References Assayas, Michka and Claude Meunier (1996). The Beatles and the Sixties. New York: Henry Holt. Auslander, Philip and Ian Inglis (2016). “Nothing is Real: The Beatles as Virtual Performers.” In The Oxford Handbook of Music and Virtuality, ed. Sheila Whiteley and Shara Rambarran, 35–51. Oxford: Oxford University Press. Axelrod, Mitchell (1999). Beatletoons. Pickens, SC: Wynn. Bannister, Matthew (2002). “The Beatle Who Became a Man: Revolver and George Harrison’s Metamorphosis.” In Every Sound There Is: The Beatles’ Revolver and the Transformation of Rock’n’Roll, ed. Russell Reising, 183–93. Aldershot: Ashgate. Barrow, Tony (2005). John, Paul, George, Ringo and Me. London: Sevenoaks. “Beatles All Unlimited” (1970). New Musical Express (14 March): 3. Beatles, The (1963). The Official Beatles Fan Club: The Beatles’ Christmas Record (LYN 492). Lyntone Recordings, December. —(2000). Anthology. London: Cassell. Best, Pete and Patrick Doncaster (1985). Beatle! The Pete Best Story. London: Plexus. Booker, Christopher (1969). The Neophiliacs: The Revolution in English Life in the Fifties and Sixties. London: William Collins. Bradley, Dick (1992). Understanding Rock’n’Roll: Popular Music in Britain 1955–1964. Buckingham: Open University Press. Braun, Michael (1964). Love Me Do: The Beatles’ Progress. London: Penguin. Brown, Peter and Steven Gaines (1983). The Love You Make. London: Macmillan. Carr, Roy (1996). Beatles at the Movies. London: UFO. Cleave, Maureen (1963). “Why the Beatles Create All That Frenzy.” Evening Standard (2 February): 9. —(1966). “How Does a Beatle Live? John Lennon Lives Like This.” Evening Standard (4 March): 14. Cohen, Sara (1995). “Sounding Out the City: Music and the Sensuous Production of Place.” Transactions of the Institute of British Geographers 20: 434–46. Coleman, Ray (1984). John Lennon. London: Sidgwick & Jackson. —(1989). Brian Epstein. London: Viking. —(1995). McCartney: Yesterday and Today. London: Boxtree. Cook, Guy and Neil Mercer (2000). “From Me to You: Austerity to Profligacy in the Language of the Beatles.” In The Beatles, Popular Music and Society, ed. Ian Inglis, 86–104. London: Macmillan. Crawley, Tony (1963). “Fans Scream their Delight.” New Musical Express (15 March): 10. Creasy, Martin (2010). Beatlemania! The Beatles UK Tours 1963–1965. London: Omnibus. Davies, Hunter (1968). The Beatles. London: William Heinemann. —(2001). The Quarrymen. London: Omnibus. Dean, Johnny (1963). “Editorial.” The Beatles Book (1 August): 3. 178 The Beatles Decker, James M. (2009). “Try Thinking More: Rubber Soul and the Beatles’ Transformation of Pop.” In The Cambridge Companion to the Beatles, ed. Kenneth Womack, 75–89. Cambridge: Cambridge University Press. DeGroot, Gerard (2008). The Sixties Unplugged. London: Macmillan. Denski, Stan (1992). “Music, Musicians and Communication: The Personal Voice in a Common Language.” In Popular Music and Communication, ed. James Lull, 33–48. Newbury Park, CA: Sage. Doney, Malcolm (1981). Lennon and McCartney. Tunbridge Wells: Midas Books. Donovan (2005). The Hurdy Gurdy Man. London: Century. Dowlding, William J. (1989). Beatlesongs. New York: Fireside. Durkheim, Emile (1984). The Division of Labour in Society. New York: Free Press. Ehrenreich, Barbara, Elizabeth Hess and Gloria Jacobs (1992). “Beatlemania: Girls Just Want to Have Fun.” In The Adoring Audience: Fan Culture and Popular Media, ed. Lisa A. Lewis, 84–106. London: Routledge. Emerick, Geoff and Howard Massey (2006). Here, There and Everywhere. New York: Gotham. Emerson, Ken (2006). Always Magic in the Air. London: Fourth Estate. Epstein, Brian (1964). A Cellarful of Noise. London: Souvenir Press. Everett, Walter (1999). The Beatles as Musicians: Revolver through the Anthology. New York: Oxford University Press. —(2001). The Beatles as Musicians: The Quarry Men through Rubber Soul. New York: Oxford University Press. Farnie, D. A. (1979). The English Cotton Industry and the World Market 1815–1896. Oxford: Oxford University Press. Freeman, Robert (1996). Yesterday: Photographs of the Beatles. London: Weidenfeld & Nicholson. Friedlander, Paul (1996). Rock and Roll: A Social History. Boulder, CO: Westview. Geller, Debbie (2000). The Brian Epstein Story. London: Faber & Faber. Gentle, Johnny and Ian Forsyth (1998). Johnny Gentle and the Beatles First Ever Tour. Runcorn, Cheshire: Merseyrock Publications. Gillett, Charlie (1996). “In Praise of the Professionals.” In The Beat Goes On: The Rock File Reader, ed. Charlie Gillett and Simon Frith, 109–119. London: Pluto Press. Goldstein, Richard (1967). “We Still Need the Beatles, But . . .” New York Times (18 June): 104. Gould, Jonathan (2007). Can’t Buy Me Love: The Beatles, Britain and America. New York: Harmony. Gray, Andy (1966). “No Tours, No Jealousy as Beatles Record.” New Musical Express (31 December): 3. Griffiths, Dai (2002). “Cover Versions and the Sound of Identity in Motion.” In Popular Music Studies, ed. David Hesmondhalgh and Keith Negus, 51–64. London: Arnold. Guralnick, Peter (1992). “Elvis Presley.” In The Rolling Stone Illustrated History of Rock & Roll, ed. Anthony DeCurtis and James Henke, 21–36. New York: Random House. Hamelman, Steve (2009). “On their Way Home: The Beatles in 1969 and 1970.” In The Cambridge Companion to the Beatles, ed. Kenneth Womack, 125–41. Cambridge: Cambridge University Press. Hames, Annette and Ian Inglis (1999). “And I Will Lose My Mind: Images of Mental Illness in the Songs of the Beatles.” International Review of the Aesthetics and Sociology of Music 30, no. 2: 173–88. Hannan, Michael (2008). “The Sound Design of Sgt Pepper’s Lonely Hearts Club Band.” In Sgt Pepper and the Beatles, ed. Olivier Julien, 45–62. Aldershot: Ashgate. References 179 Harrison, George (1982). I Me Mine. London: W. H. Allen. Harry, Bill, ed. (1977). Mersey Beat: The Beginnings of the Beatles. London: Omnibus. Hertsgaard, Mark (1995). A Day in the Life. New York: Delacroix. Hoggart, Richard (1957). The Uses of Literacy. London: Chatto & Windus. Hutchins, Chris (1964). “Beatles: New Suits for USA.” New Musical Express (7 February): 13. Hutchins, Chris and Peter Thompson (1994). Elvis Meets the Beatles. London: Smith Gryphon. Hutchinson, Roger (1992). High Sixties: The Summers of Riot and Love. Edinburgh: Mainstream. Inglis, Ian (1995). “Conformity, Status and Innovation: The Accumulation and Utilisation of Idiosyncrasy Credits in the Career of the Beatles.” Popular Music and Society 19, no. 3: 41–74. —(1997). “Variations on a Theme: The Love Songs of the Beatles.” International Review of the Aesthetics and Sociology of Music 28, no. 1: 37–62. —(2000). “Pete Best: History and His Story.” Journal of Popular Music Studies 11, no. 12: 103–124. —(2006). “Fabricating the Fab Four: Pastiche and Parody.” In Access All Eras: Tribute Bands and Global Pop Culture, ed. Shane Homan, 121–34. Maidenhead: Open University Press. —(2008). “Cover Story: Magic, Myth and Music.” In Sgt Pepper and the Beatles, ed. Olivier Julien, 91–102. Aldershot: Ashgate. Johnson, Derek (1963). “Beatles Keep Royal Suits Secret.” New Musical Express (1 November): 6. —(1965). “Beatles New LP and Why They Need Help!” New Musical Express (23 July): 3. —(1967). “Simple, Suggestive, Sensational!” New Musical Express (18 November): 14. —(1969a). “Getting Back to the Beat.” New Musical Express (17 April): 8. —(1969b). “Mean and Moody George.” New Musical Express (1 November): 8. Kirkup, Mike (2014). “Some Kind of Innocence: The Beatles Monthly and the Fan Community.” Popular Music History 9, no. 1: 64–78. Kozinn, Allan (1995). The Beatles. London: Phaidon. Kwiatkowska, Alina (2010). “Roll Over Shakespeare: References to Beatles Songs in Contemporary English Texts.” In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, ed. Jerzy Jarniewicz and Alina Kwiatkowska, 269–85. Lodz: Lodz University Press. Kynaston, David (2009). Family Britain 1951–57. London: Bloomsbury. Laing, Dave (1969). The Sound of Our Time. London: Sheed & Ward. Larkin, Colin (1997). The Virgin Encyclopedia of Popular Music: Concise Edition. London: Virgin. Leach, Sam (1999). The Rocking City. Gwynedd: Pharaoh Press. Lee, John Alan (1973). Colors of Love. Toronto: New Press. Leigh, Spencer (1998). Drummed Out! Bordon, Hants: Northdown. Levin, Bernard (1970). The Pendulum Years: Britain and the Sixties. London: Jonathan Cape. Lewis, David (2010). The Beatles Liverpool Landscapes. Derby: DB Publishing. Lewis, Frederick (1963). “Britons Succumb to Beatlemania.” New York Times (1 December): 125–26. Lewisohn, Mark (1986). The Beatles Live! London: Pavilion. —(1988). The Complete Beatles Recording Sessions. London: Hamlyn. —(2013). The Beatles Tune in. London: Little, Brown. McCabe, Peter and Robert D. Schonfeld (1972). Apple to the Core: The Unmaking of the Beatles. London: Martin Brian & O’Keefe. MacDonald, Ian (1994). Revolution in the Head: The Beatles’ Records and the Sixties. London: Fourth Estate. 180 The Beatles McDonald, Kari and Sarah Hudson Kaufman (2002). “Tomorrow Never Knows: The Contribution of George Martin and his Production Team to the Beatles’ New Sound.” In Every Sound There Is: The Beatles’ Revolver and the Transformation of Rock’n’Roll, ed. Russell Reising, 139–57. Aldershot: Ashgate. Mann, William (1963). “What Songs the Beatles Sang.” The Times (23 December): 4. —(1967). “The Beatles Revive Hopes of Progress in Pop Music.” The Times (29 May): 9. Marcus, Greil (1970). “Self Portrait No. 25.” Rolling Stone 63 (23 July): 7, 16–19. —(1980). “The Beatles.” In The Rolling Stone Illustrated History of Rock & Roll, ed. Anthony DeCurtis and James Henke, 209–222. New York: Random House. Marsden, Gerry (1993). I’ll Never Walk Alone. London: Bloomsbury. Marshall, Ian (2006). “Bakhtin and the Beatles.” In Reading the Beatles, ed. Kenneth Womack and Todd F. Davis, 9–36. Albany: State University of New York Press. Martin, George (1979). All You Need is Ears. New York: St Martin’s Press. —(1983). Making Music. London: Pan. —(1994). Summer of Love. London: Macmillan. Mellers, Wilfrid (1973). Twilight of the Gods: The Beatles in Retrospect. London: Faber. Miles, Barry (1997). Paul McCartney: Many Years from Now. London: Secker & Warburg. Miles, Barry, ed. (1980). John Lennon in his Own Words. London: Omnibus. Moore, Allan F. (1997). The Beatles: Sgt Pepper’s Lonely Hearts Club Band. Cambridge: Cambridge University Press. Morgan, Kenneth (2007). “Liverpool’s Dominance in the British Slave Trade 1740–1807.” In Liverpool and Transatlantic Slavery, ed. David Richardson, Suzanne Schwarz and Anthony Tibbles, 14–42. Liverpool: Liverpool University Press. Munter, Patti (1984). “Yes I Remember It Well.” Rolling Stone 415 (16 February): 22–27. Neaverson, Bob (1997). The Beatles Movies. London: Cassell. Negus, Keith (1992). Producing Pop. London: Edward Arnold. Norman, Philip (1981). Shout! The True Story of the Beatles. London: Hamish Hamilton. —(2008). John Lennon. London: HarperCollins. O’Brian, Patrick (1976). Picasso. London: William Collins. O’Brien, Lucy (1995). She Bop. London: Penguin. O’Grady, Terence J. (1983). The Beatles: A Musical Evolution. Boston: Twayne. O’Mahony, Sean (1969). “The End of an Era.” The Beatles Book 77 (December): 8–15. Okun, Milton, ed. (1981). The Compleat Beatles: Volume Two. London: Omnibus. Packard, Vance (1964). “Building the Beatle Image.” Saturday Evening Post (21 March): 36. Palmer, Tony (1968). “The Beatles’ Bulls-Eye.” The Observer (17 November): 21. Peel, Ian (2002). The Unknown Paul McCartney: McCartney and the Avant-Garde. London: Reynolds & Hearn. Poirier, Richard (1969). “Learning from the Beatles.” In The Age of Rock: Sounds of the American Cultural Revolution, ed. Jonathan Eisen, 160–79. New York: Vintage. Quantick, David (2002). Revolution: The Making of the Beatles’ White Album. London: Unanimous. Radcliffe, Philip (1963). “Sunday Siege at the London Palladium.” Daily Mail (14 October): 3. Rayl, A. J. S. and Curt Gunther (1989). Beatles ’64: A Hard Day’s Night in America. New York: Doubleday. Reising, Russell (2002). “It is Not Dying: Revolver and the Birth of Psychedelic Sound.” In Every Sound There Is: The Beatles’ Revolver and the Transformation of Rock’n’Roll, ed. Russell Reising, 234–53. Aldershot: Ashgate. References 181 Reising, Russell and Jim LeBlanc (2008). “Within and Without: Sgt Pepper’s Lonely Hearts Club Band and Psychedelic Insight.” In Sgt Pepper and the Beatles, ed. Olivier Julien, 103–120. Aldershot: Ashgate. Riley, Tim (1988). Tell Me Why: A Beatles Commentary. New York: Alfred Knopf. Robertson, John (1990). The Art and Music of John Lennon. London: Omnibus. Rogan, Johnny (1988). Starmakers and Svengalis. London: Queen Anne Press. Rorem, Ned (1968). “The Music of the Beatles.” The New York Review of Books (18 January): 23–27. Sandbrook, Dominic (2006). White Heat: A History of Britain in the Swinging Sixties. London: Little, Brown & Company. Sandercombe, W. Fraser (2007). The Beatles Press Reports. Burlington, Ontario: Collectors Guide. Sercombe, Laurel (2006). “Ladies and Gentlemen . . . The Beatles.” In Performance and Popular Music, ed. Ian Inglis, 1–15. Aldershot: Ashgate. Shapiro, Harry (1999). Waiting for the Man. London: Helter Skelter. Sheff, David and G. Barry Golson (1981). The Playboy Interviews with John Lennon and Yoko Ono. New York: Playboy Press. Smith, Alan (1963a). “You’ve Pleased-Pleased Us, Say the Beatles.” New Musical Express (1 February): 9. —(1963b). “Close-Up on a Beatle: George Harrison.” New Musical Express (16 August): 2. —(1963c). “Close-Up on a Beatle: Ringo Starr.” New Musical Express (23 August): 9. —(1968). “I Need a Psychiatrist.” New Musical Express (23 March): 2. —(1969a). “Beatle Single – By George.” New Musical Express (1 November): 3. —(1969b). “Bore, Fool or Saint.” New Musical Express (20 December): 3. —(1970a). “The Big Beatles Query: Why is Paul the Hermit of St John’s Wood?” New Musical Express (21 February): 2. —(1970b). “A Sad and Tatty End.” New Musical Express (9 May): 3. Somach, Denny, Kathleen Somach and Kevin Gunn, eds. (1989). Ticket to Ride. New York: William Morrow. Somach, Denny and Ken Sharp, eds. (1995). Meet the Beatles . . . Again! Havertown, PA: Musicom. Southall, Brian (1982). Abbey Road. Cambridge: Patrick Stephens. Spitz, Bob (2005). The Beatles. New York: Little, Brown & Company. Sutcliffe, Pauline and Douglas Thompson (2001). The Beatles’ Shadow: Stuart Sutcliffe and his Lonely Hearts Club. London: Sidgwick & Jackson. Thompson, Phil (1994). The Best of Cellars. Liverpool: Bluecoat Press. Thornton, Sarah (1995). Club Cultures. Cambridge: Polity. Vollmer, Jürgen (2004). The Beatles in Hamburg. Munich: Schirmer/Mosel. Warner, Timothy (2003). Pop Music: Technology and Creativity. Aldershot: Ashgate. Wenner, Jann (1971). Lennon Remembers. London: Penguin. Whiteley, Sheila (2008). “Tangerine Trees and Marmalade Skies: Cultural Agendas or Optimistic Escapism?” In Sgt Pepper and the Beatles, ed. Olivier Julien, 11–22. Aldershot: Ashgate. Whitley, Ed (2000). “The Postmodern White Album.” In The Beatles, Popular Music and Society, ed. Ian Inglis, 105–125. London: Macmillan. Wilkins, Charlotte and Ian Inglis (2015). “Fashioning the Fab Four: The Visual Identities of the Beatles.” Fashion, Style and Popular Culture 2, no. 2: 207–222. Williams, Richard (1993). “The Trip.” Mojo (November): 40–60. 182 The Beatles —(2003). Phil Spector: Out of His Head. London: Omnibus. Wolfram, Eddie (1972). “Introduction.” In Magritte, ed. David Larkin, 1–8. London: Pan. “Yeah, Yeah, Yeah!” (1963) Daily Mirror (6 November): 7.