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Nietzsche, Napoleon, and Narcissism - The Imaginative Conservative

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Nietzsche, Napoleon, and Narcissism - The Imaginative Conservative
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Nietzsche, Napoleon, and Narcissism
(https://theimaginativeconservative.org/2014/06/nietzschenapoleon-narcissism.html)
■ Culture (https://theimaginativeconservative.org/category/culture)
■ Senior Contributors (https://theimaginativeconservative.org/category/senior-contributors)
■ Dwight Longenecker (https://theimaginativeconservative.org/category/senior-contributors/fr-dwight-longenecker)
by
Dwight Longenecker (https://theimaginativeconservative.org/author/dwightlongenecker)
(https://i2.wp.com/theimaginativeconservative.org/wp-content/uploads/2014/05/1363720803631.jpg?ssl=1)“I am better than
everybody else” is the disturbing theme underlying Alfred Hitchcock’s 1948 film Rope. Dostoevsky developed the same idea
in Crime and Punishment as did George Bernard Shaw in Man and Superman.
Rooted in Nietzsche’s idea of the übermensch—”Superman” or “Above Man”—the idea is that a new breed of humanity will
emerge who will be superior to the old, joyless Judeo-Christian ethic. Striding confidently into a brave new world, this new
super-humanity will rise above the old humanity groveling before their gods. For this new strain of humanity to emerge
certain superior individuals will step out of the lumbering lemming herd of hoi polloi. Such individuals will live for higher ideals
and will be able to disregard the petty rules and moral codes that govern lesser mortals.
Dostoevsky’s student Raskolnikov therefore chooses to murder the old pawnbroker—a human cockroach if ever there was
one—in order to take her wealth and do untold good with it for the rest of his life. He sees himself in the same category as
Napoleon, who could trample the laws and lives of millions for a greater goal and greater good. In Shaw’s play, John Tanner
is the young revolutionary anarchist who represents the emergent human genius. In Hitchcock’s film, Brandon Shaw (a nod
https://theimaginativeconservative.org/2014/06/nietzsche-napoleon-narcissism.html
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Narcissismwho
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Bernard Shaw?) and Philip Morgan are
youngNapoleon,
collegeand
graduates
classmate and hide his body to prove that they are, like Raskolnikov, superior
creatures who are above the law.
Rope was based on an earlier stage play, which was inspired by the real life case of
Nathan Leopold and Richard Loeb. Leopold and Loeb were brilliant University of
Chicago students who kidnapped and murdered thirteen year old Bobby Franks in their
own attempt to prove themselves to be Napoleonic supermen. They were caught and
sentenced to life imprisonment. Loeb was killed by a fellow prisoner in 1936 and
Leopold was released on parole in 1958.
In both the fictional versions and the actual story of Leopold and Loeb each of the
“supermen,” like Nietzsche himself, were arrogant, introverted and lonely individuals.
Raskolnikov spends hours shut up in his miserable garret, rejecting the friendship and
love of others. John Tanner is a “confirmed bachelor”. Leopold and Loeb were lovers,
and Hitchcock (unable in 1948 to be obvious about homosexuality) portrays Shaw and Morgan as charming “aesthetes.” In
other words, the Nietzschean, Napoleonic übermensch is a fancy word for “Narcissist.” Like Narcissus, the “supermen” gaze
on the beauty of themselves. Narcissistic navel gazers, they become obsessed with their greatness, their superior
intelligence and glorious destiny.
We should make no mistake, the person who believes in the theory of the superman really believes that he is on of the elite.
The Nietzschean narcissist, like a masturbatory adolescent, is in love with himself and no other. The old wives said people
like this would go insane and poor old Nietzsche did just that.
What is most disturbing is that his prophecies have come true. Modern America is filled with individuals who behave like
Raskolnikov, John Tanner, Leopold and Loeb and Hitchcock’s dastardly duo. We are a nation of narcissists. Like Raskolnikov
we murder millions through abortion for high sounding, utilitarian, but ultimately selfish reasons. Like John Tanner we march
under revolutionary banners proclaiming a brave new world that revolves around our self-centered ideologies. Like Leopold
and Loeb we are prepared to sacrifice others on the altar of our own self adulation.
Nietzsche considered his übermensch to be above the law. Like most madmen, he viewed reality in reverse. Instead of the
superman being above the law he is below the law. Because he regards himself as superior he is inferior. When a man
behaves as a narcissist he does not raise himself above common humanity, but lowers himself to the level of the instinctively
self interested beast. He is therefore not more than human, but less than human. The Nietzshean Narcissist cuts himself off
from society, from family, friends and from love. The only thing that breaks this cycle of self adoration is self sacrificial love,
but self sacrificial love is the factor the one thing the narcissist cannot understand and of which he is incapable.
Nietzsche despised the Christian virtues of humility, service and self sacrifice as weakness. What he failed to understand is
that the true exercise of these virtues requires superhuman strength. Rather than lowering man, self sacrificial love is the
one thing that raises him from ape to angel.
The true superman is therefore the humble and penitent man. The last shall be first and the first last. Dostoevsky’s
Raskolnikov is the character who comes down where he ought to be. In the final pages of Crime and Punishment the
cowardly student rises to greatness. Sitting on the riverbank while serving his prison sentence his heart finally opens, and for
the first time he turns away from love of self to the love of Sonia—the simple prostitute who has supported him in his terrible
trial.
This is the essential lesson of becoming fully human, and it is in the simple humanity and humility of love that Nietzsche
recovers his sanity, the narcissist turns away from self love and the little Napoleon becomes a giant.
The Imaginative Conservative applies the principle of appreciation to the discussion of culture and politics—we approach
dialogue with magnanimity rather than with mere civility. Will you help us remain a refreshing oasis in the increasingly
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Dwight Longenecker (https://theimaginativeconservative.org/author/dwightlongenecker)
Fr. Dwight Longenecker is Senior Contributor at The Imaginative Conservative. A graduate of
Oxford University, he is the Pastor of Our Lady of the Rosary Church
(http://www.olrgreenville.com/), in Greenville, SC, and author of sixteen books including The
Romance of Religion (https://smile.amazon.com/dp/0849921953/), The Quest for the Creed, and
Mystery
of
the
Magi:
The
Quest
to
Identify
the
Three
Wise
Men
(https://smile.amazon.com/dp/1621576299//). He contributes to many magazines, papers, and
journals, including National Catholic Register, St Austin Review, Catholic Digest, and Intercollegiate
Review. Visit his blog, listen to his podcasts, browse his books, and be in touch at
dwightlongenecker.com (http://www.dwightlongenecker.com).
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