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Creative Nonfiction
Quarter 2 – Module 4:
Critiquing Creative Nonfiction
Creative Nonfiction – Grade 11/12
Alternative Delivery Mode
Quarter 2 – Module 4: Critiquing Creative Nonfiction
First Edition, 2020
Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for the exploitation of such work for a profit.
Such agency or office may, among other things, impose as a condition the payment of
royalties.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.
Published by the Department of Education, SDO Nueva Ecija
Schools Division Superintendent:
Jessie D. Ferrer, CESO V
Assistant Schools Division Superintendents: Mina Gracia L. Acosta, PhD, CESO VI
Ronilo E. Hilario
Development Team of the Module
Writer:
Mira Pearl A. Baldoviso
Editor:
Ma. Checilia S. Bagsic, PhD
Layout Evaluator:
Lyndon M. Ibarra
Cover Designer:
Mark G. Asuncion
Management Team: Jayne M. Garcia, EdD
Ma. Checilia S. Bagsic, PhD
Beverly T. Mangulabnan, PhD
Eleanor A. Manibog, PhD
Printed in the Philippines by Department of Education – Region III – Schools Division
of Nueva Ecija
Office Address
Telefax
E-mail Address
:Brgy. Rizal, Santa Rosa, Nueva Ecija, 3101
:(044) 940-3121
:nuevaecija@deped.gov.ph
What I Need to Know
This module was designed and written for the learners. After going through
this module, the learner is expected to: Write a mini critique of a peer’s work
based on coherence and organization of paragraphs, development of literary
elements, use of factual information, and other qualities concerning form and
content. (HUMSS_CNF11/12-IId-e-18), specifically:
1. Recognize the characteristics of a critique;
2. Peer-edit and revise other’s draft based on a well- written creative
nonfiction; and
3. Write a mini critique of a peer’s work.
What I Know
Choose the letter of the correct answer. Write your answers on a separate sheet of
paper.
1. It means to judge failings and weaknesses.
A. Assess
B. Critique
C. Critic
D. Evaluate
2. It refers to to the systematic way of analyzing written words.
A. Assess
B. Critique
C. Critic
D. Evaluate
3. The following statements are true about a critique, EXCEPT:
A. It is only professional writers can critique.
B. It is the ability to decide on the importance of something.
C. It considers how the work relates to a broader issue or context.
D. It gives the general opinion of the work.
4. The following are ways to evaluate a written work, EXCEPT:
A. Develop an understanding of the main argument or purpose being
expressed in the work.
B. Consider how the work relates to a broader issue or context.
C. State the writer’s name and the title.
D. State whether the writer is successful in making his/her point.
5. A creative nonfiction type that focuses on reflection and establishing an
emotional connection, rather than simply presenting the facts around personal
life.
A. Traditional Authobiography
B. Feature Story
C. Personal Narrative Essay
D. Memoir
1
Lesson
1
Critiquing Creative
Nonfiction
Before one can be a good writer, one should be a voracious reader. Reading helps
broaden knowledge and ideas. It is also a form of self-discovery and inspiration. It
can let you experience things that you never thought possible and can bring you to
places you can only dream of.
As you read, feedback and personal evaluation are being provided in a form of a
critique. While a critic is judging and finding the weakness of a written work, critique
is a systematic way of assessing and discerning written words to improve your writing
and other fellow writers. Thus, you need to learn how to critique to gain essential
skills in reading and writing.
What’s In
In the previous lessons, you learned tips in writing Autobiography, Feature Story,
and Personal Narrative Essay that will help you to be able to perform this task.
Identify which types of Creative Nonfiction are the following excerpts. You may
choose from the options given inside the box. Write the letter of your answer on a
separate sheet of paper.
A. Autobiography
B. Feature Story
C. Personal Narrative Essay
______1. “Are you ready?” asks the pathologist.
I nod, making a chalice of my hands, and he reaches down into the plastic bucket
and lifts my son’s heart and lungs out of the water. I feel a slight weight as if I am
holding a kitten or a bird.
I blink and the world turns sideways beneath me.”
~The Fateful Discovery a Woman Made After the Sudden Death of Her Infant Child
by Rebecca Gummere
______2. “I was born a poor man, the son of a school teacher in one of the smallest
towns in the Philippines -Baler. My father had, besides his salary, a two-hectare riceland which he cultivated. While I was a boy and during my early youth, my father
saved as much as he could from his meager salary and from what he could get from
his rice-field, only to have a few hundred pesos with which to give me an education.”
~Manuel L. Quezon
2
______3. “Passing hence from infancy, I came to boyhood, or rather it came to me,
displacing infancy. Nor did that depart,—(for whither went it?)—and yet it was no
more. For I was no longer a speechless infant, but a speaking boy. This I remember;
and have since observed how I learned to speak. It was not that my elders taught me
words (as, soon after, other learning) in any set method; but I, longing by cries and
broken accents and various motions of my limbs to express my thoughts, that so I
might have my will, and yet unable to express all I willed, or to whom I willed, did
myself, by the understanding which Thou, my God, gavest me, practice the sounds
in my memory.
~The Confessions of Saint Agustine
_____4. “Eleven years after the devastation wrought by tropical storm ‘Ondoy’
(Ketsana) on September 26, 2009, we watched the same scenes of people on top of
their roofs, streets covered with floodwater, people wading through waist-deep water,
their possessions on their heads – in Marikina and some parts of Quezon City.
Two days later, we read messages of desperate pleas – and watched on various
platforms of social media –more heartbreaking scenes in Cagayan and Isabela
provinces, where neighborhoods and highways were covered with water. Authorities
called it “massive flooding, the worst one they had experienced.”
~Where are we in our disaster preparedness timeline?
_____5. One reason I think we get so angry mad at our children is that we can. Who
else can you talk to like this? Can you imagine hissing at your partner, “You get off
the phone NOW! No, NOT in five minutes …”? Or saying to a friend, “You get over
here right this second! And the longer you make me wait, the worse it’s going to be
for you.”
~Mother Rage: Theory and Practice by Anne Lamott
_____6. Despite having the second-largest number of infections in Southeast
Asia, the pandemic situation in the Philippines has provided an opportunity for all
stakeholders to strategically plan and innovate quality healthcare delivery during the
response, based on principles contained in the Asia Pacific Strategy for Emerging
Diseases (APSED III).
The World Health Organization (WHO) Philippines supports the Department
of Health (DOH) and subnational areas in the Philippines with technical expertise to
build up national and local level responses for expansion of diagnostic capacity, early
contact tracing and management, expansion of healthcare pathways and
strengthening surveillance systems and risk communication.
~WHO supports DOH and subnational areas in the Philippines for COVID-19
response
_____7. “It doesn’t mean you still want to be with that person,” he says. “It doesn’t
mean there’s something wrong with you. It means there’s complex physiology
associated with romantic attachments that probably stays with us for most of our
lives — and that’s not something to be afraid of, particularly if you had a great run.”
3
~Your Brain’s response to Your Ex According to Neuroscience by Amy Paturel
_____8. “When I walked out of prison, that was my mission, to liberate the oppressed
and the oppressor both. Some say that has now been achieved. But I know that that
is not the case. The truth is that we are not yet free; we have merely achieved the
freedom to be free, the right not to be oppressed. We have not taken the final step of
our journey, but the first step on a longer and even more difficult road. For to be free
is not merely to cast off one’s chains, but to live in a way that respects and enhances
the freedom of others. The true test of our devotion to freedom is just beginning.
~Nelson Mandela, Long Walk to Freedom
_____9. Koreanovela, a word that has been coined through the combination of the
words Korean and Telenovela or television dramas, has long had a special place in
the hearts of many Filipinos. But, K-Dramas in the Philippines reached yet another
milestone as the wildly popular hit drama “Crash Landing on You” and “Itaewon
Class” came through the streaming application, Netflix.
~K-Dramas and K-Culture: A shared experience between the Philippines and Korea
during the pandemic by Han Dong-man
_____10. Saturday, June 20, 1942
“My father was 36 when he married my mother, who was then 25. My sister Margot
was born in 1926. I followed on June 12, 1929, and, as we are Jewish, we emigrated
to Holland in 1933, where my father was appointed Managing Director of Travis NV.
This firm is in close contact with the firm Kolen and Company in the same building,
of which my father is a partner. The rest of our family, however, felt the full impact
of Hitler’s snit-Semitic laws, so life was filled with anxiety. In 1938 after the
pograms1, my two uncles escaped to the USA.
~Anne Frank: The Diary of a Young Girl
4
What’s New
Read and comprehend the Personal Narrative Essay written by a High School
student and answer the questions that follow.
My Greatest Instrument
Some people express themselves through beautiful art; others are masters of
the page and speak silently through writing. I, on the other hand, express myself
with the greatest instrument I have, my voice. I make my living by speaking to groups
large and small. Nothing gives me more satisfaction than public speaking, and my
interest in public speaking began when I was quite young.
At age eight I realized that I belonged in front of an audience. I started giving
demonstrations and speeches in local county 4-H competitions until I was eligible to
participate in state competitions. I won every state competition that I entered.
Soon other public speaking opportunities arose; I represented an artist named
Ann Cross at the Art Walk in Keene and was an active participant on the debate team
and the captain in eighth grade. During March of eighth grade, I had the best
opportunity yet to practice my oratorical skills: I was selected, out of all the students
entered in New Hampshire, to write and read a four-minute speech on national
television. My job was to introduce Elizabeth Dole, who at the time was interested in
running for president.
I was notified the day before the event and so had only one night to write and
memorize my speech. When I arrived the next morning in Bedford, New Hampshire,
I was greeted by photographers, camera crews, and newspaper reporters! Then I was
escorted backstage to meet Elizabeth Dole. After speaking briefly with her and having
her review my speech, we marched through a crowd of flashing bulbs to our places
on the stage.
Soon it was time for my speech. I was introduced, and as I walked to the
podium, I couldn’t help but smile at the audience. I had a feeling of complete
exhilaration flowing through my veins. When I finished, I received a standing ovation,
and Mrs. Dole surprised me by giving me a great hug and thanking me for my
comments on the importance of education. But even after she finished speaking, the
excitement was far from over.
I was with her for all her photographs, and I was interviewed for a few moments
by WMUR and later by the Keene Sentinel. After the media finished with us, I met
various supporters of Mrs. Dole’s. They were all happy to meet me and flooded me
with questions and praise. I truly felt on top of the world.
1. Does the writer have a clear but understated purpose to the essay?
2. Does the essay contain suspense or tension that is resolved in some way?
3. Does the essay make good use of concrete description, anecdote, and
dialogue?
4. Does the essay help you to feel the emotions rather than just describe the
emotions of the author?
5. Does the essay reveal a significant aspect of the writer’s personality?
5
What is It
As you read and understand the featured Personal Narrative Essay, you have
somehow performed a personal assessment of creative nonfiction. The questions you
answered are actually detailed questions to consider when responding to a given
written work.
What is a Critique?
Critique is a systematic way of analyzing written words. It came from the
French word kritikē, which is the ability to decide the importance of something. It is
a form of giving reaction and personal assessment as feedback on what you read. By
critiquing, you are acquiring skills in reading and writing as well as helping fellow
writers to improve.
Although you may not be a professional writer, in peer-critiquing, by giving
your response, as the reader of a text, your feedback is acceptable and it will be
appreciated by the author as you can easily identify the strength and weakness of
their writing. Thus, comment objectively and respectfully.
EXTRA!
The sandwich
method is
a
form
of feedback that
wraps
negative feedback in praise. This means that the feedback discussion starts with
positive comments, and is followed by negative criticism, before appreciative words
are used again. The aim of this method is to create a pleasant atmosphere for
discussion and to relax the severity of the negative criticism.
How do you critique?
In critiquing, regardless of the type of creative nonfiction, consider the
following:
1. Content: Consider the topic and the way the topic is developed like the clarity,
its scope, subcategories, amount and type of examples, anecdotes, evidence,
etc.
2. Organization: Consider the text introduced and concluded, whether the
thesis is located in the most helpful place (direct or implied), how it is
structured, whether the order or extent of development is successful, as well
as how individual paragraphs are organized (clear topic sentences,
appropriate and concrete evidence, logical organization of evidence).
3. Style: Style can refer to the overall style: whether the tone is appropriate
(humorous, serious, reflective, satirical, etc.), whether you use sufficient and
appropriate variety (factual, analytical, evaluative, reflective), whether you use
sufficient creativity.
6
4. Correctness: Correctness refers to grammar, punctuation, and form of
creative nonfiction.
What are the steps in writing a mini critique?
1. Annotate as you read.
2. Note the writer’s main point or thesis statement.
3. Divide the text into sections of thought and write a summary of each thought
in your own words.
What are the parts of a mini critique?
INTRODUCTION
Start your mini critique with sentences giving the following information:
1. Writer’s name.
2. The title and the source if any.
3. Thesis statement.
SUMMARY
Summarize the author’s purpose and main points/evidence cited that are
used for back up.
EVALUATION
1. Develop an understanding of the main argument or purpose being expressed
in the work.
2. Consider how the work relates to a broader issue or context.
3. State whether the writer is successful in making his/her point.
CONCLUSION
You may wrap up your creative nonfiction mini critique by:
1. Stating whether you agree with the writer or what part of the text made an
impact and deep impression on you.
2. Back up your decisions on agreeing and disagreeing or state your reasons.
3. Give your general opinion of the work.
7
What’s More
Memoir vs. Autobiography
Previously, you learned about the guidelines on how to write an autobiography as an
example of a creative nonfiction text. It is about the author’s personal information
and insights. Almost the same with an autobiography, a memoir is also the story of
a person's life written by that person but the difference between the two is that a
memoir focuses on reflection and establishing an emotional connection, rather than
simply presenting the facts around their life.
Read and comprehend a sample mini critique of Elizabeth Gilbert’s memoir Eat, Pray,
Love from The New York Times’ Revisiting Elizabeth Gilbert’s ‘Eat, Pray, Love’ (June
7, 2019).
In Elizabeth Gilbert’s 2006 memoir “Eat, Pray, Love,” the novelist and
journalist chronicle her journey across Italy, India, and Indonesia. Early on in
“Eat, Pray, Love,” her travelogue of spiritual seeking, the novelist and
journalist Elizabeth Gilbert gives a characteristically frank rundown of her
traveling skills: tall and blond, she doesn’t blend well physically in most
places; she’s lazy about research and prone to digestive woes. “But my one
mighty travel talent is that I can make friends with anybody,” she writes. “I
can make friends with the dead. … If there isn’t anyone else around to talk to,
I could probably make friends with a four-foot-tall pile of Sheetrock.”
This is easy to believe. If a more likable writer than Gilbert is currently
in print, I haven’t found him or her. And I don’t mean this as a consolation
prize, along the lines of But she’s nice. I mean that Gilbert’s prose is fueled by
a mix of intelligence, wit, and colloquial exuberance that is close to irresistible,
and makes the reader only too glad to join the posse of friends and devotees
who have the pleasure of listening in.
8
What I Have Learned
After reading, Revisiting Elizabeth Gilbert’s ‘Eat, Pray, Love’ complete the table below
with the parts of a mini critique.
Parts
Guide questions
INTRODUCTION
State whose memoir and the title
of the memoir.
What is the thesis statement?
SUMMARY
Summary of the memoir.
EVALUATION
Did the writer like the memoir?
Why or Why not?
CONCLUSION
What is the writer’s
opinion of the memoir?
general
What I Can Do
Peer–Critiquing
Activity 1
You will be assigned to critique a classmate’s autobiography written in the previous
lesson. Write a 300 to a 400-word mini critique of your classmate’s autobiography
following the steps and the parts of writing a mini critique on pages 7-8. Use a
separate paper for your mini critique.
9
You will be graded following the rubric below.
Positive
Feedback
Critique
included what
you liked most
about the text:
1 Point
2 Points
3 Points
4 Points
5 Points
Positive
feedback was
not
descriptive
Positive
feedback
was
given
and
somewhat
descriptive,
but
not
relevant to
the text
Positive
feedback was
relevant and
somewhat
descriptive
Positive
feedback was
relevant and
the
description
was fair
Very
descriptive
and thorough
Suggestions
were
made
but showed a
lack of effort
Suggestions
were made
but lacked
detail
Suggestions
were
made
and
descriptive
but
not
effective
towards
the
text
Many
suggestions
were
made
but
could
have
been
more
descriptive
Suggestions
were
wellconsidered,
thorough, and
fair
More
comments
should have
been made
Comments
were
not
descriptive
Comments
need to be
more
descriptive
Comments
were fair but
could
have
been
more
thorough
Suggestions
Your
suggestions
showed
that
you carefully
read
your
classmate's
autobiography
Grading Your
Classmate
Your
comments on
your
classmate's
autobiography
were
descriptive.
Comments
were thorough
and complete
(https://www.rcampus.com/rubricshowc.cfm?sp=yes&code=D93879&)
Activity 2
Revise your classmate’s autobiography based on a well- written creative nonfiction.
Take note of the criteria below from which you will be graded. Use a separate paper
for the revised autobiography.
Creativity-----40 %
(words,style)
Content--------40 %
(clarity)
Impact---------20%
100%
10
Assessment
Read again the Personal Narrative Essay, My Greatest Instrument on pages 4-6. Using
the comprehension and guide questions that you answered, write a 300 to 400-word
mini critique. Use a separate paper for your own mini critique. You will be graded
based on the rubric below.
Criteria
5 Points
3 Points
1 Point
Organization
The Paper is well
organized, has a very
clear intro, body and
conclusion. The purpose
of the paper is clear from
the very beginning and
the name and author of
the text are made clear
early in the paper.
The Paper is not
well organized, has
an unclear or nonexistent intro, body,
and conclusion. The
purpose of the paper
is unclear and the
name and author of
the text are not
stated or stated late.
Summary
The text is clearly but
succinctly summarized only the key points of the
text are touched upon.
Critique
Strengths and
weaknesses that are
central to the text are
addressed.
The Paper is
organized, has an
intro, body, and
conclusion. The
purpose of the paper
becomes clear
within the paper
and the name and
author of the text
are mentioned
within the paper.
The text is clearly
summarized, but
some sub-points are
addressed along
with the main
points. The
summary is not
succinct.
Strengths and
weaknesses that are
peripheral to the
text are addressed.
Language
Mechanics
There are no
grammatical errors or
typos.
There are few
grammatical errors
or typos
(https://www.rcampus.com/rubricshowc.cfm?code=A22B44&sp=true)
11
The text summary is
unclear or overly
detailed.
Strengths and
weaknesses are
addressed
peripherally, weakly,
or not at all.
There are many
grammatical errors
and/or typos
Additional Activities
Critiquing Task
Ask a classmate for a copy of his/her personal narrative essay done in the previous
lesson. Then, using the Sandwich Method in providing your feedback (please refer to
page 7) and following the steps and the parts of writing a mini critique, write a
critique of your personal narrative essay. Use a separate paper for your “sandwich
method” feedback.
12
13
What I have Learned?
Answers of the students may vary.
What I can do?
Activity 1:
Answers of the students may vary.
Activity 2:
Answers of the students may vary.
In?
C
A
A
B
C
B
C
A
B
A
What's
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
know?
C
B
A
A
D
What I
1.
2.
3.
4.
5.
What’s New?
Answers of students may vary.
Assessment
Parts
INTRODUCTION
Guide Questions
1. State whose memoir and
the title of the memoir.
2. What is the thesis
statement?
1. Eat, Pray, Love by Elizabeth Gilbert
2. Early on in “Eat, Pray, Love,” her
travelogue of spiritual seeking, the novelist
and journalist Elizabeth Gilbert gives a
characteristically frank rundown of her
traveling skills: tall and blond, she doesn’t
blend well physically in most places; she’s
lazy about research and prone to digestive
woes.
1. Summary of the memoir.
1. The novelist Elizabeth Gilbert chronicles
her journey across Italy, India, and
Indonesia by writing a memoir of her
travelogue and spiritual seeking.
SUMMARY
1. Did the writer like the
memoir? Why or Why not?
EVALUATION
CONCLUSION
1. What is the writer’s
general opinion of the
memoir?
1. The answers of the students may vary
based on their personal evaluation of the
writer’s critique but take note that the
writer liked the memoir along this line, “I
mean that Gilbert’s prose is fueled by a mix
of
intelligence,
wit
and
colloquial
exuberance that is close to irresistible, and
makes the reader only too glad to join the
posse of friends and devotees who have the
pleasure of listening in” and the memoir left
the writer impression with unresolved
things in the memoir along this line, “ I
found myself more interested, finally, in the
awkward, unresolved stuff she must have
chosen to leave out.”
1. The answers of the students may vary
but note that the memoir was healing and
interesting to the writer.
Answer Key
References
A. Books:
Barrot, Jessie S. Academic Reading and Writing Skills for Senior High School.
C&E Publishing Inc. Quezon City. 2016.
Barrot, J.S. and Sipacio, J.F.S. Communicate Today English for Academic &
Professional Purposes for Senior High School. C&E Publishing Inc. Quezon
City. 2016.
Vibal. Creative Nonfiction Senior High School Self Learning Modules. Vibal
Group Inc. 2020.
B. Websites:
Essay Critique Guidelines Guidelines. Retrieved November 16, 2020 from
https://www.goshen.edu/academics/english/essay-critiqueguidelines/#section-2
http://www.quezon.ph/familyinfo/autobiography-of-manuel-l-quezon-from-aprivilege-speech/
https://thewritelife.com/personal-narrative-examples/
https://www.gutenberg.org/files/3296/3296-h/3296-h.htm
https://mb.com.ph/2020/11/18/where-are-we-in-our-disaster-preparednesstimeline/
https://www.who.int/philippines/news/feature-stories/detail/who
supports-dohand-subnational-areas-in-the-philippines-for-covid-19-response
http://www.januarytwenty.net/long-walk-to-freedom-excerpt/
https://www.hillsboro.k12.oh.us/userfiles/79/Classes/683/Anne%20Frank%20
%20The%20Diary%20of%20a%20Young%20Girl.pdf
https://www.philstar.com/opinion/2020/07/30/2031629/k-dramas-and-k
culture-shared-experience-between-philippines-and-korea-during-pandemic
https://k12.thoughtfullearning.com/studentmodels/my-greatest-instrument
https://www.nytimes.com/2019/06/07/books/review/elizabeth-gilbert-eat-pray
love.html
https://www.rcampus.com/iRubrics
The Sandwich Method. Retrieved November 16, 2020 from
https://www.ionos.com/startupguide/productivity/sandwichmethod/#:~:te
xt=The%20sandwich%20method%20is%20a,appreciative%20words%20are%
20used%20again
What is a Memoir? By Jessica Dukes
Retrieved 16, 2020 from https://celadonbooks.com/what-is-a-memoir/
Writing a Critique. Retrieved November 16, 2020 from
https://www.citewrite.qut.edu.au/write/critique.jsp
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