MEDIA KIT 2016 MEDIA KIT 2016 MEDIA KIT 2016 ASSETS T H E D E F I N I T I V E I N T E R P R E T I V E VO I C E O F E N T E RTA I N M E N T A N D T H E L I F E S T Y L E I T I N S P I R E S . MAY 15, 2015 Natalie Portman Jennifer Lawrence’s Sony Drama $20 million star salaries put to a test on Passengers The new director on life in Paris, Israel, marriage and her (all Hebrew) movie ITV Is Buying Up Hollywood. But Why? AT THE FEST The 15 hottest market titles What to eat, pack and wear Million-dollar watches The style (and sleaze) of the superyachts A $3 billion bet on a fee-driven future 15cover_l [P]{Print}.indd 4 WEEKLY MAGAZINE Unparalleled depth, analysis and insight delivered in a weekly oversized glossy and visually rich package. CIRCULATION 74K DIMENSIONS TABLOID FREQUENCY 44X / YR. THR.COM Breaking news, video and photo galleries and blogs fuel continuous engagement in entertainment’s ultimate digital environment. MONTHLY UV’S 11.5MM MOBILE THR.com is mobile optimized with a responsive design for tablets and smartphones, giving users a seamless, engaging experience no matter the device. MONTHLY UV’S 8MM* NEWSLETTERS Daily, Weekly and seasonal e-newsletters cover breaking news across continents. SUBSCRIBERS 150K*** 5/5/15 1:57 PM EVENTS From power parties to awards season fêtes, festival gatherings and film screenings, access the most influential movers and shakers powering Hollywood with THR’s roster of franchise and custom events. SOCIAL An engaged following connects brands with influential entertainment enthusiasts. FOLLOWERS 4MM** ANNUAL EVENTS 20+ Source: Google Analytics, Q4 2015, *Source: comscore, December 2015, Mobile Only, USA, **Source: Individual Social Platforms as of 2/26/2016, ***Source: SailThru Jan 2016 MEDIA KIT 2016 WEEKLY MAGAZINE R E A D BY T H E M O S T P OW E R F U L P E O P L E I N T H E I N D U S T RY A N D T H E M O S T I N F L U E N T I A L C O N S U M E R S W H O F O L L OW I T. Donna Langley, Chairman of Universal Studios AU DI ENCE 49 65% 35% MALE FEMALE AVERAGE AGE 51* 40% OF READERS ARE CHAIRMAN, CEO, PRESIDENT, OR EVP 95% OF ACADEMY AND GUILD MEMBERS READ THR 70% WORK IN THE ENTERTAINMENT INDUSTRY A F F LU E NC E T H R I N DUST RY RE A DER S AVERAGE HHI $416K* NET WORTH $1.6MM* ENTERTAINMENT INDUSTRY SEGMENT DIGITAL MUSIC CABLE TV OTHER 4% 1% OTHER 10% 13% 14% MOTION PICTURES 41% 16% NETWORK TV Source: Equation Research, December 2015, *Source: Publisher’s Defined Prototype, 2014 Ipsos Affluent Survey USA adults 18+, HHI $100,000+ Ted Sarandos, Chief Content Officer for Netflix ISSUES PER YEAR MEDIA KIT 2016 THR vs. VARIETY CIRCULATION DISTRIBUTION THE HOLLYWOOD REPORTER HAS THE HOLLYWOOD REPORTER HAS PAID CIRCULATION* THAN VARIETY TOTAL DISTRIBUTION* THAN VARIETY 93 % MORE 135 % MORE THE HOLLYWOOD REPORTER TOTAL DISTRIBUTION 72,870 VARIETY TOTAL DISTRIBUTION 31,038 THE HOLLYWOOD REPORTER TOTAL PAID CIRC. (SUBS AND N/S) 39,452 (6/15 AAM) FACT: WHICH MEANS: THR REACHES MORE THAN TWICE AS MANY READERS AS VARIETY VARIETY TOTAL PAID CIRC. (SUBS AND N/S) 20,456 (3/13 BPA) The Hollywood Reporter’s circulation is audited by AAM (formerly ABC) Variety’s circulation is audited by BPA FACT: The Hollywood Reporter files new Publisher’s Statements every six months Variety’s last published statement was March 2013 FACT: The Hollywood Reporter’s last published statement was June 2015 Variety has missed five 6-month audit cycles NEW YORK CALIFORNIA THR HAS THR HAS 294 % MORE % 128 MORE NY DISTRIBUTION** THAN VARIETY CA DISTRIBUTION** THAN VARIETY * Source: AAM June 2015 Publisher’s Statement, Paragraph 1; BPA March 2013 Brand Report, Executive Summary, Channel Profile Daily and Weekly Newspapers. ** Source: AAM June 2015 Publisher’s Statement, Paragraph 7; BPA March 2013 Brand Report, Geographic Distribution. NOTE: Audit is reflective of Daily Variety; Variety has never been audited in its current weekly iteration. MEDIA KIT 2016 THR CIRCULATION W I T H 4 9 I S S U E S A Y E A R , U S E T H R ’ S F R E Q U E N C Y A N D R E AC H T O TA R G E T A M I X O F I N D U S T RY M O G U L S , A- L I S T C E L E B R I T I E S A N D C O N S U M E R I N F LU E N T I A L S I N M E T R O P O L I TA N A R E A S F R O M C OA S T T O C OA S T. T H E E NGAGE M E N T + AVERAGE TIME SPENT WITH MAGAZINE IS 42 MINUTES + 1 IN 3 READERS SPEND MORE THAN 45+ MINUTES WITH WEEKLY MAGAZINE + 41% LOOK AT IT RIGHT AWAY 14% + 3 IN 4 READ FOR BUSINESS AND PLEASURE OTHER U. S. CITIE S AND INTERNATIONAL + 65% READ AT WORK AND 40% BRING IT HOME 34% 52% + 35% REFERENCE IT THROUGHOUT THE WEEK EAST COAST WE ST COAST + 40% SHARE ISSUES WITH SPOUSE OR PARTNER + 30% TAKE IT WITH THEM WHEN TRAVELING OR COMMUTING RATE BASE 70K READERS PER COPY 3.2 TOTAL AUDIENCE 236K PRICE OF SUBSCRIPTION $99 - $299/YR. Sources: AAM Magazine Publisher’s Statement, June 2015; Equation Readership Study, June 2015, Source (Map): June 2015 AAM Statement MEDIA KIT 2016 THR CONTENT F E AT U R E S THR’s feature well showcases longform journalism from entertainment’s most esteemed editors. + E xclusive interviews & profiles + Roundtable Series + Award-winning original photography + P ower Lists + Oscar and Emmy Awards season coverage + Film Festival exclusives ‘‘ The value of a print cover has only gone up as a commodity in the internet environment. Everybody wants to be in print because it pushes up your value. And that means recognition, and recognition means awards, and, as everyone knows, awards are the best way of separating oneself from the competition.” JANICE MIN THE REPORT As the first editorial section, “The Report” elaborates on the soundbites the biz is buzzing about and takes a closer look at the week’s headlines. + Breaking news, exclusive analysis, showbiz stocks, box office numbers + Y es, I Did Say That! Who’s saying (and tweeting) what in Hollywood + 7 Days of Deals: Who’s inking on the dotted line this week MEDIA KIT 2016 THR CONTENT ABOUT TOWN +H ollywood Hits the Red Carpet From premieres to parties, film festivals to fundraisers, an exclusive look at what they wore and who mingled with whom at Hollywood’s elite celebrations. +R ambling Reporter Scoops on the industry from an insider. + Power Lunch Where Tinseltown’s power players convene to seal the deal. +H itched, Hatched, Hired Personal milestones of the industry’s power players. THE BUSINESS the RepoRt ◄ publicity Jolie’s message How a crisis became a media moment ��� 20 film Cannes lessons 4 takeaways from the rain-soaked fest ���� 20 An InsIde Look BehInd The heAdLInes Deals meryl’s musiCal Why big stars are singing for little money �� 24 studios sweating Crowded summer at the Box office jolie: oli scariff/getty images. douglas: andreas rentz/getty images. darnell: jemal countess/getty images. lawrence, pascal: valerie macon/getty images. hart: jason merritt/getty images. robinov: kevin winter/getty images. earth: courtesy of columbia pictures. elysium: kimberley french/columbia tristar. epic: blue sky studios/20th century fox (2). smurf: courtesy of sony animation. turbo: dreamworks animation. down: reiner bajo/columbia pictures. Jampacked release calendars and executive intrigue make for an especially stressful blockbuster season as the $200 million gambles begin rolling out By Pamela McClintock and Kim Masters + + + + + michael douglas His turn as liberace in Behind the Candelabra wins raves at Cannes as the steven soderbergh HBO pic shoots to the front of Emmy contenders� m i k e da r n e l l Fox’s reality chief faces a huge task in rebooting American Idol after a disastrous season, with a finale down 40 percent and a median age up to 51�2� W i t h U. S. t ick et Sa l e S a l r e a dy matters,” says Warners distribution chief Dan Fellman. down 11 percent this year and the number Buzz is good on the studio’s biggest bet of the summer, Man of Steel (June 14). Riskier is Guillermo del Toro’s of big-budget movies sharply up, summer robots vs. monsters epic Pacific Rim in July, but Warners 2013 is turning into a nail-biter. Volatile only has a 25 percent stake in the film. Its main financier, political situations at several studios are making matters Legendary Pictures, is the bigger question. Founder worse for top execs. Thomas Tull has made no secret that he is looking for a sony Its parent has denied that it’s for sale, but activnew home, possibly Universal, and if his company takes ist shareholder Daniel loeb now is pushing the company a hit, his mood isn’t likely to improve. to spin off entertainment assets. Amid the pressure on ParamounT J.J. abrams’ Star Trek Into Darkness is studio chiefs michael lynton and amy Pascal, Sony will underwhelming domestically ($83.7 million and countrelease seven big films this summer, tops in Hollywood. ing) but performing far better overseas, which was one of After Earth, a sci-fi epic from m. night shyamalan starring Paramount’s objectives. The big remaining question Will smith and son Jaden, enters a crowded market mark is the troubled Brad Pitt zombie film, World May 31. Competitors believe it might have trouble War Z, which opens only one week after Man matching the $37.1 million bow of April’s similar of Steel, on June 21. The studio financed extensive Oblivion. Smith’s Men in Black 3 grossed $624 milreshoots — or, rather, shoots, since the third act lion worldwide for Sony last summer but cost too Pascal was entirely reconceived — and executives have been much (a blistering New York Times piece May 18 in overdrive trying to reverse negative buzz. pegged Sony’s profit margin at a slim 6.5 percent). universal Fast & Furious 6 looks poised to Other risks include White House Down, which deliver (can it match Fast Five’s $626.1 million in follows the similarly themed Olympus Has Fallen such a crowded market?). Chiefs adam Fogelson ($132.5 million in March). On July 12 comes Robinov and Donna langley have turned in an improved perGrown-Ups 2, a follow-up to an original that grossed formance in recent months, with such hits as the horror $271.4 million but must compete with mega-budgeted movie Mama and the comedy Identity Thief. Despicable Pacific Rim. July also brings The Smurfs 2 (one of Me 2 (July 3) seems like a sure thing. But RIPD, a many animated films in the game this summer), and supernatural action movie with ryan reynolds, has some matt Damon’s Elysium is another sci-fi bet in August. joking that it should drop “D” from the title. Sources say Warner Bros. Chief Jeff robinov needs to preside over bosses at Comcast expect this film to lead to a loss. a strong summer to quell speculation about his future Disney What exactly is the budget of The Lone Ranger? following the elevation of Kevin Tsujihara to the top job. Disney chairman robert iger personally intervened to The Great Gatsby has performed and The Hangover Part lower the cost of the Johnny Depp Western from $250 milIII probably is critic-proof but faces a strong Memorial lion to $215 million. Now that original figure is believed Day rival in Universal’s Fast & Furious 6. “The second, to be a distant memory. The good news: Disney is raking third and fourth weekend could turn out to be what illustration by Heat index B i l l l aw r e n c e The Cougar Town co-creator proves himself the King of the Upfronts, selling new shows at NBC (Undateable), Fox (Surviving Jack) and TBS (Ground Floor)� m e l i s s a j oa n h a r t Not everyone can be Zach Braff: The actress shuts down her Kickstarter campaign for a rom com after raising only $51,000 from 315 donors, far short of her $2 million goal� showbiz stocks $ 1 5 . 5 4 (+4.5%) realD (rld) Paramount moved up by one day the release of Star Trek Into Darkness, which uses RealD’s 3D technology, and analyst Eric Wold predicts six of summer’s top 10 movies will be in 3D� $ 2 5 .7 6 (-4%) FaCeBooK (fb) Nielsen says minutes per user on desktops dropped 6 percent in a year� may 13-20 www.thr.com | The hollywood RepoRTeR Pixel Pusher | 17 BACKLOT In its fourth season, CBS’ Hawaii Five-0 filmed on one of Hawaii’s many beaches. Hawaii bEts on 100 morE YEars Godzilla, Tim Burton and Cameron Crowe all are filming in the state, which recently has boosted its tax incentives even as it celebrates its centennial as a site for film production By Matthew Fleischer X act ly on e cen t u ry ag o, Hollywood silent-film director John Griffith Wray took his production crew to the remote American colony of Hawaii to film two shorts, the first ones ever made on the islands: The Shark God and Hawaiian Love. “It’s fascinating to think that when those first productions came here, this was still a monarchy,” says Hawaii state film commissioner Donne Dawson. “Our queen was still alive. We’ve come a long way.” To mark the centennial of local film production, Hawaii is celebrating. There’s a film retrospective of island-filmed titles in October at the Hawaii International Film Festival and an exhibit on fashion in cinema at the Modern Hotel, held in conjunction with Hawaii Fashion Month. But even as they toast the state’s past, officials are looking for additional ways to lure more filmmakers from the mainland. Spurred on by a dip in production spending — from $245 million in 2012 to an estimated $202 million in 2013 — the Hawaii state legislature recently approved a 5 percent across-the-board increase to the state’s existing tax credit, effective July 1. Qualifying film and TV projects now will receive a 20 percent rebate for shoots on Oahu and 25 percent on the neighboring islands. The law also extended the credit’s sunset date from 2015 to 2019, raised the per-project incentive cap from $8 million to $15 million and made the boosts retroactive to Jan. 1. Dawson says the new incentives have led to a surge of inquiries from Hollywood producers. “We have seen a definite increase in interest since the incentives passed,” she says. Socrates Buenger, owner and CEO of the new 21,000-squarefoot Maui Film Studios, the only soundstage in Maui located in the Kahului industrial region, says that landing new productions is an ongoing process. “We need to let people know we exist here and that we have a really good tax incentive,” he says. When Hollywood thinks of Hawaii, it’s the state’s beaches and jungle vistas that immediately come to mind. But Dawson says producers would be remiss to discount the state’s urban amenities. “People know us for the diversity of our landscapes,” she says, “but our architecture is quite diverse, too. It’s easy to shoot period pieces that take place on our islands because the buildings of those eras all still exist.” Hollywood slowly is starting to figure that out. The iconic Aliiolani Hale, a former governmental palace that now serves as the home of Hawaii’s Supreme Court, stands in as the fictitious headquarters for CBS’ Hawaii Five-0 team. It also played an important role in Tim Burton’s upcoming Weinstein Co. feature Big Eyes. The biopic, starring Amy Adams and Christoph Waltz as feuding married artists Margaret and Walter Keane, wrapped shooting on Oahu in late September. And Legendary/ Warner Bros.’ Godzilla, starring Bryan Cranston, also recently completed a visit to Honolulu. Director Cameron Crowe’s still-untitled Hawaii feature, meanwhile, just started shooting on Oahu and will take advantage of the island’s numerous military facilities. Will Burton’s and Crowe’s projects give local production the boost Wray’s did a century ago? “We are excited to be celebrating 100 years of film production,” says Georja Skinner, chief officer of Hawaii’s Creative Industries Division. “We really feel we have a great tax-incentive program that will take us another 100 years.” hawaii five-0: mario perez/cbs. haumana: courtesy of hawaii international film festival. madE in Hawaii backlot E E xecutive Suite T he Race A ward Season Opinion Column Box Office Reports Social Action With Elvis Presley on Tap, the Hawaiian Film Festival Joins the Party Hawaii-born Keo Woolford’s The Haumana will close the fest. “Movies have been made in Hawaii for 100 years, and we’ve been here for one-third of that time,” says Chuck Boller, executive director of the 33rd Hawaii International Film Festival, which kicks off Oct. 10. The event, screening 209 features, runs through Oct. 20 in Oahu, then moves to the Big Island and Kauai from Oct. 24 to 27. As part of the state’s celebratory party, the fest has programmed movies set in the Aloha State like Elvis Presley’s Blue Hawaii (1961), which will screen on Waikiki Beach. With its traditional focus on movies from Asia and the Pacific Region, HIFF will open with the U.S. premiere of South Korean feature Final Recipe as well as Japanese animation master Hayao Miyazaki’s The Wind Rises and close with the locally produced The Haumana, about students at a hula school. To round things out geographically, the fest’s EuroCinema section, presented by Honolulu’s Luxury Row, will shine a spotlight on 19 European films. — GREGG KILdAy + Milestones & Anniversaries + Walk of Fame & Industry Honors + O n Location + 8 Decades of The Hollywood Reporter + MADE IN Reports on the destinations acting as film and TV sets. 70 | The hollywood RepoRTeR | 10.18.13 STYLE STYLE STYLE FASHION WHAT to PACK for CANNES The lustrous stones, served with a side of diamonds, are the latest luxury on Hollywood’s awards-season carpet By Carol McColgin Rain or shine, here’s all you need to look tres chic at the South of France film fest By Carol McColgin 2 PINKIE PINKS Spring’s in-demand digits include girlie pastels and bright berries as Hollywood’s top manicurists reveal their favorite shades By Meg Hemphill 1 3 DAYTIME for HER 3 4 BERRY CHIC “Brights and berries are on trend,” says A-list manicurist Ashlie Johnson, who used Chanel’s Coup de Coeur on Jennifer Garner for the Oscars. “It’s an elegant and fun raspberry.” Le Vernis in Coup de Coeur by Chanel; $27, at Saks Fifth Avenue, Beverly Hills 1. Wrinkle-proof dress Patterned knit jacquard dress by Valentino; $2,490, at Saks Fifth Avenue, Beverly Hills 2. Fedora Craig hat in bone/navy with woven knot and anchor accent by Eugenia Kim; $290, at Barneys New York, Beverly Hills 5 3. Mix-and-match separates Striped boatneck cotton T-shirt by Sacai Luck; $325, barneys .com. Snake-print viscose-polyester cardigan by Alexander McQueen; $1,495, neimanmarcus.com WHITE HOT “White is the new red,” says Zooey Deschanel’s manicurist, Tom Bachik, who has used L’Oreal polish in A La Meringue on the New Girl star. For a softer take, Bachik likes L’Oreal Sweet Lilac (“white with a hint of color”), which Jennifer Lopez has worn on American Idol. Les Blancs Collection Colour Riche Nail in Sweet Lilac and A La Meringue by L’Oreal Paris; $6 each, at drugstores 4 6 4. Touch of sparkle Mexican fire opal and rose-cut diamond earrings set in 18-karat rose gold by Irene Neuwirth; $20,960, at Barneys New York, Beverly Hills 5 5. Chic carryall Leather handbag with zip closure by Roger Vivier; $3,050, at Roger Vivier, 212-861-5371 6. Slim-fit pants Cotton-blend flat-front Strenner pant by The Row; $690, at Barneys New York, Beverly Hills 7. Two-tone shades Tortoise and blue plastic sunglasses by Thierry Lasry; $485, barneys.com 1 Red-Carpet Watch Chanel Fine Jewelry Plume Enchantee watch with sapphires, diamonds and an opaline face set in 18-karat white gold; $232,000, at Chanel Fine Jewelry boutiques, 800-550-0005 2 Hello, Studs Kimberly McDonald faceted white-opal and diamond stud earrings set in 18-karat rose gold; $10,950, at Kimberly McDonald, Los Angeles, 310-854-0890 3 Flights of Fancy Stephen Webster Fly by Night earrings with diamond pavé and quartz pink-opal crystal haze set in 18-karat rose gold; $13,750, at Stephen Webster, Beverly Hills, 310-246-9500 4 Statement Stone Graziela Gems Opal Perfection ring with Ethiopian blue opal (10.43 carats) and diamonds set in 18-karat white gold; $20,000, grazielagems.com 8. Strappy sandal Lance patent-leather heel in Neon Flame by Jimmy Choo; $775, at select Jimmy Choo boutiques 5 Rainbow Bright Jacob & Co. cocktail ring featuring an oval center opal (3.72 carats) with Mandarin garnets, orange sapphires, green garnets and diamonds; $21,000, at Jacob & Co., New York, 212-719-5887 9. Yacht-friendly flat Patent-leather fringe sandal with pebbled sole by Tod’s; $725, at Tod’s boutiques, 800-457-8637 7 56 | THE HOLLYWOOD REPORTER | 05.16.14 PHOTOGRAPHED BY Mike Lorrig www.thr.com | THE HOLLYWOOD REPORTER | 47 8 9 SHOE: COURTESY OF JIMMY CHOO. MANN: DAVID CROTTY/PATRICK MCMULLAN/SIPA USA. WILSON: SPLASH NEWS/CORBIS. WILSON RING, MANN EARRING: JASON MERRITT/GETTY IMAGES. 2 “Bring a pretty day dress that is a little less dressy than a cocktail one and chic separates,” says Elizabeth Banks’ stylist Wendi Ferreira, of the sister styling duo Wendi & Nicole. “And also bring bright prints!” Leslie Mann wore Kimberly McDonald emerald-slice boulder opal earrings, and The Affair winner Ruth Wilson (right) dazzled in a one-of-a-kind Irene Neuwirth opal and diamond pavé ring at the Golden Globes on Jan. 11. HOLLYWOOD STYLE BEAUTY FASHION OPALESCENT GLAMOUR DESCHANEL, BLUNT: JORDAN STRAUSS/INVISION/AP. GARNER: MATT SAYLES/INVISION/AP. HUNTINGTON-WHITELEY: NICHOLAS HUNT/PATRICK MCMULLAN/SIPA USA/AP. 1 IT’S ELECTRIC SOFT SHADES “Essie has a beautiful beige called Spin the Bottle that I’ve used a lot,” says Kimmie Kyees, who most recently painted Rosie Huntington-Whiteley’s nails with it. The celebrity manicurist (Katy Perry and Rihanna are clients) also is a fan of the new pastels: “Mint greens and a variety of blues are great for spring.” Blue Orchid by Deborah Lippmann; $18, at Neiman Marcus; Spin the Bottle and Fashion Playground by Essie; $8.50 each, essie.com PHOTOGRAPHED BY Mike Lorrig “Brights are back, and this is a brighter-than-bright purple,” says Jenna Hipp, who has used this eco-friendly shade from her latest line on Emily Blunt. What’s Hot Now Nail Collection in On the List by Jenna Hipp; $32 (part of a set of 12 mini-bottles), beautysmostwanted.com www.thr.com | THE HOLLYWOOD REPORTER | 31 + + + + + + Fashion, Beauty and Hollywood Style Jewelry and Timepieces Real Estate and Hollywood Homes Travel and Hollywood Hideouts Automotive Gift Guides & Gadgets MEDIA KIT 2016 STAND-ALONES AWARD SEASON SPECIAL ISSUES In-depth and industry-focused, THR’s themed, standalone editions examine timely topics during the film and television awards seasons. These issues are strategically delivered to academy and guild voting members, from AMPAS to BAFTA and HFPA. SECTIONS + THE RACE COLUMN + AWARDS CALENDAR + A WARDS WATCH / EMMY WATCH + A NATOMY OF A CONTENDER + N OMINEE Q&A’S + ROUNDTABLE SERIES + CHEAT SHEETS + POLLS & ANALYSIS + EMMYS: ON THE SET + EMMY & ACADEMY AWARD SEASON + FOREIGN LANGUAGE FILMS + 8 DECADES OF THE HOLLYWOOD REPORTER FREQUENCY + AWARDS SEASON + EMMY SEASON DIMENSIONS + TABLOID (10 X 13) MEDIA KIT 2016 FESTIVALS & MARKETS BERLIN D A ILY №6 DAILY COVERAGE FEB. 10, 2015 About To CANNES HITS THE RED CARPET In addition to regular festival and market coverage in the print weekly, THR prints stand-alone dailies at each of the following festivals and markets that are also available for download on THR.com throughout the festivals. THR.COM/BERLIN Berlin Glams It Up Q&A: SAM TAYLOR-JOHNSON ELIZABETH BANKS AND 20 OTHER STARS STRIKE A POSE IN THR’S EXCLUSIVE PHOTO PORTFOLIO The Fifty Shades of Grey director discusses learning the ropes of S&M and battling with author E.L. James + AMERICAN FILM MARKET + BERLIN INTERNATIONAL Un Certain Regard jury president Isabella Rossellini (in Stella McCartney) at the opening ceremony and screening of Standing Tall. gown to the opening ceremony. Marceau, Rokia Traore, Ethan Coen, Joel Coen, Sienna Miller and Rossy de Palma. From left: Director Hirokazu Koreeda and the stars of Our Little Sister, Masami Nagasawa, Suzu Hirose, Haruka Ayase and Kaho. The film Standing Tall star Benoit Magimel embraced the film’s director, Emmanuelle Bercot, during a photocall. Natalie Portman — whose directorial debut, FILM FESTIVAL A Tale of Love and Darkness, premieres + FILMART HONG KONG INTERNATIONAL Vincent Cassel at a photocall for Tale of Tales. The actor also appears in the French comedy One Wild Moment and drama Mon Roi, which are screening at Cannes. THE HOLLYWOOD REPORTER FILM & TV MARKET 16 Banks was photographed Feb. 8 by Fabrizio Maltese. D3_cannes_RC_C.indd 16 D6_coverC.indd 1 5/14/15 6:05 PM 2/9/15 10:03 AM + CANNES INTERNATIONAL FILM FESTIVAL SPECIAL FEATURE: SHOOTING IN ONTARIO SPECIAL FEATURE: EASTERN EUROPE ONTARIO: CANADA’S METHOD ACTOR + TORONTO INTERNATIONAL FILM FESTIVAL Need squeaky-clean Toronto to become dark and dystopian? No prob. Or is a blazing L.A. sun on the agenda? Done. Meet the people who transform the province into almost anything BY ETAN VLESSING Martin Katz, producer on David Cronenberg’s Maps to the Stars, recalls scouting locations for a movie set entirely in Los Angeles and having Toronto double as Hollywood, thanks to a truckload of palm trees and artful gardening. KATZ One of the distinct challenges was gardening because we wanted to ensure that when you saw outside a window, when action took place in grounds around the houses, the houses appeared to be in Los Angeles. We had intense lighting through the windows, so we had the California sun. And the art department provided a truckload of palm trees, which we carried around and placed strategically in shots, so it always looks like California vegetation. We even took an ordinary Ontario it so it looked like bougainvillea. F OR EV IDENCE TH AT Ontario trumps Hollywood as a location for moviemaking, look no further than Guillermo del Toro. The creature-feature king now makes Toronto his home while juggling stages. Those projects include Mama, which del Toro executive produced; , which he directed; FX’s The Strain , which he created and wrote , which shoots later this year at Pinewood Toronto Studios. Location shooting in Ontario is the new normal for a slew of other Hollywood heavyweights as well: Toronto hosted Adam Sandler’s Pixels for Sony; Warner Bros.’ Suicide Squad, starring Will Smith and Jared Leto; and U.S. TV series like Hulu’s James Franco starrer 11/22/63, Syfy’s Hemlock Grove. Beyond its lucrative tax breaks, Ontario also draws Hollywood with its skilled local crews and talent. THR asked Toronto directors, producers and location managers to discuss why Ontario continues to be Hollywood’s northern backlot of choice. EOIN EGAN, VICE PRESIDENT OF PINEWOOD INTERNATIONAL It’s an amazing testimo- nial that Guillermo del Toro, who has worked all over the world, in New Zealand and Hungary — when he came to Toronto, he could have just as easily moved on. But I think CULLINGFORD You can block something that’s very non-American, non-New York or non-Chicago. So throw a [New York City] bus, a delivery truck, small things that say it’s a U.S. city. Sometimes that’s right down to U.S. Postal Service mailboxes, a hot-dog cart or a vending trailer. I probably have 40 vehicles that are just always and The Strain , now have Guillermo constantly talking about other movies and TV series [he wants to shoot in Toronto]. It’s a testament to the people and the crews he’s worked with. ideas [for your projects], scouts and location managers can come up with so many options. In his mind, [del Toro] knew the setting [for the show]. He’d say, “I need it dark, isolated, haunted and terrifying,” then we had a good sense. We didn’t want something too colorful and pretty. You want a dark alley with looming, tall and dark buildings in the background, with nooks and crannies where characters can hide. Abandoned factories where vampires will hide and the bloodsucking nemesis can hide and pounce. BY NICK HOLDSWORTH A Manitoba Minn. of the Ukrainian independent television channel 1+1 and an architect of the meteoric rise of Russian CTC Media, Rodnyansky, 53, sold his media assets at peak prices and now concentrates on Georgian Bay Toronto Wisc. Mich. Hamilton LEX A NDER Rodnyansky, founder and head of A.R. Films, is a seasoned known Russian producers and media executives in the interna- Quebec ONTARIO “Russians in the business are looking for new markets and turning to production rather than distribution,” says Rodnyansky, photographed April him hangs Dmitri Vrubel’s My God, Help Me to Survive This Deadly Love, originally painted on the Berlin Wall. It depicts Soviet leader Leonid Brezhnev kissing East Germany’s Erich Honecker. IN SEARCH OF THE NEXT Russian producer Alexander Rodnyansky says a plummeting ruble and sanctions are taking their toll on his local film industry, but that won’t prevent him from targeting overseas markets — including America two ambulances, at least 14 [yellow] taxicabs and NYPD police cars. Take [the Toronto street corner of] LUIS MENDOZA, LOCATION MANAGER FOR THE STRAIN THE HOLLYWOOD REPORTER D3_cannes_OMDC_D.indd 27 Peter Cullingford, owner of Picture Vehicle Specialties, says he has a number of tricks up his sleeve to make Ontario locations look less Canadian. Enemy with Jake Gyllenhaal, director Denis Villeneuve transformed clean, modern Toronto into a dystopian landscape. NY 27 more than a few dozen feature Stalingrad , the of the decade, and Leviathan , winner of a Golden Globe and an Academy Award nominee) and TV shows under his belt, he has been a regular at Cannes for the past 20 years. His company has headquarters in Moscow and representation in Hollywood and operates in Asia and across Central and Eastern Europe. He also owns Russia’s leading D2_cannes_EEurope_E.indd 23 What brings you to Cannes this year? A couple of key projects: There by Andrei Zvyagintsev; I can’t say anything about that, other than the psychological relationship between men and women. We’ll talk to our partners in Europe — from the U.K. and Sony Classics in the U.S., who all did such a fantastic job with Leviathan — as I know they are very excited to see this project. We will also be promoting another new project, The Duelist, which begins principal photography in mid-July. It’s an original script, with English and French called Kino v detalaykh (Cinema in dialogue, and set in St. Petersburg in the 1860s, when the city was Details), has two children studya truly international European ing in the U.S.: Alexander Jr., 29, completing his Ph.D. in economics capital. It delves into the complex world of Russian dueling, where at Princeton, and Elen, 21, who the code allowed for is attending Chicago those with physical University. Rodnyansky PHOTOGRAPHED BY or mental disabilspoke with THR in Igor Starkov ities to appoint a his comfortable and which takes place each June in the Black Sea resort of Sochi, where Russia hosted the 2014 Winter Olympics. Rodnyansky, whose wife, Valeriya Miroshnichenko, THE HOLLYWOOD REPORTER 5/14/15 11:34 AM industrial building near Pushkin Square in the heart of Moscow. Insightful and analytical editorial coverage from a renowned staff of international journalists with more regular, fixed sections than any competitors: 23 5/13/15 10:03 AM SECTIONS + BREAKING NEWS + REVIEWS + EXECUTIVE SUITE Q&A + SPECIAL REPORTS + ROUNDTABLES + RED CARPET + ABOUT TOWN + SCREENING GUIDE + RAMBLING REPORTER REV IEWS OF ALL COMPETITION TITLES MEDIA KIT 2016 THR EDITORS JANICE MIN Photo credit: Joe Pugliese Co-President/Chief Creative Officer, Entertainment Group Min joined THR in June 2010 to spearhead the transformation of the 80-year-old brand, earning her a 2012 NEJ Luminary Award, named a 2012 “Hollywood Mavericks” in Details Magazine, and 2011 Game Changers in Media nod from The Huffington Post. As editor-in-chief of US Weekly, she was named one of the Post’s Most Powerful Women in New York (2007) and one of Crain’s 40 Under 40 (2006). She regularly appears on Today and Entertainment Tonight and has been featured in The New York Times, USA Today, The New Yorker and on Nightline. TIM GOODMAN Chief TV Critic Joined THR in October 2010. Goodman built his reputation as one of the most distinctive voices writing about television as a long time critic, columnist and blogger (The Bastard Machine) for the San Francisco Chronicle. SHIRLEY HALPERIN Music Editor Joined THR in October 2010. Halperin has covered music as a senior writer for Entertainment Weekly and recently wrote about American Idol full-time for the Los Angeles Times while also contributing to Rolling Stone. She is also the author of three books. CAROL MCCOLGIN Style Editor MATTHEW BELLONI STEPHEN GALLOWAY Formerly an attorney at an entertainment litigation firm in Los Angeles, Belloni joined THR in 2006 to write for THR’s Hollywood, Esq. blog. In addition to heading the THR newsroom, Belloni continues to moderate THR’s roundtable series. Joined THR in 1993. A graduate of Cambridge and AFI, Galloway created THR’s signature Roundtable Series as well as the high-profile Power 100 Women in Entertainment Mentorship Program that pairs inner-city youth with Hollywood execs. ALISON BROWER KIM MASTERS Joined THR in June 2014. Prior to her tenure at THR, Brower was the interim editor-in-chief of Seventeen. Her work in THR’s edited feature packages for the Comedy Issue and Cannes Issue were nominated at the National Magazine Awards. Joined THR in June 2010. The awardwinning journalist is also the host of weekly radio show, The Business. Previously, Masters covered entertainment for The Daily Beast, was a contributing editor at Vanity Fair and Time, and covered politics for The Washington Post’s Style section. TOM SEELEY TODD MCCARTHY Joined THR in October 2015. Seeley oversees all aspects of digital editorial, from content creation and social media to video and partnerships. Tom comes from NBC Sports (which he built from scratch over his 8-year tenure there), CBS Sportsline and Fox Sports. Joined THR in October 2010 after a near life-long career as an internationally regarded film critic at Variety. McCarthy is also the filmmaker behind several documentaries. Executive Editor Deputy Editorial Director Senior VP, Digital Media Executive Editor, Features Editor-at-Large Chief Film Critic McColgun covered fashion for six years at Us Weekly (including annual style issue and style specials) before joining THR in October 2010. She oversees all Hollywood Style fashion content and market coverage both in-book and online. MERLE GINSBERG Senior Style Writer Joined THR in October 2011. The Senior Style Writer is a best-selling author, television personality and leading expert on entertainment fashion who has covered style for WWD, People, W, Harper’s Bazaar, Rolling Stone, The New York Times Magazine, Today, Entertainment Tonight and Access Hollywood. ALISON BROWER Deputy Editorial Director Joined THR in June 2014. Prior to her tenure at THR, Brower was the interim editor-in-chief of Seventeen. Her work in THR’s edited feature packages for the Comedy Issue and Cannes Issue were nominated at the National Magazine Awards. MEDIA KIT 2016 THR PHOTOGRAPHERS Joe Pugliese Ruven Afandor Austin Hargrave WESLEY MANN Photographed for THR: Robin Williams, Martin Scorsese, Roger Ailes, Oscar Heirs, Mark Ruffalo, Michael J. Fox, Katie Couric, Hollywood’s Holocaust Survivors. JOE PUGLIESE Photographed for THR: Mick Jagger, George Clooney, Angelina Jolie, Chris Rock, Clive Davis grammy party, Conan O’Brien, Bob Odenkirk, Robert Evans, Quincy Jones, Katy Perry, Ben Affleck. MILLER MOBLEY Photographed for THR: Julianne Moore, Natalie Portman, John Boyega, Jane Fonda, Elizabeth Banks, Katie Holmes, Jenji Kohan, Jennifer Lawrence, Kate Winslet, Ryan Murphy, Emilia Clarke. ERIC RAY DAVIDSON Photographed for THR: Ice Cube, Dr. Dre, Taraji P. Henson, William H. Macy, Rami Malek, Thomas Middleditch, Tony Hale, Mark and Jay Duplass. Miller Mobleye RAMONA ROSALES AUSTIN HARGRAVE MEREDITH JENKS RUVEN AFANDOR Photographed for THR: Lena Dunham, Amy Schumer, Kevin Hart, Carol Burnett, Gwen Stefani, Kristen Wiig, Andy Samberg, Julia Louis Dreyfus. Photographed for THR: Matt Damon, Paul Rudd, Louis CK, Lily James, Chris Rock, 2015 Comedy Actor Emmy Roundtable. Photographed for THR: Brie Larson, Bryan Cranston, David O. Russell, Alejandro G. Innaritu, Judd Apatow, Ricky Gervais, Robert Pattinson, Al Pacino, Kevin Costner. Photographed for THR: Jennifer Aniston, Glenn Close, Amy Adams, Kerry Washington, Robert Redford, Reese Witherspoon, Julianne Moore, Rose Byrne. MEDIA KIT 2016 THR.COM T H E I NSI DER’ S GU I DE TO E N T E RTA I N M E N T A N D T H E H O L LY WO O D L I F E S T Y L E . AU DI ENCE 49% 51% FEMALE AVERAGE AGE 47 47.2% MARRIED / 52.8% NOT MARRIED COLLEGE GRADUATE / POST GRADUATE DEGREE 53% MALE A F F LU E NC E AVERAGE HHI: $102K AVERAGE HHI $100K+: 43%** 15MM US DOMESTIC MONTHLY UNIQUES* PU RC H A SI NG POW ER & I N F LU ENC E Over-index across categories with online shopping habits NEARLY 2.1X MORE LIKELY TO HAVE VISITED A MOVIE THEATER 4 TIMES IN THE LAST 3 MONTHS 205 85% MORE LIKELY TO HAVE MADE AN INTERNET PURCHASE ON A CELL PHONE/WIRELESS DEVICE IN LAST 30 DAYS NEARLY 2.7X MORE LIKELY TO BE CONSIDERED HEAVY SPENDERS ON EVENT TICKETS PURCHASED ONLINE IN THE LAST 6 MONTHS 269 24% MORE LIKELY TO PROVIDE FREQUENT ADVICE ON TELEVISION PROGRAMS NEARLY 2.2X MORE LIKELY TO HAVE SHOPPED ONLINE FOR MOVIE TICKETS IN THE LAST 6 MONTHS 215 32% MORE LIKELY TO PROVIDE ADVICE ON MOVIES 24% MORE LIKELY TO PROVIDE ADVICE ON MUSIC Source: Neilson @Plan, Q3 2015, Desktop Only, USA, A18+, *Source: comScore June 2015; Nielsen @Plan Q1 2015, ** Source: comScore, Jan 2016, Multi-Platform, USA MEDIA KIT 2016 THR.COM CHANNELS AND BLOGS I N D U S T RY & L I F E S T Y L E C O N T E N T W I T H A N AU T H O R I TAT I V E VO I C E THR.COM CHANNELS MOVIES TV Breaking news, box office charts, reviews, video and photo galleries, trailers and clips. Breaking news, reviews, ratings, video and photo galleries, blogs and clips. MUSIC Breaking news, charts, blogs, video and photo galleries and clips. THE BUSNESS Breaking news for the core industry audience as well as international, labor, political and real estate content. PRET-AREPORTER The style site covers the intersection of style, fashion, beauty, and Hollywood curated by THR’s in-theknow style team. VIDEO Original, exclusive and sponsored video content in an interactive destination. AWARDS All the people, places and predictions on the road to the Oscars and Emmys. THR.COM BLOGS ‘‘ LIVE FEED HEAT VISION INSIDE INDIE THE RACE BASTARD MACHINE EARSHOT HOLLYWOOD, ESQ. BEHIND THE SCREEN [The Hollywood Reporter reaches] all the right people we want to reach with this print publication, yet we’re able to take the stories and amplify them to the world through our website.” JANICE MIN MEDIA KIT 2016 SOCIAL T H R H A S C U LT I VAT E D A N E N G AG E D A N D AC T I V E S O C I A L F O L L OW I N G O F OV E R 4 M I L L I O N E N T E RTA I N M E N T & P O P C U LT U R E FA N S W H O I N T E R AC T W I T H T H E B R A N D AC R O S S S O C I A L C H A N N E L S . 1.9MM 1.5MM 421K Source: Direct from THR & Pret-a-Reporter social platforms 417K 137K 9MM MEDIA KIT 2016 PRET-A-REPORTER D E D I CAT E D S T Y L E S I T E F R O M T H E H O L LY W O O D R E P O RT E R A N D B I L L B O A R D PRET-A-REPORTER NEWSLETTER Exclusive content delivered directly to your inbox Pret-a-Reporter covers Hollywood style, fashion, music and beauty from THR’s and Billboard’s insider vantage point. Led by style editor Erin Weinger, the site features style and beauty content — from runway to red carpet — filtered through the discerning lens of Hollywood. Updated daily with special focus on seasonal content to fuel addictive engagement to young fashionistas across the country. SHOP THE LOOK Modules in content that allow users to buy the outfits being buzzed about. DRESS DU JOUR Daily highlights of the best dresses from the night previous including who wore it, where, and who made it. DESIGNERS DISH Candid Q&As with fashion designers ranging from major names to avant-garde & under the radar talent. WARDROBE ROOM Photo galleries that go behindthe-scenes inside glamorous costume departments of the hot TV shows, movie sets, and music tours. Source: Direct from THR & Pret-a-Reporter platforms as of Jan 2016 REEL LIFE Profiles on entertainment industry personalities and their stylish business pursuits MEDIA KIT 2016 DIGITAL EXTENSIONS AC C E S S E N T E RTA I N M E N T E N T H U S I A S T S AC R O S S P L AT F O R M S A N D D E V I C E S THE EMMY ISSUE ★ Voter: My brutally honest ballot ★ Parties, beauty & the end of ‘siren gowns’ ★ When Aaron Spelling ruled the town 100 FAVORITE TV SHOWS As picked by Hollywood insiders SEPTEMBER 25, 2015 NEARLY EMPIRE ON FIRE! 10MM MOBILE MONTHLY UNIQUES Broadcast’s biggest drama is back. A-list guest stars invade (Chris Rock ... as a cannibal?), hints of a tour and a spinoff abound, and real-life twists create a soap within a soap as THR goes inside season two. Says co-creator Lee Daniels: ‘I’m surprised the show’s even on the air’ FROM LEFT: JUSSIE SMOLLETT, TERRENCE HOWARD, TARAJI P. HENSON, TRAI BYERS AND BRYSHERE ‘YAZZ’ GRAY 31cover_l [P]{Print}.indd 2 9/15/15 1:36 PM MOBILE-OPTIMIZED THR.COM THR’s mobile site delivers breaking news on a site designed to facilitate deeper user engagement with a sleek new layout, infinite scrolling, enhanced navigation and list display, swipeable galleries, videos, and social sharing and commenting. NEWSLETTERS E-MAIL DATABASE A suite of daily, weekly and seasonal e-newsletters cover breaking industry-focused news across continents: headlines, daily ratings, box office, film festivals, our Daily Edition PDF, and the Pret-a-Reporter newsletter. A database of entertainment-obsessed consumers and industry-only readers is a powerful directmarketing tool that provides advertisers with e-mail access to Hollywood’s most sought-after consumers: the catalysts who start conversations, ignite trends and drive culture. MEDIA KIT 2016 NEWSLETTERS DA I LY, W E E K LY, A N D S E A S O N A L E - N E W S L E T T E R S C OV E R B R E A K I N G N E W S AC R O S S C O N T I N E N T S SUBSCRIBERS DELIVERY DATES Today In Entertainment Recounting the day’s top entertainment news 115K MON - FRI Breaking News Up to the minute news as it breaks 27K 20 - 40X / WEEK as news breaks Box Office Weekend box office recap 24K FRI - SUN Daily Ratings Recapped TV ratings & TV news 19K MON - FRI Daily Edition Alert Morning email to online subscribers 16K MON - FRI Live Feed Compliation of the best television news 30K MON - FRI Live Feed Alerts TV Coverage breaking news alerts 21K As news breaks Behind The Screen News from the intersection of entertainment and technology 20K TUES / Varies during Awards Season Film Festival News Daily festival coverage and recap 20K MON - FRI International News Content-specific coverage 16K M, T, W, TH, SU International Breaking News Breaking news with an international focus 16K As news breaks Screening Guide Screening guide by location- LA, NY, SF or London 13K During Awards Season Awards News 20K During Awards Season Awards Season News Source: SailThru Jan 2016 MEDIA KIT 2016 EVENTS CALENDAR SUNDANCE FILM FESTIVAL DATE January 22 - February 1, 2015 LOCATION Park City, UT ATTENDEES Varies by location NOMINEES NIGHT (OSCARS) DATE February 2015 LOCATION Los Angeles, CA ATTENDEES 300 people STYLISTS LUNCHEON DATE March 2015 LOCATION Soho House, Hollywood, CA ATTENDEES 50 people NEW YORK POWER DATE April 2015 LOCATION The Four Seasons Restaurant, NYC, NY ATTENDEES 200 people POWER LAWYERS BREAKFAST DATE May 2015 LOCATION Beverly Hills, CA ATTENDEES 150 people CANNES INTERNATIONAL FILM FESTIVAL DATE May 13-24, 2015 LOCATION Luxury location in Cannes, France ATTENDEES Approx. 150 people WOMEN IN ENTERTAINMENT DATE December 2015 LOCATION Top location, Los Angeles, CA ATTENDEES 600 people TORONTO INTERNATIONAL FILM FESTIVAL DATE September 2015 LOCATION Top location in Toronto, Canada ATTENDEES 200 people POWER BUSINESS MANAGERS DATE October 2015 LOCATION Los Angeles, CA ATTENDEES 150 people NEXT GEN DATE November 2015 LOCATION Hollywood, CA ATTENDEES 300 people BEAUTY DINNER DATE November 2015 LOCATION Los Angeles, CA ATTENDEES TBD CUSTOM EVENT OPPORTUNITIES AVAILABLE INTIMATE DINNERS FILM & TV SCREENINGS COCKTAIL EVENTS MEDIA KIT 2016 ‘‘ BRAND OF RECORD BU T D ON ’ T J U S T TA K E OU R WOR D F OR I T. . . It’s a badge of honor to get [The Hollywood Reporter], you feel like you belong to the industry when you get it... preserving that enjoyable process of feeling like every word on every page, and every photo matters and was thought about is an important art of doing something in print still. What we do is something special in that we have access to these worlds and credibility in these worlds that are very, very hard to penetrate…that’s an incredibly valuable thing.” JANICE MIN ‘‘ …The Hollywood Reporter… has come to reflect – and in some instances influence – the global cultural reach and shifting contours of creative and institutional power in the entertainment industry.” THE GUARDIAN FEBRUARY 2016 ‘‘ … a gorgeous weekly magazine that chronicles, for titans and tyros alike, the flash, the glamour, the backlot vibe, and the under-appreciated intelligence of the entertainment community…The reconstituted book is where many A-list stars are now eager to be found. The Hollywood Reporter’s print mag is the place to be seen.” FOLIO JULY 2015 ‘‘ Ms. Min turned THR from an also-ran trade paper into a kind of Better Hollywood Homes & Deals, supplying splashy photo shoots, roundtables and think pieces to its small but super-rich readership.” THE NEW YORK OBSERVER JULY 2015 Winner of the 2015 & 2016 ASME National Magazine Award for General Excellence, and two time nominee for Magazine of the Year 2015 Honoree Best Magazine Website ‘‘ ‘‘ ... there’s little question who the current queen of Hollywood media is — and Min is it.” L’OBS MAY 2015 Janice Min’s transformation of The Hollywood Reporter from sleepy trade to a buzzed-about pop culture weekly, snagged two [National Magazine Award] nominations, including one for Magazine of the Year.” THE NEW YORK POST JANUARY 2015 ‘‘ ‘‘ …The Hollywood Reporter… has emerged as both buzzy and serious under the leadership of Janice Min…” THE WASHINGTON POST MAY 2014 ‘‘ ‘‘ [Janice] Min has launched an ambitious oversize glossy magazine... think W by way of Studio City.” THE DAILY BEAST If you want to celebrate print magazines, why not feature Janice Min, who is turning The Hollywood Reporter from a dying trade into a thoughtful, glossy exploration of everything Hollywood…with a crackling, obsessive website to boot.” SLATE JUNE 2013 ‘‘ Some people here now refer to the revamped Reporter, with its socialscene pages and power-lunch tidbits mixed with exposés and frothy celebrity features, as the ‘new’ Vanity Fair.” THE NEW YORK TIMES FEBRUARY 2013 … a visually lush weekly magazine… Web traffic & advertising have soared in part because Ms. Min produces much more consumeroriented entertainment coverage.” THE NEW YORK TIMES JUNE 2013 2015 winner for Best Fashion issue of a Non-Fashion Publication for annual Stylists Issue LA Area Emmy Award for “The Hollywood Reporter in Focus: The Wolf of Wall Street” on PBS SoCal Source: BurrellesLuce, 2014 34 National Arts & Entertainment Journalism Awards from the Los Angeles Press Club including Best Website and Best Publication 2015 Best Magazine Branded Video for Roundtable series Honorable Mention: Overall Editorial Excellence MEDIA KIT 2016 EDITORIAL CALENDAR PUB DATE AD CLOSE MATERIALS DUE JAN 6 DEC 29 DEC 30 JAN 13 JAN 7 JAN 8 JAN 20 JAN 14 JAN 15 JAN 27 JAN 21 JAN 22 FEB 10 FEB 4 FEB 5 FEB 24 FEB 18 FEB 19 MAR 2 MAR 25 MAR 26 MAR 16 MAR 10 MAR 11 APR 6 MAR 31 APR 1 APR 20 APR 14 APR 15 MAY 4 APR 28 APR 29 MAY 9 MAY 4 MAY 5 JUN 22 JUN 16 JUN 17 SEP 7 SEP 1 SEP 2 SEP 14 SEP 8 SEP 9 SEP 21 SEP 15 SEP 16 SEP 28 SEP 22 SEP 23 OCT 5 SEP 30 OCT 2 OCT 19 OCT 13 OCT 14 NOV 2 OCT 27 OCT 28 NOV 9 NOV 3 NOV 4 NOV 16 SEP 10 SEP 11 NOV 21 OCT 19 OCT 26 DEC 7 DEC 1 DEC 2 DEC 14 DEC 8 DEC 9 CHECK THR.COM FOR THE LATEST EDITORIAL CALENDAR AT THR.COM/EDITCALENDAR *Editorial content subject to change MEDIA KIT 2016 THR CONTACTS Executive Vice President/ Group Publisher, Entertainment Group LYNNE SEGALL lynne.segall@thr.com 323.525.2192 Vice President, Television & Media BETH DEUTSCHMAN Vice President, Entertainment VICTORIA GOLD Managing Director, International Sales beth.deutschman@thr.com 323.525.2259 victoria.gold@thr.com 323.525.2028 alison.smith@thr.com +44-7788-591-781 ALISON SMITH NEW YORK 340 Madison Ave, 6th Floor New York, NY 10173 // T: 212.493.4324 LOS ANGELES 5700 Wilshire Blvd., Suite 500 Los Angeles, CA 90036 // T: 323.525.2245 DEBRA FINK Executive Director, Independent Film & Talent // debra.fink@thr.com // 323.525.2249 LORI COPELAND Senior Account Director // lori.copeland@thr.com // 323.525.2020 PRODUCTION DETROIT KELLY JONES COLLEEN LAFFERTY E: ads@thr.com T: 323.525.2163 EUROPE TOMMASO CAMPIONE E: tammaso.campione@thr.com T: +44-7793-090-683 Maiorana+Partners Ltd. E: colleenm@maiorana-partners.com T: 248.546.2222 ASIA FREDERIC FENUCCI E: frederic.fenucci@thr.com T: +44-7985-251-814 IVY LAM E: ivy.lam@thr.com T: 852.2880.3405 AUS / NEW ZEALAND LISA CRUSE E: lisa@spiritedmedia.co.nz T: +64 21 566 699