performance.”
Drama develops primarily by means of dialogue-the lines spoken by the characters. The plot and
the action of drama unfold on the stage as the
characters interact.
From Greece where it
originally started, drama may be classified as
tragedy and comedy.
While tragedy deals with subject which is serious
and involving persons of significance, comedy
treats themes and characters with humor and
typically has a happy ending.
Whereas tragedy reveals the nobility of the
human condition, comedy demonstrates its folly,
portraying human beings as selfish, hypocritical,
vain, weak and irrational.
LITERATURE OF
KNOWLEDGE
AND LITERATURE
OF POWER
Thomas de Quincey
What is Literature?
◦ Is it printed in a book?
◦ Is it spoken in the church?
◦ Is it dramatized?
Two Domains of Literature
1.
Literature of Knowledge
2.
Literature of Power
Literature
Of Knowledge
Of Power
1.
Function is to teach
1.
Function is to move
2.
Rudder
2.
Oar or a sail
3.
Appeals to u
3.
4.
nderstanding
Higher understanding but
always through affections
of pleasure and sympathy
(human emotions,
passions, desires)
Functions of Literature
1.
To teach- seeking knowledge; understanding words
2.
To move- being able to sympathize with truth
e.g. Effect of Children upon society
-
The sight or imagery of children’s pity, tenderness, peculiar
modes of admiration, helplessness, innocence and their
simplicity-
-
Our primal affections are strengthened and continually
renewed; kept in perpetual remembrance and their ideals
are continually refreshed.
Effects of Literary Piece
1.
Power- exercise and expansion to your own latent capacity
of sympathy with the infinite.
2.
Flight- the first step in power, is an ascending movement into
another element where earth is forgotten.
3.
Human sensibilities are ventilated and continually called out
into exercise
4. Moral capacities of man- understanding heart
Effects of Literary Piece
5. tragedy, romance, fairy tale, etc- restore to man’s mind the
ideals of justice, hope, truth, mercy, retribution
6. Concept of poetic justice- different from jurisprudence; refers
to the style of the poet; through this style, ideals stated above
are restored and revitalized.
7. Novel- with themes about human fears and hopes, with human
instincts of wrong and right, sustains and quickens those
affections- calls people into action rather than torpor.
Scientific Vs. Literary
Scientific
Literary
1.
Knowledge
1.
Power
2.
Provisional work
2.
3.
Like the book of Sir Isaac
Newton (militant at first
then replaced by another)
Survive as finished and
unalterable
3.
Like Iliad, Prometheus,
Othello, King Lear, Hamlet,
Macbeth, Paradise Lost
(not militant but
triumphant forever- cannot
be altered)
EDUCATING THE
LITERARY TASTE
Paz latorena
Different definitions of Literary
Taste
It is the discernment and appreciation of that which is
fundamentally excellent in literature.
A faculty that discerns the beauties of literature with pleasure
and its imperfections with dislike.
(from the essay of Addison and affirmed by Coleridge as a
rational activity but with a distinctly subjective bias)
Literary Criticism vs. Literary
Taste
1.
Literary Criticism- is a formal action of the intellect, a
deliberate search for perfections and imperfects by the
application of universally accepted standards to a literary
compositions
2.
Literary taste- It is the instant, almost instinctive preferring of
one literature to another, apparently for no other reason
except that the first is more proper to human nature
3.
To have a literary taste is to have a feeling and an inclination
for what is fine and beautiful in literature, to savor and to
appreciate it, and to dislike and to reject what is vulgar and
tawdry in it. (Ruskin)
Literary taste can be taught, can be acquired by determined
intercourse with good models (Sir Joshua Reynolds)
To distinguish between pleasures that are becoming to a man vs.
unbecoming
To find delight in what ought to delight him
To feel repulsion fro what ought to repel him
Literary Standards
1.
Intellectual Value
2.
Emotional Value
3.
Ethical value
Intellectual Value
1. It means something in a literary composition which makes the
reader think to some purpose so that his mental life is enriched.
2. Other arts like music, painting, sculpture and dance, do not
place great emphasis on intellectual value; they only appeal to
the senses
3. All great literature, that of universal and enduring appeal have
a high degree of intellectual value
Examples:
Shakespeare, Calderon dela Barca, Dante, Milton, Tolstoy,
Thomas Hardy, Dickens, Hugo, etc.
Truth
- It is truth that appeals to the human mind.
- Not the truth that is mere information or factual
- Truth is what the art and imagination transmute ‘dry bones’ put
together into breath and life
- Combining fundamental methods such as romanticism, realism,
idealism or naturalism
Emotional Value
1.
An appeal to the emotion is the distinguishing mark of a
good literature. A literary piece has an endeavor to express
and to arouse emotion.
2.
Including pleasant and unpleasant emotions such as moods,
feelings, attitudes.
3.
Writers write more of grief, pathos, fear and even horror
(Why? Because life is more of the material of tragedy and
pathos and writers capitalize on them.)
Effects of the Unpleasant
Emotions/ the Painful in
1. Arouses desirable emotions
Literature
2. Painful stimulus has effect on the reader
3. Weak man arouses pity
4. Portrayal of acts of cruelty and injustice stir moral indignation
5. The horrors of War show heroism and sacrifice and hopeful in
the end and the eventual abolition of war
Unpleasant emotions maybe contemptible yet satisfying,
enlarging and ennobling.
“So in larger scenes of horror, or of tragedy, or pathos, our
pleasure in the nobility that withstands pain and evil, our
sympathy with suffering lift us out of the realm of the merely
unpleasant or painful.”
Ethical value
A question whether literature should instruct or teach didactic
lessons or art should be expressed/ written for art’s sake or for
aesthetics’ sake.
Plato- Literature should instruct
Aristotle- Literature should be for pleasure or aesthetic
Horace- Literature should instruct and delight
Ethical Standards
1.
Immorality of Expression- Frankness vs. Concealing phrases
2.
Immorality of Theme- Not all literary compositions with
immoral themes are necessarily immoral.
3.
The demarcation lies in the purpose and aim of the writer
Figure of Speech - a word or phrase
used in a non-literal sense for
rhetorical or vivid effect.
expressions which are used to
embellish the
language of prose
and poetry for vivid effect
and
impression
When a writer uses simile…
• Two unlike things are being compared
• The words like or as are being used to
make the comparison
The snow was as thick as a blanket.
She was as light as a feather.
You are acting like a baby.
He felt like a bug under a microscope.
His temper was as explosive as a volcano.
Metaphor is comparing two unlike things
without using like or as
Simile: Fido is like a teddy bear.
Simile: Fido is as soft as a teddy
bear.
Metaphor: Fido is a teddy bear.
As a simile
• Friends are like parachutes. If they aren’t there the first
time you need them, chances are, you won’t be needing
them again.
Friends are being compared to parachutes using the word
like. (friends = parachutes)
Friends and parachutes are dissimilar and unlike each other,
yet we have found a way to relate and compare them.
As a metaphor:
Friends are parachutes.
More examples of metaphor
A good laugh is sunshine in a house.
This computer is a dinosaur.
METONYMY is a substitution of an idea with a noun, word, term,
symbol closely associated with it
I pledge my service to the crown. (instead of using King or
monarch)
She was a girl of twenty summers. (This is used instead of age, or
years)
He’s always chasing skirts. (this is the substitute for girls or
women)
John reads Poe. (this refers to the literary works of Edgar Allan
Poe)
More examples
The table is now open for nominations from the floor.
Malacanang is as frantic as White House in addressing the
pandemic.
The pen is mightier than the sword.
The end is near and so I face the final curtain.
SYNECDOCHE like metonymy is also substitution but it
substitutes a part for a whole, or a whole for a part (of a
body).
The word “hand” refers to food or money, as in, “I need an
additional hand.”
I have seven mouths to feed. (seven children)
Two heads are better than one.
Woods- forest
Wheels – car
PERSONIFICATION- Giving human traits or
characteristics to something that isn’t human,
such as animals, objects or non-living things
The old motorcycle barked and yipped before it
started up with a howl.
Spring caresses the earth and sky with her warm,
delicate hands.
The flood waters rose, and the river became a
ravenous monster. Raging on for hours, it consumed
everything in its sight.
The car danced across the icy road.
The angry clouds marched across
the sky.
The stars in the clear night sky
winked at me.
The tulips nodded their heads in the
breeze.
Money talks.
Love moves in mysterious ways.
Reality bites.
HYPERBOLE
A major understatement; the opposite of
exaggeration
A major exaggeration or overstatement used for
emphasis or humor
My backpack weighs a ton.
I nearly died laughing!
I will lay you down in a bed of roses.
I’ve told you a million times!
Apostrophe- is a direct call or address to
someone or something who/which is absent or
missing.
In drama, it occurs when a speaker breaks off
from addressing the audience and directs speech
to a third party such as an individual, sometimes
absent from the scene. Often the addressed
person is a personified abstract quality or
inanimate object. In dramatic works and poetry
written in or translated into English, such a figure
of speech is often introduced by the vocative
exclamation, "O". Poets may apostrophize a
beloved, the Muse, God, love, time, or any other
Examples of apostrophe
Twinkle, twinkle, little star, how I wonder what you are.
O holy night! The stars are brightly shining!
Then come, sweet death, and rid me of this grief.
Christopher Marlowe)
(Queen Isabel in Edward II by
O, pardon me, thou bleeding piece of earth.
Act III, Scene I)
Roll on, thou deep and dark blue Ocean – roll!
Byron)
(Julius Caesar,
(The Ocean by Lord
Welcome, O life! I go to encounter for the millionth time the reality
of experience and to forge in the smithy of my soul the uncreated
conscience of my race.
Man by James Joyce)
(A Portrait of the Artist as a Young
ALLUSION is making references to the different branches of
knowledge. It occurs when you borrow ideas or information to fields
other than literature and use it as part of your creative writing. Three
common borrowings come from the Bible, mythology, and history.
Biblical allusion
You have the patience of Job and the loyalty of Ruth.
There returns my prodigal son whom I accept without
conditions.
Mythological allusion
You have the face of Helen who can launch a thousand ships.
I am disqualified in the contest since I failed my Mathematics
which is my Achilles’ heel.
Historical allusion
The cry awoke Balintawak
And the echoes answered back: Freedom!
My waterloo is singing; I am out.
ALLUSION
1. Your backyard is a Garden of Eden. (Biblical
allusion)
2. I guess I should see this message about a new job as
my burning bush. (Biblical Allusion)
3. When you feel betrayed by a friend, you can say,
"You too, Brutus?" (allusion to Julius Caesar-Brutus
betrayed Caesar)
4. You're a regular Einstein. (allusion to a historical
figure)
5. When your parents learn about your new plan to
raise money, it's going to sink like the Titanic. (allusion
to a historical event)
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PARADOX is a contradiction within a statement
which is found logical, true, and valid. It is a
statement that appears to be self-contradictory or
silly, but which may include a latent truth.
“Some of the biggest failures I ever had were
successes."
"The swiftest traveler is he that goes afoot."
"If you wish to preserve your secret, wrap it up in
frankness."
”If you love until it hurts, there can be no more hurt,
only more love." (attributed to Mother Teresa)
"War is peace."
"Freedom is slavery."
"Ignorance is strength."
Oxymoron is a figure of speech in which two opposite
ideas are joined to create an effect. In short, they are
contradictory words put together
e.g.
alone together
virtual reality
liquid gas
civil disobedience
seriously funny
open secret
military intelligence tragic comedy
definite maybe
exact estimate
same difference
larger half
constant variable
original copies
extinct life
minor crisis
only choice
living dead
working holiday
true lies
Irony is the opposite of what you expect (which
happens), the opposite of what you mean, or
meaning the opposite of what you say.
◦ VERBAL IRONY is saying the opposite of
what you mean or meaning the
opposite of what you say. It is often
laced with sarcasm or cynicism.
◦ SITUATIONAL IRONY—the opposite of
what you expect happens
◦ A marriage counselor filed for divorce
“ I never lied in my entire life.”
◦ A teacher failed a test
( a politician makes this
statement)
◦ A fire station burns down
“ Boy, I am having a good time!”
(he is so bored in truth)
“ I will never drink again!”
swearing this!)
(an alcoholic
◦ An anti technology website
◦ A pilot with a fear of heights
◦ A fertility counselor struggles to get
pregnant
◦ A hungry cook
◦ A shoemaker without shoes
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A marriage counselor filed for divorce
A teacher failed a test
Gunpowder was discovers in the process of
looking for the elixir for immortality
In The Gift of Magi by O. Henry, the wife
cuts her hair to sell it in order to have the
money to buy her husband a pocket watch
chain. The husband then sells the watch to
buy her a hair accessory.
Fahrenheit 451 is in the top 100 banned
books in the US
An anti technology website
A fire station burns down
A traffic cop got his license suspended due
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A pilot with a fear of heights
A couple seeking divorce rediscover their love for
each other run the process of filing for divorce
In Oedipus Rex, Oedipus’s father only fulfills the
prophecy of him being killed by his own son after
trying to avoid it and sending him away
Robbery at a police station
A post on Facebook about how useless it now is
Being thirsty in the sea
A fertility counselor struggles to get pregnant
A hungry cook
A shoemaker without shoes
Antithesis is a figure of speech comprised of opposing or
contrasted words or sentiments. Writers arrange them in
parallel construction in the same sentence. Antithesis is a
figure of speech based on unlikeness, and therefore always
expresses contrast. You should always contrast verbs with
other verbs, adjectives with adjectives, nouns with nouns,
and so on.
"One small step for a man, one giant leap for all mankind."
Money is the root of all evils: poverty is the fruit of all
goodness.
It is better to lose health like a spendthrift than to waste it
like a miser.
Deeds show what we are; words, what we should be.
Often there is a double or even triple contrast in the same
sentence.
EX.— Silence is deep as Eternity; speech is shallow as
Time.
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