University of Louisville
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Electronic Theses and Dissertations
5-2014
Fearfully, wonderfully : for solo tenor, solo baritone,
and orchestra
Anna E. Garman 1990University of Louisville
Follow this and additional works at: http://ir.library.louisville.edu/etd
Recommended Citation
Garman, Anna E. 1990-, "Fearfully, wonderfully : for solo tenor, solo baritone, and orchestra" (2014). Electronic Theses and
Dissertations. Paper 480.
http://dx.doi.org/10.18297/etd/480
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FEARFULLY, WONDERFULLY
for Solo Tenor, Solo Baritone,
and Orchestra
by
Anna E. Garman
B.M. University of North Texas 2011
A Thesis
Submitted to the Faculty of the
School of Music of the University of Louisville
in Partial Fulfillment of the Requirements
for the Degree of
Master of Music
Music Composition
University of Louisville
Louisville, Kentucky
May 2014
Copyright 2014 by Anna E. Garman
All Rights Reserved.
FEARFULLY, WONDERFULLY
for Solo Tenor, Solo Baritone,
and Orchestra
by
Anna E. Garman
B.M. University of North Texas 2011
Thesis approved on
April 28, 2014
by the following committee:
_____________________________
Steve Rouse, Thesis Director
_____________________________
Marc Satterwhite
_____________________________
Kimcherie Lloyd
ii
ACKNOWLEDGEMENTS
I first want to thank God for his provision and blessing over the last two years as I've
completed my degree. I also want to thank my husband and the rest of my family and
friends for their support and encouragement. Lastly, to Dr. Steve Rouse, Kimcherie Lloyd,
and all of the other teachers who have invested in me over the years, thank you for believing
in me.
iii
TABLE OF CONTENTS
Acknowledgments............................................................................iii
Instrumentation..................................................................................v
Percussion Set-Up Diagram...............................................................v
Program Note....................................................................................vi
Texts.................................................................................................vii
Fearfully, Wonderfully.......................................................................1
Curriculum Vitae.............................................................................39
iv
INSTRUMENTATION
3 Flutes (3rd doubling Piccolo)
2 Oboes
English Horn
3 B-flat Clarinets (3rd doubling B-flat Bass Clarinet)
3 Bassoons (3rd doubling Contrabassoon)
4 F Horns
3 C Trumpets
2 Trombones
Bass Trombone
Tuba
Timpani
Percussion 1
Crotales, Snare Drum, Suspended Cymbal, Crash Cymbal, Mark Tree (from
Perc. 2), Marimba
Percussion 2
Tom-toms, Suspended Cymbal (from Perc. 1), Mark Tree, Vibraphone,
Xylophone, Chimes, Crash Cymbal (from Perc. 1)
Percussion 3
Tam-tam, Bass Drum, Triangle
Piano
Harp
Solo Tenor
Solo Baritone
Strings (minimum 12/10/8/6/5)
PERCUSSION SET-UP DIAGRAM:
This suggested percussion set up should minimize the issues of sharing instruments between
parts. It may be rotated or otherwise modified to fit the need of the ensemble or the
performance space.
Duration: circa 12 minutes
v
PROGRAM NOTE
When I was in sixth grade my Sunday School teacher, Rebecca McIntosh O'Dell, had my
entire class memorize Psalms 139. While I have never been particularly adept at
memorizing anything, to this day I can recite this Psalm by heart.
In the Spring of 2010 cancer took Rebecca's life. It was this tragedy that inspired the dual
texts of Fearfully, Wonderfully. The first text, sung exclusively by the solo tenor, is most of
the Psalm Rebecca taught me. The second text, sung almost exclusively by the solo
baritone, is a poem by Thomas Hardy entitled A Wasted Illness.
Fearfully, Wonderfully follows the joint journey of the combined texts, beginning
contemplatively with the Psalm, and slowly exploring the changing moods of the two texts.
The piece is through-composed, but the horn and viola present a theme in the introduction
that permeates the work in modified forms. This theme is meant to represent God's
presence, which never fades despite our ever-changing circumstances.
The arcs of the two texts are similar, lending themselves to being spliced together over the
course of the piece. However at times the individual meanings seem at odds with one
another. In particular, the end of the Psalm combined with the end of Hardy's poem blurs the
line between life and death, and it is up to the listener to decide whether the peaceful
resolution at the end of the work stems from the recovery or the passing of the subject.
vi
TEXTS
Psalms 139
A Wasted Illness
A Psalm of David. NIV.
by Thomas Hardy
1 Oh Lord, You have searched me,
and you know me.
2 You know when I sit and when I rise;
you perceive my thoughts from afar.
3 You discern my going out and my lying down;
you are familiar with all my ways.
4 Before a word is on my tongue
you know it completely, oh Lord.
Through vaults of pain,
Enribbed and wrought with groins of ghastliness,
I passed, and garish spectres moved my brain
To dire distress.
7 Where can I go from your Spirit?
Where can I flee from your presence?
8 If I go up to the heavens, you are there;
if I make my bed in the depths, you are there.
10b ...your right hand will hold me fast.
11 If I say, “Surely the darkness will hide me
and the light become night around me,”
12 even the darkness will not be dark to you;
the night will shine like the day,
for darkness is as light to you.
13 For you created my inmost being;
you knit me together in my mother’s womb.
14 I praise you because I am fearfully and
wonderfully made;
your works are wonderful,
I know that full well.
16b ...all the days ordained for me were written in
your book
before one of them came to be.
And hammerings,
And quakes, and shoots, and stifling hotness, blent
With webby waxing things and waning things
As on I went.
"Where lies the end
To this foul way?" I asked with weakening breath.
Thereon ahead I saw a door extend The door to death.
It loomed more clear:
"At last!" I cried. "The all-delivering door!"
And then, I knew not how, it grew less near
Than theretofore.
And back slid I
Along the galleries by which I came,
And tediously the day returned, and sky,
And life--the same.
And all was well:
Old circumstance resumed its former show,
And on my head the dews of comfort fell...
18b ...when I awake, I am still with you.
23a Search me, God, and know my heart...
24b ...and lead me in the way everlasting.
*Note that both texts have been excerpted for use in this work. Both texts are in the public domain.
vii
Fearfully, Wonderfully
Transposed
Score
q = 52 Profound
Flute 1-2
3
4
Flute 3
3
4
2
3
4
2+3
1.
5
8
f
5
6
4
4
n
p
5
8
Anna E. Garman
(b. 1990)
7
a2
5
8
4
4
5
8
4
4
5
8
4
4
mf
4
4
n
1.
Oboe 1-2
3
4
5
8
4
4
English Horn
3
4
5
8
4
4
5
8
4
4
Bb Clarinet 1-2
3
4
5
8
4
4
5
8
4
4
Bb Clarinet 3
43
58
44
58
44
n
1.
n.
mf
mp
a2
mp
f
f
f
Bassoon 1-2
3
4
Bassoon 3
3
4
F Horn 1-2
3
4
f
f
mp
f
3
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
p
f
mp
f
5
8
fp
p
3
1. Solo, with Vla.
5
8
4
4
mf
f
3.
F Horn 3-4
3
4
5
8
f
mf
4.
4
4
f
p
mp
1. open
mute
C Trumpet 1-2
3
4
5
8
mp
mute
C Trumpet 3
3
4
Trombone 1-2
3
4
Bass Trombone
3
4
f
mute
3
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
p
mp
mp
f
Tuba
f
p
mp
mute
4
4
3
4
f
I.-G, II.-B, III.-Eb, IV.-F
hard mallets
Timpani
3
4
Percussion 1
3
4
Percussion 2
3
4
f
5
8
f
mp
4
4
Crotales, bowed
5
8
4
4
5
8
4
4
3
4
4
mp
Tom-toms, hard mallets
5
8
l.v.
sim.
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
3
4
5
8
4
4
5
8
4
4
3
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
4
4
5
8
5
8
4
4
4
4
5
8
5
8
4
4
4
4
f
Tam-tam
Percussion 3
Bass Drum
to B. D.
3
4
dampen
mf
3
4
f
Piano
pp
mf
bisbig.
mp
D C B | Eb F# G Ab
thunder
Harp
3
4
f
Tenor
Baritone
l.v.
3
4
3
4
q = 52 Profound
2
3 unis.
div.
Violin 1
3
4
5
8
3
4
div. a3
Viola
f
5
6
4
4
5
8
7
5
8
4
4
5
8
mp
n
4
4
5
8
4
4
4
4
5
8
4
4
Solo, with Hn.
(one player only)
div. a2
3
4
f
4
mp
div. f
Violin 2
2+3
f
mf
3
p
f
mf
f
div. a3
Violoncello
3
4
5
8
fp
div. a5
Double Bass
4
4
p
mf
5
8
mp
p
4
4
mf
unis.
3
4
ff
mp
3
5
8
f
4
4
p
Copyright ©2014 Anna E. Garman
composer@annaegarman.com
5
8
4
4
n
fp
- Fearfully, Wonderfully - Anna E. Garman -
2
8
9
10 q = 58 Poco Piu Mosso
rit.
11
3
4
12
2
4
3
4
3
4
2
4
3
4
Ob. 1-2
3
4
2
4
3
4
Eng. Hn.
3
4
2
4
3
4
Cl. 1-2
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3 (Crot.) ord.
4
2
4
3
4
Fl. 1-2
f
mp
Fl. 3
f
ff
Cl. 3
ff
Bsn. 1-2
ff
Bsn. 3
ff
Hn. 1-2
ff
mp
fp
pp
Hn. 3-4
ff
n.
mp
fp
pp
C Tpt. 1-2
n
C Tpt. 3
open
Tbn. 1-2
ff
open
Bs. Tbn.
ff
Tba.
n.
ff
mp
fp
pp
III.-Fb
Timp.
ff
Perc. 1
mp
Perc. 2
3
4
2
4
3
4
Perc. 3
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
2
4
3
4
mf
ff
Hp.
6
mf
f
3
mf
5
D#
mp
a piacere
a tempo
3
4
T.
You have
searched
3
4
Bar.
rit.
8
9
div.
f
pp
ff
Lord,
2
4
and you
know
3
4
10 q = 58 Poco Piu Mosso
unis.
Vln. 1
me,
11
12
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
2
4
3
4
unis.
Vln. 2
pp
ff
tutti, div. a3
Vla.
ff
div. a2
3
4
Vc.
ff
fp
mp
pp
unis.
div. a3
3
4
Db.
f
ff
fp
mp
2
4
pp
3
4
- Fearfully, Wonderfully - Anna E. Garman -
3
poco rit.
13
14
15
16
17
18 flutter
1.
2
4
Fl. 1-2
mp
mf
3
4
4
4
mp
mp
flutter
Fl. 3
2
4
Ob. 1-2
2
4
Eng. Hn.
2
4
3
4
4
4
mp
3
3
4
4
4
3
4
4
4
3
mp
mp
1.
42
43
44
2
4
3
4
4
4
2
4
3
4
4
4
Bsn. 3
2
4
3
4
4
4
Hn. 1-2
2
4
3
4
4
4
Hn. 3-4
2
4
3
4
4
4
C Tpt. 1-2
2
4
3
4
4
4
C Tpt. 3
2
4
3
4
4
4
Tbn. 1-2
2
4
3
4
4
4
Bs. Tbn.
2
4
3
4
4
4
Tba.
2
4
3
4
4
4
Timp.
2
4
3
4
4
4
Cl. 1-2
mp
mf
mp
Cl. 3
1.
Bsn. 1-2
mp
mp
mf
pp
to S.D.
2
4
Perc. 1
3
4
4
4
l.v.
l.v.
Perc. 2
2
4
3
4
4
4
Perc. 3
2
4
3
4
4
4
6
2
4
p
Hp.
3
4
mp
6
mf
2
4
Db
4
4
3
4
4
4
F§ A#
A§
E§
6
D§
A§
mf
mf
p
f
2
4
me.
Search
Bar.
15
16
2
4
Vln. 1
p
3
4
me,
2
4
14
mf
3
T.
13
mp
you have searched,
4
4
and you
know.
3
4
17
4
4
18
poco rit.
3
4
4
4
p
Vln. 2
2
4
3
4
4
4
Vla.
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
unis.
div.
Vc.
p
mp
div.
Db.
p
mp
- Fearfully, Wonderfully - Anna E. Garman -
4
19 q = 108 Intense
ord.
Fl. 1-2
20
21
22
4
4
2
4
3
4
mf
ord.
Fl. 3
mp
4
4
2
4
mf
Ob. 1-2
23
a2
3
4
2
4
4
4
2
4
Cl. 1-2
44
42
4
4
3
4
4
4
3
4
4
4
3
4
44
43
f
3
4
mp
Eng. Hn.
3
4
f
mp
a2
4
4
4
4
f
3
4
mp
f
43
mp
Cl. 3
4
4
2
4
3
4
mf
4
4
3
4
mp
mf
Bsn. 1-2
4
4
2
4
3
4
4
4
3
4
Bsn. 3
4
4
2
4
3
4
4
4
3
4
Hn. 1-2
4
4
2
4
3
4
4
4
3
4
Hn. 3-4
4
4
2
4
3
4
4
4
3
4
C Tpt. 1-2
4
4
2
4
3
4
4
4
3
4
C Tpt. 3
4
4
2
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
a2, open
mp
open
f
3
4
mp
Tbn. 1-2
4
4
2
4
f
3
4
mp
Bs. Tbn.
4
4
2
4
f
3
4
mp
Tba.
4
4
2
4
f
3
4
mp
f
II.-Bb
Timp.
4
4
2
4
3
4
p
mf
Snare Drum
Perc. 1
4
4
mf snares off
f
2
4
3
4
2
4
3
4
dampen
(Tom-t.)
Perc. 2
to Sus. Cym.
4
4
p
mf
to Tri.
(B. D.)
Perc. 3
4
4
dampen
f
Triangle
2
4
mf
3
4
4
4
3
4
mf
4
4
2
4
3
4
4
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
4
4
3
4
4
4
2
4
3
4
4
4
3
4
T.
4
4
2
4
3
4
4
4
3
4
Bar.
4
4
2
4
3
4
4
4
mf
Pno.
4
4
secco
4
4
f
Hp.
f
mf
Through vaults!
19 q = 108 Intense
Vln. 1
4
4
Through vaults!
20
Through vaults of pain!
21
mf
4
4
4
4
3
4
2
4
4
4
3
4
mp
mf
4
4
f
3
4
mp
mf
and wrought with
4
4
f
mp
unis.
div. a2
Vc.
3
4
2
4
ribbed
23
mp
unis.
mf
Vla.
22
2
4
div.
Vln. 2
Through vaults of pain, en
3
4
3
4
mp
mf
4
4
3
4
4
4
3
4
4
4
3
4
f
unis.
2
4
mf
3
4
mp
f
unis.
Db.
4
4
2
4
mf
3
4
mp
f
- Fearfully, Wonderfully - Anna E. Garman -
24
25
3
4
Fl. 1-2
26
2
4
5
27
28
29
3
4
4
4
3
4
3
4
4
4
3
4
f
3
4
Fl. 3
2
4
f
Ob. 1-2
3
4
2
4
3
4
4
4
3
4
Eng. Hn.
3
4
2
4
3
4
4
4
3
4
Cl. 1-2
3
4
2
4
3
4
4
4
3
4
Cl. 3
43
42
43
44
43
Bsn. 1-2
3
4
2
4
3
4
4
4
3
4
3
4
4
4
3
4
f
Bsn. 3
3
4
2
4
Hn. 1-2
3
4
2
4
3
4
4
4
3
4
Hn. 3-4
3
4
2
4
3
4
4
4
3
4
C Tpt. 1-2
3
4
2
4
3
4
4
4
3
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
3
4
4
4
3
4
3
4
4
4
f
f
C Tpt. 3
3
4
2
4
Tbn. 1-2
3
4
2
4
f
mf
3
mute, a2
3
4
mf
f
mute
3
4
Bs. Tbn.
2
4
3
4
mf
Tba.
3
4
2
4
Timp.
3
4
2
4
f
dead strokes
p
f
Perc. 1
Perc. 2
3
4
2
4
3
4
2
4
f
3
4
3
4
4
4
3
4
4
4
3
4
3
4
4
4
3
4
3
4
4
4
3
4
3
4
Sus. Cymbal, hard mallets
to Tom-t.
l.v.
to B. D.
Perc. 3
pp
Bass Drum
mf
3
4
2
4
3
4
2
4
3
4
2
4
3
4
4
4
3
4
3
4
2
4
3
4
4
4
3
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
f
f
Pno.
f
Hp.
Db Cb Bb | Eb Fb G# A
f
3
3
4
T.
Groins!
Gast li ness!
mf
3
4
Bar.
4
4
3
I passed,
groins of gast li ness,
24
Vln. 1
25
3
4
26
2
4
Vln. 2
3
4
2
4
Vla.
3
4
and
gar ish spec tres moved my brain
28
3
4
4
4
3
4
mp
3
4
pizz, unis.
2
4
mf
3
3
4
p
f
3
4
pizz, unis.
3
4
3
4
3
4
f
arco
3
4
mf
p
f
2
4
mf
4
4
pizz.
Db.
arco
4
4
div.
Vc.
29
4
4
div.
mf
to dire dis tress!
unis.
3
4
2
4
3
4
mp
f
3
27
3
4
f
div.
f
mp
arco
4
4
3
4
p
mf
- Fearfully, Wonderfully - Anna E. Garman -
6
30
31
32
3
3
4
Fl. 1-2
releasing tension
legato
2
4
f
legato
ff
3
3
4
Fl. 3
2
4
ff
f
legato
3
Ob. 1-2
3
4
Eng. Hn.
3
4
3
4
3
4
Bsn. 3
3
4
3
4
Hn. 3-4
3
4
Bs. Tbn.
Tba.
3
4
f
f
dim. poco a poco
3
4
f
2
4
3
4
f
ff
3
dim. poco a poco
bring out
2
4
3
4
f
legato 3
3
3
3
dim. poco a poco
3
legato
2
4
3
f
3
3
3
4
f
dim. poco a poco
42
43
f
3
3
3
dim. poco a poco
3
2
4
3
3
3
4
3
dim. poco a poco
2
4
3
4
f
3
4
2
4
3
3
3
3
(S.D.)
snares on
mf
3
4
f
to Sus. Cym.
3
3
3
3
4
Perc. 1
dim. poco a poco
3
4
ff
ord.
Timp.
dim. poco a poco
3
4
3
ff
3
dim. poco a poco
2
4
ff
open
3
dim. poco a poco
2
4
3
4
43
3
f
3
3
4
3
dim. poco a poco
3
4
3
ff
open
3
3
4
ff
Tbn. 1-2
3
2
4
3
4
C Tpt. 3
3
ff
3
ff
C Tpt. 1-2
3
2
4
3
ff
3
f
a2, bring out
3
ff
Hn. 1-2
3
2
4
ff
3
dim. poco a poco
3
4
ff
Bsn. 1-2
3
3
3
4
2
4
ff
3
f
3
3
Cl. 3
3
34
3
4
ff
3
4
3
4
3
2
4
ff
Cl. 1-2
33
dim. poco a poco
2
4
3
4
2
4
3
4
2
4
3
4
f
Tom-toms, hard mallets
3
4
Sus. Cym.
(B. D.)
ff
3
3
4
Perc. 3
ff
mp
3
3
4
2
4
ff
Pno.
ff 3
3
3
4
3
4
3
4
2
4
3
4
2
4
3
4
3
ff
Hp.
3
4
2
4
3
4
2
4
3
4
2
4
3
4
Ab
T.
3
4
Bar.
3
4
ff
3
Groins!
30
Vln. 1
Gast li
31
3
3
4
ness!
32
on the string
2
4
3
f
on the string
ff
3
div.
Vln. 2
3
4
2
4
ff
div.
Vla.
f
3
3
4
2
4
Vc.
3
3
4
ff
Db.
3
4
2
4
3
3
3
3
3
3
dim. poco a poco
dim. poco a poco
3
4
dim. poco a poco
3
4
f
3
dim. poco a poco
3
3
4
f
3
3
34
3
4
2
4
ff
3
4
f
ff
div.
3
releasing tension
33
dim. poco a poco
3
- Fearfully, Wonderfully - Anna E. Garman -
35
36
37
38
Fl. 1-2
3
3
3
3
3
3
p
to Picc.
3
3
3
3
3
3
p
3
rit.
39
q = 68 Broad
4
4
40
3
4
p
4
4
Fl. 3
3
7
3
4
a2
4
4
Ob. 1-2
3
4
ff
4
4
Eng. Hn.
p
3
4
p
ff
mp
4
4
Cl. 1-2
3
4
mp
ff
4
4
Cl. 3
p
3
4
ff
mp
44
Bsn. 1-2
p
43
p
mf
p
to Cbsn.
4
4
3
4
Hn. 1-2
4
4
3
4
Hn. 3-4
4
4
Bsn. 3
p
p
C Tpt. 1-2
3
3
3
3
3
3
3
4
p
mp
3
mf
3
3
3
3
3
3
mf
4
4
3
4
4
4
3
4
4
4
3
4
p
3
C Tpt. 3
p
Tbn. 1-2
p
mf
p
4
4
Bs. Tbn.
3
4
p
mf
p
4
4
Tba.
3
4
p
bring out
mf
p
ord.
4
4
Timp.
3
4
p
Sus. Cymbal, soft mallets
Perc. 1
p
3
3
ff 3
C#
D#
f
3
f
3
mf
3
4
4
3
4
4
4
3
4
p
mf
4
4
3
4
4
4
3
4
G§
F#
ff 3
Hp.
3
4
p
3
B§
E§
mf
4
4
Perc. 3
Pno.
3
4
l.v.
3
Perc. 2
mp 3
4
4
fp
to Cr. Cym.
f
3
mf
3
mf
4
4
3
4
l.v.
T.
4
4
3
4
Bar.
4
4
3
4
35
36
38 rit.
37
3
3
3
3
3
3
3
3
3
3
3
3
40
3
4
p
p
unis.
4
4
Vln. 2
3
q = 68 Broad
4
4
Vln. 1
3
39
3
4
p
p
unis.
4
4
Vla.
mp
3
4
p
mf
p
div.
unis.
4
4
Vc.
p
3
4
mf
p
4
4
Db.
p
3
4
mf
p
- Fearfully, Wonderfully - Anna E. Garman -
8
41 Calm (q = 68)
42
43
44
45
46
47
Fl. 1-2
f
p
Piccolo
Solo with Eng. Hn.
Fl. 3
mf
3
f
mf
Ob. 1-2
f
3
Solo with Picc.
Eng. Hn.
f
mf
f
mf
f
mf
Cl. 1-2
mp
bring out
Cl. 3
f
f
mf
Bsn. 1-2
mf
f
Cbsn.
Bsn. 3
p
mp
p
Hn. 1-2
Hn. 3-4
C Tpt. 1-2
C Tpt. 3
1. bring out
Tbn. 1-2
mf
f
Bs. Tbn.
f
Tba.
f
III.-E§
Timp.
f
Perc. 1
Perc. 2
(B. D.)
Perc. 3
f
Pno.
pp
p
mp
mf
mp
p
mp
f
T.
You
know
when I
sit
and when I
rise;
You per ceive
my
thoughts
Bar.
41 Calm (q = 68)
42
43
44
45
46
47
Vln. 1
fp
mp
p
fp
mp
p
Vln. 2
bring out
IV.
Vla.
fp
mf
f
fp
mp
p
mp
p
Vc.
div.- outside pizz, inside arco
Db.
fp
from a
- Fearfully, Wonderfully - Anna E. Garman -
48
9
50
49
51
Fl. 1-2
Picc.
f
mp
f
mp
Ob. 1-2
Eng. Hn.
Cl. 1-2
Cl. 3
ff
mp
Bsn. 1-2
Cbsn.
mp
3
p
3
Hn. 1-2
mp
p
mf
Hn. 3-4
mp
mf
C Tpt. 1-2
mf
C Tpt. 3
mf
legato as possible
Tbn. 1-2
mf
legato as possible
Bs. Tbn.
mf
Tba.
p
Timp.
Perc. 1
(Tom-t.), med. mallets
Perc. 2
p
Perc. 3
p
mp
Pno.
mp
mp
mf
3
T.
far.
You dis
cern
my
go
ing
out
Bar.
48
49
50
Vln. 1
mp
p
mp
p
Vln. 2
ord.
Vla.
ff
mp
p
Vc.
mp
p
mp
p
Db.
51
and
my
ly
ing
- Fearfully, Wonderfully - Anna E. Garman -
10
52
53
54
4
4
9
8
Picc.
4
4
9
8
Ob. 1-2
4
4
9
8
Eng. Hn.
4
4
9
8
Cl. 1-2
44
98
Fl. 1-2
mp 3
p
6
mp
mp
mf
to Bs. Cl.
Cl. 3
4
4
9
8
4
4
9
8
4
4
9
8
mf
Bsn. 1-2
mf
Cbsn.
mf
mp
p
mf
Hn. 1-2
4
4
9
8
Hn. 3-4
4
4
9
8
Tbn. 1-2
4
4
9
8
Bs. Tbn.
4
4
9
8
Tba.
4
4
9
8
Timp.
4
4
p
sim. 32nds
9
8
p
mf
Perc. 1
4
4
9
8
Perc. 2
44
98
4
4
9
8
4
4
9
8
mp
Perc. 3
mp
Pno.
p
mf
Db C§ Bb | E# F# Gb A§
Hp.
mf
4
4
9
8
4
4
9
8
4
4
9
8
4
4
9
8
l.v.
mp
T.
down;
You
are
fa
mil
iar with all
my
4
4
Bar.
52
53
9
8
54
4
4
Vln. 1
mp
9
8
p
mf
4
4
Vln. 2
mp
9
8
p
mf
4
4
Vla.
mp
9
8
p
mf
4
4
Vc.
mp
9
8
p
mf
4
4
Db.
mp
9
8
p
mf
- Fearfully, Wonderfully - Anna E. Garman -
2+2+2+3
55
56 q = 102 Frantic
3
4
accel.
9
8
Fl. 1-2
57
58
59
60
4
4
mf
mf
9
8
Picc.
11
3
4
4
4
mf
a2
9
8
Ob. 1-2
3
4
4
4
mf
9
8
Eng. Hn.
3
4
4
4
mf
9
8
Cl. 1-2
3
4
4
4
3
4
4
4
mf
9
8
Cl. 3
bring out, colla voce
9
8
Bsn. 1-2
3
4
4
4
f
f
3
bring out, colla voce
3
9
8
Cbsn.
3
4
p
mf
9
8
Hn. 1-2
4
4
f
f
3
4
4
4
mf
9
8
Hn. 3-4
3
4
4
4
mf
9
8
C Tpt. 1-2
3
4
p
4
4
mf
f
6
6
9
8
C Tpt. 3
3
4
p
4
4
f
mf
3
9
8
Tbn. 1-2
3
4
4
4
mp
9
8
Bs. Tbn.
3
3
4
4
4
mp
bring out, colla voce
9
8
Tba.
3
4
mf
9
8
Timp.
4
4
3
3
4
p
4
4
f
mf
ff
ff
dampen
f
dampen
Crash Cym. (hand held pair)
9
8
Perc. 1
3
4
mf
l.v.
4
4
l.v.
with Sticks
9
8
Perc. 2
3
4
4
4
f
ff
f 6
Tam-tam
to T-t.
9
8
Perc. 3
3
4
mp
dampen
f
ff
dampen
mp
scrape, with
tri. beater
mf
f
4
4
f
9
8
T.
3
4
ways.
f
9
8
Bar.
4
4
3
4
3
Ham mer ings!
2+2+2+3
55
Vln. 1
56 q = 102 Frantic
accel.
9
8
57
Quakes!
58
3
Ham mer ings!
59
9
8
60
f
mp
3
4
4
4
f mp sub.
f
3
9
8
mp
3
3
4
p
Shoots!
4
4
f mp sub.
p
Vla.
Shoots!
3
4
p
Vln. 2
Quakes!
4
4
4
4
f
unis, pizz.
Vc.
9
8
3
4
p
f
f
tutti arco
Db.
4
4
pizz.
9
8
3
4
p
f
4
4
f
- Fearfully, Wonderfully - Anna E. Garman -
12
61
62
64
63
4
4
Fl. 1-2
f
4
4
Picc.
f
a2
Ob. 1-2
4
4
Eng. Hn.
4
4
f
bring out, colla voce
f
a2
4
4
Cl. 1-2
f
3
Bass Clarinet
Cl. 3
44
Bsn. 1-2
4
4
Cbsn.
4
4
bring out, colla voce
a2
f
mf
ff
mf
ff
1. open
4
4
Hn. 1-2
Hn. 3-4
4
4
C Tpt. 1-2
4
4
C Tpt. 3
4
4
mp
3. open
mf
mp
mf
6
6
f
6
6
f
Tbn. 1-2
44
Bs. Tbn.
44
Tba.
4
4
Timp.
4
4
Perc. 1
4
4
mf
f
3
mf
mf
3
3
f
mf
6
ff
mp
f
mp
mf
l.v.
6
4
4
Perc. 2
ff
ord.
4
4
Perc. 3
to Tri.
Triangle
mp
Tam-tam, tri. beater
f
mf
3
l.v.
6
6
mf
Bass Drum
l.v.
mp
4
4
f
Pno.
4
4
4
4
mf
Hp.
l.v.
Db C§ B§ | E# F§ G§ Ab
4
4
T.
4
4
Bar.
4
4
mf
Sti
3
fling hot ness!
61
62
Vln. 1
4
4
Vln. 2
4
4
Vla.
4
4
Vc.
4
4
Db.
4
4
3
Hot ness!
63
3
And ham mer ings
64
and quakes,
and
- Fearfully, Wonderfully - Anna E. Garman -
65
66
67
13
68
69
a2
Fl. 1-2
f
mf
p
f
mf
p
f
mf
Picc.
Ob. 1-2
mp
Eng. Hn.
f
mf
mp
ff
mp
a2
Cl. 1-2
mp
f
mp
f
mp
f
mp
f
Bs. Cl.
f
a2
mp
ff
Bsn. 1-2
f
ff
mp
Cbsn.
f
mp
ff
open
Hn. 1-2
mp
open
Hn. 3-4
mp
a2
C Tpt. 1-2
mp
f
mp
f
a2
mp
f
mf
mp
f
mf
mp
mf
mp
C Tpt. 3
Tbn. 1-2
Bs. Tbn.
mp
3
Tba.
f
dead strokes
3
Timp.
mp
f
f mp
f
p sub.
Perc. 1
l.v.
l.v.
mp
3
Perc. 2
mf
f
3
Perc. 3
f
mp
f
Pno.
mp
f
f
ff
mp
mp
mf
T.
mp sub.
f
mf
Be fore
a
word
Bar.
shoots
65
3
and stif ling hot
66
ness,
and web by
wax ing wan
ing things,
67
as
on
I
went.
68
69
3
Vln. 1
f
pp
p
pp
p
3
Vln. 2
f
3
pizz.
arco
Vla.
f
arco
p
3
pizz.
mp
div, arco
Vc.
f
arco
p
mp
pizz.
arco
p
mp
Db.
f
3
is
on my
- Fearfully, Wonderfully - Anna E. Garman -
14
70
71
72
Fl. 1-2
ff
3
6
6
ff
3
6
6
ff
3
6
Picc.
6
6
6
6
Ob. 1-2
Eng. Hn.
ff
6
a2
Cl. 1-2
ff
3
6
6
Bs. Cl.
f
ff
Bsn. 1-2
ff
Cbsn.
f
ff
Hn. 1-2
mf
ff
Hn. 3-4
mf
ff
3
C Tpt. 1-2
3
mf
3
ff
3
C Tpt. 3
ff
mf
Tbn. 1-2
ff
Bs. Tbn.
f
ff
Tba.
f
ff
3
ord.
Timp.
mf
3
ff
Perc. 1
mf
l.v.
f
ff
Perc. 2
3
f
3
3
Perc. 3
f
mf
ff
ff
Pno.
ff
T.
tongue
you
know
3
it
3
com
plete
ly
oh
Lord!
Bar.
70
71
72
Vln. 1
ff
3
6
6
ff
3
6
6
6
Vln. 2
Vla.
ff
Vc.
ff
Db.
f
ff
6
- Fearfully, Wonderfully - Anna E. Garman -
73 building tension
74
75
15
76
77
a2
Fl. 1-2
p
6
mp
Picc.
mp
a2
Ob. 1-2
p
6
mp
Eng. Hn.
mp
a2
Cl. 1-2
mp
p
6
Bs. Cl.
mp
Bsn. 1-2
p
Cbsn.
p
Hn. 1-2
p
Hn. 3-4
3
C Tpt. 1-2
mf
3
C Tpt. 3
mf
Tbn. 1-2
p
Bs. Tbn.
p
Tba.
p
Timp.
p
mp
p
mp
Perc. 1
Perc. 2
Perc. 3
f
p
Pno.
E§
3
arpegg.
mp
Hp.
mp
mf
mf
cresc.
D#
T.
3
Where can I
mf
3
go from your
spir
3
3
Where can I flee from your pres
it?
3
ence?
Where can I
cresc.
go?
Bar.
3
Where lies the end?
Where
73 building tension
lies
74
the
3
end?
Where lies
75
the
end?
76
3
Where lies the end?
77
Vln. 1
p
sf
p
sf
p
sf
p
sf
p
sf
p
sf
Vln. 2
Vla.
mf
3
3
3
3
3
unis.
Vc.
mf
Db.
p
3
3
3
- Fearfully, Wonderfully - Anna E. Garman -
16
78
79
80
Fl. 1-2
6
6
6
6
82 q = 72 Hesitant
81
2
4
3
4
2
4
83
2
4
7
8
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
24
43
42
78
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
7
8
2
4
7
8
3
4
2
4
7
8
3
4
2
4
7
8
ff
to Fl.
Picc.
ff
Ob. 1-2
6
6
6
6
ff
Eng. Hn.
ff
Cl. 1-2
6
6
6
6
ff
to Cl.
Bs. Cl.
ff
Bsn. 1-2
ff
to Bsn.
Cbsn.
ff
3
3
3
Hn. 1-2
f
ff
3
3
3
Hn. 3-4
f
ff
3
3
3
C Tpt. 1-2
3
3
ff
3
C Tpt. 3
ff
Tbn. 1-2
3
3
ff
Bs. Tbn.
ff
Tba.
ff
Timp.
mf
f
ff
3
2
4
Perc. 1
f
3
ff
2
4
Perc. 2
3
to Sus. Cym.
3
4
Mark Tree
3
4
ff
f
3
l.v.
to Vib.
l.v.
to Tri.
2
4
Perc. 3
mf
f
ff
2
4
With the left hand palm and fingers, stop all of
the strings between the indicated pitches as close
to the nut as possible.
ff
Pno.
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
rolling glissando
f
Hp.
ff
ff
T.
3
Where can
I
flee?
Where
3
can
3
I
ff
go?
Bar.
3
Where lies
78
the
end
to
this
79
foul
way?
80
Vln. 1
ff
Vln. 2
2
4
81
3
4
82 q = 72 Hesitant
83
2
4
pp.
2
4
3
4
2
4
2
4
3
4
2
4
ff
Vla.
3
3
3
3
7
8
pp
7
8
pp
ff
Vc.
7
8
2
4
3
4
2
4
7
8
2
4
3
4
2
4
7
8
ff
Db.
ff
- Fearfully, Wonderfully - Anna E. Garman -
2+2+3
84
85
1. Solo
7
8
Fl. 1-2
86
4
4
3
4
87
88
4
4
3
4
mp
mf
89
17
91 Foreboding
90
92
4
4
mp
3
4
f
p
1. Solo
7
8
Bsn. 1-2
4
4
3
4
4
4
3
4
4
4
mp
3
4
f
p
stopped, sempre
7
8
4
4
3
4
4
4
3
4
4
4
3
4
7
8
4
4
3
4
4
4
3
4
4
4
3
4
7
8
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
3
4
p
Pno.
p
Hp.
sim.
l.v.
7
8
F#
D§
T.
7
8
4
4
3
4
4
4
3
4
4
4
Bar.
7
8
4
4
3
4
4
4
3
4
4
4
mp
3
4
Where
2+2+3
84
85
86
87
88
89
lies
the
91 Foreboding
90
92
Vln. 1
7
8
4
4
3
4
4
4
3
4
4
4
3
4
Vln. 2
7
8
4
4
3
4
4
4
3
4
4
4
3
4
Vla.
7
8
4
4
3
4
4
4
3
4
4
4
3
4
Vc.
7
8
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
pizz.
p
pizz.
7
8
Db.
p
93
94
95
4 Triangle
4
Perc. 3
mp
l.v.
96
97
mp
4
4
3
4
4
4
3
4
99
98
3
4
100
sim.
Pno.
gently, head voice as needed
mp
4
4
T.
3
4
mf
4
4
Bar.
this
93
foul
3
4
way?
I
ask
94
95
Vln. 1
4
4
3
4
Vln. 2
4
4
3
4
Vla.
4
4
3
4
Vc.
4
4
3
4
Db.
4
4
3
4
If
p
3
with weak en ing
96
I
go
up
to the
heav
breath.
97
98
end
99
100
to
- Fearfully, Wonderfully - Anna E. Garman -
18
101
102
103
104
105
106
Fl. 1-2
f
ff
mp
f
ff
mp
f
ff
f
ff
f
ff
Flute
Fl. 3
Ob. 1-2
Eng. Hn.
Cl. 1-2
mp
Bb Clarinet
Bs. Cl.
mp
Bsn. 1-2
Cbsn.
Hn. 1-2
Hn. 3-4
C Tpt. 1-2
C Tpt. 3
Tbn. 1-2
Bs. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
mp
Pno.
mf
mp
T.
ens,
you are
there.
If
I
make
my
bed
Bar.
101
Vln. 1
Vln. 2
Vla.
Vc.
Db.
102
103
104
105
106
in
the
- Fearfully, Wonderfully - Anna E. Garman -
107
Fl. 1-2
19
108
109
110
111
4
4
3
4
6
4
3
4
7
8
mp
Fl. 3
4
4
3
4
6
4
3
4
7
8
Ob. 1-2
4
4
3
4
6
4
3
4
7
8
Eng. Hn.
4
4
3
4
6
4
3
4
7
8
Cl. 1-2
4
4
3
4
6
4
3
4
7
8
3
4
6
4
3
4
7
8
3
4
6
4
3
4
7
8
3
4
6
4
3
4
7
8
f
ff
ff
f
mp
to Bs. Cl.
4
4
Cl. 3
f
ff
4
4
Bsn. 1-2
f
mp
ff
Bassoon
4
4
Bsn. 3
f
ff
Hn. 1-2
4
4
3
4
6
4
3
4
7
8
Hn. 3-4
4
4
3
4
6
4
3
4
7
8
C Tpt. 1-2
4
4
3
4
6
4
3
4
7
8
mp
C Tpt. 3
4
4
3
4
Tbn. 1-2
4
4
Bs. Tbn.
mf
6
4
3
4
3
4
6
4
3
4
7
8
4
4
3
4
6
4
3
4
7
8
Tba.
4
4
3
4
6
4
3
4
7
8
Timp.
4
4
3
4
6
4
3
4
7
8
Perc. 1
4
4
3
4
6
4
mp
7
8
mf
to Cr. Cym.
Sus. Cym, soft mallets
l.v.
3
4
p
Perc. 2
4
4
Perc. 3
4
4
3
4
to T.-t.
Tam-tam, tri. beater
4
4
107
Vln. 1
3
4
7
8
l.v.
3
4
f
6
4
your
depths,
Bar.
7
8
mf
p
T.
6
4
mp
3
4
to Tri.
3
4
mp
mf
6
4
scrape
7
8
right
3
4
hand
holds
me
7
8
fast.
4
4
3
4
6
4
3
4
7
8
108
109
110
con sord.
111
4
4
3
4
6
4
3
4
7
8
6
4
3
4
7
8
6
4
3
4
7
8
ppp
con sord.
Vln. 2
4
4
3
4
ppp
con sord.
Vla.
4
4
3
4
ppp
Vc.
4
4
3
4
6
4
3
4
7
8
Db.
4
4
3
4
6
4
3
4
7
8
- Fearfully, Wonderfully - Anna E. Garman -
20
112 Light, with Energy
2+2+3
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Cl. 1-2
Cl. 3
Bsn. 1-2
113
114
115
116
117
118
7
8
p
cresc.
p
cresc.
7
8
7
8
p
cresc.
p
cresc.
7
8
bring out
7
8
mp
Bass Clarinet
bring out
mf
mp
mf
78
7
8
p cresc.
Bsn. 3
7
8
p cresc.
Hn. 1-2
Hn. 3-4
7
8
p
mp
mf
p
mp
mf
mp
mf
mp
mf
mp
mf
7
8
C Tpt. 1-2
7
8
C Tpt. 3
7
8
Tbn. 1-2
7
8
mute
p
mute
Bs. Tbn.
7
8
p
Tba.
7
8
p
Timp.
7
8
Perc. 1
7
8
Perc. 2
7
8
Perc. 3.
7
8
T.
7
8
Bar.
7
8
112 Light, with Energy
2+2+3
Vln. 1
113
pizz.
114
arco
pizz.
arco
116
117
7
8
pp
Vln. 2
115
cresc.
7
8
pp
cresc.
pizz, senza sord.
Vla.
7
8
p
Vc.
Db.
cresc.
7
8
p
cresc.
p
cresc.
7
8
118
- Fearfully, Wonderfully - Anna E. Garman -
120
119
121
122
Fl. 1-2
21
123
124
125
126
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
2+3
p
f
Fl. 3
f
a2
Ob. 1-2
p
f
5
8
Eng. Hn.
7
8
2
4
4
4
f
3
4
p
f
58
Cl. 1-2
78
f
7
8
f
42
44
43
78
2
4
4
4
3
4
7
8
2
4
4
4
3
4
7
8
mf
5
8
Bs. Cl.
7
8
f
mf
a2
5
8
Bsn. 1-2
7
8
p
f
f
to Cbsn.
5
8
Bsn. 3
7
8
2
4
4
4
3
4
p
f
7
8
f
open
5
8
Hn. 1-2
7
8
2
4
4
4
3
4
7
8
mp
f
open
5
8
Hn. 3-4
7
8
2
4
4
4
3
4
7
8
mp
f
C Tpt. 1-2
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
f
C Tpt. 3
f
Tbn. 1-2
f
mp
mp
open
5
8
Bs. Tbn.
7
8
mute
2
4
4
4
3
4
mp
f
5
8
Tba.
7
8
mp
2
4
4
4
3
4
III.-D, IV.-Eb
med. mallets
5
8
Timp.
7
8
2
4
4
4
3
4
7
8
f
p
Perc. 1
7
8
mp
mp
f
7
8
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
Vibraphone,
med. mallets
Perc. 2
mp
Triangle
Perc. 3.
mp
T.
5
8
7
8
5
8
7
8
4
4
3
4
2
4
4
4
3
4
mf
mp
Bar.
There on
120
119
2
4
a
121
senza sord.
Vln. 1
f
head
I
saw
122
a
l.v.
7
8
7
8
mp
door ex tend.
7
8
There
123
124
125
126
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
5
8
7
8
2
4
4
4
3
4
7
8
2+3
p
Vln. 2
f
Vla.
f
Vc.
f
p sub.
Db.
f
p sub.
- Fearfully, Wonderfully - Anna E. Garman -
22
Fl. 1-2
127
7
8
128
129
130
131
132
133
4
4
3
4
2
4
4
4
7
8
2
4
7
8
2
4
7
8
2
4
7
8
f
ff
to Picc.
Fl. 3
7
8
4
4
3
4
2
4
4
4
7
8
f
ff
Ob. 1-2
7
8
4
4
3
4
2
4
4
4
7
8
Eng. Hn.
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Cl. 1-2
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
2
4
7
8
f
mf
Bs. Cl.
7
8
4
4
ff
f
3
4
2
4
4
4
ff
7
8
mf
f
ff
Bsn. 1-2
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Bsn. 3
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Hn. 1-2
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
open
mp
mp
p
open
Hn. 3-4
78
44
43
42
44
2
4
4
4
78
24
78
mp
mp
a2
C Tpt. 1-2
7
8
4
4
3
4
7
8
mf
C Tpt. 3
7
8
4
4
3
4
2
4
mp
4
4
7
8
7
8
4
4
3
4
2
4
p
mp
open, a2
4
4
7
8
2
4
mf
Tbn. 1-2
p
2
4
7
8
7
8
p
2
4
p
mp
mp
7
8
open
Bs. Tbn.
7
8
4
4
3
4
2
4
4
4
7
8
2
4
mp
Tba.
7
8
4
4
3
4
p
mp
2
4
4
4
7
8
7
8
2
4
mp
mp
7
8
p
Timp.
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Perc. 1
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Perc. 2
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Perc. 3
7
8
4
4
3
4
2
4
4
4
7
8
2
4
to B. D.
T.
7
8
4
4
Bar.
7
8
4
4
sim.
mp
mp
3
4
2
4
3
4
2
4
on a head I saw
Vln. 1
127
7
8
a
mp
4
4
7
8
4
4
7
8
f
mf
door ex tend
to death.
7
8
2
4
7
8
2
4
7
8
ff
To
death,
the door to
death!
128
129
130
131
132
133
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Vln. 2
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Vla.
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Vc.
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
Db.
7
8
4
4
3
4
2
4
4
4
7
8
2
4
7
8
- Fearfully, Wonderfully - Anna E. Garman -
Fl. 1-2
134
7
8
3+2+2
135
136
3
8
7
8
2+2+3
137
138
23
3+2+2
Piccolo
Fl. 3
7
8
3
8
139
a2
2+2+3
140
mp
7
8
mp
a2
Ob. 1-2
7
8
3
8
7
8
mp
Eng. Hn.
7
8
3
8
7
8
Cl. 1-2
7
8
3
8
7
8
Bs. Cl.
7
8
3
8
7
8
mp
a2
mp
mp
Soli
Bsn. 1-2
7
8
3
8
7
8
3
8
7
8
mp
Contrabassoon
Soli
Cbsn.
7
8
Hn. 1-2
7
8
3
8
7
8
Hn. 3-4
7
8
3
8
7
8
C Tpt. 1-2
7
8
3
8
7
8
C Tpt. 3
7
8
3
8
7
8
Tbn. 1-2
78
38
78
Bs. Tbn.
7
8
3
8
7
8
Tba.
7
8
3
8
7
8
Timp.
7
8
3
8
7
8
mp
hard mallets
mp
Crash Cymbal
Perc. 1
7
8
3
8
7
8
mf
Perc. 2
7
8
3
8
7
8
Perc. 3
7
8
3
8
7
8
7
8
3
8
7
8
Bass Drum
mf
mf
ord.
Pno.
7
8
3
8
7
8
7
8
3
8
7
8
3
8
7
8
mp
Hp.
7
8
mp
T.
7
8
3
8
Sure ly the dark ness
Bar.
7
8
C#
mf
D#
E#
will
E§
ff
7
8
hide me
and the light
3
8
7
8
135
136
3
8
7
8
be come night
a round me.
A head
Vln. 1
134
7
8
3+2+2
Vln. 2
7
8
3
8
7
8
Vla.
7
8
3
8
7
8
Vc.
7
8
3
8
7
8
Db.
7
8
3
8
7
8
2+2+3
137
138
ff
mp
3+2+2
I
saw
a door
139
ex
tend
140
arco
arco
The
to
2+2+3
- Fearfully, Wonderfully - Anna E. Garman -
24
142 With Great Weight
141
143
2
4
Fl. 1-2
a2
144
6
4
4
f
emerging
6
6
6
2
4
4
4
ff
6
2
4
Picc.
4
4
f
Ob. 1-2
6
6
emerging
6
2
4
4
4
ff
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
f
Eng. Hn.
f
a2
Cl. 1-2
f
6
emerging
2
4
Bs. Cl.
6
6
6
4
4
ff
2
4
f
4
4
ff
Bsn. 1-2
2
4
4
4
2
4
4
4
2
4
4
4
2
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
42
44
42
44
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
ff
f
Cbsn.
f
4
4
ff
Hn. 1-2
f
Hn. 3-4
f
C Tpt. 1-2
f
C Tpt. 3
f
Tbn. 1-2
f
Bs. Tbn.
f
Tba.
f
Timp.
ff
Perc. 1
l.v.
ff
to Xyl.
Perc. 2
ff
Perc. 3
ff
2
4
ff
Pno.
6
ff
Hp.
D§ A§
thunder
6
G#
F§
T.
light!
Bar.
142 With Great Weight
death!
141
2
4
Vln. 1
unis.
143
div. a6
div.
6
4
4
6
f
div, senza sord
unis.
div. a6
2
4
Vln. 2
f
arco
emerging
f
6
6
6
2
4
4
4
ff
4
4
2
4
4
4
4
4
2
4
4
4
4
4
2
4
4
4
ff
div.
2
4
f
ff
div.
ff
div.
2
4
Db.
4
4
div.
f
Vc.
2
4
6
4
4
2
4
Vla.
144
ff
- Fearfully, Wonderfully - Anna E. Garman 145
146
poco accel. 149 q = 78 Restrained, but Growing
147
148
150
151
1.
4
4
Fl. 1-2
2
4
4
4
mf
Picc.
4
4
2
4
4
4
Ob. 1-2
4
4
2
4
4
4
Eng. Hn.
4
4
ff
mp
2
4
ff
4
4
mp
Cl. 1-2
44
42
44
Bs. Cl.
4
4
2
4
4
4
Bsn. 1-2
44
42
44
Cbsn.
4
4
2
4
4
4
Hn. 1-2
4
4
2
4
1.
4
4
mf
ff
a2
4
4
Hn. 3-4
2
4
ff
mf
4
4
C Tpt. 1-2
mf
f
4
4
2
4
4
4
2
4
4
4
f
ff
4
4
C Tpt. 3
ff
Tbn. 1-2
4
4
2
4
4
4
Bs. Tbn.
4
4
2
4
4
4
Tba.
4
4
2
4
4
4
mp
4
4
Timp.
2
4
4
4
2
4
4
4
2
4
4
4
mp
Perc. 1
4
4
Perc. 2
4
4
Snare Drum
to S. D.
l.v.
Xylophone, hard mallets
mf
6
6
f
6
6
to Vib.
mp
ff
4
4
Perc. 3
f
2
4
4
4
2
4
4
4
4
4
2
4
4
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
6
4
4
f
Pno.
6
6
6
ff
ff
Hp.
mf
4
4
G§
4
4
T.
The
light,
the
light.
f
4
4
Bar.
2
4
4
4
147
loomed
148
It
145
146
more
clear,
it loomed.
150
151
poco accel. 149 q = 78 Restrained, but Growing
Vln. 1
4
4
2
4
4
4
Vln. 2
4
4
2
4
4
4
Vla.
4
4
2
4
4
4
Vc.
4
4
2
4
4
4
Db.
4
4
2
4
4
4
unis.
mf
unis.
mf
mf
25
- Fearfully, Wonderfully - Anna E. Garman -
26
152
153
154
155
156
2
4
4
4
Fl. 1-2
f
6
mf
6
2
4
Picc.
f
157
6
4
4
mf
6
2
4
Ob. 1-2
f
6
mf`
6
bring out
Eng. Hn.
f
4
4
6
6
6
2
4
4
4
2
4
4
4
p
6
Cl. 1-2
mf
f
6
6
Bs. Cl.
2
4
4
4
2
4
4
4
f
Bsn. 1-2
f
6
6
mf
bring out
2
4
Cbsn.
f
6
4
4
mf
p
6
2
4
4
4
2
4
4
4
2
4
4
4
24
44
2
4
4
4
2
4
4
4
2
4
4
4
Timp.
2
4
4
4
Perc. 1
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
Hn. 1-2
p
f
p
Hn. 3-4
p
f
p
mute
C Tpt. 1-2
f
mf legato
mute
C Tpt. 3
f
mf legato
Tbn. 1-2
f
f
p
Bs. Tbn.
f
f
p
Tba.
p
f
p
Vibraphone, med. mallets
to Chm.
Perc. 2
mf
Perc. 3
Hp.
f
f
T.
The light
is
a
night
round
me!
it loomed more
clear!
f
2
4
Bar.
It loomed more
152 unis.
153
div.
154
Vln. 1
6
f
unis.
6
6
6
div.
6
6
6
6
clear,
155
156
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
p
Vla.
f
mf
Db.
f
div.
mf
Vc.
f
157
p
Vln. 2
f
4
4
mf
- Fearfully, Wonderfully - Anna E. Garman -
159
158
27
160
161
2+3+2
162
Fl. 1-2
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
7
8
4
4
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
f
Picc.
f
Ob. 1-2
3
3
3
3
3
f
3
Eng. Hn.
mf
f
3
3
Cl. 1-2
3
f
Bs. Cl.
mf
f
a2
Bsn. 1-2
f
Cbsn.
f
Hn. 1-2
Hn. 3-4
open
C Tpt. 1-2
f
C Tpt. 3
a2
Tbn. 1-2
mf
f
Bs. Tbn.
mf
f
Tba.
f
mf
Timp.
mf
f
Perc. 1
fp
f
Perc. 2
78
44
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
(B. D.)
Perc. 3
mf
f
mf
Pno.
f
Hp.
f
3
3
3
f
T.
The
f
The
light!
light!
The
all
de
liv
3
er
ing
7
8
Bar.
At
158
div.
unis.
last!
At
159
160
Vln. 1
3
3
3
mf
unis.3
The
all
161
de
liv
er
ing
4
4
door!
162
2+3+2
7
8
4
4
7
8
4
4
7
8
4
4
7
8
4
4
f
div.
Vln. 2
mf
unis.
last!
3
door!
3
div.
3
f
unis.
Vla.
f
div.
Vc.
unis.
f
unis.
div.
7
8
Db.
f
4
4
- Fearfully, Wonderfully - Anna E. Garman -
28
163
164
Fl. 1-2
4
4
Picc.
4
4
Ob. 1-2
4
4
Eng. Hn.
4
4
Cl. 1-2
4
4
Bs. Cl.
4
4
Bsn. 1-2
4
4
Cbsn.
4
4
Hn. 1-2
4
4
f
4
4
Hn. 3-4
f
4
4
C Tpt. 1-2
f
open
4
4
C Tpt. 3
f
Tbn. 1-2
4
4
Bs. Tbn.
4
4
Tba.
4
4
Timp.
4
4
Perc. 1
4
4
Perc. 2
4
4
Chimes
bring out
f
Perc. 3
4
4
Pno.
4
4
4
4
T.
4
4
Bar.
4
4
div. a3
163
Vln. 1
164
4
4
div. a3
Vln. 2
4
4
Vla.
4
4
Vc.
4
4
Db.
4
4
unis.
- Fearfully, Wonderfully - Anna E. Garman -
165
29
166
Fl. 1-2
3
4
4
4
Picc.
3
4
4
4
Ob. 1-2
3
4
4
4
Eng. Hn.
3
4
4
4
Cl. 1-2
3
4
4
4
Bs. Cl.
3
4
4
4
Bsn. 1-2
43
44
Cbsn.
3
4
4
4
Hn. 1-2
3
4
4
4
Hn. 3-4
3
4
4
4
C Tpt. 1-2
3
4
4
4
C Tpt. 3
3
4
4
4
Tbn. 1-2
3
4
4
4
Bs. Tbn.
3
4
4
4
Tba.
3
4
4
4
Timp.
3
4
4
4
Perc. 1
3
4
4
4
Perc. 2
3
4
4
4
Perc. 3
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
a2
Pno.
f
Hp.
3
4
4
4
D# C B# | Eb F# Gb A
3
4
3
4
T.
Bar.
165
4
4
4
4
166
unis.
Vln. 1
3
4
4
4
Vln. 2
3
4
4
4
Vla.
3
4
4
4
Vc.
3
4
4
4
Db.
3
4
4
4
unis.
- Fearfully, Wonderfully - Anna E. Garman -
30
167
Fl. 1-2
Picc.
Ob. 1-2
Eng. Hn.
168
169
170
4
4
ff
f
ff
f
ff
f
ff
f
ff
f
4
4
4
4
4
4
Cl. 1-2
4
4
Bs. Cl.
4
4
f
ff
Bsn. 1-2
4
4
Cbsn.
4
4
Hn. 1-2
44
Hn. 3-4
4
4
ff
f
f
ff
a2
ff
f
fp
4
4
5
ff
C Tpt. 3
f
fp
ff
a2
C Tpt. 1-2
171
fp
f
fp
f
5
5
5
4
4
ff
ff
Tbn. 1-2
4
4
Bs. Tbn.
4
4
f
ff
ff
f
Tba.
4
4
Timp.
4
4
Perc. 1
4
4
III.-C
ff
f
ff
f
ff
5
5
f
to Cr. Cym.
Perc. 2
4
4
Perc. 3
4
4
ff
ff
f
4
4
f
ff
Pno.
4
4
4
4
ff
Hp.
4
4
ff
T.
4
4
Ev en the
dark ness will
not
be
dark
to
you!
Night will shine like
day!
The
ff
Bar.
4
4
5
The all de liv er ing
167
Vln. 1
168
169
door!
170
5
4
4
Vln. 2
4
4
Vla.
4
4
ff
Db.
de
171
ff
Vc.
The all
f
f
div.
ff
f
bring out
ff
div.
f
4
4
5
unis.
4
4
ff
5
f
liv er ing
- Fearfully, Wonderfully - Anna E. Garman 172
a2
Fl. 1-2
6
Picc.
6
31
173
174
175
176
177
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
ff
2
4
3
4
4
4
ff
a2
2
4
Ob. 1-2
3
4
4
4
ff
3
Eng. Hn.
6
3
a2
2
4
3
4
4
4
ff
6
2
4
3
4
4
4
Bs. Cl.
2
4
3
4
4
4
Bsn. 1-2
2
4
3
4
4
4
Cbsn.
2
4
3
4
4
4
Hn. 1-2
2
4
3
4
4
4
2
4
3
4
4
4
Hn. 3-4
2
4
3
4
4
4
2
4
3
4
4
4
4
4
2
4
3
4
4
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
4
4
Cl. 1-2
6
ff
ff
ff
ff
f
f
C Tpt. 1-2
2
4
3
4
C Tpt. 3
2
4
3
4
f
f
Tbn. 1-2
2
4
3
4
4
4
Bs. Tbn.
2
4
3
4
4
4
Tba.
2
4
3
4
4
4
Timp.
2
4
3
4
4
4
Perc. 1
2
4
3
4
4
4
2
4
3
4
Perc. 2
2
4
3
4
4
4
2
4
3
4
4
4
Perc. 3
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
3
4
4
4
ff
if possible
ff
ff
ff
ff
Crash Cym.
l.v.
ff
Pno.
D C B | Eb F# G A#
Hp.
ff
fff
T.
night
will
shine
like
for
day
dark ness
2
4
Bar.
is
3
4
door!
Vln. 1
6
light
fff
to
4
4
All
172
as
de
you!
2
4
liv
er ing
door!
173
174
175
176
177
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
ff
Vln. 2
2
4
Vla.
2
4
3
4
4
4
3
4
4
4
ff
unis, bring out
ff
Vc.
2
4
3
4
4
4
Db.
2
4
3
4
4
4
ff
ff
div.
- Fearfully, Wonderfully - Anna E. Garman -
32
Fl. 1-2
178
4
4
179
a2
180
3
4
2
4
4
4
3
4
2
4
4
4
3
4
2
4
4
4
3
4
2
4
4
4
3
4
2
4
4
4
3
4
2
4
4
4
3
4
2
4
4
4
fff
Picc.
4
4
fff
a2
Ob. 1-2
4
4
fff
Eng. Hn.
4
4
ff
Cl. 1-2
a2
4
4
fff
Bs. Cl.
4
4
ff
Bsn. 1-2
4
4
ff
fff
Cbsn.
4
4
3
4
2
4
4
4
ff
fff
Hn. 1-2
4
4
3
4
2
4
4
4
Hn. 3-4
4
4
3
4
2
4
4
4
C Tpt. 1-2
4
4
3
4
2
4
4
4
C Tpt. 3
4
4
3
4
2
4
4
4
Tbn. 1-2
4
4
3
4
2
4
4
4
fff
Bs. Tbn.
4
4
Tba.
4
4
ff
3
4
2
4
3
4
2
4
ff
fff
4
4
3
4
2
4
fff
Perc. 1
Perc. 2
4
4
4
4
ff
Perc. 3
4
4
ff
l.v.
3
4
3
4
2
4
2
4
3
4
2
4
4
4
4
4
ff
4
4
ff
4
4
ff
4
4
3
4
2
4
3
4
2
4
fff
Pno.
4
4
ff
fff
Timp.
4
4
4
4
ff
4
4
4
4
ff
rolling glissando
4
4
Db C Bb | Eb F Gb A
Hp.
3
4
2
4
4
4
3
4
2
4
4
4
ff
4
4
l.v.
T.
4
4
3
4
2
4
4
4
Bar.
4
4
3
4
2
4
4
4
179
180
3
4
2
4
4
4
3
4
2
4
4
4
3
4
2
4
4
4
Vln. 1
178
4
4
fff
Vln. 2
4
4
fff
Vla.
4
4
ff
fff
Vc.
4
4
3
4
2
4
4
4
ff
fff
unis.
Db.
4
4
3
4
fff
2
4
4
4
ff
- Fearfully, Wonderfully - Anna E. Garman -
33
182 q = 72 Broad
181
a2
4
4
Fl. 1-2
2
4
183
184
3
4
4
4
ff
186
ff
4
4
Picc.
185
2
4
3
4
ff
4
4
ff
a2
4
4
Ob. 1-2
2
4
3
4
ff
Eng. Hn.
4
4
Cl. 1-2
4
4
4
4
ff
2
4
3
4
4
4
2
4
3
4
4
4
a2
ff
ff
to Cl.
Bs. Cl.
4
4
2
4
3
4
4
4
Bsn. 1-2
4
4
2
4
3
4
4
4
Cbsn.
4
4
2
4
3
4
4
4
Hn. 1-2
4
4
2
4
3
4
4
4
to Bsn.
ff
4
4
Hn. 3-4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
4
4
Bs. Tbn.
2
4
4
4
Tba.
2
4
mp
f
mp
f
mp
f
mp
f
mp
f
mp
4
4
ff
Tbn. 1-2
f
4
4
ff
C Tpt. 3
mp
4
4
ff
C Tpt. 1-2
f
3
4
4
4
3
4
4
4
3
4
4
4
soft mallets
II.-A
4
4
Timp.
2
4
3
4
4
4
mf
3
44
Perc. 1
to M.tree
24
43
44
f
p
to Chim.
Perc. 2
4
4
2
4
3
4
4
4
Perc. 3
4
4
2
4
3
4
4
4
Pno.
4
4
4
4
2
4
2
4
3
4
3
4
4
4
4
4
4
4
2
4
3
4
4
4
4
4
2
4
3
4
4
4
T.
4
4
2
4
3
4
4
4
Bar.
4
4
2
4
3
4
4
4
to Tri.
D C# B | E F# G# A
Hp.
l.v.
ff
f
The door to
181
Vln. 1
183
182 q = 72 Broad
2
3
4
4
4
4
ff
Vln. 2
4
4
Vla.
4
4
div.
184
3
4
2
4
3
4
ff
186
4
4
f
div.
2
4
185
death?
mf
4
4
f
mf
4
4
mf
div.
Vc.
4
4
2
4
3
4
4
4
mf
Db.
4
4
2
4
3
4
4
4
mf
- Fearfully, Wonderfully - Anna E. Garman -
34
187
188
rit.
189
Mosso
191 q = 62 Meno
192
193
190
194
colla voce
195
196
197
in tempo
Fl. 1-2
3
4
4
4
3
4
4
4
3
4
Picc.
3
4
4
4
3
4
4
4
3
4
Ob. 1-2
3
4
4
4
3
4
4
4
3
4
Eng. Hn.
3
4
4
4
3
4
4
4
3
4
Cl. 1-2
3
4
4
4
3
4
4
4
3
4
Bs. Cl.
3
4
4
4
3
4
4
4
3
4
Bsn. 1-2
43
44
43
44
43
Cbsn.
3
4
4
4
3
4
4
4
3
4
Hn. 1-2
3
4
4
4
3
4
4
4
3
4
Hn. 3-4
3
4
4
4
3
4
4
4
3
4
C Tpt. 1-2
3
4
4
4
3
4
4
4
3
4
C Tpt. 3
3
4
4
4
3
4
4
4
3
4
Tbn. 1-2
3
4
4
4
3
4
4
4
3
4
mp
p
3
4
Bs. Tbn.
4
4
3
4
4
4
p
Tba.
3
4
4
4
Timp.
3
4
4
4
3
4
mp
3
4
4
4
p
3
4
mp
II.-D
mp
3
4
4
4
4
4
3
4
pp
Mark tree, stick
Perc. 1
3
4
4
4
3
4
Perc. 2
3
4
4
4
3
4
Perc. 3
3
4
4
4
3
4
4 ad lib.
4
3
4
mp
Chimes
l.v.
4
4
3
4
3
4
4
4
3
4
3
4
4
4
3
4
mp
mf
3
D C Bb | E F G# A
Hp.
T.
3
4
4
4
3
4
4
4
3
4
3
4
4
4
3
4
4
4
3
4
3
4
4
4
4
4
3
4
mf
a piacere
mp
Bar.
It loomed more
187
3
4
Vln. 1
And
clear:
188
rit.
(rit.)
then,
(tempo)
I know not how, it grew less near than there to fore.
colla voce
190
4
4
192
193
194
195
in tempo
3
4
196
197
4
4
3
4
4
4
3
4
4
4
3
4
pp
3
4
4
4
3
4
mp
pp
div.
3
4
Vla.
)
191 q = 62 Meno Mosso
189
mp
Vln. 2
(
3
4
4
4
unis.
3
4
mp
pp
p
div.
unis.
3
4
Vc.
4
4
3
4
mp
pp
3
4
Db.
mp
4
4
3
4
4
4
3
4
p
3
4
pp
4
4
p
- Fearfully, Wonderfully - Anna E. Garman -
198 Tranquil (q = 62)
199
3+2+2
200
201
202
35
204 q = 58
poco rit.
203
2+2+3+2
205
Fl. 1-2
3
4
7
8
3
4
2
4
9
8
4
4
3
4
Ob. 1-2
3
4
7
8
3
4
2
4
9
8
4
4
3
4
Hn. 1-2
3
4
7
8
3
4
2
4
9
8
4
4
3
4
1.
4
4
mf
1.
4
4
mf
mp
7
8
3
4
2
4
9
8
mp
Tbn. 1-2
3
4
Bs. Tbn.
3
4
p
f
3
4
Hn. 3-4
4
4
4
4
3
4
4
4
p
f
7
8
3
4
2
4
9
8
4
4
3
4
4
4
7
8
3
4
2
4
9
8
4
4
3
4
4
4
Tba.
3
4
7
8
3
4
2
4
9
8
4
4
3
4
4
4
Perc. 1
3
4
7
8
3
4
2
4
9
8
4
4
3
4
pp
pp
p
f
mp
4
4
l.v.
mp
T.
3
4
7
8
3
4
2
4
9
8
4
4
Bar.
3
4
7
8
3
4
2
4
9
8
4
4
cresc. poco a poco
3
4
199
4
4
3
For
198 Tranquil (q = 62)
to Mba.
you cre at ed my in most be ing;
4
4
204 q = 58
poco rit.
200
201
202
Vln. 1
3
4
7
8
3
4
2
4
9
8
4
4
3 unis, bring out
4
Vln. 2
3
4
7
8
3
4
2
4
9
8
4
4
3 unis.
4
Vla.
3
4
7
8
3
4
2
4
9
8
4
4
3
4
3+2+2
203
2+2+3+2
205
mp
pp
4
4
7
8
3
4
2
4
9
8
4
4
4
4
cresc. poco a poco
3
4
pp
4
4
mp
3
4
Db.
cresc. poco a poco
mp
unis.
3
4
7
8
3
4
2
4
9
8
4
4
cresc. poco a poco
3
4
4
4
mp
pp
206
207
208
209
4
4
cresc. poco a poco
mp
Vc.
You
3
4
cresc. poco a poco
210
211
1.
Fl. 1-2
4
4
2
4
3
4
4
4
3
4
Ob. 1-2
4
4
2
4
3
4
4
4
3
4
Cl. 1-2
4
4
2
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
mp
a2
mf
Clarinet in Bb
Bs. Cl.
4
4
C Tpt. 1-2
4
4
f
mp
2
4
3
4
2
4
3
4
f
mp
mute, a2
mp
mf
mute
C Tpt. 3
4
4
2
4
3
4
T.
4
4
2
4
3
4
4
4
mp
3
3
knit me to geth
er
in
my
moth er's womb.
4
4
Bar.
Your
works
are
3
4
208
209
f
mf
4
4
won der ful,
2
4
3
4
I
know that
full
3
4
well.
f
4
4
3
4
And
206
207
210
211
Vln. 1
4
4
2
4
3
4
4
4
Vln. 2
4
4
2
4
3
4
4
4
Vla.
44
24
43
44
Vc.
4
4
2
4
3
4
4
4
3
4
f
3
4
f
43
f
3
4
f
Db.
4
4
2
4
3
4
4
4
3
4
f
- Fearfully, Wonderfully - Anna E. Garman -
36
212
213
214
215
216
rit.
217
218
219 A Tempo
220
Fl. 1-2
3
4
4
4
3
4
4
4
3
4
Picc.
3
4
4
4
3
4
4
4
3
4
Ob. 1-2
3
4
4
4
3
4
4
4
3
4
Eng. Hn.
3
4
4
4
3
4
4
4
3
4
Cl. 1-2
3
4
4
4
3
4
4
4
3
4
Cl. 3
3
4
3
4
4
4
3
4
3
4
4
4
3
4
3
4
4
4
3
4
a2
mp
mf
4
4
mp
mf
Bsn. 1-2
3
4
4
4
mp
mf
Bassoon
Bsn. 3
3
4
4
4
Hn. 1-2
3
4
4
4
3
4
4
4
3
4
Hn. 3-4
3
4
4
4
3
4
4
4
3
4
C Tpt. 1-2
3
4
4
4
3
4
4
4
3
4
C Tpt. 3
3
4
4
4
3
4
4
4
3
4
Tbn. 1-2
3
4
4
4
3
4
4
4
3
4
Bs. Tbn.
3
4
4
4
3
4
4
4
3
4
Tba.
3
4
4
4
3
4
4
4
3
4
Timp.
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
mp
mf
mp
mp
1.
mp
mp
p
p
mp
p
mp
hard mallets
mf
Marimba, soft mallets
3
4
mp
mf
Mar.
3
4
4
4
3
4
4
4
3
4
Perc. 2
3
4
4
4
3
4
4
4
3
4
Perc. 3
3
4
4
4
3
4
4
4
3
4
3
4
4
4
3
4
4
4
3
4
3
4
4
4
3
4
4
4
3
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
mp
Pno.
p
D C B | Eb F G# A
Hp.
3
4
4
4
3
4
3
4
4
4
3
4
mp
T.
Bar.
3
4
mp
4
4
back
212
slid
I
a long the
3
4
gal
ler ies by which I
came.
And
rit.
213
214
215
days or dained for me were
All the
mp
216
217
218
3
te di ous ly
4
4
the
219 A Tempo
3
4
day
re turned,
and
220
pizz.
Vln. 1
3
4
Vln. 2
3
4
4
4
p
decresc.
4
4
3
4
4
4
Vc.
3
4
3
4
4
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
p
pizz.
3
4
p
decresc.
3
4
p
pizz.
p
decresc.
4
4
p
pizz.
3
4
p
decresc.
Vla.
3
4
p
pizz.
Db.
3
4
4
4
decresc.
3
4
p
p
- Fearfully, Wonderfully - Anna E. Garman -
221
222
3
4
Fl. 1-2
223
224
2
4
3
4
37
rit.
225
226
227
228
229
4
4
5
8
pp
3
4
Picc.
2
4
3
4
4
4
5
8
pp
3
4
Ob. 1-2
2
4
3
4
4
4
5
8
pp
3
4
Eng. Hn.
2
4
3
4
4
4
5
8
pp
43
Cl. 1-2
42
43
44
58
pp
3
4
Cl. 3
2
4
3
4
4
4
5
8
pp
3
4
Bsn. 1-2
2
4
3
4
4
4
5
8
pp
3
4
Bsn. 3
2
4
3
4
4
4
5
8
pp
3
4
Hn. 1-2
2
4
3
4
4
4
mp
Hn. 3-4
3
4
2
4
3
4
C Tpt. 1-2
3
4
2
4
3
4
5
8
f
4
4
(mute)
mp
5
8
f
4
4
mp
5
8
f
(mute)
3
4
C Tpt. 3
2
4
3
4
4
4
mp
3
4
Tbn. 1-2
2
4
3
4
5
8
f
4
4
5
8
f
3
4
Bs. Tbn.
2
4
3
4
4
4
5
8
f
3
4
Tba.
2
4
3
4
4
4
5
8
f
Timp.
3
4
2
4
3
4
4
4
5
8
Mar.
3
4
2
4
3
4
4
4
5
8
(Chm.)
colla voce
3
4
Perc. 2
2
4
3
4
4
4
5
8
p
Perc. 3
l.v.
pp
l.v.
3
4
2
4
3
4
4
4
5
8
3
4
2
4
3
4
4
4
5
8
3
4
2
4
3
4
4
4
5
8
3
4
2
4
Hp.
mf
3
T.
writ ten
in your book
be
fore
3
4
one of them came to
a piacere
p
5
8
be.
When I a
a piacere
p
mf
3
4
Bar.
2
4
sky,
221
Vln. 1
222
3
4
3
4
and
223
2
4
life the
3
4
And all was
rit.
225
4 arco
4
226
2
4
3
4
2
4
3
4
4
4
f
p
3
4
2
4
3
4
229
5
8
pp
p
ppp
ppp
pp
ppp
pp
ppp
colla voce
4
4
f
228
colla voce
arco
Vc.
227
colla voce
arco
3
4
well.
pp
p
4
4
f
Vla.
you.
colla voce
arco
3
4
I am still with
5
8
f
Vln. 2
wake
4
4
same.
224
pp
4
4
p
5
8
5
8
5
8
arco
Db.
3
4
2
4
3
4
4
4
5
8
f
p
- Fearfully, Wonderfully - Anna E. Garman -
38
230 q = 52 Serene
1.
2+3
5
8
Fl. 1-2
231
232
4
4
mp
Solo
234
235
236
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
237
3
5
8
Eng. Hn.
233
4
4
mp
1.
mf
mp
Cl. 1-2
5
8
4
4
Bsn. 1-2
5
8
4
4
Hn. 1-2
5
8
4
4
5
8
4
4
3
4
4
4
Hn. 3-4
5
8
4
4
5
8
4
4
3
4
4
4
mp
1.
mp
C Tpt. 1-2
5
8
4
4
5
8
4
4
3
4
4
4
Tba.
5
8
4
4
5
8
4
4
3
4
4
4
Perc. 3
5
8
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
3
Triangle
l.v.
p
5
8
T.
4
4
sim.
4
4
mf
a tempo mp
5
8
Bar.
cir cum
stanc
3
es
230 q = 52 Serene
2+3
5
8
Vln. 1
231
mf
mp
1. open
mf
mp
mf
mp
mf
mf
mp
4
4
Old
mp
re
sumed
232
4
4
their
f
for mer show,
and on
my
head
233
234
235
236
5
8
4
4
3
4
4
4
the dews
of
com
fort fell...
non-div. 237
mp
f
non-div.
5
8
Vln. 2
4
4
5
8
4
4
3
4
4
4
mp
f
non-div.
5
8
Vla.
4
4
5
8
4
4
3
4
4
4
mp
f
non-div.
5
8
Vc.
4
4
5
8
4
4
3
4
4
4
mp
f
non-div.
5
8
Db.
4
4
5
8
4
4
3
4
4
4
mp
238
239
2+3
5
8
Hn. 1-2
240
3
4
241
242
243
244
2
4
3
4
2
4
3
4
245
1. Solo
f
246
rit.
247
248
p
1.
Tbn. 1-2
5
8
3
4
2
4
3
4
2
4
3
4
Bs. Tbn.
5
8
3
4
2
4
3
4
2
4
3
4
5
8
3
4
2
4
3
4
2
4
3
4
p
Mar.
5
8
3
4
2
4
3
4
2
4
3
4
5
8
3
4
2
4
3
4
2
4
3
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243
244
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248
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CURRICULUM VITAE
Anna E. Garman
Birthdate: June 18, 1990
Place of Birth: Rolla, Missouri
Website: www.annaegarman.com
Email: composer@annaegarman.com
EDUCATION:
University of Louisville, 2012-2014
Master of Music, Music Composition
Composition studies with Steve Rouse
University of North Texas, 2008-2011
Bachelor of Music, Music Composition
Minor in Music Theory
Composition studies with Joseph Klein and Joelle Wallach
SELECTED HONORS:
Graduate Dean's Citation, University of Louisville, 2014
Moritz von Bomhard Fellowship, University of Louisville, 2012-2014
Summa Cum Laude Graduate, University of North Texas, 2011
Concerto Competition Finalist in Composition, University of North Texas, 2011
Presser Scholarship Nominee, University of North Texas, 2011
Outstanding Music Composition Undergraduate Student Award, University of North Texas, 2011
SELECTED WORKS:
Fearfully, Wonderfully (2014) for Solo Tenor, Solo Baritone, and Orchestra
Read April 24, 2014, at the University of Louisville
Charqui (2013) for Guitar
Premiered April 21, 2014, at the University of Louisville
This is the Garden (2013) for Soprano, Woodwind Quartet, and Percussion
Premiered April 10, 2013, at the University of Louisville
Wracked (2013) for Orchestra
Read April 18, 2013, at the University of Louisville
Summer Storm (2012) for 5.1 fixed media
Premiered February 15, 2013, at the University of Louisville
Cracked Brick (2012) for Flute/Piccolo and Alto Saxophone
Premiered November 14, 2012, at the University of Louisville
Recorded by AVIDduo in September 2013
Released on Interactions CD by AVIDduo in February 2014
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