This play works as a piece of theatre in that it has an emotional depth and
intimacy that could only be conveyed in a theatre setting. Film can capture
tiny, close-up emotions but sometimes it’s best to have that heavy emotional
turmoil be portrayed with a painful silence or dramatic physical interactions.
I do not believe that Smokefall is Artistotalean. As part of the script (roughly)
states, “I imagine this house as a circle”. There is an endless cycle of love that
never stops changing and continues to repeat in different ways and always has
another chapter to witness.
Our understanding of myth is brought to life in that love is real, but painful. In
a way, we can bring a common bible verse that many bring to life into this play.
1 Corinthians 13:4-8 : “Love is patient and kind; love does not envy or boast; it
is not arrogant or rude. It does not insist on its own way; it is not irritable or
resentful; it does not rejoice at wrongdoing, but rejoices with the truth. Love
bears all things, believes all things, hopes all things, endures all things. Love
never ends.” We can find examples of all of these in different characters and
their arcs. Their archetypes of an exhausted mother, emotionally unavailable
father, “test-run” eldest child, an aloof elder, and the victim youngest child.