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Coming May 20, 2012, the most important
private collection of early Gustav Stickley
ever to be sold at auction.
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Treadway • Toomey Galleries
20th Century Art and Design Auction
March 4th, 2012
Arts & Crafts/Art Nouveau
Session One
10:00 a.m.
American and European Paintings, Fine Prints and Works on Paper
Session Two
Immediately following the conclusion of Session One.
1950s/Modern
Session Three
Immediately following the conclusion of Session Two.
Preview Dates:
Saturday, February 25, 2012 10:00 a.m. - 5:00 p.m.
Sunday, February 26, 2012 CLOSED
Monday, February 27, 2012 10:00 a.m. - 5:00 p.m.
Tuesday, February 28, 2012 10:00 a.m. - 5:00 p.m.
Wednesday, February 29, 2012 10:00 a.m. - 5:00 p.m.
Thursday, March 1, 2012 10:00 a.m. - 5:00 p.m.
Friday, March 2, 2012 10:00 a.m. - 5:00 p.m.
Saturday, March 3, 2012 10:00 a.m. - 5:00 p.m.
Also open by appointment when available
at
John Toomey Gallery
818 North Blvd • Oak Park, Illinois 60301
(708) 383-5234
info@johntoomeygallery.com
www.treadwaygallery.com
IL Lic. #444000195, #441001663, #441001222
OH Lic. #2007000142
A PRESENTATION BY TREADWAY GALLERY, INC. OF CINCINNATI, OHIO
I N A S S O C I A T I O N W I T H J O H N T O O M E Y G A L L E R Y , INC. O F O A K P A R K , I L L I N O I S
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Arts & Crafts/Art Nouveau
Session One
10:00 a.m.
1.
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5
Gustav Stickley twelve tile tea table, rectangular top with twelve inset Grueby tiles supported
by thru-tenon construction, arched apron over a lower shelf supported by double key and tenon
construction, restored finish, unsigned, 25.5”w x 20”d x 26”h, very good condition, this successful
design is a result of the collaboration between Gustav Stickley and Grueby Faience Company that
began when they were both exhibitors at 1901 Pan-American Exposition in Buffalo 12,000-15,000
Dr. Harry P. Mera box, c. 1930, in walnut, lidded form with finely hand carved designs, a physician and
anthropologist at the Museum of Anthropology in Santa Fe, Mera designed the flag of the state of New Mexico,
he also authored books on Southwest Indian designs, 14”w x 8.5”d x 5.5”h, very good condition 1000-2000
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
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3.
Prairie School table lamp, pyramidal slag-glass shade with cut-out
details on a pedestal base, one broken glass segment and missing
wood detail, 20”w x 20”d x 20”h 700-900
5.
English Arts & Crafts ice bucket, lidded two-handled form in
hammered copper with brass mounts, with original liner, 17”w x
12.5”d x 15”h, very good condition 300-500
7.
6
Handel table lamp, seven-sided shade with reverse-painted leaf
motif on a two-socket base, base signed, 20”w x 21”h, very good
condition 2500-3500
4.
Niloak Missionware vase, large cylindrical shape with a flared foot,
colorful swirl design, impressed mark, 4.5”w x 10.5”h 300-400
6.
Unusual Limbert table, narrow un-cataloged trestle-form with cut-outs
at side and a lower stretcher on a shoe-foot base, refinished, branded
signature, 45”w x 23.5”d x 29”h, very good condition 2000-2500
8.
Rookwood vase, shouldered form with a molded tulip design, under
a powder blue crystalline glaze, 1937, #1711, 5”w x 10”h 250-350
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9.
10.
11.
7
Gustav Stickley wastebasket, #94, slatted form with iron loop construction, signed
with red decal, good original dark finish, 12”dia x 14”h, very good condition 1500-2000
Good Gustav Stickley chest of drawers, #902, two half drawers above four full drawers with original oval copper hardware, paneled sides
with thru-tenon construction, signed with red decal and paper label, fine original finish, 41”w x 22.5”d x 54”h, excellent condition 7000-9000
Gustav Stickley settle, #208, even-arm form with eight vertical slats at back and three under each arm, heavy thru-tenon construction,
original leatherette cushion, signed with red decal, good original finish, 76”w x 32”d x 29”h, very good condition 6000-8000
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12.
Early Limbert bookcase, #322, three-door form with leaded glass
panels and original escutcheons, double key and tenon construction
at sides, refinished, signed with paper label, 64”w x 14”d x 54”h, very
good condition 3500-4500
13.
Pisgah Forest bowl, under a turquoise and purple high glaze, 5.5”w
x 4”h; with a Pisgah Forest vase, flared shape, under a tan and blue
crystalline glaze, 4”w x 5”h, both marked 200-300
14.
15.
8
Arts & Crafts china cabinet, plate rail at top above two doors glass
at sides, recoated original finish, 49”w x 14.5”d x 58”h, very good
condition 700-900
L & JG Stickley china cabinet, #728, two doors with six panes of
glass and original hardware above an arched rail, original finish,
signed with Handcraft decal, some staining to top, 48”w x 15”d x
55”h, very good condition 3500-4500
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16.
Rookwood vase, flaring bottle shape
with an Arts & Crafts geometric design,
covered in a green matte glaze with
mottled red highlights, 1918, #326D,
3.75”w x 6.75”h 200-300
17.
20.
19.
23.
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Good Rookwood vase, Vellum glaze,
nicely painted river landscape with
lush green trees and silhouetted hills,
beautifully executed by Sallie Coyne in
1921, #942D, 4.5"w x 6"h 600-800
Rookwood vase, tapered shape with
a bulbous top, Arts & Crafts geometric
design, covered in a nice green matte
glaze with crystalline highlights, 1914,
#2040E, 3.25”w x 7.5”h 200-300
22.
Large Teco vase, shape #266, designed
by W.B. Mundie, double handled form
covered in a good green matte glaze
with exceptional charcoal highlights,
unmarked, 5”w x 11.25”h 1000-1500
25.
Rookwood vase, bulbous shape,
geometric Arts & Crafts design, covered
in a fine green matte glaze, 1915, #53EZ,
4.5”w x 4.5”h 200-300
Unusual Rookwood bowl, large form with an
incised stylized Arts & Crafts design in green,
blue and brown, executed by Charles Todd in
1920, #957B, 9”w x 3.5”h, ground X 400-500
Nice Rookwood vase, bulbous and footed
shape, in a green to blue matte glaze,
unusual stylized floral design, painted by
Charles Todd in 1920, #949D, 3.25”w x
9.5”h 450-550
Rookwood vase, bulbous shape with an
Arts & Crafts geometric design, under a
nice green matte glaze, 1903, #33FZ, 4”w
x 5”h 250-350
18.
21.
Rookwood vase, double handled shape,
matte glaze with a carved and colorfully
painted organic design, by C.S. Todd in
1917, #77C, 3”w x 5.5”h 300-400
24.
Rookwood vase, unusual round shape
with raised organic designs, covered in
a powder blue matte glaze with crystals,
1940, #6217, 6"w x 4.5"h 100-200
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26.
Lifetime desk, slant-top above a single drawer with original
hardware and a lower stretcher, interior with storage compartments,
original finish, 27”w x 16.5”d x 40.5”h, very good condition 300-500
27.
Arts & Crafts umbrella stand, eight divided sections above an
original drip pan, original finish, 24”w x 12”d x 28”h, very good
condition 200-300
28.
Roycroft plate, designed by Dard Hunter, produced by Buffalo Pottery,
with geometric design and orb, signed and dated 1926, 8.5”dia, with
Roycroft bookends, in hammered copper with rolled top and peacock
motif, signed with orb, worn original patina, 6”w x 4.5”h 300-400
29.
Bradley & Hubbard andirons, in hammered iron with cube detail,
signed, 10”w x 22”d x 16”h, very good condition 300-400
30.
Roycroft Little Journeys stand, rectangular top above two shelves
supported by double key and tenon construction, some looseness,
refinished, signed with brass tag, 26”w x 14”d x 26”h, very good
condition 300-500
31.
Arts & Crafts umbrella stand, eight divided sections above an
original drip pan, original finish, 24”w x 12”d x 28”h, very good
condition 200-300
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32.
Gustav Stickley hanging fixture, two hammered copper lanterns #205 with heart cut-outs and glass shades supported by horizontal bar with
original chain and ceiling cap, original patina, nicely replaced shades, signed, 17”w x 33”h, shades: 3”dia, very good condition 3500-4500
33.
34.
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Overbeck vase, shouldered form with
carved abstract landscape designs,
covered in an olive green and blue matte
glaze, executed by EF, marked, 4.5”w x
6.25”h 3500-4500
Arts and Crafts candlesticks, pair, similar to Jarvie
Beta model, nice new patina, 6”dia x 12”h 500-700
35.
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
Unusual Newcomb College vase,
slender cylindrical shape in a high glaze,
carved and painted floral design, perfectly
executed by Henrietta Bailey, #DF64,
2.5”w x 7.75”h 5000-7000
36.
Russell Crook vase, tapered shape
with a delicately painted forest scene
featuring numerous moose, unsigned,
4”w x 8”h 3500-4500
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37.
Art Pottery tile trivet, bold stylized leaves,
mounted on a brass base, 6.5”sq; with
Moyr Smith tiles, for Minton Tile Co., two,
(one shown), mythological scenes, titled
Gareth and Elaine, each signed within
image, framed, tiles; 6”sq, each overall:
7.25”sq 100-150
38.
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39.
German tile, green, white and yellow
drapery design, tile: 6”sq, overall: 9.25”sq;
with a German tile, green, white and
yellow geometric design, tile: 6”sq, overall:
9.25”sq, both framed 100-200
Heintz vase, silver on bronze, organic design with
monogram, original patina, signed and numbered
2708, small dent to base, 5”dia x 11”h 200-300
40.
Rookwood vase, reverse tapered shape,
Arts & Crafts geometric design, covered
in a reddish-brown matte glaze, 1917,
#1660F, 2.75”w x 6”h 200-300
41.
Heintz desk pieces, sterling on bronze, five,
inkwell: 6”w x 3.5”h, rocker blotter: #104,
5.5”l, lamp: 9”w x 12.5”h, letter rack: 9”l x
5”h, tray: 5”w x 10”l, all in bronze with applied
designs, #1206, most marked 900-1200
42.
Rookwood vase, cylindrical shape with a
flared base, Arts & Crafts geometric design,
covered in a pink and green matte glaze,
1918, #1358F, 3.25”w x 6”h 200-300
43.
Fulper vase, large form with five handles,
covered with a turquoise glaze with
crystalline highlights, marked, 10.5”w x
10”h 500-700
44.
Rookwood vase, pentagonal shape, rook
designs, covered in an unusual purple
and pink matte glaze, 1922, #1795, 3”w x
4.75”h, hairline; with a Weller Roma vase,
(not shown), colorful pine cone design,
marked, 3.5”w x 7”h 100-200
45.
Rookwood Faience tile, round form
with a ship design, marked, impressed
numbers: J182, 442 and 3232YS, 12”dia x
1.5”d 1200-1700
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46.
Gustav Stickley china cabinet, #820, single door with twelve panes
of glass and original iron hardware, refinished, signed with red decal,
36”w x 15”d x 62”h, very good condition 3000-4000
47.
48.
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Gustav Stickley sideboard, similar to #816, plate rail at back above a
series of drawers and doors with original iron hardware, refinished, signed
with red decal, 48”w x 19”d x 45”h, very good condition 1800-2200
Gustav Stickley china cabinet, #820, single door with twelve panes
of glass and original copper hardware, old refinish, signed with red
decal, 36”w x 15”d x 62”h, very good condition 3000-4000
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50.
49.
52.
56.
14
George Frost match safe,
brass with etched design
of a sailboat and windmills,
signed, 4”w x 4”l 100-200
51.
Joseph Heinrichs tea set, tray: 12.75”w x
16.5”l, teapot and burner: 10”w x 12”h, creamer:
5”w x 4”h and sugar: 3.5”w x 3.75”h, ribbed
cylindrical forms in hammered copper, teapot
original patina, all marked 300-500
Fulper cider set, pitcher and five cups, covered
in an iridescent gray glaze, all marked, pitcher:
7”w x 10”h 500-700
53.
Liberty & Co. basket, oval shape in pewter with cut-out
leaf designs, marked, #0359, 9”l x 6”h 200-300
Handel table lamp base, bronzed metal threesocket form with ‘lava’ glass orb and marble
foot, unmarked, 7.5”w x 25”h 300-500
55.
Handel table lamp base, large bronzed
metal form with budding stems and broad
leaves, original patina, unmarked, 8”w x
24”h 350-550
58.
Jefferson lamp, bronzed metal sculpted
and painted base, with palm tree trunk
motif supporting a reverse painted glass
shade with a beautiful tropical floral
design, shade signed on fitter rim, overall:
14”w x 22”h 800-1100
Arts & Crafts lamp, reverse-painted
shade with a hilly landscape design
revealing the roof and chimney of a
building, suported by an unusual bronzed
metal base, 16”w x 21.5”h 700-900
54.
German tiles, set of five, two with blue
and white organic designs and three solid
blue, all unmarked, each: 6”sq 200-300
57.
WMF handled vessel, large form in
hammered copper, with tooled designs,
original patina, brass accents, marked,
8”w x 15.5”h, minor dents; with a WMF
vase, double handled form in hammered
copper, with tooled designs, original
patina, marked, 7”w x 11.5”h, minor break
to foot 300-400
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59.
60.
15
Gustav Stickley Morris chair, #2340, desirable narrow bowarm form with reverse-tapered legs and hip-rail at sides, nicely
recovered leather cushions above an arched seat rail, nicely
refinished, unsigned, a very nice example of the important
design, 28.5”w x 36”d x 38.5”h, very good condition 7500-9500
Rare Gustav Stickley bookcase, early open-form with four shelves supported by slab sides with
double key and tenon construction and a chamfered board back, signed with red decal, original finish,
40”w x 11”d x 45”h, a great example of early bungalow furniture, very good condition 7500-9500
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
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61.
Gustav Stickley side chair, #370, in
mahogany, three horizontal slats at back
above a recovered leather seat, signed
with red decal, 17”w x 17”d x 36”h, very
good condition 100-200
64.
Arts & Crafts armchair, possibly by
Phoenix, a variation of the “McKinley”
chair, original slab seat and back with
slatted sides, 27.5”w x 24”d x 27.5”h, very
good condition 200-300
67.
16
Prairie School desk chair, possibly
Stickley Brothers with two long vertical
slats at back over a recovered leather
seat, original finish, 15”w x 16”d x 41”h,
very good condition 200-300
62.
Stickley Brothers postcard desk, #171,
shaped back with divided compartments
above two drawers with original copper
pulls over a slatted base with a lower
stretcher, signed with Quaint metal tag,
refinished, 36”w x 23”d x 36”h, very good
condition 500-700
65.
Handel lamp, leaded glass shade with
red flowers and multicolored green
leaves, supported by a bronzed metal
pedestal base with a leaf design on the
foot, signed Handel, 16”w x 20”h, very
good condition 1500-2500
68.
Arts & Crafts tabourets, pair, in the
style of Limbert, octagonal top above
splayed legs supported by key and
tenon construction, original finish, some
looseness 17”w x 17”d x 18.5”h, very
good condition 300-400
63.
Gustav Stickley side chair, #370, three
horizontal slats at back above a worn original
leather seat, branded signature, 17”w x 17”d
x 36”h, very good condition 100-200
66.
Charles Stickley armchair, #1653,
attribution, five vertical slats at back
and three under each arm with corbel
supports at sides, recovered leather seat,
numbered, cleaned original finish, 28”w x
24”d x 38”h, very good condition 300-500
69.
Arts & Crafts hall chair, narrow tall-back
form with four horizontal slats over a
recovered seat, refinished, 16.5”w x 14.5”d
x 41”h, very good condition 100-200
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70.
Dirk Van Erp table lamp, assembled,
original mica stenciled shade with leaf
design on a hammered copper base,
original patina, signed, original finial at
top, some flakes to mica, 21”dia x 19”h,
very good condition 6000-8000
71.
Exceptional Pewabic vase, bulbous
shape with a flaring rim, under a fine
blue, green and brown metallic glaze,
impressed mark, 6”w x 10”h, one of the
better Pewabic glazes 2000-3000
72.
17
Early Gustav Stickley magazine cabinet,
#547, square top above three shelves
supported by paneled sides, signed with
early red decal, some wear to original
finish, 15.5”w x 15.5”d x 35”h, very good
condition 1800-2200
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74.
73.
Arts & Crafts hall tree, single post with corbel
supports at base, original finish, 20”w x 20”d x
72.5”h, very good condition 200-300
75.
77.
18
Arts & Crafts footstool, upholstered seat above slab sides
with shaped feet, 21”w x 10.5”d x 16”h, with an Arts &
Crafts tabouret, square top with beveled edge above slab
sides with floral pyrographic design, artist signed and dated
1911, 11”w x 11”d x 17.5”h, very good condition 200-300
Arts and Crafts gun cabinet, single door
with frosted divided panes at top above
a single drawer with original hardware,
refinished, 26”w x 17”d x 70.5”h, very
good condition 700-900
76.
L & JG Stickley costumer, #89, four
original copper hooks on a tapered
post with long corbel supports at base,
original finish, 24”w x 24”d x 72”h, very
good condition 600-800
Arts & Crafts table, in the style of Limbert, hexagonal top
above a lower shelf supported by splayed legs with key
and tenon construction, refinished, some roughness, needs
gluing, 28”w x 28”d x 29”h, very good condition 200-300
78.
Limbert armchair, single wide vertical slat
at back above a partial original leather
seat, original finish, branded signature,
24.5”w x 21”d x 38.5”h, with an Arts
& Crafts plant stand, cut-corner top
supported by tapered slat sides and a
cross-stretcher base, original finish, 12”w
x 12”d x 19.5”h, good condition 300-400
79.
Arts & Crafts tall case clock, slatted form
with original brass face, refinished, one
piece of molding missing, 16”w x 13”d x
77”h, very good condition 400-600
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80.
Marblehead vase, flaring shape, covered
in a mottled green and red matte glaze,
marked, original paper label, 5.5”w x
5.5”h 350-450
84.
83.
82.
81.
Gates Pottery bowl, Chicago, unusual blade design under
a light green matte glaze, marked, 6.5”w x 3”h 200-300
Rookwood vase, unusual shape in a
matte glaze with a molded and painted
organic design, executed by Louise Abel
in 1920, #2102, 3.5”w x 6.75”h 300-400
85.
87.
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Art Pottery vase, in the style of
Newcomb College, high glaze form with
an incised and a blue and green iris motif,
marked, #796, 5”w x 9”h 800-1100
Dirk Van Erp ash stand, ashtray and
match-holder in hammered copper on
a pedestal base, signed, some wear to
original patina, 8.5”dia x 27”h, very good
condition 900-1200
Marblehead vase, bulbous shape,
covered in a mottled green, blue and
brown matte glaze, marked, original paper
label, 3.5”w x 4.5”h 300-400
86.
Rookwood vase, large form in a matte
glaze with a stylized floral design,
executed by L.N. Lincoln in 1922, #1667,
4.5”h x 11”h 700-900
90.
Good Roycroft American Beauty vase,
classic large form in hammered copper with
rivets, fine original patina, signed, 8.5”dia x
21”h, very good condition 2000-3000
Marblehead bowl, low shape, covered in a
mottled brown and tan matte glaze, marked,
original paper label, 4.5”w x 2.25”h 200-300
88.
Kalo bowl, hammered copper, original
patina, applied monogram “E”, marked,
8.5”w x 3.5”h 300-400
89.
Kalo bowl, broad shape, original patina,
subtle organic designs, applied silver
monogram "A", marked, 7"w x 3"h 300-400
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92.
97.
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91.
Michigan Chair Company
magazine stand, square top
above two square and one
oval shelf, signed, lightly
recoated original finish,
18.5”w x 13”d x 36”h, very
good condition 200-300
94.
Fulper vase, double handled
shape, covered in a brown
matte glaze, marked, 6”w x
4.5”h 150-250
95.
98.
Stickley Brothers drink table, #2615,
circular copper top above a wide
notched arched apron on a tapered leg,
some cleaning to original copper top,
refinished, unsigned, 18”dia x 28”h,
very good condition 800-1000
Arts & Crafts style coffee table, in maple, hexagonal form with
riveted copper top, refinished base, possibly shortened, original
patina, 30.5”w x 35”d x 16”h, very good condition 300-500
Arts & Crafts period magazine stand, four shelves supported by
slab sides with pyrographic carved floral design, female portrait
carved at top, warped top, looseness and roughness, 14”w x
13.5”d x 42”h, good condition; with an Arts & Crafts hall tree,
original finish, 14"w x 13"d x 42"h, good condition 300-500
Ford & Johnson server, single drawer with original brass
hardware over an open shelf supported by slab sides with
key and tenon construction, original finish, remnant of paper
label, 43”w x 20”d x 37”h, very good condition 800-1200
99.
93.
Michigan Chair Company
magazine stand, attribution,
five shelves supported by
slatted sides, original finish,
13.5”w x 14”d x 45”h, very
good condition 300-500
96.
Large Roseville Sunflower
jardinière, in brown, green
and blue, signed with
Roseville paper label, 12.5”w
x 9”h 700-900
Arts and Crafts drink table similar
to Stickley Brothers #2615, in maple,
circular copper top above a wide
inverted “V” apron on a tapered leg,
some roughness, recoated original
finish, some cleaning to original
copper top, 18”dia x 30”h, very good
condition 300-500
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100.
Dirk Van Erp table lamp, flaring mica shade with an unusual vented cap supported by a graceful riveted
hammered copper base, new patina, original mica, signed, 16”dia x 19”h, very good condition 8000-10,000
101.
102.
21
Dirk Van Erp tableware set, seven pieces, in hammered brass, set consists of two goblets and five
bowls, signed, original patina, goblet: 4”h, oval bowl” 9.5”w x 4”d, round bowls: 5”dia x 2”h 1000-1500
Early and rare Gustav Stickley Morris chair, #2342, short-arm form with five vertical slats under each arm and corbel supports
at sides, original finish, nicely replaced leather cushions, unsigned, 31.5"w x 33"d x 42"h, very good condition 7000-9000
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103.
104.
107.
22
Stickley Brothers three-piece set, consisting of rocker, armchair, #578 ½, and footstool, #5904, Glasgow-influenced forms with
caned seat and back, some breaks to cane on rocker, original finish, footstool signed with Quaint metal tag, rocker signed with
decal, footstool: 18”w x 13”d x 14”h, armchair: 23”w x 20”d x 38”h, rocker: 24”w x 29.5”d x 34.5”h, very good condition 900-1200
Early Stickley Brothers Morris chair,
#354, massive form with shaped arms
supported by thru-post construction,
recovered seat, refinished, signed
with paper label, 34”w x 39”d x 38”h,
very good condition 800-1000
105.
German Arts & Crafts clock, wall clock
with organic brass strap hinges, brass
face with starburst design to pendulum,
refinished, 16.5”w x 7.5”d x 38”h, very
good condition 400-600
106.
Arts & Crafts Morris chair, flat-arm
form with wide vertical slats under
each arm, refinished, 31.5”w x 36”d x
24”h, very good condition 500-700
Rare Roycroft dressing table, #0110, and Roycroft “Marshall P. Wilder chair”, in bird’s eye maple, c. 1903, historically significant pieces from the Emerson Room
at the Roycroft Inn, pivoting mirror at top of vanity above a single drawer with original copper hardware on a Mackmurdo foot, matching chair has a recovered
seat, branded signature and marked RO35, desk: 39”w x 18”d x 58”h, chair: 17”w x 17”d x 27”h, some restoration to finish, very good condition 7000-9000
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108.
Early Gustav Stickley card table, #447, one drawer at each end with original oval
hardware above a lower stretcher supported by key and tenon construction, refinished,
some roughness to feet, unsigned, 30”w x 18”d x 29”h, very good condition 2500-3500
109.
110.
23
English Arts & Crafts frame, small dual image form in silver
with enameled and repousse design, 4.5”w x 3”h 200-300
Rare and early Gustav Stickley bookcase, #508, low form with two doors with mitered mullions and early copper escutcheons, inverted “V” at base
with paneled sides and a chamfered board back, unsigned, enhanced original finish, 38.5”w x 10.5”d x 43”h, very good condition 8000-10,000
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111.
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Stickley Brothers smoking stand, #144,
unusual form with copper ashtray and
match stand inset at top above a single
drawer and lower shelf, refinished,
branded signature, 13”w x 13”d x 28”h,
very good condition 300-400
114.
Common Ground Pottery vase,
contemporary, expertly incised and brightly
colored daffodil design, signed by Eric
Olson, 2011, marked, 6”w x 11”h 250-350
117.
Arts and Crafts smoking stand, square
top above a single door supported
by splayed legs, roughness to feet,
refinished, 14”w x 14”d x 30”h, good
condition 200-300
112.
Tobey Furniture Company stand,
rectangular top above slab sides with
a lower stretcher supported by key and
tenon construction, signed with paper
label, cleaned original finish, 24”w x 14”d
x 30”h, very good condition 200-300
115.
Michael Adams boudoir lamp, "warty"
copper base holding a copper and mica
shade, excellent original red patina,
marked, #8, dated 12/95, overall: 11"w x
11"h, in 1995 master craftsman Michael
Adams hand-crafted twelve red warty
boudoir lamps, they were not made before
or after that year 1500-2500
118.
Gustav Stickley umbrella stand, #55,
tapered posts with three-sections at top,
original drip pan, branded signature, some
retouch to original finish, 21”w x 11.5”d x
34”h, very good condition 600-800
113.
Brooks fern stand, #421, square top
above cut-outs and a lower shelf, original
finish, 16”w x 16”d x 30”h, very good
condition 300-400
116.
Common Ground Pottery vase,
contemporary, beautifully handcrafted with
unusual fish designs, signed by Eric Olson,
2011, marked, 5”w x 12”h 350-450
119.
Lakeside Craft Shop magazine rack,
cut-outs at back above three sections
supported by slab sides with applied peg
detail, break to one side, refinished, 14.5”w
x 10”d x 38”h, good condition 300-400
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120.
Roycroft meditation chair, shelf at
back above two horizontal slats over a
recovered leather seat, signed with orb,
refinished, 24”w x 24”d x 34”h, very good
condition 1000-1500
121.
122.
123.
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Advertised by Roycroft in the 1906
furniture catalog with the description:
“Induces Sound Sleep, an Easy
Conscience, and a Good Appetite.”
Roycroft chair, from the Grove Park Inn, wide
vertical slat at back above a recovered leather
seat, carved GPI at back, refinished, 25.5”w x
17”d x 40.5”h, very good condition 1500-2000
Good Roycroft Ali Baba bench, #046, plank
seat with bark to underside and thru-post
construction, supported by splayed legs
with a horizontal stretcher and keyed-tenon
construction, fine original finish, signed
with orb, 42.5”w x 14”d x 19.5”h, excellent
condition 8000-10,000
Roycroft dining chairs, set of six, #025, in mahogany, four vertical slats at back over a recovered seat on a Mackmurdo
foot, signed with orb, some minor wear to original finish, 18”w x 17”d x 38”h, very good condition 3000-4000
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
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26
125.
Good Arts & Crafts fire tools, very well
crafted three piece set consists of poker,
shovel and tongs held on a hammered
wrought iron base, as shown: 15”w x
13.5”d x 43”h, excellent condition 700-900
126. Harden armchair, five vertical slats at
back and four under each arm with thrutenon construction, recovered spring seat
over an arched rail, signed, original finish
has alligatored, 29”w x 26.5”d x 37.5”h,
good condition 300-400
124.
Harden rocker, five vertical slats at back
and four under each arm, recovered
leather seat above an arched rail, signed
with paper label, refinished, 29”w x 32”d x
40”h, very good condition 400-600
127.
Good Arts & Crafts cube chair, manufactured by Rittenhouse,
Philadelphia, large form with slatted sides and back above a
replaced leather spring cushion, back cushion not shown, good
original finish, 30.5”w 27.5”d x 33”h, very good condition 1500-2000
128.
Good Arts & Crafts cube chair, manufactured by Rittenhouse,
Philadelphia, large form with slatted sides and back above an original
leather spring seat, good original finish, 30.5”w 27.5”d x 33”h, very
good condition 1500-2000
129.
Stickley Brothers lamp table, #2516, circular top above a
lower shelf supported by a cross stretcher base with thru-tenon
construction, original finish to base, worn finish to top, unsigned,
28”dia x 26”h, very good condition 400-600
130.
Michigan Chair Company table, circular top above a lower shelf
supported by a cross-stretcher base with thru-tenon construction,
numbered, original finish to base, top refinished, 36”dia x 30”h, very
good condition 300-400
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131.
132.
27
Fine and early Gustav Stickley Thornden side chairs, set of eight, #1299, two wide horizontal slats at back above an exceptional original rush
seat, supported by thru-tenon construction, some retouch to original dark finish, unsigned, 18”w x 16”d x 36”h, very good condition 6500-8500
Rare and early Gustav Stickley dining table, important design with
massive fixed circular top above a stacked trumpeted cross stretcher
base with central faceted peg and thru-tenon construction, lightly recoated
original finish, unsigned, 60”dia x 30”h, very good condition 8000-10,000
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
133.
Gustav Stickley Luncheon linen, in the Teazle
design, hand-stitched stylized blossom pattern,
original Gustav textiles rarely come to market,
15.75”w x 15.75”h, very good condition 1000-1500
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134.
135.
136.
28
Shop of the Crafters bookcase, massive three door form with long corbels at sides, thru-peg construction and original
hardware to doors, signed, original finish, one pull missing, 70”w x 14”d x 54”h, very good condition 2500-3500
Dirk Van Erp lamp shade, broad form in hammered copper, mica panels, original patina, marked, 17”w x 7”h 2000-3000
Arts & Crafts bookcase, two doors with wood overlay, some retouch
to original finish, 36”w x 13”d x 48”h, very good condition 400-600
137.
Arts & Crafts bookcase, two doors flanked by peaked posts, original
finish, 42”w x 12”d x 56”h, very good condition 400-600
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138.
Grueby vase, bulbous shape with
a carved and applied leaf and bud
design, covered in a green matte glaze,
impressed mark, artist initials, 4.5”w x
5.25”h, damage 500-700
139.
Hampshire vase, in a green matte glaze,
bulbous base with incised greek key design
and two reticulated handles, signed and
numbered 88, 10”w x 14.5”h 700-900
140.
Exceptional Dedham Pottery vase, large
bulbous shape, covered in textured red
glaze with green highlights, marked, artist
initials HR, 7”w x 10”h 3000-5000
141.
Marblehead vase, swollen shape,
covered in a blue matte glaze, impressed
mark, 4”w x 7”h 250-350
142.
Rare and fine Arthur Baggs vase, large
ribbed shape, covered in a red, brown
and tan matte glaze, marked, 8”w x 8”h,
excellent glaze 1500-2500
143.
Marblehead vase, tapered shape, covered
in a mottled green, brown and yellow matte
glaze, marked, 4”w x 6.75”h 250-350
144.
Pewabic vase, shouldered form, under
a tan and brown matte glaze, unmarked,
4.5”w x 7”h 900-1200
145.
North Dakota School of Mines vase,
rectangular and footed shape with carved
designs, covered in a green matte glaze,
executed by Mattson, marked, 3.75”w x
2.5”h 350-450
146.
Nice Walrath vase, 1919, carved and
painted organic Art Nouveau design with
three incorporated handles, covered
in a blended blue and red matte glaze,
marked, 4”w x 5.5”h 1500-2500
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
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147.
149.
151.
30
Stickley Brothers lamp table, #2508, circular top above a lower
shelf supported by a notched cross-stretcher base with thru-tenon
construction, refinished, unsigned, numbered, 30”dia x 29.5”h, very
good condition 500-700
Arts & Crafts window, in leaded glass with floral and shield motif,
held in a wood frame, several cracked panels, glass: 43”w x
42.25”h, overall: 48.5”w x 49”h, very good condition 300-400
Early Gustav Stickley lamp table, similar to #426, circular top above
a stacked trumpeted cross-stretcher base supported by double
thru-tenon construction, refinished, unsigned, 36”dia x 28”h, good
condition 1500-2000
148.
Roseville Montacello vase, large form, 8.5”w x 9.5”h; with a
Roseville Montacello vase, 6”w x 7.25”h, both double handled, both
brown 500-700
150.
Gustav Stickley library table, #659, spindled form with three
drawers above a lower stretcher, some wear to top, original iron
hardware, original finish, signed with black ink mark, 54”w x 32”d x
29”h, very good condition 3500-4500
152.
Roseville Sunflower bowl, 8”w x 4”h, hairlines; with a Roseville
Sunflower vase, large form, 6”w x 10.5”h, paper label, restored, both
in brown and green 500-700
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153.
154.
155.
31
Good Gustav Stickley sideboard, #814 ½, plate rail at back above a series of drawers and
doors with original iron pulls and strap hardware, ooze leather in top drawer, signed with red
decal, lightly recoated original light finish, 56”w x 21”d x 47.5”h, excellent condition 4500-6500
Unusual Gustav Stickley dining table, variation of #656, with a square top on a pedestal base, four original
12” quarter-sawn leaves, lightly recoated original light finish, some wear to top, signed with paper label,
48”w x 48”d x 29”h, square top dining tables by Gustav are rarely found, very good condition 4000-5000
Gustav Stickley dining chairs, assembled set of five, #306, ladder-back form with three horizontal slats
over a recovered leather seat, overall roughness, three signed with red decal, original finish to four, one
has been refinished, breaks to two chairs, 17”w x 17”d x 36”h, very good condition 1000-1500
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156.
Fulper vase, three-handled shape,
covered in a brown, tan and blue flambé
glaze, marked, 4.4”w x 6”h 200-300
157.
Clewell vase, attribution, copper-clad
pottery, grape design, unmarked, 4”w x
9”h, drilled hole 300-400
158.
Fulper vase, double handled and bulbous
shape, covered in a green and red matte
glaze, marked, 6”w x 7.5”h 150-250
159.
California Faience bowl, shouldered form
under a red high glaze, marked, 6.5”w
x 4”h; with a Roseville Velmoss vase,
bulbous shape, in brown with green leaves,
unmarked, 5.5”w x 6”h, hairline 200-300
160.
Rookwood handled vessel, cylindrical
shape with an unusual handle, Standard
glaze with corn design, executed by Bruce
Horsfall in 1902, #328B, 4.5”w x 6”h;
with a Rookwood tray, large rook figure,
covered in a green and brown matte
glaze, 1935, #1139, 8”w x 4”h 200-300
161.
Roseville Sunflower wall pocket, in
brown and blue, 6”w x 7.5”l 500-700
162.
Fulper vase, cylindrical shape, covered
in a brown, tan and green flambé glaze,
marked, 2.75”w x 8.25”h 150-250
163.
Rookwood vase, incised flowers and
grasses, green matte glaze, executed by
Rose Fechheimer in 1906, #939C, 4”w
x 8”h, damage to top; with a Rookwood
vase, geometric design, brown matte
glaze, 2.75”w x 6”h 350-450
164.
Rookwood vase, molded flowers and broad
leaves, under a brown and yellow matte
glaze, 1927, #2129, 3.5”w x 9”h 200-300
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165.
166.
33
Early Gustav Stickley bookcase, #525, two doors with mitered mullions and unusual copper
escutcheons, supported by slab sides with double key and tenon construction, some restoration and
retouch to original finish, signed with red decal, 46”w x 12”d x 56”h, very good condition 7500-9500
Gustav Stickley dresser, #911, Harvey Ellis influenced form, pivoting mirror at back with peaked top supported by
butterfly joint construction, two half drawers above two full drawers with original wood knobs over an arched toe-board,
signed with red decal and partial paper label, fine original light finish, 48”w x 22”d x 66”h, excellent condition 3000-4000
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
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167.
Limbert cricket stool, #201 ½, recovered
seat above slab sides with cut-out details,
refinished, signed, 20.5”w x 12.5”d x 12”h,
very good condition 300-400
170.
Arts & Crafts footstool, in the style of
Roycroft, leather top on tapered legs,
worn finish, replaced leather, 18”w x 11”d
x 8”h, good condition 200-300
169.
Lakeside Craft Shop footstool, #116,
original leather seat above three vertical
slats on each side, original finish, signed
with decal, 19”w x 19”d x 15”h, very good
condition 200-300
Arts & Crafts screen, three panels with inlaid marquetry landscape detail at top, replaced
green fabric, each panel: 20”w x 38”h, as shown: 51”w, very good condition 300-500
171.
34 34
168.
Arts & Crafts bookcases, pair, peaked top above open shelves, exposed screw
construction, original finish, 25.5”w x 10”d x 52”h, very good condition 400-600
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172.
Dirk Van Erp vase, shouldered form,
hammered copper, original patina,
marked, 3”w x 5.5”h 500-700
173.
Arts & Crafts settle, twelve vertical slats at back and three under each
arm with corbel supports at sides, tear to original leather cushion,
original finish, 76”w x 27.5”d x 35”h, very good condition 500-700
175.
174.
176.
35
Helen Hyde (American, 1868-1919) “A
Summer Shower,” 1909, woodblock print,
pencil signed lower right, numbered 64
lower left, 5” x 13.25”, framed 700-900
Gustav Stickley bed, similar to #923, three-quarter size with peaked top
rails above four wide vertical slats on reverse-tapered posts, branded
signature, old refinish, 46”w x 81”l x 46”h, very good condition 700-900
F.J. Wildenhofer vase, hammered
copper, original patina, marked, 3.25”w x
8.5”h 300-400
177.
Stickley Brothers daybed #3758, slant-back with vertical slats,
replaced cushions are in poor condition, foundation missing, cleaned
original finish, 28.5”w x 76”l x 24.5”h, very good condition 500-700
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179.
Gustav Stickley lamp table, #611, cutcorner top above a lower shelf supported
by a cross-stretcher base, some overall
roughness, painted blue, 24”w x 24”d x
29”h, good condition 400-600
178.
Limbert table, #190, circular top above a
square shelf supported by tapered legs,
signed, refinished, 22”dia x 26”h, very
good condition 600-800
181.
Stickley armchairs, pair, contemporary, in cherry, vertical spindles at
back and corbel supports under each arm, 24.5”w x 19.5”d x 41.5”h,
very good condition 200-300
183.
L & JG Stickley tabouret, #558, octagonal
top with thru-post construction above a
cross-stretcher base, recoated original
finish, signed “The Work of…” 15”w x 15”d
x 17”h, very good condition 600-800
184.
182.
180
Limbert table, similar to #1135, circular
top above an arched cross-stretcher
base supported by tapered legs, original
finish, signed, 24”dia x 29”h, very good
condition 900-1200
L & JG Stickley armchair and rocker, #810 and #811, four vertical
slats at back over partial original leather spring cushion with corbel
supports at sides, original finish, unsigned, armchair: 26.5”w x 25.5”d
x 38”h, rocker: 26.5”w x 28”d x 35.5”h, very good condition 500-700
English Arts & Crafts fire screen,
hammered copper panel with a repousse
classical design held in a wrought iron
frame, 21.75”w x 5.5”d x 30”h, very good
condition 200-400
185.
Michigan Chair Company drink stand,
#1204, circular top above an arched apron
and lower stretcher, original finish, signed
with paper label, 27”dia x 27”h, very good
condition 300-500
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186.
Limbert table, #186, single drawer above a lower stretcher
supported by tapered legs, top refinished, original finish to base,
signed, 36”w x 24”d x 29”h, very good condition 300-500
188.
Gustav Stickley library table, #615, rectangular top above two
drawers with original iron oval pulls, corbel supports at sides above
a lower stretcher with thru-tenon construction, original finish, some
distress to top, signed with large red decal, 48”w x 30”d x 30”h, very
good condition 2000-3000
190.
37
L & JG Stickley library table, similar to #520, single drawer above
corbel supports and a lower stretcher with double key and tenon
construction, refinished, unsigned, restoration to feet, 36”w x 24”d x
29”h, good condition 300-400
187.
Roseville Sunflower jardiniere, large form in brown and green,
8.5”w x 7”h; with a Zaneware bowl, (not shown), low form with four
molded designs, under a brown and tan matte glaze, unmarked,
6.5”w x 2.5”h 700-900
189.
Limbert sideboard, #457 ½, mirrored back above two half drawers
and one full drawer and two paneled cabinet doors, all with original
hardware, original finish, branded signature, 45”w x 19.5”d x 51”h,
very good condition 1000-1500
191.
North Dakota School of Mines vase, unusual shape with a bison
design, covered in a green and brown matte glaze, executed by M.
Cable, marked, 6.5”w x 4.5”h 900-1200
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192.
195.
Arts & Crafts andirons, in twisted and
curled wrought iron with loop detail, 17”w x
36”d x 25”h, very good condition 300-500
198.
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Stickley Brothers library table, #2561,
rectangular top above a single drawer
with original wood pulls, lower stretcher
supported by thru-tenon construction,
original finish, some distress to top,
unsigned, 40”w x 26”d x 30”h, very good
condition 300-400
Arts & Crafts lamp, leaded glass shade
with a colorful floral and geometric design
held by a pedestal base with an original
brass-wash patina, 18”w x 24”h 500-700
194.
193.
Vintage hanging fixture, large mosaic shade
with an organic design in green and caramel
glass, bronzed metal fixtures with ribbon designs,
unmarked, overall: 24”w x 46”l 800-1100
196.
Arts & Crafts bridal chest, in mahogany, canted
sides with carved handles at top and sides with
decorative brass ball detail, refinished, 34”w x
21”d x 16.5”h, very good condition 300-400
199.
J.M. Young luggage bench, slatted top
above a lower stretcher, signed, original
finish, 30”w x 18”d x 22”h, very good
condition 200-300
Arts & Crafts umbrella stand, large form
with eight divided compartments at top,
supported by peaked posts with corbel
supports, refinished, 40”w x 24”d x 33”h,
very good condition 200-300
197.
200.
Arts & Crafts andirons, in wrought iron
with loop and ball details, 13.5”w x 22”d
x 20”h, very good condition 200-300
Wilkinson lamp, six-sided slag glass
shade with scenic design in a metal
overlay, on a base with scroll designs,
original patina, 18”w x 27”h 1200-1700
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201.
Rare Teco vase, shape #107, designed
by Blanche Ostertag, green matte
glaze covers a form with reed design
and scalloped top, this is the only form
designed by this renowned artist and one
of only two known Teco forms done by a
female designer, impressed signature, 5”w
x 12”h 1500-2000
204.
205.
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202.
Teco vase, shape #407, designed by W.D.
Gates, double handled form, under a good
green matte glaze with charcoal highlights,
impressed marks, 4”w x 8.5”h 1000-1500
203.
Teco vase, shape #335, designed by
Fritz Albert, an exceptional green matte
glaze covers an unusual flattened form,
impressed signature and number, a great
example of a successful Teco glaze, 5.5”w
x 12”h 1500-2500
Teco vase, shape #51, designed by W. D. Gates, in an adventurine
glaze, chips to rim, impressed mark, 3.75”w x 3.75”h 200-300
Teco vase, shape #418A, designed by J. K. Cady, green matte glaze covers an architectural
form with four handles, this bold form is the rarer of the two sizes which Teco offered this
form, functional as a vase or lamp base, impressed signature, 9.5”w x 11”h 4000-6000
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
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206.
207.
Early L & JG Stickley chairs, set of four, #793, from the Onondaga Shops, recovered leather seat and back on a base
supported by double key and tenon construction, refinished, unsigned, 21”w x 17”d x 35.5”h, very good condition 1200-1500
Exceptional Benedict Studios lamp, hammered copper base and
shade, fine original patina, shade with a cut-out landscape design
over multicolored glass panels, unmarked, 13"w x 22"h 1500-2500
209.
40 40
208.
Limbert settee, two-seat form with two trumpeted slats at back
above a recovered leather seat and arched rail, refinished, branded
signature, 44”w x 22.5”d x 36”h, very good condition 600-800
Limbert armchairs, set of four, #8073, two horizontal trumpeted slats at back above a recovered leather seat
and arched rail, nicely refinished, branded signature, 24”w x 21”d x 36”h, very good condition 800-1200
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210.
211.
Gustav Stickley lamp table, similar to
#608, circular top above a lower shelf
supported by an arched cross-stretcher
base, refinished, unsigned, 24”dia x 29”h,
very good condition 800-1100
214.
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Good Handel table lamp, reverse painted "chipped-ice" shade, goldenrod and ferns against a red-orange sky, bronzed
metal three-socket base with unusual handles, original patina, shade signed and numbered 6536, 18”w x 23.5”h, very
good condition, similar shade decorations are pictured in Handel Lamps, by De Falco and Hibel, p. 154 & 173 4500-5500
212.
Arts & Crafts lamp table, cut-corner to
above a lower shelf supported by crossstretcher base, refinished, 18”w x 18”d x
28”h, very good condition 200-300
213.
Stickley Brothers lamp table, #2504,
circular top above a lower square shelf
supported by cross-stretcher base with
thru-tenon construction, numbered,
recoated original finish, 26”dia x 29.5”h,
very good condition 500-700
Stickley Brothers dining chairs, set of four, #381, one armchair and three side chairs, three horizontal slats at back, leather seat missing,
numbered, branded signature, original finish, armchair: 28”w x 18”d x 39”h, side chair: 18.5”w x 17”d x 37”h, very good condition 400-500
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215.
217.
219.
42
English Arts and Crafts tea set in hammered pewter made by A &
M Company, with tray, tea and coffee pots, cream and sugar bowls,
as shown: 16”dia x 7.75”h 700-900
Stickley Brothers server, #8503, two drawers with original copper
hardware above a lower shelf, original finish, signed with brass tag,
48”w x 20”d x 38”h, very good condition 700-900
Craftsman Co. bowl, hammered copper, cleaned patina, impressed
mark, #883, 8”w x 2.75”h; with a Heintz letter opener, attribution,
sterling on bronze, applied geometric design, original patina,
unmarked, 1”w x 10”l ; with a Craftsman Studios tray, hammered
copper with tooled leaf and berry designs, original patina, marked,
3”w x 9.5”l 250-350
216.
L & JG Stickley desk, similar to #601, single drawer with replaced
hardware above a lower shelf, refinished, unsigned, some distress to
top, 34”w x 20”d x 33”h, very good condition 300-500
218.
Arts & Crafts candle lamp, handled oak base supports a pyramidal
frosted glass shade with overlay geometric design, cracks to shade,
replaced socket, original finish to base, 8”w x 8”d x 19”h 300-400
220.
L & JG Stickley server, #641, three drawers with original copper
hardware above a lower shelf, original finish, unsigned, 44”w x 18”d
x 39.5”h, very good condition 1500-2000
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43
221.
Wilcox inkwell, silver-plated Aesthetic
movement with floral design, engraved
“Bernice to Grandma Mary 18/91,” signed
and numbered 2811, original glass inert,
4”dia x 3”h 100-200
224.
Batchelder tile, design of a
knight on horseback riding
up to a castle, bisque with
painted blue highlights,
marked, 8”sq 250-350
227.
Fulper sculpture, reclining cat, covered
in a tan, brown and blue glaze, marked,
9.5”w x 6”h 800-1100
222.
225.
Grueby vase, large cylindrical form,
covered in a suspended brown matte glaze,
impressed mark, 5.5”w x 11”h 1500-2500
223.
Pewabic bookends, pair, carved rabbit design,
covered in a metallic glaze with overall iridescence,
marked, paper label, 4”w x 5.25”h 1000-1500
228.
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
Fulper vase, large double handled
shape, covered in a blue glaze with brown
highlights, marked, 10”w x 6.5”h 300-500
229.
Fulper vase, double handled shape,
covered in a blue, green and brown
flambé glaze with crystalline highlights,
marked, 6”w x 4.25”h 150-250
226.
Rookwood Faience tile,
landscape design, signed by
Cecil A. Duell, held in an Arts
& Crafts oak frame, marked,
#1157, tile: 8”sq, overall:
13.5”w x 14”h 800-1100
Fulper sculpture, sleeping curled-up cat,
covered in a blue matte glaze, marked,
9”w x 3”h, repair to one ear 700-900
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43
231.
230.
Roycroft lamp base, acid etched copper
with a blue glass stem by Steuben,
impressed mark, 4.75”w x 11”h 200-300
English Arts & Crafts hall chair,
influenced by C F A Vovsey, high back
form with heart cut-out details at back
and sides over a recovered leather seat,
cleaned original finish, 26.5”w x 23.5”d x
57”h, very good condition 1000-1500
233.
234.
44
Arts & Crafts rocker, wide horizontal
slat at back with cut-out detail above
a recovered original spring cushion,
refinished, 27”w x 31.5”d x 35”h, very
good condition 300-400
235.
232.
English Arts & Crafts hall chair, tall-back
form with wide slat having organic carved
detail, nicely recovered seat and back
in a Liberty of London fabric, original
finish, 26”w x 26.5”d x 53.5”h, very good
condition 1000-1500
236.
Limbert rocker, #1894, single vertical slat at
back over a replaced leather seat, branded
signature, cleaned original finish, 24”w x 28”d
x 32.5”h, very good condition 300-400
Plail rocker, barrel-form with
vertical slats, recovered original
spring cushion, refinished,
24.5”w x 31.5”d x 32”h, very
good condition 1200-1500
Handel Tam O’Shanter lamp, shade with
poppy motif reverse-painted on chipped
ice shade, on a brass base with flower
buds, shade signed, original patina, 12”dia
x 19”h 700-900
w w w . tr e ad w ay g a l l ery .c om
237.
239.
Heintz lamp, helmet shade with silver overlay design on bronze
and an unusual cameo inset on shade, 8”w x 10”h 500-700
238.
Gustav Stickley armchair, #318, five vertical slats at back over a recovered spring
cushion with corbel supports at sides, original finish, some minor discoloration,
signed with red box mark, 27”w x 23”d x 37”h, very good condition 600-800
Rookwood Faience tile, attribution, colorful ship design,
held in an Arts & Crafts oak frame, markings are obscured,
tile: 6”sq, overall: 12”sq, frame warped 250-350
240.
241.
45
Roycroft vase, cylindrical shape, hammered copper, applied
design, original patina, impressed mark, 3”w x 6.5”h 800-1100
242.
Gustav Stickley side chairs, set of three, #306, ladder-back form with
three horizontal slats, good original finish, signed with red decal, seats
missing, 17”w x 18”d x 36”h, very good condition 300-500
Stickley Brothers telephone chair, #841 ½, low form with wide cut-out
slat at back above a recovered leather seat, recoated original finish,
seat altered, unsigned, 16”w x 15”d x 26”h, good condition 100-200
w w w . tr e ad w ay g a l l ery .c om
243.
North Dakota School of Mines vase,
large form covered in a black to gray to
red glaze, artist signed, 1926, marked,
6”w x 11”h, restored chip to rim 200-300
244.
246.
Clifton covered vessel, painted design,
unmarked, 5.5”w x 6.5”h, hairline, chip to lid;
with a Fulper vase, footed shape, covered in
a brown matte, marked, 5”w x 5”h 100-200
Van Briggle vase, 4”w x 5”h; with a Van
Briggle handled vessel, 6.5”w x 11.5”h;
with a Van Briggle shell vase, 6”w x 3.5”h;
with a Van Briggle vase, 3.5”w x 4.25”h,
hairline, all under a blue and green matte
glaze, all with incised marks 200-300
247.
249.
Rookwood handled vessel, Standard glaze with a
well executed portrait titled after Rubens, done by
Grace Young in 1896, #837, 5.5”w x 5”h 500-700
250.
252.
46
Weller Woodcraft lamp base, owl
and fruiting tree motif, covered in
a matte glaze, unmarked, 6”w x
14”h 200-300
253.
245.
Weller Dickensware handled vessel,
Hollowhorn Bear, executed by E.L. Pickens,
marked, #580, 6.5”w x 12”h 550-750
248.
Weller Coppertone vase, unusual shape,
unmarked, 5”w x 6”h; with a Weller
Coppertone candle holder, turtle motif,
marked, foil label, 5”w x 3”h 200-300
Weller Forest jardiniere, large form
with a colorful molded landscape,
marked, 9”w x 8”h 100-200
251.
Good Rookwood handled vessel, Standard glaze
with a monk drinking beer, well painted by Bruce
Horsfall in 1895, #656, 5.5”w x 5”h 500-700
Weller Louwelsa handled vessel, brown glaze, large
portrait of a monk, faint artist initials on side, marked,
#484, 5.5”w x 6”h, restoration to rim 200-300
Roseville Vintage vase, brown, 5.5”w x 8.5”h;
with a Roseville Freesia planter, blue, 10.5”w x
3.5”h, chip and hairline; with a Roseville Freesia
vase, blue, 6.5”w x 8.5”h, minor chip 100-200
254.
Weller L’Art Nouveau vase,
large form with a poppy design,
marked, 5.5”w x 13”h, very nice
matte glaze 250-350
w w w . tr e ad w ay g a l l ery .c om
255.
257.
259.
47
E.T. Hurley books, lot of 10, various titles, with forwards from various
authors, all feature prints of Hurley’s etchings with descriptions of
their scenes, 4 hardcover, 6 soft cover, largest is: 6”w x 8”l 100-200
Rookwood vase, Vellum glaze with a green hue and molded panels,
1908, #1096, 3”w x 5”h, uncrazed; with a Rookwood vase, cylindrical
shape with a molded organic design, covered in a turquoise crystalline
glaze, 1927, #1903, 4”w x 5.5”h; with a Rookwood vase, bulbous
shape, molded stylized floral designs, covered in a blue matte glaze,
1927, #2401, 4”w x 7.25”h, uncrazed 200-300
Art Reference Books, group five books relating to decorative art
and design, lot includes: L'Art International d'Aujourd'hui , Vol. 5 Maisons D'Habitations, 1929; L'Art International d'Aujourd'hui, Vol.
15 - Sculpture, 1929; La Sculpture Decorative Moderne, Series 1,
1925; La Sculpture Decorative a L’Exposition des Arts Decoratifs,
Series 2, 1925; and La Ferronnerie Moderne, Series 2, 1925, largest:
13”w x 18”h 600-800
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
256.
Tiffany Studios lamp shade on a Hampshire base, leaded
geometric glass shade on a base with green matte glaze with incised
geometric linear designs, base signed, ghost of a metal tag to shade,
12”dia x 16.5”h, very good condition 5000-7000
258.
Handel piano lamp, cylindrical shade with pine needle pattern in
overlay design on slag glass, supported by an adjustable base,
original patina, some bends to overlay and wear to patina, 12”w x
13”d x 14”h, good condition 600-800
260.
Tiffany Studios lamp shade on a Hampshire base, leaded glass
shade in the Colonial pattern supported by a three-socket base with
green matte glaze, shade signed Tiffany Studios, New York, base
with impressed signature andw
paper
16.5”dia
good
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condition 6500-8500
47
262.
264.
261.
Arts & Crafts bookcase, two sliding leaded
and beveled glass doors with a stylized
floral motif, original finish, 36”w x 14”d x
62”h, very good condition 900-1200
266.
268.
48
Lifetime bookcase, similar to #7630, single
door with original hardware, thru-tenon
construction, signed, original finish, 30.5”w x
12”d x 58”h, very good condition 700-900
269.
Rookwood Faience tile, sea horse
design, gray, purple and tan matte glazes,
held in an Arts & Crafts oak frame,
marked, #1234YE, tile: 6”sq, overall:
14”sq 250-350
263.
E.T. Hurley color etching, “Fountain
Square, Cincinnati,” 1915, signed, framed,
pencil signed and dated 1916, image: 10.5"
x 12.5", overall: 17.5" x 19.5" 350-550
265.
E.T. Hurley etching, “Suspension Bridge,
from Covington,” 1917, signed, framed,
pencil signed and dated 1918, image: 10.25"
x 13.5", overall: 18.5" x 21.5" 250-350
267.
E.T. Hurley color etching, “6th Street
Market,” 1915, signed, framed, pencil
signed and dated 1920, image: 10.25" x
12.75", overall: 16.5" x 19" 350-550
270.
E.T. Hurley etching, “Bend of the River,”
1915, signed, framed, pencil signed and
dated 1933, image: 8" x 12.5", overall: 14"
x 19.25" 250-350
Rookwood Faience tiles, two, stylized
designs, in colorful matte glazes, each
held in an Arts & Crafts oak frame, both
marked, each tile: 4”sq, each overall:
10”sq 250-350
Rookwood Faience tiles, two, griffin and
shield design, and stylized lion design, both
in colorful matte glazes, each held in an
Arts & Crafts oak frame, both marked, each
tile: 4”sq, each overall: 10”sq 250-350
Rookwood Faience tile, stylized rose
design, in green, brown, pink and tan matte
glazes, held in an Arts & Crafts oak frame,
marked, tile: 4”sq, overall: 10”sq 250-350
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49
271.
Arts & Crafts vase, tall form in hammered
brass with a stylized repousse design,
original patina, 20.5"h 300-500
272.
Roycroft vase, tapered shape, hammered
copper, original patina, impressed mark,
2.5”w x 4.5”h 150-250
273.
Heintz vase, attribution, sterling on
bronze, cylindrical shape with a flared rim,
applied organic design, unmarked, 3.5”w x
8”h 200-300
274.
Rookwood handled vessel, Standard
glaze, intricately painted holly design,
applied silver overlay, executed by
Josephine Zettel in 1892, #468D, 6”w x
8”h 3000-4000
275.
Rare Kalo dish, unusual handled form
with strainer insert, hand-wrought sterling,
marked, 8”w x 4.5”h 1200-1700
276.
Rookwood vase, double handled shape,
Standard glaze, painted dogwood
blossoms, applied silver overlay, executed
by Sallie Coyne in 1899, #583D, 7”w x
8.5”h 3000-4000
277.
Exceptional Merrimac vase, large
bulbous shape, covered in a yellow and
green drip glaze, impressed mark, 9”w x
9.75”h, as nice as they come 1500-2500
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
w w w . tr e ad w ay g a l l ery .c om
49
279.
50
278.
Gustav Stickley magazine stand, four
shelves with a wide vertical slat at each side,
original finish, minor staining to top, branded
signature and paper label, 27”w x 12”d x
38.5”h, very good condition 800-1000
281.
Arts & Crafts tabouret, Flemish-influenced
form with a hexagonal top above a carved
base, original finish, 14.5”w x 17”d x 19”h,
very good condition 100-200
284.
Arts and Crafts drink table
similar to Stickley Brothers
#2615, in maple, circular
copper top above a wide
inverted “V” apron on a
tapered leg, refinished, some
cleaning to original copper
top, 17.5”dia x 28”h, very
good condition 300-500
285.
282.
Arts & Crafts hanging plate rail, in elm, two
doors above a lower shelf supported by double
key and tenon construction, refinished, 53”w x
11.5”d x 36”h, very good condition 500-700
Gustav Stickley chest of drawers, #909, two
half drawers above three full drawers with
original wood knobs supported by paneled
sides, recoated original finish, some wear,
remnant of red decal, 37”w x 19.5”d x 42.5”h,
very good condition 1500-2500
280.
Stickley Brothers magazine stand,
three shelves supported by spindled
sides, original finish, signed with Quaint
metal tag, 19”w x 12”d x 32”h, very good
condition 400-600
283.
Limbert tabouret, #206, octagonal top
above splayed legs with cut-out details
and supported by a cross-stretcher base,
refinished, branded signature, 15”w x 15”d
x 18”, very good condition 300-400
Limbert sideboard, three drawers flanked by two cabinet
doors with original hammered hardware, refinished,
overall roughness, one pull missing, branded signature,
65”w x 23”d x 38”h, very good condition 500-700
286.
Stickley Brothers drink
table, #2615, circular copper
top above a wide notched
arched apron on a tapered
leg, some cleaning to original
copper top, refinished,
unsigned, 18”dia x 28”h, very
good condition 800-1000
w w w . tr e ad w ay g a l l ery .c om
288.
287.
Edward Sheriff Curtis photogravure,
“An Isleta Man,” 1925, Plate 549, margin
marked with copyright, dated and title,
photogravure by Suffolk Engraving Co.,
Cambridge, Mass., 15.5” x 11.5”, overall:
27.5” x 23”, framed 400-600
290.
291.
294.
289.
Arts & Crafts period print, after the
George de Forest Brush painting, “The
Indian and the Lily,” 1887, 27” x 26”, held
in a period frame 200-300
293.
Liberty & Company “Tudric” coffee pot,
c. 1905, rare design by Archibald Knox,
in pewter with organic repoussé design,
signed and numbered 0375, 6”w x 4”d x
5.5”h, very good condition 600-800
Liberty & Company “Tudric” crumb tray,
c. 1905, in hammered pewter with organic
design in blue/green enamel and repoussé,
signed and numbered 0532, 10”w x 4.5”l,
very good condition 500-700
Liberty & Company “Tudric” clock, c.
1920, in hammered pewter with a arched
top over a blue/green enamel face on ball
feet, wind-up key, signed and numbered
0136, 6”w x 3.25”d x 6.25”h, very good
condition 1800-2200
292.
51
Asahel Curtis (American, 1874-1941)
“Mt. Rainier,” 1911, hand-colored
photograph, signed and dated in negative,
14” x 17”, overall: 18.5” x 21.5”, held in
original frame 500-700
English Arts & Crafts vase, c. 1900, in
hammered copper with organic repoussé
design, stamped R.T. English, 5.5”dia x
9”h, very good condition 300-500
English Arts & Crafts mirrors, pair, c. 1910, in hammered copper with repoussé design
around an octagonal beveled mirror, 15.5”w x 15.5”h, very good condition 600-800
w w w . tr e ad w ay g a l l ery .c om
295.
Large Kutani vase, by Hyoyu, c. 1900, “Thousand Scholars” depicts people engaged in various
activities that make up the ‘four accomplishments,’ marked, 12”dia x 11.5”h 2000-3000
The Four Accomplishments were arts to be mastered by an ideal scholar, included were playing
the musical instrument qin, the board game weiqi, calligraphy, and painting.
296.
297.
52 52
Kawase Hasui (Japanese, 1883-1957) “Shiba Benten Ike (Pond at
Benten Shrine),” 1929, woodblock print, monogrammed in image lower left,
impressed markings in lower margin, edition of 350, framed 1000-1500
Persian Heriz rug, c. 1920, floral design on a red field with central
medallion, minor wear, 115” x 155”, very good condition 4000-5000
w w ww. tr
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298.
Nice Renee Irene Prahar (American, 18801963), bronze, stylized falcon, very good
original patina, signed, 1.5”w x 4”h 300-400
302.
53
299.
Japanese masks, two, Miroku Bosatsu
in plaster and Buddha in bronzed metal;
with a Filipino mask, wood, all intricately
sculpted and painted forms, two have rope
fasteners, largest is: 8”w x 18”l 200-300
300.
Interesting Renee Irene Prahar
(American, 1880-1963), bronze, stylized
monkey, good original patina, signed, .5”w
x 4”h 300-400
Utagawa Kunisada (Toyokuni III), c.1855, Japanese
woodblock print, triptych with figures, signed, each image:
14" x 9.5", Ronin Gallery label on verso, framed 300-500
301.
Japanese woodblock print, standing
figure, signed, damage to paper, 28.5" x
9", framed 100-200
304.
Interesting Japanese sculpture, c. 1930,
bronze, Mount Fuji, wonderful original
patina, marked, 5.25”w x 1.5”h 200-300
305.
307.
Japanese noh mask, plaster, intricately
sculpted and painted Tengu goblin, rope
fastener, 8”w x 9”l 150-250
308.
303.
Japanese woodblock print, standing figure,
signed, 26" x 8.5", framed 200-300
Japanese sculpture, hand-carved wood,
snake and frog, original finish, unmarked,
8”l, repaired; with Japanese sculptures,
pair, wire stems with crystal leaves,
largest is: 12”l, one leaf broken 150-250
306.
Asian sculpture, bronze, stylized frog, original
patina, unmarked, 1.5”w x .75”h 150-250
Japanese Gigaku mask, plaster; with a
Asian mask papier maché, both intricately
sculpted and painted, rope fasteners, largest
is: 9”w x 12.5”l, chipping to both 150-250
309.
Japanese noh mask, plaster, intricately
sculpted and painted Hannya ghost spirit,
rope fastener, 8”w x 10”l 150-250
w w w . tr e ad w ay g a l l ery .c om
310.
Chinese vase, late 19th century, baluster
form with a Famille Verde scene featuring
a peacock on a white crackle ground,
marked, completed with a wooden stand,
overall: 8.5”w x 18.25”h 250-350
313.
Japanese wine canteen, c. early 20th century,
bulbous shape covered in a brown matte
glaze with painted characters, braided rope
handle, unmarked, 5”w x 7.5”h 100-200
311.
314.
54
316.
Japanese vase, c. early 20th century,
unusual shape, covered in a white glaze,
marked, 3”w x 4.5”h; with a Japanese
vase, c. 20th century, urn shape with ring
handle accents, covered in a brown glaze,
2.5”w x 4.25”h 150-250
318.
Chinese shelf, c. early 20th century, two-tiered
rosewood form with carved accents, original
finish, unmarked, 15”w x 8.5”h 150-250
319.
Chinese temple alter candlesticks, pair,
c. 19th century, large forms in bronze with
silver inlay, organic and geometric designs,
unmarked, 6.5”w x 21”h 200-300
312.
Chinese sculpture, c. early 20th century,
Kuan Yin standing on a dragon in
intricately carved driftwood, unsigned, 8”w
x 18.5”h 200-300
315.
Japanese vase, 20th century, bulbous
shape in yellow glass cased over white
glass, unmarked, 4”w x 8.25”h 150-250
317.
Japanese vase, c. early 20th century
bulbous shape, unmarked, 3.5”w x 8”h,
hairline and chips to rim, restoration to foot;
with an Japanese bowl, c. early 20th century,
flaring shape, both covered in a blue matte
glaze, marked, 5.5”w x 2”h 100-200
Japanese candle stick, c. early 20th century,
large wooden form with a square base, original
finish, unmarked, 6.5”w x 24”h 200-300
Bretby Delhi Ware jardiniere and pedestal,
320.
maroon glaze covers an eastern and
dragon motif, jardiniere: 13”dia x 9”h,
overall: 37”h, signed and numbered 1999A,
2000, very good condition 400-600
Interesting Chinese shelf, c. 20th century,
multi-tiered sculptural rosewood form, original
finish, unmarked, 25”w x 14.5”h 200-300
w w w . tr e ad w ay g a l l ery .c om
55
321.
Arts & Crafts hall chairs, pair, possibly Hunzinger, in oak, tooled leather
back with a classical scene, barley twist legs and spools, wear to seat,
original finish, 23”w x 23”d x 41”h, very good condition 200-300
323.
Old Hickory style bar stool, woven seat
and back supported by twig construction,
minor breaks to seat, 16.5”w x 16”d x
43”h, seat height: 29.5”h, very good
condition 100-200
324.
Arts & Crafts period armchair, barrel form
with sculpted cut-out details, refinished, 22”w
x 23”d x 33”h, very good condition 200-300
325.
Old Hickory settee, designed by Russell
Wright, bow-arm form with a woven splint
seat and back, some breaks to splint,
worn original finish, 42.5”w x 34”d x 32”h,
very good condition 300-500
326.
Old Hickory table, attribution, #202,
rounded edges to top on a rustic crossstretcher base, worn original finish,
unsigned, 30”w x 30”d x 30.5”h, very good
condition 200-300
327.
Arts & Crafts curtain panel, linen with
stylized roses climbing a trellis in red,
green and blue on a beige background,
42.5” x 72”, very good condition 200-400
328.
Heywood Wakefield sewing stand, woven
rattan with applied decorations, original
finish, signed with paper label, 16”w x 11”d
x 27”h, very good condition 100-200
322.
Old Hickory rockers, pair, worn original splint back and seat,
stripped finish, signed, some breaks to splint, 24.5”w x 31”d x 34.5”h,
fair condition 200-300
w w w . tr e ad w ay g a l l ery .c om
329.
French Art Nouveau table, marble top
above an intricate brass and iron base
with worn original paint, professional
repair to marble, 16”w x 12”d x 32”h, very
good condition 500-700
332.
333.
56
330.
Arts & Crafts period Black Forest/Folk
Art planter, deeply carved grape and leaf
design on a pedestal base, original liner,
original finish, 23”w x 14.5”d x 35”h, very
good condition 300-400
331.
Arts & Crafts plant stand, copper insert
held by a twisted and curled wrought iron
base with wolf detail, 16”dia x 28”h, very
good condition 100-200
Arts & Crafts benches, pair, in the manner of Rose Valley, carved details at back above a slab seat and
lower stretcher, original finish, some separation, 51.5”w x 20”d x 33”h, very good condition 1000-1500
English Arts & Crafts table,
circular top over splayed
turned wood legs, original
finish, 33”dia x 24”h, very good
condition 100-200
334.
Good Arts & Crafts period bench, in curled wrought iron with an
upholstered seat, repainted, stains to fabric, 57.5”w x 15.5”d x
29.5”h, very good condition 700-900
335.
English Arts & Crafts
footstool, original leatherette
seat on turned legs, original
finish, 13.5”w x 13.5”d x 14”h,
very good condition 100-200
w w w . tr e ad w ay g a l l ery .c om
336.
337.
57
Good Architectural chandelier, and four sconces designed for the formal
dining room of Kingswere, Homer Minnesota. Seven light fixture in brass
with a hunting motif of arrows and horns with original decorative chains, four
matching two light sconces, E.L. King commissioned Philip Maher the son of
famed Prairie School and Rockledge architect George Washington Maher to
build Kingswere as a wedding gift to his daughter, original patina, chandelier:
29"w x 54"h, sconce: 11"w x 22"h, very good condition 3500-4500
Arts & Crafts floor lamp, mica shade
with overlay decoration on a wrought
iron base, 14.5”dia x 66.5”h, very good
condition 600-800
338.
Oscar Bach style planter, in brass with
grape vine design, unsigned, 11”dia x 44”h,
very good condition 300-400
339.
French Art Nouveau floor lamp, art glass
shade supported by a wrought iron base with
applied leaf design, 11”w x 68.5”h 700-900
w w w . tr e ad w ay g a l l ery .c om
340.
343.
346. 58
Frank Lloyd Wright end
table, manufactured by
Heritage Henredon, open
storage above two drawers
with recessed handles,
Taliesin design at edges,
original finish, some edge
chips, script signature, 20”w
x 20”d x 25.5”h, very good
condition 600-800
Frank Lloyd Wright
Wasmuth print, Plate IL,
exterior elevation for the
City National Bank, Mason
City, Iowa, 1909, embossed
monogram, image: 16” x
13.5”, overall: 26.5” x 22”,
framed 300-500
341. 344.
Luxfer prism window, 100 prisms held
together with leaded glass, twenty Frank
Lloyd Wright designed-prisms make up
the central border, glass: 40”w x 39”h,
very good condition 500-700
342.
Frank Lloyd Wright end
table, manufactured by
Heritage Henredon, open
storage surrounds a single
drawer with recessed
handles, Taliesin design at
edges, original finish, distress
to top, script signature,
21.5”w x 18”d x 25.5”h, very
good condition 500-700
345.
Arts & Crafts period
photograph, “Mission San
Juan Capistrano,” image
size: 20” x 14”, held in a
period frame 300-400
Luxfer prism window, 100 prisms held together with leaded
glass, twenty Frank Lloyd Wright designed-prisms make up
the central border, some leaded segments bowed at end,
glass: 37.5”w x 39.5”h, very good condition 500-700
Frank Lloyd Wright Wasmuth print, Plate XXX,
exterior elevation for the Edwin H. Cheney Residence,
Oak Park, Illinois, 1903, embossed monogram, image:
10” x 21”, overall: 24” x 31.5”, framed 400-600
347.
Prairie School windows/cabinet doors, pair,
geometric design in leaded glass, held in
oak frames, glass: 15.5”w x 37.5”h, overall:
20”w x 43”h, very good condition 500-700
348. Luxfer prism window, 100 prisms held
together with leaded glass, twenty Frank
Lloyd Wright designed-prisms make up
the central border, one signed Luxfer,
glass: 39.5”w x 39.75”h, very good
condition 500-700
w w w . tr e ad w ay g a l l ery .c om
349.
Frank Lloyd Wright dining chairs, set of six, manufactured by Heritage Henredon, Taliesin design at edges
with back and seat cushions recovered in Schumacher fabric, Coonley Weave pattern, original finish, some
chairs have been reinforced with brackets, 21”w x 22”d x 32”h, very good condition 1200-1500
350.
Frank Lloyd Wright armchairs, pair, manufactured by Heritage Henredon, Taliesin design at
edges with back and seat cushions nicely reupholstered in Schumacher fabric, Coonley Weave
pattern, original finish, reinforced with brackets, 22”w x 22”d x 32”h, very good condition 600-800
352.
351.
353.
59
Prairie School spindle, in
mahogany, carved organic
design with Louis Sullivan
influence converted to a candle
stand, 7”dia x 36”h 300-400
Frank Lloyd Wright table, manufactured by Heritage Henredon, circular
top with incised copper band over a cruciform base with Taliesin design at
edges, three original 16” leaves with copper band and apron, worn original
finish, script signature, 48”dia x 29”h, very good condition 1500-2000
354.
Frank Lloyd Wright stool, manufactured by Heritage Henredon, 355.
circular swivel top on a cruciform base, nicely reupholstered in
Schumacher fabric, Imperial Crystals pattern, unsigned, numbered,
original finish, 18”dia x 18”h, very good condition 700-900
Louis Sullivan door knob and
back plate, from the Chicago
Stock Exchange Building, c.
1893, organic Prairie design
with Stock Exchange monogram
at bottom of doorplate, with
key-hole cut-out, original patina,
3.5”w x 9.5”h 600-800
Louis Sullivan door knob and
back plate, from the Chicago
Stock Exchange Building, c.
1893, organic Prairie design
with Stock Exchange monogram
at bottom of doorplate, original
w w w . patina,
tr e ad w
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l ery .c600-800
om
3.5”w
356.
60
Hamadan rug, c. 1950, floral
design on a red field, some
wear, 104” x 136”, very good
condition 800-1200
358.
357.
Frank Lloyd Wright chest of drawers, manufactured by Heritage
Henredon, a series of drawers and doors with recessed handles, Taliesin
design at edges, original finish, signed with red monogram, some edge
chips, 36.5”w x 26”d x 52.5”h, very good condition 1200-1500
359.
Frank Lloyd Wright desk, manufactured
by Heritage Henredon, top with Taliesin
design at edges above a series of drawers
with recessed handles, signed with red
monogram, good original finish, minor
roughness and chips, 52”w x 20”d x 28”h,
very good condition 2000-3000
362.
Caucasian runner, c. 1920,
stylized floral design on a navy
field, some wear and repairs,
possibly shortened, 32” x 202”,
good condition 700-900
363.
360.
Frank Lloyd Wright dual table,
manufactured by Heritage Henredon, Taliesin
design at edges, fits knee-hole compartment
of desk, worn original finish, edge chips,
unsigned, 24”w x 19”d x 24”h, very good
condition 700-900
361.
Frank Lloyd Wright headboard, manufactured by Heritage
Henredon, full-size with Taliesin design at edges, original finish,
script signature, 54”w x 39”h, very good condition 400-600
Sarouk rug, c. 1940, floral
design on a red field, minor
wear, 103” x 142”, very good
condition 1500-2000
Frank Lloyd Wright cabinet, manufactured
by Heritage Henredon, paneled top above
two doors with recessed handles on a
base with Taliesin design at edges, script
signature, original finish, 31”w x 17”d x 25”h,
very good condition 1000-1500
364.
Persian Sarouk runner, c.
1920, floral design on a red
field, minor wear, 29” x 78”,
very good condition 500-700
w w w . tr e ad w ay g a l l ery .c om
365.
61
Moroccan rug, c. 1950, floral and animal motif on a tan field, some
wear, 60” x 103”, good condition 400-600
367.
Frank Lloyd Wright table, manufactured by Heritage Henredon,
square top with Taliesin design at edges above a cube base, original
finish, signed with red monogram, 27”w x 27”d x 13”h, very good
condition 900-1200
369.
Sumak rug, c. 1940, floral pattern on a navy field, repairs, wear and
damage, 77” x 126”, good condition 1000-1500
366.
Frank Lloyd Wright ottoman, manufactured by Heritage Henredon,
hexagonal form with Taliesin design to base, nicely reupholstered in
Schumacher fabric, Imperial Crystals pattern, original finish, signed with
paper label, 27.5"w x 29.5"d x 17"h, very good condition 900-1200
368.
Agra rug, c. 1960, floral design on an ivory field, 97” x 99”, very good
condition 1000-1500
370.
Frank Lloyd Wright table, manufactured by Heritage Henredon,
circular slate top on a cruciform base with Taliesin design at edges,
recoated original finish, signed with red monogram, 36”dia x 16.5”h,
very good condition 2500-3500
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61
372.
371.
Arts & Crafts period
armchair, in bent willow with
spindled back and sides,
replaced cushions, repainted
28”w x 35”d x 31”h, very
good condition 200-300
374.
375.
62
Arts & Crafts period planter, in woven wicker
with painted diamond detail, original finish, 50”w
x 13”d x 28”h, very good condition 200-300
373.
Old Hickory armchair, paddlearm form on a base with twig
construction, needs cushions,
branded signature, original
finish, 33”w x 28”d x 32”h, very
good condition 200-300
Heywood Wakefield game set, table and four chairs, chairs with woven back above a seat with inset woven
cane seat, brass feet, 14.5”w x 18”d x 28”h, table with circular oak top above a woven cross-stretcher base
with brass feet, refinished top, signed with paper label, 42.5”dia x 30”h, very good condition 700-900
Art Nouveau music stand, in mahogany,
four open shelves on a carved base, 22”w x
18”d x 30.5”h, very good condition 300-400
376.
Karabagh rug, c. 1940, stylized floral
design on a navy field, some wear,
47” x 85”, good condition 400-600
377.
Arts & Crafts period table, Aesthetic
Movement influenced, in walnut, with stick
and ball design at sides and brass feet,
original finish, 26”w x 17”d x 28.5”h, very
good condition 300-500
w w w . tr e ad w ay g a l l ery .c om
63
378.
European Arts & Crafts corner desk,
probably Austrian, in mahogany, bevel-glass
cabinet door above a drop-front writing
desk with complete interior, original brass
hardware and trim, refinished, 40”w x 21”d x
68”h, very good condition 700-900
381.
French Art Nouveau armoire, knock-down form with two carved
doors flanking a central mirrored door with beveled glass, cleaned
original finish, replaced shelves to interior, 56.5”w x 18”d x 80.5”h,
some roughness, very good condition 400-600
379.
Thonet rocker, bentwood form in beech,
original finish with minor breaks to cane, 22”w
x 35”d x 35”h, very good condition 300-400
382.
380.
Thonet hall tree, bentwood form with two
posts, mirror missing, refinished, some
restoration and warping, 57”w x 18”d x
75”h, very good condition 500-700
English Arts & Crafts sideboard, two drawers with original brass
hardware above two cabinet doors with Art Nouveau carving,
refinished, back gallery missing, 48”w x 17.5”d x 37”h, very good
condition 400-600
w w w . tr e ad w ay g a l l ery .c57
om
383.
L.C. Tiffany turtle-back tile, gold favrile
glass with overall iridescence, unmarked,
4.5”w x 6”l 500-700
384.
386.
389.
64 64
Tiffany Studios box, bronze in the pine
needle pattern, green and white glass,
original patina, unmarked, 8”sq x 2.75”h,
crack to bottom glass panel, repaired
damage to beading on lid 700-900
Good Muller Freres chandelier, central domed shade with three surrounding art glass hanging
shades suspended on French wrought iron hanging fixture with an intricate grape and vine
motif and decorative ceiling plate, shades signed, 25”w x 37”h, excellent condition 2000-3000
Gustav Klimt (Austrian, 1862-1918),
second edition 1931, issued by the
Austrian government, "Friederike-Maria
Beer," collotype, No. 24, signed, image:
12.5" x 9.5" 2500-3500
390.
385.
387.
Gustav Klimt (Austrian, 1862-1918) from
the first edition portfolio, “Portrait of Sonja
Knips,” 1908-1914, halftone, signed with
signet, 12”sq 1000-1500
388.
Gustav Klimt (Austrian, 1862-1918),
second edition 1931, issued by the Austrian
government, "The Bride," 1917, collotype,
No. 30, image: 10.5" x 12.5" 1200-1700
French centerpiece, Schneider glass insert held in a by a wrought
iron basket with grape and leaf design, 21”w x 12”d x 10”h 800-1200
French Art Deco clock and two garnitures, in spelter with a worn patina, on a marble base, garnitures
with Peacock motif, signed P. Sega, 6”w x 11”h, clock: 20”w x 12.5”h, very good condition 1000-1500
w w ww. tr
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391.
L.C. Tiffany glass, miniature form in gold
favrile glass with applied tendrils, overall
iridescence, #D2447, 1.5”w x 2.25”h 250-350
392.
65
Trevaise vase, attribution, floral shape in
gold glass with pulled iridescent designs,
marked with a Steuben label, 5”w x 14”h,
c. 1908 1000-1500
397.
Durand vase, attribution, blue aurene
glass with pulled leaf designs in platinum,
colorful iridescence, unmarked, 3.5”w x
9”h 500-700
400.
Gallé vase, bulbous shape with a cameo
and enameled fuchsia design in pink and
green on a frosted and blue ground, cameo
signature, 4.5”w x 13.5”h 1700-2200
Lalique bottle stopper, frosted glass
with thorny branch design, marked, 2”w
x 1.5”l 100-200
L’Verre Francais vase, cameo cut stylized
fuchsia design in red and blue against a
mottled yellow and green background,
marked, 4”w x 10”h 1000-1500
396.
398.
L.C. Tiffany glass, gold favrile glass with
faceted base and a pulled design, overall
iridescence, signed L.C.T., 3”w x 4”h 250-350
Rene Lalique “Bacchantes” vase, female
nudes in clear glass, signed R. Lalique, France,
8”dia x 10”h excellent condition 4000-6000
395.
394.
393.
L.C. Tiffany jewels, all in colorful
iridescent favrile glass, unsigned, largest
is: 1.25”w 100-200
399.
L.C. Tiffany vase, double gourd
shape in gold favrile glass, #x2821,
4”w x 9”h 900-1200
w w w . tr e ad w ay g a l l ery .c om
402.
401.
Exceptional Amphora vase, monumental
shape with a bulbous bottom, spiraling
neck and four openings at waist, boldly
painted stylized leaves and berries, overall
iridescence, marked, #3963, 9.5”w x 16”h,
this vase is pictured in House of Amphora,
by Richard Scott, p. 209 400-600
405.
404.
66
Moorcroft vase, large flaring shape,
decorated with pomegranate design,
impressed mark, painted signature, 7”w x
10”h 600-800
409.
403.
Royal Doulton vase, bulbous bottle
shape, covered in a red and blue veined
flambé glaze, marked, #1618, 7.5”w x
10”h 800-1100
407.
Moorcroft handled vessel, speckled
blue, impressed mark, 5”w x 5.5”h; with a
Moorcroft vase, flambé red, impressed
mark, 4”w x 6”h 100-200
410.
Large Moorcroft vase, decorative poppy
design, impressed mark and painted
initials, 7.5”w x 12.5”h 700-900
Ludwig R. Schutz vase, German,
c. 1895, flaring shape, covered in a cobalt
glaze with an acid etched design of the
sun rising over a body of water, pewter
mounts attributed to Orion, unmarked, 4”w
x 7.75”h 400-600
Moorcroft bowls, two, green and blue,
impressed mark, 8.75”w 150-250
406.
408.
Amphora vase, female portrait in a
landscape, marked, impressed number
108, 6.5”dia x 10.75”h 1000-1500
Amphora vase, double handled form with an
organic design, #5625, 9”w x 7”h 150-250
Moorcroft vase, decorated with poppy
design, impressed mark and painted
initials, 4.5”w x 6”h 200-300
w w w . tr e ad w ay g a l l ery .c om
411.
67
L.C. Tiffany teacups, set of six, gold favrile glass with pulled designs, overall
iridescence, all signed L.C. Tiffany- Favrile, #V698, all 4”w x 2.5”h 2000-3000
413.
L.C. Tiffany glasses, two, in gold favrile
glass, overall iridescence, one signed
L.C.T., 3"w x 4"h 250-350
412.
L.C. Tiffany bowl, frosted and turquoise
favrile glass with applied designs and
veining to rim, signed L.C.T.-Favrile,
#1925, 6.5”w x 2”h 250-350
415.
Durand shades, set of seven, glass shades with leaf design,
unsigned, 4”dia x 4.5”h 500-700
417.
Daum vase, unusual form, cameo
grapevine designs, in green and brown
against a mottled purple and frosted ground,
cameo signature, 6”w x 11”h 1500-2000
418.
416.
414.
Steuben shade, large form in gold glass
with a Intarzia design at bottom edge, overall
iridescence, marked, 10"dia 2000-3000
L.C. Tiffany cordial glasses, set of six, gold favrile glass with overall
iridescence and enameled monogram, one signed L.C.T., some
marked either C73O, C717 or C74O, each: 2"w x 3.5"h 2000-3000
Unusual L.C. Tiffany vase, pinched gourd
form in gold favrile glass with overall
iridescence, signed L.C. Tiffany Favrile,
#W5203, 4.5"h 500-700
419.
Loetz vase, folded rim in mottled yellow
iridescent glass, 11”h 350-450
w w w . tr e ad w ay g a l l ery .c om
68
420.
Monumental Daum vase, intricate and
beautifully cut cameo landscape design,
the black and dark green trees are
silhouetted against an intense mottled red,
yellow, orange, green and blue ground,
signed, 6.5"w x 22.25"h 4000-5000
421.
Good Gallé vase, elegant bulbous shape
rising from a solid foot, cameo cut delicate
blossoms and intricate leaf patterns in
red and burgundy tones, on a frosted to
yellow ground, cameo signature, 2.5”w x
8”h 1200-1700
422.
Large Gallé vase, impressive form
featuring a beautifully detailed cameo
cut river landscape in multiple shades of
brown, against finely toned background
of yellow with pink highlights, cameo
signature, 9”w x 19.5”h 3000-4000
423.
Fine Daum vase, bulbous Art Nouveau
shape featuring unusual and interesting
cameo and enameled cotton plants in
multiple shades of brown with green
highlights, behind the decoration is a nicely
mottled frosted and brown ground with a
finely hammered surface, signed, 5.25”w x
17”h 3000-4000
424.
“Art et Décoration” book, (one page
shown), various articles and photographs of
French art and decorative arts, title page and
copyright information missing, approximately
160 pages, hardcover 50-100
425.
Gallé vase, unusual and nicely executed
cameo cut design of wild roses, in
reds and purples on a frosted to yellow
background, impressed signature, 4.25”w
x 14.5”h 2000-3000
w w w . tr e ad w ay g a l l ery .c om
426.
427.
Tiffany Studios twelve-light lily lamp, twelve favrile glass lily shades supported by a gold doré base with lily pads, base signed
Tiffany Studios New York, #382, three shades signed LCT, nine shades signed LCT Favrile, 14”w x 15”d x 21”h 30,000-40,000
L.C. Tiffany bowl and flower frog, large form in gold favrile glass with a pulled green leaf design, bowl signed Louis C. Tiffany
Furnaces Inc. Favrile, #1790/4759N, flower frog signed L.C. Tiffany Inc. Favrile, #4759N, overall: 11.5”w x 5”h, minor chips 900-1200
428.
69
Edouard Cazaux charger, nude figure at center in white against a brown
and ivory ground with incised geometric designs, signed, 11.5”w 1500-2500
w w w . tr e ad w ay g a l l ery .c om
429.
433.
70
Tiffany Studios lamp base, in bronze
with a gold doré patina and a colorful
enameled design, signed Tiffany
Furnaces, Inc., #18, 6"w x 14”h 800-1100
Tiffany Studios floor lamp base, bronze
three-footed form, original patina, signed
Tiffany Studios, New York, #423, 15”w x
54”h 1000-1500
430.
Charles Lotton lamp, red glass base
and shade with a pulled peacock feather
design, in gold iridescence, signed, 1993,
18"w 23"h 3500-4500
432.
Tiffany Studios lamp base, bronze with
an original patina, in the Zodiac pattern,
signed Tiffany Studios, New York, #661,
9.5”w x 12.5”h 800-1100
434.
Tiffany Studios lamp base, bronze with
a leaf design, original patina, signed
Tiffany Studios, New York, #426, 5.5”w x
10”h 800-1100
431.
Tiffany Studios lamp base, three-light lily,
in bronze with a gold doré patina, signed
Tiffany Studios, New York, #306, 6”w x
16.5”h 900-1200
435.
Tiffany lamp base, harp form with a
bronze acid-etched finish, signed Tiffany
Studios New York, numbered 423H,
14.5”w x 58”h 1500-2500
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Fine American and European Paintings,
Fine Prints and Works on Paper
Session Two
immediately following Session One
436.
71
Mariano José María Bernardo Fortuny y Carbó (Spanish, 1838-1874) “Street
Scene,” c. 1860, oil on canvas, 9.5” x 6.5”, signed lower left, framed 8000-10,000
w w w . tr e ad w ay g a l l ery .c om
437.
Louis Lartigau (French, 19th/20th century)
“Chickens,” c. 1920, oil on canvas, 12.75” x
16”, signed lower right, framed 800-1200
440.
441.
72
438.
Arthur Burdett Frost (American, 18511928) “Man Reading the News,” c. 1900,
watercolor and gouache, 14.25” x 11”,
signed lower left, framed 500-700
439.
Charles T. Webber (American, 18251911) “Ohio Landscape,” c. 1900, oil on
canvas, 19.5” x 25”, signed lower right,
Getz-Brown Gallery, Cincinnati label on
verso, framed 600-800
After Antoine-Louis Barye (French, 1796-1875) “Elk,” c. 1900,
bronze sculpture, 14”h, signed, held on a marble base 1000-2000
Charles Edward Dixon (British, 1872-1934) “Steamboats,” 1890,
watercolor, 18.5” x 39.5”, signed and dated lower left, framed 500-700
442.
William Manners (British, 1874-1955) “Solitude,” c. 1900, oil on board,
8” x 12”, signed and dated indistinctly lower right, framed 400-600
w w w . tr e ad w ay g a l l ery .c om
443.
444.
73
George Henry Hall (American, 1825-1913) “Roses,” 1897, oil on canvas
on board, 15” x 8”, signed and dated lower right, framed 3000-5000
Artist Unknown (American, 19th
century) “Portrait of a Gentleman,” c.
1880, oil on canvas, 24” x 19”, unsigned,
framed 400-600
445.
Jacques Villon (French, 1875-1963)
“Study of a Carriage” and “Studies of
Horses,” 1896, graphite on paper, images
on both sides of sheet, 8.5” x 5”, signed
and dated lower left, framed 500-700
446.
Jacques Villon (French, 1875-1963) “La
Dame au Chien (Madame Villon),” 1906,
etching and drypoint, 9.5” x 8.5”, signed in
plate, unframed 400-600
Reference: Ginestet & Pouillon 156
w w w . tr e ad w ay g a l l ery .c om
74
447.
Charles Alfred Meurer (American, 1865-1955) “Winter Landscape,”
1950, oil on canvas, 23.5” x 30.5”, signed and dated lower right,
framed 800-1200
448.
Victor Casnelli (American, 1868-1961), “Landscape with Hunter,”
c. 1940, watercolor, 7” x 12”, signed, framed 300-500
449.
Svend Rasmussen Svendsen (Norwegian/American, 1864-1945) "
"Nocturnal Forest," c. 1910, oil on canvas, 24" x 17.5", signed lower
right, framed 400-600
450.
Svend Rasmussen Svendsen (Norwegian/American, 1864-1945)
"Winter Landscape," c. 1900, oil on canvas, 32" x 24", signed lower
right, framed 800-1200
451.
Paul André Jean Eschbach (French,
1881-1961) “Winter Scene,” c. 1940, oil
on board, 21.5” x 19.5”, signed lower right,
framed 500-700
452.
Victor Joseph Harles (American, 18941975) “Winter Landscape,” 1946, gouache
on paper, 21.5” x 15”, signed and dated
lower left, framed 500-700
453.
L. Clarence Ball (American, 18581915) “On the Kankakee River,” c. 1900,
watercolor, 15.5” x 21”, signed lower right,
framed 500-700
w w w . tr e ad w ay g a l l ery .c om
454.
Harry Spiers (American, 1869-1947) “Lion Statues,” 1901, oil on
board, 19” x 27”, signed and dated lower left, framed 1000-2000
456.
75
455.
Harry Wallace Methven (American, 1864-1947) “The Lone
Fisherman,” 1895, oil on canvas, 12” x 16”, signed lower right,
framed 1500-2000
Literature: Chicago Modern, 1893-1945: Pursuit of the New, Terra
Foundation for American Art, 2004, edited by Elizabeth Kennedy, p.
29, illustrated
Louis Oscar Griffith (American, 1875-1956) “Pumpkin Flowers,” c. 1940, oil
on canvas, 24” x 20”, signed lower left, titled on stretcher, framed 3000-4000
457.
Louis Oscar Griffith (American, 1875-1956) “Beach with
Sailboats,” c. 1908, oil on canvas on board, 5.5” x 8”, initialed lower
left, framed 1200-1500
Provenance: Estate of the Artist
458.
Louis Oscar Griffith (American, 1875-1956) “The Clearing in
Autumn,” c. 1930, oil on canvas on board, 10” x 13”, signed lower
left, framed 1500-2000
w w w . tr e ad w ay g a l l ery .c om
459.
462.
76
460.
Louise Mary Wahl Kamp (American, 1867-1959) “Landscape,” c. 1940,
oil on canvas board, 15.5” x 19.5”, signed lower left, framed 700-900
461.
Reinhold H. Palenske (American, 1884-1954) “Heading South,” c.
1930, graphite on paper, 9” x 10”, signed lower right, titled lower left,
framed 200-400
463.
William Ballantine Dorsey (American, b. 1942) “Landscape,” c. 1990,
oil on canvas, 14” x 18”, signed lower right, framed 1500-2500
Sara Mae Hess (American, 1875-1960) “Spring in the Hills,” c. 1930, oil
on board, 12” x 16”, signed lower right, titled on verso, framed 800-1200
Harry Leon Engle (American, 1870-1968) “Wood Nymph,” c. 1930,
oil on board, 9.5” x 10.5”, signed lower right, framed 700-900
w w w . tr e ad w ay g a l l ery .c om
464.
465.
77
Walter Joseph Phillips (Canadian, 1884-1963) “Landscape,” c. 1940,
oil on paper, 43.5” x 46.5”, signed lower right, framed 10,000-15,000
Ignac Konrad (French/Hungarian, 1894-1969) “High Time by
Ultimus-Noonday,” 1929, oil on board, 15” x 18”, signed lower right,
framed 1500-2500
466.
Carl Rudolph Krafft (American, 1884-1938) "Landscape," c. 1930, oil on
canvas, 15.5" x 19.5", signed lower left with thumbprint, framed 2000-3000
w w w . tr e ad w ay g a l l ery .c om
78
467.
Marie Laurencin (French, 1885-1956) “Les Trois Jeunes Filles,” c. 1920,
graphite on paper, 13.5” x 9.5”, initialed lower right, framed 8000-10,000
This lot is accompanied with a certificate of authenticity by JeanPierre Camard
468.
Hugó Scheiber (Hungarian, 1873-1950) “Portrait of a Standing Boy,” c.
1930, oil on canvas, 26.5” x 21”, signed lower left, framed 2000-4000
469.
Dorothy Hart Drew (American, 1910-1994) “Standing Nude,” c. 1950,
oil on canvas, 60.75” x 37”, signed upper right, unframed 3000-4000
470.
Luvena B. Vysekal (American, 1873-1954) “Sonia, Russian Model,”
c. 1930, oil on canvas, 29” x 27.25”, signed lower right, titled on
verso, framed 2000-3000
Literature: This painting will be included in the forthcoming Maureen
Saint Laudens, Emerging from the Shadows: California Women
Artists Works 1860-1960
w w w . tr e ad w ay g a l l ery .c om
471.
472.
79
Pauline Palmer (American, 1867-1938) "The Precious Jewel," c. 1936, oil
on canvas, 32" x 26", signed lower left, titled on original exhibition label on
verso from the Arts Club of Chicago Annual Exhibition, 1936, remnant of
Provincetown Artist Association exhibition label on verso, framed 6000-8000
Maurice Sterne (American, 1878-1957)
“Balinese Nude,” c. 1930, charcoal on
paper, 20” x 16”, estate stamped lower
right, framed 600-800
473.
John D. Graham (Ukranian/American,
1886–1961) “Sandy (Alexander Calder),”
1928, graphite on paper, 7.5” x 5”,
signed “John Graham by David Burliuk,”
framed 2000-4000
474.
Jan Matulka (American/Czech, 18901972) “Seated Woman,” c. 1930, crayon
on wove paper, 17” x 14”, pencil signed
lower right, estate stamped on verso,
unframed 1200-1500
Provenance: Sylvan Cole Gallery, New York
w w w . tr e ad w ay g a l l ery .c om
475.
80
Mané-Katz (French/Ukrainian, 1894-1962) “Fiddler,” c. 1950, bronze
sculpture with black patina, 14”h, signed, held on a marble base 1500-2500
476.
Palmer Z. Holmes (American, 18961955) “Wash Day,” c. 1940, oil on
masonite, 25.5” x 35.5”, signed lower left,
framed 600-800
477.
Robert Bartholomew Harshe (American,
1879-1938) “Nude on Bed,” c. 1930, oil
on board, 21.5” x 28”, signed lower right,
framed 1500-2500
479.
Richard Hayley Lever (American, 1876- 1958) “Seated Nude,”
1939, charcoal on paper, 24” x 13.5”, signed and dated lower right,
unframed 200-400
480.
478.
Henry Gilbert De Kruif (American, 18821944) “Woman Washing,” c. 1930, oil on
canvas board, 8.5” x 11.75”, signed lower
right, framed 400-600
André Lhote (French, 1885-1962) “Seated Nude,” c. 1930, graphite
on paper, 19” x 14”, signed lower right, framed 2500-3500
w w w . tr e ad w ay g a l l ery .c om
481.
482.
483.
81
After Marcel Debut (French, 1865-1933) “Ducks,” c. 1930, bronze
sculpture, 17”h, signed, held on a marble base 1000-2000
Herbert Reynolds Kniffin (American, 1886-1970) “The Dories,” c. 1916, oil on canvas, 40” x 50”, signed
lower right, titled on Associated Artists of Pittsburgh 7th Annual Exhibition label on verso, framed 4000-6000
Herbert Reynolds Kniffin (American, 1886-1970) “Paris,” c. 1915,
oil on canvas board, 6” x 8.75”, signed lower right, framed 400-600
484.
Herbert Reynolds Kniffin (American, 1886-1970) “Moonlit
Harbor,” c. 1920, oil on canvas, 25.25” x 30.25”, signed lower left,
framed 1000-2000
w w w . tr e ad w ay g a l l ery .c om
485.
Lawrence McConaha (American, 1894-1962) “Quai du Commerce,
Papette, Tahiti,” c. 1930, oil on canvas, 19.5” x 23.5”, signed and
indistinctly dated lower right, framed 1500-2500
487.
Vern Broe (American, b. 1930) “Catboats,”
1987, oil on canvas board, 17.5” x 27.5”,
signed lower right, Miller Gallery label on
verso, Cincinnati, framed 800-1200
490.
82
488.
486.
Harry Freckelton (American, 1890-1979) “On the River Soar,” c.
1950, oil on canvas, 25” x 29.5”, signed lower left, framed 1500-2500
Henry J. Winslow (American, 1874-1953)
“The Outer Shore, Cape Cod,” c. 1930,
watercolor and gouache on paper, 5.5”
x 9.25”, signed lower right margin, titled
lower left, framed 200-400
489.
Emile Albert Gruppe (American, 18961978) “New England Town,” c. 1940,
colored pencil on paper, 9.25” x 12.5”,
signed lower right, framed 600-800
Luigi Maria Galea (Maltese, 1847-1917) “Castle in Malta,” c. 1900, oil on
board, 8.5” x 21.5”, signed, titled indistinctly on verso, framed 1500-2500
w w w . tr e ad w ay g a l l ery .c om
492.
Hildegarde Hume Hamilton (American, 1898-1970) “Village on
the River,” c. 1940, oil on canvas, 15” x 18”, signed lower right,
unframed 600-800
493.
Karl Albert Buehr (American, 1866-1952) “Market Scene,” c. 1915,
oil on canvas, 10” x 12”, initialed on verso, framed 1500-2500
491.
Boris Izrailovich Anisfeld (Russian, 1879-1973) “Marushka or
Morella (The Artist’s Daughter),” 1940, watercolor, 28.5” x 21”, signed
and dated lower left, framed 8000-10,000
494.
83
Provenance:
Gift of the artist to his wife, Mary Hess Buehr
By descent to the artist’s niece, daughter of Will Hess
David Saltzman
Robert Henry Adams Fine Art, Chicago
Acquired by the present owner from the above
Arisztid Szendy (Hungarian, 1903-1972) “Market Scene,” c. 1960, oil on
canvas, 19.5” x 27”, signed lower right, framed 500-700
w w w . tr e ad w ay g a l l ery .c om
495.
496.
Stuart Davis (American, 1892-1964) “Rooftops,” 1917, graphite on
paper, 11” x 10.5”, signed and dated lower left, framed 3000-4000
Lucy Carter Eliot (American, 19132010) “Go Rayhill/Syracuse Storefronts,”
c. 1997, oil on canvas, 41.5” x 32.5”,
signed lower right, winner of the Elizabeth
Erlanger Memorial Award, 79th Annual
Exhibition, 1997, with exhibition label on
verso, framed 700-900
497.
Harry Gottlieb (American, 1895-1992)
“Untitled,” 1930, mixed media on paper,
14.75” x 18.25”, signed and dated lower
right, framed 500-700
498.
Lucy Carter Eliot (American, 1913-2010)
“South 68th Street #1,” c. 1970, oil on
canvas, 47” x 42”, signed lower right, titled
on period label on verso, framed 700-900
Freeman is best known for his work as an illustrator. In addition to being an illustrator he was an accomplished painter and
print maker. Freeman studied print making at The Arts Student League under the tutelage of John Sloan. His work has been
exhibited in the Philadelphia Print Club, The Art Institute of Chicago and the Pennsylvania Academy of Fine Arts.
499.
84
Don Freeman (American, 19081978) “Just a Rough Sketch
of the Body Builders,” c. 1940,
gouache on board, 20” x 30”,
signed lower right, titled along
right edge, unframed 500-700
500.
Don Freeman (American,
1908-1978) “Building
Ships,” c. 1940, gouache
on board, 30” x 20”,
signed lower right,
unframed 400-600
501.
Don Freeman (American,
1908-1978) “Pay Day,” c.
1940, gouache on board,
20” x 30”, signed lower right,
unframed 500-700
502.
Don Freeman (American, 19081978) “Airplane Builders,” c. 1940,
gouache on board, 20” x 30”, signed
lower right, unframed 400-600
w w w . tr e ad w ay g a l l ery .c om
503.
John Marin (American, 1870-1953) “New York Skyline, Lower Manhattan from the Bridge,” 1912, watercolor and pencil, 10.25”
x 12”, signed and dated lower right, titled on period label on verso, Kennedy Galleries Inc. label on verso, framed 30,000-60,000
Provenance:
Estate of the artist
Kennedy Galleries, New York
Acquired by the present owner from the above
Literature: Sheldon Reich, John Marin: A Stylistic Analysis and Catalogue Raisonne, Tucson, Arizona, 1970, no. 12.50, p. 370, illustrated
504.
John Marin (American, 1870-1953) “Study of Mid-Manhattan II,” c. 1932, oil and graphite on board, 10” x 8”, signed lower right, framed 10,000-15,000
Provenance:
Kennedy Galleries, New York
Christie's, New York
Private Collection
Acquired by the present owner from the above
This work is one of a series of studies for the finished painting “Mid-Manhattan No. II,” as illustrated in Sheldon Reich’s John Marin Drawings 1886-1951 (Salt Lake
City, University of Utah Press, 1969), figures 57-60
85
w w w . tr e ad w ay g a l l ery .c om
505.
Louis Phillipe Grumieaux (Belgian/American, 1872-1953) “Still Life,” 1942,
oil on canvas, 20” x 33.25”, signed and dated lower right, unframed 800-1200
506.
507.
86
Ida Marie Perrault (American, 1872-1929) “Still Life,” c. 1910, oil
on canvas, 14.5” x 21”, signed lower right, framed 3000-5000
Trude Schullerus (German, 1889-1981) “Still Life,” c 1960, oil on
canvas, 17.5” x 23”, signed lower right, framed 400-600
508.
Victor Petry (American, early 20th century) “Symphony,” c. 1923, oil
on canvas, signed lower right, 27” x 37.5”, framed 200-400
w w w . tr e ad w ay g a l l ery .c om
509.
510.
87
Boris Izrailovich Anisfeld (Russian, 1879-1973) “Colorado Mountain,”
c. 1930, watercolor, 21.5” x 29”, signed lower right, framed 3000-5000
Thomas Moran (American, 1837-1926) "Pink Terraces, Mammoth Hot Springs Gardiners River," "Great Blue Spring, Lower
Geyer Basin," "Grand Canyon of the Yellowstone River," and "Castle Geyser and Beautiful Spring, Upper Geyser Basin,"
published c. 1880, group of four chromolithographs, each: 4.5" x 7.5", unsigned, titled in margin, framed 4000-6000
w w w . tr e ad w ay g a l l ery .c om
511.
512.
Eliot O’Hara (American, 1890-1969) “Pardinas, Pyrenees Village,”
1959, watercolor, 15.5” x 21”, signed and dated lower right, titled on
Doll & Richards, Inc., Boston label on verso, framed 200-400
514.
88
Carl Schmidt (American, 1885-1969) “Mountain and Desert Landscape,”
c. 1950, oil on board, 29.5” x 35.5”, signed lower right, framed 800-1200
513.
Leonard Howard Reedy (American, 1899-1956) “Indian and Bison,”
c. 1940, watercolor, 8” x 11”, signed lower right, framed 400-600
Eduard Buk Ulreich (American, 1889-1966) "Cartoon for New Rockford, North Dakota Mural - Advance Guard
of the West," 1940, watercolor with gouache, 65" x 143.5", signed and dated lower right, unframed 800-1200
w w w . tr e ad w ay g a l l ery .c om
515.
William C. Grauer (American, 1896-1985) “Almeria Enclosed Home,”
1960, oil on masonite, 25” x 16.5”, signed lower right, framed 700-900
517.
William C. Grauer (American, 18961985) “Untitled (Cacti and Mexicans),”
c. 1950, ink and watercolor, 8.5” x 11”,
signed lower right, unframed 300-500
518.
516.
William C. Grauer (American, 1896-1985) “Arizona Rock Forms,” c. 1960,
oil on masonite, 23.75” x 23.75”, signed lower right, framed 800-1200
William C. Grauer (American, 18961985) “Mexican Apartments,” c. 1950,
watercolor, 8.75” x 11.5”, estate stamped,
unframed 200-300
519.
William C. Grauer (American, 1896-1985)
“Untitled (Buildings, Mexico),” 1950, ink and
watercolor on Morilla board, 18.75” x 23.75”,
signed lower right, unframed 500-700
Born in Philadelphia, Grauer was an active painter and teacher until his death at 89 years old. Grauer trained at the Philadelphia School of Industrial Design. In 1920
he relocated to Cleveland where he opened his own studio and became well known as a muralist. He created murals for the Cleveland Builders Exchange (1928), the
Greenbrier Hotel in White Sulphur Springs, West Virginia (1932), the Century of Progress Exhibition in Chicago (1933) and the New York World's Fair (1939). Grauer is
in numerous collections including The Cleveland Museum of Art, the Whitney Museum of American Art in New York and the Smithsonian Institution in Washington D.C.
520.
89
William C. Grauer (American, 1896-1985) “Veiled Figures,” c. 1950,
watercolor, 19” x 24.5”, signed lower right, framed 1000-1500
w w w . tr e ad w ay g a l l ery .c om
521.
Jorge Luis Cuevas (Mexican, 20th century) “Nude,” 1977, bronze sculpture with black
patina, 14.5”h, signed and dated, edition of thirty, held on a wood base 4000-6000
522.
90
Jorge Luis Cuevas (Mexican, 20th century) “Nude,” 1982, bronze sculpture
with black patina, 8.5”h, signed and dated, edition IXX 1500-2500
w w w . tr e ad w ay g a l l ery .c om
523.
Felipe Castañeda (Mexican, 1933) “Desnudo Sentada,” 1982, bronze sculpture with
green patina, 16.5”h, signed and dated, edition II/VII, held on a wood base 6000-8000
524.
525.
91
Manuel Felguérez (Mexican, b. 1928) “Untitled,” 1957, oil on
canvas, 21” x 39.5”, signed and dated upper left, framed 5000-7000
Diego Rivera (Mexican, 1886-1957) “Woman with Basket,” 1941, ink on
paper, 15.25” x 11”, signed and dated lower right, framed 4000-6000
w w w . tr e ad w ay g a l l ery .c om
526.
92
Georges Meunier (French, 1869-1942) “Moto-Flirt” and “Moto-Fuite,” c. 1900,
pair of color lithographs, each: 19.75” x 13”, signed in plate, unframed 300-500
527.
Alexandre Lunois (French, 1863-1916) “Le Magasin de
Nouveaute’s (Shop of Novelties),” 1902, color lithograph on rives
BFK paper, 17.25” x 20.75”, unsigned, unframed 600-800
528.
Robert Frederick Blum (1857-1903), “The Musmée,” c. 1900, color
lithograph, 11” x 7”, signed, unframed 300-500
529.
Howard Giles (American, 1876-1955) “Nothing Stops These Men,
Let Nothing Stop You,” 1918, color lithograph mounted to linen, 39.5”
x 53.5”, signed in plate, unframed 200-400
530.
Jonas Lie (American/Norwegian, 1880-1940) “On the Job for
Victory,” c. 1918, color lithograph mounted to linen, 39” x 53”, signed
in plate, unframed 200-400
w w w . tr e ad w ay g a l l ery .c om
93
531.
Pierre-Auguste Renoir (French, 1841-1919) “Odalisque,” 1904,
lithograph, 3.25” x 4.75”, signed in plate, framed 5000-7000
532.
Pierre-Auguste Renoir (French, 1841-1919) “Les Laveuses,”
c. 1910, lithograph, 18” x 23.75”, unsigned, framed 5000-7000
533.
Alphonse Mucha (Czech, 1860-1939) “Gismonda,
Theatre de la Renaissance,” 1894, lithograph, 83”
x 27.5”, signed in plate, framed 4000-6000
w w w . tr e ad w ay g a l l ery .c om
534.
535.
Pablo Picasso (Spanish, 1881-1973) “Le Saltimbanque au Repos,” 1905, drypoint on
Van Gelder paper, 4.75” x 3.5”, unsigned, edition of 250, Bloch 10, unframed 4000-5000
Pablo Picasso (Spanish, 1881-1973) “Les Deux Tourterelles, II,” 1946, lithograph on Arches wove paper,
14” x 17.5”, signed in plate, annotated in pencil “variante en noir,” annotated verso: 47721 (Inventory no.,
Picasso Archives, Paris), variant trial proof printed in black, Bloch 406, Mourlot 50, unframed 4000-5000
Provenance:
Pablo Picasso
Marina Picasso Collection (her oval stamp verso)
536.
94
After Pablo Picasso (Spanish, 1881-1973) “27 Avril XXXVI,” 1936, offset lithograph, 20.5”
x 15.75”, stamped lower right, numbered lower right, edition of 500, unframed 1000-1500
w w w . tr e ad w ay g a l l ery .c om
537.
Pablo Picasso (Spanish, 1881-1973) “Le Repas Frugal, from La Suite des Saltimbanques,” 1904,
etching on Van Gelder paper, 18.25” x 14.75”, unsigned, edition of 250, Bloch 1, framed 90,000-110,000
Provenance:
Acquired by the present owner from R.S. Johnson Fine Art, Chicago
95
w w w . tr e ad w ay g a l l ery .c om
538.
Glenn Anthony Wessels (American, 1895-1982) “Iron for Japan,”
1936, lithograph, 11.5” x 14.5”, pencil signed and dated lower right,
titled lower left, framed 300-500
540. 541.
96
539.
Louis Lozowick (American/Russian, 1892-1973 “City on a Rock,”
1931, lithograph, 8.25” x 12.75”, pencil signed and dated lower right,
edition of 242, framed 500-700
Reference: American Magazine of Art XXIII, July 1931, p. 25,
illustrated. The Print Club of Cleveland 1919-1969, p. 52, illustrated.
Exhibited: CMA, 1931: First International Competitive Print Exhibition,
cat. No 74. CMA, 1948: The Art of Lithography, cat. no. 313
Ida Marie Perrault (American, 1872-1929) “Sand Pile,” c. 1915, white-line
woodcut, 13.25” x 13.25”, inscribed lower right, edition of 100, framed 1000-2000
Georges Rouault (French, 1871-1958)
“Le Pitre (The Clown),” 1926, lithograph,
13.75” x 9”, pencil signed lower right,
unframed 800-1200
542.
Frederick Childe Hassam (American,
1859–1935) “Cos Cob,” 1915, etching with
steel facing, 7” x 5”, initialed lower margin,
edition of 400, unframed 1200-1500
Provenance: The Raymond and Martha
French Collection
Reference: Cortissoz 32; Library of
Congress
543.
Stanley William Hayter (British, 19011988) “Cheiromancy,” 1935, engraving and
scorper, 7.75” x 5.75”, pencil signed, titled,
dated and numbered in lower margin,
edition of 100, unframed 300-500
Reference: Black & Moorhead 89 iii/III
w w w . tr e ad w ay g a l l ery .c om
544.
Thomas Hart Benton (American, 1889-1975) “Shallow Creek,” 1939,
lithograph, 14.25” x 9.25”, pencil signed lower right, unframed 1000-2000
546.
547.
97
545.
Thomas Hart Benton (American, 1889-1975) “Down the River,” 1939,
lithograph, 12.5” x 10”, pencil signed lower right, unframed 2000-3000
Thomas Hart Benton (American, 1889-1975) “Sunday Morning,” 1939,
lithograph, 9.5” x 12.75”, pencil signed lower right, unframed 1000-2000
Thomas Hart Benton (American, 18891975) “Lonesome Road,” 1927-1928,
lithograph, 9.75” x 12.5”, pencil signed
lower right, unframed 500-700
548.
Thomas Hart Benton (American, 18891975) “Rainy Day,” 1938, lithograph,
8.75” x 13.25”, pencil signed lower right,
unframed 500-700
549.
Thomas Hart Benton (American, 18891975) “Plowing It Under,” 1934, lithograph,
8” x 13.25”, pencil signed lower right,
unframed 500-700
w w w . tr e ad w ay g a l l ery .c om
550.
William Samuel Schwartz (American/Russian, 1896-1977) “Head,” c.
1925, lithograph, 12” x 5.5”, pencil signed lower left, unframed 500-700
Provenance: Hirschl & Adler, New York (APG Stock number verso)
554.
98
551.
Robert Von Neumann (German/American, 1888-1975) “Supper on
the Boat,” 1969, graphite on paper, 28.5” x 37”, signed and dated
lower right, framed 500-700
552.
Robert Von Neumann (German/American, 1888-1975) “Island
Fishermen,” c. 1950, lithograph, 8.75” x 11.75”, pencil signed lower
right, titled lower left, framed 200-400
553.
Robert Von Neumann (German/American, 1888-1975) “Six Net
Menders,” c. 1950, etching, 7.75” x 11.75”, pencil signed lower right,
titled lower left, framed 200-400
555.
Robert Von Neumann (German/American, 1888-1975) “Net
Menders,” c. 1950, woodcut, 10.75” x 8.25”, pencil signed lower
right, titled lower left, framed 200-400
Stow Wengenroth (American, 1906-1978) “Wild Country,” 1960,
lithograph, 15.75” x 10.5”, pencil signed lower right, numbered lower
left, edition of 30, unframed 300-500
w w w . tr e ad w ay g a l l ery .c om
556.
Louise Nevelson (American, 1899-1988) “Animal Kingdom (Magnificent Jungle Cats),” 19531955, etching, 12” x 13.75”, pencil signed, titled and annotated in pencil “first proof”, printed
by the artist under the title Animal Kingdom at Atelier 17, New York, unframed 3500-4500
Provenance:
Estate of the Artist (Foundation stamp verso)
Jeffrey Hoffeld (Estate agent)
557.
99
Léonard Tsuguharu Foujita (French/Japanese, 1886-1968)
“Children with Baguette,” c. 1950, lithograph, 13” x 10.5”, pencil
signed lower right, edition AP, unframed 600-800
558.
Léonard Tsuguharu Foujita (French/Japanese, 1886-1968)
“Woman in Profile,” c. 1950, lithograph, 12.5” x 9.5”, pencil signed
lower right, numbered lower left, edition of 220, unframed 600-800
w w w . tr e ad w ay g a l l ery .c om
559.
100
560.
Stow Wengenroth (American, 1906-1978) “Dunes,” 1961,
lithograph, 9.75” x 16”, pencil signed lower right, numbered lower
left, edition of 40, unframed 400-600
562.
Robert R. Malone (American, b. 1933) “Rhino” and “Elephant,”
1969, pair of etchings, each: 4.75” x 7”, signed, titled, numbered and
dated in margin, unframed 200-400
564.
John Adams Spelman (American, 1880-1941) “Fishing Cove,” c.
1920, woodcut, 7.25” x 6.25”, pencil signed lower right, titled lower
left, framed 200-400
Raphael Soyer (American, 1899-1987) “Girl Combing Hair,” c. 1950,
lithograph, 10.5” x 8”, pencil signed lower right, numbered lower left,
edition of 125, unframed 150-250
561.
Doris Emrick Lee (American, 1905-1983) “The Dove,” 1952,
lithograph, 11.25” x 9.5”, pencil signed lower right, framed 200-400
563.
Emil Armin (American, 1883-1971) “57th Street Art Studios,” c.
1945, color woodcut, 8.25” x 12.25”, pencil signed and titled in lower
margin, framed 300-500
w w w . tr e ad w ay g a l l ery .c om
101
565.
Tom A. Robertson (American, 19111976) “Little Willie,” c. 1940, silkscreen,
9” x 7.25”, pencil signed, titled and
numbered in lower margin, edition of 70,
unframed 100-200
566.
568.
Letterio Calapai (American, 1902-1993) “Job,” c. 1975, color
woodcut, 12” x 18”, pencil signed, titled and numbered in margin,
edition of 30, framed 200-400
570.
Letterio Calapai (American, 1902-1993)
“Strata,” c. 1970, color etching, 11.75” x
7.75”, pencil signed and titled in lower
margin, trial color proof, framed 400-600
571.
Alfredo Müller (Italian, 1869-1940)
“La Lecture (A Reading),” 1901, color
aquatint, 11.75” x 15.75”, pencil signed
lower right, unframed 400-600
569.
567.
Alfredo Müller (Italian, 1869-1940) “La
Grande Cascade de Saint Cloud,” 1905,
color aquatint on watermarked Arches
paper, 23.25” x 17.25”, pencil signed
lower right, unframed 400-600
Letterio Calapai (American, 1902-1993) “Snow Scene,” 1979,
pastel, 13.75” x 21”, signed and dated lower right, framed 400-600
Letterio Calapai (American, 1902-1993)
“Nocturne II,” 1976, color woodcut, 13.25”
x 10.25”, pencil signed, numbered and
titled, edition of 30, framed 800-1200
572.
Letterio Calapai (American, 1902-1993)
“Coral World V,” c. 1975, lithograph, 13.5”
x 8.75”, pencil signed titled and numbered
in margin, edition of 50, framed 200-400
w w w . tr e ad w ay g a l l ery .c om
102
573.
Edouard Vuillard (French, 1868-1940) “Le Jardin des Tuileries,” 1896, color lithograph,
11.75” x 17”, signed and annotated “no. 58” in pencil in upper right, intended edition of
100 for Vollard’s Album des Peintres-Gravures of 1896, unframed 4000-6000
Reference: Roger-Marx 28 ii/II
574.
Louis Schanker (American, 1903-1981)
“Circle Image No. 25,” 1954-1955, color
woodcut, 14” x 18”, pencil signed lower
right, numbered lower left, edition of 200,
unframed 800-1200
An image of this print was used for the
cover of the catalog raisonné for the
artist by Una Johnson, published by the
Brooklyn Museum.
575.
Oscar Domínguez (Spanish, 1906-1957)
“Tres Damas en el Balcom,” c. 1950, color
lithograph, 19” x 24.5”, stamped lower
right, edition EA, unframed 400-600
576.
Oscar Domínguez (Spanish, 1906-1957)
“Hommage a Manolete,” 1955, lithograph,
19” x 23”, stamped lower right, numbered
lower left, edition of 100, unframed 400-600
w w w . tr e ad w ay g a l l ery .c om
577.
Walter Sanford (American, 1912-1987) “We’ll Call,” c. 1960, oil on
masonite, 24” x 18”, signed lower left, titled and dated indistinctly on
verso, framed 700-900
579.
580.
103
578.
Houston E. “Keg” Chandler (American, b. 1914) “Figure,” c. 1940,
wood sculpture, 21”h, signed “Keg” on base 1000-2000
Claude Clark (American, 1915-2001) “Man and Dump Truck,” c. 1970,
oil on board, 11.5” x 15.5”, signed lower right, framed 3000-5000
Houston E. “Keg” Chandler (American, b. 1914) “Fish,” c. 1940,
marble sculpture, 9.5”h, signed “Keg,” held on a wood base 1500-2500
w w w . tr e ad w ay g a l l ery .c om
581.
104
Albert William Christ-Janer (American, 1910-1973) “Up the
Hudson,” 1954, watercolor and ink on paper, 9.5” x 19.5”, signed and
dated upper left, framed 600-800
Provenance:
Kraushaar Galleries, New York (label on verso)
Mr. and Mrs. Frederick William Specht, Chicago
Robert Henry Adams Fine Art, Chicago
Acquired by the present owner from the above
583.
Maksim Krstulović (Croatian, 20th
century) “Dubrovnik,” 1959, oil on board,
12.5” x 21”, signed and dated lower left,
titled on verso, framed 200-400
586.
George Colin (American, 20th century) “Field Workers,” c. 2000,
pastel, 22” x 30”, signed lower right, framed 300-500
582.
Frederick Remahl (Swedish/American, b.1901) “Ice in the Harbor,” c. 1950,
oil on canvas, 19.75” x 22”, signed lower left, framed 800-1200
Exhibited: University of Chicago, 1947, with corresponding label on verso
Exhibited: Contemporary American Watercolors, 1957, Chicago
Renaissance Society, University of Chicago, with corresponding label
on verso
584.
Clarence Holbrook Carter (American,
1904-2000) “First Snow,” c. 1980,
gouache on hand-made paper, 17.5” x 7”,
signed lower left, framed 500-700
587.
585.
Ray Anthony Grathwol (American,
1900-1992) “Ohio Farm,” c. 1950, oil on
canvas, 21” x 29.75”, signed lower right,
framed 200-400
Frank Keenan (American, 1893-1984) “South Side,” c. 1960,
watercolor, 17.25” x 18.75”, signed lower left, framed 200-400
w w w . tr e ad w ay g a l l ery .c om
588.
Dora Maar (French, 1909-1997) “Still
Life with Apples,” c. 1960, color marker
on wove paper, 11.75” x 16.5”, estate
stamped lower left, unframed 1000-1500
Provenance:
Estate of the artist
Hotel Drouot, Paris
591.
Margaret D. H. Keane (American, b.
1927) “Figure in a Cityscape,” c. 1960, oil
on canvas, 28” x 22”, signed lower left,
framed 700-900
590.
Robert Moore Kulicke (American, 19242007) “Floral Still Life,” 1966, oil on graph
paper, laminated, 7.75” x 8.75”, signed
and dated on verso, unframed 500-700
John Andre Gundelfinger (American, 1937-1991) “September Sunset, Delaware River,”
c. 1985, oil on canvas, 52” x 72”, signed lower left, titled on stretcher, framed 2000-4000
592.
105
589.
Vincent Lambe (Irish, 20th century) “Wexfurd,” c. 1980, oil on artist
board, 9.5” x 20”, signed lower right, titled on verso, framed 1000-2000
w w w . tr e ad w ay g a l l ery .c om
106
593.
Man Ray (American, 1890-1976) “Nu,” 1936, cast in 1983, bronze
sculpture, 15”h, signed, edition of 350, held on a marble base 2000-4000
Provenance:
Artcurial, Munich, Germany
The Elliot and Harriet Goldstein Private Foundation, Atlanta, Georgia
Bonhams & Butterfields, December 19, 2010, lot 6126
Acquired by the present owner from the above
Literature: Objects de mon affection, Paris, 1983, p. 165
594.
Arline Hollander Wingate (American, b.
1906) “Female Figure,” c. 1950, marble
sculpture, 23”h, signed on base 500-700
595.
Jane Steiner (American, 1900-1996)
“Mambo,” c. 1950, oil on board, 13.5” x
17.25”, signed lower right, framed 400-600
597.
Meir Steingold (Israeli, 20th century) “Boys,”
c. 1970, oil on canvas, 33.25” x 20.75”,
signed lower right, framed 500-700
598. Aminah Brenda Lynn Robinson
(American, b. 1940) “Mud People, from
the Sapelo Series” 1984, mixed media
with music box, 33” x 21”, signed and
dated lower right, unframed 200-400
596.
Vincent Glinsky (American, 1895-1975)
“Standing Nude,” c. 1960, earthenware
sculpture, 19.5”, signed, held on a wood
base 500-700
599.
Henry Charles Hannig (American, 18831948) “Street Performers,” c. 1940, oil on
board, 17.75” x 14.5”, estate stamped on
verso, framed 200-400
w w w . tr e ad w ay g a l l ery .c om
600.
John Henry Wilde (American, 1919-2006) “Red Wing,” 1953, oil on canvas, 11.5” x
8”, signed and dated lower right, titled and dated on stretcher, framed 3500-4500
601.
107
Jakob Weidemann (Norwegian, 1923-2001) “Two Figures,” 1947, oil
on board, 23” x 31”, signed and dated lower left, framed 6000-8000
w w w . tr e ad w ay g a l l ery .c om
602.
605.
108
603.
John J. Floherty, Jr. (American, 1907-1977) “Man with Clenched
Fist,” 1958, gouache, 16” x 9.5”, signed lower left, framed 300-500
604.
Ethel Spears (American, 1903-1974) “Figures Copying Painting
in Metropolitan Museum,” c. 1960, watercolor, 11.75” x 13”, signed
lower right, titled on verso, framed 400-600
606.
Emerson Woelffer (American, 1914-2003) “The Couple,” 1989, acrylic
on paper, 23.5” x 17.5”, signed and dated lower left, framed 500-700
Chaim Gross (American, 1904-1991) “Mother and Child,” c. 1960,
bronze sculpture, 5.25”h, signed, held on a wood base 1000-2000
Karl Priebe, (American, 1914-1976) “Woman with Bird,” c. 1955,
watercolor, 15.5” x 12.5”, signed lower left, framed 1000-2000
w w w . tr e ad w ay g a l l ery .c om
607.
109
Eugene Gauss (American, 1905-1988) “Seated Nude,” 1962, marble
sculpture, 15.5”h, signed and dated 500-700
608.
After Demetre H. Chiparus (Romanian, 1888-1947) “Hades,” c. 1950,
bronze sculpture, 11”h, signed, held on a marble base 1000-2000
609.
Eduardo Kingman (Ecuadorian, 1913-1997) “Portrait,” 1965, oil on
board, 39” x 19.5”, signed and dated lower left, framed 5000-7000
We are grateful to Soledad Kingman from the Fundación Kingman for
her assistance in confirming the authenticity of this work.
w w w . tr e ad w ay g a l l ery .c om
610.
611.
110
Abbott Pattison (American, 1916-1999) “Firenze,” c. 1960,
bronze sculpture, 26”h, signed and titled 3000-5000
Itzchak Tarkay (Israeli, b. 1935) “Seated Women,” c. 1980, ink and
watercolor on paper, 15.5” x 12”, signed lower right, framed 2000-4000
w w w . tr e ad w ay g a l l ery .c om
612.
Joseph Mellor Hanson (American, 1900-1963) “Mother and Child,” 1943, oil on canvas, 24” x 23”, signed and
dated on verso, Andrew Dickson White Art Museum, Cornell University label on verso, framed 3000-5000
613.
614.
111
Harold Noecker (American, 1912-2002) “Bridge and Cat,” c. 1960,
oil on board, 23.5” x 35.5”, signed lower right, framed 2000-3000
Bernard Weinstein (American, 20th century) “Woman with Cats,”
c. 1950, oil on canvas, 14” x 24”, initialed lower right, framed 600-800
615.
Bernard Weinstein (American, 20th century) “Man and Child with Cat,”
c. 1950, oil on canvas, 26” x 24”, initialed lower right, framed 1000-2000
w w w . tr e ad w ay g a l l ery .c om
616.
112
617.
Lyonel Laurenceau (Haitian, b. 1942) “Coquetterie,” 1992, oil on canvas,
10” x 8”, signed and dated lower left, titled on verso, framed 200-400
618.
Darrel Austin (American, 1907-1994) “Young Watcher,” 1960, oil on
canvas, 8.5” x 10”, signed and dated lower left, Perls Galleries, New
York label on verso, framed 600-800
619.
Lyonel Laurenceau (Haitian, b. 1942) “Enfant d’Haiti ,” 1993, oil
on canvas, 10” x 8”, signed and dated lower right, titled on verso,
framed 200-400
Pal Fried (American/Hungarian, 1893-1976) “Portrait of a Lady,” c.
1960, oil on canvas, 30.25” x 24”, signed lower right, framed 1000-2000
w w w . tr e ad w ay g a l l ery .c om
620.
Gianfranco Gorgoni (Italian, 20th century) “Andy Warhol, New York City,” 1971,
photograph, 60.5” x 41.5”, unsigned, mounted on a sheet of tin 7000-9000
621.
622.
113
Alfred Wertheimer (American, b. 1929) “The Kiss,” 1956, printed in
2006, photograph, 11.25” x 16.75”, signed lower right, framed 2000-3000
Patty Carroll (American, b. 1946) “Fringed,” “Steamed” and “Caged,” c. 2000, group
of three photographs, 11.25” x 11.25”, signed and titled on verso, framed 600-800
w w w . tr e ad w ay g a l l ery .c om
114
623.
Bert Stern (American, b. 1929) “Marilyn Monroe with Necklace, from
the Last Sitting,” 1962, printed later, photograph, 23” x 23”, signed
lower right, edition of 12, framed 2000-3000
624.
Bert Stern (American, b. 1929) “Marilyn Monroe in Jackie Wig, from
the Last Sitting,” 1962, printed later, photograph, 30” x 30”, signed
lower right, edition of 50, framed 2000-3000
625.
Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Chenille
Scarf, from the Last Sitting,” 1962, printed later, photograph, 30” x
30”, signed lower right, edition of 50, framed 2000-3000
626.
Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Scarf,
from the Last Sitting,” 1962, printed later, photograph, 30” x 30”,
signed lower right, edition of 50, framed 2000-3000
w w w . tr e ad w ay g a l l ery .c om
627.
Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Fur, from the Last Sitting,” 1962,
printed later, photograph, 30” x 30”, signed lower right, edition of 30, framed 2000-3000
These photographs are from Stern’s best-known work: the Last
Sitting with Marilyn Monroe. During the sitting for Vogue magazine,
he took 2500 photographs of the actress. She died six weeks later.
628.
115
Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Pink
Scarf, from the Last Sitting,” 1962, printed later, photograph, 23” x
23”, signed lower right, edition of 12, framed 2000-3000
629.
Bert Stern (American, b. 1929) “Marilyn Monroe in Jackie Wig, from
the Last Sitting,” 1962, printed later, photograph, 30” x 30”, signed
lower right, edition of 50, framed 2000-3000
w w w . tr e ad w ay g a l l ery .c om
630.
Benjamin G. Benno (American, 1901-1980) “Untitled (No. 78),” 1936, ink and
watercolor on paper, 7.5” x 9.5”, signed and dated lower right, framed 4000-5000
Exhibited: Phillips Collection (Washington D.C.) “Theme and Improvisation: Kandinsky
& the American Avant Garde,” 1992, traveled to Dayton Art Institute, Terra Museum
of American Art (Chicago), Amon Carter Museum (Ft. Worth, Texas), cat. No. 2,
reproduced in color plate 75, p. 152, with corresponding label on verso
631.
116
Provenance: Michael Rosenfeld Gallery, New York
Benjamin G. Benno (American, 1901-1980) “Portrait of a Man and a Woman II,” 1937, oil on canvas and
cardboard, 9.5” x 7.5”, signed and dated lower right, titled on verso, held in Guggenheim frame 2000-4000
w w w . tr e ad w ay g a l l ery .c om
632.
Attilio Salemme (American, 1911-1955) “Untitled,” c. 1945, group of two
watercolors with pencil, 7.25” x 10.25”, each signed lower right, framed 400-600
634.
117
633.
Attilio Salemme (American, 1911-1955)
“Untitled,” c. 1945, watercolor and pencil, 10.5”
x 13.5”, signed lower right, framed 400-600
Pablo Picasso (Spanish, 1881-1973) “Tormented Fawn’s Face,” 1956, painted
ceramic plate, 16.5”dia, stamped Madoura, edition of 100, unframed 2500-3500
635.
Medard P. Klein (American, 1905-2002)
“Abstraction,” c. 1945, graphite on paper,
11” x 14”, unsigned, unframed 800-1200
636.
Medard P. Klein (American, 1905-2002)
“Abstraction,” c. 1945, graphite on paper, 9.25”
x 13”, signed lower left, framed 800-1200
Provenance: Estate of the Artist
Provenance: Estate of the Artist
637.
Medard P. Klein (American, 1905-2002)
“Lithograph #17,” 1946, lithograph, 12.75”
x 9”, pencil signed, dated, titled and
numbered, framed 400-600
w w w . tr e ad w ay g a l l ery .c om
638.
Ludwig Eikaas (Norwegian, 1920-2010) “Untitled,” c. 1960, oil on canvas, 39” x 25.5”, signed
lower right, stamp on verso: "From the Collection of Saint Olaf College," framed 3000-5000
639.
118
Robert Natkin (American, 1930-2010) “Untitled,” c. 1970, oil on
canvas, 42.25” x 42.25”, signed lower left, framed 3000-5000
w w w . tr e ad w ay g a l l ery .c om
640.
Seymour Fogel (American, 1911-1984) “Newspaper Collage #1,
Triptych Ctr.,” c. 1975, newspaper and oil on illustration board, 30”
x 21”, estate stamped, Graham Modern Gallery, New York label on
verso, framed 5000-7000
641.
642.
119
Seymour Fogel (American, 1911-1984) “Untitled,” 1958, oil on board,
47.5” x 35.25”, signed and dated lower right, framed 10,000-20,000
Seymour Fogel (American, 1911-1984) “Sentinel,” c. 1978, mixed
media on illustration board, 27.5” x 13”, unsigned, framed 4000-6000
w w w . tr e ad w ay g a l l ery .c om
643.
120
644.
Carl Schwartz (American, b. 1935) “Blue Key Note,” c. 1980, oil on
canvas, 24” x 36”, signed lower right, titled on verso, framed 400-600
645.
Joseph Kaplan (American, 1900-1982) “Untitled,” c. 1970, ink and
wash on paper, 6” x 9.75”, signed lower left, framed 300-500
646.
Joseph Kaplan (American, 1900-1982) “Untitled,” c. 1970, ink and
wash on paper, 3.75” x 6.5”, signed lower right, framed 300-500
Dorothy Bartholemy (American, 1914-2005) “View of New Mexico,”
1946, oil on canvas, 24” x 18”, initialed lower left, titled and dated on
stretcher, framed 2000-3000
w w w . tr e ad w ay g a l l ery .c om
647. 649.
Peter W. Ostuni (American, 1908-1992) “Untitled,” c. 1960, oil
on artist board, 13” x 17.75”, unsigned, accompanied by letter of
authenticity from the artist's nephew, framed 200-400
Peter Ostuni (American, 1908-1992) “Untitled,” c. 1960, oil on
masonite, 32.5” x 12.5”, unsigned, accompanied by letter of
authenticity from the artist's nephew, unframed 400-600
651.
121
648.
Peter Ostuni (American, 1908-1992) “Untitled,” c. 1960, oil on
masonite, 23.25” x 31.75”, unsigned, accompanied by letter of
authenticity from the artist's nephew, unframed 400-600
650.
John Franklin Koenig (French/American, 1924-2008) “Puzzle,” 1965,
collage, 22.5” x 17.25”, signed and dated lower right, titled lower left,
acquired by the current owner directly from the artist, framed 500-700
George Fred Keck (American, 1895-1980) “Abstracted Landscapes,” 1960-1973, group of four
watercolors with mixed media, largest: 21.5” x 29.5”, signed and dated, unframed 500-700
w w w . tr e ad w ay g a l l ery .c om
652.
655.
122
653.
Roger Hilton (British, 1911-1975) “Untitled,” 1973, mixed media on
paper, 7.5” x 10.25”, signed and dated upper right, framed 800-1200
654.
Carol Summers (American, b. 1925) “Puerta del Sol,” 1976, stencil
with metal leaf, 20” x 20”, unsigned, edition of 75, framed 500-700
Published: Adi Gallery, San Francisco, 1977: Carol Summers
Woodcuts, no. 132, p. 38
656.
Artist Unknown (American, 20th century) "Untitled," c. 1970, oil on
canvas, 22" x 28", signed indistinctly lower right, framed 400-600
Marcia Kaplan, attribution (American, 20th century) “Untitled,” c. 1970,
bronze sculpture, 16”h, unsigned, held on a wood base 800-1200
Nicolaas Warb (Dutch, 1906-1957) “Composition,” 1955, watercolor
and ink, 13” x 8”, signed and dated lower right, framed 500-700
w w w . tr e ad w ay g a l l ery .c om
657.
Bernard Lorjou (French, 1908-1986) “Polo Players,” c. 1970, mixed media
on paper on canvas, 21.75” x 30”, signed lower left, unframed 4000-6000
658.
123
Victor Vasarely (French/Hungarian, 1906-1997) “Cubes,” c. 1970,
collage, 7.5” x 6”, signed lower right, framed 3000-5000
w w w . tr e ad w ay g a l l ery .c om
659.
Rolph Scarlett (American, 1891-1984) “Untitled,” c. 1950, watercolor
and gouache, 14.25” x 17.25”, signed lower right, framed 1500-2500
661.
662.
124
660.
Rolph Scarlett (American, 1891-1984) “Untitled,” c. 1940, watercolor
and gouache, 14” x 17”, signed lower left, framed 1500-2500
Rolph Scarlett (American, 1891-1984) “Untitled,” c. 1947, watercolor
and gouache, 14.25” x 10.25”, signed lower right, framed 1000-2000
Rolph Scarlett (American, 1891-1984)
“Untitled,” 1944, watercolor and gouache,
10.5” x 13”, signed and dated lower right,
framed 1000-2000
663.
Rolph Scarlett (American, 1891-1984)
664.
“Untitled,” 1944, watercolor, 10.5” x 13”, signed
and dated lower right, framed 1000-2000
Rolph Scarlett (American, 1891-1984)
“Untitled,” c. 1944, watercolor, 8” x 12”,
signed lower left, framed 1000-2000
w w w . tr e ad w ay g a l l ery .c om
665.
Salvador Dalí (Spanish, 1904-1989) “Colossus,” c. 1970, lithograph
on japon paper, 24.5” x 13.75”, pencil signed lower right, numbered
lower left, edition of 225, unframed 300-500
667.
668.
125
666.
Salvador Dalí (Spanish, 1904-1989) “The Discovery of America by
Christopher Columbus,” 1959, color lithograph, 30” x 22.5”, pencil signed
lower right, numbered lower left, edition of 300, unframed 300-500
Richard Bosman (American, b. 1944) “Car Crash,” 1982, woodcut, 36.5” x 50”,
signed lower right, numbered lower left, PP edition of 5, framed 1500-2500
Kiyoshi Saito (Japanese, 1907-1992)
“Dachshund,” c. 1975, woodcut, 10.25” x
15.25”, signed lower right, unframed 500-700
669.
Kiyoshi Saito (Japanese, 1907-1997)
“Untitled,” c. 1970, color woodcut, 15” x
10”, signed lower right, unframed 500-700
670.
Kiyoshi Saito (Japanese, 1907-1992) “Winter
in Aizu,” c. 1975, woodcut, 10” x 15.25”, pencil
signed lower left, unframed 500-700
w w w . tr e ad w ay g a l l ery .c om
126
671.
Moshe Castel (Israeli, 1909-1992)
“Jerusalem,” c. 1970, color lithograph, 27.5”
x 19.5”, pencil signed lower right, numbered
lower left, edition of 85, framed 300-500
672.
674.
Leo Roth (Israeli, 1914-2002) “Synagogue,” c. 1960, lithograph,
15.75” x 24.5”, pencil signed lower right, numbered lower left, edition
of 150, unframed 150-250
676.
Leo Roth (Israeli, 1914-2002) “The
Sacrifice of Isaac,” 1964, lithograph, 23” x
17.5”, pencil signed lower right, edition AP,
unframed 150-250
677.
Jacob Gildor (Israeli, b. 1948) “Coffee
House,” c. 1980, silkscreen, 23.75” x
19.5”, pencil signed and numbered lower
left, edition of 150, unframed 300-500
675.
673.
Jacob Gildor (Israeli, b. 1948) “At the
Station,” c. 1980, woodcut, 17” x 14.5”,
pencil signed lower right, edition AP,
unframed 200-400
Samuel Bak (Israeli, b. 1933) “Untitled,” c. 1970, color lithograph, 17.25”
x 22.75”, pencil signed lower right, edition AP, unframed 150-250
Marcel Janco (Israeli, 1895-1984)
“Composition,” c. 1970, silkscreen, 19.25”
x 25.5”, signed lower right, numbered lower
left, edition of 230, unframed 200-400
678.
Reuven Rubin (Israeli, 1893-1974).
“David and Bat-Sheva,” c. 1970, color
lithograph, 23.25” x 17”, pencil signed
lower right, unframed 400-600
w w w . tr e ad w ay g a l l ery .c om
127
679.
Robert Rauschenberg (American, 1925-2008) “Sack,” 1969,
lithograph, 39.75” x 28”, pencil signed, numbered and dated upper
center, edition of 60, framed 1000-2000
680.
Itzchak Tarkay (Israeli, b. 1935) “Woman with a Blue Pillow,”
c. 1980, lithograph, 36.5” x 29.5”, pencil signed lower right,
numbered lower left, edition of 350, framed 1000-2000
681.
Paul Rebeyrolle (French, 1926-2005)
“Untitled,” c. 1970, lithograph, 20.25” x
29.25”, pencil signed and numbered,
edition of 75, framed 400-600
682.
Jim Dine (American, b. 1935) “Lost
Shells,” 1985, hand -colored etching on
two sheets, 22.25” x 35.5”, pencil signed,
numbered and dated in margin, edition of
32, framed 600-800
683.
Yaacov Agam (Israeli, b. 1928) “Untitled,”
c. 1980, silkscreen, 22.25” x 29.25”,
signed lower right in pen, numbered lower
left, HC, edition of 9, unframed 400-600
684.
Leonor Fini (French, 1908-1996)
“Young Girl’s Face,” c. 1980, lithograph,
23.5” x 18.5”, signed faintly lower right,
framed 150-250
685.
Jacques Lipchitz (French, 1891-1973)
“Prometheus,” c. 1970, color lithograph,
20” x 23”, pencil signed lower right,
numbered lower left, edition of 100,
unframed 500-700
686.
André Masson (French, 1896-1987)
“Woman and Birds,” c. 1970, color
lithograph, 22” x 16.5”, pencil signed lower
right, numbered lower left, edition of 100,
framed 500-700
w w w . tr e ad w ay g a l l ery .c om
687.
128
LeRoy Neiman (American, b. 1921) “Johnny Bench,” 1970, color serigraph, 38.5”
x 18.75”, pencil signed, titled and numbered, edition of 250, framed 2000-3000
688.
LeRoy Neiman (American, b. 1921) “Indy
Start,” 1973, color serigraph, 28.5” x 22”,
pencil signed lower right, artist’s proof,
Merrill Chase label on verso, Chicago,
Illinois, framed 800-1200
689.
Bridget Riley (British, b. 1931) “Untitled
(Variation of Fall),” c. 1960, collograph,
17” x 14”, pencil signed upper right,
framed 800-1200
691.
Christo (American, b. 1935) “Wrapped Coast, One Million Square
Feet, Little Bay, Sydney, Australia,” 1968-1969, color offset
lithograph, 18.5” x 27”, signed and numbered lower right, edition of
100, unframed 1000-2000
692.
690.
LeRoy Neiman (American, b. 1921)
“Bikes and Boats,” 1973, color serigraph,
28” x 21”, pencil signed lower right,
numbered lower left, edition of 300,
framed 600-800
Josef Albers (American/German, 1888-1976) “Untitled (Blue &
Green),” c. 1970, serigraph, 25” x 25”, unsigned, unframed 500-700
w w w . tr e ad w ay g a l l ery .c om
1950s Modern
Session Three
Immediately following Session Two
693.
694.
129
Warren McArthur chaise, 1930s, aluminum, black rubber feet, rolled armrests, white cotton with dark red welted trim,
one foot missing, replaced upholstery, original finish, 25”w x 52”d x 30”h, very good original condition 2500-3000
Warren McArthur lounge chairs, pair, 1930s, aluminum, black rubber feet, rolled armrests, white cotton with dark red welted
trim, replaced upholstery, original finish, 24”w x 32”d x 29.5”h, stains to fabric, otherwise very good original condition 2500-3000
w w w . tr e ad w ay g a l l ery .c om
695.
Jean Despres handled vessel or compote, France, c.1935, silver plate,
incised signature “J Despres” underneath base, hallmarks to edge of
base, 6.5"w x 4.5"d x 4.75"h, very good original condition 800-1000
697.
Large Herman Miller wall clock, Art Deco form with stylized
numerals and hands, black enameled case with chrome trim,
refinished, signed on face “Herman Miller Clock Co. Zeeland, Mich.
USA”, 21" diameter, very good condition 1500-2000
Gilbert Rohde china cabinet, by Herman Miller, from the Formal
Dining Group, model 3321, 1930s, large glass door, glass shelf,
lower drop-front, original legs and handles in matte-finished steel,
tinted mirror to back wall, original finish, 36"w x 14"d x 52"h, lower
hinges need repair, very good original condition 2000-3000
698.
130
696.
Gilbert Rohde sideboard, by Herman Miller, from the Formal Dining Group, model 3321, two center doors flanked by six drawers,
original legs and handles in matte-finished steel, original finish, 66"w x 17"d x 34.5"h, very good original condition 3000-4000
w w w . tr e ad w ay g a l l ery .c om
699.
700.
Gilbert Rohde night stand or bedside cabinet, by Herman Miller,
model 3770, Brazilian rosewood, one drawer above one door,
original brushed metal handles, refinished, signed with stenciled
model number, 16”w x 13.5”d x 27”h, excellent condition 900-1200
702.
131
Gilbert Rohde Cloud tables, pair, by Herman Miller, biomorphic green glass tops connected by wood dowel legs,
brass caps to feet, original finish, 24”w x 14.5”d x 21.5”h, one glass shelf replaced, very good condition 500-700
701.
Gilbert Rohde East Indian Laurel Group cabinet, by Herman
Miller, East Indian Laurel wood, one door with c-shaped pull, three
shelves, black platform base, refinished, 32”w x 15”d x 41”h, some
restoration, very good condition 2000-2500
Gilbert Rohde vanity, by Herman Miller, model 3770, Brazilian rosewood, four drawers with metal pulls, four small lift-up compartments with
matching metal pulls, glass insert, signed with Gilbert Rohde for Herman Miller foil label, 56”w x 18”d x 26”h, excellent condition 1500-2000
w w w . tr e ad w ay g a l l ery .c om
703.
704.
132
Gilbert Rohde Z clock, by Herman Miller, c.1933, chrome-plated metal base with the original clear
light green glass dial with etched hour markers, painted dial with original finish, black hour and
minute hand, original red second hand, 12.75”w x 3.5”d x 12”h, very good condition 7500-8500
Gilbert Rohde East Indian Laurel Group small sideboard, by Herman Miller, East Indian Laurel wood, black platform base, three doors with
c-shaped handles, refinished, unsigned, 48”w x 15”d x 30”h, hinges damaged and need repairs, otherwise excellent condition 1500-2000
w w w . tr e ad w ay g a l l ery .c om
705.
Gilbert Rohde Art Deco table clock, by Herman Miller, 1930s, round
chromed metal case, stainless base, stylized numerals, signed on
face, original hands, original cord, 6”w x 2.5”d x 6.5”h, excellent
original condition 1000-1500
707.
708.
133
706.
Gilbert Rohde Art Deco table clock, by Herman Miller, 1930s,
rectangular rosewood case with banded aluminum trim and stylized
numerals, two round wood feet, also features temperature and
humidity gauges, stamped number to bottom of case 6381, 10.25”w
x 2.5”d x 5.5”h, very good original condition 3000-4000
Gilbert Rohde table clock, by Herman Miller, 1930s, chrome-plated steel ball
is suspended over a curved bronze support with black finish, aluminum base,
11.5”w x 5”d x 6.5”h, very light wear, overall excellent condition 4000-5000
Gilbert Rohde Art Deco table clock, by Howard Miller, 1930s, square
chromed metal case, stylized numerals, original red second hand,
signed, 8"w x 2.5"d x 6.25”h, very good condition 400-600
709.
Gilbert Rohde table clock, by Herman Miller, 1930s, burled wood
case with banded chrome trim, Art Deco numerals, original finish,
signed on dial, 13”w x 2.5”d x 6.75”h, some wear, very good original
condition 1000-1500
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710.
Herman Miller table clock, 1920s,
stepped case of green alabaster, signed
on face, 10”w x 3”d x 7.75”h, very good
original condition 200-300
711.
Howard Miller & Herman Miller clocks, five, mostly from the 1920s-30s, wood cases, all signed,
largest shown at front: 15.5”w x 2”d x 4”h, one refinished, very good original condition 200-300
712.
Harry Schwartz bar cart, by Romweber,
drop sides, molded plywood lower shelf,
two metal mesh baskets, on castors,
original finish, unsigned, documented,
25”w x 38”d x 27.5”h, very good original
condition 600-800
713.
Art Deco household objects, 1930s, rosewood, glass and aluminum, two mirrored trays, pair of
bookends, picture frame and covered glass storage box, none signed, original finish, large tray
is 14” x 11.5”, very good original condition 200-300
714.
134
Paul Frankl love seat and chair, by Payat, 1930s, banded bamboo frames, blue cotton cushions with yellow
piping, original finish, love seat: 56”w x 39”d x 35”h, chair: 34”w, wear to finish, good original condition 900-1200
w w w . tr e ad w ay g a l l ery .c om
715.
Harry Schwartz dining chairs, six, by Romweber, USA, oak frames with the original green leather upholstery, amoeba-shaped brass trim pieces to sides,
original finish, signed with Romweber label, documented, 22”w x 19”d x 28”h, cracks to wood of one chair, otherwise very good original condition 1000-1500
716.
717.
135
Harry Schwartz dining table, by Romweber, oak, sculptural carved wood base, pull-out leaves at ends, original
finish, documented, 72.5”w x 38.25”d x 30.5”h, leaves are 21” each, very good original condition 1500-2000
Harry Schwartz sideboard, by Romweber, oak, five center drawers, two sliding doors conceal pull-out shelves, top and sides are grooved,
curved legs, original finish, signed with Romweber cloth label, documented, 84”w x 21”d x 37.5”h, very good original condition 2000-2500
w w w . tr e ad w ay g a l l ery .c om
718.
Gilbert Rohde console table, by Cavalier, exotic wood top and lighter
wood slab sides, four drawers with original carved wood pulls, three
wooden rod dowels, uncommon form, refinished, signed with Gilbert
Rohde paper label, 40.5"w x 16"d x 29"h, very good condition 900-1200
719.
Art Deco wall mirrors, pair, oval forms with lighted sconces on each
side, cast aluminum, from the McVickers Theater, Chicago, each is
21”w x 30.5”h, very good original condition 1200-1500
720.
Gilbert Rohde Century of Progress desk, mahogany wood case
with finished back and carved round wood handles with grooved
edges, five drawers, two open compartments, slab sides, refinished,
unsigned, 48”w x 22.5”d x 29”h, very good condition 600-800
721.
Fine Rest Aluminum Seating office chair, 1930s, polished
aluminum base and frame, on castors, tilts and swivels, Akron, Ohio,
dark orange upholstery, signed with metal tag, 26”w x 22.5”d x 37”h,
excellent condition 400-600
722.
136
Gilbert Rohde Formal Dining Group table, by Herman Miller, c. 1940, rectangular top with checkerboard
veneer pattern of Maidou burl and mahogany over two curved plinth bases, 4" apron, includes two 10”
leaves, 72"w x 40"d x 30"h, original finish, wear to finish and some veneer losses, fair condition 200-300
w w w . tr e ad w ay g a l l ery .c om
723.
Art Deco table lamp, designer unknown, heavy form of brass with
a dome shade and a glass diffuser, weighted base with ball foot
detail, unsigned, 16”dia x 18”h, crack to glass, otherwise very good
condition 300-400
725.
Gilbert Rohde Century of Progress console/credenza, burled wood,
slab sides, carved wood handles finished in black and red, original
finish, 36”w x 16”d x 29.5”h, very good condition 400-600
727.
Alfons Bach end tables, pair, by Lloyd, tubular chromed frames,
black lacquered wood tops, refinished, one with Lloyd paper label,
11.5”w x 25”d x 23”h, excellent condition 1000-1500
729.
137
724.
Gilbert Rohde armchairs, pair, attribution, burled wood veneered
frames, the padded backrest forms a stepped appearance,
reupholstered in dark red cotton velvet fabric, original finish,
unsigned, 24”w x 23.5”d x 33.5”h, veneer repairs, very good
condition 400-600
726.
Wolfgang Hoffman lounge chair, by Howell, 1930s, heavy chromeplated cantilevered steel frame, two flat bar stretchers to back, wood
armrests with original black finish, replaced upholstery, 24”w x 29”d x
32”h, very good original condition 500-700
728.
Gilbert Rohde dining table, by Heywood-Wakefield, rectangular top, two
12” leaves, refinished, signed with Heywood-Wakefield paper label, 60”w
x 42”d x 29”h, one end of the top is warped, fair condition 100-200
Gilbert Rohde dining chairs, four, by Heywood-Wakefield, molded plywood frames, original upholstery, original finish,
signed with Heywood-Wakefield labels, 16” x 20.5”d x 32”h, wear to upholstery, good original condition 400-600
w w w . tr e ad w ay g a l l ery .c om
734.
138
730.
Large Industrial styled floor lamp, maker unknown, aluminum with bronze
finish, tubular base supports a large cone shade, base is 36”w x 32”d,
shade is 16” in diameter, overall height is 71”, age unknown, possibly
somewhat recent production, excellent original condition, photographed
with chair to show scale 700-900
731.
Nanna Ditzel lounge chair, by Soren Willadsen, teak frame, floating curved
backrest, original upholstery, original finish, signed with “Made in Denmark”
stamp, 28”w x 26”d x 27”h, repaired break to one joint under seat, burn to
seat, otherwise very good original condition 1500-2000
732.
Finn Juhl NV-53 settee, by Niels Vodder,
Denmark, frame with sculptural armrests,
original wool upholstery, original finish,
signed with branded mark “Niels Vodder
Copenhagen Denmark Finn Juhl”, 50”w x
29”d x 28.5”h, excellent condition 2000-2500
733.
Rare Nanna Ditzel candle holder, by
Brdr. Kruger, Denmark, six curved arms
in turned wood, signed with burned mark
to base "woodturning by DRDR Kruger
Denmark Design Nanna Ditzel", original
finish, 13.5"dia x 13.5"h, repaired chip, good
condition 200-300
Vamo Sonderborg cabinet, teak, rounded edges, lip to back of top, sliding door, four drawers, large tamboured door, made in Denmark, original
finish, signed with stamped mark to bottom, 94.5”w x 20”d x 32.5”h, light stains to top, otherwise very good original condition 1000-1500
w w w . tr e ad w ay g a l l ery .c om
736.
735.
Ahrend de Cirkel drafting table, by Friso Kramer, the Netherlands,
1950s, adjustable gray enameled steel frame with wood top, top
adjusts from vertical to horizontal position, signed with "Ahrend Made
in Holland" and “Ahrend Cirkel” labels, 41.25"w x 32"d x 29.5"h, top
replaced, very good condition 600-800
737.
139
Hans Wegner Swivel chair, by Johannes Hansen, Denmark, c.1960,
solid oak backrest, original black leather upholstery, polished die-cast
steel base with four legs on castors, seat height adjusts, signed with
"Designed by Hans Wegner Johannes Hansen Made in Copenhagen
Denmark" label, original finish, 29"w x 22"d x 29"h, excellent original
condition 8000-10,000
Arne Jacobsen Series 3300 sofa, by Fritz Hansen, chromed steel frame with integrated foot pads, reupholstered in
blue silk fabric with squares pattern, 71.5"w x 29"d x 28"h, upholstery very clean, excellent condition 2000-3000
w w w . tr e ad w ay g a l l ery .c om
739.
738.
George Nelson firestarter, by Howard
Miller, iron, removable flint, marked
"Howard Miller" on bottom, 12"h, good
original condition 400-600
Charles & Ray Eames LCW, by Herman
Miller, c. 1996, molded rosewood
plywood, from a reissue of 500 examples,
made of old stock rosewood, original
finish, 22"w x 25.25"d x 26.25"h, signed
with oval tag with impressed numbers,
excellent original condition 1200-1500
George Nelson fire tools, by Howard Miller,
1950s, brush, shovel and poker in wrought
iron with birch handles, wrought iron stand,
33.5"h, very good condition 1000-1500
741.
742.
140
740.
Charles & Ray Eames DCMs, set of six, 1953, molded birch plywood with the original
red aniline dye, original rubber and metal boot glides, original finish, signed with
stamped date, 19.5”w x 21”d x 29.25”h, overall, excellent original condition 1200-1500
Charles & Ray Eames vintage Sofa Compact, by Herman Miller, original Alexander Girard “Miller Stripe
1272” upholstery, back folds, 72”w x 28”d x 35”h, fabric is faded, very good original condition 1800-2200
w w w . tr e ad w ay g a l l ery .c om
743.
George Nelson table clock, by Howard
Miller, original black and white body over a
natural birch cone base, original gray map
pin hour markers, signed with Howard
Miller label to back, original cord, original
finish, 5.75"dia x 6.75"h, some wear, very
good original condition 1000-1500
744.
745.
1960s photograph of Herman Miller designers, including Eames,
Nelson and Girard photograph, 1960s, with other designers, image is
7.25" x 9", matted and framed 200-300
747.
141
George Nelson CSS mirror with original Alexander Girard fabric covering, folding
mirror with the exterior front and back covered in Girard “Quatrefoil” fabric, black
enameled steel frame, 13.5”w x 2”d x 16.5”h, very good original condition 500-700
746.
Alexander Girard stool, by Herman Miller, 1960s, cast aluminum
frame, seat reupholstered in vintage Girard “Checker” fabric, original
finish, 16"dia x 17.5"h, excellent condition 2500-3000
Charles & Ray Eames 670/671 lounge chair and ottoman, by Herman Miller, molded rosewood plywood shell with black leather downand foam-filled cushions over a black enameled and polished aluminum base, original finish, chair signed with round metal tag and paper
patent label, chair: 34"w x 32"d x 32.5"h, ottoman: 26"w x 22"d x 17"h, wood grain is faded, very good original condition 2500-3000
w w w . tr e ad w ay g a l l ery .c om
748.
751.
753.
142
749.
George Nelson table clock, by
Howard Miller, round birch wood
case with curved glass over a
brass-plated ring base, original
finish, Howard Miller label,
5.5"w x 4.5"d x 6.5"h, excellent
condition 200-300
750.
Jefferson Electric Co.
“Contemporaire” table clock,
Zeeland MI, 1950s, limed oak
case with black enameled metal
legs, black face with brass hour
markers, original red second
hand, signed with Jefferson
label, original finish, 13.5”w x
3.5”d x 5.5”h, very good original
condition 200-300
752.
Herman Miller advertising
poster, commemorating the
design of Charles Eames,
numbered 402/500, by Brian
Edlefson, in a cherry wood
frame, artist signed, frame
signed “Kari Miller 2003”,
overall size: 29.5”w x 42”h,
excellent condition 300-500
Charles & Ray Eames shell chair, by Herman Miller, red-orange
shell, Eiffel tower base, signed with paper label and impressed
Herman Miller mark, 25”w x 24.5”d x 30”h, several broken welds to
base, shell in excellent condition 400-600
Charles & Ray Eames shell chairs, pair, LAX model, dated 1971,
white, H-bases with nylon glides, original finish, signed with paper
labels and stamped marks, 24.5”w x 23.5”d x 27.5”h, small chip to
lower front edge of one shell, very good original condition 400-600
Harvey Probber lounge chair and ottoman, pair (four pieces), by Harvey Probber, Inc., white molded plastic bases, upholstered foam seats, original rustcolored upholstery, original finish, signed with Harvey Probber labels, chair: 29”w x 34”d x 27.5”h, ottoman: 31.5”sq x 15”h, good original condition 800-1000
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754.
756.
758.
759.
143
Charles & Ray Eames Time-Life chairs, pair, aluminum frames
over four-point bases, tilt, adjustment knob under seat, dated 1978,
original brown leather upholstery, signed with Herman Miller labels,
26.5”w x 27”d x 35”h, excellent original condition 1200-1500
755.
Charles & Ray Eames Time-Life chairs, pair, aluminum frames
over four-point bases, tilt, adjustment knob under seat, dated
1978, original brown leather upholstery, signed with Herman Miller
labels, 26.5”w x 27”d x 35”h, light wear to leather, very good original
condition 1200-1500
757.
Charles & Ray Eames CTM coffee table, by Herman Miller, round
molded plywood top with original ebonized finish over a four-leg
metal base, original finish, signed with black rectangular Herman
Miller tag, 34"dia x 16"h, very good condition 300-400
George Nelson cabinet, by Herman Miller, four drawers with curved
metal handles, hairpin legs, combed oak with pickled finish, refinished,
unsigned, 34”w x 19.5”d x 30”h, very good condition 300-400
George Nelson cabinets, pair, by Herman Miller, walnut, curved metal handles, ebonized legs, one with four drawers and one with three
drawers, center hanging vanity included but not shown, original finish, 34”w x 18.5”d x 29.5”h, some wear, very good original condition 600-800
Charles & Ray Eames high-back Soft Pad lounge chairs, pair, by
Herman Miller, five-point bases, aluminum armrests, original purple
wool upholstery, signed with Herman Miller paper labels, 26”w x
31.5”d x 37.5”h, very good condition 400-600
760.
Charles and Ray Eames Soft Pad lounge chairs, by Herman Miller,
pair, high-back version upholstered in original neutral wool fabric in
an aluminum frame, early four-point base, swivel mechanism, both
signed, 25w x 28d x 35h, excellent original condition 400-600
w w w . tr e ad w ay g a l l ery .c om
761.
144
Egyptian Revival bracelet, earrings and
pin set, 18k rose gold with faceted rubies
and black and white enamel, 1930s,
unsigned, earrings: .75"w x 1.75"h,
bracelet: 7.25"l, pin: 1.5"w x 1"h, very
good original condition 1200-1500
762.
Reed & Barton choker necklace, sterling
with geometric gold wash design, stamped
“Reed & Barton Sterling” 6.25"w x 9"long,
opening is 5.5"w x 6"h, very good original
condition 400-600
765.
1950s 14k gold ring, prong-set ruby
cabochon with inset diamond-shaped ruby
on each side of setting, approximate size is
6.5, total weight with stones is 6.8 grams,
ruby is approximately 2.33 ct., stamped
“585", excellent condition 900-1200
764.
1950s gold and tourmaline ring, 18k rose
gold, large emerald-cut green chrome
tourmaline, basket and prong set in a high
shoulder geometric design, approximate size
is 6.25, total weight with stone is 18.9 grams,
stone is approximately 3.83 ct., unmarked,
5/8"w, very good condition 900-1200
767.
Mabe earrings, 1970s, 22k gold, each with a large pear-shaped pearl
and small prong-set diamond, USA, stamped “22k” with maker’s
hallmark stamp, 1"w, very good original condition 300-400
768.
763.
Egyptian Revival Pharaoh pin, 1930s, 14k
rose gold with five small diamonds and two
small rubies, total weight with stones is 6.3
grams, stamped “14k”, 1 1/8"w x 1.25"h,
excellent condition 300-400
766.
Art Deco revival style 14k gold ring,
oval Jade cabochon, approximate size
is 7.5, total weight with stone is 9.7
grams, stamped “14k”, very good original
condition 400-600
18k gold and diamond bracelet, square engraved links with 40
inset faceted diamonds, each diamond is approximately .04 ct., total
weight is .560 ounces, .515 ounces troy, 15.9 grams, stamped “18k”,
7"long, 3/16"w, very good original condition 1000-1500
w w w . tr e ad w ay g a l l ery .c om
145
769.
William Spratling "Key Note" necklace,
attribution, sterling silver, silver beads on a
metal chain, two large central “key” pendants,
stamped “925” with a hallmark, 16” long,
pendants together are 2.25”w x 2”h, very
good original condition 1000-1500
770.
Henning Koppel pin, by Georg Jensen,
Denmark, biomorphic sterling silver
form with original presentation box, .715
ounces, stamped “375 Georg Jensen
925S Denmark”, 2.5"w x 1.75"h, excellent
original condition 300-400
771.
Mexican sterling necklace, probably 1980s,
multi-chain choker, 8.245 ounces, signed
with illegible stamps, 7.25"dia, 1 3/8" thick,
very good original condition 500-700
772.
Return to Tiffany sterling silver oval
tag necklace and bracelet, by Tiffany
and Co., authenticity guaranteed, tag
marked "Please Return to Tiffany and
Co. New York 925", lobster claw clasps
also stamped 925, necklace: 15.5" long,
bracelet: 2.5” long, very good original
condition 200-300
773.
1960s sterling cuff bracelet, polished cuff
with textured spiral coils, weight is 3.105
ounces, stamped “Sterling” with partial
illegible hallmark, 3"w x 2.5"d x 3.5"h,
spirals are 1" in diameter each, very good
original condition 300-400
774.
Murano glass necklace and earrings,
Italy, 1920s-30s, “Bird and Leaf”, pink
glass elements and brass, some pieces
with gold inclusions, adjustable length
chain, clip-on earrings, unmarked,
necklace: 16" long, earrings: 1"w, very
good condition 200-300
775.
Finnish bracelet, silver with green agates, 2”
crown-shaped element to top with six small
stones, one 5/8” stone, stamped marks “MV
830 U7 830 Silver KJ-N” with hallmarks,
2.5”w, excellent condition 400-600
776.
Antonio Pineda earrings, pair, Mexico,
sterling with amethyst quartz drops, screw
backs, stamped marks, .75"w x 2"h,
excellent original condition 250-350
777.
English cuff bracelet, sterling silver, large
form with impressed geometric design and
raised elements, maker unknown, weight
is 8.115 ounces, stamped with maker’s
hallmarks, 3.5"w x 3"d, opening is 2.75"w
x 2.5"h, excellent condition 400-600
w w w . tr e ad w ay g a l l ery .c om
778.
T.H. Robsjohn-Gibbings desk, by Widdicomb, bleached walnut,
upper gallery with hinged compartment at left and right and two
sliding doors, one drawer below writing surface, slight flare to legs
at tips, original finish, 46"w x 22"d x 36"h, writing surface is 30"h,
signed with cloth Widdicomb/Robsjohn-Gibbings label, very good
original condition 2000-2500
780.
T.H. Robsjohn-Gibbings dining chairs, six, walnut, two armchairs
and four side chairs, curved backrests with single panel, original
finish, reupholstered, armchair: 23"w x 22"d x 33"h, seat height:
16.5"w, side chairs: 21.5"w, good original condition 400-600
Gerald Thurston floor lamp, by Lightolier, USA, solid brass tripod
base supports walnut standard, molded plastic lower diffuser,
replaced silk shade, original finish, 16dia x 52”h, very good original
condition 400-600
781.
146
779.
T.H. Robsjohn-Gibbings sideboard, by Widdicomb, bleached mahogany, three drawers flanked by two
doors, original brass and wood pulls, brass legs, custom made black glass top, original finish, signed with
Widdicomb/Gibbings cloth label, 67.5”w x 21.5”d x 32”h, stains to top, good original condition 2000-3000
w w w . tr e ad w ay g a l l ery .c om
782.
784.
T. H. Robsjohn-Gibbings stools, pair, by Widdicomb, bleached
walnut frames with reverse tapered legs and curved ring stretcher to
bases, original gold fabric upholstery, original finish, overall: 21”dia x
17.5”h, seat is 18”dia, very good original condition 2000-2500
T.H. Robsjohn-Gibbings cabinet, by Widdicomb, mahogany, three
drawers, original caned handles, brass legs, original finish, signed
with Widdicomb/Gibbings cloth label, 34.25”w x 20”d x 32”h, very
good original condition 800-1000
786.
147
783.
Gerald Thurston table lamp, by Lightolier, 1950s, brass and walnut,
tripod base, white enameled metal perforated diffuser to top, molded
plastic diffuser to bottom original shade, 16”dia × 24”h, very good
original condition 600-800
785.
T.H. Robsjohn-Gibbings magazine stand, by Widdicomb, 1950s,
mahogany and birch, original finish, 29.5”w x 23.5”d x 23”h, wear to
the finish of the top, otherwise very good condition 500-700
T.H. Robsjohn-Gibbings cabinets, pair, by Widdicomb, mahogany, three drawers, original caned handles, brass legs,
original finish, signed with Widdicomb/Gibbings cloth label, 34.25”w x 20”d x 40.5”h, very good original condition 1500-2000
w w w . tr e ad w ay g a l l ery .c om
787.
Warren Platner dining chairs, pair, by Knoll, nickel wire bases,
original blue wool upholstery, plastic floor protectors, original finish,
27”w x 22”d x 29”h, very good original condition 1000-1500
788.
Warren Platner coffee table, by Knoll, nickel-plated wire base with
round glass top, 36"dia x 14.5"h, replaced 3/8" thick glass top, floor
protector missing, slight bend to overall shape, good condition 100-200
790.
148
789.
Arredoluce style floor lamp, chrome shade on an adjustable arm
with leather-wrapped handle, tripod base, leather-wrapped standard,
34”w x 59”h, excellent original condition 500-700
Warren Platner high-back lounge chair & ottoman, by Knoll, bronze wire bases, original dark red wool
upholstery, dated 1970, chair signed with Knoll Associates label, ottoman signed with Knoll International
label, chair: 4”w x 35.5”d x 39”h, ottoman: 24”dia x 16”h, good original condition 3000-4000
w w w . tr e ad w ay g a l l ery .c om
791.
Poul Kjaerholm PK 71 nesting tables, set of three, by Fritz Hansen,
steel bases with removable acrylic tops, original finish, largest: 11
and 1/8” sq, light wear, very good original condition 1000-1500
792.
Charles Pollock chairs, pair, by Knoll, original black leather sling
seats, chromed steel frames, black armrests, original upholstery,
each signed with Knoll Associates label, 25”w x 24”d x 28”h, very
good original condition 600-800
794.
149
793.
Koch & Lowy floor lamps, pair, chrome, each with three square
shades with black interior, signed with stamped “DMI” marks, 10” x
10” x 62”h, excellent original condition 600-800
Warren Platner dining table and four chairs, by Knoll, bronze, table with a replaced glass top, chairs with
the original blue wool upholstery and plastic floor protectors, extra 54" top in opaque glass is optional (not
shown), original finish, table: 60"dia x 28"h, chairs: 27"w x 22"d x 29"h, very good condition 4000-6000
w w w . tr e ad w ay g a l l ery .c om
150
795.
Tito Agnoli “Korium” chairs, pair, by Matteograssi, Italy, black leather,
on castors, original upholstery, signed “Matteograssi” on side of seat
cushion, 31”w x 25”d x 35”h, very good original condition 400-600
797.
Pozzi and Verga desk, Italy, black lacquered wood form with
drop sides, black leather surface, three drawers and one open
compartment with black leather lining, locking drawers, key missing,
original finish, signed with "Pozzi Le Sedie Made in Italy" label, as
shown, 50"w x 23"d x 31.5"h, each drop side is 19.75"w, legs swing
out to support sides, very good original condition 600-800
799.
Paolo Deganello "Torso" chaise, by Cassina, original black leather seat
cushion, white canvas backrest, light blue and gray legs, black caps to
feet, attached table with original black finish, signed with Cassina fabric
in decking, 65"w x 36"d x 46"h, excellent condition 1000-1500
796.
Stilnovo table lamp, Italy, black shade supported by four brass arms,
adjustable, original finish, signed with Stilnovo label and impressed
marks on side of base, 4”w x 5.5”d x 25”h, very good original
condition 1000-1500
798.
Tito Agnoli dining table, by Matteograssi, very heavy base wrapped
in white leather with exposed stitching, round smoked glass top,
original finish, signed with stamped mark “Matteograssi” on base,
42”dia x 28.25”h, very good condition 500-700
800.
Belux floor lamp, Spain, black enameled metal, articulated arm with
two adjustment points with red trim, original finish, signed with stamped
marks, as shown: 47”h, very good original condition 200-300
w w w . tr e ad w ay g a l l ery .c om
801.
Large Kovacs table lamps, pair, new old stock, white enameled
bases and shades, each with three sockets and semi-opaque glass
diffuse to top, heavy and well made, 18”w x 12”d x 29”h, very good
original condition 600-800
803.
802.
804.
151
O-luce “Wing” lamp, Italy, weighted black enameled base supports a
curved arm with an adjustable black plastic halogen light source, signed
with O-luce label, 30”w x 55”h, very good original condition 200-300
Toshiyuki Kita “112 Kick” tables, pair, by Cassina, black lacquered
teardrop-shaped wood tops, two ball-shaped castors, tops swivel,
dark gray enameled steel frames, height adjustable, original finish,
one signed with Cassina paper label, 18.5”w 19”d x 21”h, very good
original condition 600-800
Paolo Piva “Divan Adia” sofa/daybed, by B&B Italia, Italy, multi-use form with the original black leather upholstery, two articulated backrests swivel and
can be positioned as desired around the seat cushion, two small round table attachments (only one is shown), steel frame, large brass disc feet, original
finish, signed with B&B Italia and “Made in Italy for USA” labels, 102”w x 35.5”d x 40”h, seat height: 18.5”, excellent original condition 2000-3000
w w w . tr e ad w ay g a l l ery .c om
805.
807.
Greene ceramic vessel, (two views shown), “The Reunion”, two figures,
hand-built, signed “greene” with title, 20”w x 12.5”d x 26.5”h, excellent
condition 700-900
George Nakashima hutch cabinet, cherry, two sliding doors with
the original pandanus cloth, four oak shelves, original finish, signed
with client’s name (Sawyer), 42”w x 12”d x 48”h, excellent original
condition 3500-4500
809.
152
806.
Zig Zag chairs, pair, cantilevered forms composed of thin wood slats,
designer unknown, original finish, unsigned, well made, 14.5”w x
21.5”d x 36”h, very good original condition 1000-1500
808.
Greene ceramic vessel, “Six Figures with Mask”, each side features
three figures with white crackle glaze, hand-built, signed “greene” on
side and titled, 15”dia x 30.5”h, excellent condition 700-900
Griffin Okie dining table, USA, solid California walnut, elliptical top over a hand-carved base with four supports, original
finish, authenticated by the artist, signed Okie 8 75, 72"w x 39.5"d x 29.5"h, very good original condition 800-1000
w w w . tr e ad w ay g a l l ery .c om
811.
Robert Dice craft movement chair, laminated carved oak,
biomorphic frame with dowels that form the seat and backrest,
original finish, signed with carved initials, “78” and “#1”, 23.5”w x
31”d x 51”h, very good original condition 1000-1500
813.
153
810.
Fine Gene Sherer jewelry cabinet, 1987, solid walnut, large handcarved torso with eleven spring-loaded, suede-lined drawers, original
finish, hand signed, dated and numbered 58, 15”w x 9.5”d x 22”h,
excellent original condition 5500-6500
812.
Stewart Paul chest, oak, 1976, cantilevered solid wood form with
one large drawer with a carved handle, original finish, signed with
carved signature “SP 76”, 34”w x 20.5”d x 22.5”h, excellent original
condition 2000-2500
George Nakashima bench/daybed, walnut, long low form with six legs, wood joint details to
corners, original finish, unsigned, 96.5”w x 26”d x 14.5”h, very good condition 3000-4000
w w w . tr e ad w ay g a l l ery .c om
814.
Raymond Loewy DF 2000 valet cabinet, by Doubinsky Freres, France, wood and laminate
cabinet with unusual molded white plastic drawer fronts and red top and sides, hinged top with
interior mirror and removable tray over two single drawers, one double drawer and drop front
door at bottom for shoe storage, compartment for hanging clothes in back, interior is dark wood
grain, on castors, signed with DF 2000 paper label, all original, 19.75"w x 20"d x 43"h, very
good original condition 1800-2200
815.
816.
Hollen dining set, Houston, Texas, molded plastic bases, round white laminate top, chairs,
swivel, original bright red upholstered seat cushions, chairs signed with Hollen, Inc. labels,
table: 48"dia x 27"h, chairs: 19"w x 20"d x 38"h, very good original condition 500-700
817.
154
Verner Panton SP-3 light fixture, by
Verpan (not by J. Luber), pre-production,
chrome-plated Cellidor plastic elements
connected by nylon thread, three bulbs,
92"h, includes matching ceiling plate,
15 strips are no longer attached but are
included (not shown), unsigned, very good
condition 1500-2000
Pierre Paulin Ribbon chairs, pair, by Artifort, dark purple upholstery, each signed with
“Artifort design Pierre Paulin” stamp, 40”w x 30”d x 27”h, very good condition 3000-4000
w w w . tr e ad w ay g a l l ery .c om
818.
820.
Torino Robot Puppy lamp, Italy, chrome,
lighted eyes, Plexiglas ears, original finish,
15"w x 11"d x 11"h, excellent original
condition 300-400
Ettore Sottsass “Valentine” typewriter, by Olivetti, 1969, Milan Italy, Pop art
form in bright red molded ABS plastic, metal and rubber, with carrying case,
also includes Ettore Sottsass Architect and Designer by T. Labaco, published
by Merrell, 13.5”w x 14”d x 4.5”h, excellent original condition 300-500
“It is called Valentine and was invented for use in any place except in an
office, so as not to remind anyone of monotonous working hours, but rather
to keep amateur poets company on quiet Sundays in the country or to
provide a highly colored object on a table in a studio apartment.”
Giovannoni & Rodrigo Torres Morfeo sleeper sofa, by
Domodinamica, Italy, polyurethane resin covered with elastic fabric,
two antennae-like lights, seat unzips to reveal a folding bed frame
with mattress, original orange fabric, 81"w x 35"d x 32.5"h, bed is
50"w x 71"d, very good original condition 900-1200
822.
155
819.
821.
Pierre Paulin Mushroom lounge chair and ottoman, by Artifort, round
forms with original dark red stretch upholstery over a fiberglass base,
Artifort and Turner Ltd. labels, 34"dia x 25"h, ottoman: 21"dia x 14"h,
good original condition 400-600
Pierre Paulin Ribbon chairs, pair, by Artifort, dark purple upholstery, each signed with
“Artifort design Pierre Paulin” stamp, 40”w x 30”d x 27”h, very good condition 3000-4000
w w w . tr e ad w ay g a l l ery .c om
823.
Vistosi table lamps, pair, Italy, large hand blown opaque white
glass forms with removable matching inner diffuser, 15"dia x 21.5"h,
excellent original condition 1500-1800
825.
Horchow bust planters/vases, two, ceramic with hand-painted
decoration, 1960s, man and woman, signed with stamped
“Horchow Made in Italy”, 11.5”w x 7.5”d x 15.5”h, very good original
condition 300-500
Piero Palange & Werther Toffoloni “Hoop” lounge chairs, pair, by Germa Mobili, Italy, beech wood frames with
replaced tan saddle leather upholstery, original finish, unsigned, 31"w x 28"d x 41.5"h, excellent condition 2500-3500
826.
156
824.
Italian cabinets, pair, beech, clean-lined forms with finished backs, each with four drawers with round cutout
pulls, maker unknown, original finish, unsigned, 39”w x 18”d x 28.5”h, excellent original condition 600-800
w w w . tr e ad w ay g a l l ery .c om
827.
Roger Capron coffee table, France, 1950s, glazed stoneware tiles
in a wood frame with round legs, tiles with natural glaze, gray glaze,
and one with dark green glaze, original finish, 38.5”w x 26.5”d x 13”h,
one leg needs repair, very good condition 800-1000
829.
830.
157
Tommaso Barbi floor lamp, Italy, 1970s, a large
brass leaf shade is supported by a brass floor
ring, original finish, 20"w x 20"d x 71"h, leaf is
19"w, excellent original condition 900-1200
828.
Jasper Morrison “Glo-ball” table lamp, by Flos, Italy, opaque frosted
white glass, dimmer switch, signed with Flos paper label, 16”dia x
15”h, excellent original condition 400-600
Midcentury Italian lounge chairs, pair, molded wood armrests form the front legs which become
thicker at the base, thick seats with a flat front edge, reupholstered in tan leather, refinished,
29.75”w x 31”d x 31.5”h, frames in very good condition, leather is in excellent condition 1200-1500
831.
Midcentury Italian club chairs, pair, rounded forms with curved details, small
tapered wood feet, reupholstered in black linen fabric with welted trim, unsigned,
35”w x 32”d x 29”h, restoration to feet, otherwise very good condition 800-1000
w w w . tr e ad w ay g a l l ery .c om
832.
1960s Arco style floor lamp, white
Italian marble base supports a tubular
chrome and steel curved standard,
chrome shade, shade is 13”dia, 75”h,
good original condition 400-600
833.
1970s chandelier, aluminum structure,
six blown glass shades, conical ceiling
cap, unsigned, 21”dia x 19.5”h, very
good original condition 400-600
834.
Lino Tagliapietra for Effetre table
lamps, two, Italy, white glass encased
in clear with vertical black lines,
unsigned, small: 17"h, large: 27"h, mint
condition 800-1000
835.
836.
837.
158
Sergio Mazza “Alfa” table lamp, by
Artemide, black marble base, ribbed
glass shade, signed with paper
labels, 11.75”dia x 19.5”h, excellent
original condition 400-600
Milo Baughman lounge chairs, pair, by Thayer Coggin, chromed metal frames with padded armrests and
tufted cushions with the original patterned upholstery, 30"w x 32"d x 28.5"h, excellent condition 1000-1500
Fritz Haller cabinet, by Herman Miller, black lacquered sheet metal structure connected by chromed steel fittings,
one drop-front door, no key, laminate top, original finish, 60"w x 21"d x 29"h, very good condition 400-600
w w w . tr e ad w ay g a l l ery .c om
838.
839.
Milo Baughman lounge chair, by Thayer Coggin, chromed metal frame
with padded armrests and tufted cushions in the original dark gray faux
fur upholstery, 30"w x 32"d x 28.5"h, excellent condition 500-700
841.
159
Milo Baughman dining chairs, four, by Thayer Coggin, square tubular frames, original brown velvet upholstery,
signed with Thayer Coggin labels on three, 20”w x 22.5”d x 36”h, very good original condition 400-600
840.
Karl Springer style coffee table, rectangular wood top covered in
parchment, polished chrome base, clear finish, unsigned, 48"w x
30"d x 20.5"h, original finish, excellent condition 700-900
Paul Evans Cityscape executive desk, by Directional, patchwork burled wood form with seven drawers, base
and sides covered with vertical chrome plated strips, signed "An Original Paul Evans," original finish, 60"w x
32"d x 29.5"h, some wear to chrome and small veneer chips, otherwise very good condition 3500-4500
w w w . tr e ad w ay g a l l ery .c om
842.
Midcentury blown glass lamps, pair, opaque frosted white glass
with silver and gold coin decoration, original shades with matching
finials and glass diffusers, unsigned, overall: 32"h, excellent original
condition 300-400
843.
C. Jeré wall sculpture, leaves and flowers, signed “C. Jeré 1974”
label, 25”w x 55”h, very good original condition 500-700
844.
Mastercraft chairs, pair, brass frames with upholstered seats and
backrest, continuous tube forms the front legs and backrest, 24"w x
19.5"d x 33.5"h, very good condition 200-300
845.
Bernhard Rohne coffee table, by Mastercraft, large square wood
form with acid-etched brass trim plates to edges, inset glass top with
beveled edge, 40.25"sq x 18"h, excellent original condition 400-600
846.
160
Mastercraft dining table, USA, solid brass frame supports an inset glass top
with beveled edge, 60"sq x 40"d x 29.25"h, excellent condition 700-900
w w w . tr e ad w ay g a l l ery .c om
847.
Maison Jansen Campaign folding chair, France, 1960s, patinated
brass and brushed steel frame, original black leather sling backrests,
armrests and seat cushion, original finish, 24.5”w x 35”d x 36”h, very
good original condition 800-1000
848.
849.
161
Maison Jansen tables, pair, France, 1960s, tall forms on three legs
with brass hoof feet and ring details, nickel-plated steel and brass,
black marble tops, original finish, unsigned, 13”dia x 39.5”h, very
good original condition 2000-3000
Maison Jansen campaign bed, France, 1960s, nickel-plated steel and
brass, 38”w x 86”d x 40”h, very good original condition 1500-2000
w w w . tr e ad w ay g a l l ery .c om
851.
C. Jeré Raindrops wall sculpture, chromed metal disks and halfglobes, original finish, signed with “C. Jeré 1971”, 34”w x 8”d x 22”h,
very good original condition 1000-1500
850.
Fine T.H. Robsjohn-Gibbings floor lamps, pair, by Hansen, New York,
polished chrome cross-shaped bases, original white paper shades, three
sockets turn on and off by way of an integrated handle switch on the chrome
standard, each stamped on base “Hansen Lamps New York”, 16.75” x 16.75”
x 56”h, shades are 15”dia, excellent original condition 3000-3500
852.
1960s Italian lounge chairs, pair, square chrome frames, tufted black leather
seat cushions and flexible backrests, nicely made, original upholstery,
unsigned, 25”w x 25”d x 28”h, excellent original condition 600-800
854.
853.
162
1960s lounge chairs, pair, polished chromed steel frames, dark-stained bamboo
armrests with wrapped leather trim, rubber supports under seats, original Larsen
upholstery, unsigned, 24.25"w x 30"d x 28.5"h, excellent original condition 700-900
Large C. Jeré tree sculpture, rounded
chrome petals, black stem over a wood
block base with chrome plate to surface,
original finish, signed with metal plaque
on base “C. Jeré 74”, 21”dia x 47”h, slight
bend to stem, otherwise very good original
condition 1500-2000
w w w . tr e ad w ay g a l l ery .c om
855.
856.
Charles Ringer “Poppies” sculpture, 1986, black enameled and
polished steel, three weighted and balanced arms that rock gracefully,
round base with white marble surface, signed on base “Charles Ringer
1986”, 36”w x 40”h, excellent original condition 2000-3000
858.
163
Bill Robertson (American, 20th century) frieze, 1970s, fiberglass, nudes in heavy relief,
original finish, signed “Robertson” at lower center, 75"w x 6"d x 33"h, condition 800-1000
857.
1960s rug, by Regal Design Studio, titled “Forté”, nylon, grid-like
composition in orange and yellow with repeating square border, 92” x
104”, labeled, very good condition 400-600
Brueton lounge chair and ottoman, USA, tubular chromed metal frames, original
black leather upholstery, original finish, signed with Brueton label, chair: 27.5”w x
39”d x 27.5”h, ottoman: 17.5”w x 2”d x 16”h, excellent original condition 900-1200
w w w . tr e ad w ay g a l l ery .c om
859.
Murano glass table lamps, pair, Italy, translucent amber glass bases with an encased white
glass swirl, brass base, unsigned, base: 22.75”h, with shade: 37”h, excellent condition 300-500
860.
861.
863.
164
Venini glass table lamps, pair, attribution,
tall form of pink, green, blue and clear
glass, no shades, brass and black metal
bases, overall: 36"h, some wear to finish of
bases, glass is in mint condition 800-1000
1960s ice buckets, two, in the style of Albrizzi, clear solid lucite, each
with swiveling lid, unsigned, octagonal: 9.5”dia x 8”h, square: 6.5”w x
9.25”h, both in excellent original condition 200-300
James Mont inspired console table and mirror, maker unknown,
carved wood with leaf motif and original red lacquered finish,
console with rectangular glass top with beveled edge, round mirror,
console: 60”w x 18”d x 29”h, mirror: 44”dia, very good original
condition 600-800
862.
Vladimir Kagan armchair, 1960s, barrel-shaped molded and tinted
lucite, original velour upholstery and padded armrest, original
upholstery, 28”w x 23”d x 26”h, unsigned, very good original
condition 400-600
864.
Lucite bar cart, 1960s, clear structure with mirror glass to shelves,
metal fittings and handle, on castors, 24.5”w x 16”d x 27”h, unsigned,
very good original condition 400-600
w w w . tr e ad w ay g a l l ery .c om
865.
Fornasetti occasional table, Italy, brass frame with top handle and
tripod base supports a round top decorated with flowers against a black
field, original finish, signed with paper “Fornasetti Milan” label, 24” dia x
24.5”h, table top is 18”h, very good original condition 500-700
867.
Venini table lamps, pair, clear, white and light green latticino,
replaced shades with burlap exterior, signed with partial paper label
to one, glass: 6"dia x 14"h, overall: 26.5"h, mint condition 700-900
Philip & Kelvin LaVerne coffee table, rectangular top with oxen in a landscape over round legs with supportive
stretchers, original finish, signed in the surface of the top, 60”w x 24”d x 17”h, excellent condition 2000-3000
868.
165
866.
Salterini patio set, by John B. Salterini, table and six chairs, wrought-iron frames with red
finish, chairs with original glossy yellow cushions, table with inset glass top, several chairs with
Salterini tags, chairs: 23”w × 20”d × 37”h, table: 42”sq x 29”h, very good condition 400-600
w w w . tr e ad w ay g a l l ery .c om
869.
871.
874.
166
Ronald Pearson "Vision" sterling silver flatware, by International
Silver, 84 pieces (only one place setting and serving pieces are
shown), the set consists of 12 six-piece place settings (butter
knife, dinner knife, salad/dessert fork, dinner fork, soup spoon, and
teaspoon), as well as 6 extra teaspoons and six serving pieces
(ladle, serving fork, two serving spoons, sugar spoon and lemon/
pickle fork), stamped marks, wooden storage box included, excellent
condition 3500-4000
LeCoultre "Atmos" Perpetual
Motion mantle clock,
Switzerland, late 1950s,
with original carrying case,
lacquered brass case, Roman
numerals to dial, signed
in several places, original
instructional paper label to top
of case, runs well, stamped
with serial no. 94149, 7"w
x 5.25"d x 8.75"h, excellent
original condition 400-600
872.
870.
J.A. Burlini kinetic sculpture, 1972, walnut base supports a metal
construction with moving parts, inscribed on base "J.A. Burlini 1972",
22.5"w x 33"h, very good original condition 600-800
Taxco candlesticks, pair, sterling silver, signed with stamped
marks “Playa 925 Hecho en Mexico Sterling Taxco Marcarita”
with a stylized MV stamp, engraved on bottom “Guy James
Parke William Chambers Parke Taxco January 1, 1955”,
9.5”w x 10”h, very good original condition 400-500
Harris Strong framed tile mosaic, “Drift Wood”, hand-painted
ceramic tiles in a wood frame, signed with paper label, framed size:
43.5"w x 19.25"h, excellent condition 300-400
875.
873.
Alfredo Burlini sculpture,
untitled, 1973, bronze form
over a black lucite base,
signed and dated, 6.5"h,
excellent condition 400-600
Midcentury candlesticks, pair, maker unknown, large forms in
hammered nickel, applied geometric designs of red, white and blue
stones, unmarked, removable bobeches, 5.5”w x 15.5”h 300-500
w w w . tr e ad w ay g a l l ery .c om
876.
879.
882.
John Kearney sculpture, rearing horse,
welded steel rods, original finish, 10"w
x 3.5"d x 12.5"h, excellent original
condition 700-900
Bode Willumsen & Hans Hansen covered
jar, ceramic with blue and brown glaze,
hammered silver lid with bone handle, jar
signed and dated 1938, lid stamped “Hans
Hansen Denmark 925”, 4”dia x 4”h, very
good original condition 400-600
C. Jeré bookends, pair, aluminum with
brass finish, arrows, each signed “C.
Jeré”, 4.5”w x 5”d x 4.5”h, very good
original condition 300-500
885.
167
877.
880.
883.
Nohr salt and pepper shakers, two, turned
wood, cork stoppers, original finish, signed
with branded mark “HN”, tall: 8”h, small:
7.5”h, very good original condition 150-250
Art Nouveau planter, cast aluminum,
female figures with flowers in relief,
unsigned, 10.5”w x 9”d x 9”h, very
good original condition 300-400
Wilhelm Kage "Argenta" covered tobacco
jar, for Gustavsberg, green glaze with silver
overlay, marked "Gustavsberg Kage 945"
and with Sweden House paper label, 5"w x
5"d x 6"h, mint condition 900-1200
878.
881.
884.
Allan Adler shakers, five, sterling silver,
two are 4.5"h, two are 3.25"h, one is
6"h, each stamped “Allen Adler Sterling”,
excellent original condition 300-400
Los Costillo Taxco covered vessel, Mexican
silver with inlaid turquoise design and finial,
impressed mark, 4”w x 4”h 350-550
Eugene Deutch bowl, stoneware, bluegreen glaze to interior, signed “E. Deutch”,
12"dia x 3.5"h, mint condition 300-500
1960s “Love” patio chairs, four, round backrests in painted metal spell the word LOVE,
repainted, no seat cushions, 16.5”w x 19.5”d x 33.5”h, very good condition 400-600
w w w . tr e ad w ay g a l l ery .c om
886.
168
Alessandro Mendini kitchen utensil set, attribution, Italy, enameled metal and beech
storage rack, utensils with natural and stained beech handles, partial decal to back appears
to read “Valteluna”, rack is 15”w x 3”d x 8”h, very good original condition 200-300
888.
Gambone vase, Italy, cylindrical form,
bright orange glaze with horizontal bands,
signed “Gambone Italy”, 4.25"w x 7.5"h,
mint condition 100-200
889.
Michael and Frances Higgins dropout
bowls, three, thick multi-layered forms of
glossy fused glass in orange, yellow and
green, designed to be slightly irregular
in shape, each with etched signature
"higgins", yellow: 9”dia, green: 8.25”dia,
orange: 8”dia, mint condition 300-500
890.
Vistosi vase, Italy, cylindrical clear glass
with blue and green murrines, signed with
engraved marks “Vistosi 76", 7.25"dia x
7.75"h, mint condition 300-500
891.
Kent Ipsen glass object, 1968, clear
green glass with a large central inclusion,
signed “Kent Ipsen 1968”, 4.75”h, mint
condition 200-300
887.
Cenedese bottle with stopper, Italy,
yellow-green glass with red murrines,
4"dia x 16"h, mint condition 300-500
892.
Murano table lamp, Italy, yellow glass
with partially embedded jewel-like glass
elements in green, red, white and gold,
gold leaf inclusions, alabaster and brass
base, unsigned, glass only: 20.5"h, mint
condition 400-600
w w w . tr e ad w ay g a l l ery .c om
893.
Lalique crystal dish, France, clear glass
with acid-etched maple leaf design,
signed “Lalique France”, 9.5”dia, mint
condition 200-300
896.
Lalique crystal “Roscoff “centerpiece
bowl, France, repeating fish head motif to
rim with three-dimensional water droplets
to back side, signed “Lalique France”,
14”d x 2.75”h, mint condition 700-900
894.
Lalique black crystal dish, France, oval
form with matte acid-treated decoration
around rim, signed “Lalique France”,
10.75”w x 9”d, mint condition 150-250
897.
898.
900.
169
Details / Phone bids call: (708) 383-5234 or (513) 321-6742
Lalique crystal “Isere” door handle,
France, thick fluted glass with chrome
fittings, signed “Lalique France”, 7”dia x
4”d, light scratches to metal, glass is in
mint condition 400-600
Lalique brandy snifters, six, France, crystal, in the original box, each
signed “Lalique France”, 3.5"dia x 5"h, mint condition 600-800
Mark Peiser glass vase, multi-colored
pulled leaf design, signed “Mark Peiser
1969”, 7”dia x 7”h, mint condition 300-500
Barovier & Toso vase, bulbous form of
clear glass with fine red latticino, applied
white lip to rim, signed “barovier & toso
murano” label, 7.25”dia x 5”h, residue to
interior, good condition 200-300
895.
899.
Large Seguso bowl, attribution, black glass
with swirled gold inclusions, unsigned, 21.5”w x
7.75”d x 4”h, excellent original condition 200-300
901.
Baccarat crystal goblets, set of seven, each stamped
"Baccarat France", 3.5"dia x 4.5"h, mint condition 600-700
Provenance: Han Schroeder, former architectural assistant to
Gerrit Rietveld and daughter of Truus Schroder-Schrader
w w w . tr e ad w ay g a l l ery .c om
169
902.
Edward Wormley desk, by Drexel, 1950s,
elm, inset green leather top, gallery two
sliding doors, two shallow drawers under
top, one medium drawer and one large
drawer with original vertical slats for files,
back is finished, signed with branded Drexel
mark, original finish, 54”w x 32.5”d x 35.5”h,
very good original condition 500-600
905.
Edward Wormley lounge chairs, pair, by Dunbar, ebonized
mahogany frames with caned sides, pivoting backrest, original Jack
Lenor Larsen silk upholstery with metallic threads, original finish,
signed with rectangular brass tag, 26”w x 25”d x 27”h, very good
original condition 800-1000
907.
170
903.
Edward Wormley lounge chair, by
Dunbar, ebonized mahogany frame with
caned sides, pivoting backrest, original
Jack Lenor Larsen silk upholstery with
metallic threads, original finish, signed with
rectangular brass tag, 26”w x 25”d x 27”h,
very good original condition 400-600
906.
904.
Edward Wormley coffee table, by Drexel,
elm frame with original dark gray/green
leather, original finish, signed with Drexel
stenciled marks, 30”w x 30”d x 16.5”h,
good original condition 200-300
Edward Wormley lounge chairs, pair, by Dunbar, mahogany frames
with subtle shaping, down-filled backrest cushion, original striped
upholstery, signed with Dunbar fabric in cushion decking, 30.5”w x
34”d x 28”h, good original condition 1200-1500
Edward Wormley sofa, by Dunbar, floating backrest, mahogany frame with exposed
supports to back, tufted seat and backrest, curved armrests, replaced upholstery,
88”w x 30”d x 28”h, some regluing to frame, very good condition 2500-3500
w w w . tr e ad w ay g a l l ery .c om
908.
909.
Edward Wormley cabinet, by Dunbar, USA, 1950s, walnut case with slab sides, four cabinet doors decorated with antique carved
Japanese print blocks, three doors are spring-loaded, one door locks, four rosewood drawers under doors, shelves to interior, signed with
rectangular brass Dunbar tag, 65.5”w x 13.5”d x 41.5”h, original finish, one key, light wear to top, very good original condition 2000-3000
Edward Wormley dining chairs, six, by Dunbar, dark mahogany frames with caned backrests, original leather upholstered removable
seat cushions, original finish, all signed with green metal tags, 22.5”w x 21”d x 32”h, very good original condition 1500-2000
910.
171
Edward Wormley drop-leaf Extension Dining Table, by Dunbar, model 4576, dark mahogany, versatile form with drop
sides and five 14” leaves in the original crate, original finish, signed with green metal Dunbar tag, with sides down:
42”w x 28”d x 29.5”h; 58”d with sides up, with leaves: 126.75”d, light wear, very good original condition 1000-1500
w w w . tr e ad w ay g a l l ery .c om
911.
Edward Wormley folding console table, by Dunbar, mahogany,
rectangular top opens to double the surface area, tapered legs,
original finish, signed with green metal Dunbar tag, 54”w x 34”d x
27”h, closed: 17”d, excellent condition 900-1200
912.
Edward Wormley corner table, by Dunbar, triangular top with lip to
edge and slight curve to front edge, curved front stretcher, subtle
design details, original finish, signed with rectangular brass tag, 48”w
x 23”d x 24.5”h, small area of damage to front edge, good original
condition 500-700
913.
Paul McCobb server, by Calvin, dark stained cabinet with one door and
one drawer with slide-out work surface, one shelf, laminated top, brass
and wood handles, brass frame, castors, original finish, signed with Calvin
metal tag, 39”w x 18”d x 18”h, excellent original condition 700-900
914.
1950s tea cart, maker unknown, three caned shelves with protective
glass, metal handles, wreath and arrow decoration at each end, original
finish, 37”w x 16.5”d x 36.5”h, excellent original condition 300-500
915.
172
Edward Wormley sofa, by Dunbar, 1940s, tufted backrest, tapered dark wood legs, original
blue wool upholstery, unsigned, 96”w x 33”d x 31.5”h, good original condition 1000-1500
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916.
918.
T.H. Robsjohn-Gibbings coffee table, by Widdicomb, ebonized wood base supports
a replaced faux marble composite top, base is signed with Robsjohn-Gibbings/
Widdicomb and stenciled 3/54, 54”w x 24”d x 14”h, excellent condition 600-800
T.H. Robsjohn-Gibbings dining table, by Widdicomb, mahogany,
elliptical top with inlaid detail to top, tapered legs with square block
detail, one 22" leaf (not shown), stenciled date 8/56, Widdicomb
label, model 4312, original finish, 60"w x 40"d x 29.75"h, very good
condition 200-300
920.
173
919.
917.
Edward Wormley occasional chair, by
Dunbar, white upholstery, tapered darkstained wood legs, original upholstery,
original finish, 25”w x 27”d x 34”h, good
original condition 200-300
Edward Wormley cabinet, by Dunbar, mahogany, No. 4566, six
drawers, five drawers with angled fronts, inset glass to top, original
dark finish, signed with Dunbar paper label, 42”w x 19”d x 33”h, light
wear, very good original condition 600-800
Edward Wormley dining chairs, by Dunbar, four, 1940s, wood frames with semiopaque lacquered finish, original leather seats and backrests with brass tack trim,
original finish, unsigned, 20”w x 22.5”d x 34”h, very good original condition 800-1000
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921.
923.
Paul McCobb bench and pair of cabinets, by Winchendon,
removable cabinets with natural wood sliding doors and black
stained exterior, refinished, 48”w x 18”d x 34”h, one sliding door is
warped, very good restored condition 600-800
922.
Stiffel table lamp, USA, 1950s, brass rocket ship base, original
period shade, 10”dia x 29”h, very good original condition 200-300
Paul McCobb dining table and chairs, by Calvin, mahogany, custom-made table with subtly tapered
top and brass stretchers, four 12" leaves in the original box, drop-down legs support top when
leaves are in use, five chairs with subtle v-backs, one armchair, original finish to all, table marked
with metal tag, 72"w x 38"d x 29"h, 120" with all four leaves inserted, original custom table pads
included, chairs: 18"w x 18"d x 35"h, very light wear, excellent original condition 1000-1500
924.
174
Midcentury mirror, brass frame with
marble inserts, 20”w x 46”h, unsigned,
very good condition 200-300
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925.
Rembrandt table lamps, pair, USA, 1950s, bases of tapering wood
bases with vertical grooves and brass, original glass diffusers and
silk shades with original finials, each with Rembrandt label, bases:
21.75”h, with shades: 43”h, excellent original condition 300-500
927.
Paul McCobb end tables/night stands, pair, by Calvin, from the
Linear Group, walnut frames with metal trim, each with one shallow
drawer, each with Calvin label, refinished, 21”w x 21”d x 24”h, very
good condition 400-600
Paul McCobb dining table, by Calvin, round mahogany top over tapered legs with brass stretchers,
top expands to accept two 12.5" leaves, as shown closed: 44"dia x 29.25"h, with two leaves: 82"w
x 44"d, all with original finish, signed with Calvin metal tag, good original condition 300-500
928.
175
926.
Henredon server cabinets, pair, each with two carved doors, original faux goatskin finish,
interiors consist of one drawer over one shelf, metal tag to each, branded Henredon
mark in drawer, each is 36"w x 18"d x 33.25"h, very good original condition 600-800
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929.
932.
Swedish occasional table, teak, thick round removable top over a
folding base, original finish, stamped “Made in Sweden”, 21”dia x
17”h, excellent condition 100-200
931.
Rene Drouet coffee table, France, c.1930, sycamore with painted
bronze trim, mirrored glass top, original finish, unsigned, 36”w x
19.25”d x 20.5”h, very good original condition 400-600
933.
Bruno Mathsson coffee table, by Dux, Sweden, round travertine
top with notches for the four beech leg posts, metal cross-stretchers,
original finish, marble is stamped “Made in Italy”, 40"dia x 15"h,
excellent condition 400-600
Danish Modern planter cabinet, teak, small cabinet with three
drawers, removable copper insert, lower slatted shelf, original finish,
stamped VM Made in Denmark, 38”w x 13”d x 22”h, very good
original condition 300-500
Danish floor lamp, brass and wood, pleated shade, original finish,
unsigned, base only: 50”h, with shade: 64”h, very good original
condition 300-400
934.
176
930.
Danish cabinets, pair, teak, each with three drawers with cutout pulls, square legs, original finish, each signed
with “Made in Denmark” stamp and maker’s stamp, 36”w x 18”d x 29”h, very good original condition 400-600
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935.
Danish teak wall mirror, oral, original finish,
stamped “Made in Denmark”, 24”w x 1.5”d x
36”h, excellent original condition 300-500
938.
Nanna Ditzel style lounge chairs, pair, wood frames, upholstered
seats and floating backrests, reupholstered, original finish, 26.5”w x
24.5”d x 28”h, very good condition 600-800
940.
177
936.
Borge Mogensen game or dinette table,
by Frederica Stolefabrik, Denmark,
square beech top over oak legs, original
finish, signed, 35.25”sq x 29”h, excellent
condition 100-200
939.
937.
1960s floor lamp, teak, fabric cylinder
shade, original finish, 9.5”dia x 40”h, very
good original condition 200-300
Midcentury console cabinet, rosewood, rectangular top over tapered
legs, two drawers with the original pulls, original finish, unsigned,
48”w x 15”d x 29”h, very good original condition 400-600
Koefoeds rosewood dining table and chairs, Denmark, round table with one leaf, chairs with vertical slat backs,
unsigned, original finish, table: 48”dia x 28.5”h, chairs: 19.5”w x 22”d x 38.5”h, excellent condition 1200-1500
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941.
944.
Cedric Hartmann style floor lamp, brass,
T-shaped base, triangular shade, knob
replaced, unsigned, as shown: 12”w x 12”d x
40”h, very good original condition 400-600
Moroccan rug, hand-knotted thick pile
natural wool, cream field with geometric
black decorations and black border,
braided fringe at one end, 61” x 94”,
excellent original condition 600-800
Tommy Parzinger for Willow & Reed cabinet, three drawers with
brass handles, stained burlap sides, white laminate top, original
finish, 36"w x 17"d x 30"h, excellent original condition 400-500
946.
178
942.
945.
943.
Lightolier floor lamp, USA, black
enameled metal base supports three
plastic shades in red, black and white,
65.5”h, some fading, very good original
condition 100-200
Milo Baughman Scoop chairs, pair, by James Inc., curved seats over curved black
rod bases, original tan vinyl upholstery, original finish, signed with James Inc. label,
26.5”w x 28”d x 28”h, fading to upholstery, very good original condition 500-700
Tommi Parzinger work tables, pair, by Parzinger Originals, white laminate tops over black enameled metal bases, one with
branded Parzinger Originals mark underneath top, original finish, 43”w x 30”d x 30”h, very good original condition 400-600
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947.
Nessen marble table lamps, pair, brass
fittings, no shades, one signed with
Nessen label, bases stamped “Made in
Italy”, marble: 7”w x 3.5”d x 17”h, chips,
good original condition 300-400
950.
951.
Italian glass table lamp, blue glass over
a lucite base, lucite finial, dated 1979,
signed with illegible signature, glass only:
20”h, excellent condition 100-200
949.
Nessen table lamps, pair, square wood
bases, polished steel stems, replaced
shades, original finish, signed with
Nessen paper label, bases: 6”sq, as
shown: 28”h, stain to one base, otherwise
very good original condition 400-600
Andre Dupre Stacking Chairs, by Knoll, set of 8, tubular chrome frames with off-white nylon
cord seat and back, manufactured 1947-1966, 16"w x 17"d x 34"h, very good condition 400-600
Salterini cantilevered patio chairs, pair, rounded seats with removable footrests (one shown, two included in the lot), footrests may not be original,
original finish, chairs: 30”w x 26”d x 32”h, footrests: 18”w x 29”d, one footrest needs repair, otherwise very good original condition 300-500
952.
179
948.
Midcentury sofa, maker unknown, slat seat and four separated backrest cushions, supported by a black enameled metal frame with
exposed back supports, reupholstered, original finish, unsigned, 93”w x 24.5”d x 31”h, some wear to fabric, very good condition 700-900
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953.
955.
Harvey Probber cabinet, by Harvey Probber Inc., ebonized oak
case with eight drawers with rosewood fronts, original drawer pulls,
original finish, unsigned, 14”w x 15”d x 36”h, wear to finish, good
original condition 500-700
957.
180
Craig Nealy chairs, four, by Glenn of California, hardwood frames with original black leather woven
seats and sling backrests, unsigned, original finish, 19"w x 18"d x 30"h, very good condition 600-800
954.
Craig Nealy chairs, pair, by Glenn of California, hardwood frames
with original black leather woven seats and sling backrests, unsigned,
original finish, 19"w x 18"d x 30"h, very good condition 300-500
956.
Harvey Probber coffee table, round walnut top with terrazzo insert,
dark stained frame with reverse tapered legs and brass caps to feet,
original finish, terrazzo marked with a paper Portugal label, 45”dia x
16”h, insert is 18”dia, excellent original condition 800-1000
Harvey Probber cabinet, by Harvery Probber, Inc., rosewood case with six drawers, original metal pulls, original
finish, stenciled mark to back “47201-02”, 60”w x 18”d x 30.25”h, wear to finish, good original condition 300-500
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958.
959.
1960s folding tables, two, possibly by Craft Associates, teak frames
with aluminum fittings, 3/8” glass tops, bases fold, original finish,
coffee table: 53”w x 19”d x15.5”h, end table: 23.25”w x 23.25”d x
20.5”h, excellent condition 300-400
961.
181
Midcentury bench, oak frame with black stained legs, three seats upholstered in black vinyl fabric, original finish,
signed with Johnson-Handley-Johnson metal tag, 60”w 16.5”d x 15”h, very good original condition 300-400
960.
Baker armchairs, four, in the style of Wormley’s Riemerschmid
chairs, walnut, seat cushions upholstered in silk fabric, two with
Baker metal tags, original finish, 25.5”w × 23”d × 31.5”h, very good
condition 400-600
Scandinavian seating unit, teak, four pieces, long sofa, shorter sofa, corner cabinet and coffee table, each sofa with removable
caned side panels, each with tapering legs and floating slat backrests, cabinet has sliding doors, back cushions not shown,
L-shaped coffee table with teak top and six oak legs, all with original finish, long sofa: 75”w x 29.5”d x 30.5”h, shorter sofa: 47”w,
corner cabinet: 42.5”w x 42”d x 32”h, coffee table: 61”w x 34.5”d x 19”h, wear to cushions, good original condition 500-700
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962.
963.
1950s nesting tables, style of McCobb, three, rectangular tops with
white laminate surface, ebonized legs with tapered cross-stretchers,
unsigned, large: 32.5"w x 25.5"d x 21.25"h, good condition 200-300
965.
966.
182
Burke dining chairs, four, in the Style of Saarinen, one yellow seat cushion,
original finish, signed, 20.5”w x 20”d x 31.5”h, good condition 200-300
964.
Donald Drumm coffee table base, USA, cast aluminum,
no top, 31.25”dia x 15”h, very good condition 200-300
Midcentury coffee table, maker unknown, solid wood frame with metal supports and a metal grid
layer, original glass top, unsigned, 61”w x 24”d x 17.5”h, chip to glass, very good condition 400-600
Thonet armchairs, pair, molded oak plywood, painted white finish, padded cushions with geometric 967.
black and white upholstery, 26.5”w x 26.5”d x 40”h, excellent restored condition 300-400
Thonet armchair, molded oak plywood, original
finish, signed with Thonet label, 26.5”w x 26.5”d
x 40”h, very good condition 100-200
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968.
Kai Christensen nesting tables, set of three, teak, smallest with a
caned shelf, original finish, largest: 25.75”w × 14”d × 20.5”h, very
good condition 200-300
969.
Danish magazine rack, rosewood frame supports a canvas sling,
original finish, signed with Bent Silberg’s Mobler Denmark label, 18”w
x 18.25”d x 18”h, very good original condition 100-200
970.
Dunbar style Sheaf of Wheat occasional table, 1960s, walnut base,
removable travertine top, unsigned, original finish, 21”dia X 20.5”h,
excellent condition 200-300
971.
John Keal coffee table, attribution, by Brown-Saltman, walnut
divided top slides open to reveal a black surface, unsigned, fully
open: 88″w, closed: 66″w × 24″d × 16″h, original finish, very good
condition 300-500
972.
973.
183
Erik Buck dining chairs, four, rosewood, high-back forms with original tan faux leather
upholstery, unsigned, original finish, 18"w x 22"d x 39"h, very good original condition 400-600
Moller dining table, Denmark, oak legs support a teak top, two pull-out leaves are stored under the top, original
finish, unsigned, 51”w x 35.5”d x 25.5”h, open: 93”w, some wear to top, good original condition 400-600
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20th Century Art & Design
Galleries
Treadway Gallery, Inc.
2029 Madison Road
Cincinnati, OH 45208
(513) 321-6742
Fax: (513) 871-7722
e-mail: info@treadwaygallery.com
John Toomey Gallery, Inc.
818 North Boulevard
Oak Park, IL 60301
(708) 383-5234
Fax: (708) 383-4828
e-mail: info@johntoomeygallery.com
Arts & Crafts Department
John Toomey
708-383-5234
john@johntoomeygallery.com
Don Treadway
513-321-6742
info@treadwaygallery.com
Fine Arts Department
Joe Stanfield
Lucy Toomey
joe@johntoomeygallery.com
lucy@johntoomeygallery.com
708-383-5234
708-383-5234
Modern Design Department
Lisanne Dickson
708-383-5234
lisanne@johntoomeygallery.com
Auctioneers
Jennifur Condon • Kevin Mannella • Lucy Toomey
Directions
Accounting
Anne Dickinson
708-383-5234
anne@johntoomeygallery.com
Absentee & Phone Bidding
Lucy Toomey
708-383-5234
lucy@johntoomeygallery.com
Shipping Information
Colleen Trimarco
708-383-5234
colleen@johntoomeygallery.com
The auction is being held at 818 North Boulevard (not to be confused
with North Avenue) in Oak Park, a suburb of Chicago.
By automobile from the East; take I-90/94 to 290 West Eisenhower
X-way to Exit 21B, Harlem go north (right) to North Boulevard,
take a right to 818 North Boulevard.
By automobile from the South; take I-57 or I-55 to I-294 (Tri-State
Tollway) continue north until you come to I-290 (Eisenhower xway) go east on I-290 to Exit 21B, Harlem Avenue, go north (left)
approximately 10 blocks under viaduct to North Boulevard, take
right to 818 North Boulevard.
By automobile from the West; take I-80 or the East-West Tollway
to I-290 (Eisenhower x-way) go east on I-290 to Exit 21B, Harlem Avenue, go north (left) to North Boulevard, take right to 818
North Boulevard.
By automobile from the North; take I-90 East to I-294 South, to
I-290 (Eisenhower x-way) go east on I-290 to Exit 21B, Harlem
Ave., go north (left) to North Boulevard, take right to 818 North
Boulevard.
Drew Affeld
708-383-5234
drew@johntoomeygallery.com
Shipping/Staff
Kevin Mannella • Marty Uribe
Bob Yuro • Drew Affeld
708-383-5234
Photography
Tom Vogel
513-321-6742
tom@treadwaygallery.com
Catalog Design • Layout • Production
Carrie White • Shannon Barnes • Dave Warren
513-321-6742
Advertising & Website Development
Dave Warren
513-321-6742
dave@treadwaygallery.com
Treadway Gallery Internet
Check our site on the World Wide Web
for the latest information:
http://www.treadwaygallery.com
Catalog price - $35.U.S., $45. Foreign
Photos: All Rights Reserved ©2012 Treadway Gallery
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TERMS OF SALE: Cash or check with positive I.D. Auctioneer determines the highest bidder and resolves any disputes. All purchases are subject to
state tax unless buyer has proof of exemption or merchandise will be shipped out of state, other than Ohio, no exceptions. Buyers premium is 22%,
if bidding by phone or absentee directly through the Gallery, if bidding via internet buyers premium is 25%. Forms of payment accepted; Check, Money Order,
Bank Wire, Amex, Visa or MasterCard, please note; there is an additional 2.5% added to your premium if paying by credit card. If you are a resident of Illinois
or Ohio, OR are picking up your purchase at our gallery, you must pay sales tax unless you have a valid tax ID number.
Jurisdiction: Buyer agrees that the state and federal courts in Hamilton County, Ohio or Cook County, Illinois shall have exclusive jurisdiction over all
matters arising out of the Buyer’s purchase of items from Treadway/Toomey Galleries, and that service of process in any such proceeding shall be effective if
mailed to Buyer at the Buyer’s address supplied to Treadway/Toomey Galleries.
Late Payments/Default Rates and Fees: If any payment is not paid when due or within 10 days thereafter, or if Buyer defaults in its dealings with Treadway/
Toomey Galleries or breaches Buyer’s obligations, Buyer agrees to pay to Treadway/Toomey Galleries all damages and attorneys fees and expenses, together
with interest at the highest rate allowed by law or 21 percent per annum. Treadway/Toomey Galleries may impose, and purchaser agrees to pay a monthly
storage charge of 1.5 percent of the purchase price as well as a monthly interest charge of 1.5 percent for any lot or item not paid for or removed by purchaser
within 10 days of the sale. Treadway/Toomey Galleries shall have no liability for any damage to property left on its premises after the date of sale. In addition,
Treadway/Toomey Galleries may charge such damages, costs and expenses to any credit card that Buyer has identified to Treadway/Toomey Galleries and
Buyer hereby authorizes Treadway/Toomey Galleries to do so.
Delivery to any location other than auction site carries a transportation charge.
••• Please read our guarantee carefully •••
OUR GUARANTEE: We guarantee the authenticity of every item that we sell for 30 days after the auction, except those lots listed as: “in the
style of”, “attributed to”, “the school of”, “in the manner of”, or “after”. We are not responsible for errors or omissions in the catalog, or in written or oral
condition reports. All measurements are approximate. We make every effort to accurately describe our merchandise, but in the event that errors occur, we cannot
be held responsible. It is the bidder’s sole responsibility to be well-informed before bidding. We sell clocks, lamps, and all electrical items only for their decorative
value. They are not represented to be in working order, but they may be. Bidding in our auctions indicates that you accept these terms and any announced the
day of the sale. Shipping costs are non refundable.
Ceramics offered in this sale are free of repairs, chips or cracks post production unless noted in the description of each lot. Our term “mint” refers to the object
being in the same condition that it was in when originally produced. Sizes are approximate. Crazing, surface scratches, firing lines, bubbles, glaze crawls, stilt
marks, firing flaws and base flakes will be noted if we feel that they are objectionable. Many of these flaws may have occurred when made. Most ceramics can
be crazed, we generally will not mention it. Many producers have ground the bottom of their vases causing minute chips or flakes. Unless we feel that they are
objectionable, they will not be mentioned. Grueby and other makers of carved pots or those with high relief will often have flakes on edges of the leaves or points
in high relief, we will only mention anything we feel objectionable and will still consider these pieces to be mint. Clewell is copper-clad and patinated; this patina
occasionally has small flakes, we mention any we feel is significant. Some framed tiles or plaques may have chips which are hidden by their frames. We will not
be responsible for their disclosure unless we feel it is significant. Some pieces will be dirty or stained, this will usually not be mentioned. In any case, if you are
particular about minor flaws, you should examine pieces in person or have our staff answer any questions. Please ask questions before you buy.
Furniture has its original hardware and wood unless otherwise noted. Finishes and marks are carefully described. Some original finishes have minor restoration
such as added color or a recoating. We will describe to the best of our ability, but it is the buyers responsibility to obtain an in depth description. The wood is oak,
unless otherwise stated, and the dimensions are approximate. The furniture is old and over the years has acquired a few dents, drink rings, separations, burns,
chips and assorted flaws. We will only mention those that we feel are objectionable. When we describe a piece of furniture as being in “excellent condition”, it
generally implies that the finish is original and the structure is in fine shape. A piece that has been totally or partially refinished and is in good structural shape
will generally be described as being in “very good condition”. A piece that needs to be refinished or that has a less than stable structural state (i.e. needs gluing,
redoweling, etc.) may be generally described as being in “good condition”. The majority of this furniture is ready to be put in the home.
Carpets, Rugs and textiles will be described on their overall condition. A piece that is without holes or major wear, but needing minor side or end repair will
be described as in excellent condition. Pieces containing reweaves, re-piling or other professional repairs will be described as in very good condition. Pieces
with wear or flaws and possibly needing repair will be described as in good condition. Certain pieces are rare in any condition and may be described as good
condition regardless of appearance.
Lamps will be described based on patina and condition of glass. Leaded lamps may have cracked segments, most will. Some parts may have been replaced
through the years, and we will mention it if we feel objectionable. Shades with mica may contain minor flaking or burn spots that will be mentioned if we feel
objectionable.
Metalwork will be described based on patina and the condition of the object. Dents, scratches, wear and assorted flaws will be mentioned if we feel that they
are objectionable. A piece with original patina, free of major dents or scratches usually will be described as in “excellent condition”.
Art Glass will sometimes contain air bubbles, surface scratches, lines in the making and chips to the pontil. We will mention anything that we feel to be objectionable. Some glass may be ground at the factory causing minor chips or flakes. We will mention anything we feel to be excessive. Discoloration on the interior is
usually present when originally produced and will not be noted unless we feel it is excessive.
Paintings, Drawings, Prints and Bronzes. We guarantee objects to be an authentic work by the artist listed. Any and all information listed in the catalog that is
not printed in bold type is given to the best of our knowledge, is merely our opinion, and is not guaranteed to be correct or authentic. We make every effort to
insure that all artwork is authentic and is represented accurately. If the authenticity of a purchased object is contested, it must be made known to us within 30
days of the sale. 1) A written letter from a noted authority presented to us, declaring the object to be executed by someone other than the artist listed. 2) This
authority has no vested interest in the artist's work or the estate of the artist. 3) The object is returned to us in the same condition in which it was purchased. The
purchase price will be refunded only; there will be no compensation for damages, loss of profit, professional fees, transportation or any other costs.
If you have any questions regarding the condition, we would be happy to provide an opinion of the condition, but all works are sold as viewed. If a work is in
obvious need of repair, or has obvious imperfections, we will attempt to note it in the description. If a painting is excessively dirty, we will attempt to note it in the
description; however, we do not feel that the normal darkening of varnish over years is problematic, and it will not be noted in the description. If you would like
for us to give our opinion regarding whether or not a work needs to be cleaned, please contact us. We believe it is important for you to know the condition of
a work before you bid on it. We strongly recommend that you personally inspect potential purchases before the sale, or have your representative inspect it on
your behalf. If this is not possible, we urge you to call us for a detailed verbal or written condition report. This report is not a professional conservator's evaluation, but is given to the best of our opinion.
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CONDITION REPORTS: It is the buyer’s sole responsibility to be knowledgeable about the condition of the property before bidding. We are
open for preview the week prior to every auction, or by appointment. We encourage you to visit and inspect all lots at this time. If you cannot personally
examine items, we encourage you to call, e-mail or fax us your condition report requests prior to the sale. Our staff will give you our opinion of condition,
answer any questions, and send photos if necessary. This information is solely our opinion and is not to be relied on as representations or statements
of fact. It is the buyer’s responsibility to be aware of all conditions, addendums, and corrections before the sale. Condition Reports for the auction are
obtainable by contacting the John Toomey Gallery at 708-383-5234, they would be happy to assist you with detailed reports and photographs. Also,
all secondary condition reports are listed on our website at the top of each online catalog page. There is a button that says "Condition Reports" that
when clicked on, serves as a link to a lot numbered list of reports. Finally, we do our best to place a condition report with every lot listed on Artfact.
PREVIEW:
We will have a preview of the items offered in this sale, at the John Toomey Gallery, 818 North Blvd. in Oak Park, on the following
dates: Saturday, February 25, 2012 10:00 a.m. - 5:00 p.m., Sunday, February 26, 2012 CLOSED, Monday, February 27, 2012 10:00 a.m. 5:00 p.m., Tuesday, February 28, 2012 10:00 a.m. - 5:00 p.m., Wednesday, February 29 2012 10:00 a.m. - 5:00 p.m., Thursday, March 1, 2012
10:00 a.m. - 5:00 p.m., Friday, March 2, 2012 10:00 a.m. - 5:00 p.m., Saturday, March 3, 2012 10:00 a.m. - 5:00 p.m.
Also open by appointment when available. We're glad to offer an advance preview, usually for six weeks prior to sale date on most of the items in
this sale to benefit those traveling through Chicago or for those who may find it inconvenient to preview at our normal times. Call for an appointment
if you wish to arrange special viewing or evening viewing and we will try to accommodate you; contact John Toomey or Anne Dickinson at (708) 3835234 in Oak Park. We extend this courtesy to all our clients but request an advance phone call to make arrangements.
ESTIMATES: Our price estimates are purely that, an estimate, reflecting the range in which the price may fall. This should give buyers an idea
of what they should bid in order to have a good chance of being successful. In some cases the price range may be wider than others, due to the
uniqueness of the individual piece. A few items have reserves. We implement them to offer items that may not have been available without them. You
will find that few of the pieces offered have reserves. In most instances, the reserves will be less than the low estimate.
ABSENTEE BIDS/PHONE BIDS:
If you can't attend our sale, it is quite easy to get involved. You can bid over the phone during the sale or
leave bids which will be executed by one of our representatives in the audience. When leaving a bid the only disadvantage you have is that you can't
advance your bid as you might if you were there in person. Your bids are executed as though you are there in person. We get you into the bidding at
the first opportunity to insure your chance of being successful at the lowest price. Because of this, the lot may sell for your highest left bid, but not to
you because you were "in" at the previous bid.
We respectfully ask that you refrain from calling during the auction to set up phone or leave absentee bids, as we use these lines to make
calls to pre-arranged phone bidders. Advance arrangements are crucial to insure your bids will be handled without problems.
Note: Please try to send in absentee bids and/or arrangements for phone bidding to us as early as possible. We have a limited number of
phone lines available, and they do fill up very quickly, so make arrangements early to insure yourself a line. We cannot guarantee you will get a line if
you make arrangements later than 5:00 p.m. (EST) on the Friday prior to the sale. Also, please remember we prefer to avoid phone bidding on items
estimated under $500. Be sure absentee bids are given in the correct increments (see chart below). Keep in mind, when tie absentee bids come
in, we will honor the first one received. However, absentee bids have an equal chance of being successful as do telephone or in-person bids and in no
way take precedence. Again, please mail, fax or phone in absentee bids prior to 5:00 p.m. (EST) on the Friday prior to the sale, as we cannot guarantee
execution after this time. If you mail your bids in, to avoid confusion, please do not also fax them (and vice versa). If you wish to confirm that your bids
were received, please phone us. If you phone in to make additions to left bids, be sure you mention that you've already left bids. Call Janet Rogers in
Cincinnati with any questions concerning absentee bids or phone bidding. NOTE: PLEASE DO NOT CALL FOR RESULTS OF SALE THE MONDAY
AFTER THE AUCTION. WE WILL BE HAPPY TO ASSIST YOU AFTER ALL INFORMATION HAS BEEN CHECKED FOR ACCURACY.
AUCTION INCREMENTS: We use the following increment multiples at our auctions. When leaving absentee bids, please
make sure your bids fall within the proper increments. This is crucial to the success of your bids. If your bid is out of
increment, we will drop it down to the closest increment.
0-500
500-1000
1,000-3,000
$25. increment
$50. increment
$100. increment
3,000-5,000
5,000-10,000
10,000+
$250. increment
$500. increment
$1000 increment or auctioneer's discretion
DELIVERY: We use the safest and most economical methods that we are aware of to deliver purchases. You can obtain estimates for shipping
prior to the auction by providing us with a full shipping address and lot(s) you are interested in purchasing. Domestic shipping quote requests must
be received three business days prior to the sale; international quote requests must be received five business days prior to the sale. A single piece
of furniture shipped within the US will range from $200-600 before insurance; a piece of pottery or glass of average size costs $35-60 before insurance; an average sized framed painting will range from $55-95 before insurance. All furniture delivery quotes are for delivery to a first floor or elevator
building. Oversized items can cost significantly more to ship. All items are shipped fully insured, unless the buyer sends a signed waiver. If you have
questions about the shipping or delivery cost of any item please inquire. The buyer is free to make his or her own shipping arrangements. Treadway/
Toomey Galleries are not responsible for items that are damaged in any way by shippers. If a problem arises, all claims must be settled between
the buyer and the shipper.
CONSIGNMENTS WANTED
CONSIGNMENTS WANTED
We are seeking fine quality consignments for our auctions. We will match or beat anyone's consignment rate for better items. Check with us before going elsewhere; you will be glad you did. We are
not limited to our geographic area and can easily arrange shipment of any item. Call or write for a
proposal. We are very interested in buying a single piece or any entire collection. Please call us if
you have anything to consign or sell.
187
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20th Century Art & Design Auction
December 4th, 2011 • Sale Results
* The prices listed do not include the 20% buyers premium. Results are subject to change.
1 Gustav Stickley desk, #706 8000
2 Gustav Stickley screen, #91 2500
3 Gustav Stickley china cabinet 3750
4 Gustav Stickley chest of drawers, #902 6000
5 Gustav Stickley beds, pair, #923 4000
6 Benedict Studios hanging fixture, attribution 2500
8 Gustav Stickley settee, #226 4000
9 Gustav Stickley plaque, #347 2000
10 Good Gustav Stickley mantle clock, 9000
11 Gustav Stickley wastebasket, #94 1700
12 Gustav Stickley coal bucket, #351 7000
13 Gustav Stickley floor lamp, #500 3500
14 Gustav Stickley night stand, #642 1300
15 Gustav Stickley cellarette, #88 1300
16 Gustav Stickley bookcase, #717 10000
17 Gustav Stickley armchair, #320 1000
18 Gustav Stickley armchair, #366 300
19 Roycroft footstool, recovered leather top 1000
20 Gustav Stickley lamp table, #654 900
21 Gustav Stickley lamp table, #607 1400
22 Roycroft lamp, #907 17000
23 Gustav Stickley desk, #550 6000
24 Gustav Stickley Morris chair, #346 950
25 Gustav Stickley Morris chair, #346 1400
27 Gustav Stickley sewing rocker, #303 175
29 Dirk Van Erp lamp 12000
30 Gustav Stickley side chair c. 1903 Harvey Ellis 12000
31 Roycroft china, group of fourteen pieces 1600
32 Roycroft china, group of thirty-seven pieces 2300
33 Gustav Stickley chafing dish stand, #352 3500
35 Gustav Stickley tray, #355, oval 950
36 Gustav Stickley candlestick, #74 475
37 Dirk Van Erp candlesticks, pair 2700
38 Grueby tile trivets, two 1700
39 Gustav Stickley twelve tile tea table 15000
41 Roycroft candelabra, #419 600
42 Gustav Stickley copper table articles, group of four 700
43 Roycroft candle holders, pair 1000
44 Roycroft lamp base, #914, with a Steuben shade 6000
45 Roycroft syrup jugs, set of six 200
46 Roycroft lamp, #906 1100
47 Gustav Stickley book rack 700
48 Roycroft frame, triptych form 1700
51 Heywood Wakefield wastebasket 550
52 Gustav Stickley umbrella stand, #382 2300
53 Good Gustav Stickley armchairs, pair, #318 3000
54 Roycroft Little Journeys stand 600
55 Gustav Stickley magazine stand, #72 1400
56 Stickley Brothers magazine stand, #4702 800
57 Teco vase, #85, designed by W.J. Dodd 8500
58 Tiffany Studios/Wheatley Pottery lamp 7500
59 Teco vase, shape #155 2900
60 Arts & Crafts clock, combined with shelf 275
61 Teco vase, shape #60B Orn, W. D. Gates 600
62 Teco vase, #287, designed by W.B. Mundie 1200
64 Arts & Crafts Morris chair 700
65 Stickley Brothers child’s chair 100
66 Stickley Brothers armchair, tall back 350
67 Arts & Crafts chairs, pair, Prairie School design 400
68 Arts & Crafts child’s chairs, two 75
69 Stickley Brothers rocker, #891 350
70 Arts & Crafts office chair, slatted back 250
71 Stickley Brothers sewing rocker, #933 100
74 Rookwood vase, Iris glaze 4250
75 Liberty & Company clock 3000
76 Liberty & Co. bowl, double handled form 1500
77 Weller Sicard vase, bulbous shape 1200
78 Bradley & Hubbard lamp, attribution 450
79 Arts & Crafts pillow, design of red roses 375
80 Arts & Crafts pillow, design of flowering trees 450
81 Pittsburgh lamp, bronzed metal base 375
82 Heintz frame, applied US military symbols 125
83 Teco vase, #266, designed by W.B. Mundie 1500
84 Arts & Crafts pillow, design of yellow roses 550
85 Teco vase, #432, designed by W.D. Gates 1300
86 Silver Crest vase 225
87 Arts and Crafts library table 600
88 Heintz vase #3641 250
89 Gustav Stickley secretary, designed by Harvey Ellis 27000
90 Teco tray, #307, designed by W.D. Gates 275
91 Jarvie Art Nouveau candlesticks, pair 2600
92 Arts & Crafts charger, hammered copper 475
188
93 Heintz humidor, design with a dog and AP&PA 600
94 Arts & Crafts fire fender 300
95 Heintz humidor, in bronze 400
96 L & JG Stickley bookcase, Onondaga Shops 2400
97 Roycroft tall pedestal, #080 8500
98 Charles Rohlfs desk chair, tall back 8500
99 Gustav Stickley desk, paneled front 2500
100 Gustav Stickley chairs, set of six, #1303 6000
101 Gustav Stickley library table, #653 3000
102 Van Briggle vase, c. 1907-1912, Dos Cabesos 2500
103 Rookwood vase, with stylized animals 1300
104 Arequipa vase, gray and brown matte glaze 900
105 Rookwood jardiniere, cherry design 175
106 Rookwood handled vessel, Limoges 175
107 Rookwood vase, leaves and berries 100
108 Rookwood Faience floor vase #467 2500
109 Cincinnati Art Carved easel 425
110 Rookwood Faience floor vase #467 3250
111 Liberty & Co. dish 900
113 Heintz compote, sterling on bronze 150
114 Heintz vase, attribution, 125
115 George Frost match safe, oval shape 425
116 Liberty & Co. box, pewter 850
117 English Arts & Crafts mirror 1500
119 Liberty & Co. clock, Tudric 1200
120 Royal Doulton bowl, very large 1500
121 Liberty & Co. teaspoons, set of six 750
123 L & JG Stickley sideboard, #735 4500
124 Gustav Stickley server, #818 1400
127 Arts & Crafts table, circular top 500
128 Gustav Stickley trestle table #401 1500
129 Arts & Crafts lamp, pyramidal shade with green 325
130 Dirk van Erp lamp, riveted shade 30000
131 Rohlfs candle stand, tall 9500
132 Marblehead vase, bulbous shape 325
133 Marblehead vase, low shape 225
134 Marblehead vase, cylindrical shape 500
135 Marblehead vase, shouldered shape 375
136 Van Briggle vase, c. 1916, double handled form 225
137 large Marblehead vase, bulbous shape 2000
138 Rookwood lamp, tapered pottery base 2600
139 Limbert table, #120, octagonal top 3500
140 Limbert table, #158, double oval 6000
141 Limbert pedestal, uncataloged form 4000
142 Limbert table, #146, oval top 2200
143 L & JG Stickley settle, Prairie form 1200
144 L & JG Stickley dining chairs, set of six 2400
146 Pewabic vase, double handled shape 1500
147 Marblehead vase, slender form 900
148 Roseville Crocus vase, light blue 400
149 Pewabic vase, small shape 200
151 Marblehead vase, bulbous form 450
154 Marblehead vase, large form 700
155 Heintz vase #3621B 550
156 Arts & Crafts plates, pair, hammered copper 275
157 Heintz vase, #3688 350
158 Silver Crest vase #B1023 175
159 Heintz vase #3581A 325
160 Dedham Pottery plate, water lily 75
161 Jarvie bookends, pair 375
162 Jarvie plate, in hammered sterling silver 650
163 Heintz vase #3659C 250
164 Heintz vase #3798B 325
166 Heintz vase #3592A 275
170 Rookwood handled vessel, detailed berry design 350
171 Rookwood vase, cherry blossom design 650
172 Rookwood vase, relief design of an iris 250
174 Rookwood vase, stylized fuchsia design 425
175 Rookwood vase, Venetian scene 2000
176 Rookwood jardiniere, Arts & Crafts geometric design 375
179 Gustav Stickley umbrella stand, #54 550
180 Gustav Stickley chair, c. 1901, three vertical slats 1800
182 Gustav Stickley bed, #912 3000
184 Gustav Stickley chest of drawers, #621, c. 1902 6000
185 Kalo goblets, pair 550
187 Charles Binns vase, bulbous hand-thrown shape 1500
188 Pewabic vase, unusually large bulbous form 1600
189 Arts & Crafts lamp with green slag glass 250
190 Arts & Crafts dresser mirror 300
191 Arts & Crafts lamp bronze base with tree motif 1600
192 Gustav Stickley footstool, #729 750
193 Gustav Stickley tea table, #604 800
w w w . tr e ad w ay g a l l ery .c om
RESULTS - December 4, 2011 - Hammer Prices
194
195
196
197
198
199
200
201
202
203
204
205
206
208
209
210
211
212
213
214
215
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
244
245
248
249
250
251
252
253
254
255
256
258
261
262
263
264
265
266
267
268
269
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
189
Stickley Brothers footstool, recovered leather seat 250
Stickley Brothers magazine stand, #4743 700
Limbert magazine stand #304 1200
Arts & Crafts magazine stand, caned sides 300
Handel floor lamp, harp base 475
Limbert cube chair, with three vertical slats 4500
Limbert wash stand, copper top 2800
Stickley Brothers coat rack, #187 600
Gustav Stickley silverware chest, in chestnut 4000
Jervis handled vessel painted ducks 300
Roseville Futura vase in red 150
Norse bowl, footed shape 100
Weller Etna mug with a Weller Etna vase 125
Weller Louwelsa vase with Weller Louwelsa vase 150
Roseville Futura vase, in brown, blue and green 375
Roseville Futura vase, unusual green glaze 450
Roseville Futura vase with green leaf design 275
Roseville Futura vase, green with flame design 700
Roseville Futura vase, red with geometric design 150
Roseville Futura vase, brown with green geometric design 550
Gustav Stickley table, c. 1901, dramatic design 8000
Dirk Van Erp lamp, riveted three-panel mica shade 26000
The Art that is Life poster 150
Harden table, thru-post top 1000
Arts & Crafts textile, stylized pine cone 250
Roycroft bowl, footed form 1100
Old Mission Kopperkraft bowl, made by hand 450
Stickley Brothers telephone stand and chair 650
Grueby fountain tile, large diamond shape 350
Malibu Pottery tile, floral design 100
Arts & Crafts textile, lace border 175
Arts & Crafts desk, two drawers and letter rack 450
Arts & Crafts textile, brown and pale blue 175
Gustav Stickley book rack, #74 2500
L & JG Stickley lamp table, #542 2200
Shop of the Crafters side chairs, pair, #320 1300
Weller Rhead Faience vase, geisha 1500
Weller Aurelian vase, painted poppy 500
Weller Rhead Faience, figure holding an instrument 700
Saturday Evening Girls vase, yellow 275
Newcomb College vase, with moss-laden trees 1200
Wheatley vase, green matte glaze 475
Roseville Chloron handled vessel 150
Weller Rhead Faience vase, tall w/ geisha 3500
Owens vase, large double handled 275
Arts & Crafts print, titled Herta Zuckermann 200
Lilian Miller woodcut Rain Blossoms, 1200
Arts & Crafts clock, riveted hammered copper 750
Charles W. Bartlett, woodcut Kobe, 600
Arts and Crafts dining chairs, set of five 650
Stickley Brothers dining table, Prairie School design 2900
Michigan Chair Company table, octagonal top 600
Roseville Mostique jardiniere, huge 250
Niloak Missionware floor vase 700
Fulper vase, Cucumber glaze 600
Russell Crook vase family of moose 18000
Teco vase, #273 2800
Teco vase, #173 4250
important Rookwood plaque, Mountain Lake, 17000
Stickley armchair, #354 -A, V Back 1400
Arts & Crafts Morris chair, bow-arm form 2000
Gustav Stickley side chair, #354, V back 400
Arts & Crafts lamp table, Prairie influenced 500
Gustav Stickley rocker, #2603 800
Stickley Brothers lamp table, similar to #2684 600
Fred Brosi tray, attribution 200
Arts & Crafts mirror, with hooks 700
Rare Teco vase, #184 1700
Teco vase, #336 900
Teco vase, #51 300
Teco bowl, #341 1600
Teco vase, #150 750
Teco vase, #428A 1500
Teco vase, #435 900
Teco vase, #447 1000
Rookwood vase, Wilhelmine Rehm in 1934 500
Arts & Crafts textiles, pair, fruit 275
Rookwood vase, sea horse 325
Group of 3 Weller Louwelsa 150
Arts & Crafts textiles, pair, 43.5w x 106l 275
Rookwood vase, fish designs 225
Arts & Crafts textiles, pair, 47w x 117l 300
Rookwood vase w/ Rookwood wall pocket 225
Arts & Crafts textile, tree designs 275
Rookwood vase #881E 100
Handel desk lamp three glass panels 1500
Roycroft sconces, pair 325
Heintz desk lamp #5501 500
Silver Crest vase #1010 400
Roycroft bookends, pair with rope design 200
293
294
295
298
299
300
301
302
303
304
307
309
310
311
312
313
314
315
317
318
320
321
322
323
324
325
326
328
329
330
331
332
333
335
336
337
338
339
340
341
342
343
344
345
347
348
349
350
353
354
355
356
359
360
361
365
366
369
370
371
372
373
374
375
377
379
380
381
382
383
384
385
386
387
388
390
392
394
395
396
397
398
400
401
402
403
405
406
409
410
Heintz vase #6596 375
Handel lamp, pine needle designs 2500
Fulper lamp, green crystalline glaze 1300
George Ohr vase, charcoal glaze 550
Forest Craft Guild blotter ends 175
Navajo rug, serrated diamond pattern 550
Lifetime bookcase, similar to #7630 1100
The Greatest Mother in the World, vintage poster 225
California tile-top table, eight tiles, bird 75
Arts & Crafts table, wrought iron base 100
Edward Sheriff Curtis In Black Canyon, 1500
Mono Lake Paiute coiled basket 600
California coiled basket, possibly Mission 425
Northwest California twined basket 500
Edward Sheriff Curtis The Piki Maker, 2400
Northwest California twined basketry hat 7.5w 425
Northwest California twined basketry hat 6.75w 425
Tlingit basket, cylindrical shape 500
The Arts & Clay Co. tile, tile: 9w x 11h 425
Common Ground Pottery vase, mushrooms 275
Common Ground Pottery vase, cats 450
Common Ground Pottery vase, grapes 350
Common Ground Pottery vase, grasshoppers 325
Common Ground Pottery, lilies 350
The Arts & Clay Co. tile, tile: 5.25w x 10.5h 275
Common Ground Pottery vase, dragonflies 375
Old Hickory style side chairs, set of four 750
Gustav Stickley armchair, #60 3250
Old Hickory style settee 275
Old Hickory style console table 600
Frank Lloyd Wright mirror, Taliesin 550
Frank Lloyd Wright sectional sofa, Taliesin 5500
Frank Lloyd Wright coffee table, Taliesin 1200
Frank Lloyd Wright dual table, Taliesin 375
Frank Lloyd Wright chair, Peacock 10000
Louis Sullivan architectural block 950
Frank Lloyd Wright poster 450
Frank Lloyd Wright dresser, 34h, shelf at top, Taliesin 1400
Frank Lloyd Wright night stand, Taliesin, script signature 425
Frank Lloyd Wright dresser, 53h, Taliesin 1100
Frank Lloyd Wright night stand, Taliesin, red monogram 550
Frank Lloyd Wright headboard, Taliesin 500
Frank Lloyd Wright club chair, Taliesin 2000
Frank Lloyd Wright ottoman, Taliesin, Coonley Weave pattern 850
Frank Lloyd Wright ottoman, Taliesin, Imperial Crystals pattern 850
Frank Lloyd Wright chest of drawers, Taliesin 1900
Frank Lloyd Wright table, Taliesin, circular slate top 2300
George Washington Maher game table and two chairs 3000
Morgan Co. hanging light, eight-sided 550
Afshar rug, floral pattern on red 350
Art Deco Chinese rug, floral and urn 48 x 70 300
Persian Bidjar rug, floral design w/ central medallion 2700
Heriz rug, floral design on red 1300
Ersari rug, geometric pattern, red 650
Arts & Crafts andirons, pair with crossbar 200
Persian Sarouk runner, floral on red 950
Persian Tabriz rug, 58 x 81, 1800
Persian Sarouk Mohajeran rug, floral on navy 750
Kerman rug, floral with central medallion 850
Persian Sarouk rug, floral on red field 375
Persian Bidjar rug, floral w/ central medallion 600
Northwest Persian runner, floral w/ central medallion 1300
Iranian rug, floral on red 2000
Kazak rug, geometric with medallions 375
Arts & Crafts window, landscape with windmill 325
Handel lamp green leaf overlay 1800
Loetz Figural vase, serpent 550
Art Glass & Metal Co. lamp, water lily design 3000
Heintz ashtray set, with an Arts & Crafts ashtray 75
Art Glass & Metal Co. lamp, wisteria pattern 2900
Handel lily lamp blossoming flower 1200
Handel lamp, attribution, pink flowers 1400
Handel lamp, attribution, green bows and pink flowers 1400
Loetz inkwell, attribution, iridescent 200
Handel lamp, attribution, red and green floral 1300
Zsolnay vase, designed by Sándor Apáti Abt 8000
Moorcroft vase, wisteria design 7h 375
Gallé vase brown, green, blue, yellow 3w x 8h 500
Gallé bowl, cameo cut maple leaf 1300
Gallé vase, miniature, green on pink 400
Gallé bowl, large, purple, green on pink 1700
Tiffany Studios Nautilus lamp 7500
Tiffany Studios lamp, base Queen Anne’s Lace pattern 4500
Tiffany Studios floor lamp, amber linen fold 9000
Tiffany Studios Counter Balance floor lamp 9000
Amphora vase, double handled with fish 125
Mougin vase, carved figural panel, white and blue 750
Emile Muller/La Grande Tuilerie d’Ivry vase 2500
Mettlach bowl, long and footed 275
Reinhold Merkelbach handled vessel, pewter lid 50
w w w . tr e ad w ay g a l l ery .c om
RESULTS - December 4, 2011 - Hammer Prices
411
412
413
414
415
416
417
418
419
420
421
422
424
426
427
428
429
430
432
433
434
435
436
437
438
439
440
441
442
443
444
445
447
448
450
452
453
454
455
457
459
460
464
465
467
469
470
471
472
476
478
480
481
482
483
484
487
492
497
498
499
501
503
506
507
509
510
514
515
518
521
524
525
526
527
528
529
531
532
533
535
538
539
540
542
543
544
546
549
553
190
WMF smoker’s set, all silver-plate 150
Art Nouveau sconce, female face 2400
Hagenauer tea service, in copper and brass 400
L.C. Tiffany bud vase, vertical ribs, iridescence 600
Georg Jensen silverware, group of sixty pieces 1600
Large Arts & Crafts tankard, copper and brass 375
Aesthetic Movement tray, hammered bronzed metal 75
Amphora Edda vase, four-handled #3623 750
Louis Riche Seated Cat, bronze sculpture 1200
Loetz Figural vase, gold glass with serpent 1400
Amphora plaque, female, with an Austrian plaque 325
Loetz Phänomen Genre 7499 vase 1100
Johann Maresch plaque, woman in a river landscape 250
Steuben vase, ruffled rim, gold aurene glass 350
Loetz Creta Rusticana vase, green iridescent glass 200
Steuben vase, ruffled rim, Verre de Soie glass 200
Loetz vase, orange, pink with blue swags 250
Gallé vase, yellow with blue Azalea design 12000
L.C. Tiffany vase 3570L, pulled feather 1900
Large Steuben vase, gold aurene 800
L.C. Tiffany vase, bronze holder 858 and 1048 900
Tiffany & Co. cigar lighter, ashtray and timepiece 600
WMF liqueur set, silver-plate 400
Tiffany & Co. opera glasses 325
L.C. Tiffany vase, opalescent glass, #217E 400
Tiffany Furnaces/Steuben lamp 2000
L.C. Tiffany vase, iridescence, 2w x 3h 350
Tiffany Studios lamp base, harp, bronze 1100
Pittsburgh lamp, attribution, glass shade with a landscape 275
Tiffany Studios lamp base, gold doré patina 800
L.C. Tiffany shade, green damascene pattern 8500
L.C. Tiffany vase, three-sided, pulled feather 17h 9000
L.C. Tiffany shade, opaque yellow and orange 4500
Amphora vase, Allegory of Russia, portrait 2400
Amphora vase, Fairy Tale Princess 1500
Gustav Klimt Cradle, halftone 800
Gustav Klimt Diptych (The Tree of Life), collotype No. 13 1000
Amphora vase, Dachsel, landscape 475
L.C. Tiffany vase 550
Amphora vase, sculpted dragon 9500
Moorcroft vase, Wisteria pattern 7.5h 250
Amphora vase, sculpted snake and leaves 300
Mazime Ewertz Two Figures, two sculptures 500
Macintyre handled vessel, leaf pattern 100
Moorcroft Florian Ware vase, blue 750
George Warren Rickey Weathervane, kinetic steel sculpture 11000
John Antrobus Early Morning View... oil 3000
Artist Unknown Standing Nude, oil 1300
Theodore Baur Untitled, oil 425
Charles Warren Eaton Nocturnal Landscape, oil 3000
Edward Loyal Field Normandy Girl, oil 475
Claude Buck Figure in Moonlight, oil 700
Robert Fletcher Gilder Landscape, oil 500
Walt Alonzo Lee Gold of Autumn, oil 300
Louis Weiner Landscape, oil 700
Herbert Cyrus Farnum Figures on a Path, oil 275
Frank Alfred Bicknell Man in Landscape, oil 1600
Artist Unknown Hillside, oil 150
Arno Bretsnyder Winter Landscape, oil 250
Artist Unknown Street Scene, oil 150
Frederick Lester Sexton Winter Landscape, oil 600
Percy B. Eckhart The Manor House, Asheville, NC, oil 425
James M. Donnell Old Sugar House at Dupois Near Rawdon, oil 75
John Hubbard Rich Portrait of Kate Millett, oil 600
Frederick Frary Fursman Nude in Woods, oil 700
Raphael Soyer Seated Nude, oil 2000
Gustave Claude Etienne Courtois, 1500
John Steuart Curry, attribution Dunavant, Kansas, pair, watercolor 500
Eduard Buk Ulreich A Flower of Spain, watercolor 600
José Clemente Orozco Female Nude, ink 3000
Paul Rahilly Portrait of a Man, watercolor 550
Paul Rahilly Landscape, watercolor, 550
Dixie Selden Boats in Harbor, oil 32500
Dixie Selden Portrait of a Lady, pastel 800
Louis Alexander Neebe Dunes, oil 1000
Rudolph T. Pen Haitian Scene, oil 125
Nell Walker Warner, attribution Boats in Harbor, oil 375
George Robert Smith, Jr. City Island, oil 300
J.J. Enwright Boats in Dock, Gloucester, oil 550
George Robert Smith, Jr. Wind Swept Breakers, oil 125
Frederic Whitaker House in the Rain, watercolor 250
Samuel David Lev-Landau Edge of Town, oil 500
Artist Unknown Ferris Wheel, watercolor 600
Artist Unknown Street Scene, watercolor 500
Artist Unknown Street Scene, watercolor 500
Lyonel Feininger Towers of St. Blaise, watercolor 16000
Maurice H. Sterne Benares Ghats, oil 1500
style of Joaquín Torres García Constructivo con Barco, oil 1000
Francesco J. Spicuzza Still Life, oil 150
Peter Moran Harvest in San Juan, New Mexico etching 225
554
556
558
559
560
561
562
565
568
569
571
572
573
576
577
580
581
583
584
585
586
588
589
594
595
597
610
611
612
616
623
625
627
628
629
630
631
633
636
638
639
640
641
642
644
645
646
649
650
651
653
654
655
656
657
658
659
660
661
663
664
666
667
669
670
671
673
676
677
678
679
680
681
682
685
686
687
688
689
690
691
692
693
694
697
698
699
700
701
702
Jefferson Stephen Ward Mountain Landscape, oil 375
Thomas Moran, group of four chromolithographs 3500
Édouard Manet Odalisque, etching 1000
Francisco de Goya La Touromaquia, etching 750
Kent Hagerman, group of three etchings 325
Grant Wood Sultry Night, lithograph 5500
Thomas Hart Benton Missouri Farm Yard, lithograph 700
Flora Itwin Schofield House and Garden, lithograph 200
Rand McNally & Co. Bird’s-eye View... sepia-toned lithograph 2100
Harry Lee Gadbury, group of three etchings 150
Artist Unknown We Eat Because We Work, color lithograph 500
Edward Penfield Join the United-States... color lithograph 425
John Gould Mecistura Caudata, color lithograph 75
Pablo Picasso Vallauris, 1964, linocut 5000
William Edouard Scott 7000
Palmer Cole Hayden New York City Street, oil 13000
Fred D. Jones, Jr Woman on the Street with Cat, watercolor 2800
David Clyde Driskell Untitled, oil 5000
Fred D. Jones, Jr. Street Performers, oil 4250
Joseph Delaney Reclining Nudes, ink 600
Robert Gwathmey Stitching, watercolor 3250
Merton D. Simpson Forms Falling, pair of watercolors 1400
Charles Henry Alston Head, mixed media 2100
William E. Artis Head, earthenware sculpture 24000
Lucy Carter Eliot Hessler, oil 950
Lucy Carter Eliot Disappearing Breed, oil 1200
Lyonel Laurenceau Portrait of a Man, oil 2700
Lyonel Laurenceau Jour de Fete, oil 1900
Lyonel Laurenceau Meditation, oil 850
Edgar Louis Yaeger Nude, oil 600
style of Alexander Calder, wire sculpture 700
Ben-Zion Weinman Prophets, pair of oils 500
Artist Unknown Lakeshore Path, oil 350
Giancarlo Cazzaniga Jazz Man, oil 1100
Benjamin G. Benno The Meeting on the Road, No. II, oil 4500
Jean Cortot Untitled, oil 2700
Hugo Weber Untitled, oil 1600
Robert Arthur Goodnough On Gray Pink, acrylic 2500
Savo Radulovic Cosmic Man, oil 500
Juan Cruz Untitled, oil 325
Remo Michael Farruggio Untitled, oil 600
Hugh Sheldon Wiley Figure, plaster 500
Richard Florsheim Night Tide, wax and oil 550
Arthur Flory Winter, gouache, crayon and sumi 300
Jimmy Ernst Tropic, oil 32500
Charmion von Wiegand #112, collage, 3000
Lazar Vozarevic Zlatno Pakovanje, mixed media 14000
Henri Robert Bresil Flamingos , oil 750
Henri Robert Bresil Flamingos , oil 650
Henri Robert Bresil Flamingos , oil 550
Ansel Adams Lake Tenaya, Yosemite National Park, silver gelatin print 300
Karel Appel Drole de Drame, color lithograph 750
Helmut Horn Carmel Tree, color photograph 1100
Kiyoshi Saito Untitled, color woodcut 425
Nicola Simbari Wall by the Sea, color lithograph 125
Pierre Alechinsky Boeuf Gros Sel, color lithograph 200
Ed Paschke Untitled, lithograph 350
Joan Miró Untitled, color lithograph 275
Chuck Close Untitled... photo print 1100
Victor Vasarely Untitled, screenprint 550
Richard Anuszkiewicz V, silkscreen 1100
Marko Spalatin Geometric, silkscreen 250
Mihail Chemiakin Untitled, lithograph 250
Mihail Chemiakin Untitled, lithograph 225
Alex Katz Corrine (Four Faces), woodcut 1100
Mel Ramos Miss Fruit Salad, color silkscreen 750
Peter Max Toulouse Lautrec, lithograph 600
LeRoy Neiman Red Goal, serigraph 550
LeRoy Neiman Ice Men, serigraph 750
Andy Warhol Fish, screenprint 4000
Jim Dine A Robe in Los Angeles, litho 2300
Jim Dine (Oo La La) Gangway Birdseed, litho 400
Andy Warhol Lincoln Center Ticket, silkscreen 2300
Jim Dine (Oo La La) Peoria Pig, litho 400
Paul Frankl console, cork top, oak base 950
Gilbert Rohde coffee table, round glass top 600
Gilbert Rohde china cabinet, model 3321 3250
Gilbert Rohde bar cart, model 3321 1200
Gilbert Rohde sideboard, model 3321 4250
Gilbert Rohde dining chairs, set of six 1800
Gilbert Rohde dining table, curved stretchers 2600
Gilbert Rohde cabinets, pair, model 3626 and 3627 2000
Peter Muller-Munk Normandie pitcher 2000
Manning Bowman thermos, light green enameled 750
René Coulon radiator, textured glass 1000
Hoffmann/Wiener Werkstatte wallet 450
K.E.M. Weber lounge chairs, pair 6500
Grosfeld House console table, wood frame 425
Wolfgang Hoffman console or vanity table 1000
Eileen Gray Bibendum chair, black leather 600
w w w . tr e ad w ay g a l l ery .c om
RESULTS - December 4, 2011 - Hammer Prices
704
705
706
707
708
709
710
711
712
713
714
719
721
722
723
725
726
727
728
730
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
749
753
754
755
756
757
758
760
761
762
763
764
765
766
767
768
769
771
772
773
776
777
779
780
782
783
784
786
787
788
790
791
792
793
794
795
797
800
801
803
804
805
807
810
811
812
814
815
816
817
818
820
821
823
824
191
Angelo Mangiarotti bowl and platter, two pieces 300
Paul Mayen table lamp, opaque white 400
Angelo Mangiarotti vases, two, marble 800
1960s floor lamp, white aluminum shade 400
Le Corbusier LC/4 chaise, serial no. (25261) 900
Le Corbusier LC/3 chair and sofa 1300
Midcentury chair, brown and white cowhide 700
Le Corbusier LC/2 sofa, black leather 900
Arthur Court sea lion champagne/ice bucket 1000
Le Corbusier LC/1 Basculant chairs, pair, cowhide 1200
Mies van der Rohe MR dining chairs, four 900
Nice Peter Voulkos Production Ware vase 1000
Ted Randall covered vessel 900
Robert Turner vase, gourd shape 3500
Robert Turner vase, gourd shape in bisque 2400
Robert Turner covered vessel, large 450
John Gill teapot, contemporary 1300
John Gill vase, contemporary 900
Art Pottery bowl, unknown 25
W.M. & C. Daley bowl, contemporary 4000
Raymond Loewy DF 2000 valet cabinet 34h 1500
Raymond Loewy DF-2000 cabinet 30.5h 1800
Verner Panton chairs, set of four 600
Verner Panton chair, molded white 175
Verner Panton Phantom chair 300
Giancarlo Mattioli Nesso table lamp 275
Torino robot lamps, two 2300
Verner Panton Bachelor chairs, pair 650
Wendell Castle Molar chair 1900
Eero Aarnio Pastille chair 375
Lars Gören-Nilson ‘Avanti 70’ cabinet 425
Cesare Lacca bar cart, walnut and brass 475
Barovier table lamps, pair 600
Franco Albini stool, rattan 300
Marco Zanuso Lady chair, gold wool 1200
Aldo Tura bar cart, red-stained parchment 800
Marcello Fantoni clown figure, 225
Warren Platner coffee table, nickel-plated wires 600
Angelo Testa paper art object 650
Warren Platner lounge chairs, pair 1500
Warren Platner lounge chairs, pair 1300
Laurel floor lamp, polished brass 325
Florence Knoll lounge chairs, pair 1200
Nessen floor lamps, pair 600
Eero Saarinen dining table 2100
Eero Saarinen Womb chairs, pair 2000
Harry Bertoia chairs, four 850
Ross Lovegrove desk/table, thick glass 750
Laurel floor lamp, white base 500
Fritz Haller cabinet, open shelving, green 800
Fritz Haller cabinet, open shelving, green 600
Verner Panton chairs, four, bright green 500
Ray Wilkes sofa, charcoal gray 125
Ray Wilkes chairs, pair, charcoal gray 700
Akio Takamori ceramic vessel sculpture, female 6500
Emanuele Terzani tiles, two 75
James Makins pitcher, white porcelain 100
Toshiko Takaezu bowl, brown glaze 225
Val Cushing bowl, 10w 250
Rose Cabat Feelie vase, bulbous 1100
Vivika & Otto Heino bowl, large 300
Harry Nohr turned wood bowl 800
Natzler bowl, #C901, flaring form 1200
Harrison McIntosh vase, large tapering 2000
Beatrice Wood vase, cylindrical 900
Alessio Tasca sculpture 500
blue, Timo Sarpaneva Kotilo bowl 500
red, Timo Sarpaneva Kotilo bowl 500
Robert Willson glass sculpture, 500
Venini battuto Canoa (canoe) bowl 750
Vistosi Murano glass table lamp 400
Marcel Wanders for Cappellini table lamp 425
Gucci glass bowls, set of six 800
Timo Sarpaneva Kotilo vase green 750
Philippe Starck Bloodmoney chair 250
Wharton Esherick stool 5000
Mira Nakashima Conoid chairs 3000
Henning Koppel Caravel Sterling Silver flatware 5500
Venini latticino salt and pepper bowls 150
Gio Ponti for Venini glasses, eight 900
Venini Handkerchief vase, clear 200
Venini vase, double incalmo form, signed with three-line acid stamp 600
Tobia Scarpa sommerso bullicini vase, 425
Orrefors Ariel vase, oval 175
Mark Peiser vase, pearlescent 150
Barbini figures, pair, Murano 1200
Edvin Ohrstrom for Orrefors Ariel low bowl, blue 250
Edvin Ohrstrom for Orrefors Ariel small vase 200
Ingeborg Lundin for Orrefors Ariel vase, square 1300
Edvin Ohrstrom for Orrefors Ariel vase, The Gondolier 2500
825
826
827
828
829
830
831
832
834
835
837
838
839
841
842
843
844
845
846
847
848
849
851
852
854
855
856
857
859
860
861
862
865
866
867
868
869
870
871
872
873
874
875
876
878
879
880
881
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
912
913
914
915
916
917
919
920
921
924
927
928
929
930
Edvin Ohrstrom for Orrefors Ariel vase, midnight blue 2500
Ingeborg Lundin for Orrefors Ariel cone-shaped 1200
Cendese Scavo vase, bulbous red 250
Cendese Scavo platter 200
Cendese Scavo vase, orange glass 150
Cendese Scavo vase, extended neck 200
Cendese Scavo candle holder 100
Cendese Scavo vase, pink glass 150
Gino Mazzega vase, fasce vase 300
Bertil Vallien vase, bottle form 300
Michael & Frances Higgins serving dish 225
Gino Mazzega bottle, fasce bottle 300
Tapio Wirkkala Kanttarelli vase, clear 350
Tapio Wirkkala Kanttarelli vases, two 250
Timo Sarpaneva Orchide vases, two 450
Tapio Wirkkala Tokio vase, internal bubbles 400
Tapio Wirkkala vase, swollen cylindrical 175
Clyde Burt pottery, three pieces 175
Scheier low bowl, incised geometric 250
Harrison McIntosh bowl, glazed stoneware 275
Clyde Burt vase, rooster 850
Richard Etts sculpture, open mouth 1800
Paul Laszlo chair 1100
Clyde Burt charger/platter 1400
Clyde Burt ceramic wall sculpture 5500
Paul Laszlo chairs, pair 2300
Paul Laszlo settee 3500
Hilliard art glass table lamp 1700
Lafer rosewood coffee table 850
Midcentury tapestry 350
Tobia Scarpa Bastiano sofa 800
Midcentury andirons, whimsical dog 400
Marianna von Allesch wall plaque 300
Borge Mogensen Hoop chair, 750
Charles & Ray Eames RAR (Baby rocker) 1200
Charles & Ray Eames LCW 1400
Charles & Ray Eames DTW-30 dining table 650
Boris Kroll tapestry, wool 1400
Charles & Ray Eames LCWs, pair 1600
Isamu Noguchi table lamp 1100
Isamu Noguchi Prismatic tables, pair 2500
Charles & Ray Eames 670/671 lounge chair and ottoman 3000
George Nelson speaker cabinet 600
Charles & Ray Eames DTW-50 coffee table 475
Alexander Girard neckties, three, horizontal stripes 375
Alexander Girard fabric, Lines, cotton 750
George Nelson Gateleg dining table 375
Charles & Ray Eames 670 lounge chair 1100
Alexander Girard table cloth, blue Checkerboard 300
George Nelson Bubble lamp 425
Alexander Girard table cloth, round blue 300
Alexander Girard table cloth, orange Checkerboard 250
Alexander Girard table cloth, orange Checkerboard 200
Alexander Girard table cloth, blue Checkerboard 300
George Nelson Bubble lamp 26dia 200
Charles and Ray Eames ETR (Surfboard) table 375
Norman Cherner side chairs, four 1200
George Nelson bench, 500
George Nelson jewelry chest, 550
George Nelson bench, 900
Charles and Ray Eames chaise, eggplant-colored 2300
George Nelson jewelry chest 900
Norman Cherner armchairs, pair 1500
Florence Knoll single pedestal desk 450
Charles & Ray Eames Eiffel tower shell chair 275
George Nelson Executive desk, 1200
Paul McCobb Irwin Collection wall unit 1300
Gerald Thurston hanging lamp 500
Hugh Acton coffee table/bench 650
Gerald Thurston floor lamp 500
Paul McCobb cabinet, bleached mahogany 1100
Paul McCobb Easy chair and ottoman 1900
Paul McCobb settee, replaced upholstery 850
Paul McCobb Slipper chairs 2100
Paul McCobb Master Chest, Irwin Collection 700
Paul McCobb table and chairs 1200
Edward Wormley lounge chair 800
Edward Wormley Sheaf of wheat occasional table 1000
Edward Wormley game table 550
Edward Wormley sofa, Astra Strobel 1000
Edward Wormley desk 850
Edward Wormley Our Town fabric remnant 275
Edward Wormley Printing Block cabinet 3500
Harris Strong framed tile mosaic 300
Johann Tapp desk, round form 2100
Widdicomb bench, attribution, original brown 450
Lightolier floor lamp 150
Dorothy Thorpe chandelier, six solid Lucite arms 500
Edward Wormley stools, pair 2300
Edward Wormley sectional sofa 850
w w w . tr e ad w ay g a l l ery .c om
RESULTS - December 4, 2011 - Hammer Prices
931 Paul Laszlo cabinet 225
932 Hans Wegner Wishbone or Y chairs 950
933 Hans Wegner rocking chair 1400
934 Finn Juhl Easy Chair No.53 1500
935 Finn Juhl F137 chair, Japan chair 1000
936 Hans Wegner Peacock chair, pair 3750
938 Hans Brattrud demi-lune desk 2700
939 Arne Norell Ari lounge chair and ottoman 2900
940 Lyfa floor lamp, bronze tri-form base 425
942 Bruno Mathsson Maria folding table 1600
943 Ole Wanscher cabinet, mahogany and birch 600
944 Hans Wegner CH07 lounge chair 850
945 Erik Buck barstools, pair 950
947 Hans Wegner The Chair/Round chair, set of six 4000
948 Jens Quistgaard desk, teak, hinged gallery 1000
949 Hans Wegner The (Round) chair 1200
950 Hans Wegner The (Round) chairs, pair 2000
951 Hans Olsen dining set, four chairs 1700
952 Lars Gören-Nilson Avanti 70 cabinet 375
954 Borge Mogensen dining chairs, six 500
956 Borge Mogensen seating unit, two pieces 700
957 Poul Henningsen PH-5 hanging lamp 375
958 Kristian Vedel table rosewood 800
960 Danish rosewood corner cabinet 650
963 Lisa Larson animals 450
964 Hector Aguilar carving set 75
965 Taxco pitcher and glasses set 400
966 Midcentury sculpture, bronze, spikes 1100
967 Edna Arnow vases, with a Pillin vase, three pieces 225
968 Stephen Polchert ceramic bowl 200
969 Julio de Diego bowl 125
970 Carstens Tonnieshof table lamp 150
971 German pitcher, brass 175
973 Bjorn Winblad Juggler sculpture 425
974 Midcentury tile-top table, wrought-iron 475
975 Mexican brass trays, pair, triangular 200
976 Harris Strong framed tiles, two panels 300
977 Grete Jalk coffee table and pair of end tables 1600
978 Peter Hvidt and Orla Nielsen coffee table 325
979 Midcentury Danish desk cabinet 600
980 Yngve Ekstrom Lamino chair and ottoman 1000
981 H. Brockmann-Petersen armchairs, six 800
982 Borge Mogensen Safari chair 550
983 Sven Ivar Dysthe Armchair 1001 lounge chairs 1100
984 Fritz Hansen tray table 350
985 Poul Cadovius style wall unit 600
986 Dux reclining chair and ottoman 400
987 Midcentury wall unit with desk 800
988 Edward Fields rug, Alexander Calder style 1200
989 Dennis Pearson White Turkeys, lighted sculpture 425
990 Paul McCobb occasional table 275
991 Frederick Weinberg room divider 550
992 French tile-top coffee table 1100
993 Mathieu Mategot torch-style table lamps, pair 600
994 Frederick Weinberg shelving unit 750
995 C. Jeré sculpture, steel, open rectangular 300
996 Mathieu Mategot trays, three, 750
997 Vallauris coffee table 800
998 Alan Gould chairs, set of four 400
999 T.H. Robsjohn-Gibbings desk 2700
1000 Moroccan rug, thick hand-knotted 1200
1001 Jens Risom sofa 500
1002 Paul Frankl night stands, pair 700
1003 Paul Frankl occasional tables, pair 650
1004 T.H. Robsjohn-Gibbings coffee table 425
1005 Paul McCobb bench and cabinet 425
1006 Moroccan rug, thick hand-knotted natural wool 500
1007 T.H. Robsjohn-Gibbings china cabinet 300
1008 C. Jeré sculpture, wire star-burst 1500
1009 Karl Springer mirror, square form 500
1010 Cedric Hartman occasional table 1500
1011 Paul Evans coffee table, sculpted bronze base 3500
1012 Philip & Kelvin LaVerne La Fleur coffee table 2600
1013 C. Jeré table lamp, brass, large rectangular 500
1014 French glass lamps, blue glass, metal base 600
1015 Barovier and Toso Opalino a Fiamma Murano glass lamp 550
1016 Philip & Kelvin LaVerne Muses coffee table 2200
1017 Midcentury sofa and chair 1000
1018 Directional tables, pair, attribution 700
1019 C. Jeré Lone Cypress sculpture, bronze 325
1020 Tobia Scarpa Soriana chair 900
1022 Milo Baughman lounge chairs, pair 1800
1023 C.Jeré table lamp/sculpture 300
1024 Design Institute America coffee table 125
1027 Rougier table lamp, two-piece shade 350
1028 Russell Woodard Sculptura chairs, pair 250
1029 Midcentury desk, USA, burled wood 450
1030 John Widdicomb bedroom suite, five pieces 500
192
w w w . tr e ad w ay g a l l ery .c om
INDEX
1930s - 721
1950s - 764, 765, 914, 963
1960s - 745, 773, 852, 853, 861, 885, 937, 959
1970s - 833
Adams, Michael - 115
Adler, Allan - 878
Agam, Yaacov - 683
Agra - 368
Ahrend de Cirkel - 735
Albers, Josef - 692
Albrizzi, style of - 861
Amphora - 401, 402, 406
Anisfeld, Boris Izrailovich - 491, 509
Arco, style - 832
Armin, Emil - 563
Arredoluce, style - 789
Art Deco - 713, 719, 723
Art Deco, revival - 766
Art Nouveau - 375, 880
Art Reference Books - 259
Artist Unknown - 444, 656, 806
Arts & Crafts - 15, 27, 324, 31, 33, 56, 56, 64,
68, 69, 73, 74, 75, 77, 79, 92, 95, 99, 106, 112,
117, 125, 127, 128, 136, 137, 149, 168, 170,
171, 173, 194, 195, 196, 197, 198, 212, 218,
230, 234, 261, 271, 279, 281, 284, 289, 321,
327, 330, 331, 332, 337, 345, 371, 372, 377
Asian - 306
Austin, Darrel - 618
B&B Italia - 804
Baccarat - 901
Bach, Alfons - 727
Bach, Oscar, style - 338
Baggs, Arthur - 142
Bak, Samuel - 675
Baker - 960
Ball, L. Clarence - 453
Barbi, Tommaso - 830
Barovier & Toso - 900
Bartholemy, Dorothy - 643
Barye, Antoine-Louis, after - 440
Batchelder - 224
Baughman, Milo - 836, 838, 839, 945
Belux - 800
Benedict Studios - 207
Benno, Benjamin G. - 630, 631
Benton, Thomas Hart - 544, 545, 546, 547,
548, 549
Blum, Robert Frederick - 528
Bosman, Richard - 667
Bradley & Hubbard - 29
Bretby - 319
Broe, Vern - 487
Brooks - 113
Brueton - 858
Buck, Erik - 972
Buehr, Karl Albert - 493
Burke - 962
Burlini, J.A. - 870, 873
Calapai, Letterio - 568, 569, 570, 571, 572
California Faience - 159
Capron, Roger - 827
Carroll, Patty - 622
Carter, Clarence Holbrook - 584
Casnelli, Victor - 448
Cassina - 799, 802
Castañeda, Felipe - 523
Castel, Moshe - 671
Caucasian - 362
Cazaux, Edouard - 428
Cenedese - 887
Chandler, Houston E. “Keg” - 578, 580
Chinese - 310, 311, 312, 318, 320
Chiparus, Demetre H., after - 608
Christensen, Kai - 968
Christ-Janer, Albert William - 581
Christo - 691
Clark, Claude - 579
Clewell - 157
Clifton - 246
Colin, George - 586
Common Ground Pottery - 114, 116
Craftsman Co. - 219
Crook, Russell - 36
Cuevas, Jorge Luis - 521, 522
Curtis, Asahel - 288
Curtis, Edward Sheriff - 287
Dalí, Salvador - 665, 666
Danish - 932, 934, 935, 969
Danish Modern - 929
193
March 4, 2012
Daum - 417, 420, 423
Davis, Stuart - 495
De Kruif, Henry Gilbert - 478
Debut, Marcel, after - 481
Dedham Pottery - 140
Despres, Jean - 696, 698, 699, 700, 701, 702,
703, 704, 705, 706, 707, 708, 709
Deutch, Eugene - 884
Dice, Robert - 811
Dine, Jim - 682
Ditzel, Nanna - 731, 733, 938
Dixon, Charles Edward - 441
Domínguez, Oscar - 575, 576
Dorsey, William Ballantine - 463
Drew, Dorothy Hart - 469
Drouet, Rene - 931
Drumm, Donald - 964
Dunbar, style - 970
Dupre, Andre - 950
Durand - 415
Durand, attribution - 397
Eames, Charles & Ray - 740, 741, 742, 747,
748, 751, 754, 755, 757, 759, 760
Egyptian Revival - 761, 763
Eikaas, Ludwig - 638
Eliot, Lucy Carter - 496, 498
Engle, Harry Leon - 462
English - 777
English Arts & Crafts - 5, 109, 184, 215, 232,
292, 294, 333, 334, 335, 382
Eschbach, Paul André Jean - 451
European Arts & Crafts - 378
Evans, Paul - 841
Felguérez, Manuel - 524
Fini, Leonor - 684
Finnish - 775
Floherty, Jr., John J. - 603
Flos - 828
Fogel, Seymour - 640, 641, 642
Ford & Johnson - 98
Fornasetti - 865
Fortuny y Carbó, Mariano José María Bernardo - 436
Foujita, Léonard Tsuguharu - 557, 558
Frankl, Paul - 714
Freckelton, Harry - 486
Freeman, Don - 499, 500, 501, 502
French - 389, 424
French Art Deco - 390
French Art Nouveau - 329, 339, 381
Fried, Pal - 616
Frost, Arthur Burdett - 438
Frost, George - 50
Fulper - 43, 51, 94, 156, 158, 162, 223, 227,
228, 229, 246
Galea, Luigi Maria - 490
Gallé - 400, 421, 422, 425
Gambone - 888
Gates Pottery - 84
Gauss, Eugene - 607
German - 39, 54, 105
Gildor, Jacob - 672, 673
Giles, Howard - 529
Girard, Alexander - 742, 744, 746
Glinsky, Vincent - 596
Gorgoni, Gianfranco - 620
Gottlieb, Harry - 497
Graham, John D. - 473
Grathwol, Ray Anthony - 585
Grauer, William C. - 515, 516, 517, 518, 519,
520
Greene - 805, 808
Griffith, Louis Oscar - 456, 457, 458
Gross, Chaim - 602
Grueby - 138, 222
Grumieaux, Louis Phillipe - 505
Gruppe, Emile Albert - 489
Gundelfinger, John Andre - 591
Gustavsberg - 883
Hall, George Henry - 443
Haller, Fritz - 837
Hamadan - 356
Hamilton, Hildegarde Hume - 492
Hampshire - 139, 256, 260+B62
Handel - 7, 52, 55, 65, 210, 235, 258
Hannig, Henry Charles - 599
Hansen, Hans & Bode Willumsen - 879
Hanson, Joseph Mellor - 612
Harden - 124, 126
Harles, Victor Joseph - 452
Harshe, Robert Bartholomew - 477
Hartmann, Cedric, style - 941
Hassam, Frederick Childe - 542
Hasui, Kawase - 296
Hayter, Stanley William - 543
Heinrichs, Joseph - 49
Heintz - 38, 41, 237, 273
Henredon - 928
Hess, Sara Mae - 459
Higgins, Michael and Frances - 889
Hilton, Roger - 653
Hoffman, Wolfgang - 726
Hollen - 816
Holmes, Palmer Z. - 476
Horchow - 824
Hurley, E.T. - 255, 263, 265, 267, 270
Hyde, Helen - 175
Hyoyu - 295
Industrial - 730
Ipsen, Kent - 891
Italian - 826, 829, 831, 852, 948
Jacobsen, Arne - 737
Janco, Marcel - 677
Jansen, Maison - 847, 848, 849
Japanese - 299, 301, 303, 304, 305, 307, 308,
309, 313, 314, 315, 316, 317
Jefferson - 58
Jefferson Electric Co. - 750
Jensen, Georg - 770
Jeré, Curtis - 843, 851, 854, 882
Juhl, Finn - 732
Kagan, Vladimir - 862
Kalo - 88, 89, 275
Kamp, Louise Mary Wahl - 460
Kaplan, Joseph - 645, 646
Kaplan, Marcia, attribution - 652
Karabagh - 376
Keal, John, attribution - 971
Keane, Margaret D. H. - 589
Kearney, John - 876
Keck, George Fred - 651
Keenan, Frank - 587
Kingman, Eduardo - 609
Kjaerholm, Poul - 791
Klein, Medard P. - 635, 636, 637
Klimt, Gustav - 386, 387, 388
Kniffin, Herbert Reynolds - 482, 483, 484
Koch & Lowy - 793
Koefoeds - 940
Koenig, John Franklin - 650
Konrad, Ignac - 465
Kovacs - 801
Krafft, Carl Rudolph - 466
Krstulovi, Maksim - 583
Kulicke, Robert Moore - 590
Kunisada, Utagawa - 302
L’Verre Francais - 394
Lakeside Craft Shop - 119, 169
Lalique, Rene - 392, 395, 893, 894, 895, 896,
897
Lambe, Vincent - 592
Lartigau, Louis - 437
Laurenceau, Lyonel - 617, 619
Laurencin, Marie - 467
LaVerne, Philip & Kelvin - 867
LeCoultre - 871
Lee, Doris Emrick - 561
Lever, Richard Hayley - 479
Lhote, André - 480
Liberty & Company - 53, 290, 291, 293
Lie, Jonas - 530
Lifetime - 26, 268, 285
Lightolier - 943
Limbert - 6, 12, 78, 167, 178, 180, 186, 189,
208, 209, 236, 283
Lipchitz, Jacques - 685
Loetz - 419
Loewy, Raymond - 814
Lorjou, Bernard - 657
Lotton, Charles - 430
Lozowick, Louis - 539
Lucite - 864
Lunois, Alexandre - 527
Luxfer - 341, 346, 348
Maar, Dora - 588
Mabe - 767
Maher - 336
Malone, Robert R. - 562
Man Ray - 593
Mané-Katz - 475
w w w . tr e ad w ay g a l l ery .c om
INDEX
Manners, William - 442
Marblehead - 80, 82, 85, 141, 143
Marin, John - 503, 504
Masson, André - 686
Mastercraft - 844, 845, 846
Mathsson, Bruno - 933
Matteograssi - 795, 798
Matulka, Jan - 474
Mazza, Sergio - 835
McArthur, Warren - 693, 694
McCobb, Paul - 913, 921, 923, 926, 927
McConaha, Lawrence - 485
Mendini, Alessandro, attribution - 886
Mera, Harry P., Dr. - 2
Merrimac - 277
Methven, Harry Wallace - 455
Meunier, Georges - 526
Meurer, Charles Alfred - 447
Mexican - 771
Michigan Chair Company - 91, 93, 130, 185
Midcentury - 829, 831, 842, 875, 924, 939, 952,
958, 965
Miller, Herman - 697, 710, 745, 752
Miller, Howard & Herman - 711
Mogensen, Borge - 936
Moller - 973
Mont, James, inspired - 863
Moorcroft - 404, 407, 408, 409, 410
Moran, Thomas - 510
Morfeo, Giovannoni & Rodrigo Torres - 820
Moroccan - 365, 942
Mucha, Alphonse - 533
Muller Freres - 384
Müller, Alfredo - 566, 567
Murano - 774, 859, 892
Nakashima, George - 807, 813
Natkin, Robert - 639
Nealy, Craig - 953, 954
Neiman, LeRoy - 687, 688, 690
Nelson, George - 738, 739, 743, 744, 749, 756,
758
Nessen - 947, 949
Nevelson, Louise - 556
Newcomb College - 35
Newcomb College, style of - 81
Niloak Missionware - 4
Noecker, Harold - 613
Nohr - 877
North Dakota School of Mines - 145, 191, 243
O’Hara, Eliot - 512
Okie, Griffin - 809
Old Hickory - 322, 323, 325, 326, 373
Olivetti - 819
O-luce - 803
Ostuni, Peter W. - 647, 648, 649
Overbeck - 34
Palenske, Reinhold H. - 461
Palmer, Pauline - 471
Panton, Verner - 815
Parzinger, Tommy - 944, 946
Pattison, Abbott - 610
Paul, Stewart - 812
Paulin, Pierre - 817, 821, 822
Pearson, Ronald - 869
Peiser, Mark - 898
Perrault, Ida Marie - 506, 540
Persian - 297, 364
Petry, Victor - 508
Pewabic - 71, 144, 225
Phillips, Walter Joseph - 464
Picasso, Pablo - 534, 535, 537, 634
Picasso, Pablo, after - 536
Pineda, Antonio - 776
Pisgah Forest - 13
Plail - 233
Platner, Warren - 787, 788, 790, 794
Pollock, Charles - 792
Pozzi and Verga - 797
Prahar, Renee Irene - 298, 300
Prairie School - 3, 67, 347, 353
Priebe, Karl - 605
Probber, Harvey - 753, 955, 956, 957
Rauschenberg, Robert - 679
Rebeyrolle, Paul - 681
Reed & Barton - 762
Reedy, Leonard Howard - 513
Regal Design Studio - 857
Remahl, Frederick - 582
Rembrandt - 925
Renoir, Pierre-Auguste - 531, 532
194
March 4, 2012
Riley, Bridget - 689
Ringer, Charles - 856
Rivera, Diego - 525
Robertson, Bill - 855
Robertson, Tom A. - 565
Robinson, Aminah Brenda Lynn - 598
Robsjohn-Gibbings, T.H. - 779, 780, 781, 782,
784, 785, 786, 850, 916, 918
Rohde, Gilbert - 695, 718, 720, 722, 724, 725,
728, 729
Rohne, Bernhard - 845
Rookwood - 8, 16, 17, 18, 19, 20, 2, 23, 24, 25,
40, 42, 44, 45, 83, 86, 160, 163, 164, 226, 239,
249, 251, 257, 262, 264, 266, 269, 274, 276
Roseville - 96, 148, 152, 159, 161, 187, 253
Roth, Leo - 674, 676
Rouault, Georges - 541
Royal Doulton - 403
Roycroft - 28, 30, 90, 107, 120, 121, 122, 123,
231, 241, 272
Rubin, Reuven - 678
Saito, Kiyoshi - 668, 669, 670
Salemme, Attilio - 632, 633
Salterini - 868, 951
Sanford, Walter - 577
Sarouk - 358, 364
Scandinavian - 961
Scarlett, Rolph - 659, 660, 661, 662, 663, 664
Schanker, Louis - 574
Scheiber, Hugó - 468
Schmidt, Carl - 511
Schullerus, Trude - 507
Schutz, Ludwig R. - 405
Schwartz, Carl - 644
Schwartz, Harry - 712, 715, 716, 717
Schwartz, William Samuel - 550
Seguso - 899
Sherer, Gene - 810
Shop of the Crafters - 134
Smith, Moyr, for Minton Tile Co. - 37
Sonderborg, Vamo - 734
Soyer, Raphael - 559
Spears, Ethel - 604
Spelman, John Adams - 564
Spiers, Harry - 454
Spratling, William - 769
Springer, Karl - 840
Steiner, Jane - 595
Steingold, Meir - 597
Stern, Bert - 623, 624, 625, 626, 627, 628, 629
Sterne, Maurice - 472
Steuben - 414
Stickley - 181
Stickley Brothers - 62, 97, 103, 104, 111, 129,
147, 177, 192, 213, 214, 217, 242, 280, 286
Stickley, Charles - 66
Stickley, Gustav - 1, 9, 10, 11, 32, 46, 47, 48,
59, 60, 61, 63, 72, 102, 108, 110, 118, 131, 132,
133, 150, 151, 153, 154, 155, 165, 166, 174,
179, 188, 211, 238, 240, 278, 282
Stickley, L & JG - 14, 76, 182, 183, 190, 206,
216, 220
Stiffel - 922
Stilnovo - 796
Strong, Harris - 874
Sullivan, Louis - 352, 355
Sumak - 369
Summers, Carol - 654
Svendsen, Svend Rasmussen - 449, 450
Swedish - 930
Szendy, Arisztid - 494
Tagliapietra, Lino - 834
Tarkay, Itzchak - 611, 680
Taxco - 872, 881
Teco - 22, 201, 202, 203, 204, 205
Thonet - 379, 380, 966, 967
Thurston, Gerald - 778, 783
Tiffany and Co. - 772
Tiffany Studios - 256, 260, 385, 426, 429, 431,
432, 433, 434, 435
Tiffany, L.C. - 383, 391, 393, 396, 399, 411, 412,
413, 416, 418, 427
Toffoloni, Werther & Piero Palange - 825
Torino - 818
Trevaise, attribution - 398
Ulreich, Eduard Buk - 514
Van Briggle - 244
Van Erp, Dirk - 70, 87, 100, 101, 135, 172
Vasarely, Victor - 658
Venini - 860, 866
Villon, Jacques - 445, 446
Vintage - 193
Vistosi - 823, 890
Von Neumann, Robert - 551, 552, 553, 555
Vuillard, Edouard - 573
Vysekal, Luvena B. - 470
Wakefield, Heywood - 328, 374
Walrath - 146
Warb, Nicolaas - 655
Webber, Charles T. - 439
Wegner, Hans - 736
Weidemann, Jakob - 601
Weinstein, Bernard - 614, 615
Weller - 245, 247, 248, 250, 252, 254
Wengenroth, Stow - 554, 560
Wertheimer, Alfred - 621
Wessels, Glenn Anthony - 538
Wilcox - 221
Wilde, John Henry - 600
Wildenhofer, F.J. - 176
Wilkinson - 200
Wingate, Arline Hollander - 594
Winslow, Henry J. - 488
WMF - 57
Woelffer, Emerson - 606
Wormley, Edward - 902, 903, 904, 905, 906,
907, 908, 909, 910, 911, 912, 915, 917, 919, 920
Wright, Frank Lloyd - 340, 341, 342, 343, 344,
346, 348, 349, 350, 351, 354, 357, 359, 360,
361, 363, 366, 367, 370
Young, J.M. - 199
w w w . tr e ad w ay g a l l ery .c om
Built and furnished in 1901 to 1902, La
Hacienda was located in the mountains of
Colorado, where the collection remained
until coming to auction on May 20, 2012.
195
w w w . tr e ad w ay g a l l ery .c om
196
w w w . tr e ad w ay g a l l ery .c om