HERO 2002 REFERNCES:
Zhang, Jia-xuan. “Hero.” Film Quarterly, vol. 58, no. 4, University of California Press, 2005,
pp. 47–52, https://doi.org/10.1525/fq.2005.58.4.47.
Lan, Feng. “Zhang Yimou’s ‘Hero’: Reclaiming the Martial Arts Film for ‘All under
Heaven.’” Modern Chinese Literature and Culture, vol. 20, no. 1, [Modern Chinese
Literature and Culture, Foreign Language Publications], 2008, pp. 1–43,
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Chen, Pauline. Cinéaste, vol. 30, no. 1, Cineaste Publishers, Inc, 2004, pp. 40–42,
http://www.jstor.org/stable/41689809.
McGrath, Jason. “Heroic Human Pixels: Mass Ornaments and Digital Multitudes in Zhang
Yimou’s Spectacles.” Modern Chinese Literature and Culture, vol. 25, no. 2, [Modern
Chinese Literature and Culture, Foreign Language Publications], 2013, pp. 51–79,
http://www.jstor.org/stable/43492533.
Zhang, Yingjin, et al. “Chinese Cinema in the New Century: Prospects and Problems.” World
Literature Today, vol. 81, no. 4, Board of Regents of the University of Oklahoma, 2007, pp.
36–41, http://www.jstor.org/stable/40159467.
KILL BILL VOL. 1 REFERENCES:
Tapia, Ruby C. “Volumes of Transnational Vengeance: Fixing Race and Feminism on the
Way to <italic>Kill Bill</Italic>.” Visual Arts Research, vol. 32, no. 2, University of Illinois
Press, 2006, pp. 32–37, http://www.jstor.org/stable/20715416.
Reilly, Ian. “‘Revenge Is Never a Straight Line’: Transgressing Heroic Boundaries: Medea
and the (Fe)Male Body in ‘Kill Bill.’” Studies in Popular Culture, vol. 30, no. 1, Popular
Culture Association in the South, 2007, pp. 27–50, http://www.jstor.org/stable/23416196.
MARCIAL ARTS REFERENCES:
Brown, Bill. “Martial Art.” PMLA, vol. 124, no. 5, Modern Language Association, 2009, pp.
1787–93, http://www.jstor.org/stable/25614403.