3nd Music Activity 2 Graphic Organizer Name: Villanueva, Karle Leigh Batiduan Section: 10-Rinaldi Date: 10/1/22 Group Members: Galleta, Gargar, Untiveros, Villanueva 1. He is well-known for his contributions to Philippine music, including the lullaby Sa Ugoy ng Duyana, which he wrote with another National Artist for Music, Levi Celerio, and the symphonic poem a Lahing Kayumanggia. He composed a wide range of music, including symphonic, band, vocal, choral, theater, chamber, and film music, all of which exude Filipino pride and soul. Orchestral music The Devil's Bridge, Malakas at Maganda Overture, Prelude and Fugue in D minor, and Hope and Ambition are among his most popular works; choral music Easter Cantata, Sa Mahal Kong Bayan, and Rizal's Valedictory Poem; vocal music Lulay, In the Silence of the Night; and band music Dance of the Fairies, Triumphal March, and Angononian March are among his band music. 2. Born in Angono, Rizal on February 11, 1913. Lucio belonged to a family with strong musical influences. During his late teen years, he became a church organist and started composing songs, hymns and two complete masses for voice and orchestra. After studying under different musicians in the Philippines, he proceeded to the Julliard School of Music in New York City as a scholar and learned advanced composition under Bernard Wagenaar in 1947. He was the conductor of the much acclaimed Peng Kong Grand Mason Concert Band, the San Pedro Band of Angono, his father's former band, and the Banda Angono Numero Uno. 3. Lucio San Pedro's musical style is creative Philippine folk infused with western harmony and his own personality and style. According to Lucio San Pedro in some of his interviews, the use of Philippine folk as a musical style should be creative rather than literal. Lucio San Pedro's musical style is also somewhat Philippine folk with a contemporary vibe. His musical style evokes a sense of nationalistic atmosphere, as evidenced by his well-known compositions. As a result, Lucio San Pedro is known as a "romantic nationalist." 4. After studying with several prominent musicians in the Philippines, he took advanced composition training with Bernard Wagenaar of the Netherlands. He also studied harmony and orchestration under Vittorio Giannini and took classes at Juilliard in 1947.
