Art of the Post-War Period Carlom, K., Malayba, C., Mirandilla, D., Salazar, J. s s u c s i d l l ' e w t Wha e r u t c e t i Arch e r u t p l u c S Painting g n i k a m t Prin Art of the PostWar Period Philippine Architecture was dominated by the American style. During the liberation of Manila by the Americans in 1945 large portions of Intramuros and Manila were destroyed. Architecture 1946 - Philippines expressed its identity by implementing Modernism 1947 - a corps of architects and engineers were tasked to study the modern US and Latin American capitals and formulate a master plan for Manila Quezon Memorial Shrine, Federico Ilustre Architecture The 1950's and 1960's staple architectural element were the brise-soleil, glass walls, pierced screens, and thin concrete shells. Post-War Doctrine "form follows function" 3rd Generation Architects Cesar Concio, Angel Nakpil, Alfredo Luz, Otillo Arellano, Felipe Mendoza, Gabriel Formoso and Carlos Arguelles Church of the Risen Lord, Cesar Concio National Press Club, Angel Nakpil Quisumbing Building, Alfredo Luz Metropolitan Theater (1978 restoration), Otillo Arellano Batasang Pambansa, Felipe Mendoza Pacific Star Building in Makati, Gabriel Formoso Bank of America, Gabriel Formoso Philippine Veterans Bank, Felipe Mendoza Carlos Arguelles Encarnacion Hall, University of the Philippines School of Economics Philam Life Building Manila Hilton (now Manila Pavilion) Hotel Architecture The 1950's also witnessed Space Age aesthetics and Soft Modernism. Union Church, Jose Zaragosa (Space Age) Church of the Holy Sacrifice, Leandro Locsin (Soft Modernism) Architecture In the 1950's, height of the buildings was limited to 30 meters by law. With the amendment of Manila Ordinance No. 4131, a high-rise fever redefined Manila's skyline: Picache Building, Angel Nakpil Insular Life Building, Cesar Concio Architecture Leandro Locsin designed the Cultural Center of the Philippines who earned a National Artist Award. Other architectural landmarks are Philippine International Convention Center and many other tall structures particularly in the Business Center of Makati City. Cultural Center of the Philippines, Leandro Locsin Philippine Interventional Convention Center, Leandro Locsin Sculpture Napoleon Abueva - considered the first modern Filipino sculptor His modernism was developed during his studies in the United States. Double Crucifix suspended from the dome above the altar of UP and Allegorical Harpoon at Cultural Center of the Philippines (CCP). Other noted sculptors include: Abdulmari Imao, a sculptor from Jolo; Solomon Saprid, for his Peace Loving Tikbalang and Eduardo Castrillo for his massive sculptures of the Last Supper and Pieta. The Redemption, Eduardo Castrillo Sarimanok, Abdulmari Imao Tikbalang, Solomon Saprid Double Crucifix, Napoleon Abueva Allegorical Harpoon, Napoleon Abueva Painting The Art Association of the Philippines & the Philippine Art Gallery - helped to introduce modern art locally and to create patronage among art-buyers. Neo-Realists - the early post war modernist Two popular names were Vicente Manansala and Carlos Francisco. Painting Some famous painters in the fifties and early sixties are: Fernando Zobel, Arturo Rogerio Luz, Jose T. Joya, Mauro Malang Santos, and Anita Magsaysay Ho. In the mid sixties further developments in the international art movement were reflected in the works of: Robert Chabet, Mars (Marciano) Galang, and Benedicto Cabrera. Sungka Players, Vicente Manansala Madonna of the Slums, Vicente Manansala First Mass at Limasawa, Carlos Francisco Bayanihan, Carlos Francisco Candle Vendors, Arturo Rogerio Luz Granadean Arabesque, Jose T. Joya Noche Clara, Fernando Zobel Woman (2006), Mauro Malang Two Women, Anita Magsaysay-Ho Landscape With White Moon, Robert Chabet Squatters, Marciano Galang The Oriental Fan. Benedicto Cabrera Printmaking One of the artistic forms that involves a large audience. Manuel Rodriguez, Sr. the pioneer and mentor in Philippine graphic art opened the Contemporary Graphic Art Workshop in Malate He specialized in etching. Three of his sons-Manuel Jr., Marcelino and Ray are all accomplished printmakers. Printmaking Philippine Association of Printmakers founded in 1968 offered workshops in various graphic mediums developed outstanding printmakers: Raul Isidro, Orlando Castillo, Imelda Cajipe Endaya, Rodolfo Paras Perez in wood cut, Rodolfo Samonte in serigraphy, Virgilio Aviado and Ofelia Gelvezon in etching. Lechonan, 2010 (Etching) Dream, Etching Manuel Rodriguez Sr. Boy on Carabao, Etching Rising, Rodolfo Samonte The Kiss, Rodolfo Paras Perez Florante at Laura, Rodolfo Paras Perez Thank You for listening!