FACULTY OF CREATIVE INDUSTRIES Final mark awarded:_____ Assessment Cover Sheet for students on USW courses. Module Code: Module Title: Module Lecturer: MO4S04 HART Lloyd George Assessment Title and Tasks: Assessment No. 1 Essay Method of Submission Turnitin, No. of pages submitted in total Word Count of submission including this page: Completed by student Date Set: (if applicable): Completed by student Submission Date: Return Date: Part A: Record of Submission (to be completed by Student) Extenuating Circumstances If there are any exceptional circumstances that may have affected your ability to undertake or submit this assignment, make sure you contact the Advice Centre on your campus prior to your submission deadline. Fit to sit policy: The University operates a fit to sit policy whereby you, in submitting or presenting yourself for an assessment, are declaring that you are fit to sit the assessment. You cannot subsequently claim that your performance in this assessment was affected by extenuating factors. Plagiarism and Unfair Practice Declaration: By submitting this assessment, you declare that it is your own work and that the sources of information and material you have used (including the internet) have been fully identified and properly acknowledged as required.1 Additionally, the work presented has not been submitted for any other assessment. You also understand that the Faculty reserves the right to investigate allegations of plagiarism or unfair practice which, if 1 University Academic Integrity Regulations proven, could result in a fail in this assessment and may affect your progress. Details of Submission: Note that all work handed in after the submission date and within 5 working days will be capped at 40%.2 No marks will be awarded if the assessment is submitted after the late submission date unless extenuating circumstances are applied for and accepted (Advice Centre to be consulted). You are required to acknowledge that you have read the above statements Student Number(s): by writing your student number (s) in the box: IT IS YOUR RESPONSIBILITY TO KEEP A RECORD OF ALL WORK SUBMITTED Part B: Marking and Assessment (to be completed by Module Lecturer) Assessment Task Instructions Choose one of the following topics; Music production and authenticity Music production and repertoire Music production and musical styles Music production and the masterpiece album Music production and minorities In your argument you must refer to music production and or reproduction practice, society, musicology and the economics of the music business. You must also include at least one example of the core reading found under learning materials e.g. Wall, Burgess and one item from the course reading list e.g. Moore, Bailey. And at least one reference from the library subject guide Music and Sound e.g. Rocksbackpages. You will be required to bring further references from your own research to support your argument. 3000 words +/- 10% in total including lit review of approx 800 words +/- 10% Learning Outcomes (as specified in the validated module descriptor) 2 Information on exclusions to this rule is available from Campus Advice Centres 1. 2. 3. Apply critical reasoning and listening as a core component of their professional practice. The student will be able to demonstrate advanced understanding of complex inter-related issues in a scholarly manner, along with critical evaluation of current paradigms. Understand deep foundational music and sonic structures. Confidently work across discipline boundaries through differential understanding. Grading Criteria 1. 2. 3. 4. 5. Adequate review of core literature Originality of argument and evidence Structured i.e. musicological, technological, social and economics Referencing – quality of references and correct conventions for citation Knowledge and understanding