A Word About Color
The Munsell Color Model
The most widely accepted color theory used in the automotive
refinish industry is the Munsell Color Model. This model is the
basis for our Pro-Spray Color Tinting Guide. An elementary
understanding of how the Munsell Color Model works will
better help you understand how to adjust your colors.
At the most simplistic level, the Munsell Color Model describes
color in three dimensions: 1) hue, 2) value and 3) chroma. Hue
is the ‘pure color’ or the color you see, such as blue, red, green
and yellow. Value refers to lightness and darkness of a color. And
finally, chroma describes the strength and weakness of a color. A
strong color is more pure in hue. A weak color has more gray.
Note: This model does not consider metallic, side tones and
special effect pigments.
Why Colors Don’t Match
There are a myriad of reasons why colors do not match.
Variables can originate at any stage in the process, from
the vehicle manufacturer to the paint manufacturer to the
jobber and painter. A skilled craftsman must learn the art of
compensating for deviations.
Do Not Skip
These Important Steps
Checking Your Formula
You have mixed your color, sprayed a test panel to check match
and ... WAIT ... the color is off! Before proceeding to tint the color,
first review the checklist below.
• Was the correct formula selected? Double check the paint
code.
• Is your scale properly functioning, calibrated and clean?
If toner drops onto the scale, and not in the paint can, the
end result can be a mismatched color.
• Did you over- or under-pour a toner? Recheck the formulas
and weights.
• Did you spray your test panel to hiding, apply clearcoat and
allow it to completely dry prior to checking the match?
• Did you properly mix the paint with the recommended
Pro-Spray thinner? Do not use a generic activator or solvent
– it can negatively affect performance and the end result.
• Is the variance caused by air pressure, application speed,
spraying distance, technique or film thickness? Ensure
proper air pressure at the gun.
• If you are using solventborne basecoat, are the tinters
stirred at least twice a day for 10 minutes? Is there a layer of
thick pigment on the bottom of your tinters? NOTE: Solvent
tinters settle as they sit. Once a tinter is off strength, it is
always off strength. This could negatively affect color match
on all subsequent mixes.
• If you are using waterborne, did you lightly shake the
tinters prior to mixing? (NOTE: Do NOT over agitate
waterborne tinters. This will create air bubbles.)
• Did you check the color in daylight? (Natural sunlight is
always best for checking match.)
• All colors must be viewed under equal gloss. If the repair
area is faded, compound and polish the adjacent panels
before checking color match.
• Is it a custom or tri-stage color?
• Did you check metallics for face and flip tone?
• Did you apply a ‘drop coat’ for metallic and pearl colors?
• Did you check for alternate or variant colors?
• Has the vehicle been repaired before?
A graphic representation of color and value, hue and chroma
1
Tinting Automotive Paint
A Few Helpful Hints About Tinting
If you have considered all variables and the color still does not
match, it is time to adjust or tint the paint. In this guide, each
toner is illustrated using a graphic symbol along with a detailed
description of the color and its characteristics. When tinting your
color, always start with toners that are listed in the color formula.
Let’s get started.
Hold your test panel next to the vehicle and ask yourself, “The
vehicle is WHAT, compared to the paint?” Check variables in the
exact order below.
Step One: Check The Value
Is the vehicle “lighter or darker” than the paint?
• If the vehicle is lighter (solids): this can usually be
corrected by adding white. The exception is red. Check the
formula and add the predominant light color.
• If the vehicle is lighter (metallics): this can usually be
corrected by adding more metallic. Check the metal flake
and size. A small metallic flake lightens the color faster than
a large one.
• If the vehicle is lighter (pearls): this can often be corrected
by adding more pearl.
Step Three: Check the Chroma
Is the vehicle “cleaner, dirtier or more gray ” than the paint?
• If the vehicle is dirtier or more gray: add small amounts of
gray or black. Keep in mind that adding black will also make
the color darker.
• If the vehicle is cleaner: and if the color is not blendable,
you may need to start over.
A Final Word
Pro-Spray Color Theory Training
To learn more about best practices, equipment, paint
composition, application, tinting and color theory, we invite you
to attend a Pro-Spray Training Class.
In North America: call us at 1-800-776-0933 or visit our
websites at ProSprayFinishes.com and ProSprayH2O.com.
In the E.U.: call us at +44 (0) 1767 314320.
How To Use This Guide
Pro-Spray Tinting Guide Key
• If the vehicle is darker (solids):
- If “darker and clean”: add the main dark color. For example,
if you are mixing red, add a darker red.
- If “darker and dirty”: add the complimentary color located
on the opposite side of the color wheel or add black or gray
(this will darken but not change the hue.)
• If the vehicle is darker (metallics and pearls): if “dark
and clean”, add the main dark color. For example, if you are
mixing gold, add more gold metallic.
Step Two: Check the Hue
Is the vehicle “redder, yellower, greener or bluer” than the paint?
• Note: white, gray, black and silver colors can have color/hue
shift in any direction.
• Note: always start with toners that are in the color formula.
• If the vehicle is redder: add the appropriate red.
• If the vehicle is greener: add the appropriate green.
• If the vehicle is bluer: add the appropriate blue.
• If the vehicle is yellower: add the appropriate yellow.
Contents
ADDITIVES......................................................................................... 3
WHITES............................................................................................... 3
BLACKS............................................................................................... 3
BLUES.................................................................................................. 4
VIOLETS.......................................................................................... 4-5
REDS................................................................................................ 5-6
YELLOWS / BROWNS..................................................................... 6
GREENS.............................................................................................. 7
ALUMINUMS..................................................................................... 7
XIRALLICS.......................................................................................... 8
PEARLS.........................................................................................9-10
GUIDELINES FOR TINTING CHART..........................................10
2
ADDITIVES
SOLVENTBORNE WATERBORNE DESCRIPTION
MB-237
MST-237
Tone Controller
Flip-Flop Controller
CHARACTERISTICS
Provides a coarser appearance. Adding to effect colors
causes the face of the color to be darker and grayer
and lighter on the flop. Maximum addition is 15%.
WHITES
CHARACTERISTICS
MB-201
MST-201
Pale White/Trace White
Clean, weak white. Weak version of HST-500/HB-500.
HB-500
HST-500
H.S. Super White/White
Clean white. Normally only used in small amounts in
metallics/pearlescents. Small amounts in metallics
will tint the flop lighter and paler but the face will get
slightly darker/duller. Using white in clean colors will
make the color dirtier, lighter and paler. If less than
5%, use MST-201/MB-201.
X
VST-601
Super White
High strength white, used in solid colors for better
coverage.
BLACKS
3
SOLVENTBORNE WATERBORNE DESCRIPTION
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
MB-203
MST-203
Transparent Black/Trace Black Weak black for trace tints. MB-203/MST-203 is a weak
version of MB-231/MST-231.
MB-231
MST-231
Blue Black/Tinting Black
High strength blue tone black, pasty tinting black
with blue hue for gray color shades. Added to
clean colors, the color becomes dirtier, darker and
grayer. Doesn’t give dark flop in effect colors like
HB-546/HST-546 or HB-547/HST-547. Should not
use in colors that do not contain white, due to color
depth. If less than 1%, use MB-203/MST-203.
HB-546
HST-546
H.S. Black/Black
Main tinting black. Deep yellow shade black used in
both solid and pearl/metallic colors.
HB-547
HST-547
H.S. Jet Black/Jet Black
Deep black used for solid and metallic colors. Has
brownish, yellowish hue. Adding HB-547/HST-547
to clean colors makes the colors dirtier, grayer and
darker. Produces a dark flop in effect colors.
VB-605
X
Basecoat Jet Black
Deep jet black used in basecoats only. Provides a very
deep dark flop in metallic colors.
SOLVENTBORNE WATERBORNE DESCRIPTION
BLUES
CHARACTERISTICS
MB-209
MST-209
Deep Blue/Trace Blue
Weak blue used mainly for tinting white or light colors
when small adjustments are needed.
MB-229
HST-529
Blue Lake/Red Shade Blue
Extreme red shade blue. Redder than all other blues.
Used to achieve greater depth in solid colors. Works
well in blue pearl colors.
MB-251
X
Fast Blue
Reddish shade blue. Mainly used in solid colors.
Cleaner and less red than MB-229/HST-529.
MB-272
MST-272
Cyan Blue/Blue
Brilliant, transparent blue that produces a green face
and red flop in effect colors.
HB-512
HST-512
H.S. Lagoon Blue
Cyanine Blue
Used mainly in metallic and pearl colors. Neutral tone
face with a greenish flop.
HB-552
HST-552
H.S. Fast Blue/Mid Blue
Better opacity than the HB-512/HST-512. High
transparency blue. If less than 1%, use
MB-209/MST-209.
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
VIOLETS
MB-219
MST-219
Violet
Bluish transparent violet for solid colors and
metallics. Creates a reddish cast in blue colors. To
achieve dirtier angle in blue metallic, use mix of
MB-219/MST-219 and HB-512/HST-512.
MB-259
MST-259
Burgundy/Trace Magenta
Reduced strength version of VB-620/VST-620. Used
mainly for tinting white or light colors when small
adjustments are needed.
MB-275
X
Strong Maroon
Mainly used for tinted mid coats.
MB-277
HST-571
Fast Maroon
Yellow Shade Maroon
Transparent yellow shade maroon. Undertone is
yellower than VB-602/HST-570. Used in deep red,
brown and maroon metallics.
HB-511
HST-511
H.S. Claret/Pink
Magenta that offers a blue shade. Used in pearl/metallic
colors as well as solid colors. Cleaner with a lighter flop than
VST-620/VB-620. Mixing with white or metallic creates a
clean pink shade.
4
VIOLETS
VB-602
HST-570
VB-619
X
VB-620
VST-620
REDS
5
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
Bright Maroon
Blue Shade Maroon
For use in basecoat only. Yellow shade maroon
used primarily in pearl/metallic colors, especially
dark-brownish, red effect colors. Dirtier than
HB-570/VST-670.
Pure Magenta
Basecoat only. Used in pearl and metallic colors;
provides a dark flop. Not as clean as HB-511/HST-511.
Cleaner and yellower than VB-620/VST-620.
H.S. Red Violet/Magenta
Semi-transparent blue shade red. Darker red with blue
cast used mainly for darker red solid and effect colors.
Dirtier and much bluer than HB-511/HST-511.
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
MB-206
MST-206
Red Oxide
Normally used in small amounts. Dirty oxide red
used mainly in ivory, beige, and brown color shades
with little color depth to create red hue. Only use
small amounts in effect colors to produce lighter,
milky red flop. Very strong and opaque. Used in
some metallics for flop adjustment. If less than 1%
use MB-207/MST-207.
MB-207
MST-207
Russet/Trace Red Oxide
Weak red oxide. Reduced strength version of
MB-206/MST-206. Used mainly for tinting white or
light colors when small adjustments are needed.
MB-224
HST-524
Super Red/Scarlet
Bright, light yellow shade red normally used in small
amounts because it gives poor opacity.
MB-240
MST-240
Trans Oxide Red/Trans Red
Transparent iron oxide used to produce bright-reddish,
copper shade in effect colors, primarily in beige
pearl/metallic colors. Gives a dark flop.
HB-545
VST-645
H.S. Strong Red/Super Red
Bright, clean red with orange shade. Used mainly
for bright, solid red colors. Not normally used in
effect colors. Use in effect colors only if light red flop
is needed. Yellow shade red for solid colors. Used in
metallics to adjust flop.
HB-570
VST-670
H.S. Brilliant Red
Yellow shade transparent red. Cleaner and yellower
than VB-602/HST-570. Cleaner than MB-277/HST-571.
VB-606
X
Orange Red
Scarlet Red
Lead-free orange suited for solid colors, especially
bright red and orange shades. Not recommended as a
tinting color in white or pastel shades. Use only small
amounts in effect colors if a light orange flop is needed.
SOLVENTBORNE WATERBORNE DESCRIPTION
VB-624
X
H.S. Speed Red
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
REDS
For solid colors. Better opacity than HB-545/VST-645.
Basecoat only.
YELLOWS / BROWNS
CHARACTERISTICS
MB-204
MST-204
Yellow Oxide
Yellow Ochre
Opaque yellow oxide for solid colors. Used in some
metallics for flop adjustment. Dirty yellow with
reddish shade used in cream, beige, tan and brown
colors. Also added to effect colors in small quantities
to make a milky yellow flop. If less than 1% use
MB-205/MST-215.
MB-205
MST-215
Trace Yellow
Reduced strength yellow with reddish shade used for
fine tinting where a yellow tone is needed. Used in
pearl/metallic colors.
MB-215
MST-215
Medium Yellow
Trace Yellow
Reduced strength dull yellow with reddish shade used
for fine tinting where a yellow tone is needed. Used in
pearl/metallic colors.
MB-276
HST-576
Brown/Trans Brown
Dark and yellow shade flop. Used in metallic colors.
MB-278
MST-278
Trans Oxide Yellow
Trans Yellow
Transparent yellow with green cast, only used in
metallic colors.
MB-279
VST-679
Strong Yellow
Yellow Shade Gold
Transparent clean red shade yellow used primarily in
bright metallic colors. Produces brilliant green shade
yellow flop in effect colors. Also used in pure solid
colors but gives low opacity.
VB-604
VST-630
Pale Yellow/Super Yellow
Clean green shade bright yellow mainly for solid green
and yellow color. Small amounts may be used in effect
colors for a light yellow/green flop. Lead free.
VB-610
VST-610
Medium Yellow/Amber
Red shade bright yellow for solid colors. Small
amounts used in some metallics for flop tone. Slightly
dirtier than MB-279/VST-679. Lead free.
VB-618
X
Yellow
Lead free. Mainly used for solid color yellows. Redder
than VB-604/VST-630. Greener than VB-610/VST-610.
Only trace amounts used in metallic colors to give
lighter yellower flop.
6
GREENS
CHARACTERISTICS
MB-273
HST-573
Bronze Green
Green Shade Gold
Greenish yellow used primarily in metallics. Can be
used in solid colors but not as a primary colorant.
HB-551
HST-551
H.S. Blue Green
Blue Shade Green
Blue shade green for metallic and solid colors.
Transparent green with blue cast used in solid and
effect colors. Used in light and dark green color
shades. Can be used in yellows and blues to make
them greener.
ALUMINUMS
7
SOLVENTBORNE WATERBORNE DESCRIPTION
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
AB-810
AMT-810
H.S. Bright Med. Aluminum Bright medium fine aluminum with a darker flop than
AB-814/AMT-814.
AB-814
AMT-814
H.S. Fine Aluminum
Extra fine gray aluminum with a light flop.
AB-816
AMT-812
H.S. Med. Fine Aluminum
Medium Aluminum
Medium fine gray aluminum with a light flop.
AB-818
AMT-818
H.S. Med. Coarse Aluminum Medium coarse gray aluminum with a light flop.
AB-821
X
AB-832
AMT-832
AB-838
X
AB-841
AB-842
H.S. Coarse Aluminum
Coarse flake, average face and angle.
H.S. Very Coarse Aluminum
H.S. Bright Aluminum
Extra coarse aluminum with a dark flop.
H.S. Bright Med.-Fine Bright Aluminum
Bright medium-fine, flake-average face and angle.
AMT-821
Shining Coarse Aluminum
Bright Coarse Aluminum
Medium Coarse Silver Dollar aluminum; has a finer
appearance in normal light but appears coarser in
sunlight. Darker flop than AB-832/AMT-832.
AMT-842
Silver Dollar Coarse
Coarse Silver Dollar aluminum; has a finer appearance
in normal light but appears coarser in sunlight.
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
XIRALLICS
PSE-1001
XCT-101
Crystal Silver
Bright white, coarse sparkle effect, coloristically
similar to PB-781/PLT-781.
PSE-1002
XCT-102
Sunbeam Gold
Bright gold, coarse sparkle effect, coloristically similar
to PB-784/PLT-784.
PSE-1003
XCT-103
Radiant Red
Bright red, coarse sparkle effect, coloristically similar
to PB-783/PLT-786.
PSE-1004
XCT-104
Crystal Blue/Galaxy Blue
Bright blue, coarse sparkle effect, coloristically similar
to PB-782/PLT-782.
PSE-1005
XCT-105
Stellar Green
Bright green, coarse sparkle effect, coloristically
similar to PB-791/PLT-791.
PSE-1006
XCT-106
Solaris Red
Bright red, coarse sparkle effect, coloristically similar
to PB-787/PLT-787.
PSE-1007
XCT-107
Fireside Copper
Bright copper, coarse sparkle effect, coloristically
similar to PB-785/PLT-785.
PSE-1010
CST-110
Viola Fantasy
Effect pigment that ranges from strong violet to silver
to green and blue.
PSE-1011
X
Arctic Fire
Transparent pearl - subtle turquoise to brilliant silver
to metallic red depending on angle of observation.
PSE-1012
X
Tropic Sunrise
Angle-dependent color travel form refreshing green
though silver to tropical red and orange.
PSE-1013
CST-113
Autumn Mystery
Effect pigment that ranges from red to gold and
bronze to green.
8
PEARLS
9
SOLVENTBORNE WATERBORNE DESCRIPTION
CHARACTERISTICS
PB-780
PLT-780
Pearl White/White Pearl
Coarser than PB-781/PLT-781, cleaner on face than
PB-781/PLT-781, travels darker than PB-781/PLT-781
on the flop.
PB-781
PLT-781
Fine Pearl White
White Pearl Fine
Coarser than PB-786/PLT-779, cleaner on face than
PB-786/PLT-779, travels lighter than PB-780/PLT-780
on the flop.
PB-782
PLT-782
Pearl Blue/Blue Pearl
Coarser than PB-789/PLT-783, cleaner on face than
PB-789/PLT-783. Blue face, travels to neutral tone,
slightly yellowish on the flop.
PB-783
PLT-786
Pearl Red/Red Pearl
Opaque. Bright red face, Coarser and cleaner on the
face than PB-788/PLT-788, travels darker than
PB-788/PLT-788 on the flop.
PB-784
PLT-784
Pearl Gold/Gold Pearl
Yellow face, travels to neutral, slightly bluish tone on
the flop.
PB-785
PLT-785
Copper Pearl
Opaque. Copper face, travels to dark shade copper on
the flop.
PB-786
PLT-779
Pearl White Ultrafine
White Pearl Ultrafine
Finest White Pearl. White face, travels very light on the
flop.
PB-787
PLT-787
Pearl Red Fine
Red Pearl Fine
Red magenta face, travels to neutral, slightly greenish
tone on the flop.
PB-788
PLT-788
Russet Pearl Fine
Russet Pearl
Opaque. Dirtier on the face and lighter on the angle
than PB-783/PLT-786. Red face, travels to lighter red
tone on the flop.
PB-789
PLT-783
Pearl Blue Fine
Blue Pearl Fine
Finer than PB-782/PLT-782, dirtier on face than
PB-782/PLT-782. Blue face, travels to neutral tone,
slightly yellowish, lighter than PB-782/PLT-782 on
the flop.
PB-790
PLT-790
Pearl Violet Medium
Violet Pearl
Violet face, travels to neutral tone, slightly yellowish
on the flop.
PB-791
PLT-791
Pearl Green Medium
Green Pearl
Green face, travels to neutral tone, slightly reddish on
the flop.
SOLVENTBORNE WATERBORNE DESCRIPTION
PEARLS
CHARACTERISTICS
PB-792
PLT-792
H.S. Blue Frost
Ultrafine Pearl
Effect white used both as a flop adjuster, as well as
a tool to match certain OEM frost effects in pearl/
metallic colors. Gives a blue shade flop. Yellowish
face and light bluish flop. Gives similar effect to
PB-784/PLT-784.
PB-793
PLT-793
Graphite Flake/Graphite
Dark gray colored effect pigment, gives a
silky/smoky effect. Used only in effect colors,
has slightly bluish flop.
PB-794
PLT-794
Gold Flash/Gold
Medium gold aluminum flake.
PB-795
PLT-795
Orange Aluminum
Orange aluminum flake, clean bright face with dark
flop.
PB-796
PLT-796
Super Orange Pearl
Orange face, travels to neutral tone, slightly yellowish
on the flop.
GUIDELINES FOR TINTING
1.
2. 3. 4. Metallic colors: white makes the face tone dirty and flip tone light.
Do not add white unless you are sure that this is the effect that you require.
Allow the paint to dry thoroughly before checking the color.
Clear over base colors must have the clearcoat applied before checking the color.
5. Single stage metallics: lightly polish prior to checking color.
6. Metallics: view the face and flip tone.
7. Use only the tinters as shown in the color formula.
SOLIDS
COLOR
SOLID
GREY
SOLID
BLUE
SOLID
GREEN
SOLID
RED
METALLICS
SOLID
MAROON
SOLID
YELLOW
IF TOO
MB-201,
MB-201,
MB-201,
HB-545,
HB-511,
MB-201,
DARK
HB-500
HB-500
HB-500,
VB-604
HB-545
HB-500
ADD:
VB-604 ,
yellow as
per formula
IF TOO
Black as in
Blue as in
LIGHT
formula
formula
ADD:
HB-551
HB-511,
Black or blue
VB-620
as in formula
IF TOO
GREEN
ADD:
Yellow as in
N/A
N/A
formula
MB-201,
HB-500,
yellow as in
formula
Yellow as in
formula
HB-545
Yellow as in
formula
HB-545
VB-610
IF TOO
HB-551,
HB-551,
HB-551
HB-545,
VB-620
RED
MB-204
MB-204
blue and yellow
VB-604
ADD:
as in formula
Yellow as in
formula with
blue as in
formula or a
hint of HB-551
Add orange
or yellow as
in formula
IF TOO
Blue or
Maroon,
HB-551 or
HB-511,
VB-620 or
YELLOW
black as in
blue or blue and
HB-545,
black if in
ADD:
formula
violet as in
black as in
VB-620
formula
formula
formula
MB-201,
HB-500,
MB-204 or
black if in
formula
HB-545
or red oxide
if in formula
IF TOO
BLUE
ADD:
MB-259,
MB-206,
MB-207
MB-204,
MB-206,
MB-207
formula
IF TOO
N/A
DIRTY
ADD:
MB-259
or blue as
in formula
VB-620
and black if
in formula
SOLID
ORANGE
COLOR
WHITE,
IVORY,
CREAM,
BUFF
TANS,
BROWNS
MET. SILVER,
SILVER GREY,
DARK GREY
METALLIC
BLUE
METALLIC
GREEN
MET. COPPER, METALLIC
BRONZE,
RED,
BRONZE BROWN MAROON
IF TOO
MB-201,
Red, orange
Aluminum for Aluminum for Aluminum for Aluminum as
Aluminum Aluminum
DARK
HB-500
or yellow as
face tone,
face tone,
face tone,
in formula
and red/
ADD:
in formula
white for
white for
white for
maroon as
flip tone as
flip tone as
flip tone as
in formula
in formula
in formula
in formula
IF TOO
All toners All toners as
All toners as
All toners as All toners as
All toners as
All toners as All toners as
LIGHT
as in
in formula
in formula
in formula
in formula
in formula
in formula in formula
ADD:
formula except
except
except
except
except
except
except
except
black
aluminum
aluminum
aluminum
aluminum
aluminum aluminum
white
IF TOO
MB-204,
Maroon or
Maroon, violet
GREEN
MB-206,
red as in
or red as in
ADD:
MB-207
formula
formula
MB-229,
Aluminum as
violet or
in formula
maroon as
in formula
Red, brown
or maroon
tinters as
in formula
IF TOO
Yellow as
N/A
MB-215,
Aluminum
BLUE
in formula
MB-279
plus other
ADD:
tinters in
formula
except blue
Aluminum
N/A
plus other
tinters in
formula
except blue
or green
All tinters as
per formula
except black
IF TOO
DIRTY
ADD:
All tinters
in formula
except
black
All tinters as
per formula
except black
All tinters as
per formula
except black
All tinters as
per formula
except black
All tinters as
per formula
except black
Red, brown Red, brown
or maroon or maroon
tinters as
tinters as
in formula in formula
IF TOO
Yellow as
Yellow or
MB-273 or
HB-551,
HB-551,
HB-551,
Aluminum as
RED
in formula
orange as
a hint of
MB-204
MB-204 or
MB-204 or
in formula
ADD:
in formula
HB-551
transparent
transparent
yellow as
yellow as
in formula
in formula
IF TOO
HB-500
All tinters
MB-272
MB-259,
Blue or
Red or
Red or
YELLOW and all
except
VB-620 or
green as
brown tone
brown tone
ADD:
tinters
yellow
blue as
in formula
tinters, as
tinters, as
except
and
in formula
in formula
in formula
yellow
orange
White plus
Yellow as per
HB-545,
HB-545,
Yellow as in
HB-545
tints except
formula
VB-604
VB-604
formula
blue as per
formula
All tinters as
per formula
except black
METALLIC
GOLD
All tinters
in formula
except
black
All tinters
in formula
except
black
All tinters
in formula
except
black
All tinters
in formula
except
black
All tinters
in formula
except
black
Orange
yellows or
browns as
in formula
Red or
brown tone
tinters, as
in formula
Transparent
N/A
red, brown or
maroon as
in formula
All tinters
in formula
except
black
All tinters
in formula
except
black
10
PRO-SPRAY® Automotive Finishes
An Alco Industries Company
In North America: 600 Nova Drive SE, Massillon, OH 44646
Technical Support: 800-776-0933
In the E.U.: Pro-Spray Automotive Finishes Ltd.
Unit H, Normandy Lane, Stratton Business Park,
Biggleswade, Bedfordshire SG18 8QB
Tel. +44 (0) 1767 314320
Fax +44 (0) 1767 319044
Email: sales@pro-spray.co.uk
www.ProSprayFinishes.com
www.ProSprayH2O.com
facebook.com/prospray
PSCTG/0711