Traditional Malay Wau Bulan Manual by Nuha Amgad Mohamed Contents 1. Introduction 2. Development of Wau Bulan (Moon kite) 3. Materials Used for WauBulan 4. History and Origin Details 5. How It Is Played 6. Modification of The Wau Bulan for Children of New Generation 7. Conclusion/ Benefits of creativity Refrences Introduction y t i v i t a e r C is "The interaction among aptitude, process and environment by which an individual or group produces a perceptible product that is both novel and useful as defined within a social context." (Gregerson, Kaufman, & Snyder, H. T. (2013). In this 21st century where everything is in the reach of one click on any digital device, children are more distracted and over stimulated than ever, this increases the risk of dependency and relying on easy or readymade solutions. Throughout history, innovation and creativity helped humanity evolve in every aspect in life therefore educators should provide appropriate space, time as well as plan activities that would help nurture creativity in children and link their productive outcome to benefiting society. According to Bronfenbrenner’s Ecological Theory, a child’s cultural and chronological context will influence the child’s learning and development (Slavin, 2014), therefore part of creativity’s benefits is to remodel traditional items in a modern style without losing its uniqueness and cultural identity. Purtee (2016), has developed a ‘Design Process Thinking’ aligned with the ‘Bloom Taxonomy’ to implement creative lesson plans in her classroom. The process consists of four steps The following Manual explains how to reconstruct an educational project with a traditional Malay toy/game called the Wau Bulan (Moon kite) in a creative way following Purtee’s ‘Design Process Thinking’ steps (2016), which would help children link their history with modern ideas. Development of Wau Bulan (Moon kite) A Wau Bulan is not an ordinary it is a Malay art that focuses on aesthetic design and cultural. Traditionally the Wau Bulan manufacturing process is expensive and lengthy, a Wau Bulan artist can sit for days to complete one. The materials used to construct the kite are from the finest bamboo called Buluh Duri, which can be found only in Kelantan and the 3 layer paper is decorated with beautiful cultural illustrations called ‘Motifs’ (Hamudin, 2016).The Motifs are symbols that connect the kite to the human soul for example the motif like ‘awanlarat”, this motif symbolizes a slow and smooth hand dancing as well as continuity of human’s life (HamidahBinti Abdul Rahmanet al., 2016). Wau Bulan is huge in structure with a height of 2 meters and width of 1.80 meters therefore is requires two people to fly it, one would be the kite-runner and the other handles the kite’s string (Hamudin, 2016). Because of the huge structure and exceptional materials, the Wau Bulan is not designed to be played for young children and unfortunately has become a dying tradition. However smaller versions have been used as decorative souvenirs and as small art-crafts (Yen, 2019). It was a source of traditional inspiration as the Malaysian Airways ‘s logo embodies it and it is mentioned in folktales or drawn in art-works such as the one printed on the ‘Satu Ringgit’(Hamudin, 2016). Materials to make Wau Bulan Kraft paper Scissors &cutting knife 4 Rotan (thin bamboo sticks) Masking tape and glue Markers, paints, and brushes Colourful ribbon& string Procedure to make Wau Bulan A) Wau Bulan cover paper design 1. Draw the WauBulan shape on the Kraft paper 2.Cut the Wau Bulan shape then glue the pieces together 3. Draw creative designs and paint them together with students Procedure to make Wau Bulan B) Makaing the Wau Bulan Frame 4. Place one rotan stick as the spine of the kite, then at a length of 10 cm, attach one rotan stick to the spine to make a cross and tie it firmly with string 5. Attach another rotan stick on the spine within a space of 25 cm and tie it firmly with string 6. Tie the end of the first rotan stick to the end of the second rotan stick to form the right wing, do the same on the left side wing in the end it will make a horizontal parentheses shape 7. At the end of the spine attach the last rotan stick on the spine and tie it firmly with string Procedure to make Wau Bulan 8. Bend the ends of the last rotan stick slightly and ties it with string to the wings on each side to make a crescent shape tail 9. Place the kite cover paper on the frame using masking tape 10. The final product Wau Bulan Optionally You can decorate it with colorful ribbons at the end of each wing History and Origin of Wau Bulan (Moon kite) The word ‘Wau’ is believed to have been derived from the Arabic letter ‘Wau’, because the shape of the wing resembles the outline of that particular letter. Many legends and local folklore surrounds the origin and even method of handling the “Wau Bulan” the name takes after the shape of the moon because the tail of this Wau is resembles that of a crescent. The origin of the “Wau Bulan” is said to have been during the days of the Sri Wijaya Empire, where according to legend, a young prince named Dewa Muda utilised the usage of the Wau by mapping out the districts that he had conquered on the Wau itself, which he will then display to his people. It is said that he would first go deep into a cave to meditate and experience spiritual premonitions before setting off to war. When he is ready to leave the cave, he usually emerges with a wire frame of what was believed to be the wire frame of a “Wau Bulan”. The fine patterns of flowers and leaves were said to have symbolised the districts that he had successfully conquered. Therefore, every time he returns from battle, the flowers and leaf patterns on his Wau will continue to ‘grow’, symbolising the strength of his empire; much to the pride and delight of his people. Nowadays, the Wau Bulan is mostly present in northern parts of the Malaysian peninsula such as Kelantan. It is also presented in events such as the International Kite Festival held in Johor is one of the many celebrated efforts that should serve as an eye-opener to the young, thus instilling love to our treasured heritage. How to Play Wau Bulan Traditionally the "Wau" is played by two people, therefore one child will be the runner who will hold the "Wau" and run against the wind. Another child called an interpreter who holds the string bridge. When the wind blows, the rope will be pulled against the wind currents and balanced to an extend until the "Wau" is high in the air. After that both children can take turns in flying the kite (Hamudin, 2016). Children playing with smaller versions of Wau Bulan Modification of The Wau Bulan for Children of New Generation Although the Wau Bulan may not be appropriate for young children recreating and modifying a child-friendly version is possible. Using Purtee’s (2016) ‘Design Process Thinking’ model for teaching creativity, educators can use simple kite materials and make a small and attractive Wau Bulan for their students as an educational project and apply the steps of inspiration, design, creation, reflection and presentation. For children aged 5-6 years old, educators can make Wau Bulan as a group project, where children will make a small version of the Wau Buan kite and learn about science, history, measurements, architecture and folk tales as well. The final product can be a kite which educators can make a small event for kite flying in the school yard. However younger children below 4 years old can be introduced to make decorations inspired by the Wau Bulan, an idea similar to paper planes. To make it easier for young children, the educator can cut out a Wau Bulan cartoon model, and have children do collage work on the kite’s wings to teach them creativity. The end product can be used for decoration as well as a mini-toy that children will try to throw in the air and pretend flying a Wau Bulan kite. The importance of modifying the Wau Bulan is so that this beautiful tradition could be revived and preserved from disappearing in the following new generations (Hamudin, 2016).). Conclusion: Benefits of creativity Joseph Chilton Pearce said: “To live a creative life we must first lose the fear of being wrong.”(Brown, 2012). In early childhood programs this is essential for children to thrive in a creative setting where they are provided an appropriate space to explore their creativity to gain the self-efficacy so that they feel they can add their unique print in the world. Yet surprisingly many educators can be biased against creativity because educators may find it disruptive, risk taking, impulsivity and independence according to Gabora (2017). However, with proper guidance and scaffolding, the process of making this ‘Wau Bulan’ project will benefit children in many developmental areas, thus their cognitive and creative skills will be enhanced while they think critically how to make measureents of the kite and problem solving by learning what materials are strong yet light that would enable the kite to fly. This project can enhance their aesthetic sense and appreciation for beauty while they design their kites in artistic colors and forms of expression. Children can benefit socially as they learn how to work as a team, they can brainstorm their ideas, learn how to negotiate and organize their roles among themselves. Flying the kite will enhance children’s large motor skills as they would run outdoors and stretch their bodies. Last but not least, according to Andrews (2011), flying a kite can help children spiritually to become mindful, while they keep watching the colourful kite movements in the sky, as children will be present at the moment, surrounded by nature (HamidahBinti Abdul Rahmanet al., 2016). References Andrews, L. W. (2011). Kite Flying for Health and Happiness. Retrieved from https://www.psychologytoday.com/us/blog/minding-the-body/201104/kite-flying-healthand-happiness Brown, T. (2012). "To live a creative life we must first lose the fear of being wrong.". Retrieved from https://tbrownonline.wordpress.com/2012/11/08/to-live-a-creative-life-wemust-first-lose-the-fear-of-being-wrong/ Farah. (1970, January 1). Facts And History Of Art WauBulan (The Art Of WauBulan). Retrieved from http://the-art-of-wau-bulan.blogspot.com/2009/09/facts-and-history-ofart-wau-bulan-art.html Gabora, L. (2019, June 3). What creativity really is - and why schools need it. Retrieved from https://theconversation.com/what-creativity-really-is-and-why-schools-need-it-81889 Gregerson, M. B., Kaufman, J. C., & Snyder, H. T. (2013).Teaching Creatively and Teaching Creativity. New York, NY: Springer New York. HamidahBinti Abdul Rahman (et al.) (2016).The Art of Making WauBulanShafieJusoh. Faculty of Creative Technology and Heritage, Malaysia Universiti Kelantan, Malaysia. Hamudin, N. (2016). The 'wau' factor.New Straits Times. Retrieved from https://www.nst.com.my/news/2016/11/186324/wau-factor Othman, N. (n.d.). Wau Bulan Is A Symbol Of The Unique Heritage. Retrieved from https://www.academia.edu/25309593/Wau_Bulan_Is_A_Symbol_Of_The_Unique_Heritage Sinclair, L. (2016). How to Decorate a Wau Kite | FeltMagnet. Retrieved from https://feltmagnet.com/crafts/how-to-decorate-a-wau-kite Slavin, R. E. (2018). Educational psychology: theory and practice. NY, NY: Pearson. Purtee , M. (2016). Teaching Skills for the 21st Century: Creativity.Retrieved from https://theartofeducation.edu/2016/04/20/teaching-skills-21st-century-creativity/ Yen, F. (2019). Kid's Craft Ideas: National Craft Day 2019. Retrieved from http://www.kiddy123.com/article/kids-craft-ideas-national-craft-day-2019.html?lang,en