Page:of 171 Act V Questions and Answers Study Questions 1. What does the Doctor say to Macbeth about Lady Macbeth’s condition? What is Macbeth’s reaction? 2. What is the Doctor referring to when he says, “Therein the patient Must minister to himself?” 3. What does the Messenger tell Macbeth he sees coming toward Dunsinane? How does Macbeth respond? 4. What does Macduff vow to do to Macbeth and why? Cite an example from Act V. 5. What difference can you cite between Macbeth’s army and Malcolm’s army? 6. Whom does Macbeth kill in Act V? Do you feel that is important? State your reasons. 7. What does Macbeth say to Macduff about his mortality? What is Macduff’s response? How does Macbeth react? 8. What does Ross tell Siward about Siward’s son? 9. What does Malcolm say about Macbeth and Lady Macbeth? 10. What title has never been used before in Scotland that Malcolm plans to use on his Thanes and kinsman? Answers 1. The Doctor says Lady Macbeth is very ill and he cannot cure her himself. Macbeth is angry and does not want to be bothered with this information. 2. The Doctor is saying that Macbeth is trying to tell the doctor how to cure his patient, Lady Macbeth. When in fact Macbeth is the patient himself. 3. The Messenger tells Macbeth that trees are moving toward the castle. Macbeth does not believe him at first; then, sounds the alarm for battle. 4. Macduff vows to have revenge on Macbeth because of the death of his family. 5. Malcolm’s army if committed to the cause of saving Scotland. Macbeth’s army is fighting for him out of fear they will be killed themselves. 6. Macbeth kills Young Siward. Answers may vary on the response to the second part of the question. The importance of the murder is seen in Macbeth’s response after the murder. He states he cannot be killed by a man born of woman. He feels he cannot be harmed. 7. Macbeth tells Macduff that he cannot be harmed by man born of woman. Macduff tells Macbeth that he was ripped from his mother’s womb. Macbeth realizes that the Witches have tricked him. 8. Ross tells Siward that his son was killed in battle. 9. Malcolm says that Macbeth is a “butcher” and Lady Macbeth was a “fiend-like queen”. He also says that Lady Macbeth took her own life. Act V Questions and Answers 47 The waking world of reality and the unnatural world of evil intermingle in the paranoid hallucinations and, most markedly, in the insomnia of Macbeth and of Lady Macbeth. After Duncan's murder, Macbeth hears that internal voice which commands him to "sleep no more" (II.ii.37). Restive to the end, Macbeth's insomnia is noted by his wife. She attempts to explain the more vivid and horrifying experiences that he undergoes, such as seeing Banquo's spectral effigy at the feast, by referring to natural causes, telling her husband that his vision stems from the fact that he lacks sleep. But then Lady Macbeth herself falls victim to a deep, somatic disorder. As the doctor who treats her insomnia is told, Lady Macbeth only begins to sleepwalk and to compulsively wash her hands when Macbeth is no longer present, the tyrant having taken to the field to stop Malcolm, Macduff, and their fellows from overturning his reign. In the end, Lady Macbeth enters into a limbo state of madness, sleepwalking between a horrible reality and a vision of the hell it portends. The deterioration of Macbeth and of Lady Macbeth as individuals is closely paralleled by the collapse of their marital relationship. Oddly, among all of Shakespeare's married couples, the Macbeths of Act I and Act II show the highest degree of bonding and cooperative spirit. The very first time that we see Lady Macbeth, she is reading a letter from Macbeth prefaced by the fond salutation, "Dearest Partner of Greatnesse." There is in the first two acts of the play a mutual admiration between the two, a dual respect based on their shared conviction that the manly Macbeth is fit to be king, while the commanding Lady Macbeth is his natural consort. When Lady Macbeth is first told that Macbeth has executed their plan and killed the king, she cries out "My husband." But a change occurs in the relationship between Macbeth and Lady Macbeth in Act II of Shakespeare's play. Once Duncan has been dispatched, Lady Macbeth becomes increasingly unimportant to her husband. After the murder of the King, Macbeth begins to withdraw from his marriage to Lady Macbeth. It is significant that Macbeth does not convey the graphic details of the King's death to his wife and that he departs (wisely, in fact) from his instructions to leave the daggers of the king's guards behind. Moreover, he keeps his plot against Banquo and Fleance from his wife, and she has no role at all in the killing of Macduff's family. Indeed, following her ineffectual efforts to control Macbeth when he sees Banquo's ghost at the banquet, Lady Macbeth virtually disappears from the plot. Not only is Lady Macbeth no longer directing the action in the natural domain of the play, she is now excluded by her husband from partaking in either the natural or the supernatural progression ahead. When we see her again, Lady Macbeth is virtually unrecognizable, a shaken shell of her former self. As noted above, critical opinion about Lady Macbeth has moved in the direction of seeing her as either a pathetic character or as redeemed by her own suicide, in the sense that it demonstrates her underlying humanity. What is truly pathetic, as opposed to monstrous, about Lady Macbeth of Act V is that she no longer has any role in her partnership with Macbeth. She has voluntarily relinquished her natural role as Macbeth's wife to mobilize him into action, and in the unnatural world into which she has entered, she is no match for the witches who have assumed the function that she once performed on behalf of her partnership with Macbeth. Pathetically, Lady Macbeth yearns for the natural union that she had with her husband, for the role of nurturer and comforter, and that is no longer available to her. Lady Macbeth's last words are not expressions of guilt, but tender solicitous of care from her husband: "give me your hand ... to bed, to bed, to bed" (V.i.66-68). Macbeth: Character Analysis Banquo (Character Analysis) Banquo is a Scottish general in the king's army and Macbeth's friend. With Macbeth, Banquo helps Duncan's forces claim victory over the king of Norway and the thane of Cawdor. Following the battle, Banquo and Macbeth encounter the witches, who make several prophesies about Macbeth. They then speak to Banquo about his own future, saying that Banquo's descendants will be kings. Unlike Macbeth, who appears to be Macbeth: Character Analysis 55 fascinated by the weird sisters, Banquo expresses doubts about the witches and their prophesies. He comments to Macbeth, for example, that ''oftentimes, to win us to our harm, / The instruments of darkness tell us truths, / Win us with honest trifles, to betray [us]" (I.iii.123-25). This unwillingness to subscribe wholeheartedly to the visions of the witches, in addition to Banquo's demonstrated valor in battle, contribute to the view that Banquo is a virtuous man. Yet Banquo's virtue is an area of some controversy. A common view is that Shakespeare intended Banquo to be seen as a virtuous character who was not responsible in any way for Macbeth's murderous actions, despite the fact that the source material from which Shakespeare drew depicts Banquo as a co-conspirator in Duncan's death. This line of thinking is supported by the popular belief that Macbeth was performed (perhaps even written) for King James I in 1606. Historically, Banquo was an ancestor of King James, and some critics argue that because of this, Shakespeare would not portray him in an unfavorable way. Other observers argue that Banquo's inaction makes him in part morally responsible for the king's murder. These critics cite Banquo's soliloquy following Duncan's death as evidence of his knowledge of (and therefore at least partial responsibility for) Macbeth's actions. In this speech Banquo acknowledges to himself his suspicions about Macbeth's actions: "Thou hast it now: King, Cawdor, Glamis, all, / As the weird women promis'd, and I fear / Thou play'dst most foully for't" (III.i.1- 3). Shortly after Macbeth kills Duncan, he remembers the witches' prophesy regarding Banquo: that Banquo's descendants would be kings. Macbeth then arranges to have Banquo and his son Fleance murdered. Fleance escapes the attack; Banquo does not. Macbeth (Character Analysis) Macbeth is nobleman and a Scottish general in the king's army. At the beginning of the play, he has gained recognition for himself through his defeat of the king of Norway and the rebellious Macdonwald. Shortly after the battle, Macbeth and another of the king's general's, Banquo, encounter three witches (or weird sisters) who greet Macbeth as thane of Glamis, thane of Cawdor, and future king. Macbeth, unaware that King Duncan has bestowed upon him the title thane of Cawdor, appears to be startled by these prophesies. As soon as the witches finish addressing Macbeth, Banquo asks him, "why do you start, and seem to fear / Things that do sound so fair?" (I.iii.51-52). The witches vanish after telling Banquo that he will father kings. Shortly thereafter, Rosse and Angus arrive to tell Macbeth that the title of thane of Cawdor has been transferred to him. Upon hearing this, he says to himself that the greatest title, that of king, is yet to come. When Duncan announces that his son Malcolm will be next in line for the throne, Macbeth acknowledges the prince as an obstacle which will either trip him up or one which he must overcome. After Macbeth sends words to his wife about the witches prophesies, Lady Macbeth hears that the king will be coming to stay at the castle. She then decides that the king will die there. When Macbeth arrives at Inverness, Lady Macbeth discusses with her husband her intentions. Soon after, he reviews in his own mind the reasons for not killing the king. He has many, including his obligations to the king as a kinsman, a loyal subject, and a host. Other reasons listed by Macbeth include the goodness of the king and the general lack of any reason other than ambition. However, when his wife argues with him, attacking his manhood, Macbeth resolves to follow through with the murder. The extent of Lady Macbeth's power over her husband is debated. Some critics blame Lady Macbeth for precipitating Macbeth's moral decline and ultimate downfall. Others argue that, while Lady Macbeth appears to be increasingly guilt-ridden as the play progresses as evidenced by her sleepwalking episodes, Macbeth becomes increasingly murderous. Banquo (Character Analysis) 56