Pilates Personal Trainer Getting Started with Stretching WORKOUT Michael King Yolande Green Illustrated step-by-step matwork routine - J ALLEN COUNTY PUBLIC LIBRAR DPT III 3 #3&Q4513 4605 - PlIdtGS / ^ Personal Trainer I Getting Started with Stretching workout CIRCULATING WITH THE LISTED PROBLEM(S): Ql -0& -ql( Pilates Personal Trainer Getting Started with Stretching WORKOUT Illustrated step-by-step matwork routine Michael King Yolande Green Wlysses Press Copyright © 2003 Ulysses this publication transmitted in may be Press. All rights reserved. reproduced, stored in No part of a retrieval system, or any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser. Published in the United States by Ulysses Press Box 3440 P.O. Berkeley, CA 94703 www.ulyssespress.com Published in the United Kingdom The Complete Body as Pilates: System (2002) and Pure Pilates (2000) by Mitchell Beazley, an imprint of Octopus Publishing Group Library of Congress Card Ltd Number 2003104403 ISBN 1-56975-354-7 Printed 10 in Canada by Transcontinental Printing 987654321 Kenny Grant Design Interior Cover Design Sarah Levin Photography Ruth Jenkinson Models Beth Caterer Nancy Markwick Malcolm Muirhead Simon Spalding Distributed and in in the United States by Publishers Group West Canada by Raincoast Books Please Note This book has been written and published purposes, and in strictly for informational no way should be used as a substitute for consultation with health care professionals. You should not consider educational material herein to be the practice of medicine or to replace consultation with a physician or other medical practitioner. The author and publisher are providing you with information in this work so that you can have the knowledge and can choose, at your own risk, to act author and publisher also urge all on that knowledge. The readers to be aware of their health status and to consult health care professionals before beginning any health program. contents INTRODUCTION 9 Why Pilates? program 12 Holistic 14 The workout 16 Preventing pain VITAL ELEMENTS 20 Concentration 23 Breathing 26 Centering 31 Control 34 Posture 37 Neutral spine 40 Precision 42 Isolation THE WORKOUT 46 Warm-up 68 Strength 90 Glossary stretching & stretching 92 Index 96 About the authors/ Acknowledgments Pilates is not a fitness fad; concept that will and more fitter not only a holistic it is make you feel but will enrich flexible, your whole way of life. The series of movements not only change will your body looks, but it how will also give you a new physical poise and greater mental strength. During my years instructor, I many trend industry book Pilates and writing this have witnessed part of my effort to give others an shifts in the fitness insight into the as an exercise —from high impact to low way. I would power like to is of the Pilates pass on all the impact aerobics, from slide to step, information and knowledge that and from spinning to core have developed over functional training. Some and of these my years I in the fitness industry, training people changes have been introduced in the physical skills to enrich the because of safety concerns over quality of their lives. certain movements or ways exercising. The advantage Pilates system, in contrast, the movements can be of of a is that gentle on It is the perspective of back injury your body. The technique can also many be I effectively used to complement other exercise regimes. I am one who Joseph From someone with have seen the value of the way that Pilates it changes people. You may believe that a a has worked with different types of exercise, technique and the of a third generation of Pilates instructors following very exciting to witness the current popularity of Pilates. hunched posture is part of getting older, but this case. to If is not the you pay regular attention your body and invest in by it incorporating stretching and feeling fitter You can you by will benefit and more attractive. you grow may activities result in recurring aches or all day, for example, unbalances your body, causing the hip flexors (the front muscles of your thighs) and the upper back also maintain these benefits as moderate regular daily physical problems. Sitting at a desk challenging exercises into your routines, then or short-term injuries. Even to form themselves into a rounded older. position. Pilates helps to release Balancing your body Pilates when is regularly practiced, will improve your strength. flexibility and The movements a noticeable impact in such tensions and ease your body a system of exercise that, will have on your body terms of general well-being, youthfulness, and flexibility, and they will also help to heal any long- back into a more natural balance. also helps you body, feel more It to achieve a leaner poised, less anxious, and stronger mentally. The moves shown here structured with this in are based Joseph are mind and on the movements that Pilates taught. I The Pilates movements stretch the muscles and pull them into a longer and leaner shape, rather than forcing them to tear and rebuild into the shorter and thicker shape that conventional strength training does. Pilates systematically exercises all the muscle groups in your body, challenging the weak as the strong. balances the body, It areas as well the upper and lower muscle groups with the center of the body. This has a dramatic effect on strength, flexibility, posture, Whether you and focuses on tight areas, and aims to coordination. increase strength and flexibility. interested in Pilates for cosmetic, he conceived the original medical, or preventative reasons, When matwork exercises, was looking the full to to the Joseph to stretch the bring maximum to benefit of his original difficult. may find This is moves movements at the same time focus your mind. few people are used Anyone can do be involved with to be an athlete to Pilates. And minimum of strain capabilities. This All-round benefits Pilates as a whole, system works and aims the body to coordinate while the exercises are designed to put a to. it on the body, they also aim to challenge The will strengthen your body and You do not have because they use muscle control and coordination that the system of person exercising. Even experienced athletes some Pilates body are means its that anyone of any age and any of fitness can do Pilates. level Whether young or old, a fitness fanatic or someone who before, you has never exercised will reap the benefits. in a non-competitive format. The exercises also share an emphasis on stretching, as well as strengthening muscles. Both Yoga Basic equipment and You don't need any expensive breathing and the use of smooth, equipment for Pilates exercises; you can follow a program at home Pilates emphasize deep long movements that encourage muscles to relax and lengthen. with just a floor mat. The Pilates Pilates system because of the body suppleness is often linked to various is also similar to Yoga The difference innovative Pilates machines, it equipment that can form an while integral part of the exercises. involve However, remember that there posture to the next without is nothing that you can do on a machine that you can't do on brings. moving from one repetitions, Pilates flows a series of movements more dynamic, the mat. is that some Yoga techniques static through that are systematic, and anatomically based. Develops concentration Known as the intelligent working out, there is way a focus of on concentration and discipline with Standard exercise regimes Popular support Although Pilates has been around since the 1920s, an understanding of this program of exercise tend not to require mental builds up your strength and your discipline, but Pilates immune system has Pilates. is different, only healing and treating the mind and popular quite recently. body on different levels. And Hollywood because it works all the muscles in stars the technique that become Many have endorsed —among them the body, simple everyday tasks Sharon Stone, Courtney Cox such as shopping or gardening Arquette, Minnie Driver, Julia also become easier and safer. Roberts, and Madonna (who has even claimed that Pilates Pilates in and yoga way and Yoga have certain goals common. Most significantly they both advocate individual progress is to exercise). it is As the only a result, Pilates no longer the domain of the rich and famous and can be practiced in most gyms and health clubs. way Pilates is a thinking involves to making of moving, and a serious commitment your body and your well-being. It is not an exercise regime to be compartmentalized in your Pilates is enough significantly more when combined effective or work. with restful sleep, a healthy diet and a complementary program. So fitness is an invaluable, solid support What we need and what to adopt, Pilates offers, a is way of training the different parts of the body Pilates life. to work together, to support each other and give your body the protection that it needs. system for any other regular exercise that in. It is now you are involved accepted that Just various fitness regimes, such as aerobics, swimming, gym work, or bodybuilding Cross-training —are not because you have started to exercise using the Pilates method, insufficient. up on other sports and On served An unbalanced fitness programs. body when it is program for every eventuality. Complete low-stress Pilates exercises alongside aerobic ones. You injuries are limited in it exercise classes or of thorough gyms because warming-up techniques and health-and-safety regulations, it is still common will will find lifting exercise. Pilates that make up a embraces all muscles heavy items at home the areas fully integrated to fitness: strength, flexibility, to pull because correct any postural problem associated with other forms of repetitive skills, when best complemented by Pilates ideal for cross-training Even though the is a form of cardiovascular exercise. exercise regime will not prepare the does not that you have to give contrary, your Pilates inappropriate, but simply it mean approach motor coordination, and relaxation. 4 * What would you workout? You gain from this like to will need to understand where your physical strengths and weaknesses lie exercises that will benefit Weaknesses do not only lack of signify a muscular strength, but also relate to tight areas of your body you back from that hold performing a task. body inflexible same problems you area. When added to it can help bring your body into Pure Pilates one with no Joseph book Pilates' original featured a series of 34 movements. will find that the exercises present enjoy are generally those least one your regular workout program, better balance. fully muscular strength. You in this you most. Remember, an will result in the as on in order to focus many of these pure Pilates exercises, along with beginner your body needs to spend more variations of the moves, in time on. In the same way, those book that are easier will need be to I practiced less. fitness in this book is in no replace your holistic program, nor substitute for a general Pilates regimen. designed this would Workbook. Although like all my students to able to undertake the The workout way meant to Pilates I have back strengthening my full these movements, as a responsible fitness leader around I need to work their capabilities. Joseph Pilates technique from developed instinct, his and workout as a supplemental although the basic principles workout always remained the same, to address your weakness be range of when I he worked with particular students body and gradually challenge he adapted the moves according to yourself, their requirements. toward your ultimate goals an essential part of So, Pilates knowing what you cannot Always when listen to is Note: The exercising and once you at an effective pace. do. your body, both moves in this book are at a beginner level, with intermediate variations for you have finished, and be sensitive to any vulnerable you can then move to do as you get stronger. areas. Challenge yourself Pacing yourself Remember Undertaking advanced moves run you should equally balance at the beginning of a program Pilates is both strength and mobility while Pilates unwise. The original moves are advanced and inappropriate for those unfamiliar with the correct techniques. If you challenge yourself with Pilates exercises that are level or are then beyond your uncomfortable, you risk possible injury. If you stay sensitively attuned to your j£ that over the long working across the of full range body movements. However, starting with flexibility and strength exercises good way is a light to begin challenging yourself. This is important in order to prepare your body and enable to it perform the more demanding Pilates movements. Even the most healthy person may have minor pains that indicate stresses and strains on the body. Never ignore these symptoms, but use them to identify which areas need more strengthening or Pilates trains the injury and body to maintain more stretching mobility. to prevent Pain and Gain good There posture and movement. In order to and is always a certain amount of discomfort that arises during have good posture, you need to training, especially develop good muscle balance. to stretching Indeed, injuries are often related not have used in in some way to bad posture or many of problems can occur for reasons. Repetitive can be one cause, such as when some may far. If any pain a immediately This extreme should again that Pilates should be when someone spends performed gradually. long periods of time working at a desk. any pattern that destabilizes it tense, can lead to weakness, tightness, and a resulting danger of injury. is sudden or sharp you must stop never be experienced. and makes A push swing on one side of the body or your body's natural balance may some golfer continuously practices his In fact, comes time. elicit pain, but be careful not to yourself too movements it muscles that you strong stretch muscular imbalances. These types when better to build this up way can you I emphasize always It is slowly. strike a Only in balance between achievement and challenge. Never exercise when you are chronic pain or in when any of your muscles are inflamed. VI vital elements With many exercise classes and techniques you don't have to think about what you're doing, you just do to get through movement is it. But with it every Pilates, a conscious act controlled by the power of your mind. "Always keep your mind wholly concentrated on the purpose of the exercises as you perform them." Pilates is "the thinking moving" and requires way Joseph Pilates of a different kind of concentration than that typically used for other exercise forms. may It not be all a treadmill, but when walking on it is absolutely essential for Pilates. mood that the space you plan sure you will not be Though Pilates workout, you not a spiritual is will find to use for very it relaxing because concentrating on a single movement causes your If improve concentration. Check and comfortable. everything else that There are simple things you can do to warm and disturbed. in Setting the it is Make that important to concentrate during an aerobics class or Pilates is free of distractions that life is going on to fade away. you want to use music background, make sure it in the isn't punctuated by a heavy beat. Don't make the mistake I once made A Our inner voice clear Controlling our thoughts, much controlling our actions, not as easy as it might first is like mental focus, you are under pressure, your thoughts can become very erratic and spin off directions. If you are in All too often in because you are unable to Unwelcome thoughts "switch off." into effort. stressed, going to sleep can be especially pop clarity of thought, and, most importantly, reduction of stress— are well worth the random difficult —easier practicing concentration When appear to be. mind soon find that the benefits of You'll your head despite your modern noisy distractions to focus our whirlwind lives visual clutter make on the task at it and difficult hand. Stress best efforts. Effective concentration is a skill we acquire as children. By the time are adults, we all have a we "inner little voice" that controls our actions. First movements may It is feel strange very easy to to difficult but persevere; mental focus an is art that improves with practice. Marshalling and into fall the trap of performing only the is makes concentration more your powers attempts at unfamiliar awkward. you itself enjoy, movement to get you feel in control. Making time for Pilates like. Normally people speed up the part of the calmer and moves when what you need most do the ones you do not of concentration helps difficult it over with as soon as they can. Instead, you need to slow down. Only by Because concentration to focusing on is priorities, linked it is also needed when you are planning your exercises. Start with small concentrating on what you are doing can you properly control your sessions of 20-30 minutes, and aim actions. to work up to an hour. It is better to have 20 minutes of a when I used a tape of nature rewarding workout than an hour sounds that featured screeching simply going through the motions parrots and mating whales! of a routine. and continuous Pilates uses a controlled way of breathing that takes time to perfect, but results in a stronger more energy-efficient body. "Breathing life and is the depends on first it. act of life. Our very Millions have never learned to master the art of correct breathing." Joseph Pilates As babies and young we adults we children, breathe correctly, but as mastered, but it takes time and patience. tend to develop poor breathing how should patterns. Correct breathing So ensures a good flow of oxygen In Pilates, to the working muscles, which we we breathe? follow a breath called thoracic or lateral breathing. then cleanses the bloodstream This means breathing wide and and energizes the whole body. into your back and Breathing also improves the ribcage as concentration and aids smooth Think of your lungs as bellows, movement. expanding and widening as you and fluid breathe There are many types of breathing techniques, and different types can make movements harder, or more controlled. easier, A correct breathing technique can be in sides, full opening you breathe. and closing down as you breathe out. This way of breathing works the intercostal muscles, the muscles between the ribs. When these muscles are working, the upper body mobile and fluid in its movements. exercises are designed Pilates muscles that wrap around the more is center of your body. • Multifidus muscles run down the combination with breathing length of the spine. They link two techniques to work the correct or three vertebrae and can create muscles to create the required or block in movement. The core muscles always support movement. The pelvic • floor the sling is muscle that runs from the front this process. of the pelvis to the lower part of Normal breathing When the spine. you inhale normally, the • The diaphragm lungs expand, the diaphragm drops and the stomach moves As you lifts This out. in. called "abdominal" breathing and is lies under the ribcage and helps you to inhale and exhale. diaphragm exhale, your and the stomach moves is the muscle that is Thoracic breathing exercise Sit quite natural. comfortably or stand tall. Place your hands on the front of your ribcage with your fingertips just The wrong way touching. As you breathe Whatever you lungs, breath. Most people hold if heavy, much as weightlifters would picking up a barbell. This type of breathing Valsalvic called the is method and a stressful increase in pressure. of the their they pick up something breath when do, don't hold your It In Pilates you want it slide the As you breathe back to touch again. This can take considerable practice. To advance the exercise, move your hands around so farther hands are touching your that your blood armpits, and breathe to push your isn't to them let the results in wastes energy body where open the ribcage, and fingers slide apart. out, let in, fill in parts required. keep your breathing continuous. ribcage into your hands. If reach, extend your palms to you can around your back. Another option is to place both hands on the front of the ribcage Muscles that make up the core The following groups of muscles and breathe make up your core or center. • TA (transverse abdominal) into both muscles are the corset-like first into hand, then into the hands increase your the right left hand, then equally. This will body awareness and your breathing control. p designed to work as a The body is complete unit. If you will you train to do this, have a solid center to create the physical power for each In order to visualize the movement. body as an integrated unit, think of a conductor bringing together all the sections of an orchestra to perform a concerto. Joseph Pilates believed that our muscles (back muscles), the pelvic abdominal muscles, now known abs, function as the "powerhouse" for the as whole of the body. Your abs are your center and they initiate floor muscles, and the diaphragm. Imagine your core as a tree trunk, the core being the solid supporting center of your arms, legs, and every movement. To maintain a head. strong center you need an equal through the tree trunk, the muscles balance of strength between the of your abs and the back. age If you imagine cutting body represent the rings in the tree: (the rectus The core We have already referred to the The global muscles abdominus muscle) are on the outside of the trunk. As you move toward the center you'll find core (see breathing on page 23) as the external oblique muscles, the consisting of four muscle groups: internal oblique muscles, the TA muscles, the multifidus of finally the TA muscles. and f Every exercise initiated is controlled or floor. body practitioners activate This Activating the abdominal muscles draw you tighten Now, however, research has established that this not the most effective a belt around your waist and that the movement became more challenging. TA muscles Imagine that you have pull in the lower abdominal muscles tighter as the your center by using only one group of muscles. Pilates would when you move. as many years, For that not productive to use both following your routine, try to because these muscles help to stabilize the is muscles together, so TA muscles', the muscles or the pelvic is it from the contraction of two of the core shown muscles. Research has 30 percent contraction is way to work these muscles. Drawing in the it. in when Use the images on page 29 (stages 1-3) to establish the most efficient level at which to perform the exercises. abdominal muscles as hard as you can activates the core muscles with Activating the pelvic floor what The I call tires the 100 percent effort. muscles quickly, and This everyday supports you activities. Research has shown that the most effective way to train 30 percent of their them is them to like a sling. This one of the hardest muscles activate, but when mastered are without be stop your urine in mid-flow. and support you as you perform your daily activities. Work through the Then you can TA muscles (shown opposite) or by using the pelvic floor is As you to the tenth floor. release this halfway to the fifth floor the to breathe out, draw up the elevator find your center. and TA muscles you are trying the floor of an elevator. as far as Activate your center either through that Imagine that your pelvic floor following exercises to help you to Pelvic floor will can activate the pelvic floor muscle by imagining naturally stronger it anyone knowing. You used throughout an hour's session become is to without causing fatigue. They will also and be easy to practice wherever you at maximum strength. This allows from the front of the pelvis to the lower spine it does not train them to operate effectively in pelvic floor runs and then a little to the third floor. This exertion that you want is farther the level of to follow in the program. Continue the exercise with the following pattern: move the elevator to the tenth floor, the third floor and back down. return to the ground floor, up When you again to the fifth floor, and back the ground floor. Finally go up to to be to do standing sitting or you can this exercise, —the key is be comfortable. Iln a standing position, allow your abdominal muscles to and relax form a dome. Don't push them become aware Instead, rest of your body how of out. the you release feels as these muscles. 2 As you breathe draw out, abdominal muscles as can. Imagine that a belt is in the far as you being tightened around you, that tightened right up to the This 3 is what call last be notch. 100 percent effort. Relax the muscles halfway to reach the "fifth notch" on the of this as them a or I will it 50 percent little more 30 percent belt. Then Think release to the "third notch," effort. This which to work your program. effort. efficiently is the level at throughout / Good posture can be achieved only when the When body under perfect is control. doing the exercises, aim for slow, studied movements, and allow them from to flow start to finish to form a continuous sequence. Continue in this way the total you have completed until number of repetitions. Working with the weight body against the of your natural pull of control. In fact we are all to controlling our bodies: the process of walking is sequence that we have a controlled learned from childhood. However, many of us, quite unconsciously, bad habits move that in the may way developed that later affect A controlled movement involves joints work while at the to their full capacity same time not wasting any energy. This concept integral is to the philosophy of Pilates. not a haphazard series of movements, but rather at all times. making the relevant muscles and gravity requires considerable accustomed purpose and direction we Pilates exercises strengthen the body, and the slower and more controlled the movements, the greater the strength you gain from them. our physical health. Maintaining control means ensuring that the body moves with Visualization The use of visual associations can be effective when working with can help you Pilates. Visualization understand how to movements and control your also how to gain the most from your workouts. For example, have already noted I that Pilates exercises need be to continuous, to flow from one stage to another freely, interruption. So, if new movement, wheel it she has to maintain perfect control of her body, to deliberately move slowly and from one end of the rope to the other. Such this book used throughout you deeper to give you are trying a insight into might be helpful should fairground at a order to stay on the rope circus. In \isualizations are without you begin, of a to think, as think of a tightrope walker at the how each exercise feel. Ferris —the wheel turning slowly and deliberately. Or, The powerhouse In disciplines such as tai chi, it is believed that the powerhouse Resist : -C: towei me the store of the partner. in partner your Stand up, holding a right hand. down sit Have your your feet and hold at the other end of the towel v. chi, Pull your fist, energy is generated from the in a bicep cur Think about a res One is n 5 power. This is equivalent to the when your Graceful control stance scale from when your exerts no res stance Te it equal tension as you is move your arm up and down. ten. to give core or center in Pilates. Let your partner create resistar one to body with the towel, toward your shoulder that there is energy. powerhouse, then carried to the botfi tti life With physical movements, the relevant part of the hands. or .'. Hi the partner towel. partner pulls so hard that you can't move at all. When every practicing Pilates, movement eve! of five in directions. Breathe out as you arm up and breathe the muscle. Repe^ in as smooth and graceful as you can. To use a Aim \isualization, stance as make imagine that you are both curl the you uncurl and a dancer performing a on a stage you want in front of movement an audience to impress with your change arms. Next, drop the towel but imagine you are that still hole re peat the Do you feel the resistance you had when you were holding bicep curl. grace and poise. Think, too, about even- part of your body as you move. Does each part have an important role in the the towei? T controlled action. execution of the movement, and are both sides of your body Slower is steady, harder will and even movements. You be able to feel the difference Begin by doing five regular push-ups, either with your legs fully the push-up full extended position, or with and the exercises your knees on the floor (the three-quarter position). Do these at first five will prove more in your effective (you may have to use a lighter weight). It is also vitally important to normal pace. Now do another slow counts but count two five, in as you go down and out as you come up. Now Rest. you are working equally hard, with the same intensity repeat, but to a count of four in each direction. Rest. Finally, try push-ups, to a count of down and another six throughout. As a six one all on the way on the way up, five long, continuous, movement. It At at the same (eccentric contract it movement) and steady you are working in this your muscles (and your body) a long, lean look. Pilates about quality and range of movement, with the contraction of the muscles (the downward movement and the movement) working in this flexion (the pushing case) up requiring equal effort. at the same level? If not rebalance yourself so that each part has an equal role. Full range This type of movement can be applied to other forms of exercise with much success: try using resistance machines or free weights in the gym with slow, way, you will equal measure, giving you should be working at while doing the is all as to begin to develop strength and flexibility in intensity that exercises. Pilates effort (concentric movement). By working it? this latter point much should be used to extend a muscle push-ups was harder than you thought, wasn't and resistance last five without pausing at the top or at the bottom, making full range of movement. Check that down and two slow counts up. Breathe ensure that you are using your Good posture is vital. Having bad posture will prevent your body from functioning efficiently, and it will undermine your balance and also coordination. The danger is that if you develop a habit of having bad posture, your body will accept will learn to suffer it as normal and any associated aches and pains. An ideal posture will have all the joints in a neutral position so that Poor posture Poor posture can lead to many they are without stress. The joint adverse symptoms, which will follow the natural include: the bones. A neutral alignment of position will • Fatigue • Neck and shoulder balance, and keep the muscles • Headaches around the • Impaired balance and internal organs to feel comfortable • Muscular weakness and function • Poor circulation reduce wear on the joints, promote joints in correct alignment. This in turn allows the efficiently. It is tension coordination important that you establish a • Tension and stress neutral position before • Digestive problems • Aching and painful joints each exercise. you start Correcting poor posture The plumbline There are the three main types of Assess your posture problematic posture: sway-back a full-length mirror, (see stage 1), lordorsis (see stage 2), just profile, shoulders or hunching). mirror. also possible to have a combination of As will take need will to give Some bad in to the the joints With a healthy posture, the line should run through the ear lobe, the your body center of the neck, the tip of the time to adjust to a different position. at that the line runs through. time and patience. well as realignment exercises, you and turn your head Imagine a plumbline hanging Poor posture can be corrected, it wearing from your ear and look these postures. but in front of your underwear. Stand and kyphosis (rounding of the It is test shoulder, the center of the ribcage, postures can slightly behind the hip joint, the be corrected surprisingly quickly center of the knee joint, and just in while others need more time to front of the anklebone. 1 Sway-back posture, often called the slouch position, among is common teenagers. 2 fix. The lordotic posture characterized by an increased curve in the lower part of the spine. is 3 With an gravity distributed are in their is ideal posture, evenly and all joints neutral position. s* A neutral spine is used to when your spine in is describe most natural its position. This will not necessarily position that feels It is be the most comfortable. quite likely that your "normal" posture has been created by poor habits and you have become accustomed essential, it feels. habits. Training in a non-neutral It is position also increases your however, that you find your neutral position and sustain way one that has been created by bad Finding a position with a neutral spine can be a real challenge. to the it chances of acquiring muscular before undertaking any Pilates imbalances, injuries, and moves. Once you have increasing tension because exercises that follow, started the you will need to learn to hold the neutral position as your body is your body supported. moving. and spine Pelvis While Training out of neutral If your body loses the correct neutral position as the benefit to you scenario, not adequately is you exercise is lost. In this you are simply making your body stronger in your preferred, non-neutral position, it is important that all your joints are in neutral during the moves, this section focuses on the pelvis and spine. The position of the pelvis and the position of the lower spine always affect each other If your pelvis is rolled — forward, for example, the curve in your lower spine will be spine curve. Start by lying on the floor in a relaxed position with exaggerated, and will not form your knees bent and your feet a neutral position. on the floor. Softly tilt flat the pelvis forward so that the space under Finding neutral your lower back increases. Be You should always practice finding careful not to neutral either standing same start some lying down is or by the — before starting any exercises. lying by —the principle Most people down is find that the easier way to because the floor provides push too far because this position may it cause discomfort in your lower spine. See how each part of your body particularly arms your legs, chest, and —feels in this position. Then relax back out of the position. support. Follow the stages described below to find neutral. Stage two The second picture shows the Stage one spine out of neutral with no lower This stage shows the spine out of spine curve. In the neutral with an increased lower position, softly tilt same lying your pelvis back — and visualize imprinting your position lower spine into the mat. Don't push if it this position too far, feels how and stop uncomfortable. Notice each part of your body particularly your legs, Then Stage four The fourth stage shows the clock abdominal muscles, back, and waist—feels in this position. —there should be no tension in the legs, chest, or back. relax back out technique, another Place your hands on your lower fingers pointing Stage three third picture in neutral. shift To find little down toward your pubic bone. Imagine that your shows the spine a position how feels in this and to 6 o'clock). the pelvis forward and backward, so that 12 o'clock higher, then 6 o'clock This should leave a small space each part of your body a clockface (with the your thumbs pointing Tilt halfway between the two points. under your lower back. Notice hands are fingers pointing to 12 o'clock this position, your body between stages one and two, and find help abdominal muscles with your of the position. The way to find neutral. Neutral o'clock is the position is higher. where and 6 o'clock are is 12 level. You have your own natural geometry. can help you move with more Pilates precision and discover for yourself the dimensions of natural grace. All Pilates movements are exact and involve precise actions and When you think precise breathing. of precision and movement, you stretched out to his fullest extent. These lines of geometry are a useful visualization of the space around us. Or, imagine the arm of might think of synchronized a ballet dancer arching like the tip swimmers or the exacting of a compass; choreography that dancers can making achieve. Joseph Pilates trained as both a boxer and an acrobatic circus performer, which gave him an appreciation of precision as well as an acute skills awareness of space and time. we are all capable of similar pin points in space. You are usually unaware of the space you occupy and movements Because take place within Pilates demands move and breathe will how your that correctly, become more aware, through how your personal Bring to mind the image of the precision, of spread-eagled figure drawn by space Leonardo da precision that you can attain a circle you you concentration and the use of Perfect reach Vinci. it. The artist drew around the figure as he is graceful created. It is movement. through The Pilates way of educating yourself and technique is an excellent understanding, through movement, how your body works, as a whole. in part and Harmony comes from the integration of isolated parts. "Each muscle may the uniform development of in muscles." Joseph For many years exercise teachers have talked about isolating different muscles. Yet cooperatively and loyally aid it is all our Pilates is altogether at odds with the logic of the Pilates method. only theoretically possible to see them in isolation; in practice, your muscles work together in groups. Muscle balance So, when we Pilates we talk about isolation are simply in making sure Often, in regular exercise classes that focus has been on "spot reducing" for yourself, especially the certain areas to achieve a desired ones. Pilates exercises ensure you look. But in one muscle doing at this you develop the expense of another. Consequently the balance of the body of kilter. is whole thrown out This "lopsided" approach you identify all your muscles weaker develop the neglected areas of the body that work alongside opposing, stronger muscles. For example, know if that you are a golfer, when you play, you you only stronger you will remain Touch and visualize proportionally imbalanced. Sit down on a chair with a dumbbell, bag Try the 'Touch and visualize" of sugar, or bottle of water to use as a weight. Sitting upright, hold the weight above your head in the right hand, with your right arm stretched straight toward the ceiling. Bring the how your muscles of, say, your tricep without actually with the tips of your fingers, keeping having to touch your right elbow close to your head. techniques help you connect Lower the weight head and lift it slightly behind your back again to the With the fingers of your left Now shift hand 10-20 the weight to the other repeat the movement without the weight and without touching the triceps. From what you have just experienced, try and visualize the muscle working. swing one in direction. Over a period of time your body then becomes over-trained in this direction. Although not play golf, we all all of us harbor muscle imbalances to some degree. not uncommon It is to discover these over- or under-trained areas through Weak Pilates. links Try to be aware of any imbalance muscle strength or flexibility as you perform the movements. Your goal here is to work toward strengthening the weaker of the two sets of mentally with the muscle. Over feel and feel hand and repeat. Finally, Visualization time you will be able to contracting and extending. Repeat times. it. ceiling. the tricep muscle at the back of the arm is understand work. Learn to identify the location hand up to left touch the back of your upper right arm in exercise (see box) to better muscles so that balance regained. Otherwise, as you get identify various muscles in working combination as you perform the movements. workout J The warm-up stretches are designed to mobilize, lengthen, and stretch the muscles in preparation for more demanding movements. Use them familiarize yourself with feels as moves and it to how your body to focus on your breathing and posture before moving on to the main exercises. wall stretch 1 Stand I CAUTION Don 't lock your elbows, and make sure is strong. hand on the your left wall, then take a small step forward with both feet. reps left that the surface you are leaning against with your side to the wall. Place 5 breaths Maintain a neutral spine, but with your feet close together. As you each side breathe out, lean slightly visual cue hand glued forward. Hold the stretch to wall for emphasis one breath, then top of chest release the stretch. Repeat 5 times. standing chest stretch This exercise is aimed at stretching the major muscles of the chest called the pectorals. Stand in tall a neutral position and think about lengthening up and through the chest and the ribcage. reps visual cue emphasis 5-10 breaths on parade stretch 1 Stand tall in a neutral position with your 2 As you breathe out, try to draw the feet hip-width apart. elbows closer together. Place your palms on your As you do lower back with your chest, stand this, open the tall, and keep hands comfortably close your eyes looking forward to each other. Concentrate and on maintaining a neutral looking over the horizon. position and not forcing the lower back out of neutral. slightly lifted as if round back This movement (the cat) will release your back. | CAUTION Begin with small movements and gradually allow them to build in Do not force the movement and always size. keep your abs tucked in. IPut your hands on your thighs and lengthen your spine by stretching your head and neck diagonally upward. Your tail you. Pull bone should in your abs and shoulder blades 2 slide away from curl let your down your back. Breathe out and gently round your back. Imagine a string attached to your waistband, pulling backward. Repeat the you up and warm-up without stopping; keep working in a single continuous movement. Breathe you return to the in starting position as and be sure to avoid hollowing your back in the opposite direction. swinging This movement will IWith warm muscles. Be gentle with yourself and the body. your feet apart and knees relaxed, up your spine and back stretch your arms straight do not force Move with control, as slowly and if you were up to the ceiling. Pull in your abs. moving through water. reps visual cue emphasis 2 20 times low bow mobility Breathe out and let your arms a fall forward past your head. As they swing, allow your knees to bend and your back to curve. Relax your head and shoulders and pay attention to your spine as over. it gently relaxes, curling Keep your abs movement tight and the gentle. 3 After reaching the curled position, breathe in and roll slowly back up to the standing position. Each time you repeat the movement, try to stretch a little farther toward the ceiling. Imagine a string is attached to the top of your head, pulling your entire body upward. standing spine twist Concentrate on lengthening and maintaining the third notch on the belt (see page 29). As you rotate, focus Standing tall in together in 1 the neutral position, place the hands a praying gesture. Softly draw the shoulder blades back and then down into a soft "V." The thumbs should be placed on the sternum. Keep on keeping your hips facing forward with both feet planted on the ground, rather than allowing the the thumbs there throughout the movement in involves exercise so that the more than the arms. Take a breath to prepare yourself. hips to rotate with you. reps 5-10 times each side visual cue emphasis 2 As you breathe out, slowly rotate to the right, keeping the thumbs on the sternum and the nose in line with the thumbs. Focus on moving from the area corkscrew between the shoulder spine mobility should rotate as a single unit; don't rotate on their the center. On blades. The whole center column own. As you breathe let in, rotate back to the next outbreath, rotate to the then back to the center as you breathe rotating, allow the head or arms in. left, When your breathing rate to control the speed of the movement. Try to lengthen your spine a little farther each time you rotate back to the center. spine swing; Try not to overrotate the movement from the hips; instead, maintain the length in your lower spine. Keep the shoulders drawn down "V" into the soft and the belt muscle on the page 29). third notch (see 5-10 times reps each side visual cue trailing emphasis 1 Stand in hands spine mobility tall with the spine the neutral position and the feet slightly farther apart than the hips. Breathe in to prepare yourself. 2 As you breathe out, slowly rotate to the right, allowing the slightly. left heel to lift Keep the arms relaxed beside you and your knees soft and relaxed. Allow your head to turn to look over your shoulder. 3 the Breathe and rotate to in the other side, keeping movement continuously flowing with no breaks middle. The arms and the heels you rotate. lift in the are relaxed naturally as balance As you breathe lift the leg. like to If 1 out, slowly lifted for tall in the and neutral position you would challenge yourself, keep the leg Stand 1 keep your eyes focused 2-5 on a point breaths before lowering in front of you it. as you are looking if toward the horizon. 5 times each Keep your side possible tightrope your balance you, keeping the toe hips as right toe in front of contact with the The as still and lengthen out in floor. hips should be still, shoulder blades drawn down into a soft "V," and the arms relaxed beside you. The belt muscle should be on the third notch (see page 29). 2 As you breathe out, slowly Concentrate on keeping the hips lift still, left and the weight even in three points on the sole of your big toe, Aim the right foot off the floor with the knee bent and the foot relaxed. one under the little toe, knee the slightly bent, left foot. left foot: one under the and one under the to keep an even pressure across all the Imagine heel. three points. balance 2 Keep the weight evenly distributed across the left foot in the same way as the previous balance exercise. Be sure that the supporting knee remains soft. reps 5 times each side visual cue emphasis tightrope balance 1 Starting from the neutral leg too high and lean slightly so that the neck stays the lift forward to allow the spine to remain lengthened and neutral. down and position, breathe out lengthen the right leg and right arm. Don't in Keep the eyes looking a neutral position. 2 Keep lengthening through the movement until you reach a position where you feel you can maintain the balance and a neutral spine. Think about lengthening along the whole of the from spine, the head to the tailbone. As you breathe with in, control, reverse the movement tall, to finish in standing position. a chest stretch This 1 movement warms up same point each reach the time but your aims out with palms up r stretch :_: ?rc your arms up *' and to the s rJes Keep " : your spine long by pulling that invisible string attached to the top of :_.- -eiz ceiling. '.: ,\='c :-e As you open your arms check that you contracting your abs. not let are Do your back arch. Keep the movement slow and the speed constant, returning to the start position. in front of you. Breathe the joints. 2B ea:-e . with your farther. VisuaJize that you are creating space in tall and your arms stretched and spread try Stand feet apart, knees soft. musdes. Do not the chest %* / in. one-arm This circles movement opens up the shoulder joints. tall lock your elbows arm by your and and always work within in your the side. that limits. If with your feet apart, knees soft. Reach the top of your head to the ceiling to check that your back I CAUTION Do not 1 Stand up from you find you are able to lift is side, your correctly aligned. Keeping your pressed lightly against the left arm in front of you and leg, right breathe slightly to make bigger circles on one side than the other, work on the weaker side in order to achieve balance in the body. 2 Keeping the ribcage still, you are swinging too far draw a start to the arm as you breathe out. If circle with the ribcage moves, — move the arm farther away from the body to the side and draw a smaller circle. Imagine that you are drawing on the wall to the side reps 10 times each of you with your fingertips. side visual cue drawing circles emphasis 3 Complete the circle, trying at all times to keep a slow, consistent speed. Imagine a wheel turning, mobility with continuous motion and no sudden you have completed 10 arms and repeat. circles jolts. When on one arm, change double-arm 1 Stand tall circles with your feet apart, knees soft. Start with your arms slightly in front of you. Keep your abs pulled in and check that your back is in 2 alignment. Breathe out slowly and circle both arms back. Try to keep your hands together as you reach to the ceiling. Make sure that your back does not arch by keeping your abs pulled in as tightly as possible. movement of the Keep the speed of your constant and try to increase the size circle. When you opposite direction. reach 10, repeat in the toy soldier reps visual cue emphasis 10 times air 1 Stand tall Breathe with your feet apart and knees in. paddle your right arm Reach your left arm to the soft. ceiling and to the ground. mobility 2 Breath out as you bring the down, swapping ceiling. to Keep your torso head to the ceiling. lift still lifted arm forward and the lower arm up to the and stretch the top of your Keep the speed slow and the action smooth. Repeat 10 times. foot stretch best It's if you do 1 this move with your shoes and socks off. a wall. Bend your left knee and step back with the right foot. Tuck the I CAUTION Make Stand facing close to sure that the surface you are leaning against is strong. right toes under as you breathe out, then press into the wall lightly bend the reps visual cue emphasis right farther. and knee a Push down 5-10 breaths little each side on the top of the foot to pushing a car stretch this area. After 5 shin stretch to 10 breaths, switch legs. runner stretch To increase the stretch, move the front leg a farther forward, then lean farther into the IFrom left little I CAUTION should feel the stretch until move in front of a mirror to ensure that the knee line. If and foot stay in your weight pushes forward over the front knee, this can cause discomfort in the knee and foot are in —you in line the inner thigh of your right movement. leg. Practice this a kneeling position, lunge forward with your leg until your knee joint 5-10 breaths each side straddling stretch If you don't feel it, slide the left you do. Place your hands on foot with the left leg farther back either side of the left toes pointing forward. runner stretch 2 As you breathe out, lengthen the upper body so that you lengthen the spine into a neutral position. Place the hands on the above the knee 3 In left leg, just joint. order to advance the stretch, float the right knee off the floor on your next outbreath and place your hands next to your left foot to stabilize you. Check that the front knee and ankle are in line. 4 On your next outbreath, lengthen the upper body so that you extend the spine into a tall, neutral position, and place the hands on the front leg, just joint. above the knee Hold the stretch for 15-30 seconds; this time as try to increase you become familiar with the movement. Switch legs and repeat. hamstring stretch with dynaband You can use a towel if you don't have a dynaband. I CAUTION Don 't lock the knees and don't force the stretch. ILie on your back, knees bent and feet Bring your reps 5-10 breaths left dynaband under flat. foot up toward you and wrap the it. Take a firm hold of the band with each side both hands, and as you breathe out, lengthen your visual cue balanced emphasis left glass leg toward the ceiling. on foot your elbows tucked back of thigh draw your Keeping your leg straight and in, pull leg closer to gently on the band to your chest. Concentrate on maintaining a neutral spine as you do 2 this. To challenge yourself further, as you breathe out lengthen your right leg along the floor, flexing your foot. Again, concentrate on maintaining a neutral spine. — quad stretch Pull the leg gently back don't force the knee. I CAUTION If you feel any pain in your knee, stop at once. reps 5-10 breaths each side visual cue emphasis hopscotch ILie in side, a line front of thigh neutral spine. 2 Reach out with your left of your hand to take hold left foot, keeping your hips and knees stacked on top of each other. Gently push your foot into your hand. a little move by to using your hand draw your foot to your butt. feel Add resistance to this closer You should the stretch in the front of your thigh as you do this. on your maintaining a seated spine stretch Think of the movement as a single, long, slow sequence. Be careful not to strain your back, keep to all and your joints J try in neutral alignment. reps 5-10 times each side visual cue leaning over ball emphasis mobility /k P* Sit tall in a neutral 1 position with your feet hip-width apart and your knees relaxed. Raise your arms so that they are pointing ^^^^f straight above your head. Breathe in. As you breathe out, draw in the lower abdominals toward the spine. 2 Slowly bend forward, rolling the spine do so. Lead with your head, let chest, then allow the shoulders to weight of the arms to carry you down you as the chin drop to the roll down over and the as far as possible without losing control. Relax and gently bend the knees as if you you curl down feel that to the floor. Pay attention to your hips; they are pushing out behind you, bend your knees more, and don't go as low. You should as if you are folding into yourself. feel chest stretch with ball If you don't have a ball, you can use a chair instead. I CAUTION Don't lock your elbows- keep them soft. J*!a Never force a stretch. reps visual cue 5-10 breaths bowing on knees emphasis stretch 1 Kneel ball, in front of the ball. Place your hands onto the shoulder-width apart. Try not to have the too far away, otherwise it will feel unstable. As breathe out, keep your hands on the ball, and ball you sit your butt back toward your heels. Your butt doesn't need to touch your heels stretch 2 just sit alongside the ball. Take your ball. left hand out put the right slightly hand onto Breathing out, gently drop the right shoulder toward the floor. As you do this, try the hips, just the right shoulder. back far enough to through your chest muscles. To stretch the upper part of your chest, kneel wider than your shoulder, and the — not to rotate from feel a hip rolls The movement should be continuous, but pause briefly in the center before rotating in direction. the opposite Allow the rate of your breathing to control the speed of the movement. Begin by lying on your back with your knees bent, reps visual cue emphasis each side 1 your feet child rolling position. Draw your shoulders back and down, and strength and rotate your mobility no tension 5-10 times fiat, and your arms open head to the in left, in in a crucifix a position where there is the neck. Keep your legs bent and your knees together as you breathe out, and slowly allow the knees to roll to the right side. You don't have to touch the floor with your knees, but rather rotate to a position where the knees can tension or pinching in, On stay together in and where there is no the lower spine. As you breathe bring the head and legs back to the center position. the next outbreath, rotate the head and legs opposite direction. in the hip rolls 2 This variation is the same as stage 1, but with both arms crossing the chest so that the hands are touching opposite shoulders. Maintain you rotate your legs and head in this position as opposite directions. 3 Once you have mastered this floor, more challenging the first two positions, try version. Lift your feet off the keeping the feet and knees together, and rotate your legs to one side as you turn your head to the other. saw the This movement works on the mobility and stretch of your upper back. I CAUTION Do not force the stretch. Take to the point of it tension and Do not struggle to complete the move. If to it your feet flexed. arms on Lift your either side of touching your toes proves difficult, build up hip-width apart and relax to allow the final push. your legs ISit with you. They should not be open too wide, just slowly. enough so see reps them Lift your head plane propellor emphasis you can you look 10 times forward. visual cue that as mobility up as though you are in a movie theater and trying to see over someone tall. the 2 Breathe out and turn your body to the side. line as saw Keep your arms left in with your shoulders you them turn. Do not let cross the body. Turn equally to the back and side, keeping your hips facing firmly to the front. 3 Continue to breathe out as you stretch your left right hand to your foot to the point of tension. Imagine you have a large beach ball over your knee and that you are stretching over Keep your head down you as it. as stretch. Breathe in you come back to the center and repeat in the opposite direction on the other side. These exercises are at the core of the Pilates technique. Each balances stretching with strengthening; offer It's many an "as you get stronger" variation. fine to challenge yourself but don't exceed your comfortable range of movement. the hundred As you move your legs, brace your center to keep firm support. Keep both hips level as you your lift leg. I CAUTION Remain focused on keeping your body position. in the neutral Check that the size of the arch in your lower back has not increased or decreased as you lift and lower your reps leg. 10 times each ILie flat side visual cue emphasis on your back with your knees bent and your feet on the floor, comfortably close to your butt. Find steep slope the neutral position and, with your arms by your side, abdominal draw the shoulders back and down. Imagine that there strength is an orange between your chin and chest, and lengthen through the back of the neck. try to hundred the 2 As you breathe the out, lift form a leg to left right angle, checking that the knee comes directly above the hip and that the foot in line is with the knee. Hold this position for five breaths, hips braced. On keeping your the fifth outbreath, lower the leg to the start position. outbreath, lift On the next the other leg and repeat the movement. as you get stronger 2 To challenge yourself further, your leg off the floor while same time lengthening it. lift at the Because the weight of the leg has been increased, you will need to focus on maintaining your neutral position. If you position, lower the level. 3 Once you master try the above the hundred with both legs lifted. Lift one leg as in stage 2 above, and imprint your lower spine mat. level, Lift the second leg, into the and allow the spine to return to neutral. Hold for five breaths, focusing the ab muscles spine come out breath, lower dome on not or the lower of neutral. one letting On the leg at a time, return to the starting position. last and lose the swimming of paper passing under 1 forward anddown, your your abs. Try not to touch Stretch your legs behind you, keeping Imagine you have a piece it slide with your stomach. Find apart, how high you can move without letting your abs touch the floor. shoulders and contract your abs to This is lift your head down your your navel off the Isolate the upper body by keeping both legs down. Breathe out as you head and in as right arm up and away from the lift floor. your Breathe you lower your arm and then change to the Your goal -:- back. them hip-width the position you must try to maintain throughout the movement. mat I CAUTION is to left. keep your navel off the mat. re- 2 10 times Isolate the your arms lower body by putting your head on in front of you. Slide your shoulders down your back. Breathe out as switch away from you. Tighten the stomach and strength floor. diagonal D stretch the top of Lying face Lower the right leg you lift the right leg lift and change to the off the left. you get stronger as Lying face down, 1 stretch the top of your head forward and slide your shoulders 2 Breathe out as you lift right your and left leg arm up and away from you. Lift your 3 Breathing in, lower the limbs to change to the other side. Your little finger and little limbs as high as you toe should be on the Stretch your legs can without touching same diagonal behind you, keeping the mat with your them hip-width navel. Feel down your back. apart, and contract your abs to lift the your navel floor. off in your muscles lengthening along the floor before Do you lift. not struggle to lift too high because the lengthening important. is more space. line Keep the movement slow and controlled. of the The speed movement should stay the same on both the lifting and the lowering of your limbs. push-up 1 Focus on this as a Stand tall in the neutral position with long, continuous single movement. feet hip-width apart I CAUTION shoulders drawn back Soften or bend the knees if necessary: if and and down. Imagine your eyes are looking over your hamstrings or lower spine the horizon, and take a are tight, soften these areas more before you breath in to prepare for start the movement. 5-10 times snail on wall strength 2 As you breathe out, begin to roll your head and spine downward, starting from the neck. Imagine each vertebra is is moving in link a chain that by link. Allow the weight of your arms to carry you forward. push-up 3 As you reach toward the floor, breathe in and bend your knees to enable your hands to touch the floor. As you breathe out, walk your hands along the floor 4 Slowly lower your knees onto the mat without causing any impact to your knee joints. Now walk they are directly your hands forward two paces. Realign the shoulders below the shoulders with over the hands to create a slope from the hips to the until your back level; keep knees. Keep this alignment as you your butt in line with back slowly through the positions your shoulders. as do the push-up. Work until you come back to the standing position. you get stronger 4 Follow stages 1 to 3. Your hands should be directly under the shoulders, your shoulders drawn back and away from down the ears, your neck relaxed, and your eyes looking toward the 5 floor. Keeping the neutral alignment, breathe in and lower your body. Draw the shoulders back and down, trying to keep the back line in neutral with your shoulders. and your butt Go as low as in you can without losing the correct body alignment. Work back positions until slowly through the you are back to standing. rolling back Be patient and gentle with your spine until feel that rolling natural you becomes 1 Sitting tall, lift from your center, imagining a taut string connecting the crown of your head to the and you can return ceiling. Bend your legs and place your feet together, flat to the seated position with ease. reps visual cue emphasis Use your hands as supports with palms on the floor. down, close behind you. Pull in your stomach muscles 10 times hedgehog mobility 2 roll Breathe your in pelvis as you tilt and gently back. Use your arms to support your weight as much as needed while, on the out-breath, you roll up again. Be sure to keep your abs contracted. as you get stronger Place your hands on 1 your and shins pull in your stomach muscles. 2 Taking a slow breath in, and curl your start the pelvis roll, with your chin near your chest and spine 3 Gently roll back only as far as your you roll back up, with abs still shoulders. As contracted, begin to breathe out slowly. Complete the breath as you return to the seated position and lengthen your spine to the ceiling. Aim roll to smooth make the as possible. as curled. roll-up Imagine that your spine is a chain or a system of links: each area of the spine should work independently as you work through the movement to create a smooth, chain-like movement. I CAUTION on the Keep your feet and avoid spurts of as you roll up: the floor, speed move should be smooth and continuous. /k m reps visual cue 5-10 times the morning Lie on your back with 1 your legs straight and 2 As you breathe out, begin to peel your your arms stretched over head and shoulders your head. Draw your the shoulder blades back your arms toward the and down. ceiling as off sun rising D o emphasis floor, and slowly lift abdominal strength CrT o you come up. roll-up 3 Continue to roll forward slowly, peeling your spine off the floor vertebra pelvis until you reach a by vertebra. Roll through the sitting position. 4 feel Breathe in as you lengthen out over your stretching your arms toward your toes as legs, far as comfortable. As you breathe out, reverse the you move and slowly lower your body back onto the mat: begin by rolling through the by vertebra. pelvis, then roll down vertebra swan dive ILie lower As you breathe in, your body back down on your front and open your arms out on the floor, to the floor. Allow the Make speed of your breath to aligning your elbows with your shoulders. half a rectangle shape with your arms and draw your shoulders back and down. Keep your eyes looking control the speed of the movement, which should down and your neck be continuous. to prepare, and as you breathe out, float your chest away from the not to focus on floor. with your spine. Breathe in line The move should be lifting small, so try the whole chest. Your elbows 5-10 times reps and hands should stay visual cue lying in contact with the floor: use on thin them to push gently into the floor as you lift, but focus ice emphasis spine mobility on lifting those in with the muscles in your back rather than your arms. modification with ball Kneel in front of a large ball, and curve your body over it. Place your hands behind your head with your elbows out wide and create a "tabletop" with your back and neck, not out, lengthen and lift your chest away from the ball, the ball to not allowing move underneath you. Remember that the movement should be small in and controlled. letting your head drop over the ball. As you breathe you get stronger as Try to relax your 1 glute muscles (butt). If you clench them, they will to stabilize you as you lift. Starting from the lying position, help place your arms by your sides with the The focus palms touching your should come from your abdominals sides. Draw your and back instead. shoulder blades back and down. 2 Breathing out slowly, float your chest in, you lower lift, it again. Lift away from the with the muscles of the back lengthen the muscles in in floor. the lower part of the spine. the lower back are tightening or pinching, then relax to the variation using your arms (see page 74). As you breathe the thoracic area. As If the muscles down and rest, in or return hip circles Aim to keep the spine in neutral while doing this movement. Also try to keep the distance equal between the knees and chest as you rotate from side to side. The movement should be smooth and continuous. reps 5-10 times each side visual cue emphasis wheel strength IRest on your elbows, ceiling, and try to lifting maintain a neutral spine. Bend your knees as you breathe lengthen your 2 Swing your legs around to the position at the top of the right side. left side, legs. holding your movement. Repeat your chest to the to the in, and breathe out as you you get stronger as tall in ISit a balanced position with your feet comfortably close to your butt. Your hands should be out to the sides in a balancing position, and your feet and hands should only lightly 2 As you breathe out, lift up in your legs straight front of you, then swing your hips to the right; as in, you breathe swing back to the center. On the next outbreath, swing to the left, and continue from side to side. touch the floor. one-leg circles The main movement is ILie the on your back, with knees bent and feet on the circling of the knee, but try also to focus on the top of neutral, floor comfortably close to and with your arms by your your side, flat butt. Find draw the the thigh circling within the hip joint as if it drawing a smooth shoulders back and down. Imagine an orange between were your chin and chest, and lengthen through the back circle inside the joint. Don't let of the neck. the weight of the leg drop heavily into the hip joint, and try to level and keep the hips in the neutral position. 5-10 circies each way, 2 As you breathe out, left knee bent, draw a small directly directly in; the left leg to form a above the hip and the foot should be above the as the lift knee hips. travels circle on the in line with the knee. Keeping the in five circles in starting position. it remains toward the center of the body, breathe the body, breathe out. Perform five circles direction, trying to increase the size of the circle slightly with have drawn knee should be ceiling with the knee, ensuring that As the knee comes away from right angle: the in each each motion. Once you each direction, breathe out and slowly lower the leg to the Repeat with the other leg. you get stronger as This advanced movement opens up the hip joint, increasing mobility. I CAUTION If your hips move, you are taking the rotation too wide. You may find that each side has a different range of mobility. Limit your movement to the range allowed by the least flexible hip and keep the leg ILie at motion smooth. relaxed and flat on the mat with your arms your sides and palms down. Pull in your abs. This will eventually Pointing your toes, stretch the restore balance to as far as possible without straining. Maintain a neutral both hips. spine (page 37). Rotate the left left leg to the ceiling leg clockwise, using the hip joint as the center of the clock face. Breathe in from 12 to 6 o'clock and breathe out from 6 to 12 o'clock. 2 Repeat counterclockwise, breathing in from 6 to 12 o'clock and breathing out from 12 to 6 o'clock. Switch to your right leg and repeat. side lifts 1 Progress through these moves over sessions. a period of Doing them one session will all in Lying on your right side, lengthen your legs, keeping your heels on top of each I CAUTION away from the to is it floor. just in front of you, your head onto your Place your left hand on the floor and draw your shoulders back and down. As you breathe not straining. breathe leg, emphasis other. Relax lift a position where challenged, but visual cue your lengthened right arm, and draw your right waistline Allow your body reps (if lower back feel discomfort). Stack your shoulders, hips, knees, and feet being worked. is with your hips you may exhaust the areas of your body itself to in line feet are behind your hipline, in, out, lift the top leg. Then, as you lower the leg within an inch of the bottom before raising it again on the next outbreath. To both legs on the 5-10 times advance these moves, each side outbreath and lower them on the inbreath. Keep the rocking legs a leg few inches try to lift off the floor until you have completed the sequence. Then lower the legs to the and butt floor. strength 2 ^L^ f As a further challenge, take the front hand floor and stretch your arm along your off the side. ^ ^ a as you get stronger IOnce lifting same time you have mastered the basic moves, try the upper body on the outbreath at the as lifting the lower body. For extra stability, place the top hand in front of you. 2 Now try to lift your upper body and lower body, lengthening the top arm over your head on the outbreath. As you breathe in, lower the head back to the bottom arm, the top arm back to your side, and the legs about an inch off the floor. shoulder bridge This movement is for opening and mobilizing the whole spine. CAUTION j Do not force this movement. Be very gentle with your spine. If ILie you know you have on your back with your arms by your tightness in a certain exercise. area, then You may use them to help you stabilize, this but slow down as you pass through avoid gripping the surface of the floor with them. Think it. Concentrate on gently of the top of your head pulling you to coaxing your muscles into room and your becoming Keep side. your arms beside you on the floor throughout one end of the tailbone stretching to the other. Breathe flexible. in to prepare, keeping your center strong. 2 Breathe out and start rolling up toward the ceiling, leading with your tailbone, letting your vertebrae one by one from the mat. to the height Lift lift your hips up, taking them where your body forms a slope, no higher. shoulder bridge 3 At the top of the movement stretch your arms behind you and breathe rolling down back pearls on a piece of it to the As you breathe out in. mat as if start laying a string of velvet. Visualize each vertebra as touches the mat. as you get stronger 3 An advanced option is to add the leg and balance movement. Keeping your arms by your sides, slowly peel the spine up to the shoulder bridge position. Brace your leg hips, and on your next outbreath, unfold your and lengthen lower the leg to spine back down it to the ceiling. Breathe restabilize in as right you and breathe out to lower the to the floor. Repeat with the left leg. the seal This rolling exercise is more advanced than the rolling back movement (page 74) but also creates mobility and flexibility in the spine. I CAUTION If you find too this difficult, movement basic rolling back exercise in which you arms ITake may a balanced position holding your return to the legs lightly. Lift the top of use your your head to the ceiling to support yourself. and contract your 2 Breathe roll in you as back onto your shoulders. Stay ball. abs. As you in roll, a tight imagine that you are imprinting your spine into the mat. the seal 3 Breathe out as you and return the position. to power position. roll come back up to the seated Use the muscles at your center yourself back into the balanced 4 At the balanced position, lift the top of your head to the ceiling and gently pull your legs apart then push them back together that your spine is in three beats. Check as straight as possible. 5 This beating of the feet adds to the balance period and also increases the strengthen- ing element of the movement. Focus on your center and imagine it is initiating the pull. The strength for the balance position should also come from your center. " glossary Abdominal muscles (abs): the muscles layered across the midriff that lie across each other at various angles. There are four types: the Elongation: lengthening of the muscle. Leaner muscles develop from stretching the muscle rather than bulking it up. rectus abdominals, internal obliques, external obliques, and transversus abdominals. stress: when muscle groups compensate for an injury or Hidden difficulty by using larger muscles Aerobic exercise: any sustained to protect works the heart and lungs, increasing the amount of oxygen in the blood. than 180 degrees. Hyperextension weaker ones. activity that Hyperextension: extending further occurs Alignment: arrangement in a when the muscles tense up and the elbows or knees lock, resulting in a reverse bending. straight line. Cardiovascular: relating to the Imprinting: gently pushing each heart or the blood vessels. vertebra into the mat, as though it Centering movements: the exercises that were leaving an indentation. Pilates work the center of the Lumbar curve: the bend of the body, abdominals, and back. spine at the small of the back. Core exercises: the Pilates movements that concentrate on strengthening the abdominal and natural position, back muscles. "normal. Crunching: sit-ups where the Overloading: point where the abdominals are not engaged so required by a muscle to withstand much as squeezed together, in its most which might not Neutral spine: the spine necessarily feel comfortable or an applied weight may is too great. shortening the space between The the hips and ribcage. a result. C-shape: the shape of the spine Powerhouse: the name when Pilates the body and bent due slumped over bad posture. is to tissue effort tear or rupture as that Joseph gave to the abdominal area, found between our ribcage and hips. Pilates exercises work this area in order to create a stronger, more Tendon: elastic linking tissue that connects bone to muscle. balanced lower back. Tripod position: where the support the body weight by Prone: lying facedown. distributing it feet evenly over three Resistance: an opposing force that points: the ball of the foot, the pulls in the direction opposite to middle of the heel, and the outside the one created by your muscle. edge of the Rolling: exercises rolls where the spine over the mat, one vertebra at near the foot, little toe. Vertebra: one of the bony segments that make up the spinal column. a time. Visualization: use of mental accomplishment Soft knees: holding the knees imagery relaxed and slightly bent, rather of physical tasks than locked. element of the Pilates technique to aid the that helps the Supine: lying down on the back. — an important mind more control the body. effectively index Names pain 17 of individual movements indicated in bold type rolling core, the 24, 26 back 74-75 round back A D the 88-89 seal, abdominal muscles balance centering 26-29 80-81 spine swing 51 F standing spine twist foot stretch 58 hundred, the 68-69 50 one-leg circles 82-83 roll-up 76-77 the 88-89 shoulder bridge lifts swan dive 78-79 G swinging 49 goals, setting 14-15 balance swan dive 78-79 swimming 70-71 52 H balance 2 53 9, 16, 84-85 1 balancing the body 86-87 side equipment 10 86-87 breathing 24 seal, E 62 shoulder bridge balance 2 53 hip circles circles 56 seated spine stretch 52 1 double-arm saw, the 66-67 24 cross-training 12 (the cat) 48 abdominal breathing, X Q Z control 31 roll-up 76-77 are 7, 42-13 breathing 10, 23-24 hamstring stretch with dynaband 60 health, impact hip rolls 64-65 86-87 84-85 chest stretch 54 side double-arm swimming 70-71 circles 7, hip circles 80-81 shoulder bridge arms on 12 butt lifts history of Pilates 9 hundred, the 68-69 56 one-arm circles 55 push-up 72-73 swimming 70-71 toy soldier 57 C I the cat (round back) injuries, 48 centering 26-29 isolation of muscles 42-43 chest stretch 54 B preventing 16 chest stretch with back K ball 63 hip rolls 64-65 clock technique 39 muscles 24 concentration, neutral spine 28, 37-39 development of 20-21 kyphosis posture 35 10, L lateral breathing 23-24 unbalancing legs hamstring stretch with dynaband powerhouse, the 60 precision 40 hip circles 80-81 quad stretch 61 round back (the muscles 16 runner stretch push-up 72-73 58-59 one-leg circles seated spine stretch Q 82-83 quad stretch 61 62 quad stretch spine swing 51 61 runner stretch 86-87 side lifts standing chest R 58-59 shoulder bridge stretch 47 roll-up 76-77 standing spine twist back 74-75 round back (the cat) swinging 49 50 rolling 84-85 cat) 48 26, 32 swimming 70-71 48 wall stretch 46 lordotic posture 35 runner stretch 58-59 M s swan dive 78-79 sway-back posture muscles 16, 35 saw, the 66-67 24 music 20-21 seal, the 88-89 swimming 70-71 swinging 49 seated spine stretch N T 62 neutral spine 28, 37-39 shoulder bridge 86-87 side one-arm circles 55 one-leg circles 82-83 lifts tai chi 23-24 84-85 spine see back toy soldier 57 spine swing 51 •w standing chest P stretch 47 pain, preventing 16 pelvic floor 24 Pilates, Joseph 6, 7, 9, 14-15, 26 plumbline test posture 6-7, 35 12, T V Valsalvic stress, method breathing 24 standing spine twist visualization 31-32 50 activating 28-29 32 thoracic breathing reducing 21 stretching w chest stretch 54 wall stretch 46 chest stretch with warm-up ball 46-53 63 34-35 foot stretch 58 adverse symptoms hamstring stretch of poor posture with dynaband 34-35 60 Y yoga 10 exercises z m X other Ulysses books ASHTANGA YOGA FOR WOMEN: INVIGORATING MIND, BODY, AND Sally Griffyn and Michaela Presents the Clarke, empowering SPIRIT power yoga women. practice of addresses the specific needs of WITH POWER YOGA $17.95 in a balanced fashion that HOW TO MEDITATE: AN ILLUSTRATED GUIDE TO CALMING THE MIND AND RELAXING THE BODY Paul Roland, $16.95 Offers a friendly approach to calming the mind and raising consciousness through various techniques, including meditation, visualization, body scanning for tension, and mantras. THE JOSEPH H. PILATES METHOD AT HOME: A BALANCE, SHAPE, STRENGTH & FITNESS PROGRAM i/> O § Eleanor McKenzie, $16.95 This that handbook describes and details Pilates, a mental and physical program combines elements of yoga and classical dance. U~) £ 3 g J O PERSONAL TRAINER BACK STRENGTHENING WORKOUT: ILLUSTRATED STEP-BY-STEP MATWORK ROUTINE Michael King and Yolande Green, $9.95 The easy starter program in this workbook teaches Pilates exercises that are appropriate for strengthening the back in a safe and healthy manner. PILATES PERSONAL TRAINER POWERHOUSE ABS WORKOUT: ILLUSTRATED STEP-BY-STEP MATWORK ROUTINE Michael King and Yolande Green, $9.95 Designed for those who want to flatten and shape their abs, this book explains each Pilates exercise in an easy-to-follow manner. The key element is the series of two-page, step-by-step photo sequences that illustrate and demonstrate each PILATES exercise. PERSONAL TRAINER THIGHS & BUTT WORKOUT: ILLUSTRATED STEP-BY-STEP MATWORK ROUTINE Michael King and Yolande Green, $9.95 Instead of paying $100-plus per hour for private Pilates sessions, those looking to get the same kind of targeted workout to shape and slim their thighs and buttocks can find it in this book. PILATES PILATES WORKBOOK: ILLUSTRATED STEP-BY-STEP GUIDE TO MATWORK TECHNIQUES Michael King, $12.95 matwork movements exactly as Joseph Pilates intended be performed; readers learn each movement by following the photographic sequences and explanatory captions. Illustrates the core them to PILATES WORKBOOK FOR PREGNANCY: ILLUSTRATED STEP-BY-STEP MATWORK TECHNIQUES Michael King and Yolande Green, $12.95 Presented in an easy-to-use style with step-by-step photo sequences of Pilates matwork techniques adapted here for pregnancy and post-pregnancy. — SENSES WIDE OPEN: THE ART & PRACTICE OF LIVING IN YOUR BODY Johanna Putnoi, $14.95 Through simple, accessible exercises, this book shows how to be at ease with yourself and experience genuine pleasure in your physical connection to others and the world. q ^ 5 c YOGA £ Jessie Co IN FOCUS: POSTURES, SEQUENCES, AND MEDITATIONS Chapman photographs by Dhyan, $14.95 A beautiful celebration of yoga that's both useful for learning the techniques and inspiring in its artistic approach to presenting the body in yoga positions. g O 7s 00 YOGA FOR Jessie An PARTNERS: OVER 75 POSTURES Chapman TO DO TOGETHER photographs by Dhyan, $14.95 excellent tool for learning two-person yoga, Yoga for Partners features inspiring photos of the paired asanas. It teaches each partner synchronize their movements and breathing, bringing enjoyment to any yoga To order these books new how to lightness and practice. call 800-377-2542 or 510-601-8301, fax 510-601-8307, e-mail ulysses@ulyssespress.com, or write to Ulysses Press, P.O. Box 3440, Berkeley, 94703. All retail orders are shipped free of charge. California residents include sales tax. Allow two to three weeks for delivery. must CA about the authors With more than two decades of experience Michael King first started in Pilates, working with the Pilates technique while he was a dancer of at the London School Contemporary Dance. He trained with Alan Herdman, the first studio in London. Two years studio for the Houston States. In 1982, later, Ballet established aerobics. Michael Institute, the Kingdom teacher to bring Pilates to the United from the United he opened his own Michael moved to Texas, running a Company while is the company training in the new Fonda- director of the Pilates United Kingdom's leading Pilates training company. Yolande Green has been an instructor industry for in the fitness more than a decade, ieaching aerobics, body conditioning, and Pilates. She is step, spinning, currently studying for an M.Sc. in health Yolande JBLMKK z 5 q is the company and fitness. director of the Schools' Fitness Advisory Service, a training company for exercise teachers in secondary schools, and also serves as a presenter and tutor for the Pilates Institute. She has run many successful exercise and education groups, and has given presentations at fitness conventions and workshops around the world. acknowledgments Many thanks to all the instructors and staff at the Pilates Institute, not London but also in the many other countries that continue to promote the work of Joseph Pilates through our name. This book is only in => dedicated to our great friend and colleague Sarah Irwin, to be a great inspiration to U.K. and in the U.S. many where she Pilates Instructors who both here continues in the lives. —Michael King I hope that this technique book enables people to learn and utilize the Pilates same way that have. I would like to thank Michael in the I my for and mentoring and to acknowledge the support received from Mum and Dad and my boyfriend Pete. Yolande Green his time — HEALTH & FITNESS/PILATES U.S. $9.95 Pilatesj Persona! Trainer Stretching Getting Started with <T9 WORKOUT Use this beginner level workout as Quickly and easily a starting point to increase your learn each mobility and improve your fitness. Safe and effective, the low-impact stretches in this book will gradually m flexibility, by-step photo sequences preparing you for more challenging Pilates movements. A targeted workout ^ As if they were specially designed for you by your own k. m by following step build your strength as they increase your movement JB»\ MICHAEL KING and YOLANDE GREEN, Pilates instructors with professional over 20 years experience, teach you proper Pilates techniques, including breathing, posture, control and concentration. for your personal needs & Also available Pilates in | ability the series: Pilates Pilates Personal Trainer, these books target a specific -f Back [Strengthening area and level of physical fitness so that workout ,v Thighs Butt ^ WORKOUT you get the exact workout you need. ISBN 1-56975-354-7 5 Wlysses Press 9 '781 569"753545 0995 ...