international enterprises
Designing 007
Fifty Years Of Bond Style
Barbican Centre, London
6 July - 5 September 2012
Selected Press
The Guardian 1/2
29 Feb 2012
The Guardian 1/2
29 Feb 2012
The Times
29 Feb 2012
Globo a mais App 1/9
12 Apr 2012
Globo a mais App 1/9
12 Apr 2012
Globo a mais App 3/9
12 Apr 2012
Globo a mais App 4/9
12 Apr 2012
Globo a mais App 5/9
12 Apr 2012
Globo a mais App 6/9
12 Apr 2012
Globo a mais App 7/9
12 Apr 2012
Globo a mais App 8/9
12 Apr 2012
Globo a mais App 9/9
12 Apr 2012
Language:
ITA
ENG
Theme:
Follow/share:
Newsletter: Sign up today!
Abbonati a Vogue Italia
Search
Sear ch
Follow @francasozzani
#Video #PFW Pre-Show Chanel Haute
Couture fall/winter 2012-13 with
@KarlLagerfeld @Chanel. Watch Video
of the fitting http://t.co/C17niFGT
Designing 007
Designing 007: cinquant'anni di stile della spia (con licenza di uccidere) più
famosa del mondo al Barbican
L'ossessione del giorno
da Hollywood
da Londra
da New York
Last Short News
Parties Events
E' Davvero Troppo
Visti da Vogue
Vogue Arts
Compleanno del giorno
Agenda del Weekend
Vogue Features
I Vogue It (4)
Condividi
Like
10
fullscreen
Cinquanta anni ma proprio non li dimostra,
forse anche perché lui, Bond, James Bond, non
invecchia mai e soprattutto ha, da sempre,
eleganza e classe da vendere. Icona del
cinema e modello di stile con cui si sono
confrontati e alternati attori del calibro di Sean Connery e Roger
Moore fino ai più recenti Pierce Brosnan e Daniel Craig, la spia a
servizio della Regina è già nella memoria collettiva di più di una
generazione.
A cinque decenni dall’uscita nei cinema di Licenza di uccidere, a
celebrare il glamour, non solo di 007, ma anche delle immancabili e
bellissime Bond Girl, la mostra Designing 007 in programma dal 6
luglio al 4 settembre al Barbican di Londra. Un’esperienza
multisensoriale che porterà i londinesi che vi approderanno durante
la tiepida estate inglese verso atmosfere esotiche, in un viaggio nel
mondo di Bond, dove anche l’avventura si vive con stile.
400 tra oggetti, gadget, storyboard, schizzi e disegni, ma anche
l’Aston Martin DB5 del 1964, la stessa che guidava Brosnan in
GoldenEye, i bikini con cui due tra le Bond Girl più famose delle
storia, Ursula Andress e Halle Berry, sono uscite dal mare con tanto
di coltello legato alla cintura, e moltissimi abiti di scena i cui
nomi che li hanno firmati davvero non si contano e che vanno da
Giorgio Armani a Tom Ford, da Miuccia Prada a Hubert de Givenchy, da
Roberto Cavalli a Oscar de la Renta.
Una mostra alla scoperta del making of delle ventidue pellicole della
saga nata dalla penna di Ian Fleming, ma solo per chi lo desidera.
Per chi invece vuole mantenere intatto il mito di James Bond e del
suo mondo perfetto, meglio non curiosare troppo a fondo; molto meglio
invece fare un salto al bar dove, con calma e stile, potrete
sorseggiare il vostro Martini con ghiaccio.
Vogue.it
Related content
converted by Web2PDFConvert.com
2 July 2012
GQ Magazine 1/7
June 2012
GQ Magazine 2/7
June 2012
GQ Magazine 3/7
June 2012
GQ Magazine 4/7
June 2012
GQ Magazine 5/7
June 2012
GQ Magazine 6/7
June 2012
GQ Magazine 7/7
June 2012
HOME
NEWS
Film
Music
Oscars
WORLD
Art
SPORT
Books
Film Rev iews
FINA NCE
COMMENT
TV and Radio
Cinema Trailers
BLOGS
Theatre
Coming Soon
CULT URE
Hay Festiv al
T RA V EL
Dance
Talking Mov ies
LIFE
Opera
Interv iews
FA SHION
T ECH
Photography
DV Ds
Comedy
Film Life
V
Film V i
HOME » CULTURE » FILM » JAMES BOND
Designing 007: Fifty Years of Bond Style, Barbican,
London, review
Mark Monahan reviews a show that, despite its flaws, anyone who has ever thrilled to a
Bond movie would be foolish to miss.
LATEST TRAVEL DEALS
open in browser PRO version
Are you a developer? Try out the HTML to PDF API
Disneyland Califo
Southwest Airline
Get 50% Off Children
Powered by Dunhill T
James Bond's 1964 Aston Martin DB5 Photo: Rii Schroer
By Mark Monahan
More Offers
7:00AM BST 05 Jul 2012
Follow
476 follow ers
Share
Facebook
1 Comment
One of the most winning exhibits in the Barbican’s major new James
Bond show is a tiny film of the late special-effects wizard John Stears
talking about the moments before he started converting a brand-new
Aston Martin DB5 for the film of Goldfinger. “I had to go and have a drink
first,” he ruefully explains, very much in the manner of any right-thinking
fellow obliged to set upon such a ravishing automobile with a power-drill.
It was, of course, a sacrifice worth making. The car became the most
famous and widely coveted in the world and – along with 007’s endless
line-up of gadgets, girls and glamorous adventures – it is now such an
indelible part of popular culture that it is impossible to imagine a world
before it.
Tw itter
Email
LinkedIn
0
James Bond
Culture » Art »
Mark Monahan »
Film »
Film Rev iews »
CULTURE MOST VIEWE
TODAY
PAST WE
1. Eric Sykes, a g
wit and whimsy
2. The Amazing S
magazine revie
3. Eric Sykes, gen
4. Frank Ocean ad
man
5. New BBC chief
less money
IN JAMES BOND
The identical, burnished model that was later used in GoldenEye graces
the entrance to Designing 007 – 50 Years of Bond Style, an exhibition
that sets out to reveal the craft (and craftiness) that has been poured
into the series over the past, almost unbelievable, half-century. It is also
a show that, despite its flaws, anyone who has ever thrilled to a Bond
movie would be foolish to miss.
Skyfall: new photos
open
in browser PRO version Are you a developer? Try out the HTML to PDF API
Telegraph.co.uk 1/3
CULTURE EDITOR'S CHO
Jon Gray dissects
cover
05 July 2012
movie would be foolish to miss.
Having passed the DB5, you walk though a gun-barrel-like entrance into
the Gold Room. Although one or two of the exhibits feel as if they’re
stretching a point, this otherwise gets it just right. The gilded, cell-like
struts and overall colour-scheme are richly evocative of the mighty Ken
Adam’s Fort Knox interior, you can scrutinise Scaramanga’s Colibridesigned Golden Gun at deliciously close quarters, and, at the room’s
centre – complete with a suitably macabre smell of fresh paint – an
uncannily lifelike replica of Shirley Eaton lies, sprawled and gleaming, on
a crumpled bed.
The Gadgets Room is similarly immersive. Arranged like a canyon lined
top-to-bottom with Perspex-fronted wooden packing cases, this includes
that lovely little Stears film, as well as an identically rewarding one in
which Adam wryly discusses his perfectly Bondish decision to package
the industrial kit for the “Little Nellie” autogyro (in You Only Live Twice) in
Gucci-style crocodile-skin cases. But the meat of this space is its
exhaustive array of the gadgets themselves – from Sean Connery’s
exploding briefcase (From Russia With Love) to Timothy Dalton’s
Hasselblad rifle (Licence to Kill) to models of Roger Moore’s submersible
Lotus Esprit (The Spy Who Loved Me) – along with clips from the films
that satisfyingly show the objects in action.
Skyfall: new photos
Design gu
behind – a
question
Bond girls over the
years
11 Com
Steptoe a
Beirut br
Kathy Bu
Pina Bau
pain
Banksy's war on
London
Harry Potter stars
over the years
RELATED ARTICLES
Designing 007: Fifty Years of Bond Style 05 Jul 2012
James Bond still Britain's best spy 27 Jun 2012
William Boyd: New Bond will be middle-aged 11 Jun 2012
James Bond: the guns, the gadgets, the girls 23 Jun 2012
Amazing 3D street art
James Bond: a character to die for 10 Jun 2012
It is, in fact, in the audiovisual side of things that the show scores
particularly highly. The Barbican’s co-curators – fashion historian
Bronwyn Cosgrave and Oscar-winning, Bond-film costume designer
Lindy Hemming – have gained complete access to the 22-strong archive
of in
movies.
Relevant
excerpts Are
from
play throughout
most
of API
the
youthese
a developer?
Try out the HTML
to PDF
open
browser
PRO version
exhibition on huge, pin-sharp screens, meaning that 007’s exploits are
almost constantly unfolding before your eyes and John Barry’s
succulently dramatic strings filling the air.
I do have criticisms, though. For one thing, the show plays most of its
strongest hands early on, something that 007, that wiliest of card
players, would never have sanctioned. The Foreign Territories section,
charting Bond’s more exotic locations, lacks the focus or the atmosphere
of the earlier rooms, and – fun as it is to see the actual Tarot cards used
in Live and Let Die – it misses a trick in its dowdy treatment of the
luscious Solitaire. The layout of the Barbican splinters the show towards
the end, partly separating the rogues’ gallery of villains from the main
thrust of the exhibition, and entirely sawing off the Ice Palace room, which
you have to reach via a lift, and which suffers from being based largely
around Die Another Day, the worst film in the entire franchise.
OFFERS FROM
The “Casino” is more mixed. Replete with a huge, fibre-optic chandelier
and wall-to-wall mirrors, it includes – with extraordinary thoroughness –
the bewildering array of specially designed frocks and dinner-suits that
have graced the films, arranged on spongey tailors’ dummies.
Those with a passion for the ever-evolving couture will be in seventh
heaven, and it is hard for anyone not to thrill at the inclusion of a
£140,000 David Morris diamond necklace identical to the one worn by
Teri Hatcher in Tomorrow Never Dies, as well as a ring (also by Morris)
fitted with a sapphire the size of a Malteser. My regret about this room,
though, is that the plasticky mirrors, faceless mannequins and shortage
of proper casino-like detail make it feel more like Scaramanga’s funhouse in The Man with the Golden Gun than anything you might find in
Monaco. Impeccable, Madame Tussauds-style replicas of the actors and
actresses – along with a more detailed imitation of (say) Monte Carlo –
would probably have been prohibitively expensive, but boy, they would
have been nice. (Similarly, the only proper life-size Bond facsimile you
get is of Sean Connery, looking devilishly dapper in his period Anthony
open in browser PRO version Are you a developer? Try out the HTML to PDF API
Telegraph.co.uk 2/3
05 July 2012
Sinclair suit, leaning on the DB5 by the show’s entrance, in a recreation
of that famous image from Goldfinger.)
Ultimately, though, the time, effort and love that the curators have clearly
poured into the show – combined with those teasing excerpts of the films
themselves – make you glad you came, and I have not yet even
mentioned the many beautiful preparatory drawings by Adam and others
that line so many of the walls. Uneven but enjoyable, Designing 007
ultimately works as proof of the extraordinary technical and creative skill
that has always underpinned the franchise, as a reminder of what
smashing entertainment so many of the past adventures (especially prePierce Brosnan) were, and as a cannily timed appetite-whetter for Daniel
Craig’s forthcoming third outing, Skyfall. Roll on October 26.
At the Barbican, London EC2, tomorrow-Sept 5. Tickets:
barbican.org.uk/bond
Share
Facebook
Tw itter
LinkedIn
0
Telegraph.co.uk 3/3
More from The Telegraph
05 July 2012
More from the web
Francois Hollande announces French tax
grab on holiday homes 04 Jul 2012
The Hottest Gray Hair Color Trend for
2012 Hair Color For Women
Why Tom Cruise is looking like a loose
cannon to the Scientologists 02 Jul 2012
Is The Joker in 'Dark Knight
Rises?' TheInsider.com
James Bond is still Britain's favourite spy 27
Fructose & Metabolism: Don’t believe the
hype, scientists say Evolving Health
Bob Diamond resigns as Barclays chief 03 Jul
Charlize Theron Leaves the 'Today'
Show Zimbio
Doctor Who actress Caroline John dies 21
Blade Runner Recreated Using Frame-ByFrame Watercolor Paintings The Creators
Jun 2012
2012
Jun 2012
Project
What's th
ADS BY GOOGLE
open in browser PRO version
Are you a developer? Try out the HTML to PDF API
Debuting her baby
bump: Mary Portas
arrives hand-in-hand
with pregnant partner
Melanie Rickey at
Tatler's 'lesbian ball'
Both looked blooming!
How much did that day
cost you? Shopping at
Louboutin before lunch
for Wayne and Coleen
Rooney in Beverly Hills
Premier league of
spending
Forget diets... how to
DRESS yourself thin!
Size 12 Karren Brady
reveals she can shave
off 10lbs by picking the
right outfits
Opts for Mad Men style
She's turning into quite
the motor head! Tulisa
spotted driving a new
Audi R8
Well, she has signed a
£500,000 deal for X
Factor!
Style icon: Visitors walk past a Sean Connery waxwork and the famous Aston Martin DB5 at the Fifty Years of
Bond Style exhibition
Lavish sisters style:
Petra and Tamara
Ecclestone show off
their matching Birkin
handbags as they catch
up at dinner
Lots to discuss
She's got the eyes of
the Tiger! Cheyenne
Woods has inherited
more than her uncle's
golfing talent - she's the
spitting image of him too
Playing the single girl!
Tracksuit-clad Mila
Kunis grabs a solitary
coffee on her way to
pilates class
Still denying dating
Ashton Kutcher
Someone's had a few
too many bubbles!
Elizabeth Hurley is
bleary eyed as Shane
Warne takes her home
So he is good for
something!
Visitors look at a tuxedo worn by James Bond actor, Daniel Craig, in the film 'Quantum of Solace' on display in
the exhibition 'Designing 007 - Fifty Years of Bond Style' at the Barbican centre in London
The exhibition opens with an immediate wow factor, as film posters stretch along a corridor where a
replica Sean Connery leans against his beautiful 1964 Aston Martin DB5.
The white bikini Ursula Andress wore as she emerged from the sea in Dr No’s jaw-dropping beach
scene is also on display alongside other but slightly less renowned swimwear.
More...
l
Forget Scouse brows, what about the plank, the tadpole and the happy brow? Women's eyebrows reveal
EXACTLY where they are from, expert reveals
l
The man who should have been King: Australian forklift driver that historians said was true heir to British
throne dies aged 71
l
The men who could have been Bond: Intimate audition shots show actors vying to be 007 (and the girls
that got away)
The bikini, quite tiny close up, is displayed alongside Halle Berry’s orange two-piece from Die
Another Day and a recreation of Sir Sean Connery’s shorts from Thunderball.
Current Bond Daniel Craig, set to reappear in Skyfall in the autumn, won over many female Bond
fans when he wore a pair of tight blue trunks in Casino Royale.
Leonardo DiCaprio
looks all washed up as
he displays belly with
girlfriend Erin
Heatherton
Departed from heartthrob
status
That's very formal for
the gym! Zooey
Deschanel dresses up in
a chic trench coat and
hat after workout
More Inspector Gadget
than hot actress
Can Andy Murray
overpower Le Muscle
from Le Mans?
Frenchman Wilfried
Tsonga stands in his
way for a place in
Wimbledon history
'I didn't want a drugged
up baby': Miranda Kerr
on her decision not to
have an epidural during
The Daily Mail 5 July 2012
http://www.dailymail.co.uk/news/article-2169251/James-Bond-exhibition-Barbican-Ursula-Andresss-bikini-Daniel-Craigs-trunks.html
son Flynn's birth
Watched birthing videos
before making decisions
Lauryn Hill puts on
brave face to perform on
stage as jail term looms
over tax evasion
Surprised fans by
showing up to concert in
Philadelphia
'Words can't explain
the essence of her
beauty': Sombre
Rihanna leaves
grandmother's wake as
she tweets tribute
Sharing her grief
Fourth of July without
Tom: Katie Holmes
stocks up with Suri... as
details of her 'escape
plan' emerge
Switched her phone
numbers
Inside the multi-million
dollar property portfolio
Tom Cruise and Katie
Holmes collected during
their five-year marriage
And how will it be carved
up?
The trunks worn by Daniel Craig in Casino Royal, right, when he climbs out of the sea in the Bahamas are on
display
Kris Humphries' exgirlfriend Myla Sinanaj
'pregnant with NBA
star's baby'
Brunette has claimed that
he is the father
Life's just beachy!
Alessandra Ambrosio
shows off her
sensational bikini body
as she puckers up to
husband in Malibu
Post-baby glow
Has Kanye West given
Kim Kardashian a fashover? How the oncetrashy reality star is
transforming into a
sleek sophisticate
'A perfect life? I think
that's sort of cliché': Jennifer Aniston in no
rush to settle down amid
claims she rejected
proposal from Justin
Theroux
Picture perfect! Britney
Spears cuddles up to
fiance Jason Trawick
and her two sons as
they holiday in Hawaii
Back on track
Bikini worn by Halle Berry playing Jix in Die Another Day is on display as part of the Designing 007: Fifty Year's
of James Bond Style exhibition at the Barbican Centre in London
Brad Pitt's mother
writes anti-gay letter to
newspaper supporting
Romney and slamming
Obama over supporting
same-sex marriage
Jane Pitt is a strict
Christian
Great minds think
alike! Alessandra
Ambrosio and Miley
Cyrus both rock out
patriotic £140 Wildfox
sweater
Who wore it best?
The Daily Mail 5 July 2012
http://www.dailymail.co.uk/news/article-2169251/James-Bond-exhibition-Barbican-Ursula-Andresss-bikini-Daniel-Craigs-trunks.html
Nearly there! A very
pregnant Kourtney
Kardashian indulges in
retail therapy as due
date approaches
Heavily pregnant now...
Nice dress...shame
about the rest! Chelsee
Healey spoils pretty lace
dress with over the top
make-up and dodgy hair
Another day, another style
fail
Many of James Bond's personal effects, including his Walther PPKs, cigarette lighter, and multiple identity
documents are on show
Snap happy Catherine
Zeta-Jones steps behind
the camera for beach
day fun with the family
Played the role of doting
mum
Justin Bieber and
Selena Gomez are 'still
together' despite being
plagued rows
They have broken up but
reconciled, it is claimed
Diamond Bob's spoilt
brat and a super-rich
elite with no shame
All pampered little Nell
cares about is daddy's
reputation, writes JAN
MOIR
He has his mother's
smile! Jennifer Garner
enjoys a day at the park
with beaming baby son
Samuel
He couldn't stop smiling
Fiercely American:
Vanessa Hudgens
paints her acrylic talons
red, white and blue
Very creative nail art!
Dakota Fanning and
Elizabeth Olsen keep
cool in their matching
Daisy Dukes as they film
in steamy NYC
Biked while others took
dips
Pierce Brosnan's 007 passport, which bears the name Alex Smith with the date of birth May 6, 1960,
These are also part of the display which will tour internationally after the show closes at London’s
Barbican in September.
Oscar-winning costume designer and co-curator Lindy Hemming said: ‘This is an exhibition which
deals with design in film.
‘So we have entered the archives which EON have collected over the years and we have tried to take
pieces, interesting objects which would help us to understand design in films and the objects range
from gadgets, clothing, jewellery, wonderful drawings of sets and models of sets and artwork.
‘It is a vast array of different things.
Rihanna sues former
accountancy firm for
'defrauding her out of
millions of dollars by
charging jacked up fees'
After she became pop
star at 16
Blonde ambition turned
my flaming hair to ashes
Julie hated her red hair.
But it's been destroyed by
a decade of dye - and
she misses it
Perrie will be
impressed! One
Direction's Zayn Malik
splashes out on a
£32,000 Bentley
Continental GT
All grown up!
Katherine Jenkins is
ultra glamorous in
sparkly gown as she is
The Daily Mail 5 July 2012
http://www.dailymail.co.uk/news/article-2169251/James-Bond-exhibition-Barbican-Ursula-Andresss-bikini-Daniel-Craigs-trunks.html
chauffeur driven to the
stage in a convertible
Bentley
She's got style, that girl
En garde! Gun-toting
Diane Kruger is one
stylish soldier as she
takes aim during
carnival game with
Joshua Jackson
'Have you seen my
dog?' Frantic Rumer
Willis scours the
neighbourhood in
search of her lost puppy
The 'Hasselblad Gun' - named after the make of camera which was converted into a lethal weapon on the film was used in the James Bond film 'Licenced to Kill' and is one of the star attractions at the exhibition
Isabel Lucas displays
her pin-thin frame as
she cartwheels on
movie location
Lost weight since split
from musician Angus
Stone
Catherine Zeta Jones
displays her toned legs
in sexy LBD... after
working up a sweat in
gym gear
Shows off the fruits of her
labours
Sacre bleu... the men
behind Oscar-winning
film The Artist have
made a flop with new
project The Players
The famous Golden Gun, used by villain Scaramanga, is part of the display showcasing iconic image from half a
century of James Bond films
A piece of history:
Muse release video for
their official Olympics
song Survival with
montage of past and
present athletes
The men who could
have been Bond:
Intimate audition shots
show actors vying to be
007 (and the girls that
got away)
A touch of tartan!
Duchess of Cambridge
adds Scottish twist to
pretty primrose outfit as
she watches William
honoured as Knight of
the Thistle
Kate's hat trick puts
her ahead on style:
Duchess chooses same
headpiece as William is
honoured as a Knight of
the Thistle
Fire breaks out on
Bruce Willis' Die Hard 5
set in Budapest as
explosion stunt goes
wrong
Stunt double took the hit
The 1974 film The Man With The Golden Gun starred Christopher Lee as villain Francisco Scaramanga and
Roger Moore
Doting dad Usher
enjoys a sunny day out
with his sons before
recess is over on
custody case
In Malibu with Usher
The Daily Mail 5 July 2012
http://www.dailymail.co.uk/news/article-2169251/James-Bond-exhibition-Barbican-Ursula-Andresss-bikini-Daniel-Craigs-trunks.html
Raymond V and Naviyd
Wild thing! JWoww
takes the plunge in
skimpy animal print
frock as she plans a
party with her Jersey
Shore co-stars
She just gets crazier in
the fashion stakes
Be my guest: Zac Efron
and Wilmer Valderrama
celebrate at Tiffany
Thornton's intimate baby
shower
Due to give birth next
month
One of the most famous smiles in film history, Jaws's metal teeth and the mould worn by Richard Kiel in The
Spy Who Loved Me, form part of the show
‘They are all themed in a world that gives you the feel of being in a Bond film.
‘Bond films have been responsible for the British film industry working constantly over the years when
there were other lulls and therefore kept many technicicans in employment.’
Hemming, who has worked on various Hollywood hits, said she hoped crowds flocked to the
exhibition.
Describing her role, she said: ‘It’s magic - you go on your own adventure, you are given a mission
and you go on an adventure and it ends up that you have produced a film and the film is captured on
celluloid so you can look at your own work and that is exciting.
Amanda Seyfried
hangs on to a mystery
man for second time in a
week as she visits the
gym in tiny shorts
Let the rumours
commence!
I watched Katy Perry's
film Part of Me 3D... and I
liked it!
It’s as intimate as this
kind of film gets, writes
CHRIS TOOKEY'S
'A startling story to
tell!' Katy Perry's popcentric documentary
movie, Part of Me,
proves to be a surprise
hit with critics
Blubs for the very first
time: Madonna breaks
down during a
performance of Like a
Virgin... but it was all just
for show
Meet the Angel Faces:
How severely burned
girls from all over the
world learn to cope with
life at annual retreat
Includes counselling
Two failed marriages.
A lost baby. And a son
she fears she put
second to her career.
Lulu admits: 'I wish I'd
been a better mother'
Nina Dobrev raps about
the importance of SPF in
new Funny or Die! skit
Shows off bikini body
The exhibition includes a recreation of the actress Jill Masterson covered in gold paint, a famous scene from
the film Goldfinger
BAZ BAMIGBOYE:
Gemma Arterton's
sunshine serenade in
new movie Song For
Marion is simply magical
BAZ BAMIGBOYE: The
Stones roll into town for
a birthday bash on the
50th anniversary of their
first ever gig
The Daily Mail 5 July 2012
http://www.dailymail.co.uk/news/article-2169251/James-Bond-exhibition-Barbican-Ursula-Andresss-bikini-Daniel-Craigs-trunks.html
007th heaven: From
Ursula Andress's bikini
to Daniel Craig's trunks,
the iconic props from 50
years of James Bond
movies
Well that's Simon
Cowell out of the
running! Cheryl Cole
reveals that a man's
shoes are the 'real deal
breaker'
No loafers!
X Factor vs Olympics:
Boot camp forced to
move to Liverpool as the
Games take over the
capital
The latest thing to fall
victim to Olympic
congestion
The model of Jill Masterson's golden body from the 1964 Goldfinger is one of the centre pieces
CREDIT CARDS: OUR
Best balance transfer credit
Best credit cards for cashba
Best credit cards for overse
Best credit cards for spendin
DEAL OF THE DAY: Earn 5% c
DON'T MISS
Model behaviour: Kate
Bosworth shows off her
fashion credentials in
backless dress at the
Hugo Boss show
Follows new jewellery
line
Forget Scouse brows,
what about the plank,
the tadpole and the
happy brow?
How women's eyebrows
reveal where they're from
In this scene from the 1964 film Goldfinger, James Bond discovers his lover killed by being covered in gold
‘It has been an amazing thing to do and I am really glad we have been able to pull it off and hope
people come and learn from or enjoy it.’
The numerous Bond villains have a starring role in the exhibition which also showcases
Scaramanga’s golden gun, Oddjob’s deadly bowler hat and Rosa Klebb’s flick-knife shoes from From
Russia With Love.
But the exhibition also goes beyond the MI6 agent and looks at his creator, Ian Fleming, who based
many stories and character traits on his own experiences, knowledge and friends.
The experience covers 14 different topics and includes a recreation of spymaster M’s office, a look at
the recurring importance of casinos in Bond films, an ‘ice palace’ showing outfits and items from
Bond’s snowy adventures and concludes with a 007 Martini Bar.
Further details are at www.barbican.org.uk/bond.
What's so funny,
Minka? Kelly is all
giggles as she steps out
with gal pal before
hitting the gym
Girls' day out
The director and his
muse: Kate Bosworth
and boyfriend Michael
Polish are as in love as
ever after he directs her
Couple who work
together...
Gareth Gates flunks as
hunk in new musical
Loserville
Production has all the
appeal of a rocked-up
toothpaste ad
Twilight star Jackson
Rathbone and burlesque
dancer girlfriend
welcome a son, Monroe!
First child for the couple
Meet the Angel Faces:
How severely burned
girls from all over the
world learn to cope with
life at annual retreat
The Daily Mail 5 July 2012
http://www.dailymail.co.uk/news/article-2169251/James-Bond-exhibition-Barbican-Ursula-Andresss-bikini-Daniel-Craigs-trunks.html
Andy Griffith's death,
aged 86, was caused by
heart attack
Suffered for years from
other illnesses
James Bond's amphibious Lotus Esprit, which was used in the film 'The Spy Who Loved Me', is one of the
dozens of iconic items on display in the exhibition 'Designing 007 - Fifty Years of Bond Style' at the Barbican
centre in London
She could do with
some beauty sleep! New
mother Alessandra
Ambrosio looks puffyeyed for a breakfast
date
'Like something out of
a Hollywood film':
Dramatic moment an
out-of-control car
smashes into a building
and only stops as it hits
a metal safe
Wish you were here
Richard? Made In
Chelsea's Kimberley
Garner shows off her
rootin' tootin' bikini body
in Ibiza
'Axed from show'
Strewth, it's Lady Brabra! Gaga steps out in
black lingerie and a
velvet cloak as she does
a coffee run in Perth
Assets on full view
The amphibious Lotus Esprit was one of the lasting images from the 1977 Jame Bond film The Spy Who Loved
Me
What would Jackie
say? Dishevelled
Kennedy clan look less
than picture-perfect as
they celebrate Fourth of
July on Cape Cod
Whatever happened to
Camelot?
Travelling in style: BGT
winner Pudsey the dog
to fly to Hollywood on
Simon Cowell's private
jet
INSIDE THE BOX: BBC
didn't axe me says
Andrew Lloyd Webber
on eve of his new ITV
show launch
Where did they all go?!
The Black Widow shows
off flat stomach day
after eating contest
where she devoured 45
hotdogs in 10 minutes
A line of movie posters from half a century of Bond films greet visitors to the Fifty Years of Bond Style exhibition
The great outdoors:
Housemates feel the
strain as Big Brother
makes half of them
wash outside with a
camping shower
The Daily Mail Pregnant Tori Spelling
rolls up for a bikini day
by the pool in a
wheelchair after hurting
her foot
5 July 2012
Not letting injury get her
down
NEWS
H
Real news, real entertainment . . . in real
Front page
News
News
Sport
UK News
3am
TV
Lifestyle
Money
Play
Opinion
James Bond
By Agency staff
Comments 5 Jul 2012 20:31
Want to see Scaramanga's golden gun or
Ursula Andress's white bikini? 50 years of
007 style on display for James Bond
fanatics
SEE MORE STORIES YOU
You've turned off story recomm
them on and we'll update the lis
we think you'll love (how we do
Daniel Craig's tight blue trunks, Halle Berry's orange two-piece and Oddjob's
deadly bowler hat also among 400 items in new exhibition
RECOMMENDED IN NEW
Ne
Fo
tra
ch
dr
ya
wa
Ind
Da
sh
Ma
"I'v
sim
th
ha
Fe
sta
for
Su
Su
Co
Ric
mi
A recreation of the actress Jill Masterson covered in gold paint in the famous scene from Goldfinger
Pic
Getty
Pic
Be
Ob
be
Lo
po
Sa
Some of the most memorable images and items from film have gone on display as a half
century of secret agent James Bond is celebrated in a new exhibition.
Many of the 400 items on display at Designing 007: 50 years of Bond Style will be well
known to fans of the films.
The exhibition opens with an immediate wow factor, as film posters stretch along a
corridor where a replica Sean Connery leans against his beautiful 1964 Aston Martin DB5.
Gri
The white bikini Ursula Andress wore as she emerged from the sea in Dr No's jaw-dropping
beach scene is also on display.
My
fat
for
sis
mu
in
The bikini, quite tiny close up, is displayed alongside Halle Berry's orange two-piece from
Die Another Day and a recreation of Sir Sean Connery's shorts from Thunderball.
Current Bond Daniel Craig, set to reappear in Skyfall in the autumn, won over many female
Bond fans when he wore a pair of tight blue trunks in Casino Royale.
These are also part of the display which will tour internationally after the show closes at
http://www.mirror.co.uk/news/uk-news/james-bond-exhibition-at-barbican-designing-1134261
The Mirror 1/2
Ju
05 July 2012
London's Barbican in September.
Sel
Wi
and
be
Co
apa
Crim
'Fa
Din
hu
aft
me
Lon
Wi
De
sta
new
Ani
Wi
Bre
of
pic
Rex
Fifty Years of OO7 - James Bond exhibition
Oscar-winning costume designer and co-curator Lindy Hemming said: "This is an exhibition
which deals with design in film.
Jon
Dim
BB
in
‘do
tic
"So we have entered the archives which EON have collected over the years and we have
tried to take pieces, interesting objects which would help us to understand design in films
and the objects range from gadgets, clothing, jewellery, wonderful drawings of sets and
models of sets and artwork.
"It is a vast array of different things.
"They are all themed in a world that gives you the feel of being in a Bond film.
MOST READ IN NEWS
"Bond films have been responsible for the British film industry working constantly over the
years when there were other lulls and therefore kept many technicicans in employment."
Hemming, who has worked on various Hollywood hits, said she hoped crowds flocked to the
exhibition.
Describing her role, she said: "It's magic - you go on your own adventure, you are given a
mission and you go on an adventure and it ends up that you have produced a film and the
film is captured on celluloid so you can look at your own work and that is exciting.
"It has been an amazing thing to do and I am really glad we have been able to pull it off and
hope people come and learn from or enjoy it."
The numerous Bond villains have a starring role in the exhibition which also showcases
Scaramanga's golden gun, Oddjob's deadly bowler hat and Rosa Klebb's flick-knife shoes
from From Russia With Love.
But the exhibition also goes beyond the MI6 agent and looks at his creator, Ian Fleming,
who based many stories and character traits on his own experiences, knowledge and
friends.
The experience covers 14 different topics and includes a recreation of spymaster M's office,
a look at the recurring importance of casinos in Bond films, an "ice palace" showing outfits
and items from Bond's snowy adventures and concludes with a 007 Martini Bar.
1. Royal Family
'Rightful king of E
Aussie forklift tru
ancestors were 'c
of crown'
2. Grieving
My late son secretly fa
for my lesbian sister:
finds comfort in her g
Further details are at www.barbican.org.uk/bond.
3. The Shard
It's been a Shard day’
show lights up London
tallest building officia
RECENTLY PUBLISHED
Spot the bod quiz... Can you identify
these celebrities from their skimpy
Twitter photos?
PREVIOUS ARTICLES
Bond bombshell: New Bond Girl Berenice
Marlohe reveals how she struggled to find
acting work
The Mirror 2/2
Who wants to gawp at Britney Spears in a
Licence to thrill: Skyfall teaser trailer's
bikini?
stylish clues to the latest Bond adventure
4. YouTube
"Life’s too short to be
viral clip of little girl a
swimming with SHARK
has provoked outrage
05 July 2012
5. Crime












The Name's Bond




























Vogue.co.uk
1/2 
06 July 2012



 












 


























Vogue.co.uk 2/2

06 July 2012
SERVICES
SUBSCRIPTIONS
DIGITAL NEWSPAPER
PLACE AN AD
MIAMI.COM
MOMSMIAMI.COM
ELNUEVOHERALD.COM
People Wires
Thursday, 07.12.12 Welcome Guest
Login
Register
HOME NEWS SPORTS ENTERTAINMENT BUSINESS LIVING OPINION JOBS CARS REAL
People | Restaurants | Movies | Music & Nightlife | Performing Arts | Visual Arts | Books | TV |
The Miami Herald > Entertainment > People > People Wires
Posted on Thursday, 07.05.12
email
print
comment
007 exhibition looks at screen spy as style icon
Like
BY JILL LAWLESS
ASSOCIATED PRESS
LONDON -- If there's one thing James Bond has
taught us it's that behind every great spy is a great
tailor.
A new exhibition at London's Barbican Centre
explores the style of the suave secret agent,
displaying costumes, props, set pieces and design
drawings from half a century of 007 films.
A visitor takes picture of models of James Bond's Lotus
Esprit used in the film 'The Spy Who Loved Me' on display
in the exhibition 'Designing 007 - Fifty Years of Bond
Style' at the Barbican centre in London, Thursday, July 5,
2012. Sang Tan / AP Photo
Fullsize
previous | next
Image 1 of 8
Assembled with help from the films' producer, EON
Productions- which has a new Bond movie to
promote in the fall - the exhibition includes the
spy's tuxedos, Bond girl ball gowns and villains'
vestments, as well as a selection of props and
gadgets. There are also sketches by the films'
influential set designer, Ken Adam, whose
cavernous lairs and sleek space stations did much
to create the movies' modernist luster.
Related Content
• http://www.barbican.org.uk/bond
• http://Twitter.com/Jilllawless
The show is both a reflection of the remarkable
staying power of Ian Fleming's fictional secret
agent and a tribute to the British, European and
American craftspeople and designers who have
created the look of the quintessentially British icon.
http://www.miamiherald.com/2012/07/05/2882537/007-exhibition-looks-at-screen.html
The Miami Herald 1/2
7/12/2012
05 July 2012
Page 2 of 4
"The films always attracted the greatest design talent," curator Bronwyn Cosgrave said Thursday. They
ranged from the German-born Adam to Academy Award-winning costume designer Lindy Hemming, a
Briton who helped put together the exhibition.
"In the beginning they didn't have the money - but they had the ingenuity," Cosgrave said.
The money came later, as the globally successful franchise sent Bond to exotic locations around the world
- and eventually, in 1979's "Moonraker," into space.
Clips from the movies are screened throughout the exhibition, which includes items that have become mini
-icons, from the white bikini worn by Ursula Andress in the first Bond film, "Dr. No," to the tight blue swim
trunks sported by Daniel Craig in "Casino Royale."
Cosgrave said that since "Dr. No" in 1962, "Bond has consistently led the way" in style.
She said Sean Connery's "conduit cut" suit by Saville Row tailor Anthony Sinclair from the 1960s films is
"the men's equivalent of a Chanel suit," while a sharply cut tuxedo is so identified with the character it has
become known as "the James Bond look."
The first time Bond appeared onscreen, in "Dr. No," viewers saw the silk-lined cuff of his tuxedo sleeve
before they saw Connery's face.
Cosgrave said the success of the look is simple to explain.
"It's sexy," she said. "When does a man look his best? In a tuxedo."
The exhibition includes tuxes worn by Bonds from Connery (classic Saville Row) to Roger Moore (by
designer-to-the-stars Doug Hayward) to Craig, who is dressed by American designer Tom Ford. Ford's
lean suits - in neatly circular fashion - draw on the 1960s for inspiration.
Cosgrave said that because actors typically play 007 over several films - apart from one-off George
Lazenby in "On Her Majesty's Secret Service" - "each Bond had an opportunity to forge a relationship with
their tailor. As a result, they're impeccably dressed."
All those designer names reveal another Bond secret - 007 is both an international brand himself and a
magnet for other luxury labels.
With the 23rd Bond film, "Skyfall," set for release in October, the exhibition gift shop lets visitors purchase
a piece of Bond style, from cocktail shakers and martini glasses to silk ties and gold bars made of
chocolate.
"Designing 007" opens Friday and runs to Sept. 5. It will then tour internationally, opening at the TIFF Bell
Lightbox in Toronto in October.
--Online: http://www.barbican.org.uk/bond
Jill Lawless can be reached at http://Twitter.com/Jilllawless
Like
2
0
Get the Miami.com Weekend Concierge
More from
VIA EMAIL
PEOPLE WIRES
Rolling Stones celebrate 50th anniversary
The Miami Herald 2/2

05 July 2012
Page 1 of 3



007 Exhibition Looks At Screen Spy As Style Icon
JILL LAWLESS 07/05/12 12:28 PM ET Associated Press
LONDON — If there's one thing James Bond has taught us it's that behind every great spy is a gre
A new exhibition at London's Barbican Centre explores the style of the suave secret agent, display
and design drawings from half a century of 007 films.
Assembled with help from the films' producer, EON Productions_ which has a new Bond mov
exhibition includes the spy's tuxedos, Bond girl ball gowns and villains' vestments, as well as a
There are also sketches by the films' influential set designer, Ken Adam, whose cavernous lair
much to create the movies' modernist luster.
The show is both a reflection of the remarkable staying power of Ian Fleming's fictional secret ag
European and American craftspeople and designers who have created the look of the quintessenti
"The films always attracted the greatest design talent," curator Bronwyn Cosgrave said Thursday.
born Adam to Academy Award-winning costume designer Lindy Hemming, a Briton who helped pu
"In the beginning they didn't have the money – but they had the ingenuity," Cosgrave said.
The money came later, as the globally successful franchise sent Bond to exotic locations around
1979's "Moonraker," into space.
Huffingtonpost.com
5 July 2012
Wall Street Journal 1/2
06 July 2012
Wall Street Journal 2/2
06 July 2012








Día 06/07/2012 - 17.16h

Page 2 of 5









http://www.abc.es/20120706/cultura-arte/abci-bond-201207051735.html
7/12/2012

ABC.es 1/2
06 July 2012



































Page 3 of 5




http://www.abc.es/20120706/cultura-arte/abci-bond-201207051735.html
7/12/2012







ABC.es 2/2
06 July 2012
Editor-At-Large: My recipe for health – and it's free - Janet Street-Porter - Columnists... Page 1 of 5
Thursday 12 July 2012
NEWS
OPINION
Leading Articles
Hot Topics
SPORT
Commentators
George Osborne
OLYMPICS
Columnists
Syria
Opinion > Janet Street-Porter
LIFE
PROPERTY
ARTS & ENTS
TRAVEL
MONEY
INDYBEST
Letters
Greece
Michael Gove
Columnists > Janet Street-Porter
Search The
Advanced Sear
Editor-At-Large: My recipe for health – and it's free
Most Viewed

Send
Recommend
 
1
16
0
Robert
to Iran
������
������
������
Robert
continues
How can something as fundamental as providing children
Ads by Google
with lunch be a political issue? Michael Gove has
decided to recruit the founders of Leon, a restaurant
Hydra-Capsule-flat jacks
Temporary or Permanent Flat
chain, to produce a report into school meals. Talk about
Jacks - Sales & Contracts, UK
reinventing the wheel. Education ministers have such
& Europe
www.flat-jacks.com
giant egos they imagine that only they will come up with
a miracle solution that all previous incumbents in the job
Top 10 Solar Panels
Compare Solar Panel Prices
have failed to spot. Why will these Leon fellows do any
Easily. We Compare 250
better than Jamie Oliver, who, back in 2008, led a
Suppliers Instantly
www.SolarPanelQuoter.co.uk
passionate campaign to ban turkey twizzlers and other
mucky fast foods, set up schemes to train staff to cook as
Lose 4 Stone in 3 Months?
Discover the Shocking Truth
opposed to reheat food, and who encouraged Labour to
About Britain's Hottest Diet...
set minimum nutritional standards?
TrimRecipe.com/Diet
Andreas
for old age
Letters:
Steve
Clegg must a
Viv
The
Leading
The
This
The Education Secretary has set about unpicking
everything that Jamie cared about – in the name of
"freedom of choice". He's allowed academies and free schools to opt out of these
standards, and now he's commissioned an expensive inquiry into the bleeding obvious.
The same mentality has resulted in one health minister after another ordering celebrities
and restaurateurs to "investigate" why hospital food is so appalling. From Prue Leith to
Loyd Grossman, they've all tried and failed to make any difference. How to provide
decent school meals could be sketched on the back of an envelope. Reducing the
number of fat kids isn't rocket science either. The over-hyped notion of choice – as if it's
a human right even eight-year-olds are entitled to exercise – has caused a huge amount
of harm.
Here's the JSP solution. Lock kids into school premises at lunchtime. Ban packed
lunches and takeaways. All parents or guardians must sign a contract with headteachers
agreeing that their kids will eat school meals at lunchtime or expect to be punished.
Train local people to cook the meals, aided by the local catering college staff. Produce
the menus as a joint project between parents, pupils and kitchen staff, meeting existing
The Independent 1/3
08 July 2012
http://www.independent.co.uk/opinion/columnists/janet-street-porter/editoratlarge-my-r... 7/12/2012
Editor-At-Large: My recipe for health – and it's free - Janet Street-Porter - Columnists... Page 2 of 5
Latest in Janet StreetPorter
nutritional guidelines. Encourage pupils to study cooking for GSCE, and schedule them
to help cook, clear up, and serve in school canteens, so they learn social skills.
Editor-At-Large: Agassi's
tennis boot camp woes
Who knows, some might even go on to work in the hospitality industry which is crying
out for staff. Hold cooking classes for mums in the evenings. Mr Gove, you can have
those ideas for nothing: don't waste money on a pointless exercise.
Editor-At-Large: Teach
our kids a useful trade or
two
Tracey's code
Editor-At-Large: Fake
Britain at the heart of
Olympics
Ascot, Wimbledon, another week, another dress code. Tracey Emin celebrated her 49th
birthday last week, and her pal restaurateur Richard Caring kindly lent his swankiest
Editor-At-Large: Ed's idea club, Annabel's in Berkeley Square, for the celebrations. Attached to the hand-written
of England has lost its way invitation from Tracey were detailed instructions issued by the club, announcing that
Editor-At-Large: Tourism men were not allowed to wear leather or suede clothing. Britain's most distinguished
begins at home
artist, the late Francis Bacon, would have been shown the door as he always wore a
black leather jacket.
Editor-At-Large: A
woman's right to choose
Deck shoes and cowboy boots were also banned. Shirts have to be tucked into trousers.
HRT
Does Sir Philip Green obey this cruel diktat? A pal of Richard's, he generally wears a
Editor-At-Large: A
wedding day should be a flapping shirt to obliterate his expanding midriff. Women were told "no exposed
gay day
undergarments", a rule that Tracey has flouted on numerous occasions. Party guest
Nancy Dell'Olio managed to keep her bra straps hidden for once. Female guests were
Editor-At-Large: No
lipstick? Glasses? It's just not allowed to wear "office trousers/suits", whatever they may be.
politics
Recently
Facebook
A new social readin
Facebook.
First, I thought the list was a practical joke, devised by Tracey. Then, I realised it was
Editor-At-Large: Job
sharing divides work more completely serious. Would her more outrageous friends comply? Jake and Dinos
fairly
Chapman were not there, but Pam Hogg wore a flashy catsuit which survived the taste
police. I wore a Crimplene and lurex Seventies frock bought in Australia for £20. The
News in pictures
staff were extremely pleasant, and it was a fun evening. Double standards were in force:
men were able to wear "office/trouser suits", as I noticed when I had a rant at Jeremy
Hunt for allowing McDonald's to sponsor the Olympics.
Modest Mike
Forget Harold Pinter: Mike Leigh's Abigail's Party is one of the most important British
plays of the past 50 years. Written in 1977, his forensic take on the upwardly mobile in
suburban Romford couldn't be more relevant today – the grisly (and hugely popular)
TOWIE has spawned a whole new generation of Beverly clones.
I remember exactly what happened the night I settled down to watch the BBC broadcast
in November 1977. I felt physically sick, got up and watched the rest of the play through
my hands from behind the sofa, unable to believe my ears. I was convinced that Mike
Leigh had spied on my parents' house in Perivale and somehow met my sister. Does any
other play sum up the British and their snobbish cruelty to each other so well?
Opinion blogs
Watching the revival at Wyndham's Theatre, I still felt queasy. My friend Glen is such
an Abigail fan he even went to see a recent production at the Norwegian National
Theatre in Oslo. Mike Leigh is reputed to have said: "I never imagined it would be
performed in the birthplace of Ibsen." Don't be modest, Mike. During the past year, I've
been bored to tears by three out of four nights in the theatre. Abigail's Party leaves you
wanting more: I could have sat through another hour of Beverly.
Solid gold
James Bond is one of the most perennially stylish men on the planet, and at the Barbican
this cultural icon is celebrated in a major show, Designing 007: Fifty Years of Bond
Style. I can't remember such a fun exhibition, mainly because the curators have really
The Independent 2/3
08 July 2012
http://www.independent.co.uk/opinion/columnists/janet-street-porter/editoratlarge-my-r... 7/12/2012
Editor-At-Large: My recipe for health – and it's free - Janet Street-Porter - Columnists... Page 3 of 5
Britain and
banking: Back to
the 1830s
Unparalleled levels of
imprudent lending; corrupt
banking practices; soaring
inflation and rising un...
Britain and
banking: Back to
the 1830s
Unparalleled levels of
imprudent lending; corrupt
banking practices; soaring
inflation and rising un...
entered into the spirit of the enterprise. The slightly oppressive Barbican is a building
that could easily have featured in a Bond movie: I always expect Rosa Klebb to leap out
and spear me with her evil flick-knife shoes, which are on display here.
The level of craftsmanship and attention to detail on show is extraordinary, and Ken
Adam's visionary drawings are worth the trip alone. The show is laid out as a series of
rooms devoted to Bond themes – Gold, Casino, M's Office, Q Branch, villains and
enigmas, and, down in the Pit, a model of Ice Palace, with footage of the most expensive
ski jump in movie history. Gold features a life-sized re-creation of Shirley Eaton lying
dead on the circular bed.
Forget Bond's budgie-smuggler swimming trunks, it's the gadgets that will draw the
crowds. My favourites? Scaramanga's golden gun, from The Man with the Golden Gun,
made from a table lighter and with a cufflink as the trigger. The Hasselblad Gun and
detonating cigarette packet from Licence to Kill, and Oddjob's deadly bowler hat from
Goldfinger, which was mistakenly given to a fan and eventually bought back by the film
company at a Christie's auction in 1998, for £62,000. No wonder they have hung on to
so many props: what a testament to British ingenuity.



16
0
Comments
MORE IN JANET STREET-PORTER »
Ads by Google
Grants For Solar Panels
Find Out if Your House Qualifies? Check Your Postcode Online Now!
which-solar.co.uk/Postcode-Check
Age 55+ Equity Release
Release Cash In Your Home With Key. Choose The UK's No.1, Enquire Today
www.Keyrs.co.uk/Equity-Release
Soft Ice Cream Machines
Standing up to
friends is just as
important as
voicing your
opinion on a
common enemy
Install, Sales & Service - UK wide High profit margins - fast service
www.electrofreeze.co.uk
Solar Panel Grants
UK Government Backed Solar Scheme. Is Your Roof Eligible - Find Out!
Which-Compare.co.uk/SolarPanelGrant
Independent Comment
Stewart Lee is widely
regarded by many in the
comedy world and the fans
who worship them as a
comedy...
The Independent 3/3
08 July 2012
Ads by Google
Shorter Swim Trunks Are the Look for Men - NYTimes.com
HOME PAGE
TODAY'S PAPER
VIDEO
MOST POPULAR


U.S. Edition
Fashion & Style


Page 1 of 4


FASHION & STYLE

DINING & WINE


HOME & GARDEN


WEDDINGS/CELEBRATIONS
TRADING UP

Log in to
are sharing on nyt
Privacy Policy
What




Kevin McDermott for The New York Times
By DAVID COLMAN
Published: July 11, 2012




FACEBOOK
TWITTER
GOOGLE+
EMAIL
The New York Times 1/2
http://www.nytimes.com/2012/07/12/fashion/shorter-swim-trunks-are-the-look-for-me...
10 July 2012
7/12/2012



SHARE
PRINT
REPRINTS
Multimedia










Download It From the App Store






































Shorter
Swim Trunks Are the Look for Men - NYTimes.com
Page 3 of 4


Today's Headlines






http://www.nytimes.com/2012/07/12/fashion/shorter-swim-trunks-are-the-look-for-me...
7/12/2012




The New York Times 2/2
A version of this article appeared in print on July 12, 2012, on page E7 of the New York edition with the headline: More Men
10 July 2012


A New Exhibit Celebrates 50 Years of James Bo
    






It’s no secret that James Bond is the world’s most stylish spy. Now London’s Barbican Cent
the secret agent’s flair and style on the silver screen in a new exhibition called “Designing 0
(: Celebrating 50 Years of James Bond at the Barbican Center)
Marking the 50th anniversary of the first Bond film, “Dr. No”, the exhibition gives a nod to
franchise and pays “tribute to the British, European, and American craftspeople and design
the quintessentially British icon”, reports the .
The 400 items on display include: his wardrobe of tailored tuxedos, the white bikini worn b
worn by different Bond girls, props, gadgets, and set pieces from the movies. “Designing 00
Bond film – the 23rd in the series — is scheduled to hit theaters in October. Click here
exhibition.
: Watch the First Minute of All 22 James Bond Films
TIME.com
10 July 2012
Page 1 of 3



007 Exhibition Looks At Screen Spy As Style Icon
JILL LAWLESS 07/05/12 12:28 PM ET Associated Press
LONDON — If there's one thing James Bond has taught us it's that behind every great spy is a gre
A new exhibition at London's Barbican Centre explores the style of the suave secret agent, display
and design drawings from half a century of 007 films.
Assembled with help from the films' producer, EON Productions_ which has a new Bond mov
exhibition includes the spy's tuxedos, Bond girl ball gowns and villains' vestments, as well as a
There are also sketches by the films' influential set designer, Ken Adam, whose cavernous lair
much to create the movies' modernist luster.
The show is both a reflection of the remarkable staying power of Ian Fleming's fictional secret ag
European and American craftspeople and designers who have created the look of the quintessenti
"The films always attracted the greatest design talent," curator Bronwyn Cosgrave said Thursday.
born Adam to Academy Award-winning costume designer Lindy Hemming, a Briton who helped pu
"In the beginning they didn't have the money – but they had the ingenuity," Cosgrave said.
The money came later, as the globally successful franchise sent Bond to exotic locations around
1979's "Moonraker," into space.
Huffingtonpost.com
5 July 2012

























































The New York
Times 1/4
18 July 2012





















































The New York Times 2/4







18 July 2012














































The New York Times 3/4
18 July 2012
 


 















The New York Times
4/4
18 July 2012




































ASOS Magazine












July 2012
A&E
Home
News
Business
Sports
A&E
Lifestyles
Opinion
Real Estate
Cars
Jobs
Fashion, fast cars: show eyes Bond
film style legacy
Mike Collett-White
Reuters
9:25 a.m. CDT, July 5, 2012
LONDON (Reuters) - Suave, sophisticated, sexist - James Bond has meant many things to
many people since he first hit the screen 50 years ago. A new exhibition marking the big
anniversary looks at another side of the fictional secret agent - his role as trend-setter.
"Designing 007: Fifty Years of Bond Style" opens at London's Barbican Centre on Friday and
PHOTOS & VIDEO
traces the importance of fashion and design in the 22 official Bond movies released so far.
It is one of a series of events celebrating 50 years since the
release of "Dr. No", the first in the record-breaking film franchise that starred Sean Connery
in the main role and launched one of the most famous characters in movie history.
Bond-mania is likely to go into overdrive when "Skyfall", number 23 in the series and the
third Bond featuring Daniel Craig in the lead, hits theatres in October and November.
"I think it is an aspect that is sometimes overlooked, and the show points out how influential
Photos: Dealing with sweltering
heat
Bond's style and design has been through the decades," said Neil McConnon of the arts
division of Barbican International Enterprises.
He worked alongside co-curators Bronwyn Cosgrave and Oscar-winning costume designer
Lindy Hemming to put together the exhibition, which will tour internationally over the next
three years, underlining the movies' global appeal.
"I really do think the film franchise has been ahead of is time."
Photos: Gay
Celebrities: Who is
out?
Video: When
pandas do tai-chi...
TAILORING AND TRAVEL
As well as influencing the cut of men's suits and whetting viewers' appetites for vintage sport
cars, Bond also opened up the world with his globe-trotting, death-defying exploits.
"The influence can also be seen in terms of tourism," said McConnon. "Bond's exotic locations
Photos in the News: Video: Meet the
world's largest
Zimmerman
crocodile
have inspired people to travel and explore."
On display are dozens of original costumes, props, set designs, dresses and other Bond
paraphernalia, and, thanks to the agreement of EON Productions which makes the movies,
CHICAGO SHOPPING
there are film clips and audio to illustrate the exhibits in action.
Bond himself is seen as the epitome of sophisticated yet understated style - tailored suits and
tuxedos or less formal polo shirts.
This weekend's
Chicago TRibune 1/2
http://www.chicagotribune.com/entertainment/sns-rt-us-jamesbond-exhibitionbre8640qi-20120705,0,6400577.story
Katy Perry's glam
05 July 2012
Page 1 / 3
"Bond girls" are known for everything from bikinis to shimmering ball gowns, while villains
hot club fashion
makeup looks
Our favorite finds
on Craigslist
Celebrity style
hits and misses
adopt the severe look by buttoning up their jackets to the neck.
The white bikini worn by Ursula Andress emerging from the sea in "Dr. No", one of cinema's
most celebrated scenes, has been loaned by Planet Hollywood International to hang alongside
that worn by Halle Berry in "Die Another Day".
The curators were spoilt for choice when it came to props and set designs.
Included is the 1964 Aston Martin DB5, the most famous Bond car, the only surviving version
of Scaramanga's golden gun that appeared on screen in "The Man With the Golden Gun" and
Ken Adam's drawings for the set inside Fort Knox in "Goldfinger".
Oddjob's lethal hat, the actual Tarot cards used in "Live and Let Die", ski outfits and even the
model of a shark's head from "Licence to Kill" are among the other highlights of the show
spread across 14 rooms.
The Daily Telegraph, which is a media partner on the show, gave it four stars out of five in an
early review.
While some of the exhibits were dowdy and tatty, including "spongey tailors' dummies", "it is
also a show that, despite its flaws, anyone who has ever thrilled to a Bond movie would be
foolish to miss," wrote critic Mark Monahan.
(Reporting by Mike Collett-White, editing by Paul Casciato)
Copyright © 2012, Reuters
CHICAGONOW
Seventeen
Magazine
capitulates, will
stop airbrushing
photos of young
girls
Thanks, Facebook,
for revealing
stupid parents
Manage Subscription
Chicago TRibune 2 /2
Advertising
Terms of Service
Privacy Policy
About Our Ads
Chicago Tribune, 435 N. Michigan Ave., Chicago, IL 60611
05 July 2012
Page 1 of 2








MOVIES | By YUMI GOTO AND GLEN LEVY | July 10, 2012 |


SEARCH TIME

+









PA PHOTOS / LANDOV



Related Topics: Barbican Center, England, James Bond, London, Looking Around, Movies, Travel
Stay Connected with TIME.com
TIME.com
10 July 2012
Exhibit looks at 007 as style icon - Houston Chronicle
Page 1 of 3
Classifieds | Houston Weather
Wednesday, July 11, 201
chron.com
HOME
NEWS
Mom Houston
SPORTS
BUSINESS
Houston Belief
Health
Web Search by YAHOO!
ENTERTAINMENT
Gardening
Pets
LIFE
Gloss
TRAVEL
Food
75
Businesses
BLOGS
Delish
LA VOZ
Books
JOBS
Horoscopes
HOMES
Comics &
Exhibit looks at 007 as style icon
Associated Press
Updated 02:30 p.m., Friday, July 6, 2012
VIEW: Larger | Hide
1 of 6
Visitors look at a tuxedo worn by James Bond actor, Daniel Craig, in the film 'Quantum of Solace' on display in the exhibition
'Designing 007 - Fifty Years of Bond Style' at the Barbican centre in London, Thursday, July 5, 2012. (AP Photo/Sang Tan)
Photo: Sang Tan / AP
Houston Chronicle
http://www.chron.com/life/article/Exhibit-looks-at-007-as-style-icon-3686724.php
07 July 2012
7/11/2012
ABBONAMENTI
ARCHIVIO
PIÙ VISTI
SOCIAL
METEO
TUTTOAFFARI
LAVORO
LEGALI
NECROLOGIE
SERVIZI
COSTUME
EDIZIONI LOCALI: TORINO - CUNEO - AOSTA - ASTI | PROSSIMA USCITA: NOVARA e VCO
ATTUALITÀ
OPINIONI
ECONOMIA
SPORT
TORINO
CULTURA
SPETTACOLI
MOTORI
DONNA
CUCINA
SALUTE
VIAGGI
EXTR@
SPECIALI
EDITORIALI
HOME
NEWS BLOG
CALCIO
POLITICA
FINANZA
BASKET
ESTERI
FORUM
HOME
HOME
BORSA
VOLLEY
HOME
CRONACHE
INSTANT
DOMANDE
ITALIANA
LIBRI
HOME
BLOG
F1
POLL
&
COSTUME
TUTTOLIBRI
RISPOSTE
CINEMA
TORINOSETTE
HOME
MOTO
ESTERO
LETTERE
E TV
MUSICA
TECNOLOGIA
GOLF
AL
FONDI
TORINOSETTE
ARTE
DIRETTORE
PROGRAMMI
HOME
HOME
TUTTOAFFARI
MARE
GIOCHI
OBBLIGAZIONI
SCUOLA
HOME
SALUTE
SCIENZA
AUTO
OUTDOOR
RADIO
HOME
LETTERE
TUTTOLIBRI
HOME
EVENTI
FOTOGRAFIA
BENESSERE
MODA
LISTINO
E TV
NOTIZIE
AMBIENTE
ALVALUTE
NOTIZIE
GIORNALE
CALCIO
FUMETTI
FILM
AUTO
CASA
TUTTOSCIENZE
DONNA
IN
PIEMONTE
FUMETTI
DOVE
TUTTOSOLDI
LAZAMPA
SALA
DESTINAZIONI
PATENTI
CUCINA
EDITORIALE
SCUOLA
SCIENZA
RICETTE
MUSICA
LATUTTOSOLDI
IOROSCOPO
CUCINA
MOTO
TUOI
VIDEO
MARE
DEITUTTOSCIENZE
PROTAGONISTI
WEEKEND
LETTORI
DIRITTI
VIDEO
DEI
MUSICALI
LAGIORNALI
STAMPA
MUSICALI
WEB
REPORTAGE
SPECCHIO
MULTIMEDIA
STORIES
YOU
MOTORI
AMBIENTE
REPORTAGE
TUBE
DEIEBOOK
TEMPI
TOP
TWITTER
OUTDOOR
TEN ARCHIVIO
HOTEL
FACEBOOK
& SPA
ULTIMI ARTICOLI
C onsiglia
1
Tweet
1
0
COSTUME
01/03/2012 - ANTEPRIMA
Mezzo secolo di 007
Lo stile nei dettagli
Dal '62 a oggi nei film dell'agente
segreto è passato un mondo. Ora
una mostra lo racconta, tra
moda, design, costume e mito
01/03/2012
Consigli sui libri, soddisfatti o rimborsati
29/02/2012
Il bebé perfetto dice sempre bonjour
28/02/2012
Una Enciclopedia delle donne
24/02/2012
Allarme, i ragazzi bev ono troppo
22/02/2012
Capire i gesti il linguaggio che non mente
tutti gli articoli
FEED
ANDREA MALAGUTI
CORRISPONDENTE DA LONDRA
Il Barbican Centre è un posto abbastanza
speciale che si trova su Silk Street, dalle
parti di St. Paul, Londra centro. Dentro ci
fanno di tutto. Ma sostanzialmente arte.
Teatro, danza, cinema, pittura, musica. Il
meglio della creatività contemporanea.
Sean Conner, il James Bond più amato, è stato 007 dal 1962 al 1971
Un ruolo importante lo consegnano al
e ha convinto tutti, anche l'inventore di James Bond, Ian Fleming,
design. Dal prossimo 6 di luglio, e fino al 5
che lo riteneva troppo muscoloso e alto per la parte
settembre, si occupano di un mito inglese:
FORSE TI INTERESSA ANCHE
James Bond. Il suo «stile» - questa è la
+Dov e resiste il piacere proibito del wagon-lit
+ Kate Middleton, casalinga perfetta che studia da regina
parola chiave - raccontato attraverso 50
anni di cinema. Nel 1962 esce «Dr. No», il primo della serie, il prossimo 26 ottobre tocca a
«Skyfall», l’ultimo. Da Sean Connery a Daniel Craig, in mezzo ci è passato un mondo. Ed è quello che
mettono in mostra al Barbican. La storica del fashion Bronwyn Cosgrave, che ha organizzato la
cosa, dice che «nessuno ha mai tentato prima un’operazione del genere». Rivendica il suo piccolo
pezzo di storia.
L’inizio. Il manifesto di «Dr. No» è un pugno nell’occhio con lo sfondo giallo. C’è Bond-Connery a
mezzo busto, nella posizione classica da «un martini secco, agitato, non mescolato» - quella
preferita da Ian Fleming - assieme a lui quattro donne da svenire. La prima è Ursula Andress. È lei
che rapisce l’imaginario collettivo e certifica il successo di 007 . In una scena in particolare,
trasformata poi in fotografie tre metri per due. È in bikini, maschera, conchiglie, coltello, i capelli
bagnati che scivolano dietro le orecchie. Un corpo ubriacante.
ANGOLO GIORNALISTI
Web Notes
ANNA MASERA
Open Journalism - la lezione...
Allacciate le cinture
ANGELO CONTI
Tap "crede fortemente" nel p...
On the road
MARINELLA VENEGONI
Montreux, addio a Lucio Dall...
Bond è di fianco, con la maglietta a maniche corte e lo sguardo da duro piantato nel vuoto. La
formula dell’immortalità. La spia invincibile che si batte per un mondo migliore, lo sfondo esotico,
la bella combattiva e mozzafiato. Da lì in avanti è cambiata solo la sceneggiatura da costruirgli
attorno. In ogni film 007 comincia con una donna e finisce con un’altra, ammazza molta gente - ha
la licenza di uccidere - e usa un’infinità di gadget tecnologici. Ha eleganza, sangue freddo,
intelligenza e conoscenze sconfinate, dal velenoso Roger Moore («Connery? Recita bene, peccato
non si capisca quando parla») al manichino Pierce Brosnan.
Naturalmente non mancano le auto, su tutte la Aston Martin DB5. «I film di Bond sono stati successi
straordinari dal punto di vista degli incassi, ma questo non diminuisce la qualità complessiva del
prodotto, in cui il design ha giocato un ruolo centrale», spiega Cosgrave. Al Barbican mostrano il
dettaglio. I vestiti di Armani, Tom Ford o Hubert de Givenchy, il jetpack pronto per la fuga e
costume di Halle Berry e le scarpe di Rosa Klebb col coltello nascosto nel tacco.
Sceneggiature sessiste? Forse. «Se c’era una cosa che toccava l’animo di Bond era essere sorpassato
a tutto gas da una bella ragazza», scrive Fleming in «007 al servizio di Sua Maestà». Un inno alla
bellezza, alla velocità intesa come futuro e, appunto, allo stile.
Quando poi, sui titoli di coda, James e la sua dama si scoprivano improvvisamente stregati dal
pozzo incandescente della luna, non si adeguavano banalmente alle voglie di un pubblico planetario
desideroso solo di dire: ooohhhh?
LaStampa.it
01 Mar 2012
converted by Web2PDFConvert.com
NEWSPAPERS
NEWS
BUSINESS
SPORTS
ENTERTAINMENT
LIFESTYLE
HEALTH
TRAVEL
TECHNOLOGY
Fashion, fast cars: show eyes Bond film style legacy
BY MIKE COLLETT-WHITE, REUTERS
STORY
JULY 5, 2012
PHOTOS ( 1 )
MORE ON THIS STORY
Gallery: James
Bond cars
British menswear
wraps up event
with accolades
U.K.'s Royal Ascot
redefines concept
of fashion police
MOST POPULAR
CANADA.COM
Blogs: Prince
Charles and the
art of dressing like
a gentleman
Marlins trade for 'experienced bat' of Lee
Den Tandt: Why shuffle? Harper's disdain for
new blood after rocky year baffling
Elections Canada following proper procedure in
asking to speak to Del Mastro under legal
caution
STORY TOOLS
A recreation of the actress Jill Masterson covered in gold paint, a famous scene from the film
Goldfinger, on display at the Fifty Years of Bond Style press view on July 5, 2012 in London,
England.
Eric Tillman created Jyles vs. Durant
Print this Article
Photograph by: Matthew Lloyd , Gettyu Images
Share this Article
Suave, sophisticated, sexist - James Bond has meant many things to many people since he
COMMENTED
Matthew McConaughey takes it all off in Magic
Mike
Gallery: London
Collections Men Christopher
Shannon Spring
2013
E-mail this Article
E-MAILED
Tiger sights the British Open
ALSO ON DRIVING.CA
Gallery: Car designer
Pininfarina remembered
Font:
Italian car designer Sergio
Pininfarina died this week, leaving a
legacy of classic Ferraris and other
great sports cars. Here are a few of
the cars produced...
first hit the screen 50 years ago. A new exhibition marking the big anniversary looks at another
side of the fictional secret agent - his role as trend-setter.
"Designing 007: Fifty Years of Bond Style" opens at London's Barbican Centre on Friday
and traces the importance of fashion and design in the 22 official Bond movies released so far.
COMMENTS ()
It is one of a series of events celebrating 50 years since the release of "Dr. No", the first in the
First Drive: 2013 Kia Cee'd
record-breaking film franchise that starred Sean Connery in the main role and launched one of
Road test: 2013 Ford Mustang Convertible
the most famous characters in movie history.
Bond-mania is likely to go into overdrive when "Skyfall", number 23 in the series and the third
Bond featuring Daniel Craig in the lead, hits theatres in October and November.
"I think it is an aspect that is sometimes overlooked, and the show points out how influential
Bond's style and design has been through the decades," said Neil McConnon of the arts
division of Barbican International Enterprises.
He worked alongside co-curators Bronwyn Cosgrave and Oscar-winning costume designer
Lindy Hemming to put together the exhibition, which will tour internationally over the next three
years, underlining the movies' global appeal.
http://www.canada.com/life/fashion-beauty/story.html?id=6888373
Canada.com 1/2 Page 1 / 3
05 July 2012
"I really do think the film franchise has been ahead of is time."
TAILORING AND TRAVEL
As well as influencing the cut of men's suits and whetting viewers' appetites for vintage sport
cars, Bond also opened up the world with his globe-trotting, death-defying exploits.
"The influence can also be seen in terms of tourism," said McConnon. "Bond's exotic locations
have inspired people to travel and explore."
On display are dozens of original costumes, props, set designs, dresses and other Bond
paraphernalia, and, thanks to the agreement of EON Productions which makes the movies,
there are film clips and audio to illustrate the exhibits in action.
Bond himself is seen as the epitome of sophisticated yet understated style - tailored suits and
tuxedos or less formal polo shirts.
"Bond girls" are known for everything from bikinis to shimmering ball gowns, while villains
adopt the severe look by buttoning up their jackets to the neck.
The white bikini worn by Ursula Andress emerging from the sea in "Dr. No", one of cinema's
most celebrated scenes, has been loaned by Planet Hollywood International to hang alongside
that worn by Halle Berry in "Die Another Day".
The curators were spoilt for choice when it came to props and set designs.
Included is the 1964 Aston Martin DB5, the most famous Bond car, the only surviving version of
Scaramanga's golden gun that appeared on screen in "The Man With the Golden Gun" and Ken
Adam's drawings for the set inside Fort Knox in "Goldfinger".
Oddjob's lethal hat, the actual Tarot cards used in "Live and Let Die", ski outfits and even the
model of a shark's head from "Licence to Kill" are among the other highlights of the show
spread across 14 rooms.
The Daily Telegraph, which is a media partner on the show, gave it four stars out of five in an
early review.
While some of the exhibits were dowdy and tatty, including "spongey tailors' dummies", "it is
also a show that, despite its flaws, anyone who has ever thrilled to a Bond movie would be
foolish to miss," wrote critic Mark Monahan.
© Copyright (c) Reuters
E-mail this Article
Print this Article
Share this Article
NEWS
BUSINESS
SPORTS
ENTERTAINMENT
LIFESTYLE
DON'T MISS:
MOST POPULAR
FORMATS
CANADA.COM
Happening Now
Tiger sights the British
Open
Sitemap / RSS
About Us
Contests
Contact Us
Live chats
HEALTH
TRAVEL
TECHNOLOGY
TOOLS
i
j
k
l
m
n
Canada.com
Canada.com 2 /2 j
k
l
m
n
YellowPages™
05 July 2012
Auckland, 13° 3°
Change
Keywords...
Saturday July 7, 2012 12:01 AM NZT
National
World
Business
Sport
Entertainment
Technology
Entertainment
Life & Style
Travel
Next Article: 'We made it': Peter Jackson finishes Hobbit shoot
Tweet 0
Like
5
Motoring
Video
Movies headlines
Gloves come off over Raging Bull sequel
Dominic Corry: Five more Film Festival highlights
James Bond goes on display (+photos)
12:04 PM Friday Jul 6, 2012
Opinion
VIDEO
0
Email
Print
'We made it': Peter Jackson finishes Hobbit shoot
VIDEO PHOTOS
James Bond goes on display (+photos) PHOTOS VIDEO
New Spider-Man film to become a trilogy VIDEO
VIDEO Movie: Eduardo Sanchez talks 'Lovely Molly'
(2:08)
VIDEO
A new look at The Dark Knight Rises (2:15)
Fifty Years of Bond Style exhibition opens
PHOTOS
(5 pics)
Matthew McConaughey and wife expecting third
child
Brad Pitt's bro makes his video debut (+10 links)
VIDEO
More Movies headlines
If there's one thing James Bond has taught us it's that behind every great spy is
a great tailor.
A new exhibition at London's Barbican Centre explores the style of the suave
secret agent, displaying costumes, props, set pieces and design drawings from
half a century of 007 films.
Assembled with help from the films' producer, EON Productions- which has a
new Bond movie to promote this year - the exhibit ion includes the spy's
tuxedos, Bond girl ball gowns and villains' vestments, as well as a selection of
props and gadgets.
There are also sketches by the films' influential set designer, Ken Adam, whose
cavernous lairs and sleek space stations did much to create the movies'
modernist luster.
The show is both a reflection of the remarkable staying power of Ian Fleming's
fictional secret agent and a tribut e to the British, European and American
craftspeople and designers who have created the look of the quintessentially
British icon.
"The films always attracted the greatest design talent," curator Bronwyn
Cosgrave said Thursday. They ranged from the German-born Adam to Academy
Award-winning costume designer Lindy Hemming, a Briton who helped put
together the exhibition.
"In the beginning they
didn't have t he money but they had the
ingenuity," Cosgrave
said.
The money came later,
as the globally
successful franchise sent
Bond to exotic locations
around the world - and
eventually, in 1979's
Moonraker, into space.
TOM TAILOR Grande Soldes
Vêtements TOM TAILOR à prix réduit.
Jusqu'à -50% de réduction en ligne!
www.tom-tailor.fr/Soldes
Fifty Years of Bond
Style exhibition opens
(5 pics)
PHOTOS
Mode Grandes Marques
VIDEO New Skyfall trailer
alludes to James Bond
trauma (1:23)
Former Bond star slams
007's switch to beer
Trailer for Bond's Skyfall
debuts (+video)
Bond: A spy by any other
name
Related Tags
Movies
Entertainment headlines
VIDEO
VIDEO
Sundae Sessions: OPOSSOM, Girl
Talking Heads: Lawrence Arabia & Mike
Chunn (16:45)
Gloves come off over Raging Bull sequel
Holmes could be 'Scientology's biggest nightmare'
PHOTOS VIDEO
James Bond goes on display (+photos) PHOTOS VIDEO
'We made it': Peter Jackson finishes Hobbit shoot
VIDEO
Be part of the news.
Send pics, video and
tips to nzherald.
Send
Vintage Clothing Rails.
www.andrewnebbettdesigns.com
Storage Services
Where
VIDEO A new look at The Dark Knight Rises (2:15)
New Spider-Man film to become a trilogy VIDEO
The Diary: Cameras keep rolling for The Ridges
(+photos, video) VIDEO PHOTOS
More Entertainment headlines
Find Storage
Services in
your area
Premium quality, classical design,
handmade in Great Britain.
Clips from the movies are
screened throughout the
exhibition, which includes items that have become mini-icons, from the white
www.zalando.fr/Tom_Tailor
VIDEO PHOTOS
www.tom-tailor.fr/Soldes
HUGOBOSS.com/Soldes
Nouvelle Collection Printemps 2012
Livraison & Retour Gratuits !
Dominic Corry: Five more Film Festival highlights
Vêtements TOM TAILOR à prix réduit.
Jusqu'à -50% de réduction en ligne!
HUGO BOSS : large choix de looks sur la
boutique en ligne !
HUGO BOSS : large choix de looks sur la
boutique en ligne !
HUGOBOSS.com/Soldes
TOM TAILOR Grande Soldes
C'est les soldes
C'est les soldes
Latest News
Hollywood bosses dismiss Dotcom claims
Still no claim for $6.5m Lotto win
Families of CTV building victims brace for further
testimony
Govt urged to keep gillnets out of NZ waters to help
Maui's dolphin
NZHerald.co.nz 1/2
06 July 2012
bikini worn by Ursula Andress in the first Bond film, "Dr. No," to the tight blue
swim trunks sported by Daniel Craig in Casino Royale.
Maui's dolphin VIDEO
'Indigenous university' label raises elder's ire
Fugitive who taunted police on Facebook still missing
Pilot questions safety of contingency plan
Basketball: Breakers hopeful of retaining Jackson
Researchers testing sunlight for MS cure
Tamihere blasts Social Development bureaucrats
Find
Cosgrave said that since Dr No in 1962, "Bond has consistently led the way" in
style.
She said Sean Connery's "conduit cut" suit by Saville Row tailor Anthony
Sinclair from the 1960s films is "the men's equivalent of a Chanel suit," while a
sharply cut tuxedo is so identified with the character it has become known as
"the James Bond look".
The first time Bond appeared onscreen, in Dr No, viewers saw the silk-lined cuff
of his tuxedo sleeve before they saw Connery's face.
The Wiggles Celebration
Tour
Cosgrave said the success of the look is simple to explain.
Vector Arena 15-16 Sept. A
chance for Wiggly fans to say
farewell to the original Wiggles in
their final shows together.
www.thewiggles.com.au/nz/events/
"It's sexy," she said. "When does a man look his best? In a tuxedo."
The exhibition includes tuxes worn by Bonds from Connery (classic Savil le
Row) to Roger Moore (by designer-to-the-stars Doug Hayward) to Craig, who is
dressed by American designer Tom Ford. Ford's lean suits - in neatly circular
fashion - draw on the 1960s for inspiration.
Weather
Cosgrave said that because actors typically play 007 over several films - apart
from one-off George Lazenby in On Her Majesty's Secret Service - "each Bond
had an opportunity to forge a relationship with their tailor. As a result, they're
impeccably dressed".
Today
Fine
13° 3°
All those designer names reveal another Bond secret - 007 is both an
international brand himself and a magnet for other luxury labels.
Auckland
Sun 8
Fine
13° 4°
Mon 9
Fine
13° 5°
Auckland
Weather news
With the 23rd Bond film, Skyfall, set for release in October, the exhibition gift
shop lets visitors purchase a piece of Bond style, from cocktail shakers and
martini glasses to silk ties and gold bars made of choc olate.
Designing 007 is set to tour internationally.
- AP
Tweet 0
Like
Entertainment
5
IM This
0
Share
Email
Print
Next Article: 'We made it': Peter Jackson finishes Hobbit shoot
Special Offers
BedPost – Design MOBEL Clearance
Sale
Be in to win a digital solution from
Yellow® worth up to $14,000
Commercial Property – See the latest
properties for sale
OUR FIJI FAMILY HOLIDAY DEALS
5N Denarau $3899per family
7N Islands $3999per family
Pristine beaches, wild rides…it’s all on in
Gold Coast. Click here for more
IR3s need to be in by 7 July File the fast
way - online
Car loans from 11.95% Seen your dream
car, but lack cash? Apply here now.
Conditions apply.
EUROPE by Rail 60+ Rail Passes
FREE Upgrade The Ghan Rail Trip
BedPost – Design MOBEL Clearance Sale,
Stock Must Be Cleared
More on nzherald.co.nz
NZHerald.co.nz 2 /2
06 July 2012
LeMobnde.fr
10 July 2012
HS.fi
1 March 2012
Παρασκευή, 30 Μαρτίου 2012
βρείτε ταινίες, παραστάσεις, εστιατόρια κ.α.
homepage
Εικαστικά
Έκθεση στο Λονδίνο για τα 50 χρόνια
του James Bond
Οι Ολυμπιακοί Αγώνες του Λονδίνου, εκτός από τα 60χρονα της
Ελισάβετ, θα συμπέσουν και με τα 50ά γενέθλια του James Bond.
Τι καλύτερο λοιπόν, από μια έκθεση για το αγγλικό είδωλο–σταθμό,
τον πράκτορα 007;
Δευτέρα, 12 Μαρτίου 2012
Ευρετήριο Εικαστικών Χώρων
Ατζέντα τέχνες
σχετικά θέματα
Εικαστικές Τέχνες
Η τέχνη της
φωτογραφίας σε
ταχύρυθμα σεμινάρια
30/03
Εικαστικοί Χώροι (ανά κατηγορια)
Εικαστικοί Χώροι (ανά περιοχή)
Εικαστικοί Χώροι (αλφαβητικά)
» Όλοι οι εικαστικοί χώροι
» Eικαστικοί χώροι Θεσσαλονίκης
Πασχαλινά bazaar και
δράσεις για μικρούς και
μεγάλους 30/03
Βρες τι παίζει κοντά σου
Εικονικό ταξίδι στην
αρχαία Πριήνη 29/03
Βρείτε στο χάρτη τα πλησιέστερα σημεία (σινεμά,
θέατρα, εστιατόρια και νυχτερινά κέντρα) που σας
ενδιαφέρουν.
Doodle από την Google
για τον αρχιτέκτονα Μις
φαν ντερ Ρόε 27/03
εισάγετε διεύθυνση ή περιοχή...
OK
Κατασκευάστε τα
πασχαλινά σας δώρα με
ανακυκλωμένα υλικά
27/03
Περισσότερα για το ίδιο
θέμα
Εικαστικές εκθέσεις
Στην ταινία του James Bond «Quantum of Solace» του 2008, η MI6
απεικονίζεται σαν να έχει επιχειρησιακό κέντρο το Κέντρο Barbican του
Λονδίνου. Τον Ιούλιο, ο αγαπημένος κατάσκοπος της Βρετανίας θα
επιστρέψει, αυτή τη φορά όμως, για μια έκθεση που θα είναι αφιερωμένη
στα 50 χρόνια από την έναρξη της σειράς των ταινιών James Bond.
Ο σχεδιασμός για την έκθεση «007: 50 Χρόνια του Bond Στυλ» promises
υπόσχεται να αποτελέσει η έκθεση ζωντανό τεκμήριο μισού αιώνα
gadgets, σκηνικών, ρούχων και αυτοκινήτων, μαζί με τα προσχέδια,
σχέδια και μοντέλα που χρησιμοποιήθηκαν για την κατασκευή τους.
«Είναι ο Bond πίσω από τις κάμερες», σχολιάζει ο έφορος της έκθεσης και
ιστορικός μόδας Bronwyn Cosgrave. «Παρουσιάζουμε σε όλη της την
έκταση τη μέθοδο σχεδιασμού ενός έργου James Bond, κάτι που δεν έχει
ξαναγίνει».
Ο Cosgrave έχει ήδη καταβάλει κοπιώδη εργασία δύο ετών μαζί με
παραγωγούς του Bond, με «πρωτόγνωρη πρόσβαση» στο αρχείο του
Bond archive στο Βόρειο Λονδίνο. Η δομή της έκθεσης, σχεδιασμένη από
τον αρχιτέκτονα Ab Rogers, θα καταλαμβάνει όλο το ισόγειο του Barbican
κι ένα μικρό θεατρικό χώρο, με εκθέματα από το «Dr No», μέχρι και το
ερχόμενο μέσα στο 2012 Skyfall.
Εικαστική έκθεση για τη
Φυσική, το πνεύμα και
το ενεργειακό σύμπαν
30/03
Τέχνη και Μαθηματικά
στο Μουσείο
Ηρακλειδών 29/03
Φεστιβάλ ΑθηνώνΕπιδαύρου: ηχηρά
ονόματα σε μια
δύσκολη χρονιά 29/03
» Λεω νίδας Καβάκος @ Μέγαρο Μουσικής
Αθηνώ ν
Γελοιογράφοι
«Αντιμέτωποι με το
κλίμα» 28/03
Έκθεση και
ντοκιμαντέρ για τον
«Διωγμό και την
Ανταλλαγή πληθυσμών
1922-1924» 28/03
Περισσότερα για το ίδιο
θέμα
Δείτε ακόμα
» Εκθέσεις
» Eγκαίνια
» Αρχαιολογία
Η τρίτη ταινία James Bond με πρωταγωνιστή τον Daniel Craig, το Skyfall
ξάφνιασε με την απόφαση των συντελεστών του να το γυρίσουν σχεδόν
εξ ολοκλήρου στο αγγλικό θέρετρο (ασυνήθιστο για Bond) του Bognor
Regis, μολονότι ο Cosgrave σημειώνει ότι έγιναν επίσης γυρίσματα και στη
Σαγκάη. Η ταινία αναμένεται να ντεμπουτάρει στις αίθουσες στις 26
Οκτωβρίου. Τότε, η κινητή έκθεση (που δε θα μείνει μόνο στα «ασφαλή»
πεδία του Barbican) θα βρίσκεται στο Τορόντο του Καναδά, έναν από
Server Error
Clickatlife.gr 1/2
12 March 2012
τους σταθμούς της στα τρία χρόνια που θα διαρκέσει.
Ταυτόχρονα, «τρέχει» και μία
«αντίπαλη» έκθεση οχημάτων του
πράκτορα 007, αλλά ο Cosgrave
δηλώνει πως οι δύο εκθέσεις
συμπληρώνουν και δεν ανταγωνίζονται
η μία την άλλη. "Θα έχουμε μερικά
αυτοκίνητα – δε γίνεται Bond χωρίς την
Aston Martin DB5 του. Θα υπάρχει
βάρκα, ηλεκτρικό έλκηθρο, αλλά το
συγκεκριμένο είναι πιο γενικό Bond
show. Δεν επικεντρωνόμαστε στα
αυτοκίνητα".
Εικαστικά
Δημοφιλέστερα
Εικονικό ταξίδι στην αρχαία
Πριήνη
Πασχαλινά bazaar και
δράσεις για μικρούς και
μεγάλους
Οι λάτρεις της μόδας, ωστόσο, θα
αποζημιωθούν, καθώς τα κοστούμια θα
φέρουν την υπογραφή σχεδιαστών
από τον Hubert de Givenchy έως τον
Tom Ford μέχρι και τις στολές μαγιό του Daniel Craig, που άφησαν το
κοινό με ανάμεικτα συναισθήματα στο Casino Royale. Στολές που έχουν
χαθεί θα αναπαραχθούν υπό την επίβλεψη του σχεδιαστή Lindy
Hemming.
Τα γενέθλια του Bond ήρθαν την κατάλληλη στιγμή, με μια πλειάδα
ανάμεσα στις φιγούρες της βρετανικής κουλτούρας από το Shakespeare
και το Dickens ως τον Damien Hirst και τη βασίλισσα Ελισάβετ, να τιμώνται
σε εκθέσεις και εκδηλώσεις τη χρονιά που οι Ολυμπιακοί Αγώνες
φιλοξενούνται στο Λονδίνο. Ο Cosgrave σημειώνει την ευτυχή αυτή
συγκυρία. «Η αθλητικότητα που αποτυπώνεται στις ταινίες θα
αποτυπώνεται και στην έκθεση. Θυμηθείτε το σκηνικό δράσης με το οποίο
ανοίγ ει το The Spy Who Loved Me» - μια καταδίωξη σε πλαγιά όπου ο
Bond τη γλιτώνει με αλεξίπτωτο στα χρώματα της αγγλικής σημαίας.
Το Bond show είναι απρόσμενα mainstream για το Barbican, που φέτος
γιορτάζει τα 30 χρόνια του. Τα πιο τυπικά επερχόμενα events που θα
φιλοξενηθούν στο Κέντρο Barbican περιλαμβάνουν μια έρευνα για το
έργο της σχολής του Bauhaus, καθώς και παρουσιάσεις της πεντάωρης
όπερας των Philip Glass και Robert Wilson's με το σουρεαλιστικό τίτλο «Ο
Αϊνστάιν στην παραλία».
Πρόσφατα
Κατασκευάστε τα
πασχαλινά σας δώρα με
ανακυκλωμένα υλικά
Doodle από την Google για
τον αρχιτέκτονα Μις φαν
ντερ Ρόε
ατζέντα »
σήμερα
αύριο
μεθαύριο
έρχονται
Βραδιές τζαζ με την Gretchen Parlato στο Half
Note [ Συναυλίες ]
Οι Atari Teenage Riot στο Gagarin 205
[ Συναυλίες ]
'round Midnight Concerts - In the mood for love
[ Συναυλίες ]
«Αμάν Αμήν» στο Θέατρο Ακροπόλ [ Συναυλίες ]
«Μια φωνή και ένα πιάνο» - Ελισσάβετ Καρατζόλη
[ Συναυλίες ]
«Το Yγιές Βλάπτει Σοβαρά την Υγεία» [ Συναυλίες ]
Ο Nicholas Kenyon, εκτελεστικός διευθυντής του Barbican αντιμετωπίζει το
show σαν μια ευκαιρία για το Κέντρο να γίνει γνωστό σε ένα πιο ευρύ
κοινό. Όπως τονίζει χαρακτηριστικά: «Η μεγάλη γκάμα των
προσφερόμενων παρουσιάσεων κάθε μορφής τέχνης στο χώρο του
Κέντρου γίνεται πάντα με υψηλής ποιότητας design, και δεν υπάρχει
μεγαλύτερο είδωλο του βρετανικού στυλ από τον James Bond τα
τελευταία 50 χρόνια.»
«Κανείς δε μπορεί να αρνηθεί ότι οι ταινίες του James Bond είναι
αριστουργήματα του κινηματογράφου», συμπληρώνει ο Cosgrave. «Ναι,
είναι blockbusters, αλλά είναι πραγματικά καλοφτιαγμένες από
καλλιτεχνικής πλευράς»…
Like
Sign Up to see what your friends like.
Clickatlife.gr 2/2
Νέο F2G με δωρεάν χρόνο ομιλίας προς όλα τα δίκτυα.
12 March 2012


























































ChinaDaily.com
1/2

30 July 2012














 








N° and issue date : 2190 - 09/08/2012
Page :
Circulation : 64712
Frequency : Weekly
Size :
TimeOutMagazine_2190_50_304.pdf 21 cm
Web Site: http://www.timeout.com

N° and issue date : 2192 - 23/08/2012

Page : 47
Circulation : 64712
Frequency : Weekly
Size : 100 %

TimeOutMagazine_2192_47_303.pdf 24 cm2

Web Site: http://www.timeout.com







ChinaDaily.com 2/2
30 July 2012



N° and issue date : 2190 - 09/08/2012
Circulation : 64712
Page : 50
Frequency : Weekly
Size : 161 %
Peacock'
TimeOutMagazine_2190_50_304.pdf
21 cm2
ages.
007
Years Bond
Web Site:
http://www.timeout.com
Designing
All
Fifty
:
of
Style BarbicanCentre Silk EC2Y8DS
0845 120 7550. Barbican Daily
llam8pm Thur untillOpm ,112 concs £10
St
,
,



.
,
,
,
under-16s18 entryby timed ticket booking
Peacock'
ages.
advised barbican.org.uk bond ºSep
Designing007 FiftyYears Bond
Style Barbican Centre Silk EC2Y 8DS.
Marking the fiftieth anniversary theJames
0845 1207550.0 Barbican Daily11
Thuruntil10pm 12 cones£10
Bond filmfranchise thisexhibition curated
under-16s .C8 entrybytimedticket booking
association with fashion historian
advised barbican.org.uk bond Sep

Marking the fiftieth anniversary the
Bronwyn
Cosgrave andcostume designer
James Bondfilm franchisethis exhibition
traces theevolution
Lindy
Hemming

Bond style from 1962' DrNo' thisyear'
curated association withfashion

and costume
Skyfall through costumes production
historian Bronwyn Cosgrave
designerLindy Hemming tracesthe
automobiles gadgets special effects
design
evolution Bond style from 1962' DrNo'
this year' Slcyfall throughcostumes

graphic design exoticlocations weapons
productiondesign automobiles gadgets

stunts andprops Highlights include
specialeffects graphic design exotic
locations weapons stuntsand props.
costumes created byAnnani Gucci Prada
costumes
created
by
Highlights include
Annani Gucci Prada Versace andothers
Versace and others for the six actors who
forthesixactorswhohaveplayedBond
haveplayed Bond -along withclothes
alongwith clothesdesigned forhis
adversaries and sidekicks.
designed forhis adversaries andsidekicks.
Walbrook
;
,
/
:
of
5.
St
,
,
of
.
am8pm
1'
:
,
,
,
,
,
;
in
/
"
5.
of
,
of
,
'
s
to
s
'
in
,
,
'
,
,
,
,
of
s
'
'
s
to
,
,
,
,
,
,
,
.
,
,
,
,
,
,
,
,
,
,
-
Developing City
Peacock' Allages.
Designing 007 FiftyYears Bond
Time Out
Style BarbicanCentre Silk EC2Y8DS

0845 120
:
of
St
,
,
.
9 and 24 August 2012

Se celebran los 50 años de James Bond en el Barbican de Londres
Page 1 of 4
Iniciar sesión
Jueves, 12 de Julio de 2012 | 16:32 PM
ACTUALIDAD
Teatro
Literatura
TECNOLOGÍA
DEPORTES
MÚSICA
CINE
TV
Arte
Arte. Exposición
Londres acoge la exposición 'Diseñando a 007.
50 años del estilo de Bond en el Barbican'
Escena de la película 'Die Another Day'.
ElReferente.es 1/2
06 July 2012
Se celebran los 50 años de James Bond en el Barbican de Londres
Page 2 of 4
Sonará de fondo la banda sonora de las películas de James Bond mientras
en las paredes se reproducrán escenas de la ficción.
El objeto más llamativo es el bikini que llevó Ursula Andress en la escena
de la playa.
0
PEDRO TEJADA - 06-07-2012


2
Se cumplen 50 años desde la aparición de James Bond y, para celebrarlo, el centro
Barbican de Londres ha acogido una exposición que a través del diseño, el estilo y la
imaginación de sus creadores, nos permitirán rememorar al agente secreto más famoso
del mundo.
La exposición, que ha sido denominada ‘Diseñando a 007. Cincuenta años del estilo de
Bond en el Barbican’, comenzó ayer 5 de Julio y mantendrá sus puertas abiertas al
público hasta el 5 de Septiembre. Con la intención de sumergir al visitante en el mundo
del agente 007, la banda sonora de la ficción es la encargada de recibirnos. Con la
música de fondo, podremos pasearnos por el recinto que alberga los vehículos, las
vestimentas y todos los artilugios que han sido icono del espía y que han ayudado a
convertir a James Bond en un reflejo de la exuberancia británica. Las paredes de las
salas estarán habilitadas con pantallas de televisión que reproducirán las escenas más
célebres de la colección cinematográfica, interpretada por todos los actores que han
encarnado a James Bond: Sean Connery, George Lazenby, Roger Moore, Timothy
Dalton, Pierce Brosnan y el actual Daniel Craig.
LA EXIBICIÓN HOMENAJEA A LOS DISEÑADORES
Entre los objetos más destacados de la exposición están el Aston Martin gris de Sean
Connery, los pasaportes, documentos confidenciales de los servicios secretos
británicos, las armas y, en general, todos los artilugios que en estos 50 años ha usado
Bond para lograr sus misiones más difíciles. El vestido de noche que usó la actriz
Barbara Bach en la película ‘La espía que me amó’, en la que interpretó a una espía
soviética, es otro de los enseres que no podían faltar, así como la dentadura de metal
del malvado personaje ‘Jaws’, cuya sonrisa aterrorizó salas de cine completas; o los
esquís que usó el doble de Roger Moore para saltar desde los picos de los Alpes
suizos. Pero, sin duda, la pieza más destacada es el bikini que llevó Ursula Andress en
la escena de la playa en el filme ‘Dr No’, que se convirtió en todo un mito de seducción y
que fue reproducido con los años para una escena similar en ‘Muere otro día’, con
Pierce Brosnan, y que llevó la actriz estadounidense Halle Berry.
La exhibición de la creación ficticia del novelista Ian Fleming pretende homenajear,
sobre todo, la destreza y labor imaginativa de los diseñadores y productores de las
películas que han impulsado la imagen del personaje de James Bond hasta el punto de
considerarle como un símbolo británico.
ElReferente.es 2/2
06 July 2012
http://www.elreferente.es/cultura/arte/londres-acoge-la-exposicion-disenando-a-007-50... 7/12/2012
Publié le 05 juillet 2012 à 13h31 | Mis à jour le 05 juillet 2012 à 13h31
Une exposition révèle les secrets du style de
James Bond
Jill Lawless
Associated Press
Londres
S'il y a une chose que James
Bond nous a appris, c'est que
derrière tout grand espion, il y a
un grand tailleur.
Une nouvelle exposition au
Centre Barbican de Londres à
compter de vendredi explore le
style du célèbre agent secret,
proposant des costumes, des
accessoires, des éléments de
décor et des dessins tirés d'un
demi-siècle de films sur 007.
Conçue avec l'aide des
producteurs, qui doivent assurer
la promotion de la nouvelle
Photo: AP
aventure de Bond qui prendra
l'affiche cet automne, Designing
007 comprend les smokings de l'espion, les robes de soirée de ses acolytes féminins et les tenues de ses
ennemis de même qu'une sélection d'accessoires et de gadgets.
Il y a aussi des esquisses de l'influent décorateur de plateau Ken Adam, dont les repaires caverneux et les
stations spatiales épurées ont conféré aux films leur aspect moderne.
L'exposition est à la fois une réflexion sur la pérennité du héros créé par Ian Flemming et un hommage aux
artisans et designers européens et américains qui ont créé le look de cette icône britannique.
Selon le conservateur Bronwyn Cosgrave, la franchise Bond a toujours attiré les gens les plus talentueux.
Cela concerne M. Adam, qui est né en Allemagne, mais aussi la costumière Lindy Hemming, une Britannique
qui a participé à l'élaboration de Designing 007.
«Au début, ils n'avaient pas d'argent, mais ils avaient de l'ingéniosité», affirme M. Cosgrave.
Certains des items exposés sont devenus des symboles connus, comme le bikini blanc d'Ursula Andress
dans le premier long métrage Dr No en 1962, et le maillot de bain bleu de Daniel Craig dans Casino Royale.
D'après le conservateur, le complet porté par Sean Connery dans les films des années 1960 est «l'équivalent
masculin du tailleur de Chanel» alors que le smoking à la coupe ajustée est tellement associé au personnage
qu'il a été baptisé le «look James Bond».
«C'est sexy», soutient Bronwyn Cosgrave. «Quand un homme est-il à son meilleur? Quand il est en smoking,
bien sûr.»
Designing 007 sera présentée à Londres jusqu'au 5 septembre avant d'entreprendre une tournée
internationale, qui s'arrêtera notamment au TIFF Bell Lightbox à Toronto en octobre.
http://www.lapresse.ca/arts/arts-visuels/201207/05/01-4541039-une-exposition-revele-l... 7/12/2012
LaPresse.ca
05 July 2012
Frequency : Weekly
Size : 100 %
AdvertiserNw_120831_19_301.pdf 71 cm2
Web Site: http://www.norwichadvertiser24.co.uk/home/e-edition/digital-publ
111
111
N° and issue date : 318 - 01/09/2
Circulation : 6113
Frequency : Monthly
Blueprint_318_16_301.pdf
Web Site: http://www.blueprintma
111
,
Ir..
I 1111.
Illl 11
11 m
I
I
1111111 1111 1on%%
II
11
:
1111111 111111
11..11
Barbican employee looks
photograph the
character Jaws Spy Who
LovedMe 1977
A
at
a
of
in
(
)
Exhibition
goes behind
thescenes
to
celebrate
James Bond
The Barbicanmarks the
50thanniversary James
Bond from 1962' Dr No
of
this year' Skyfall with
s
,
to
s
a
unique exhibition
showcasing the inside
story the design and
style theworld most
influentialandiconicmovie
,
of
'
of
s
brand.
Designing007 explores
the craft behind thescreen
icons the secret service
and villains tailoring and
costumes set and
production design
automobiles gadgetsand
special effects graphic
design andmotion
graphics exotic locations
stunts and props.
,
,
,
,
,
,
,
,
Highlights include gadgets
and weapons made for
Bondandhisnotorious
adversaries by special
effects experts along with
artwork for setsand
storyboards.
,
On display toowill be
lavish screen fineryby
Hollywoodcostume
designers and major
fashion names including
Giorgio Armani Brioni
Roberto Cavalli Tom Ford
Hubert de Givenchy and
DonatellaVersace.
,
6?PRODUCE
18OPENING SHOT
,
,
,
Open11am 8pm
Sunday Wednesday and
Bartlett Schoolgraduate Martin
Tang presents his project City
Thousand Autumns
of
a
to
to
9.30pmThursday
Saturday.
Ticketscost £12from
www.barbican.org.uk
10am
to
to
23VIEW
Winners
award
Farringdon London bypractice
Lyall Bills and Young RCA'
,
Catherine' College
50 JonathanSpeirs
Oxford
remembered RIBAphotography
competition Diary and
Achtung! by Erik Spiekermann
s
St
s
at
;
;
;
;
by Edward Winter
fiv
EDUCATIONSUPPLEMENT
th
A
.
I'
,
at
,
Christoph John and Jovana
Bogdanovic who spent twoyears
developing theproject and
producing the diverse collection
of
th
A
:
s
meets design trio Zhang Lei
Barbican Centre
objects
31 Aug 2012
Blueprint p
S
an
15 pages on design and
po
architecturecourses available
so
1/1
Copyright (Blueprint)
No reproduction without authorisation
Advertiser Norwich a
an
1/1
Copyright (Advertiser Norwich)
No reproduction without authorisation
Fr
of
Cariss RA Blueprint Lecture
Installation HangOn Minute
Lads
ve Got Grear Idea.. by
British artist Richard Wilson
the De LaWarr Pavilionreviwed
;
Blueprint' Gian Luca Amadei
s
Jacobsen'
revivetraditional craft
of
;
Arne
103ARC
,
techniques and production
the Chinese district Yuhang.
,
;
to
at
is
is
,
in
in
s
new Dyson Building
of
,
anexperimental
Yuhang
research and design project that
aims
The Goldsmith' Centre
"
:
Milan this year From
in
P
REVIEW
Exhibitions Designing 007
Fifty Years BondStyle the
Barbican London reviewed
by Johnny Tucker and Pascal
theSalone Satellite
of
01 Sep 2012



  









      
     








 


Evening Standard 1/4



16 Aug 2012




















































































































Evening Standard 2/4




16 Aug 2012






























































Evening Standard 3/4
16 Aug 2012



















































Evening Standard 4 /4
16 Aug 2012

Search



Clear

Top News

Sports News

Your Finance

Celebs & Movies

Buy/Sell


Activity
Designing Bond: 007 puts on a stylish show over
50 years of movie-making
Opinions

Email
Facebook
TUESDAY, 28 AUGUST 2012 10:07 NEIL DAVIDSON, THE CANADIAN PRESS
Twitter
LONDON  Fifty years on, James Bond remains a movie juggernaut. While the protagonist,
villains and gadgets may change, the appeal of 007 lingers.
Myspace
The world of Bond is not timeless  the cutting edge of the car phone and pager in 1963's
"From Russia With Love" has long since dulled  but 007's style has been a constant.
Bond cuts a suave figure, be it in a dinner jacket prowling a casino, or a ski outfit outracing a
legion of noname henchmen.
The exhibit "Designing 007: 50 Years of Bond Style" showcases Ian Fleming's creations on
the 50th anniversary of "Dr. No," the first of the Bond movies.
The show debuted in July at the Barbican in London, running through Sept. 6. In addition to
the exhibition, the performing arts centre added to the Bond mood with a martini bar and
Bond shop.
It comes to Toronto in the fall, with the TIFF Bell Lightbox hosting the first North American
stop from Oct. 26 to Jan. 20, 2013.
The Toronto visit coincides with the release of "Skyfall," the 23rd film in the Bond series (not
counting the 1967 version of "Casino Royale" and 1983's "Never Say Never Again"). And
Bond's contribution to the Olympic opening ceremonies, albeit in a supporting role to the
Queen.
Bond aficionados will be enamoured with the detail of the exhibition and its stylish layout.
At the Barbican, foreignlanguage movie posters (like "Bons Baisers de Russie" and "Kasino
Rojal") adorn the way to an entrance in the form of a giant gun barrel. Above, six TV screens
air credits from the various movies.
The exhibit is crammed with Bond trinkets, from Oddjob's hat (powered by an electric motor)
and the original golden gun to Jaws' (actor Richard Kiel's) metal teeth. There's Bond's
platinum American Express card and Daniel Craig's Bond passport (the spy was born April
13, 1968, as opposed to Craig's March 2nd birthdate that same year).
Stumbleupon
Digg
Google
More

■ MONDAY,
AUGUST 20,
2012
■ WEDNESDAY,
AUGUST 22,
2012
■ SUNDAY,
AUGUST 19,
2012
■ TUESDAY,
AUGUST 21,
2012
■ FRIDAY,
AUGUST 24,
2012


Please login first to
manage your favorite
pages.
Those who take the time to read the wallmounted blurbs or watch video interviews with
members of the behindthecamera family will learn more about the Bond franchise.
The late Terence Young, director of "Dr. No," used Mayfair tailor Anthony Sinclair  who
dressed both Young and Fleming  to give Sean Connery a stylish madetomeasure or
bespoke look. The director urged Connery to wear the suits in his spare time, even to sleep in
them, to feel more at home in the clothes.
Young, a former member of the Guards, favoured the slim trousers and hacking (riding) jacket
that became Bond's sleek wardrobe.
Others in the US1million production were not as fortunate. M's secretary Ms. Moneypenny,
played by Lois Maxwell, wore her own clothes.
Lethbridge Herald 1/2
30 Aug 2012
 

As the series grew in popularity, so did the budgets. The moviemakers turned to renowned
designers to add to the Bond sense of style. Today, Tom Ford dresses Bond.
The exhibit contains many of the outfits worn in the movies. Some of the clothes paid homage
to earlier films. Craig's formfitting swimming trunks in 2006's "Casino Royale" were a nod to
the beach shorts worn by Connery in 1965's "Thunderball." Halle Berry's twopiece orange
swimsuit in 2002's "Die Another Day" echoes Ursula Andress' memorable bathing suit from
"Dr. No."
That headturning for the time twopiece outfit was made overnight, with Andress' underwire
bra covered in cotton.
The show is divided into rooms, featuring everything and everyone from M's office and Q
Branch to "Foreign Territories" and "Villains and Enigmas."
While the array of knickknacks and memorabilia will tickle Bond fans' fancy, ultimately the
films themselves remain the star of this show. Video screens throughout the exhibit play loops
from the movies, reminding viewers  among other things  just how many times Bond has set
foot in a casino.
Visitors may find their journey though the show delayed
theydate
stop
to take
in the film clips,
N° andasissue
: 241
- 1/9/2012
especially in the casino room where various gambling
scenes: 63479
play side by side.
Page : 89
Circulation
Frequency : Monthly
Elle
Size : 100 %
The film clips also save some of the sparser rooms.ElleDecoration1_241_89_303.pdf
Action scenes from 1977's "The81
Spy
Who
cm2
Loved Me"
 at N°
the time
the most expensive movie stunt
of
all
time
at
$500,000

and
"The
Decoration
(UK)
241
Web Site: http://www.pointclickhome.com/elle_decor
World is Not Enough" are the highlights of the "Ice Palace" room.
The show also offers a look at Fleming, a complex character who used his background in
naval intelligence and the newspaper world to churn out Bond novels in just eight weeks. He
died in 1964 at the age of 56.
The exhibition, with close to 500 pieces, draws from Bond's EON Productions and private
collectors including Shirley Bassey. It was designed by Ab Rogers with guest curation by
fashion historian Bronwyn Cosgrave and Oscarwinning costume designer Lindy Hemming.
The shaken not stirred crowd will love every moment, even if they cannot take photos inside
the exhibit.
You must be registered and logged in to be able to comment! You can register here or login here.
Lethbridge Herald 2/2
30 Aug 2012

■
■
■
■
■
'Drugstore Cowboy' author James Fogle dies at 75 in prison
'Drugstore Cowboy' author James Fogle dies at 75 in prison while serving time
'Expendables 2' brawls to No. 1 with $28.8M; 'Bourne' falls to second with $17M
'Expendables 2' brawls to No. 1 with $28.8M; 'Bourne' falls to second with $17M
SPY CHIC
'Expendables
2' captures No. 1 spot at weekend box office with $28.6M opening
you' looking forward seeing the
latest Bond filmSkyfall cinemas this
October theBarbican' newexhibition
`Designing 007 FiftyYears Bond
Style' oneforyou Guest-curated by
fashion historian Bronwyn Cosgrave
and Oscar-winning costume designer
LindyHemming theshowmarks
the50th anniversary themovie
franchise withgadgets storyboards
andcostume designs for spy.
July 6-September barbican.org.uk
to
If
re
at
s
,
of
:
is
.
,
of
,
fit
a
5
).
(
ELLE Decoration
01 Se ptember 2012
トップ
東北
内外
スポーツ
特集
河北ＤＢ
ふらっと
動画･シネマ
暮らし
情報誌
就職・進学 ショッピン
トップ ロンドン五輪２０１２ ベガルタ仙台 楽天イーグルス 仙台89ERS 高校野球 東北スポーツ
特集
東北の話題
国内外の話題
００７人気
００７人気、今も
、今も健在 「ロンドンスケッチ」
ロンドンスケッチ」
「こんばんは、ミスター・ボンド」「こんばんは、女
王陛下」。ロンドン五輪開会式では、俳優ダニエル・ク
レイグさん演じる映画「００７」の主人公ジェームズ・
映画「００７」の回顧展で展示されてい
る、ショーン・コネリーさん演じる初代ジ
ェームズ・ボンドのろう人形＝８日、ロン
ドン（共同）
ボンドとエリザベス女王がヘリコプターに乗り込み、会
場に駆けつける映像がひときわ目を引いた。
英政府のスパイ、ボンドが世界中で悪の組織と戦う０
０７シリーズは、今年で第１作「ドクター・ノオ」の公
開から５０年。最新作の話題は今も英メディアをにぎわ
せ、国民的な人気を誇る。
ロンドン中心部の文化施設バービカン・センターで
は、シリーズの歴史を振り返る回顧展が９月５日まで開
催されている。撮影で使われた歴代ボンドのタキシードや秘密道具など、ファンにはたまらな
い内容だ。
五輪で世界の注目が集まるのを機に、ロンドンは映画ロケの呼び込みにも力を入れる。ロケ
誘致を手がけるフィルム・ロンドンのトップ、エイドリアン・ウーテンさんは「ロンドンには
才能あふれる人材がそろっており、映画撮影には最高の町だ」と訴えた。（ロンドン共同）
ロンドン五輪特集(共同通信)
2012年08月12日日曜日
ＪＯＣ ロンドン五輪２０１２
ロンドン五輪公式ＨＰ
△先頭に戻る
Ad s b y G o o gl e
������������
������������������������
�������









△先頭に戻る

Lethbridge
Herald 2/2

 30 Aug 2012








 




 

























































     
    
    

      

      
       



    
     













                  


Express.co.uk


26 Aug 2012











′








′









Metronews.ca 1/2

28 Aug 2012













′
′









′








Metronews.ca 2 /2


28 Aug 2012
Esquire.com
4 September 2012
Playboy Hungary
October 2012
N° and issue date : 112 - 01/10/2012
Circulation : 25895
Page : 184
Frequency : Monthly
Size : 80 %
Icon_112_184_312.pdf
1223 cm2
Web Site: http://www.iconeye.com/
Review
October
EXHIBITION
Designing 007
Will Wiles taken with somevery
classy secret service toys but
longs for more analysis from
is
,
a
fluffyshowdevoted Britain'
national fantasyfigure
to
If
thesemioticscattercast
s
Danny
of
imperial fantasy
Boyle' 2012 Olympics opening
this
ceremony proved anything
James Bond remains central
Britain' national imagination Peter
it'
:
s
in
,
to
.
Pan andTim Berners-Lee didn'
to
.
t
touristbait
s
equal parts
a
a
of
is
,
man
set tropes traits togs
and toys flexible fun andrepellent
of
,
,
in
'
s
.
,
,
theactor the role though they
all have their merits and demerits
makes Bond kind design object
himself dark instrument post
in
(
)
,
a
of
a
a
,
ICON 1/2
,
,
of
at
,
in
of
a
at
of
.
R
s
G
(
,
).
s
of
swaddled thehighly distinctive
anonymity the world most
famous codename 007 This
interchangeability the near-irrelevance
of
s
A
,
of
it'
,
.
,
,
.
,
mystifying frustrating and marvellous.
Now portrayed byhalf dozen loyal
round
subjects over the course
half-century Bond more idea than
,
..
.
,
a
a
a
,
.
But
,
"
a
,
a
,
,
is
of
A
is
'
present vessel with HerMaj herself
sharing with her continued
nonobsolescence that
.
of
s
get equal billing the Queen
there was Daniel Craig Bond
global
weapon drone strike
dinner jacket.
An examination Bond design
and style then fundamentally
good idea Designing 007 might
sound likeOlympic summer
well yes
very muchthat
as well Thissprawling exhibition split
over three parts the Barbican
points feelsfluffy indeed Some
the artefacts wouldsurely bemore
home
lesserbranch Planet
Hollywood Albert Broccoli' Irving
Thalberg award no me neither
reproduction Honor Blackman'
golden leather jerkin from Goldfinger
presumablythe Louvre wouldn'
loan the realthing cast Electra
King' ear Copious screens playclips
from themovies withthenot wholly
desirable side-effect making
me want gohome and watch the
movies Some captions arelessthan
edifying Location scouting forBond
powerprojection
s
Designing 007
"
t
.
A
of
s
.
,
of
to
.
"
.
:
50 Years
Bond Style
of
Barbican
London
July
September
,
"
6
5
2012
1/2
Copyright (Icon)
October 2012
N° and issue date : 112 - 01/10/2012
Circulation : 25895
Page : 185
Frequency : Monthly
Size : 80 %
Icon_112_184_312.pdf
1223 cm2
Web Site: http://www.iconeye.com/
involves combing theglobe
search
visuallyinteresting places which
suit the story yes imagine does.
But these low points areeasily
skipped over likethe weaker films
andlikethe franchise therest the
exhibition straightforward amoral
fun IanFleming whosenovelscreated
Bond given obeisance with recap
hisfascinating life and display
first editions withsplendid covers
by RichardChopping Then you can
forget thattherewere anybooks
as themoviestake total control.
Oddjob' razor-brimmed bowler hat!
The metal falseteeth that turned
Richard Kiel intoJaws! Honey
Ryder' bikini! Y-chromosome
does assist appreciation.
The Piranesian scale andgloom
theset designs Sir KenAdam are
the dominant architecture Designing
007 But there are some beautiful
in
of
"
it
I
"
,
,
,
of
is
.
,
Above
Volcanoset
designfrom You
Only LiveTwice
Far left
Jaws' steelteeth
from The Spy
Left
Scaramanga'
golden gun
ICON 2/2
a
of
of
.
,
by Sir KenAdam
Who LovedMe
and Moonraker
a
is
,
s
A
s
of
of
at
s
.
originalpaintings forsomeother
memorable interiors such asPeter
Morton' ideas forthe tilted MI6
offices aboardthe grounded liner
RMS Queen Elizabeth getcha
post-imperial metaphors here and
Harry Lange' constructivistspace
station forMoonraker There are
lot costumes probably too many.
Casino andSki sections mayprovide
swigs the 20th-century idea
glamour but feelpadded outwith too
rifles amphibious Lotus Esprit sports
cars and Swaine Adeney Brigg
briefcase that sprouts dagger.
Bond likes histoysclassy andthe
films have aneye forhigh-end design.
,
a
,
a
s
,
(
Scaramanga' golden gun from the
eponymous film was developed with
luxuryaccessories brand Colibri
caption elsewhere intriguingly hints
thatthe trend fordeluxetechnology
presaged byBond disguised gizmos.
Ordid Bond perhaps contribute that
trend? Designing 007 summertime
s
,
)
s
.
,
a
a
;
of
,
is
'
s
of
of
to
many uninteresting gowns tuxesand
is
,
tracksuits thegallery onvillainsand
Bondgirls muchbetter.
Division
As with thefilms
provides goodportion the
entertainment value and allure Based
onFleming' experience Britain'
wartime SpecialOperations Executive
which flung exploding ratsintothe
Division provides
Nazi warmachine
Hasseiblad cameras that turn into
escapist larks but morethanonce
found myselfhankering for some
deeper context and analysis including
some idea the influence Bond
outwards on design Onecan'
,
;
I
is
Q
,
,
of
of
of
a
.
,
s
Q
,
help butsuspect forinstance thatthe
puerile gold-plated gunsandshag pits
,
,
,
Saddam Gadaffi andtheir owe
something Bond conscience-free
exercises wish fulfilment.
ilk
of
,
'
s
to
in
2/2
Copyright (Icon)
t
to
.
of
s
October 2012




































































































 
Scottish Review 1/3 6 September 2012

















































































































































Scottish Review 2/3 

















6 September 2012

















































 





Scottish Review 3/3 
6 September 2012