Anti-Slavery’s approach to use of images and case studies and films in education Whist we have developed specific workshops and assemblies we also have a range of other resources including photos, case studies and films that can be used across the key stages to further deepen students’ critical understanding of slavery. An important ethos of anti-slavery is to respect and protect the human the human rights of those who have had their fundamental right to freedom denied to them. As such we endeavour to use the least dehumanising image – whilst slavery is far from positive, we must remember that those affected by slavery do not expect pity, but rather want to be able to assert their rights as human beings. Where is it not possible to always present positive images, we hope that students will be able to interrogate the photographs with views of empathy, not pity. We also hope that as far as possible to refer to those in slavery as enslaved rather than identifying them a ‘slave’ which infers that slavery is a state of being rather than a process of dehumanisation. A small matter of semantics but one that can have a big impact on pupils’ sense of empathy and understandings of shared common values. Please ensure that the following guidelines are adhered to when using AntiSlavery photographs: Copyright and permission for reproduction Permission must be sought before using any of our photographs and the following rules must be applied at all times: • The images may not be distorted in any way. • There is no permission granted for archiving, sale or transferring to third parties of any photographs. • Permission is granted for single use only unless otherwise agreed. • All images must be credited to Anti-Slavery International unless otherwise directed. • Images may only be used for a specified and agreed purpose. • The images may not be used in any work that might conflict with their original purpose, i.e. to raise awareness about slavery. Copyright varies, with Anti-Slavery International holding the rights to most of its images, but permission may need to be sought from the original photographer of some of our contemporary images. Contacts For permission or further information on photographs contact Paul Donohoe on +44 (0)20 7501 8934 or email p.donohoe@antislavery.org Using photographs and case studies Photographs provide a good basis for generating group discussions as pupils with varying levels of knowledge of a subject can respond to the same stimuli material. Photographs help pupils to ask questions and explore bias and to develop analytical, enquiry and critical thinking skills and can be used with even very young children to prompt questions, challenge stereotypes, build empathy and develop respect for children’s own and other cultures. The case studies can be used to provide background information and for debriefing. The following suggested activities can help to build skills and values: Photographic displays around classrooms Display the photographs around the room. Ask pupils in pairs to choose one or two of the photographs and answer the following questions: • What might be the purpose of the photograph? • Who is it appealing to? • What might be going on outside the frame of the photograph? • Who took the picture? • What different photographs could have been used? As a class, come together and discuss how photographs can be taken for a variety of reasons. Depending on their purposes, they may give a very different impressions about people who are portrayed. For example, a newspaper editor might choose to use a dramatic picture that will grab readers’ attention. A local community organisation might choose a positive picture of people working together to eradicate slavery and a government department or international organisation may want to show positive images to present progress in eradicating slavery. Mind maps Divide pupils into small groups and give each group a set of photos. Pupils in their groups have to work out connections between the issues shown in the pictures and put together a mind map using some of the photos given to them. They have to justify their choices Similarities and differences Divide pupils into small groups, give each group two photos – ask them to write down all the differences and similarities they can think of. Bubbles: Divide pupils into small groups and give each a photo with an empty speech bubble. Ask them to fill it with what they think the people in the photo may feel. 5 senses Divide pupils into small groups and ask each group to describe a photo according to the five senses: what do they see, feel, smell, taste, hear? Contrasting pictures Give pupils in groups two contrasting photos: which would they rather be in and why Captions Ask pupils in groups to write their own captions for a photo, then compare them to the original and promote discussion. Freeze frame Show whole class a photo on whiteboard. Ask whole class to recreate the photo using themselves to represent objects (actual objects such as an axe, a spoon etc) and things like items of clothing and visible body parts) and abstract imagery in the photo (such as sky, the ground etc). After students have positioned themselves tell them that you will take a photo in five seconds and they must position themselves accordingly. Take phot and ask students to come out of frame. Then ask each student what they had represented in the photo and how they felt to be the item. What is the item’s relation to the subject? How does item feel about subject’s situation? Yes/no Ask for a volunteer in the class and give him/her a photo. The rest of the class has to guess what the photo is about but they can only ask closed questions – those that require a yes/no answer. Only one question Divide pupils into pairs or small groups and ask them to formulate only one question they would like to ask the person/people in the photo. The most thoughtful answer will get an award. Asking open questions Ask pupils in small groups to think of the who, what, why, where and when of a photo, then discuss their answers. Performing Divide pupils into small groups and give each a photo or a number of photos related to a topic they have been working on. Ask each group to develop a five minute group performance or a series of freeze-frames representing the photo/s. Poetry Divide students into small groups and ask them to write a poem inspired by the photos. Drawing Divide pupils into two groups – ask group one to look at a photo for 30 seconds and then meet with group 2 and tell them everything they can remember about it. Group two then draws what they have heard. Case study and films activity Case studies are useful in helping to deepen students understanding of issues of slavery, sharpen their interrogation skills and heighten their empathy. Presented in a first person form, we hear the voice of the person in slavery and have a deeper understanding of their situation and possible solutions. The case study should be presented with the corresponding background information presentation in order for students to have a greater understanding of the situation and be better able to develop a more rounded presentation. Each of the case studies and corresponding film can be used along with the background information to encourage students to carry out the following activity which can be performed at a whole school assembly. Divide class into four groups and distribute one case study from per group and the Information Guide. Ask each group to read their case study and complete the information guide. Each group should appoint a broadcaster, reporter and two interviewees. Groups should prepare a scene for a TV news broadcast, like the six o’clock news. Not every case study will have complete information, so encourage students to think creatively and tap into their empathic understanding of the situation. Roles: Essential characters: • • • • Broadcaster: introduces the news story and gives background information. Reporter: interviews all other characters Child/person in slavery Employer/master Optional additional characters: • • • Another child in slavery Charity worker working on issue of child slavery Authority figure i.e Police Officer/Prison Officer/Government official Each group should have the opportunity to present their broadcast to an assembly and fellow students can ask questions to the characters.