Uploaded by Aileen Banaguas

Integrative Art as applied to Contemporary Art

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Aileen H. Banaguas
• Contemporary- Current, now, the present.
• Art- Art is creation. Creating something
new, something original and something
different. It is doing something to change
a subject, to build. Art is life. It is creating
life on a material and making inanimate
objects to have life. To create art is to give
life (RAMON ORLINA-Glass Sculptor)
RUBRICS
• B Group-
• A Group-
CRITERIA
PERCENTAGE
Content
50%
Creativity
50%
What is
Art?
Contemporary Art
• Produce by living artist and
contemporary to us.
• Contemporary Art may become
Traditional and Academic art at some
point.
Instruction: Activity for 3 mins
Group of male and female.
CONTEMPORARY
PERIOD
Fill up the timeline using the ART CARD.
ROMANTIC
PERIOD
MODERN
PERIOD
RENAISSANCE
PERIOD
CHRISTIAN
PERIOD
ROMAN
PERIOD
GREEK
PERIOD
New Art Forms
ARTS through the Ages
Self Expression
CONTEMPORARY
PERIOD
Fine Arts
Genius and
Design
MODERN
PERIOD
Craftmanship
RENAISSANCE
PERIOD
Skill
Technique
CHRISTIAN
PERIOD
ROMAN
PERIOD
GREEK
PERIOD
ROMANTIC
PERIOD
T
I
M
E
L
I
N
E
1050 – 31 BC 753-509 BC 350 -1450AD 1400-1500 1700 - 1800 1800 - 1900 20th – 21st Century
HISTORICAL OVERVIEW:
PHILIPPINE ART
VISUAL
ARTS
Painting
Sculpture
Architecture
PreConquest
Pottery,
Body
Adornment
and
Ornament
Pottery,
wood and
metal
carving
Spanish
Historical Overview
COLONIAL PERIODS
American
Japanese
INDEPENDENT REPUBLIC
Post-War
Contemporary
1521-1898
1898-1940
1941-1945
1946-1969
Religious
Portraiture
Landscape,
portrait, still life
Wartime
Scenes
Modern,
conservative,
abstract,
experimental, public
art
Propaganda
Religious figures
and carving
Free Standing,
relief, public
Indigenizing
and
Orientalizing
works
Dwellings
Church, plaza,
and houses
Civic building,
(Bahay
fortress, road and
kubo)
lighthouse
construction
City planning,
public works,
structures and
infrastructures
Public works
1970’s – present
Figurative, non
figurative, art for
art sake ,multimedia, mixed
media and
transmedia
Real Estate, safe housing,
condominiums, subdivisions, villages,
malls, commercial/business/convention
buildings
Stylistic overview
Form
Pre-colonial
Spanish/Islamic
colonial
Painting
Sculpture
Architecture
Religious
(animalist or
Islamic)
Community-based
Inter-ethic
relations
Collective history
Religious/devotio
nal
Secular
Formal
Naturalistic,
(Homegrown
miniaturismo,
guild)
Academic
Workship-related
and residential
Earthquake
baroque
Hispanic revivalist
(neogothic,
neoromanesque,
Islamic
American colonial
Modern
Post
contemporary
Classical, Idylitic,
Nostalgic
Incipient
Triumvirate
13 moderns,
abstract,
Surreal
Expressionist
Collaborative,
hyper-realist, new
painting
Abstract
Expressionism
Junk scrap, neoindigenous, sitespecific,
performance art,
hybrid
International
Industrializing,
eclectic
Filipino
Architecture
Urban planning
Economic zone,
Neovernacular,
Prefab,
Regionalist
cosmopolitan
Neoclassic, art
deco
Cultural Overview
Form
Indigenous
southeast Asian
Islamic or
Philippine Muslim
Folk or lowland
Painting
Sculpture
Architect
Rituals and governance
Colonial and post
colonial
Fine or worldbased
Museumcirculated, artist
centered gallery
distributed
Popular or urban
and mass based
Mass produced
market oriented
Painting
The Philippine artist Fernando
Amorsolo (1892 -1972) was a
portraitist and painter of rural
landscapes. He is best known
for his craftsmanship and
mastery in the use of light.
Lavandera
Lavendera (1957)
Amorsolo's bather represent the
epitome of Philippine beauty.
The wet drapery on this young
woman is both revealing and
sensuous. The flower is symbolic
of the woman herself.
Sculpture
Sculpture in the Philippines mirrors its culture –
complex and diverse. The art in this area has been
influenced by many different cultures, the most
prevalent being the east Asian nations, such as
China. In Islamic traditions began to be shown in
these areas in the Philippine Islands near the 14th
century. However, its culture began to expand in
the recent decades from influences in the United
States and other western nations.
The sacred and the mythical, the physical and
the erotic, the magical and the mundane, the
religious and the profane, and music and
song all permeate the art of Filipina artist
Agnes Arellano. Drawing from rich personal
experience and an extraordinary range of
influences, she makes some of the most
dramatic art in Asia.
Best known for surrealist and expressionist
work in plaster (cast and directly modeled),
bronze, and cold-cast marble, Her work tends
to stress the integration of individual
elements into one totality or "inscape".
She has participated in international group
exhibitions in Berlin, Fukuoka, Havana,
Johannesburg, New York, Brisbane and
Singapore.
Temple to the Moon Goddess
Architecture
Tausug House: To the seafaring Tausug, Sulu, a house built on flat dry land or a
site that slopes towards Mecca is lucky. The one-room, gabled roof house is
known as “bay sinug” has a separate kitchen accessible through a side porch.
Ivatan House
Ivatans’ houses are up
made of limestone walls,
reeds, and cogon roofs
In your own opinion, what is your impression to the
given picture sculpture. (50 words)
“The privileged dwelling of beauty in
our universe is the HUMAN
PERSON with its perfect body,
marvelous memory, capacity for the
arts, its love, virtue and wisdom.
For what do we praise in bodies?
Nothing else but beauty.”
St. Augustine
Bishop and Doctor of the Church
Assignment
1. Give five(5) examples of Art in
Region 2.
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