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Ref clock:
Timestamp: realtime
SampleRatq 44.lkHz
24-bit
wordsize
MonitoJAGc: odB
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Date/Time...
LOW:-10d8
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place at the right time."
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ilppltliNt .nd,on$. hr kfi,an @ hedphoF
orless.Ihe
thre€nic€,colourcoded,
eightchannelD
subloomslinkingtheconsole
insenpointttotheBBnla€ailw€llandgood,
bLrtld haveappreciared
a bitofnumb€ring
help.HowEver.
nowthatlknowthecolouf
caden.e,
mylivingitagaineaty.Onceplugged
upandline-checked,tweaking
mk andline
gainsto optimiteleeels
intothe8BR1
i5
process
a simpleenough
to gerrhfougha5
partofyoursoundcheck.
Inoteviatheinsertpoints,the
BBRlis
enlirelythnsparentasyoudexpect,since
it isbasically
bypassed
asfa.astheconsole
B co.cehed.when
rcplaying
.*odings
thoughthecoBdeandPA,.l
could.'thear
anydlfference
between
lheeplayandthe
liveeound.
Eackinth€studiowith
thefiles
loaded
inromyDAWanylimitations
that
lheardweredownto themk preamFinrhe
analogue
con$lethalld usedonthegig,and
notthe88R1
itle]f Loadlng
rheBrddcaet
wAV
filesfromrheBBnli.to theDAwprcsented
y nopDblemiwhatsoevqand
absolute
all
Aswellasilsobvious
liverccording
uses,
th€rekanotherkillerapp
ication
fo.theBBB1,
andthalk virtoalsoundch(ks.
Forthose
y enginedforoneband
of urwho.egular
(orseveElbandt,
o.e liveEcodingof the
ba.danda <aretulnole
o{inpulgain5ettin95
andmonitor
sendlevels
means
thatsystem
soundchecks
canbedonewithoutthe
band
beingpGsen!thusavoiding
allthoseexcitinq
moments
whenthebandltesofwaiting
around
andnartsto throwthentoysoutof
YoucouldahouietheBBHlto rccod
backing
track5
inthesrudio,
€playthem
dlringthegig,pedorm
overthetopand
€cod youretrofts.lf yo|rwantto go back
to old{hool recordingwhere}oo canl edit
onthemohitackbuthaveto playlhesong
lheBBR1
willgive
allthewaythroogh.then
youthisasafunction.
Howeveryou
canl
dodrop-ins,
dihe BBR1
hs a gEalsahty
feature.
Although
Gcodinglta s instandy,
to
eropfeording the stopbuttonhasto beheld
pe.fect
iortrc *conds,whichk absolurely
iorliveuse,butprettyuselesifyoutetrying
to faulttheloecoEBR]BhckBoxrecordefat
theratksthatir
hasbeendesign€d
to catry
BBFIit
out,lf youwanttorecord
9i9rlive,the
prcbablyrhemost
pactical5olution
conenlly
outthere,I knowthatlwantone.rt
BBR]
. rt"d..d(
r U2a-bd. h.nksr
Howgerlthinkthatif loecowercto rclease
a BBR1
MX2withtheadditionalfunction
of
gapless
dopjn/dop-o4 thentheymight
sta.tah5hionfo.Gcordins
andovedubbing
with the band*t upasata livegigo. stage,
rather
lhaninthealways
artificial
envi.onmenr
ofa tudio.Thircould
lhenspawn
thee.li€ly
newindurtry
ofacoostic
treatment
for
church,vlllageandtown
halh,.esultins
in
gigsand
bettersunding
rcco.dings
{aGoogle
sea.dtor'villase
hall"rctu.ned
65pages
of
.i.diLtodt
rDl Ust 2,lr.d
(ondusion
.ln lota InFt.nd qiDut l4l
3ntch.bh b.|g.o -todd/ mrl +ad&.
. Mrnnd hpd.nrl ou$.n b!.1*
Sincebandsnowadays
seento makebigger
andbi99s proportion5
of theirincome
f.om
live9ig! andme.chandising
$le5,theloeco
BBRlBlackBoxdigitalrcco.der
isrhe.i9ht
unitin therightplaceartherighttime,lt
givesanyPAengineerwho
workson a desk
inteltttheabilityro
finedwirhanalogue
offerhisemployels
digitalliv€fecording
andvi.tualsoundchecking,
Thefactrhat
for
rhefearure
serof the88Rlh optimised
the livemarketmeans
thatit.an beus€d
withabsolute
conlidence
evenonthemost
rkl {nor
'Ahp{t
rL Ba6{r?dn
rd hInS
lEdl poht3).
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r DlMtlds {WDH}aI5 | 150! a4rm.
I cantthinkofa tinglesobrrantive
reason
{w.F
omng.nuidan.onrxu:rtrot
77