Programme Specification Awarding Body University of the Arts London (UAL) Teaching Institution London College of Communication Final Award BA (Hons) Film and Television Relevant QAA Benchmark Statement Communication, media, film and cultural studies July 2015 Date of production/revision BA (Hons) Film and Television, on which you have enrolled, is for students with a strong interest in television, cinema and cross-platform production which they want to develop through programme making, film making, the design of multiple-media objects and critical thinking about television and film and the industries which produce and distribute them. Its over-riding aim is to prepare you for sustainable careers in the media industries, and to ensure you will have the skills, knowledge and understanding to adapt your careers to the constantly changing demands of television, film and cross-platform production. Course Aims The aims of BA (Hons) Film and Television are to: facilitate and guide specialised study in the creative, theoretical, contextual and technical aspects of film, television and cross-platform production; offer intellectual and practical engagement in programme making through the integration of theory and practice, drawing on a wide range of genres common to television and film production: documentary, factual programming, drama, world cinema, Hollywood, expanded cinema and digital platforms; provide group-working experience through programme making, and provide opportunities to link with undergraduates from both within the course and, where possible, beyond; develop transferable problem-solving, interpersonal and selfmanagement skills through programme-making and team activities; enable you to embrace cultural diversity, and develop a cross-cultural understanding of diverse ideas, approaches and methods; enable you to master expression and argument in academic and reflective writing, to develop and defend your own opinions, views and creative voice, and effectively communicate your ideas to your peer groups and others; 1 develop your understanding of the role of the moving image as a force for communication, and be aware of a film-makers social and ethical responsibilities; grow your competencies as a self-managed, self-motivated and selfsufficient lifelong learner, capable of adapting to, and prospering through, developments in media production and distribution. Course Outcomes The outcome that you will have demonstrated upon completion of the course, are (the applicable university marking criteria are in brackets at the end of each course outcome). apply a range of specialist, creative and technical skills, producing informed and considered solutions to specific problems in television and film production and criticism (Technical Competence); (Subject Knowledge); (Experimentation) evaluate your programme-making and film-making practice within critical, historical, economic, technological and aesthetic frameworks (Analysis); (Subject knowledge) work confidently and ethically with diverse crews in varied situations and with awareness of widening participation issues amongst colleagues and audiences in the UK and overseas (Collaborative and/or Independent Professional Working); (Research); (Communication and Presentation) apply skills relevant to a range of film, TV and creative industries employers, including marketing and networking your work online and at film festivals (Technical Competence); (Subject Knowledge); (Personal and Professional Development) demonstrate the disciplines and process-management skills to produce work within production constraints, in both individual and group projects, with diverse crews and with defined roles and responsibilities (Technical Competence); (Subject Knowledge); (Collaborative and/or Independent Professional Working); produce coherent written and verbal presentations based on research and argument, and engage in constructive and informed debate about both film and television practice and criticism, drawing on a wide range of genres (Research); (Communication and Presentation); 2 communicate, through film, television and online channels to a wide range of audiences, understanding the power of the moving image as social and ethical communication (Subject Knowledge); demonstrate an informed awareness of the contemporary professional context of film, television and associated industries (Subject Knowledge); (Research); be capable of progressing to professional media practice or postgraduate study, and be a lifelong learner able to remain up-to-date with developments in practice, and the context of production, and innovate accordingly (Personal and Professional Development). Learning and Teaching Methods: The programme outcomes are taught through combinations of the following learning and teaching methods: Lectures Workshops Supervised Practice Group Tutorial Group and Peer Review Dissertation Seminars Dissertation Tutorials Written Feedback Film Screenings Assessment Methods: The programme outcomes are assessed using the following assessment methods: Report and essay writing Practical workshop and computer based activities Individual and group projects and project appraisals Oral and seminar presentations Group production projects Portfolios Dissertation Self-Assessment exercises 3 Reference Points The following reference points were used in designing the course: The College Learning and Teaching Strategy The College Assessment Strategy The UAL and College approach to Personal and Professional Development Feedback from current employers in the film and television industry The Learning and Teaching policies of the University of the Arts London University of the Arts London Level Descriptors Framework for Higher Education Qualifications Art and Design subject benchmark statement Feedback from current students Consultation with staff team Programme Summary Programme structures, features, units, credit and award requirements: In common with all courses at the University of the Arts London, this course is credit rated. Each year of study requires you to achieve 120 credit points to progress to the next year. To be awarded the BA (Hons), you need to accumulate 360 credits over the three years of study. A detailed summary of the units offered and progression routes is set out in the course diagram below. Distinctive features of the course: This course combines advanced training in the technical aspects of programme making with the high-level skills needed to design and build compelling narratives in fiction, for both television and film, factual programming, including documentary, and an advanced understanding of the ways in which content can be delivered across different media platforms. At the heart of the course is a strand of contextual and critical studies which develop your understanding of the traditions and constraints which dictate why media objects are made as they are, and where the opportunities for enhancing them will arise for you as a professional programme and film maker. The particular features of the course include: a focus on programme-making to professional industry standards; multiple opportunities to work in specialist roles; 4 development of the skills and behaviours required to work in creative collaborations in production teams and film crews; a grounding in a range of modes: film, documentary, auteur and genre fiction, television drama and factual production, and cross-platform production; practical classes in producing, directing, scriptwriting, assistant directing, production design, art direction, cinematography, editing, lighting, sound design, casting, location management, script editing, researching, crossplatform design and production management; the integration of theoretical and practical approaches, so that your practice informs your knowledge and understanding of the theoretical and contextual aspects of your work, and, in parallel, your theoretical and contextual studies continually inform your programme-making decisions; delivery by staff who teach both theory and practice, and who are current practitioners and researcher in their fields; inputs from industry practitioners and experts, including those from a distinguished Practitioner in Residence; opportunities to collaborate with students from across the University of the Arts London – for example, costume designers from the London College of Fashion, set designers from Wimbledon College of Arts, musicians and sound designers from LCC’s School of Media, and actors from the Drama Centre London; a central London location near the BFI/NFT, Tate Modern and the Cinema Museum, and Kubrick Archive in UAL’s Special Collections Centre; a professionally-equipped television studio, networked editing and sound facilities and high-quality projection facilities. Recruitment and Admissions Admission Policy/Selection Criteria The BA (Hons) Film and Television course team recognise applicants come from a broad spectrum of backgrounds from across the world. The course in the main attracts students who apply direct from A level or other equivalent qualifications, but it also welcomes students from Foundation Diploma in Art and Design and other art-related courses, as well as mature students who may have worked in industry. Entry Requirements (Home/International/EU) For admission to the BA (Hons) Film and Television course applicants normally need: 5 260 UCAS tariff points will be considered, supported by passes in three other subjects at GCSE Grade C or above. Alternatively, you will be considered if you have achieved 1 subject at GCE Advanced level and Foundation Diploma in Art and Design, supported by passes in three other subjects at GCSE Grade C or above. In addition, the University of the Arts London Awarding Body Level-3 Foundation Diploma in Art and Design will be considered. We also accept people with the equivalent qualifications obtained through a National Diploma, Access, NVQ and a variety of other pre-University level qualifications including International and European Baccalaureate. Other qualifications, including overseas, may be considered. We also accept those with relevant professional and vocational qualifications. The subjects the Course Team will be looking for in your application are wide ranging: your A levels (or equivalents) would ideally be achieved at grade C or above and may include English, History, Media, Business, Art and Design or other Social Science subjects, but we will consider applicants with A levels in all other subjects if they can demonstrate an informed interest in film, television or other visual media Other entry routes We also welcome applicants who do not have formal qualifications but have relevant experience. All students applying to this course will be expected to demonstrate a specific interest in this area of study, and should have a commitment to engaging with both the practical and theoretical aspects of the course. In such cases students applying on the basis of previous experience, or who wish to enter the course through Accreditation of Experiential Learning (AEL), or Accreditation of Certificated Learning (ACL) processes, should apply via UCAS and will be guided by the admissions staff on the AP(E)L processes. Language requirements (International/EU) International and EU Students: In the case of Applicants whose first language is not English, then IELTS 6.0 (or equivalent) is required overall with a minimum of 5.5 in each of the four skills If your first language is not English you should check you have achieved the correct IELTS level in English. Further information is available on the Language Requirements page: http://www.arts.ac.uk/study-atual/language-centre/english-language-support/language-requirements/ International Applicants – visit the Support for International Students page: http://www.arts.ac.uk/lcc/courses/support-for-international-students/ for contact details for International Admissions Study Abroad Applicants International undergraduate students can apply to join this BA course for a period of up to three terms as a Study Abroad student. Please visit the 6 Study Abroad website details on how to apply or contact the Study Abroad office: T: +44 (0) 207 514 2249 E: studyabroad@arts.ac.uk Or for further information on Study Abroad and Erasmus schemes, please follow the links below: UAL Erasmus and Exchanges: http://www.arts.ac.uk/studyat-ual/erasmus-non-erasmus-exchanges Study Abroad: http://www.arts.ac.uk/study-at-ual/study-abroad/ Deferred entry For Home/EU applicants, the Course Leader will determine whether deferred places are available for the course. If you wish to defer your place, it is advisable to indicate this on your application form and/or discuss this with the admissions team and course leader before/after applying at the earliest opportunity. In all cases, deferred places will only be held for one year. International applicants are normally permitted to defer entry to any programme of study for one year only, after which they will be asked to re-apply. Minimum UAL Entry Requirements To see the University’s Regulations on Admissions, please go to the following link: http://www.arts.ac.uk/study-at-ual/academic-regulations/courseregulations/1-admissions Admission Procedures The selection procedures for the course adhere to the Equal Opportunities policy of the University of the Arts London. Applications are normally made through UCAS. Applications for this course are assessed on the basis of qualifications and the personal statement. If more information is required, a member of the course team may contact the applicant and in some cases, may request the candidate to attend an interview. Student Selection Criteria / what do we look for? All applications will be considered by the course team and offers will be made based upon the following selection criteria. The team will consider three key elements when making a decision on your suitability to join the course: 1) Firstly they will look at your qualifications (or projected results). 2) Secondly, they will review your academic or personal reference. 7 3) Then they will scrutinise your personal statement, and may also look at a show reel and 500 word film analysis. The admissions team will read all applications and, depending on the strength of your qualifications, your personal statement and academic references, you may be invited to the second stage of the application process. The admissions team will look for a personal statement that demonstrates an appreciation and understanding of film and television, and an informed interest in the subject. The personal statement is a very important part of your application and should demonstrate to the team that you are very interested in film and television, and that you have thought very carefully about why you want to study those subjects. You should take great care when writing your personal statement to ensure that it is well written, clear, and free of any spelling mistakes. It is your biggest chance to impress the team by demonstrating your appreciation of what the course can offer you, and how you feel it might help you in the future. It is also an opportunity for you to state what you feel you would bring to the course. Through their personal statement, applicants should show a strong interest in film and television. This can be demonstrated through work experience, study, and/or personal experience. Portfolio Advice In some cases, you may be asked to provide a two-minute show reel of filmrelated work that demonstrates your creativity in terms of the moving image. We would not be looking for highly-finished pieces, but for work that demonstrates your ideas, vision and potential. We do not accept work that is a montage of material cut to music. This should, if required, be sent along with a 500-word written film analysis. Details of what is required would be sent to you. Interview Advice If you are invited for interview you can prepare by thinking of questions that you may have for the course director, and by re-familiarising yourself with your UCAS personal statement - from which the course director’s questions will probably arise. The interview will be relatively informal and will take place, normally, at the LCC. Students are admitted to the course having fulfilled the necessary entry requirements and on the basis of their potential to benefit from the programme. 8 9