Unit 6 Applied design, planning & prototyping A level coursework assessment Pupil name: Tutor name: 1|Page Contents Client brief Pages 3 Design brief Pages 3 to 6 Research Pages 6 to 21 Technical specification Pages 22 to 26 Design evaluation Page 27 Formative evaluation Pages 28 to 29 Planning Pages 30 to 50 production Pages 51 to 62 evaluation Pages 63 to 64 Bibliography Page 65 Appendices Page 66 onwards 2|Page Client Brief In the normal everyday household, there are a lot of appliances which run off electricity and these appliances can cause obstructions by means of cables. I need something to play my music from my phone, iPod or iPad, without adding to the mountain of untidy cabling in my house. I must be able to hear the music clearly when I am in the same room as the speakers and the speaker system must be at least 25w in output power. The speaker can be placed anywhere in the same room as the audio device dock. The speaker casing could be made to look like a piece of furniture or an item that would not be thought of as a speaker case. The speaker system must not be mains operated and must be portable. The audio dock must be able to hold all kinds of audio devices without potentially causing any damage to the device. For when there is little space, the audio dock could attach to the speaker housing. This could also help for portability. Also for ease of portability, the whole system must be light but strong so it can withstand small impacts when being carried around. This will be a product that will eventually batch produced to retailers so it must be easily assembled and cheap to make so profit is still high. The cost of making the whole system must be less than £70; bearing in mind this is harder to do when making only one as making a few means wholesale prices on parts. Any materials can be using in the speaker housing but it must be strong and this is the same for the audio dock but bear in mind the dock must be able to attach to the speaker housing. Design Brief Key requirements The music must be clearly heard in the room that it is in. The speaker systems output power must be more the 25w The speaker should be able to be placed anywhere in the same room as the audio dock. It would be a unique feature if the speaker housing was made to not look like a speaker housing at all, but more of a small piece of furniture. Must not be mains operated. The audio dock must be able to hold many different kinds of audio devices. The audio devices must be safely housed on the audio dock. The audio dock must be made to easily attach to the speaker housing. The whole system must be portable. The audio dock and the speaker housing must be not too heavy but strong to be able to withstand small impacts. Must be able to be batch produced. 3|Page The cost of producing one must be less than £70. The aesthetics The product comes in two parts: one part is the speaker housing and the other part is the audio dock. The speaker housing will be made to not look like a speaker but a piece of furniture so it could have another use like storing something or be a base for photos or computer desktop screens. The speaker system can be made out of any material but it must be reasonably light but heavy enough to show good quality. The speaker housing would be better if it was made out of would because sound from the speakers resonates better through wood (like on a guitar). To further amplify the speakers and to give a richer sound, the speakers in the speaker housing could be placed deeper in the housing so the sound waves can diffract off of the walls of the inner speaker housing (like in an acoustic guitar). For the audio dock, aesthetics can be simple but it must be able to house different audio devices safely and attach to the speaker housing easily. It must also be able to house the electronics. When attached, the audio dock and the speaker housing must match aesthetically and not look out of place. Materials Any materials can be used for the speaker housing and the audio dock. For the speaker housing, wood would be a better choice of material because sound resonates much better through wood than metal or plastic. The audio dock can be made from any material but if it is made out of metal, the electronics must be grounded for safety. Number required Only one prototype in required at the moment, but the end product after testing must be able to be batch produced with costs bellow £70 per system. Also, when products are mass produced, parts would be much cheaper because of wholesale prices. Scale of production The production is separated into stages: - The Brief: this is what this document is; it outlines the client’s needs and gives a basic view of the project. The Research: This will involve techniques such as brainstorming, to quickly think of ideas for the form and inner workings of the product. Freehand sketching will be used to get the ideas onto paper to decide whether to adapt to it in latter stages or to bin it. Research is the last technique and will involve primary, secondary and tertiary research to determine what already exists in the market and whether there are any demands or niches available in the market. Technical Specification: This to show every little intricate detail of the product and what it is capable of and will be laid out using the ACCESS FM template. Most important in that is the function, form and size, and materials. 4|Page Design ideas: from the research stage, two of the brainstormed ideas and sketches get picked for further development. These two designs have to be different in the way they operate or their aesthetics. Production constraints will also be highlighted in this stage including:- the technology used, materials, availability of resources and environment. Final Solution: The final solution should take all of the different subsystems into account from previous designs and apply them to the final design. This includes modelling and testing on Computer Aided Design software. Formative evaluation: This is the stage that decides which one of the ideas will be used for the final design by means of a panel of colleagues and what development needs doing to that product. The product chosen will be evaluated against the specification which will help for seeing what development needs doing. The final design: This is a detailed design of the chosen initial design showing how the design operates and how it is to be manufactured. Numerical values will be included as well as scientific reasons for the choice of materials. Different types of drawings may need to be done which include: - freehand sketches, general arrangement drawings, detailed drawings, circuit diagrams, flow diagrams and schematic diagrams. Project planning: the project will be planned, identifying tasks, producing an outline plan, using planning tools like Gantt charts and doing progress checking to keep on top of the project. Manufacturing Regulations: This is included in the planning stage and should outline the regulations that you may encounter in the production of the prototype. Manufacturing of prototype: This is when the prototype is produced using my own skills and technologies that I have studied considering health and safety in the form of a risk assessment. Evaluation: This is where the product is tested and evaluated for its performance against its specification as it must match the specification to be fit for purpose. Once the tests are done, modifications can be suggested. Quality The speaker system must be lightweight but heavy enough to be felt as good quality. The quality can also come in the form of output which is audio. If there is good clear audio then it is a good quality product. The product must also be strong to withstand minor impacts when being carried around. Function The function of this product is to provide music wirelessly from an audio dock to a speaker in the same room. It must also be portable, which means it must be light and strong but without adding to the cost. The speaker housing is to be disguised as a piece of small furniture and the audio dock must be able to attach to the speaker housing. 5|Page Technology Different technologies could be used to make this product including saws, hydraulic sanders wood steamers (to bend the wood) and lathes or welding for metal work. Different technologies will be used for the two different parts of the system as they may both be made out of different materials. Costs The total cost allowed to spend on this product is £70 but when it is being batch produced this may be decreased as more savings can be made on wholesale prices for parts and manufacturing processes. The costs can be separated into electrical costs and material costs as both parts of the system houses electrical components and both have different housings. Completion date The completion date for this product is the 07th February 2013. Health and safety issues Possible health and safety issues will mostly come in to action with the manufacturing stage as powerful tools are going to be used like lathes and welders. Legislations will be taken into account in the planning and production stages for health and safety. Research To be able to produce the best possible product for the required specification, I must do relevant research on mainly the aesthetics and the inner electronic workings. I firstly researched the electronic circuits for existing products like wireless headphones. (http://www.ee.iitm.ac.in/~ee07b090/documents/TI_contest_report.pdf) This is the system outline for a wireless audio transmitter receiver module. It is a good start to the research but it is too complicated to be made in the given time set and will most probably cost over the £70 barrier. 6|Page This is a very basic system outline which shows the basics of what is needed for wireless audio system. Whilst I was researching what current products use as electronic systems I looked up modules that may be able to do the job. This one from Maplin seemed to be a possible contender but little information is given on possible schematics and applications (http://www.maplin.co.uk/search?criteria=RF+transmitter). 7|Page With further research, I found another more in depth and realistic subsystem outline for my electronic circuitry. Although it is basic, it shows that transmitting by radio frequency is a better and easier way to go (http://www.engr.sjsu.edu/rkwok/projects/speakerB.pdf). This schematic is very basic and uses transistors to drive the signal, the first transistor acts as a frequency modulator for the radio frequency waveband. (http://www.hqew.net/circuit-diagram/A-Low-PowerWireless-Audio-Power-Amplifier_12476.html) With this schematic (above) is the receiver circuit which is more complicated as it also includes the audio amplifier (IC2). These two circuits made me decide to split the electronics into systems of transmitter, receiver and then amplifier. It also showed me that there are specific integrated circuits out there that can do the majority of the work in a transmitter, receiver or amplifier system. FM transmitter system 8|Page FM transmitter circuit 1) This first transmitter circuit choice is basic and doesn’t rely on potentially expensive integrated circuits. (http://www.circuitstoday.com/medium-power-fm-transmitter-circuit) Up to 100 metres when tuned Can change frequency with C6 Transistor Q1 amplifies microphone (audio) Transistor Q2 acts as an oscillator in FM Band The output of Q1 is given as the base of Q2 Q2 also performs modulation C7 couples the FM signal to the antenna 9V DC power FM transmitter circuit 2) 9|Page The second transmitter circuit has more room for adjustments with the different controls but still doesn’t require an integrated circuit and instead uses transistors. (http://electroschematics.com/1041/quality-fm-transmitter/) Works off 9V battery Potential range of 500m (250m) Power output 200mW Gives VHF fm frequency To make it stereo, a stereo encoder must be attached : http://electroschematics.com/315/stereo-encoder/ or buy one http://www.maplin.co.uk/rf-encoder-decoder-chipset-35636 (not stereo) FM transmitter circuit 3) The final transmitter circuit uses the BA1404 integrated circuit, which is well known in the FM transmit ion sector. The unique selling point of this circuit is that it transmits stereo audio signals in the FM waveband and it is powered by two AA batteries, meaning it could be very portable. (http://www.circuitstoday.com/stereo-fm-transmitter-using-ba1404) 10 | P a g e FM receiver system FM receiver 1) This covers the portability point of the system but it may not be powerful enough for what I want it for. (http://electroschematics.com/4663/small-fm-receiver/) Small Receiver 87 to 108MHz 11 | P a g e FM receiver 2) This is an integrated circuit also well known in its industry. The TDA7000 can tune in to wavebands from 70Hz to 120MHz and it can be powered by a 9v battery, meaning great portability. The only problem with this integrated circuit is that it doesn’t give out a stereo output, for stereo output to be given (to go on the amplifier), a stereo decoder must be used and the LM1310 is perfect for the job which can be powered by the same 9v battery. (http://electronics-diy.com/TDA7000_FM_Receiver.php) 12 | P a g e Amplifier after receiver The amplifier is a major part of the whole system as it must give very good quality audio and a reasonable audio volume but potential from a low power source for ease of portability. Amplifier 1) This first circuit is very simple and uses the LM386 integrated circuit to amplify the micro amps of audio coming from the intro. This can be powered by a 9v battery but its output is below the required 25w. (http://www.buildcircuit.com/audio-amplifier-using-lm386/) Amplifier 2) The second amplifier circuit uses the UA741 and has a high power source which is a set back as it only lets out half a watt of power. (http://www.circuitstoday.com/signal-tracer-circuit) 13 | P a g e Amplifier 3) This circuit is very in depth and uses two integrated circuits: the LM358AN and the LM386N-3. The first IC produces a stereo signal and the second IC amplifies the audio. (http://www.ece.ucsb.edu/yuegroup/Teaching/ECE2C/Lab/Lab1a.pdf) 14 | P a g e I moved on to researching Amplifier integrated circuits on the RS components website. This came up with about 180 different amplifier chips that I picked from for potential amplifiers in my system. (http://uk.rs-online.com/web/c/semiconductors/amplifiers-comparators/audio-amplifier-ics/?sortby=default&sort-order=default&applieddimensions=4294511066&lastAttributeSelectedBlock=4294959930) I found out that there are different classes of IC amplifiers from class D (which require low power but have lower quality) to Class A (which require a lot of power but give very good quality output). The trick is to find one in between the Class A and Class D amplifiers. Choice 1) 24watt stereo 2ch 9v – 12v supply Requires a system logic microcontroller http://uk.rs-online.com/web/p/audio-amplifier-ics/7089744/ Choice 2) 11 watt stereo amplifier Class A/B Wide supply range of 9v to 40v http://uk.rs-online.com/web/p/audio-amplifier-ics/5343295/ Choice 3) 15 | P a g e 30w output with 8ohm speaker Supply range of 20v to 66v http://uk.rs-online.com/web/p/audio-amplifier-ics/5343302/ Choice 4) 68w output power Class A/B Supply of 20v – 94v http://uk.rs-online.com/web/p/audio-amplifier-ics/5342955/ Choice 5) 16 | P a g e 56w output power Class B 20v to 94v supply http://uk.rs-online.com/web/p/audio-amplifier-ics/5342933/ Choice 6) 6 to 18v supply 2 x 24w speaker output Stereo output Or 4 x 12w speakers Class B http://uk.rs-online.com/web/p/audio-amplifier-ics/4840852/ All of these amplifiers give different properties but only some of them could cover the required specification. The advantages and disadvantages of each different amplifier must be taken into account before one is chosen, and that must also be done for the transmitter and receiver system. 17 | P a g e Aesthetics The speaker housing design must give the allusion that it isn’t a speaker housing and that it is a normal piece of furniture or item in the house. There are not many speakers like this but I have found a few that could be thought of as other objects and not speakers. This speaker looks a lot like the Sydney opera house and could be seen as a model or an ornament in the house. Up close the three speakers are still visible which would give it away as a speaker (besides the sound coming out of it). If I was to make this I would extrude (inwards) the speakers into the housing so they cannot be seen. Apart from the bad sides of the design, it is a very sleek and eye catching design. This design (on the right) caught my eye as it has two primary uses, which are providing sound (music), and holding books and CD’s. This design is called the sound shelf and it is unknown whether they are wireless but that would be a very good feature and would add to the value. There are two different styles shown here, but they are both not portable and are more of a household item. 18 | P a g e These speakers are wireless desk speaker and give the allusion of a very well designed lamp. They wouldn’t be very portable but the concept could be taken into account with my design. Seeing all speaker of the above designs sprung on the idea of my being multifunctional and I thought that it could incorporate this idea of remote control/phone holder. This and has a design (on the right) holds remotes on either side centre pocket for a book or maybe an iPad. This picture on the left gave me the idea of cutting groves on the speaker case to allow for remotes or phones to be placed on the case. The picture on the right is a very good idea but it depends on where in the house it is placed. For the audio dock something like this on the left would be ideal, as it would be a place to use the audio device and hold it safely. The main aspect of this one is the extrude in the audio dock for the ipad. Or something as simple as the one on the right would be ideal. All of these ideas can potentially be put into my final design or concepts of some of these designs can be put in my final design to increase its value and functionality. A multifunctional item is much more desirable in today’s market and especially in places with little space. 19 | P a g e Existing products There are existing products to my system that transfer music wirelessly to a headphone or speakers, but these tend to be very expensive. Here are a few examples in the market now: This speaker system on the left is only for apple devices, whereas my system will be for all devices as it will run from a jack to jack audio cable and not an apple cable. This can be controlled from the computer seen in the background and also charges the iphone or ipad on the dock. This speaker system on the right is a multi-room wireless speaker system. This is too complicated for me to be able to achieve in the give time set but it still follows the same concept of wireless audio. The centre dock that the iPhone is on is a 40w subwoofer and the other two speakers are 20w midrange speakers, so together they would make a very good range of audio. This speaker on the left transfers music though Airplay for apple devices only. This is software based and not radio frequency based which is much more complicated. But it is very compact and potentially portable which covers my specification. This last design on the right is a very of what my idea is based around as it audio through the Radio Frequency and and small dock to transfer the audio only issue is that the speaker housing imaginative and doesn’t cover the but it is potentially portable. 20 | P a g e good example too transfers has a neat from. The isn’t very specification, Technical specification Function The purpose of the system is to provide audio from a source wirelessly through a speaker in the same room as the source. The speaker is to be designed as such that it is not noticeably a speaker and that it may be a design for multifunction such as being a remote holder, or phone holder. On the top of the speaker housing, the audio dock must be able to attach securely and be easy to take off. The audio dock its self, doesn’t have a specification but it must be able to hold a few types of audio devices safely and it must be easily transported and attached to the speaker housing. The whole system will be portable so it must not be mains operated, instead it will be battery operated, and either rechargeable or alkaline batteries are okay for the job. The design will be light but strong allowing for very minor impacts. The circuitry will be based around 4 different subsystems:- the transmitter, receiver, stereo decoder and the amplifier. The audio from the audio device, connects to the audio dock and in the audio dock is the transmitter circuit. This circuit modulates the audio signal into FM radio frequency (so it effectively makes your music a radio station). Then this is picked up at the same frequency that it is emitted from the transmitter at the receiver circuit, which then demodulates the signal, converting it back into audio. But the audio is only in mono, which means if there are two speakers everything comes out at the same volume so stereo tracks might sound strange. This is why there is a stereo decoder after the receiver as it decodes the mono audio signal to a stereo signal which then goes to the amplifier system which gives out no less than 25w. The receiver, stereo decoder and amplifier circuits are all situated in the speaker housing. Form and size The whole system will come in the form of an audio dock and a speaker housing (which may have other uses). They are both required to be of such a weight that they feel well made and strong, but not too heavy to be not very portable. The speaker housing will be made mostly out of wood as sound resonates much better through wood (depending on the type of wood used e.g. mahogany or maple are both used in top end guitars). The speaker housing may also include other materials to allow for a more elegant design rather than a simple design. The audio dock can be made out of any material, but it must be able to attach to the top of the speaker housing easy and hold different types of audio devices securely. The part of the audio dock that holds the audio devices could be lines with a soft material like suede rather than a hard material like wood. This part of the system may have to deal with apple products, so it would be a good idea to incorporate the apple dock, to also charge the apple product when plugged in. There is no exact size that the speaker housing or the audio dock must be, but it is required to be portable so the smaller the better but not too small to compromise the quality of the sound or the designs. 21 | P a g e User Requirements The user requires that the speaker can be operated from the audio dock anywhere in the same room and that it is portable with the audio dock having the ability to attach to the speaker housing. The user will also need to register the product for warranty purposes. The warranty covers all parts except the battery for a period of a year. If the product should fail to operate as a result of fair wear and tear or manufacturing fault then the warranty applies. Performance requirements The speaker system must produce at least 25w of output audio which should be efficient enough to be heard at the other side of the room that it is in, and the system must be powered by batteries to allow for the whole system to be portable. These batteries could be made rechargeable so the whole station can be plugged in when not in use and charged. Materials requirements The main speaker housing will be made mostly out of wood. The wood used can be any sort of wood but Mahogany or Maple would be a good choice as they are already used in musical appliances. There may also be some metal or plastics for design décor to allow for a simple but modern design. The audio dock can be made out of anything as it doesn’t emit any sound. It will probably be made out of a combination of wood and metal for style and strength. For the part of the audio dock that holds the audio devices, suede or another soft synthetic material could be used to allow the audio devices to be safe and secure. Component requirements The electrical part of the system must be safely housed in its appropriate housing. For the transmitter, this should be housed in the audio dock and the receiver, stereo decoder and amplifier will be housed in the speaker housing. The electronic circuits will be built on a breadboard for the prototype. Components that may be included in the circuits will be resistors, capacitors, batteries, loudspeakers and possibly integrated circuits. Quality and safety The speaker housing must be of such a quality that it is noticeable through the weight and the aesthetics. It must also be able to withstand minor impacts so metal being used on the outer shell of the housings would be a good idea. As the system is portable, the components must be safely secured inside the housings. For electrical the safety the circuits must be grounded even though the voltages may be low. The wood must be neatly sanded and coated to ensure that no injuries like splinters or cuts can come from handling the housings of the speaker and the audio dock. The same goes for the metal used on the housings, this must be grinded down to give blunt edges so as not to cause injury but this must also not affect the aesthetics. 22 | P a g e Standards Standards involved may include the CE marking for electrical goods, the British kitemark for British standards on audio electrical goods and maybe ISO (international standards organisation) if the product is popular and expands enough to go worldwide. A standard that comes up in production and in the product is health and safety, as the product must not be likely to inflict injury on the user and precautions must be taken when using dangerous machinery in the production of the product. Scale of production Initially the product will be prototyped and tested to be then modified to give the final design. Once the final design is produced, production will increase to batches, so the product must be able to be made in stages so it can then be easily assembled. The easier it is to produce each individual component and system and the easier it is to assemble, the cheaper production will cost, therefore more profit margins are available. If the product gets more desirable, then mass production will be undertaken. Different systems will need different machinery, as the circuitry will be printed and the housings will be machine cut. Cost The total cost for producing a whole speaker system mustn’t be over £70 as most market leaders at the moment that are like this product are ranging from £120. The cost of production should be split up into parts, one for production and one for parts and components. The parts and components section will include the materials and electrical components needed. The production costs will include how much it cost to print circuit boards, machine the housings and assemble the product. Then after that, packaging must be accounted for, which will come in the form of a cardboard box and polystyrene. All of these costs make the total costs of less than £70, bearing in mind that the more products made at one, the less it will cost for each product as wholesale prices are given in certain ranges. The majority of the costs may come from the electrical components if integrated circuits are used. Environment As the system uses batteries, this could make the product more environmentally friendly, but the use of rechargeable batteries would cut down on waste which makes the product even more environmentally friendly. The use of reclaimed wood would be a good way to help the environment and recycling the product at the end of life could also help the environment and cut down on waste. The environment that the system will be used in may be indoors or outdoors but the systems will not be waterproof. End of life The system may last for quite a while as it will be made of high quality materials and if integrated circuits are used then there is no reason for the system to fail electrically. But when the system is 23 | P a g e eventually unusable then it must be recycled accordingly as the wood may be reused as well as some of the electrical components like the loudspeakers. To maximise the life span of the product, minimal parts will be used but those parts will be made readily available to customers and a repair service could be set up. Aesthetics Most portable wireless speakers on the market today concentrate mostly on the aesthetics so the design of my system must be good enough to compete with these but it must also be simple to make it easy to assemble and produce. Also if the design is simple, then it is more likely to suit more styles of rooms, therefore increasing the customer base. The speaker housing is to be made out of mostly wood for a better sound and must not look like a speaker housing. Other materials can be added to enhance the design like metal or plastic. The speaker housing should be multifunctional, maybe adding LEDs for mood lighting when the room is dark. The audio dock could also have LEDs to show its whereabouts but this will be much smaller than the speaker housing and must be able to attach to the speaker housing. It must also have soft materials to hold the audio devices for safety. The whole look of the speaker system will depend on the overall theme as it must look like something other than a speaker system. For example if the speaker housing was made to look like a small simple n shaped bench then, it would be given a smooth wood effect. To make it more modern stainless steel could be added to give an industrial effect. Manufacturing The Whole system will be manufactured in two stages:- the electronics stage and the housing stage. The electronics stage will comprise of four different circuits, one for the audio dock and the other three for the speaker housing. In the final modified design after the prototype, the three circuits that go in the speaker housing could be made into one PCB to allow for more room in the speaker housing. All circuits will be turned into small PCBs allowing them to be quickly and easily manufactured at a lower cost. The housing production stage will be done in parts for both the audio dock and the speaker housing as they both won’t just be one solid piece. They will be machine cut and sanded and grinded if necessary for the required look. Then they will be stained or painted if necessary. After the paint, it is time for assembly. All of the electronic components will have attachments inside the housings for quick assembley. Assembly After the manufacturing of the individual parts, all of these parts must be securely put together. This will probably be done by hand in batch production, but production techniques will be made to allow for them to be machine assembled. The assembly is also done in stages, which are: The audio dock and the speaker housing. The audio dock comprises of the electronic components and PCB to be attached securely to the acquired 24 | P a g e attachments of the audio dock, then the casing of the audio dock is put together adding the soft material for the audio device storage last. It is much the same for the speaker housing but on a bigger scale as there are more electrical components and the PCB will be bigger. Once the electronic components are attached to the innards of the speaker housing, then the speaker housing can be put together with any technique, be it screws or clips. Then the whole system will be packaged ready for sale. Design arrangement This will depend on the final design of the system. Parameters Size (dimensions) Power supply Output wattage Primary material Primary function Distance of wireless transmission Weight Loudness (decibels) Cost 25 | P a g e Not specified. Must be portable Battery Greater than 25w (25w>) Wood (any type) Wireless loudspeaker Greater than 2m (2m>) Not specified (Must be portable) = 10 log(base10) 25w = >14db Less than £70 (<£70) 26 | P a g e Formative evaluation My wireless speaker system is designed to be separated into two systems, the receiver/speaker system and the transmitter/audio dock. I made seven designs for the speaker system and four for the audio dock, all having completely different aesthetics but they have the same function. I decided to do a design evaluation matrix which allowed me to evaluate my designs against the main points of the specification. This allowed me to narrow down my decision for a design to two each for the speaker and the audio dock systems. For the audio dock system I decided to take out the tripod bridge dock because it was too large for an audio dock and this made it un-portable. It would also be too hard to manufacture as it has complex curves and this could make the design more fragile which does not meet the required design specification. I also decided to take out the throne dock because it was the least aesthetically pleasing and themed to the point that it may be harder to sell. It may also be too hard to manufacture with the different angles of cuts in the base allowing for a low quality outcome. The two designs left for the audio dock are the Arch dock and the simple audio dock. This was a relatively easy decision as the simple audio dock complies with all of the specification needs and has extra functions. Whereas the Arch dock is much more difficult to manufacture and although it has an extra feature of a back rest for the audio device, it is not sufficient enough to hold a wider variety of audio devices which is a required point on the specification. I also asked the group and it was a unanimous vote for the simple audio dock for being simple and full of features. Then I had to choose a speaker housing from the seven ideas. By using the evaluation matrix, this made my decision much quicker. I took out five designs that wouldn’t be good enough and that didn’t cover all of the specification requirements for the client brief. The lamp speaker was definitely out of the question as it did not cover the full specification. It would also be too difficult to manufacture as there are too many manufacturing processes for the different parts of the design. Another fault with the lamp speaker is that it is too large to be portable, but it does have an advantage of being multifunctional as a lamp and speaker, but being a lamp, this means material costs will be more expensive. The canvas speaker was another design that didn’t comply fully to the specification as it is also not portable. The canvas speaker is simple and therefore easy to manufacture but there are two different materials, wood and paper. This means that it is also very fragile, which is the opposite of what is asked for in the specification. Another design that had problems was the Bendy bridge speaker. This was a simple design but a suitable material couldn’t be found for the bendy legs which made the design undoable. Even if a material would be found, it may not be strong enough to match the specification. Most of the speakers bar two had the same issues of being hard to manufacture or not being cost effective. When I got the list of designs down to two I decided to do more of an in depth evaluation of the two, by doing a final design for both of them so I could compare the aesthetics more suitably. 27 | P a g e I also had to take into account the advantages and disadvantages of both of the designs. First of all the advantages: with the plane speaker, it disguises its speaker like aspects very well by incorporating them into the hardware of the plane (the jet nacelles), which means it covers the specification. Another advantage with the plane speaker is that it has a theme that anyone could potentially like, instead of a kids theme or an adults theme etc. It also is easy to disassemble for portability, as the winglets come off and the jet nacelles come off. The advantages of the bridge speaker are that it is a simple design that is easy to manufacture and that could potentially be appealing to anyone. This speaker is also more stable and less fragile as it is all in one piece instead of being in different parts like the plane speaker. Because of its simple design, the bridge speaker could also be cheaper to manufacture (as it is all in one piece) and could potentially be 3D printed if it wasn’t to be made out of wood. Another advantage with the bridge speaker is that every point is matched on the specification which is vital as the client needs to be happy with the product. The disadvantages of the plane speaker are that it is becoming very difficult to manufacture because of little intricate details that are added. Also the fact that there are parts to the speaker design means it takes longer to manufacture and that means it costs more to manufacture. The plane speaker is also aesthetically not very pleasing as the jet nacelles have to be as big as the speakers because the speakers go in the nacelles. This means that the jet nacelles are out of proportion with the wing of the plane speaker, and the solution would be to increase the size of the plane wing but this would make the plane speaker too large to be portable. Also, a metal hook has to be manufactured for each of the nacelles to allow them to be attached to the wing easily and to also provide stability. The disadvantages with the bridge speaker are that it may be a bit large for a portable speaker (but not too large to allow it to be un-portable). It may also be a bit of a challenge to get the curves on the system exactly right. Also the bridge speaker could be harder to service as the speakers may be hard to get to. After doing some more in depth designing a testing, I have decided to choose the bridge speaker for the main reasons that it is a much simpler design and that it still covers the full specification. Also the advantages and the disadvantages of the bridge speaker outweigh those of the plane speaker as the plane speaker has potentially many faults. With the bridge speaker being a simpler design, this means that manufacturing will be cheaper and quicker which allows the product to be batch produced in future for more sales. I also took into account the classes vote which was for the bridge speaker. Planning 28 | P a g e Parts List 29 | P a g e Transmitter circuit Resistors 47KΩ (x2) 27KΩ (x2) 5.6KΩ 150KΩ 270Ω Capacitors Other 1nF (x6) (not polarised) 10uF (x4) (Polarised) 220pF (not polarised) 10pF (x5) (not polarised) Alkaline AA battery (1.5v) (x2) Breadboard Wires Stereo audio socket 5mm dia ferrite core 0.5mm dia enamelled copper wire Integrated circuit: BA1404 38KHz crystal 80cm copper wire Amplifier circuit Capacitors 220nF (x2) (not polarised) 100nF (not polarised) 2200uF (Polarised) 47uF (Polarised) Resistors 30 | P a g e 10KΩ (x2) 100KΩ 100Ω Others NPN transistor Switch (for Mode) 9v battery (x2) Integrated circuit: TDA8561Q 24w<+ 8Ω or 4Ω (x2) Breadboard Wiring FM receiver circuit Parts (for TDA7000 circuit) Resistors 100kΩ 22kΩ 10kΩ Capacitors 100nF (x3) 3.3nF (x2) 31 | P a g e Others 330pF (x2) 220pF (x2) 180pF (x2) 22nF 10nF 2.2nF 1nF 150pF 100KΩ potentiometer Integrated circuit: TDA7000 3.5 turns of variable coil (L1) MV2105 Diode Breadboard Wires 9v battery Parts (for LM1310 circuit) Resistors 1KΩ 4.7KΩ 15KΩ Capacitors Others 2.2uF (polarised) 470pF 470nF 47nF 220nF (x2) 15nF (x2) 32 | P a g e Integrated circuit: LM1310 Variable resistor 4.7KΩ LED Switch 9v battery (12v supply) Wires Total Parts Resistors 47KΩ (x2) 27KΩ (x2) 5.6KΩ 150KΩ 270Ω 10KΩ (x3) 100KΩ (x2) 100Ω 22KΩ 1KΩ (x2) 4.7KΩ (x2) 15KΩ Capacitors 33 | P a g e 1nF (x7) (not polarised) 10uF (x4) (polarised) 220pF (x3) 10pF (x5) 220nF (x4) 100nF (x4) 2200uF (polarised) 47uF (polarised) 3.3nF (x2) 330pF (x2) 180pF (x2) 22nF 10nF 2.2nF 150pF 2.2uF (polarised) 470pF 470nF 47nF 15nF (x2) Others 1.5v AA battery (x2) Breadboard (x3) Wires Stereo audio socket 5mm dia ferrite core 0.5mm dia enamelled copper wire Integrated circuit: BA1404 **************************************** 38KHz crystal ******************************************************* 80cm copper wire (x2) NPN transistor Switch (x2) 9v Battery (x4) Integrated circuit: TDA8561Q ***************************************** 24w<++ 8Ω/4Ω speaker (x2) 100KΩ Potentiometer Integrated circuit: TDA7000 *********************************************** 3.5 turns variable coil Dia ferrite core?? MV2105 diode ******************************************************** 34 | P a g e Variable resistor 4.7KΩ LED Integrated circuit: LM1310 ************************************************ 35 | P a g e 36 | P a g e Production processes 37 | P a g e 38 | P a g e 39 | P a g e 40 | P a g e 41 | P a g e 42 | P a g e Quality checks FM transmitter circuit o o o o o o Wires are showing no metal Wires are not too long and flat on the breadboard Parts are as close to the board as possible Battery is firmly connected to the circuit ON/OFF button has enough wire to fit to the audio dock LED has enough wire to fit to LED glass and audio dock FM Receiver Circuit o o o o o o Wires are showing no metal Wires are not too long and flat on the breadboard Parts are as close to the board as possible Battery is firmly connected to the circuit ON/OFF button has enough wire to fit to the audio dock Both LED’s have enough wire to fit to the LED glass and Speaker housing Stereo Decoder Circuit o o o o Wires are showing no metal Wires are not too long and flat on the breadboard Parts are as close to the board as possible Battery is firmly connected to the circuit Amplifier Circuit o o o o o Wires are showing no metal Wires are not too long and flat on the breadboard Parts are as close to the board as possible Battery is firmly connected to the circuit Speakers have enough wire to go through speaker housing to breadboard Audio dock Main housing o o o Surface wood is very finely sanded and smooth Edges are not sharp Dimensions are correct to the CAD drawing within 2mm 43 | P a g e Audio dock bottom cover and middle swivel o o o o o Surface wood is very finely sanded and smooth Edges are not sharp Dimensions are correct to the CAD drawing within 2mm Holes have 3mm diameters exactly for screws Middle swivel is smooth and fits a dock connector securely Audio Dock Top back, back rest flap and LED glass o o o o Surface wood is very finely sanded and smooth Edges are not sharp Dimensions are correct to the CAD drawing within 2mm Led glass is made cloudy be sandy slightly Audio Dock assembly o o o o o LED and LED glass is glued securely into place ON/OFF button is secured into place Screws for bottom cover are screwed in straight and not cross threaded Top back rest easily lifts and is secured with back rest flap Back rest folds neatly and securely into audio dock Bridge speaker bottom part o o o o Surface wood is very finely sanded and smooth Edges are not sharp Dimensions are correct to the CAD drawing within 2mm Speaker holders are strong and are able to support speakers via bolts and nuts Bridge speaker top part o o o o Surface wood is very finely sanded and smooth Edges are not sharp Dimensions are correct to the CAD drawing within 2mm Speaker holders are strong and are able to support speakers via bolts and nuts Bridge speaker parts fabrication o o o o Surface wood is very finely sanded and smooth Edges are not sharp Dimensions are correct to the CAD drawing within 2mm ON/OFF button whole is not too big but may be slightly small for secure fit Bridge speaker bottom cover, joining holes, pop screen and audio dock cut out o o Surface wood is very finely sanded and smooth Edges are not sharp 44 | P a g e o o o o Dimensions are correct to the CAD drawing within 2mm Pop screen just bigger than exact size to fit snugly but tightly Audio dock cut out has not sharp edges Top part joining holes have nuts secured by strong glue Bridge speaker assembly o o o o LED’s and LED glass is glued securely into place ON/OFF button is secured into place Screws for bottom cover are screwed in straight and not cross threaded Joining screws tightly secure the top to the bottom Whole system testing o o o o o o o o o o Audio dock turns on and off Audio dock flap holds audio device Wood is smooth and edges curved Bridge speaker turns on and off Audio dock fits easily into cut out on bridge speaker Circuitry and batteries in both compartments are secured Audio dock transmits audio from device on set FM waveband Bridge speaker receives audio, demodulates, decodes audio to stereo format and amplifies audio out of the speakers. Range of audio transmission is measured to be above or equal to a rooms width Loudness at a measured distance is equal or over specification requirement. Regulations, standards and documentation Legislation The main legislation that needs to be abided by when in production is the Health and safety legislations. This legislation covers human carelessness, personal habits, supervision and training, the environment, guards, elimination of hazards, maintenance, personal attitudes and working practices and personal protection. The manufacturing health and safety regulations sector is split up into different sections whereby two sections apply to my production procedures. These are woodworking health and safety and engineering health and safety. Woodworking is a major part of my production and therefore health and safety when in production has to be considered. According to the health and safety government site, woodworking has one of the highest accident rates in manufacturing, caused mostly by moving machinery. In the woodworking health and safety legislation, certain aspects have to be covered in the workshop and this includes keeping the 45 | P a g e workplace tidy, training workers that use machinery, taking COSHH and risk assessments, and lowering wood and dust inhalation with extractor fans. Safety topics within woodworking include: working with machinery, vehicles and slips trips and falls. Health topics include: manual handling, wood dust, and noise. All of these health and safety issues have to be extinguished or prevented as much as possible. As I am in the engineering sector, health and safety in this sector has to be looked into. The same things apply to this sector as the woodworking sector. Another big aspect of health and safety is working with electricity. The electrical components that I am dealing with are not very hazardous but there are still things that can go wrong like exploding LED’s and smoking potentiometer due to too much resistance or not enough resistance. This is why precautions have to be taken. Precautions taken to reduce any risks or hazards include a risk assessment and an assessment of what legislations and regulations I come under in production (which is what this is). A COSHH assessment is advised by the health and safety act but as there are no hazardous substances in the woodworking workplace then this is un-necessary. Other legislations include contracts, which are not required at the moment due to the fact that this is a product still being designed and improved. It is when the product is fully developed that contracts can be taken and these contracts can be between customers and employees. If the product gets to the point where it is being produced in a company workshop then contracts will be undertaken as well as company disciplinary procedures for employees. These disciplinary procedures keep the workplace running smoothly and safely. The procedures are split up into stages one to 5 where one is an oral warning and 5 is gross misconduct. Regulations and standards European standards are the home from which the main standards come from like the British standards and the CE marking. It is necessary for me to cover because Britain is situated within Europe and therefor some of the European standards apply to me, even if I am not selling abroad. Products comply to their own set directive of standards which define technical requirements. These directives must be complied by to be able to fit the product with a CE marking. Therefore the CE marking indicates that the product has conformed to directives that apply to it. For all electrical products, as well as the CE marking, they have to conform to the EMC directives (electromagnetic compatability). Because my product is made up of Resistors, capacitors and integrated circuits etc. my system is tested for the directive as a whole system rather than components because components are regarded as having no intrinsic function when on their own but when put together as a system this changes. As subsystems my product will be tested to comply with the EMC directive because as a whole system this is regarded as a telecommunication device, and therefor needs to be covered by the Radio terminal and telecommunications equipment directive. The whole point of the EMC directive is to stop electrical products emitting 46 | P a g e unwanted electromagnetic pollution which could otherwise cause interference with other electrical items. It also states that the products must be immune to a certain amount of interference. Tests within the EMC directive include tests for radiation emissions, conducted emissions, and radiated susceptibility. Another major standards organisation that applies to my product is the British standards (kitemark). BSI is the UK’s national standards body, and represents the UK in European standards bodies. Standards are not compulsary unless stated by the legislation or regulations applicable to a certain product. The standard states technical specifications and criteria to be used as a guidline. This applies to my product as my Product is to be made in the UK and will be distributed in the UK so it would be a big advantage if the product has conformed to British standards as it would be a good selling point. Documentation Documentation is a big part of a products production. One type of documentation that I have already used especially in research is data sheets and books. I used these for picking my electrical components and integrated circuits. They give detailed information and parameters on that specific product, and in some cases it gives you testing results for performance. I also used catalogues which are a a book of products or components. I used this when I was buying components like capacitors and resistors from Maplin and other electrical component shops. I have had to wright specifications for my product, including a general specification which describes its appearance and construction etc. I have also written a standard specification in the form of a production processes document which outlines the materials and processes used in manufacture, and I have also written a performance specification. An important document that is used at the end of production is a quality document. This is used to check the quality of a freshly made product and to analyse the product through production. If there are any errors, the product doesn’t carry on through production but it is recycled to be used again from the start of production to be fixed. The last piece of documentation is traceability which is used for future purposes and for records. When the item is sold it is referenced as sold for future records and censuses. If the customer has problems with the product, they could reference the product number, situated inside the product and then further action can be taken. If the product is modified in the future and released as a new product then the new product will differ in traceability numbers to the old model, so by just quoting the model number, the generation can be found. A batch number can also be created to show what batch the product was made in so if there is a problem with a certain batch and it happens to slip through quality testing then it can be reclaimed by naming the batch number. All of the traceability data will be situated on the inside of the under panel for the electrical compartments on the audio dock and bridge speaker separately. 47 | P a g e 48 | P a g e 49 | P a g e Final design See appendix Production FM transmitter circuit assembly The first process was to assemble the FM transmitter circuit with the on/off button and led. This was done on a Breadboard to allow for easy changes rather than having to solder and de-solder which could be costly and time consuming. I followed the parts list and schematic diagram for the BA1404 stereo FM transmitter integrated circuit as well as using the schematic that I drew of the BA1404 circuit. I was able to space out the parts on the breadboard because the BA1404 circuit is the only circuit to go on this breadboard. I firstly attached the BA1404 chip to the centre of the breadboard so that either side of it had enough room for components. Trying to use as little wire as possible, some components are crossed over from one connection to another where necessary. Step by step I assembled the circuit starting at the two inputs to pins 1 and 18 from the audio jack socket/apple socket placed temporarily at the edge of the breadboard. The two inputs at pins 1 and 18 then go through individual amps into the radio frequency modulator which modulates the audio signal into a FM waveform. I then set up the amplifier bypass with a 10uF electrolytic capacitor connected to pin 2 which gets rid of excess noise or AC from DC. And this goes to ground with pins 3 and pins 4 which are the low frequency ground and frequency oscillator bypass respectively. Pins 5 and 6 occupy the 38 KHz quartz crystal and the load capacitor which supply the chip the startup frequency for the frequency modulator. The output at pin 7 goes to an LC resonator in the form of an inductor coil in parallel with a capacitor connected to an antenna causing resonance. Pin 8 grounds the lower frequencies and through a decoupling capacitor, grounds pin 9 as well. Pins 9 and 10 are the radio frequency oscillation output and go straight to VCC through a parallel variable inductor and capacitor. Pin 11 is the voltage supple and is not connected as it is just a reference. Pins 12, 13, and 14 make the RC mixer circuit. Pin 15 is the VCC pin and supplies voltage to the chip. Lastly pins 16 and 17 connect to the tuning circuit which contains specific resistors or may even be controlled by a trimpot. I also attached a switch at the power input line to act as an ON/OFF switch and the LED was connected in series with a resistor. 50 | P a g e FM transmitter testing I tested the BA1404 chip by connecting the batteries held in an old remote control to make them secure and I used a jack to jack lead to play music from my iPad into the BA1404’s designated input pins. To hear the audio I used a household radio to pick up the signal. After a lot of fiddling with the variable coil I found the waveband through the radio and heard the music sent from my iPad and BA1404. I added a ferrite core coil of 3.5 turns to the antenna output to boost the signal. FM receiver circuit assembly The FM receiver circuit was probably the most difficult out of all of the circuits because of the tuning system. I also had problems getting the correct output voltage at 70mV and output current of 60uA. The circuit runs off of a 9v battery connected to a positive rail and a negative rail (ground rail). Straight after the positive input is the mono switch which cuts the power to the circuit, acting as an on/off switch whereby the state is shown through an LED connected in parallel from the positive rail to the negative rail in series with a resistor. In order to construct the circuit I had to have knowledge of how it works internally and externally. Starting with pins 10 and 11, I constructed the circuit taking into account what effect it will have. Pins 10 and 11 are connected to the positive power line via a 3.3nF capacitor whilst pin 10 connects to pin 11 in parallel by means of a 330pF capacitor. Inside the circuit pins 10 and 11 both go to the intermediate frequency filter in the form of an op amp. This is a looping filter which regulates when you change the frequency for output so both channels on the demodulator and mixer are changed as well. Pin 12 is for decoupling the output of the intermediate frequency filter via a 150pF capacitor. Pins 13 and 14 are used for the input stage of the circuit and go in to the oscillator mixer inside the chip which is also connected to the tuning circuit. Pins 14 and 13 are compared internally so in my circuit pin 14 is just connected to ground via a 220pF capacitor through pin 16 as pin 16 is a ground for the whole circuit. Pin 13 on the other hand is connected to the antenna in series with an 180pF capacitor. Pin 15 is used for comparison between the positive rail and the intermediate frequency filter output in the circuit. Pins 17 and 18 are connected to the positive supply via two separate capacitors and inside the chip the pins go to the demodulator circuit which basically turns the radio frequency signal wave into a readable audio signal, able to be put through to an amplifier. On to the other side of the chip, pins 9 and 7 are connected to one and other via a 3.3nF capacitor. They both go into the mixer and intermediate frequency filter stage of the chip, along with pin 8 which connects directly to the power line through an 180pF capacitor. Probably the most complicated part of the circuit is the tuning part of the circuit at pins 5 and 6. In the datasheet for the chip, made in 1992, the tuning circuit comprises of parallel capacitors (variable and non-variable) and an inductor. But variable capacitors are hard to come by so I have decided to use a variactor diode. It has been acknowledged that when certain diodes are put into reversed bias, they act as a variable capacitor dependant on the voltage supplied to it. In my circuit, I make pin 5 go straight to the positive rail as pins 5 and 6 are compared inside the circuit via a voltage divider (VCO) which goes to the mixer and then to the mute switch. At pin 6 a variable inductor (used to tune to a certain frequency) is connected from the power line. The variactor is connected to pin 6 in front of the inductor and goes off parallel to pin 6 and goes into a voltage divider circuit which provides the variable voltage to the diode to create a variable 51 | P a g e inductance. This voltage divider circuit comprises of a potentiometer at one end (varying the voltage from 9v to 0v) and a 1nF capacitor to the positive line at the other end. Pins 4 and 3 go straight to the positive line via two separate capacitors, where pin 4 provides a decoupling for the loop filter and pin 3 goes to the noise source and mute circuit in the chip. Onto the last two pins, pin 2 is the output pin where the audio has been processed and demodulated to be able to be amplified to a speaker. The current of this output is dependent on the resistor used in parallel with the pin 2 line, which is 22k(omega). This should give an output current of about 60uA, which wasn’t the case at first but after a bit of testing this problem was resolved. Lastly, pin 1 is set up as the mute switch but as I don’t need a mute switch, I can set it as permanently on by allowing a current of about 20uA to go into the chip at pin 1. I did this by connecting a capacitor in series with pin 1 to the positive rail, and a 10K(omega) resistor in parallel to the positive rail. After I fully assembled the receiver circuit I had to test to see whether all of the measurable values were correct and whether the output was amplifiable to produce an audible sound. FM receiver testing Testing the FM receiver was probably the hardest because there were a few things to consider when troubleshooting. The first thing was the input stage (antenna), if this wasn’t sufficient a signal wouldn’t be received. I tested readable values with a multi-meter, using the ammeter setting and voltmeter setting. I started with the mute switch which should have a current of around 20uA going into the pin. This was measured at about 33uA which was sufficient. I then tested to see if the potentiometer was actually working by putting the voltmeter between the negative rail and the output of the potentiometer and turning the variable resistor knob. This resulted in a change of voltage from 9v to 0v which was as expected. I then tested the output stage at pin 2 which should have a current of about 60uA and a voltage of 70mV. 52 | P a g e After some more testing and troubleshooting, a readable output was found. Stereo decoder circuit assembly The stereo decoder assembly is probably the simplest circuit out of all of the circuits because it has the least external components. The circuit is based on the LM1310N chip which is rare and hard to find information on, which added a hint of difficulty to the circuit. This turns out to be a relatively simple chip with pins 1 and 7 being the supply voltage and ground respectively. Pin 2 on the receiver chip goes straight to pin 2 on the LM1310 which is the input pin. The chip works on a matrix system so some of the pins are very basic and just need to be connected to other pins, like pin 3 and 11. Pins 4 and 5 are the output pins for left and right audio outputs and each comprise of a resistor and capacitor in parallel to the positive line. Pin 6 is connected to the positive rail through a resistor and LED which lights up when there is a supply voltage and when the chip has a ground. Pins 8 and 9 are connected to each other via a 220nF capacitor and go straight to ground via a switch. These two pins are connected to pin 6 internally so if the switch is open the LED and resistor in series don’t have a ground, do so the chip doesn’t turn on and the LED doesn’t light. Pin 10 is just a ripple rejection and is not needed. Lastly pin 14 is connected to ground via a tuning circuit for the volume by means of two series resistors (one of which is variable), both in parallel with a capacitor of 470pF. Stereo decoder testing The testing for the LM1310N chip didn’t need any values of voltage or current to be read as it worked first time when a mono audio signal was placed in the input and the left and right outputs were connected to the left and right channel inputs in the amplifier circuit. When the amplifier was turned on, I checked both speakers connected to the outputs of the amplifier for a recognisable audible sound and this is exactly what I got. Stereo amplifier circuit assembly The stereo amplifier circuit is probably the easiest assembly as it requires minimal external parts to operate. I firstly placed the TDA8561Q chip on the left of the breadboard, which was tricky as I had to bend the long pin legs carefully without breaking them to fit them precisely into the holes on the breadboard. I firstly connected up the input stages for the Left and Right audio channels. The left channel comprises of pins 1 and 3 connected to each other whilst the input goes through a decoupling capacitor of 220nF. The same goes for the Right channel but for pins 17 and 15. Then pin 2 was put straight to ground as this pin grounds the circuit which also gives it the negative supply voltage as the negative supply voltage is connected to ground. Pin 4 is not connected to anything as this is a reference to supply ripple rejection. Pins 7 and 11 are both power ground pins for the left and right channels and both go straight to ground. Pins 6 and 8 are the speaker outputs for the left channel and pins 12 and 10 are the speaker outputs for the right channel and are both connected to a 30watt bass/mid woofer of 6ohms impedance. 53 | P a g e Pin 9 is not connected to anything, whilst pins 13 and 5 are both supply voltage pins for each channel of audio amplification and are both connected from a power supply decoupled by 2 parallel capacitors. Pin 16 on the other hand is a diagnostics pin which I haven’t decided to use this pin but it can be used to say whether there is a problem via a Dynamic distortion detector and a short circuit protector with the chip via an LED. Pin 14 is the last pin to be connected and is for the mute button. This involves a potential divider circuit and goes to an op-amp in the circuit so when the voltage is below a certain amount going to the pin, it mutes the output to the speakers. Also attached to the potential divider circuit is a NPN transistor. Attached from the power to the voltage divider circuit is a switch which acts as a mute switch. Stereo amplifier testing To test the stereo amplifier on its own I connected up two 34w (max) 6 ohm impedance speakers that I will be using in the full assembly. I then connected the audio jack from the transmitter circuit to the amplifier circuit inputs and connected my iPad via a jack to jack lead to the circuit. Once turned on the circuit is ready to amplify audio straight away. I then played a song on my ipad and controlled the volume on my iPad, starting from a low volume to a reasonably loud volume which was recorded from a metre away with a decibel meter. I also found the volume that the audio becomes distorted. The final thing to test on this system is the mute button. I pressed the mute button whilst having the music playing at a moderate volume, and after a second or 2 the music muted, and I pressed the button again to unmute the music. Electronics testing The overall electronics testing started with me assembling the receiver, stereo decoder and amplifier together by putting the output of the receiver straight to the input of the decoder, and then 54 | P a g e connecting the left and right outputs of the stereo decoder to the left and right inputs of the amplifier. Firstly, I turned on the transmitter circuit, checking for the LED to light which it did. Once it was turned on, I connected my iPad to the input jack of the transmitter via a jack to jack (male) lead. Then I moved on to the receiver, decoder and amplifier circuits. I powered up all of the circuits looking for the LED from the receiver to light and the LED from the decoder to light. As soon as all of the circuits were powered up, I played a song on my iPad and adjusted the volume from low to high. As soon as I played the song, I adjusted the inductor on the receiver circuit with a precision flat head screwdriver, turning the ferrite core to a position in the coil where a signal was vaguely received and then I adjusted the capacitance in the tuning circuit via the varaictor with the potentiometer until I got a clearer signal of the audio that I was sending from the transmitter. When I had tested that it was functioning properly, I had to test the system to the technical specification. I started with loudness which was tested from a metre away from the source and was measured with a decibel meter on an iPod app. This measured at approximately 50 decibels at full volume which is more than triple the value given in the specification. I then measured whether the system is able to operate at a certain range. To do this I moved the transmitter circuit to the opposite side of the room to the receiver circuit and played the music. This resulted in a more distorted sound coming out of the amplifier but because this is a prototype, this is passable as there is still room for slight developments of quality of electronic components like using PCB’s instead of breadboards. The other specification requirements do not require any electrical testing so this is the end of testing for the electrical system. Audio dock main housing The first object I started with building was the audio dock main housing and because this is a prototype, I couldn’t produce the audio dock as I designed it to be produced. Instead I had to work from cut-outs instead of one solid block of wood but this still resulted in a fully functioning product and doesn’t affect the main design in any way as a prototype is to test and prove an idea and it is better to test on a prototype rather than going straight in with building the main design. I started by gathering a board of wood of thickness 10mm and drew the shapes that wood need to be cut to be then put together to create the audio dock main housing. I used a pencil and a straight edge to faintly draw the shapes onto the wood to be cut out with a table saw. When using the table saw, I took into account the dangers of using the table saw and wore goggles, gloves and steel toed boots. 55 | P a g e Once all off the main sides and top was cut out, I used a jigsaw and a clamp to cut out the top back rest and the LED holes. I started off the jigsaw by drilling a hole as big as the jig saw cutter so the cutter could go into the hole and start cutting easier. To cut out the button hole, I used a drill with a 17mm hole cutter attachment, marking the centre with a hole-punch and a hammer so that the hole was straight. I also had to cut out the extrusion for the audio device holder which was initially done manually with a wood cutter but then it was sanded off by a round Dremmel sander tool. The audio dock main walls are now ready to be assembled and I did this with glue. But before I could glue the walls together, I had to cut out 45 degree angles on the inside edges of each sides of each wall so all of the walls would make a perfect shape. I initially did this by using a small saw to make cut-out for the big saw to get started. Once cut of, I sanded all of the edges down to as perfect as possible to a 45 degree angle. With all walls ready, I used strong wood glue to bring the walls together as well as the top part of the audio dock. I had now completed the audio dock main housing and left the audio dock glue to dry until I needed to use the audio dock again. Audio dock bottom cover and middle swivel I started with the bottom cover and crafted it out of a sheet of wood and a block of would. By cutting out the bottom surface area from the sheet of wood with a jigsaw I created the bottom cover and added the block of wood to the centre that was also cut out but with a normal wood saw. The two parts of the bottom cover were glued together with strong wood glue. Once dried, I drilled holes in each corner for the screws. The middle swivel is still yet to be prototyped in the development of the product and as this is only the first every prototype there is room to expand the product gradually adding extra features like the middle swivel. Top back rest and LED glass The top back rest was produced when I cut out the top part of the main housing with a jigsaw and a drill bit. All that is left to do is neaten it up by sanding down the edges with a thick grit to start with and then eventually a softer sand paper for smoothness. The LED glass was created by cutting out a strip of acrylic to certain measurements specified by the engineering drawings. This was sanded slightly to give a cloudy effect to enhance the lighting from the LED. 56 | P a g e Audio dock assembly The assembly consisted of firstly checking that all the edges of the parts were smooth for safety reasons, by sanding down with a Dremmel. I then attached the back rest to the top of the main housing by means of two nails hammered in from the outside as making two small extrudes for the hinges would be too difficult with the tools I had to hand. I then pivoted the back rest to free it up a little bit from the nails but it still remained slightly stiff so that it didn’t need much support. The next part of the assembly was adding the electronic components. I firstly glued the LED to the LED glass and soldered two wires on to the LED ends to add to the circuit board. After that I fitted the LED glass and the button which both pushed into place. Then I wired up the LED and the button to the Transmitter circuit and glued the breadboard to the inside of the bottom cover. The last thing to do was to screw the bottom cover to the bottom of the main housing with four 3mm screws, one at each corner. Bridge speaker bottom part The bottom part of the speaker housing was probably the most difficult to make in prototype manufacture and because this is a prototype, I couldn’t produce the bottom part of the speaker housing as I designed it to be produced. Instead I had to work from cut-outs instead of one solid block of wood but this still resulted in a fully functioning product and doesn’t affect the main design in any way as a prototype is to test and prove an idea and it is better to test on a design rather than going straight in with building the main design. In the end I tried producing the bottom part with tools and materials that I had to hand but it would take me too long in the timeframe that I had and that is why I decided to leave out the bottom part in the production of the prototype and this could be used in the evaluation of production for further development as if the part is too difficult to make, then it will cost too much too produce and It may deem the product unsellable with such I high price compared to other market leaders. Bridge speaker top part The last major part of the production for the prototype was the top part of the speaker housing which will now become the main part for the speaker housing in my prototype production and because this is a prototype, I couldn’t produce the top part (main part) of the speaker housing as I designed it to be produced. Instead I had to work from cut-outs instead of one solid block of wood but this still resulted in a fully functioning product and doesn’t affect the main design in any way as a prototype is to test and prove an 57 | P a g e idea and it is better to test on a design rather than going straight in with building the main design. This part will be produced using the engineering drawing when it is put into full production for the technicians use. This includes a bill of materials and specific measurements of parameters, angles, areas, and volumes. I created every section of the top part with a sheet of 10mm thick wood of which a drew on with a pencil all of the shapes to be cut out with a table saw and further shaped with other tools like sanders, jigsaws, drills and saws. I firstly cut out the 5 walls for the 5 sides of the top part, taking into account the dangers of using a table saw I wore goggles, gloves and steel toed boots and I had the teacher watching at all times. When all of the sides were created, I had to cut angles into the edges so they slotted together perfectly. I did this by measuring the angle on the top of the sides and drawing what needed to be cut with a pencil. Then I clamped the sides and started cutting with a special, small saw to make the cutting with the main saw easier. Once all of the edges were cut I checked them with the subsequent side to see whether they were matched as perfectly as possible. If not I sanded down if it was only a slight change needed and I filed them down if it was a large change needed. After finishing the sides, I glued them all together by firstly nailing them together to hold them and then applying the glue for security. This meant I could manufacture the top of the top part whilst the glue was drying. I made the top part in the same way but by using 3 separate planks that were measured in accordance with the walls and then cut out with the table saw. Once cut out, I nailed the planks to the 5 side walls and sanded down any differences in angles and edges. Once the outline of the top part was put together I had to neaten it up with a sander (Dremmel), by sanding down the edges to smooth curved surfaces and using wood filler for any unnecessary extrusions. I also had to cut out the LED glass extrusion and a hole for the on/off button. I cut out the LED glass extrusion firstly with a drill and drill bit the size of the jigsaw end so that the jigsaw can have a 58 | P a g e starting point. I then used the jigsaw to cut out the rectangular hole and used a file to cut any hard to get areas. I then used a 17mm hole cutting tool extension for a drill to drill the hole for the on/off button which was measured on a faint grid of lines to place at the correct point on the front of the top part. LED glass and components cut-out The LED glass was created by cutting out a strip of acrylic to certain measurements specified by the engineering drawings. This was sanded slightly to give a cloudy effect to enhance the lighting from the LED. The cut outs for the components were done in the above step but consisted of making holes for the on/off button and the LED glass. Bottom cover, audio dock cut-out and pop screen The bottom cover was fabricated from a sheet of thin ply wood, which was measured and drawn by hand with a straight edge and a pencil. Because the sheet of wood was thin, I decided to use a jigsaw to cut out the bottom cover. Whilst I used the jigsaw I used the appropriate safety equipment and clothing. I then drilled holes in each corner for it to be attached to the underside of the top part of the speaker housing. The audio-dock cut out was unable to be cut out due to the constraints of prototype construction. For the popscreen I used old tights material, and I cut out circles the same size as the speaker hole. The pop-screen is used to allow for the music quality to be less ‘tingy’ and richer with less distortion and it also stops the user for seeing in the whole which furthermore disguises the product from being a speaker. Bridge speaker assembly The speaker assembly consisted of firstly gathering all of the electrical components that needed to be fitted to the bridge speaker. This firstly started with the two LED’s, one from the receiver circuit and the other from the decoder circuit, being attached to the LED glass fabricated from acrylic. I then attached the LED glass with LED’s to the front of the top part of the bridge speaker housing. That leaves the on/off button to be fitted to the front of the top part speaker housing which clicked in. Inside the speaker housing, the speakers needed to be fitted and because I hadn’t fabricated a 59 | P a g e bottom part of which the speakers originally sat in (due to production constraints), I had to put them in the top part of the speaker design, which was okay because there was plenty of room. After the electronic components were placed I had to wire them up, starting with the speakers which had two wires each going to the amplifier circuit. The speaker ends of the wires were soldered along with the ends closest to the button and the LED’s which were attached to the receiver circuit and stereo decoder circuit. Then I had to fit the electronic breadboards and batteries to the top of the bottom cover with glue, and then I screwed the bottom cover to the underneath of the bridge speaker. Whole system testing The whole system testing was much the same as the electronics testing but with the electronics in the housings. Firstly, I turned on the transmitter circuit, checking for the LED to light which it did. Once it was turned on, I connected my iPad to the input jack of the transmitter via a jack to jack (male) lead. Then I moved on to the receiver, decoder and amplifier circuits. I powered up all of the circuits looking for the LED from the receiver to light and the LED from the decoder to light. As soon as all of the circuits were powered up, I played a song on my iPad and adjusted the volume from low to high. As soon as I played the song, I adjusted the inductor on the receiver circuit with a precision flat head screwdriver, turning the ferrite core to a position in the coil where a signal was vaguely received and then I adjusted the capacitance in the tuning circuit via the varaictor with the potentiometer until I got a clearer signal of the audio that I was sending from the transmitter. When I had tested that it was functioning properly, I had to test the system to the technical specification. I started with loudness which was tested from a metre away from the source and was measured with a decibel meter on an iPod app. This measured at approximately 50 decibels at full volume which is more than triple the value given in the specification. I then measured whether the system is able to operate at a certain range. To do this I moved the transmitter circuit to the opposite side of the room to the receiver circuit and played the music. This resulted in a more distorted sound coming out of the amplifier but because this is a prototype, this is passable as there is still room for slight developments of quality of electronic components like using PCB’s instead of breadboards. 60 | P a g e The other specification requirements do not require any electrical testing so this is the end of testing for the electrical system. Evaluation In order to evaluate my project, I had to test the end result against the required specification points given by the client. It must first be known that the prototype that I produced did not fully match the design I made on CAD because of the constraints of time, materials and tools, but this is a good point to put forward for development as some parts like the bottom part were too difficult to make and therefore this part can be deleted to reduce costs and time as it is only cosmetic. Although the 61 | P a g e aesthetics of the product were changed during prototype manufacture, this doesn’t mean that the product is not fir for purpose and it is still possible for the product to meet the full specification requirements as there were no specific requirements for aesthetics other than one stating that it mustn’t look like a speaker system. I used the parameters which are as shown below to test the product to the specification: Size (dimensions) Power supply Output wattage Primary material Primary function Distance of wireless transmission Weight Loudness (decibels) Cost Not specified. Must be portable Battery Greater than 25w (25w>) Wood (any type) Wireless loudspeaker Greater than 2m (2m>) Not specified (Must be portable) = 10 log(base10) 25w = >14db Less than £70 (<£70) I touched on the testing for the different parts of the speaker system and the whole speaker system in the production document. Starting from the top, the dimensions are as expected because I designed the product to be portable although the main speaker housing is on the larger side, both of the systems in the speaker system will be significantly smaller when the electronics are produced on PCB’s, as this will make the electronics so much smaller. With smaller electronics, the size of the housings can be so much smaller meaning the portability will be so much better. At the moment, it could be said that the prototype that I have produced is a slightly blown up version of what it will eventually be when it hits production for the consumer market. The power supply is achieved by batteries as stated in the specification which adds to the portability of the product. In further development there could be a way to reduce the amount of batteries used by linking the circuits, especially in the speaker housing electronics with the receiver, stereo decoder and amplifier. Also with further development, the batteries used could be NiCad rechargeable batteries, so that periodic maintenance of changing batteries is not needed and there could be a rechargeable socket in the housing of the dock and the speaker housing for a quick recharge. But this is not needed in this specification so it is an idea for the future of the product. The materials used were not a major issue, but in the specification it was prescribed to use wood. Using wood will lower the cost of production as wood is of a lower cost than metal and is easier to work with. The primary function of the product is to be a wireless speaker system, allowing you to place a speaker unit anywhere in the room, whilst the music being played is coming from a device on a dock at the other side of the room. The whole purpose of this is to lower the cables in a room for tidiness, as a lot of electronics need wires to operate. The first measurable parameter is the distance or range of transmission. This was required to be above 2m but a rooms length is also stated in the specification, so either or would be okay. I decided to test this parameter by putting the audio dock and audio device on a cabinet at one side of the room and placing the speaker housing at the other side of the room. This room happened to be approximately 3m wide. I played the music on my audio device and tuned the receiver circuit before the test in another test. The signal was slightly vague but it was received and with a little 62 | P a g e development this would be a totally clean sound and therefore be a better product. Also, the electronics will be much more substantial in the final product so this will furthermore increase quality. The weight of the product isn’t an issue, but obviously it must not be so heavy that it requires a lot of effort to carry it. In this case the prototype was not too heavy as a whole system and actually felt solid in its weight. Loudness is a measure measured in decibels and to get an idea of how many decibels I would have to achieve, I had to acquire a calculation. I knew what wattage the minimum wattage of the amplifier should be which = 25w, and the equation I can use involves logarithms. The equation is = 10 log(base10) x wattage. This equates to 10 log(base10)24w = 14dB, therefore 14dB is the minimum at which the speaker system can be. I tested the system and the wattage I had coming out of my amplifier was two 25w(rms) speakers which technically equates to about 30dB. I used decibel metre on my iPod as an app and played the music at close to maximum volume (before there was any distortion) and the reading came out at approximately 50dB which nearly double the minimum loudness. The last parameter on the specification is the cost which is permitted to be £70 or bellow. Splitting it up into sections of materials and electronics, the costs can be calculated. The materials came to a price of zero because the materials used were reclaimed (recycled) which is a good idea to carry on as it is a unique selling point that the product uses recycled materials and this also potentially increases profit with less production costs. The electronics were the biggest chunk of the costs which equated to approximately £60 which is below the limit of £70 but it is an irrelevant figure as this will be dramatically reduced by buying parts in bulk at wholesale prices and using printed PCB’s at next to nothing prices each when produced in bulk. I could estimate that the cost of electronics could at least half when the product is put into full production. It is fair to say that I am evaluating the prototype which has some changes to the main design due to production constraints which should be taken into account. From here, I can use the information I gathered from production about certain parts on the design that could be changed or scrapped due to difficulty in production. Although some may say that producing a prototype different to the main design given is a failure, it could also be seen as a good thing as it gives points to modify the product on as if I had not done a prototype, I would never have known that certain parts of the product were too difficult to make and I may have just gone straight into production losing a lot of money on products that are too overpriced due to production costs. Modifications to the product are plentiful as this is the first draft. Most of the modifications will be cosmetic to add to the desirability of the product. The one electrical modification that must be made straight away is changing the breadboards to Printed Circuit Boards to make the product more durable and add to the quality of the electrical system, which may also increase the quality of the sound being amplified. Another major modification is to add battery opening in the underside of the main housing and the audio dock, so they don’t have to be taken apart to get to the batteries. Less important modifications increase desirability, like adding the apple dock, radio channel changer and extras like veneer finish and rechargeable docking station. 63 | P a g e I can conclude that the main points given by the client in the specification were covered and passed but this doesn’t mean that the product is finished and ready for production. It is merely a stepping stone to that and I believe that for it to achieve greater sales and popularity, it must be further developed into a simpler, more developed and desirable product. Bibliography Google – www.google.co.uk Autodesk inventor student edition - http://students.autodesk.com/ Wireless speaker system research – www.amazon.co.uk Wireless speaker system circuits - http://electroschematics.com/ Materials research - http://www.hindleys.com/materials/plastics-and-foam/rods-and-tubes-andblock/ - http://www.diy.com/nav/build Standards - http://www.bsigroup.com/ Legislation - http://www.cemarking.net/ Appendices 64 | P a g e 65 | P a g e 66 | P a g e 67 | P a g e 68 | P a g e