2SaW¡\ Issue - The Studio Museum in Harlem

$2SaW¡\ Issue - The Studio Museum in Harlem$
BVSAbcRW];caSc[W\6O`ZS[;O¡OhW\S / Summer 2007 2SaW¡\ Issue From the Director 4`][bVSPcabZW\UaWRSeOZYa]T #bVAb`SSbb]bVSW\bSZZSQbcOZ S\dW`]\[S\b]TbVS`SQS\bZg `S\]dObSRAQV][PcÙ1S\bS`T]` @SaSO`QVW\0ZOQY1cZbc`SOeOZY bV`]cUV6O`ZS[`SdSOZaO`WQVVWa b]`g]TRSaWU\O\R[O\ga]c`QSa ]TW\a^WÒbW]\7\a^W`SRPgbVSW` Sf^S`WS\QSaW\bVS\SWUVP]`V]]R ESZQ][Sb]bVSÆàbSdS` design issue of Studio! 7\a^W`SRPg]càc[[S`SfVWPW bW]\David Adjaye: Making Public BuildingsbVWaWaacSSf^Z]`Sa bVS^]eS`TcZ`]ZSRSaWU\^ZOgaW\ W\TcaW\UbVSSdS`gROgSf^S`WS\QS ]TQ]\bS[^]Ò`gQcZbc`SeWbV O`bQ`SObWdWbgO\RcbWZWbgMaking Public BuildingsWaO\SfVWPW bW]\]TQWdWQaÔQSaQ`SObSRPg 0`WbOW\¿a2OdWR/RXOgS]\S]TbVS []abW\\]dObWdSO`QVWbSQba]TVWa US\SÒbW]\/RXOgS¿ae]`YWaQVO` OQbS`WhSRPgVWacaS]TZWUVbO\R aÔQSb]W\ÇcS\QSbVS^cPZWQ¿a Sf^S`WS\QS]TbVSPcWZbS\dW`]\ [S\bBVWaSfVWPWbW]\Æàb]ÙO \WhSRPgbVSEVWbSQVO^SZ /`b5OZZS`gW\:]\R]\[ORS[S bVW\YOP]cbbVSRWdSàS^cPZWQ aÔQSa`WUVbVS`SW\6O`ZS[O\R V]ebVSW`RSaWU\»eVSbVSÒQQW RS\bOZ]`RSZWPSÒbS»S\`WQVSaOZZ ]T]c`ZWdSa bVSW`RWdSàS[SRWOO\R^Sà^SQ bWdSa]\Q]\bS[^]Ò`gQcZbc`S W\b]bVSUOZZS`WSa/\ROaOZeOga the Harlem Postcards]TTSÒ T`SaVZ]]YObSdS`gROg]\]c` ab`SSba EVWZSbVWaWabVSÆàbWaacS RSRWQObSRb]RSaWU\UÒ^VWQ RSaWU\VOaOZeOgaPSS\OQ`cQWOZ O\RbVSWàbcRg]T8O[SaDO\2S` Ô`b]TbVWa[OUOhW\S4]`bVWa HSS¿aVWab]`WQ^V]b]UÒ^VabVOb 7[cabbVO\Y3RRWS=ÔÒO\R bÒQS6O`ZS[¿aOSabVSbWQO\R AOZdOR]`=ÒÒ]TBVS;O^=TÆQS QcZbcÒZSd]ZcbW]\bVSVWUVaQV]]Z bVSRSaWU\abcRW]eV]aSTO\bOabWQ Ô`bWQWÔ\baW\]cÈxpanding e]`YVOaPSS\O\SaaS\bWOZÔ`b the Walls^`]UÒ[VOdSa^S\bbVS ]TStudioaW\QSWbaW\QS^bW]\BVS ÔabTSe[]\bVaR]Qc[S\bW\U SRWb]`WOZbSO[ZSRPg/ZW3dO\a 6O`ZS[W\^V]b]UÒ^VaBVSW` dWacOZW\bS`^`SbObW]\aO`S]\dWSe bVWaac[[S`W\Shift in Focus eVWQVbVSgOZa]VSZ^SRRSaWU\ =c`TOPcZ]ca/`bWabaW\@SaW RS\QS»BWbca9O^VOÈO`RSZZ ;WZO\77O\R2S[Sb`Wca=ZWdS`» Q][^ZSbSbVSW`gSO`]TVO`Re]`Y ObbVS;caSc[eWbVMidnight’s DaydreamW\eVWQVbVSgP`W\U eWbVbVSOaaWabO\QS]TBWTTO\g6c VOae]`YSRbW`SZSaaZgb]RSZWdS` bVWaSWUVbVWaacS]TbVS^cPZWQO bW]\eVWQV7¿[ac`Sg]c¿ZZ`SOR T`][Q]dS`b]Q]dS`=TQ]càS \]\S]T]cè]`YWa^]aaWPZS eWbV]cb]cÙS\S`]caac^^]`bSà ESaW\QS`SZgbVO\Yg]cT]`g]c` c\eOdS`W\UUS\S`]aWbg/\RÆ\OZZg eSSfbS\ROVSO`bTSZbeSZQ][Sb] be]\Se[S[PSà]T]c`0]O`R ]TB`cabSSa»8OQ_cSZW\S:0ÒR ZSgO\R2`/[SZWO=Uc\ZSaW ASSg]cO`]c\RO\RRSÆ\WbSZg c^b]e\³ Thelma Golden 2W`SQb]Ò\R1VWST1cÒb]` BVWaWaacS]TAbcRW]Wac\RSè`WbbS\W\Ô`beWbVac^^]`bT`][0Z]][PSÙ =^SÒbW]\]TBVSAbcRW];caSc[W\6O`ZS[Waac^^]`bSRW\Ô`beWbV^cPZWQTc\Ra ^`]dWRSRPgBVS<SeG]`Y1Wbg2SÔ`b[S\b]T1cZbcÒZ/TTOWà1]c\QWZ;S[PS` 7\Sh32WQYS\a'bV12A^SOYS`1V`WabW\S?cW\\bVS<SeG]`Y1Wbg1]c\QWZ /aaS[PZg[O\9SWbV:BE`WUVb%bV/2O\R<SeG]`YAbObS1]c\QWZ]\bVS/`ba OabObSOUS\Qg Thelma’s photo / BW[]bVg5`SS\ÆSZRAO\RSà Cover Image2OdWR/RXOgS 2007 / 1]c`bSag/RXOgS/aa]QWObSa SMH Board of Trustees Chairman @Og[]\R8;Q5cW`S Vice-Chair 1O`]ZAcbb]\:SeWa Treasurer @SUW\OZRDO\:SS Secretary /\\S03V`S\YÒ\h 5OgZS>S`YW\a/bYW\a 8OQ_cSZW\S:0ÒRZSg 9ObV`g\11VS\OcZb 5]`R]\82OdWa AcaO\4OZSa6WZZ 2`6S\`g:]cWa5ObSa8` AO\RÒ5`g[Sa 8]gQS96Oc^b /`bVc`86c[^V`Sg8` 5S]ÙS:9\]f <O\Qg::O\S 2`;WQVOSZ::][Of BÒQg;OWbZO\R @]R\Sg;;WZZS` 3WZSS\6O``Wa<]`b]\ 2`/[SZWO=Uc\ZSaW 1]`W\S>SbbSg 2OdWR/@]aa 1VO`ZSa/AV]`bS`8` /\\BS\S\POc[ 8]V\BBV][â]\ ;WQVOSZEW\ab]\ BVSAbcRW];caSc[W\6O`ZS[;O¡OhW\S / Summer 2007 02 What’s Up / David Adjaye / Midnight’s Daydream / Shift in Focus / Harlem Postcards 14 More-in-Store / Kikkerland 15 StudioSound / Music for Archicture (Vol. 1) 16 Upcoming Exhibitions / Jacob Lawrence / Kori Newkirk / Charles Ethan Porter 18 Elsewhere / Design for the other 90% / Dave McKenzie / Senga Nengudi / Willie Cole / Gee’s Bend / Keep the Change / Let Your Motto Be Resistence / Three One–Man Exhibition / Scratch the Surface / El Museo’s Bienal 23 Letter from the Editor 26 Features / Glenn Ligon: Give Us a Poem / 52nd Venice Biennale / Tracy Reese / Art by Design: The Unexpected Mailou Jones 34>`]ÆZSaBVS;O^=TÆQS8]aVcO2O`RS\AbS^VS\0c`Ya0`gO\1]ZZWS` 38 Coloring Page 40 Education and Public Programs 45 Overheard 48 Studio Visit /Jeff Sims 49 3Qs / Rico Gatson 50 Checkout 51 Icon / J. Max Bond 52 Artist Commission / Troy “Gericault” Roberts 56 Features / Harlem-in-Residence 60Faith Ringgold 64 Staff Picks / Home in Harlem 66 Development News:c\QVS]\1]\bS[^]Ò`g4`WS\Ra0S\SÆb Supporters / Art Acquisition Gifts 74 Museum Store Sf]TÆQW] 6]\9ObS2:SdW\ Sf]TÆQW] 9O`S\/>VWZZWâ Studio Editor-in-chief /ZW3dO\a Managing editor BWTTO\g6c Editor at large :SO95`SS\ Copy editor AO[WÀ>ObSZ Art Direction and Design BVS;O^=TÆQS<SeG]`Y 2SaWU\/TÆZWObS f"<SeG]`Y Printing 1]a[]a 1][[c\WQObW]\a7\Q AbcRW]Wa^cPZWaVSRbV`SSbW[Sa OgSO`PgBVSAbcRW];caSc[ W\6O`ZS[""E #bVAb <SeG]`Y<G %1]^g `WUVb %AbcRW];OUOhW\S /ZZ[ObS`WOZWaQ][^WZSRT`][ a]c`QSaPSZWSdSRb]PS`SZWOPZS Pcb^cPZWaVSReWbV]cb`Sa^]\ aWPWZWbgT]`S``]à]`][WaaW]\a AbcRW]Oaac[Sa\]`Sa^]\aWPWZ WbgT]`c\a]ZWQWbSR[O\caQ`W^ba]` ^V]b]UÒ^Va/ZZ`WUVbaW\QZcR W\UbÒ\aZObW]\W\b]]bVS`ZO\U cOUSa`SaS`dSRPgbVS^cP ZWaVS`<]bVW\UW\bVWa^cPZWQObW]\ [OgPS`S^`]RcQSReWbV]cbbVS ^S`[WaaW]\]TbVS^cPZWaVS` Please email comments to pr@studiomuseum.org. James VanDerZee>]`bÒWb]TO;O\6]ZRW\UO1O\S'! 1]c`bSag2]\\O;caaS\RS\DO\2S`HSS 1VS\¡8cW1VWO\¡ / Junction / 2007 3 What’s Up David Adjaye: Making Public Buildings July 18—October 28, 2007 Studio / Summer 2007 01/ Adjaye/Associates, Canopy, Nobel Peace Center 2005–06 Courtesy Adjaye/Associates 7\:]\R]\OQcPSÇ]ObaOP]dS`]ea]TP`WQYPcWZRW\¡a O\RPZS\RaW\eWbVbVSaYg]\OÔ`bZgQZ]cRgROg;cQV ZWYSOQOYSWbWaPcWZbW\ZOgSàbV]cUVbVSaSZOgSàO`S SOQVQ][^]aSR]TdS`bWQOZPSO[a]TQ]Z]Ò\RZW¡Vb 7bWabVSOeO`ReW\\W\¡7RSOAb]`SW\EVWbSQVO^SZO PcWZRW\¡bVOb`S^`SaS\baeVObbVS001QOZZa¼bVSZWPÒ`g ]TbVSTcbc`S½1 David Adjaye of Adjaye/Associates, architect of the Idea Store, was born in Dar es Salaam, Tanzania, to GhanaWO\RW^Z][ObaAW\QSQ][^ZSbW\¡VWaabcRWSaObbVS@]gOZ 1]ZZS¡S]T/`bW\''!bVS:]\R]\POaSRO`QVWbSQbO\R bVS]`WabVOaPcWZb]è]\bS\^cPZWQQ][[WaaW]\aObO\ O¡SPST]`S[O\gO`QVWbSQbaVOdSPcWZbOaW\¡ZSab`cQbc`S 6Wa^`]XSQbaÒ\¡ST`][^`WdObS`SaWRS\QSaW\:]\R]\O\R <O\XW\¡1VW\Ob]^cPZWQQ][[WaaW]\aacQVOabVS<]PSZ >SOQS1S\bS`W\=aZ]<]èOg3OQVPcWZRW\¡SfVWPWbaO [g`WOR]T¡Z]POZW\ÇcS\QSaacQVOaeSab/T`WQO\aQcZ^bcÒZT]`[aO\RSZSQb`]\WQ[caWQBV]c¡VQSZSPÒbSR W\bS`\ObW]\OZZgPgO`QVWbSQbc`SQ`WbWQaT]`VWaQ]\QS^bcOZ O^^`]OQVb]PcWZRW\¡RSaW¡\/RXOgSWa`SZObWdSZgc\Y\]e\ in the United States. Making Public BuildingsW\b`]RcQSa/RXOgS¿aO`QVWbSQbc`S b]/[S`WQO\OcRWS\QSaPgQO``gW\¡dWSeSàbV`]c¡VVWa e]`YW\¡^`]QSaa»T`][W\a^WÒbW]\b]Q][^ZSbW]\»T]` bS\^`]XSQbaP]bVPcWZbO\Rc\Q][^ZSbSR1]]`¡O\WhSR eWbVbVSEVWbSQVO^SZ5OZZS`gW\:]\R]\O\RRSaW¡\SRPg /RXOgS/aa]QWObSabVWaWa/RXOgS¿aÆàba]Z]O`QVWbSQbc`S SfVWPWbW]\W\<]`bV/[S`WQO David Adjaye: Making Public BuildingsVOaPSS\^`]RcQSRPgbVSEVWbSQVO^SZ/`b 5OZZS`g:]\R]\O\RBVSAbcRW];caSc[W\6O`ZS[<SeG]`Y)W\Q]ZZOP]ÒbW]\eWbV bVS<SbVS`ZO\Ra/`QVWbSQbc`S7\abWbcbS;OOab`WQVb)BVS;caSc[]T1]\bS[^]Ò`g /`b2S\dS`)O\R/Ò`W]5OZZS`g0SWXW\¡O\R/Ò`W]5OZZS`g9]`SO BVS^`SaS\bObW]\]TbVWaSfVWPWbW]\ObbVSAbcRW];caSc[Waac^^]`bSRW\Ô`bPg bVS5ÒVO[4]c\RObW]\T]`/RdO\QSRAbcRWSaW\bVS4W\S/`baO\R3ZWaS8OTTS 8STT`Sg0`]e\ ;SUO\:O\S¼7abVWabVSZWPÒ`g]TbVSTcbc`S-½001<Sea=\ZW\S;O`QV& ! Vbb^(\SeaPPQQ]cY¡]^`T`VW[O¡OhW\S &#'&"#ab[ 1 01 5 What’s Up David Adjaye: Making Public Buildings July 18 — October 28, 2007 01/ Adjaye/Associates Venice Art Biennale 2005 Courtesy Adjaye/ Associates 02/ Studio Toni Yli Suvanto 3D Illustrations of Museum of Contemporary Art/Denver 2004–07 Courtesy Adjaye/ Associates 03/ Adjaye/Associates Interior of Museum of Contemporary Art/Denver 2004–07 Courtesy Adjaye/ Associates 04/ Studio Toni Yli Suvanto Stephen Lawrence Centre 2004–07 Courtesy Adjaye/ Associates 05/ Adjaye/Associates Venice Art Biennale 2005 Courtesy Adjaye/ Associates Studio / Summer 2007 07/ Studio Toni Yli Suvanto Rivington Place 2003–07 Courtesy Adjaye/ Associates 06/ Adjaye/Associates Ideas Store Whitechapel 2005–06 Courtesy Adjaye/ Associates 02 05 Ab`SaaW\¡bVSSf^S`WS\bWOZ_cOZWbWSa]TOPcWZRW\¡Oa [cQVOabVSTc\QbW]\]TO`QVWbSQbc`S/RXOgSXcfbO ^]aSabVS`]c¡VO\RbVSa[]]bVbVS\ObcÒZO\RbVS ag\bVSbWQbVS`SORg[ORSO\RbVS`SÆ\SRb]QV]`S] ¡Ò^VRW[S\aW]\ZW¡VbO\R[ObS`WOZ6WaPcWZRW\¡a S[^VOaWhSbVSW\bS`W]`c\T]ZRW\¡]TaÔQSeVWZSOZa] `Sa^]\RW\¡b]bVSWàc``]c\RW\¡aBVWab]c`W\¡SfVWPW bW]\WabVSÆàb[OX]àc`dSg]TVWa^cPZWQPcWZRW\¡a 01 06 03 7\WbWOZZgRSaW¡\W\¡`SbOWZO\RQ][[S`QWOZaÔQSa/RXOgS ¡OW\SRObbS\bW]\T]`VWaR][SabWQPcWZRW\¡aO\RVWaQ]ZZOP]ÒbW]\aeWbVO`bWabaO\RO`b]`¡O\WhObW]\aBVSaSVOdS included a public sculpture with Henna Nadeem; the T-B / =ZOTc`3ZWOaa]\>OdWZW]\T]`bVS#ab7\bS`\ObW]\OZ/`b 3fVWPWbW]\ObbVSDS\WQS0WS\\OZSW\ #)O\RbVS4`WShS /`b4OW`ÔdWZW]\a 04 BVWaSfVWPWbW]\bÒQSa/RXOgS¿aQ`SObWdS^`]QSaaT`][ W\QS^bW]\b]RSaW¡\O\RQ][^ZSbW]\BVS[OW\¡OZlery presents a comprehensive visual list of completed PcWZRW\¡aO\RTSObc`SabS\YSg^`]XSQba`S^`SaS\bSR bV`]c¡V[]RSZaRÒeW\¡aO\R[ObS`WOZaÐ 07 7 What’s Up Midnight’s Daydream: 2006—07 Artists-in-Residence Titus Kaphar, Wardell Milan II and Demetrius Oliver July 18—October 28, 2007 01/ 2006-07 Artists-in-Residence Photo: Ray Llanos 02/ Titus Kaphar White underneath 7-16 (detail) 2006–07 Courtesy the artist 03/ Titus Kaphar White underneath 7–16 (detail) 2006–07 Courtesy the artist 04/ Wardell Milan II Mount Calvary: Go Tell It On The Mountain 2007 Courtesy the artist 05/ Wardell Milan II Suddenly Last Summer 2007 Courtesy the artist Studio / Summer 2007 06/ Demetrius Oliver Vulpecula 2007 Courtesy the artist 07/ Demetrius Oliver Almanac, (detail) 2006–07 Courtesy the artist 01 ;WR\W¡VbWabVSW\abO\beVS\gSabS`ROgO\Rb][]``]e [SSb7bWabVSeWbQVW\¡V]c`bVSbW[S]T`SQY]\W\¡ O\R»W\SdS`gbVW\¡T`][TOW`gbOZSab]bVSBulletin of the Atomic Scientists»O[][S\bTÒc¡VbeWbVS_cOZÔ`ba [O¡WQO\RO\¡abBW[S¿ac\OZbSÒPZSbÒXSQb]`gZSOdSa W\WbaeOYSÔab`S¡`SbaTcbc`SO\fWSbWSaO\ROT]`[ZSaa ^`SaS\bY\]e\OabVSQ]\bS[^]Ò`gMidnightWaOdSàW]\]TQ]\bS[^]Ò\SWbg»\SWbVS`Ôab\]`Tcbc`SPcb bVSÇSSbW\¡¼\]e½bVObacbc`SabVSbe]b]¡SbVS` 7T[WR\W¡VbVOROR`SO[ZWTS^S`VOâWbQ]cZRW[OUW\S [OaVcâ]TWba]e\/Q]ZZO¡S]TaW\¡cZO`SdS\ba [W¡Vb[SSbW\]\SZ]QObW]\[cQVZWYSEO`RSZZ;WZO\¿a Oaa]`bSRQcb]cbÆ¡c`SaeVWQVQ]\¡`S¡ObSW\TO\bOag bOPZSOcfBVSeWbQVW\¡V]c`Q]cZRP`W\¡RWdSàS VWab]`WQOZ[][S\bab]¡SbVS`W\Q]\dSàObW]\[W``]`W\¡ BWbca9O^VO`¿aRW^bgQVaW\abOZZObW]\abVObQO^bc`S O[WR\W¡Vb[][S\beVS\[caSc[ÔW\bW\¡a[O¡WQOZZg Q][Sb]ZWTS=`[WR\W¡Vb[OgR`SO[]TbVS^S`^SbcOZ \W¡VbW\2S[Sb`Wca=ZWdS`¿a^V]b]¡Ò^VaeVS\bVS ^ZO\SbaO\RabOàO`SOZeOgadWaWPZSO\R`SdWaWbW\¡bVS ÔabWaO\SaaS\bWOZb]]ZT]`Q]\ab`cQbW\¡bVSTcbc`S 3OQV]TbVWagSO`¿a/`bWabaW\@SaWRS\QS]TTSàOdWaW]\]T bVSQ]\bS[^]Ò`gW\eVWQVbW[SWa[OZZSOPZSO\Rc^]\ eWb\SaaW\¡bW[S¿a[O\W^cZObW]\adWSeSàOZa]¡OW\OQ`WbW QOZRWabO\QST`][Q]\bS[^]Ò`gdWacOZQcZbc`SÐ 02 03 BVS/`bWabaW\@SaWRS\QS>`]¡Ò[O\RSfVWPWbW]\O`STc\RSRW\Ô`bPgbVS <SeG]`YAbObS1]c\QWZ]\bVS/`baOabObSO¡S\Qg)<W[]g4]c\RObW]\)3ZOW\S 2O\\VSWaaS`4]c\RObW]\)BVS5`SS\eOZZ4]c\RObW]\)6SZS\O@cPW\abSW\4]c\ RObW]\)8S`][S4]c\RObW]\)2SROZca4]c\RObW]\);WZb]\AOZZg/dS`g/`ba 4]c\RObW]\)O\RO\S\R]e[S\bTc\RSRPgbVS8OQ]PO\R5eS\R]Zg\:Oe`S\QS B`cabO\RbVS/\R`SO4Ò\Y4]c\RObW]\ 04 06 05 07 9 A Portrait of the Artists 2006—07 Artists-in-Residence Titus Kaphar, Wardell Milan II and Demetrius Oliver The Milans, DJ uhm_hmmm, Seitu and his wife, West Tennessee, The Golden Girls cast, Sheila E, Huey P. Newton, Kyra Sedgwick, Rosario Dawson, Josephine Baker, the Neanderthal, Common, Lauryn Hill, Stevie Wonder and Marvin Gaye. EVOb¿a\Sfb- A trip to Mars. My spaceship is near completion. <O[SbVSO`bWabeV]VOaW\ÇcS\QSRg]cbVS[]ab Wardell and Linda Milan. Answered on 6/11/2007 Titus Kaphar Wardell Milan II EVObWabVSbWbZS]TbVSZOabe]`Yg]cQ][^ZSbSRShroud. =\Se]`Rb]RSaQ`WPSg]cè]`Y- Evolving. EVObO`be]`YVOaVORO^`]T]c\RW\ÇcS\QS]\g]c` e]`Y- No More O’ This Shit (1969) by Rupert Garcia. EVObWabVS[]abW\bS`SabW\USfVWPWbW]\g]c¿dSaSS\ `SQS\bZg- Tala Madani, Smoke and Mirrors at LombardFreid Projects. EVObR]g]c[]abZWYSOP]cbPSW\U]\ #bVAb`SSb- The smell of roasted peanuts wafting up through my studio window. EVObWag]c`TOd]`WbSbVW\Ub]R]OTbS`Q][^ZSbW\¡ Oe]`Y]TO`b- Start the next before the post-painting depression sets in. EVOb[caWQR]g]cZWabS\b]eVWZSg]c¿`Se]`YW\¡W\ bVSabcRW]- NRAEVIS. The lead singer/guitar player Saul Severe ROCKS!!! EVOb¡OR¡SbQ]cZRg]c\]bZWdSeWbV]cb- My Apple G4 computer. 4W\WaVbVSaS\bS\QS(0ZOQYWa³a color … no matter what they try to tell you in art school. 7Tg]cQ]cZRVOdSRW\\SèWbVO\g]\SRSOR]ÒZWdS eV]e]cZRWbPS- My great grandmother. I never got a chance to thank her for a lifetime of prayer. EVOb¿a\Sfb- Spend some quality time with the two people I love most, my wife and my son. <O[SbVSO`bWabeV]VOaW\ÇcS\QSRg]cbVS[]ab Diana Pumpelly Bates. She taught me what it means to be an artist, and she fed me too! EVObWabVSbWbZS]TbVSZOabe]`Yg]cQ][^ZSbSRMount Calvary: Go Tell It On The Mountain. =\Se]`Rb]RSaQ`WPSg]cè]`Y- Evolving O\R@SaVcTÇS EVObO`be]`YVOaVORO^`]T]c\RW\ÇcS\QS]\g]c` e]`Y- The novel The Known World (2003) by Edward P. Jones. EVObWabVS[]abW\bS`SabW\¡SfVWPWbW]\g]c¿dSaSS\ `SQS\bZg- My goddaughter’s Ms. Pretty pencil and water color drawings. EVObR]g]c[]abZWYSOP]cbPSW\U]\ #bVAb`SSb- Watching the brown-skin beauties catwalk down the street wearing their skintight jeans that make the brothas go crazy. EVObWag]c`TOd]`WbSbVW\¡b]R]OTbS`Q][^ZSbW\UO e]`Y]TO`b- Taking a weekend trip to Saint-Tropez. EVOb[caWQR]g]cZWabS\b]eVWZSg]c¿`Se]`YW\¡W\bVS abcRW]- Whatever Titus may be listening to in his studio. His stereo is much louder than mine. EVOb¡OR¡SbQ]cZRg]c\]bZWdSeWbV]cbMy BlackBerry 8800. 4W\WaVbVSaS\bS\QS(0ZOQYWa³ the color of my true love’s hair. 7Tg]cQ]cZRVOdSRW\\SèWbVO\g]\SRSOR]ÒZWdS eV]e]cZRWbPS- Michael Jackson, Madonna, James Baldwin, Toni Morrison, Dr. Henry Louis Gates Jr., Pope John Paul II, Malcolm X, my father’s father, Billie Holiday, Oprah, T.I, a catering staff, SuperHead, Leslie Hewitt, William Cordova, 8954 Shallow Ford Road, Z Howell, Noelle and her sunshine carrying Ms. Pretty, Answered on 6/11/2007 Studio / Summer 2007 Photos: @Og:ZO\]a Artist Bios Titus Kaphar Born'%$9OZO[Oh]];7 :WdSaO\Re]`YaW\<SeG]`Y<G Education $;4/GOZSC\WdSàWbg<Se6OdS\1B 04/AO\8]aSAbObSC\WdSàWbgAO\8]aS1/ Wardell Milan II Born'%%9\]fdWZZSB< :WdSaO\Re]`YaW\<SeG]`Y<G Education ";4/GOZSC\WdSàWbg<Se6OdS\1B 04/C\WdSàWbg]TBS\\SaaSS9\]fdWZZSB< Demetrius Oliver Born'%#0`]]YZg\<G :WdSaO\Re]`YaW\<SeG]`Y<G Demetrius Oliver EVObWabVSbWbZS]TbVSZOabe]`Yg]cQ][^ZSbSRWorking collaboratively with Terry Adkins, Harmonic Spheres was the last piece produced for the show. =\Se]`Rb]RSaQ`WPSg]cè]`Y- @SaVcTÇS EVObR]g]c[]abZWYSOP]cbPSW\¡]\ #bVAb`SSbThe smell of roasted peanuts wafting up through my studio window. EVObWag]c`TOd]`WbSbVW\¡b]R]OTbS`Q][^ZSbW\¡O e]`Y]TO`b- Rest. EVOb[caWQR]g]cZWabS\b]eVWZSg]c¿`Se]`YW\¡W\bVS abcRW]- I prefer the sound that accompanies silence. EVOb¡OR¡SbQ]cZRg]c\]bZWdSeWbV]cb- Keychain. EVOb¿a\Sfb- More rest. Answered on 6/13/2007 Education ";4/C\WdSàWbg]T>S\\agZdO\WO>VWZORSZ^VWO>/ ''&04/@V]RS7aZO\RAQV]]Z]T2SaW¡\>`]dWRS\QS@7 11 What’s Up Shift in Focus Expanding The Walls Student Exhibition July 18—October 28, 2007 01/ Brittney Cartagena Converse-ation 2007 04/ Courtney Howell Str8 Ballin’ 2007 07/ Rebecca Villalobos Rays of Light 2007 02/ Corinne L. Thomas Skater Schizo 2007 05/ Ramel Archie Shatasha 2007 08/ Jenelly M. Araya Daddy’s Girl 2007 03/ Jessica LaFortune Untitled 02 2007 06/ Cheng-Jui Chiang Cloud Over Teresa 2007 09/ Argelia Moya Employee of the Month 2007 Studio / Summer 2007 EVS\g]c\U^V]b]UÒ^VSàbc`\OQ]\aQW]caSgS]\ bVSe]`ZR[c\RO\S[][S\baUOW\bVSQZO`WbgO\R PSOcbg]TT`SaV^Sà^SQbWdSBVS]`RW\O`W\Saa]Tac\ ZWUVbÆZbS`SRbV`]cUVZOgSà]TÆ`SSaQO^SabVSPS\R]T O[]bVS`¿aPOQYO\RbVSRWaO`[W\UeO`[bV]TOQVWZR¿a RW`SQbUOhSPSQ][S^`]d]QObWdS`S\RS`W\Ua]TVSO`b TSZbacPXSQb[ObbS`1][[c\WbgRWdSàWbgTO[WZgaSZT Sf^Z]ÒbW]\bVSW[[WUÒ\bSf^S`WS\QSO\ROQVO\UW\U e]`ZRO`SXcaba][S]TbVSbVS[SaSf^Z]`SRW\bVWa gSO`¿aExpanding the WallsSfVWPWbW]\Shift in Focus BV`]cUVP]bV^c`SR]Qc[S\bObW]\]TbVSSdS`gROg O\RabOUSRSf^`SaaW]\a]TSO`\SabOa^WÒbW]\abVS ^V]b]UÒ^VaPgbVSExpanding the Walls participants O`S`SdSOZSRb]USbVSèWbVaSZSQbW]\aT`][bVS8O[Sa DO\2S`HSSO`QVWdSBVS`SacZbW\USfVWPWbW]\^ZOQSaOQ]\bS[^]Ò`gZS\a]\DO\2S`HSS¿adWacOZQ][[S\bO`WSa]\ Q][[c\WbgÒQSO\R[SO\W\UO\R]TTS`T`SaV]^^]`bc\WbWSab]`SbVW\YVWadWacOZZSUOQg >`WdWZSUSRb]PSQcab]RWO\]TOaWU\WÆQO\b^]`bW]\]T DO\2S`HSS¿a^V]b]UÒ^VWQO`QVWdSbVSAbcRW];caSc[ ]TTSàg]cbVc\^`SQSRS\bSROQQSaab]bVWaQ][^ZSfO\R W\b`WUcW\Ub`SOac`Sb`]dSbV`]cUVbVSExpanding the Walls ^`]UÒ[<]eW\WbaaSdS\bVgSO`bVS^`]UÒ[O\RSfVWPWbW]\Q]\bW\cSb]T]abS`W[ÔaaW]\SRbS[^]ÒZRWOZ]UcSa PSbeSS\bVSÔabO\R^`SaS\bWU\WbW\U^`]T]c\RQ]\aWRSÒbW]\]TDO\2S`HSS¿abW[SZSaabVS[SaBVSTc`bVS`W\U ]TbVSaSRWOZ]UcSaeVWQVPSUO\a][O\ggSOàOU]]\ bVSaSdS`gab`SSbaWabSabO[S\bb]bVSAbcRW];caSc[¿a commitment to its role as a community educator. Ð 01 04 07 02 05 08 Expanding the WallsWaQ]]`RW\ObSRPg@caaSZZEOba]\eWbVac^^]`bT`][ ;O\\g/QSdSR] Expanding the WallsWaac^^]`bSRPgbVS>SbS`8OgAVO`^4]c\RObW]\) BW[SEO`\S`7\Q)<SeG]`YAbObS1]c\QWZ]\bVS/`baOabObSOUS\Qg)O\R3ObV]\ 6OZZ;S[]`WOZ4c\R 03 06 09 13 Studio / Summer 2007 What’s Up Harlem Postcards Summer 2007 July 18—October 28, 2007 Valeska Soares 0]`\'#%0SZ]6]`Wh]\bS0ÒhWZ :WdSaO\Re]`YaW\0`]]YZg\<G Calling Card, 2007 EVObObbÒQbSR[Sb]bVWaW[OUSeOaWba]^S\\SaaO\R the notion of availability it carries. It can be seen in both ^cPZWQO\R^`WdObS`SOZ[a»OQOZZW\UQO`R]Ta]`ba @S^`SaS\bSR`SdS`SRO\R`SQ]U\WhSRPg^S]^ZS O`]c\RbVSe]`ZR6O`ZS[WaOQ]\bW\c]caZgSfÔ\RW\U \Sfca]TPZOQYQcZbc`SVWab]`gO\RWQ]\]UÒ^VgDS\S` OPZSZO\R[O`YaacQVOabVS/PgaaW\WO\0O^bWab1Vc`QV /^]ZZ]BVSObS`6]bSZBVS`SaO/cRcP]\0OZZ`]][O\R #bVAb`SSb`S[OW\^]^cZO`S[PZS[a]TW[^]`bO\b VWab]`WQ[][S\baO\R[]]Ra BVSAbcRW];caSc[¿a]\U]W\UaS`WSaHarlem Postcards, W\dWbSaQ]\bS[^]Ò`gO`bWaba]TRWdSàSPOQYU`]c\Ra b]`SÇSQb]\6O`ZS[OaOaWbST]Ò`bWabWQQ]\bS[^ZObW]\ O\R^`]RcQbW]\7\abOZZSRW\bVS;caSc[Z]PPgO\R available to visitors for purchase, Harlem Postcards present intimate views and fresh perspectives on this TO[]ca\SWUVP]`V]]R Brooke Williams 0]`\'$$EOaVW\Ub]\21 :WdSaO\Re]`YaW\0`]]YZg\<G Hands, 2007 I have always been interested in people’s hands as indicab]à]TeV]bVSgO`SO\RV]ebVSgSf^`SaabVS[aSZdSa So much can be learned from hands, which tend to be V]\SabeW\R]eaW\b]eVOb^S]^ZSVOdSPSS\bV`]cUV 6O\RaO`SOZa]bVSb]]ZabV`]cUVeVWQVeSOaVc[O\PSW\Ua[OYS]c`[]abaW[^ZSO\R^`]T]c\RQ]\\SQbW]\ab] each other and the world. This particular piece is a diary ]Ta]`ba»O`SQ]`R]TbVS^S]^ZSeWbVeV][7`SQS\bZgW\bSÒQbSR]\OPSOcbWTcZa^`W\UROgW\6O`ZS[ESR\SaROg ;Og!b]PSSfOQb/aV]^YSS^SÒQVSTOVOW`R`SaaS` O\ROaSQc`WbgUcO`ROZZVSZRbVSW`VO\Ra]cbb]PS^V]b]UÒ^VSRBVSaSW[OUSaQ]\Æ`[bVS^VgaWQOZ^`SaS\QSa ]TbVSaS^S]^ZSO\ROTÆ`[bVSW[^]`bO\bÔ`bbVSg^ZOgW\ [OYW\Uc^bVSSfbÒ]`RW\O`gQ][[c\WbgbVObWa6O`ZS[ Cheng-Jui Chiang Expanding the Walls participant, 0]`\'&& Ab8]V\¿a>`SÔÒb]`gAQV]]Z?cSS\a<G Junction, 2007 ;g^V]b]UÒ^VabOYS\W\PZOQYO\ReVWbSeWbVO!#[[ QO[SÒO`SOeOgT]`[Sb]Sf^`Saa[gaSZTBVSgT]Qca ]\O`QVWbSQbcÒZO\Rab`cQbcÒZW[OUS`gO\Rag\bVSaWhS dO`W]caSZS[S\ba]T[gac``]c\RW\UaO\R[gQ][[c\Wbg 7Æ\RWbW\bS`SabW\Ub]e]`YeWbVO`QVWbSQbcÒZab`cQbc`Sa which allow me to apply different combinations of shape, ZW\SbSfbc`SaÔQSO\RÔbbS`\b]QO^bc`SbVSdWSeS`¿a attention and present the beauty of my environment. 7V]^Sb]W\dWbSdWSeSàb]aSSbVSW`]e\ac``]c\RW\UaeWbV a different perspective and to learn to appreciate the beauty of the everyday. João Onofre 0]`\'%$:WaP]\>]`bcUOZ :WdSaO\Re]`YaW\:WaP]\>]`bcUOZ Untitled (bliss version), 2007 BVWa^V]b]UÒ^VWaO`S[OYS]T3R@caQVO¿aQZOaaWQ'$% Artforum ad, Ed Ruscha Says Goodbye to College Joys. BVSc^RObSRdSàW]\eOaabOUSRW\ODWQb]`WO\b]e\V]caS W\6O`ZS[¿aVWab]`WQAcUO`6WZZRWab`WQb 15 More-in-Store Kikkerland® Studio / Summer 2007 StudioSound Music for Architecture (Vol. 1) Peter Adjaye by Corey E. Walker, Public Relations Intern www.kikkerland.com BVSAbcRW];caSc[¿aAb]`SO^^SOZab]bVSg]c\UbVS g]c\UObVSO`bbVSO`bOÆQW]\OR]O\RbVSQ]ZZSQb]` ]TbVSQVO`[W\U]RRWbg9WYYS`ZO\R¿aO`bTcZZgRSaWU\SR UORUSbaO`Sb]\UcSW\QVSSYW\bVSWàW[^ZWQWbgO\R dWdOQWbgBVSEW\Rc^1`WbbSàPg1VWQ]0WQOZV]b]bbS` ]\a^W\RZg`]RZSUac\bWZbVSgbSSbS`]dS`bVSYSgQVOW\ aWhSR;caWQ0]fbW\YZSaOTO[WZWO`[SZ]RgO;]ZSQc ZO`;OaaOUS`R]cPZSaOaOab`Saa`SZWSdSÒ\RO`bWabWQ Y\WQYY\OQYO\RbVSaZSSYO\R[]RS`\:SO\W\UO\R >caVW\U0]]YS\RaRSaWU\SRPg1V`Wa1]ZZWQ]bbeWZZVSZ^ YSS^;caSc[P]]Y^c`QVOaSabWRg9WYYS`ZO\R¿a4cbc`] >S`^SbcOZEOZZ1OZS\ROèWZZVSZ^g]cYSS^bÒQY]T bVSAbcRW];caSc[¿a\Sfb]^S\W\UA]]\QSg]cUSb c^b]e\QVSQY]cb]cÀb]`S¿aQ]ZZSQbW]\]TbVSW` ^`]RcQbaO\R]bVSÙ`SObUWTbWbS[aT]`g]c`TOd]`WbS [caSc[U]S`]`Q]\\]WaaSc`]TQcbS 9WYYS`ZO\R2SaWU\7\QOeV]ZSaOZSQ][Ô\gbVObaSZZa its products to museums and retail shops, has followed bVSa^W`Wb]TWbaRSaWU\^VWZ]a]^Vg¼6c[]`QVO`[ORRSR dOZcSO\ROTT]`ROPWZWbg½b]eWRS`SQ]U\WbW]\O\ROQQZOW[ W\bVSRSaWU\e]`ZR/e]\RS`TcZZgW[^ZS[S\bSRO`bWabWQ ^VWZ]a]^VgO\RSfQZcaWdWbg]TRWab`WPcbW]\[OYSabVSW` ^`]RcQbaQ]dSbSRRSaWU\^WSQSa;]`SbVO\SgSQO\Rg 9WYYS`ZO\R¿a^`]RcQbaO`SR]W\UU]]RW\bVSe]`ZR BVSEW\Rc^1`WbbSÒ\RHS1O`4ZgeVSSZZPg0WQOZV] support reforestation and environmental education for QVWZR`S\W\0ÒhWZ>`]RcQbaT`][9WYYS`ZO\R¿a$WbS[ QObOZ]UcSO`SVO\R^WQYSRT]`bVSAbcRW];caSc[ Ab]`ST`][WbaRWab`WPcbW]\QS\bS``WUVbVS`SW\6O`ZS[ StudioSoundW\dWbSa[caWQWO\a^`]RcQSàO\R[caWQOZ W\\]dOb]àb]Q`SObS]`WUW\OZQ][^]aWbW]\aW\a^W`SR PgbVSe]`Ya]\dWSe4`][2O\WSZ0S`\O`R@]c[OW\¿a QZOaaWQOZZgW\a^W`SRW\bS`^`SbObW]\]T1V`Wa=ÆZW¿a eObS`Q]Z]àb]28AQWS\bWÆQ¿a`S[WfO\R`SW\dS\bW]\]T 6O`ZS[a]c\RabVWaQ][[WaaW]\SR^`]XSQbOQbWdObSa bVS;caSc[¿aZ]PPgO\RORRaOÔÒZZSZRW[S\aW]\b] bVSO`bO\RO`bWaba]\dWSe More-in-StoreWabVSAbcRW];caSc[¿a\SeQ]ZZOP]ÒbWdS installation-based project that invites local retailers and artisans to share their creations with visitors to our ab]`S0g^`SaS\bW\UbVSOSabVSbWQO\R`SbOWZb`SOac`Sa found in the Harlem community, More-in-StoreUWdSa ;caSc[dWaWb]àOQQSaab]Q`SObWdWbgW\]c`\SWUVP]`V]]R 9WYYS`ZO\R^`]RcQbaO`STSObc`SRW\bVS;caSc[Ab]`S this season. Ð 4]`bVWaaSOa]\]TStudioSound, we are proud to feature Music for Architecture (Vol. 1) by Peter Adjaye. A compoaWbW]\W\T]c`Ô`babVWae]`YWaW\a^W`SRPgbVSO`QVWbSQbc`SRSaWU\SRPgVWaP`]bVS`W\bS`\ObW]\OZZgOQQZOW[SR British architect David Adjaye. Born out of conversations between Peter and David on the nature and vision of 2OdWR¿a^cPZWQPcWZRW\UaO\RO`bW\abOZZObW]\abVWa[caWQOZ aSZSQbW]\^`SaS\baQW\S[ObWQa]c\RaQO^Sa]Ta^WÒZW\U O\RSd]ZdW\Ua]c\RaO\RbSfbc`Sa7bWaOe]`YbVObbWSab]USbVSÒZZ]TbVSQ]ZZOP]ÒbW]\aPSbeSS\>SbSÒ\R2OdWR thus far, which include sound installations for the Nobel 4WSZRW\bVS<]PSZ>SOQS1S\bS`W\=Za]<]èOg # O\Ra]c\RbÒQYab]ÆZ[aTSObc`W\U2OdWR¿aPcWZRW\UaÐ StudioSoundWa]ÙO\WhSRPg/ZW3dO\a More-in-StoreWa]ÙO\WhSRPg/ZW3dO\a:SO95`SS\O\RBWTTO\g6c 17 Upcoming Exhibition Jacob Lawrence’s Migration Series: Selections from The Phillips Collection November 14, 2007—January 6, 2008 01/ Jacob Lawrence Migration Series (panel 55) 1940–41 Courtesy the Phillips Collection 02/ Jacob Lawrence Migration Series (panel 1) 1940–41 Courtesy the Phillips Collection 03/ Kori Newkirk Void of Silence 2001 Courtesy The Project, New York Studio / Summer 2007 05/ Charles Ethan Porter Carnations n.d. Collection of Mr. and Mrs. Ernest C. Wignall 04/ Charles Ethan Porter Apples ca. 1878 Courtesy Wadsworth Atheneum Museum of Art, Hartford, CT Upcoming Exhibition The World of Charles Ethan Porter: Nineteenth Century African-American Artist April 2—June 29, 2008 01 8OQ]P:Oe`S\QS'%º ORWabW\UcWaVSRO`bWab bSOQVSÒ\RVc[O\WbO`WO\Wa^S`VOâPSabY\]e\T]`VWa visual masterpiece, Migration Series'"º"eVWQV depicted the mass relocation of millions of African Americans from the rural South to the industrial North Rc`W\UbVS2S^`SaaW]\Migration Series is a rare treasure ]T[]RS`\ÔW\bW\UBVSSfVWPWbW]\»aSZSQbW]\aT`][ BVS>VWZZWâ1]ZZSQbW]\]TEOaVW\Ub]\21»eWZZTSObc`S aSdS\bSS\]TbVSaWfbgÔ\SZabVObeS`SQ][^ZSbSRW\ 02 '"O\RP`]cUVb:Oe`S\QS\ObW]\OZTO[SeVS\bVSg were featured in an issue of Fortune[OUOhW\SbVS same year. Ð Jacob Lawrence’s Migration Series: Selections from The Phillips CollectionVOa PSS\]ÙO\WhSRPgBVS>VWZZWâ1]ZZSQbW]\EOaVW\Ub]\21 BVWaSfVWPWbW]\VOaPSS\[ORS^]aaWPZSbV`]cUVOUÒ\bT`][bVS<ObW]\OZ3\R]e [S\bT]`bVS/`baOaÔ`b]TbVS/[S`WQO\;OabS`^WSQSa^`]UÒ[eWbVORRWbW]\OZ ac^^]`b]TbVS;Sb:WTS4]c\RObW]\O\R6S\`g:cQS4]c\RObW]\ Upcoming Exhibition Kori Newkirk: 1997—2007 November 14, 2007—March 9, 2008 9]`W<SeYW`YP'%WaOQSZSPÒbSR[cZbWRWaQW^ZW\O`g artist whose conceptual practice is based on transformW\U[]RSab[ObS`WOZaW\b]Z]ORSRaWU\WÆSàbVOb_cSabW]\ P]bVQcZbcÒZO\ROSabVSbWQ\]bW]\a]TPSOcbg<SeYW`Y SZSUO\bZgPZS\Ra[SRWc[O\R[SaaOUS»caW\U^V]b]UÒ^Va eOfVOW`^][ORSPSORaO\R\S]\ZWUVba»b]T]ÙSO\Se ÔÒRWU[W\O`b^ÒQbWQSBVWaac`dSgSfVWPWbW]\eWZZ^`SaS\b e]`Y^`]RcQSRaW\QS<SeYW`Y`SQSWdSRVWa;4/T`][bVS C\WdSàWbg]T1OZWT]`\WOOb7`dW\SeWZZW\QZcRSOaWbSa^SQWÆQ project and illustrates how interrelated strands of his pracbWQSVOdSQ]\dSÙSRO\RRSdSZ]^SR]dS`bW[SÐ 03 BVWaSfVWPWbW]\Wa[ORS^]aaWPZSW\Ô`bPgUÒ\baT`][bVS4SZZ]ea]T1]\bS[^] Ò`g/`bO\R/Zb`WO5`]c^7\Q 04 1VO`ZSa3bVO\>]`bS`Q&"%º' !PSUO\ÔW\bW\UW\bVS OTbS`[ObV]TbVS1WdWZEOÒ\Re]`YSReSZZW\b]bVSbeS\bWSbVQS\bc`gQ`SObW\U[OabS`^WSQSa]TbVS/[S`WQO\ still-life tradition. He was also celebrated in his day as a aYWZZTcZQ]Z]`Wab>]`bS`V]eSdS`Wa]PaQc`SRPgVWa/T`WQO\ American contemporaries, such as Henry Ossawa Tanner O\R3R[]\WO:SeWaP]bV]TeV][e]`YSRW\bVS[]`S ^]^cZO`ÆUcÒbWdSbÒRWbW]\The World of Charles Ethan Porter will feature dozens of Porter’s still lifes, landscapes and portraits, and introduce audiences to this shadowy painter who deftly combined the American luminist tradibW]\eWbVbVOb]TbVS4`S\QV0O`PWh]\AQV]]Z=ÙO\WhSR PgbVS<Se0`WbOW\;caSc[]T/[S`WQO\/`bW\1]\\SQbWcut, and accompanied by a new scholarly publication, the 05 SfVWPWbW]\eWZZSZcQWRObS>]`bS`¿aaYWZZO\RVWac\aSbbZSR PW]UÒ^VgeVWQVacUUSabaVS[OgVOdSPSS\bVSa]\]T an iconic white American writer. Ð The World of Charles Ethan PorterVOaPSS\]ÙO\WhSRPgbVS<Se0`WbOW\;caSc[ ]T/[S`WQO\/`b 19 Elsewhere: Art Beyond SMH Completely Biased, Entirely Opinionated Hot Picks by Thelma Golden 01/ Vestergaard Frandsen PermaNet 2000 Photo: © 2005 Palle Peter Sko e som e r a Here ust seethat m ions bit exhi I’m not iss! to m g n i go 02/ Dave McKenzie Momentum 8, (video still) 2007 Courtesy Institute of Contemporary Art, Boston 03/ Senga Nengudi Warp Trance 2007 Courtesy Pennsylvania Academy of the Fine Arts Photo: Aaron Igler Studio / Summer 2007 04/ Willie Cole Wind Mask East 1990 Courtesy Alexander and Bonin, New York 03 02 Momentum 8: Dave McKenzie @ Institute of Contemporary Art / Boston, MA / July 25–October 28, 2007 / www.icaboston.org 7¿[ac`Sg]c`S[S[PS`2OdS;Q9S\hWS¿ae]`YT`][ FigurativelybVS !º"AbcRW];caSc[/`bWabaW\ @SaWRS\QSSfVWPWbW]\6Wa^`]d]QObWdSdWRS]e]`YaO\R ^S`T]`[O\QSaO`SOZeOga^]WU\O\bO\R]TbS\VgabS`WQOZ 4]`bVSZObSabW\abOZZ[S\b]TbVS71/0]ab]\¿aS[SÙW\U artist series, Momentum;Q9S\hWSeWZZ^`SaS\bO\Se dWRS]e]`Y 01 Design for the Other 90% @ Cooper-Hewitt, National Design Museum, Smithsonian Institution / New York, NY / May 4–September 23, 2007 / www.cooperhewitt.org ES]TbS\bVW\Y]TU]]RRSaWU\OaOZcfc`gPcbRSaWU\Sà O`QVWbSQbaO\RS\UW\SSàQO\caSbVSWàYWZZa\]b]\Zgb] PSOcbWTgZWTST]`bVSeSZZb]R]PcbOZa]b]W[^`]dS_cOZWbg of life for the rest of the population. I was thrilled to learn ]TbVWaSfVWPWbW]\]T`SQS\bRSaWU\W\\]dObW]\aW\bS\RSR T]`^S]^ZSZWdW\UPSZ]e^]dS`bgZSdSZ]``SQ]dS`W\UT`][O \ObcÒZRWaOabS`4`][OTT]`ROPZSO\RSOagb]caSeObS` ÆZbÒbW]\agabS[ab]W\Sf^S\aWdSZO^b]âT]`QVWZR`S\ bVSaSW\bSZZWUS\bWbS[a[OgPSÔ`b]TOPSbbS`Tcbc`ST]` [OÙW\OZWhSR^]^cZObW]\a HOT! S SNAP ’t Don s! mis Senga Nengudi: Warp Trance @ Pennsylvania Academy of the Fine Arts, in collaboration with the Fabric Workshop and Museum / Philadelphia, PA / June 9–August 26, 2007 / www.pafa.org / www.fabricworkshop.org 1]ZZOP]ÒbWdSZg]ÙO\WhSRPgbVS>S\\agZdO\WO/QORS[g ]TbVS4W\S/`baO\RbVS4OP`WQE]`YaV]Ô\R;caSc[ Warp TranceWabVSÆàbdWRS]W\abOZZObW]\Q`SObSRPg aQcZ^b]Ò\R^S`T]`[SÀS\UO<S\UcRWEVWZSO\O`bWab W\`SaWRS\QSObbVS4OP`WQE]`YaV]^<S\UcRWQ]ZZSQbSR dWRS]T]]bOUSa]c\R`SQ]`RW\UaO\R^c\QVQO`RaT`][ bSfbWZS[WZZaW\>S\\agZdO\WOO\R<SeG]`YeVWQVaVSO\R Q][^]aS`0cbQV;]``WabVS\bÒ\aT]`[SRW\b]ObV`SS QVO\\SZdWRS]^`]XSQbW]\Sd]YW\U`WbcOZO\RbÒ\QS Anxious Objects: Willie Cole’s Favorite Brands @ Frye Art Museum / Seattle, WA / June 23–September 3, 2007 / www.fryeart.org <Se8SàSgO`bWabEWZZWS1]ZS¿aÆàba]Z][caSc[SfVWPWbW]\TSObc`W\Ue]`YT`][bVSZObS'&ab]bVS^`SaS\b bÒdSZab]bVSESab1]OabbVWaac[[S`1]ZS»O'&&º&' /`bWabW\@SaWRS\QSObbVSAbcRW];caSc[»bÒ\aT]`[a found objects into acerbic, humorous sculptures that Q][[S\b]\bVSc`PO\/[S`WQO\Sf^S`WS\QSO\RbVS UZ]POZWhObW]\]TQcZbc`S 1cÒb]` 3c\UWS8 ]]BVSZ[ Los Ange O5]ZRS\ les Mayo r Antonio and artis Villaraig t Kara W o sa a lker at th 5OZO]\; e Redcat O`QV! % 04 21 01/ Gearldine Westbrook Housetop sixteen block variation ca. 1970 Photo: Stephen Pitkin 02/ Meschac Gaba African Artist with American Inspiration: Citigroup 2004 Collection of The Studio Museum in Harlem 04/ James Little The Marriage of Western Civilization and Law of the Jungle 2007 Courtesy Station Museum of Contemporary Art, Houston 03/ Josef Breitenbach Sarah Vaughan 1950 Courtesy The Josef and Yaye Breitenbach Charitable Foundation National Portrait Gallery, Smithsonian Institution 05/ Sir Joshua Reynolds Colonel Tarleton 1782 Courtesy The National Gallery, London Studio / Summer 2007 07/ Kerry James Marshall Souvenir IV 1998 Courtesy Whitney Museum of American Art, New York 06/ Johann Zoffany Mrs Oswald 1763 Courtesy The National Gallery, London k it c e Chout! 07 04 01 Gee’s Bend: The Architecture of the Quilt @ Tacoma Art Museum / Tacoma, WA / September 22–December 9, 2007 / www.tacomaartmuseum.org 4]ZZ]eW\UbVSb`S[S\R]ca^cPZWQ`Sa^]\aSb]bVSSfVWPWtion The Quilts of Gee’s BendbVS;caSc[]T4W\S/`ba 6]cab]\O\RbVSBW\e]]R/ZZWO\QSVOdSQ]]ÙO\WhSR O\]bVS`bÒdSZW\USfVWPWbW]\]TbVSe]`Y]TbVWac\W_cS U`]c^]Te][S\T`][/ZOPO[OBVWaW\QO`\ObW]\bÒQSa bVSVWab]`g]TbVSTO[]ca_cWZbSàO\RbVSW`bÒRWbW]\OZ ÔbbS`\aT`][bVS'!ab]bVS^`SaS\b 02 Keep the Change @ Rush Arts Gallery / New York, NY / June 21–September 14, 2007 / www.rushartsgallery.org Keep the ChangeW\QZcRSae]`YaPgbeS\bg]\SO`bWabaSf^Z]`W\U[]\SgO\RWbaa]QWOZO\R^]ZWbWQOZ W[^ZWQObW]\a<]bOPZSW\QZcaW]\aO`S;SaQVOQ5OPO¿a aS`WSa]T[]RWÆSRPO\Y\]bSaZ]O\SRPgbVSAbcRW] ;caSc[OaeSZZOae]`YaPg8O[SZAVOPOhhO\R6O\Y Willis Thomas. Three One-Man Exhibition: Aimé Mpane, James Little, George Smith @ Station Museum of Contemporary Art / Houston, TX / May 26– September 16, 2007 / www.stationmuseum.com Portraiture Now: Framing Memory @ National Portrait Gallery, Smithsonian Institution / Washington, DC / May 25, 2007–January 6, 2008 / www.npg.si.edu BVSAbObW]\;caSc[XcfbO^]aSabVSe]`Y]T/W[{;Ô\S eV]ZWdSaW\0SZUWc[O\R2S[]QÒbWQ@S^cPZWQ]T1]\U]) <SeG]`YS`8O[Sa:WbbZS)O\R6]cab]\aQcZ^b]`5S]ÙS A[WbVW\bVSWàc[[S`SfVWPWbW]\ Framing Memory is the second in the newly renovated <ObW]\OZ>]`bÒWb5OZZS`g¿aaS`WSaVWUVZWUVbW\UQ]\bS[^]Ò`g O^^`]OQVSab]^]`bÒWbc`S4SObc`W\UÆdSO`bWaba»/ZT`SR] /``SUc\0`Sbb1]]Y2Wh\Sg''%º'&/`bWabW\@SaWRS\QS 9S``g8O[Sa;OàVOZZ'&#º&$/`bWabW\@SaWRS\QSBW\O ;W]\O\R4OWbV@W\UU]ZR»bVSSfVWPWbW]\T]QcaSa]\O`bbVOb caSa^]`bÒWba]TWQ]\WQÆUc`SaT`][;O`bW\:cbVS`9W\U8`b] 4`WRO9OVZ]OaO[SO\ab]Sf^Z]`SVWab]`gO\RQcZbc`S 1]]Y2Wh\Sg¿aQ]\b`WPcbW]\b]bVS^`]XSQbW\QZcRSabe] [cÒZaQ`SObSRW\Q]ZZOP]ÒbW]\eWbVabcRS\baObbVS2cYS 3ZZW\Ub]\AQV]]Z]TbVS/`baW\EOaVW\Ub]\21 03 Let Your Motto Be Resistance: African American Portraits @ International Center of Photography, in collaboration with the National Museum of African American History and Culture, Smithsonian Institution / New York, NY / May 11–September 9, 2007 / www.icp.org / www.nmaahc.si.edu BOYW\UWba\O[ST`][O\&"!a^SSQVPgOP]ZWbW]\Wab^`SOQVS`6S\`g6WUVZO\R5O`\SbLet Your Motto Be Resistance WabVSÆàbSfVWPWbW]\Q`SObSRc\RS`bVS Oca^WQSa]TbVS\SeA[WbVa]\WO\<ObW]\OZ;caSc[]T /T`WQO\/[S`WQO\6Wab]`gO\R1cZbc`S=ÙO\WhSRPgUcSab curator Deborah Willis and composed of one hundred ^V]b]UÒ^VaT`][bVSQ]ZZSQbW]\]TbVS<ObW]\OZ>]`bÒWb 5OZZS`gbVSSfVWPWbW]\bÒQSa#gSOà]T/[S`WQO\VWab]`gbV`]cUVRS^WQbW]\a]TO`bWabaaQWS\bWaba^]ZWbWQOZZSORers and other visionaries. 05 06 o on! s l A iew v Scratch the Surface @ The National Gallery / London, UK / July 20–November 4, 2007 / www.nationalgallery.org.uk El Museo’s Bienal: The (S) Files / The Selected Files @ El Museo del Barrio / New York, NY / July 25, 2007–January 2008 / www.elmuseo.org =ÙO\WhSRPg8]\OV/ZPS`bO\7\a^W`S4SZZ]eObbVS <ObW]\OZ5OZZS`gbVWaSfVWPWbW]\W\QZcRSaO\W\abOZZObW]\ PgGW\YOAV]\WPO`S;03O\RVWUVZWUVbabVSW[^ZWQWbQ]\\SQbW]\aPSbeSS\bVSaZOdSbÒRSO\Re]`Ya]TO`bW\bVS museum’s collection. 3Z;caS]¿aÆTbVPWS\\WOZTSObc`SaS[SÙW\U:ObW\/[S`WQO\ O\R:ObW\]OO`bWabaZWdW\UW\bVS<SeG]`Y1WbgO`SOW\QZcRW\U !º"/`bWabW\@SaWRS\QSEWZZWO[DWZZOZ]\U] 23 Studio / Summer 2007 Letter from the Editor Studio Design(ed) Three years ago, with hope in our hearts, we started the publication you hold in your hands. It grew out of a modest, one-color brochure called SMHArts, which listed the Museum’s exhibitions and public programs. Sure, it was informative and useful, but it was a humble point of contact between the Museum and our community. Then, through a gradual process of increasing design sophistication and content development, Studio magazine took shape, and became a place for us to rethink our engagement with our visitors and the world at large. Today, StudioWaO\Sd]ZdW\U`SQ]`R]TbVSaWU\WÆQO\be]`YPSW\UQ`SObSRPgO`bists of African descent, as well as a documentation of the ever-changing Harlem landscape. With contributions from leading and emerging scholars, artists and writers, Studio monitors and reports the pulse of contemporary black art and culture. This publication is a rare glimpse into the complexities of the practices and creations of many artists working today. By nurturing another space to support the work of artists—beyond our gallery walls—Studio expands the Museum’s mission and offers unparalleled insight into the world of artistic endeavor and history. Through this magazine, we seek to include everyone in the conversation on contemporary black art, extend our critical reach and help establish a new role for art in society. With this issue—the design issue—we continue our grand experiment: a merger of design, art, scholarship and community. The graphic design is new, and we still offer compelling looks at the artists who shape and examine our everyday lives. These pages communicate the temper of the moment and reinforce the immediacy and relevance of art—past, present and future. Cesar Hidalgo / En Sof 02 / 2007 Ali Evans, Editor-in-Chief & PR Manager Wardell Milan II ;g[]bVS`¿aÇ]eSàU`]ebOZZBVSgU`]eOabOZZOaaVSeO\ba $1]c`bSagbVSO`bWab 25 Studio / Summer 2007 27 Studio/ Summer 2007 .`NZbYaVQV`PV]YV[N_fN_aVàdU\`Rd\_X`]N[`ZRQVN_N[TV[TS_\Z]NV[a V[Ta\V[àNYYNaV\[N_a4YR[[9VT\[V`[\aRQS\_V[a_\QbPV[T_RYVP`\SOYNPX cR_[NPbYN_UVà\_fa\Z\QR_[S\_Z`\ScV`bNY]_\QbPaV\[4VcRB`N=\RZ $\[RV[NT_\dV[T`R_VR`\S9VT\[·`Z\_R_RPR[a[R\[d\_X`V`NYN_TR `PNYR`VT[V[àNYYNaV\[_R[QR_RQV[OYNPX=C0N[QdUVaR[R\[6a`NYaR_[NaV[T ¿NÙV[TYVTUa`RZ]UN`VgRRàNOYVÙRQOV[N_VR``bPUN`NO`R[PRN[Q]_R`R[PR N[QcV`VOVYVafN[QV[cV`VOVYVaf6a[\dNPP\Z]N[VR`1NcVQ5NZZ\[`·`¿NTV[ dRYP\ZV[TcV`Va\_à\Y\OOf\SAUR@abQV\:b`RbZV[5N_YRZ AURV[àNYYNaV\[P\ZZRZ\_NaR`N`]RRPUQRYVcR_RQOf:bUNZZNQ.YVNa5N_cN_Q B[VcR_`VafV[&$"DUR[]_\Z]aRQOfNàbQR[aa\TVcRaURNbQVR[PRN]\RZ.YV _R]YVRQ´ZRdRµVZObV[TaUR`Rad\d\_Q`dVaU]\RaVPN[Q]\YVaVPNYZRN[V[TaUNa _R`\[NaRQY\[TNSaR_aURP_\dQQV``V]NaRQ._TbNOYf\[R\SaURÙ\_aRà]\RZ`RcR_ _RPVaRQ´ZRdRµUVTUYVTUaRQaURV[aVZNaR_RYNaV\[ÙV]ORadRR[aURV[QVcVQbNYN[Q aURP\ZZb[VafDVaUNdN_R[R``\S`VaR`]RPV¾PVafaURNYaR_[NaV[T´ZRµN[Q´dRµ \S9VT\[·`V[àNYYNaV\[_RP\[aReabNYVgR.YV·`PYNVZaUNaaURSNaR\SaURV[QVcVQbNYV` V[Rea_VPNOYfYV[XRQa\aURSNaR\SaURP\ZZb[VafN`5N_YRZ`]RPV¾P 4VcRB`N=\RZV[a_\QbPRàUR`]RPaNa\_a\9VT\[·`PUN_NPaR_VàVPN]]_\]_VNaV\[\S ]_\c\PNaVcRaRea`N[QcV`bNYàUNaR[TNTRaURcVRdR_V[O\aUUVà\_VPNYN[QPb__R[a QV`P\b_`R`\[VQR[aVafN[QP\[aRZ]\_N_fN_a6[_RPNYYV[TNaVZRdUR[aURcR_ONY QReaR_Vaf\SV[QVcVQbNY``bPUN`:bUNZZNQ.YVN[Q:NYP\YZEV[`]V_RQ]\YVaVPNY NdN_R[R``V[N[R[aV_RP\ZZb[VafaUV`V[àNYYNaV\[_RPNYY`9VT\[·`RN_YVR_]_NPaVPR \SNQ\_[V[TdUVaRPN[cN`R`dVaUaRea`bPUN`´6.:.:.;µdUVPUdN`QR_VcRQ S_\ZaUR]YNPN_Q`PN__VRQOfà_VXV[TOYNPX`N[VaNaV\[d\_XR_`V[:RZ]UV`V[&#% <SaR[[RTNaV[TN¾Tb_NaVcRVZNTRV[SNc\_\SaReaN`VZNTR9VT\[Q_Nd`NaaR[aV\[ a\O\aUaURcV`bNYN[QP\[aReabNYQVàN[PRORadRR[NQRPYN_NaVcRàNaRZR[aNO\ba VQR[aVafN[QaURS\_Z\ScV`bNY_R]_R`R[aNaV\[RZ]Y\fRQa\P\[cRfaURZR``NTR 6[UV`Z\_R_RPR[a[R\[d\_X``bPUN`DN_Z/_\NQ4Y\d"9VT\[N]]_\]_V NaRàReaS_\ZNdVQR_N[TR\S]_\ZV[R[ad_VaR_`N[QP\ZZb[Vaf¾Tb_R`V[PYbQV[T 4R_a_bQR@aRV[N[Q@\W\b_[R_A_baUa\P_RNaRN[RdYN[TbNTRS\_P_VaV^bV[TaUR QV`P\b_`R`b__\b[QV[TVQR[aVaf 4YR[[9VT\[dNÒ\_[V[aUR/_\[eV[&#&.SaR__RPRVcV[TUV`/.S_\ZDR`YRfN[ B[VcR_`VafV[&%9VT\[_Rab_[RQa\;RdF\_XdUR_RURPb__R[aYfYVcR`N[Q d\_X`6["AUR=\dR_=YN[a0\[aRZ]\_N_f._a4NYYR_fV[A\_\[a\\_TN[VgRQ 4YR[[9VT\['@\ZR0UN[TR`Na_NcRYV[TZVQPN_RR_`b_cRf\SUV`ReaR[`VcRO\Qf\S d\_XV[PYbQV[T]NV[aV[T``PbY]ab_R`]_V[a`cVQR\`N[QV[àNYYNaV\[d\_XÀUR ReUVOVaV\[dVYYOR\[cVRdaU_\bTUaURdV[aR_\S$Na:b`zRQ¶._a:\QR_[R 4_N[Q1bP7RN[V[9beRZO\b_T9VT\[·`d\_XUN`NY`\ORR[ReUVOVaRQV[[bZR_ \b`V[aR_[NaV\[NYcR[bR`V[PYbQV[TaUR&& DUVa[Rf/VR[[VNYN[Q1\PbZR[aNE6 V[8N``RY4R_ZN[fV[ Ð 5ZS\\:WU]\ / Give Us a Poem (Palindrome #2) / 2007 / Photo: Adam Reich by Nico Wheadon, Curatorial Assistant 52nd VENICE Biennale 2007 Top Ten 29 5 by Christine Y. Kim, Associate Curator 1 3 Steve McQueen¿a!#[[ÆZ[Gravesend % W\abOZZSRObbVS7bOZWO\>OdWZW]\]TTSàO[Sa[S`WhW\USfbS\aW]\]TbVSO`bWab¿a[W\W\UbVS[SO\RORSÔ`bc`SW\b] abstract and lyrical cinema. El Anatsui’s monumental Untitled $º%O[WfSR media, woven aluminum, bottle cap and copper wire ÔW\bW\Uab`SbQVW\UbeS\bgPgbVW`bgTSSbO\RRÒ^SR]\ bVSTOQORS]TbVS4]`bc\g;caSc[P`W\Uab]USbVSà[OZZ _c]bWRWO\USabc`SaO\RO`QVWbSQbcÒZUÒ\RSc`/Za]W[^`SaaWdSO`SbVSO`bWab¿ae]`YaDusasa I and II $º% installed in the Arsenale. 4 6 BVSZSUS\RO`g;OZWO\^V]b]UÒ^VS`Malick Sidibé won bVS^`SabWUW]ca5]ZRS\:W]\/eO`RASZSQbW]\aT`][ the new series L’Afrique chante contre le SIDA % are installed in the Arsenale. 7 2 Thomas Demand’s Grotto $ObbVS4]\ROhW]\S >ÒRO¿aaÔQS]\5WcRSQQOWabVSÆàbW\abOZZObW]\]TbVS O`bWab¿aZOÙSaQOZS[SbWQcZ]caZgQ]\ab`cQbSRbV`SSRW[S\aW]\OZ[]RSZ]TbVSU`]bb]caSRT]`VWa^V]b]UÒ^V ASSW\UbVSW\abOZZObW]\OZ]\UeWbVbVSÆ\OZ^V]b]UÒ^V S\VO\QSabVSc\RSàbO\RW\U]TO\RTO\bOagac``]c\RW\UbVSO`bWab¿a^ÒQbWQS Isa Genzken represents Germany in the German Pavilion at the Giardini with Oil %OaSb]TeVW[aWQOZdWU\SbbSaQ][^]aSR]T]PXSQbaO\RÔ`baacQVOa [OaYa[O\\S_cW\aZcUUOUSO\ROab`]\OcbacWba David Hammons¿adO`W]caRÒeW\UaaQcZ^bc`SaO\R W\abOZZObW]\aObbVS>OZOhh]5ÒaaWTSObc`W\Ue]`YT`][ the Pinault Collection, are of course a treat to see in ]\S^ZOQSSa^SQWOZZgbVSP]Rg^`W\bO\R`]QYVSOR e]`Ya]\bVSbVW`RÇ]]Ò\RCentral Park West'' OT]c\R]PXSQbW\abOZZObW]\W\QZcRW\UOPWQgQZSOab`SSb aWU\O\ROQOaaSbbS^ZOgS`^ZOgW\U8]V\1]ZbÒ\S¿a Central Park West. Charles Gaines’s Airplanecrash Clock''% % YW\SbWQaQcZ^bc`SO\RHistory of Stars photo and drawW\URW^bgQVa %O`SW\abOZZSRObbVS/àS\OZS0Òd] Studio / Summer 2007 8 Odili Donald Odita¿a[OU\SbWQaWbSa^SQWÆQeOZZRÒeW\UGive Me Shelter %Q][^]aSR]TOQ`gZWQ ZObSfÔW\bO\RQ]Z]`SR^WU[S\bW\VWaaWU\Obc`SXOUUSR bands of color, is located at the entry intersection of the Italian Pavilion. 9 Sophie Calle’s video installation, Pas pu saisir la mort %W\bVS7bOZWO\>OdWZW]\[]\Wb]àbVSÆ\OZ[]ments of her mother as she lies on her deathbed. This QVOZZS\UW\UQO\RWRRSS^Zg^Sà]\OZRWabc`PW\UO\R PSOcbWTcZe]`YYSSâ[SbVW\YW\UTSSZW\URWaPSZWSdW\U O\RU`WSdW\U³ 10 David Altmejd represents Canada in the Canadian Pavilion at the Giardini with an installation, The Index %:WUVbaQO[SÒOQbW]\Ð 31 Studio / Summer 2007 7\aWRS`¿aDWSe Tracy Reese 01 02 03 04 by Courtney Mays, Sales and Visual Merchandiser at Tracy Reese 6S6P\bYQPN]ab_RaURÁ_NPf?RR`Rµd\ZN[V[\[RVZNTRÙRd\bYQY\\X `\ZRaUV[TYVXRN7NZR`CN[1R_GRR]U\a\\_N]\_a_NVaRc\XV[TaURQVàV[TbVÙRQ d\ZR[\S3VagTR_NYQ·ÀUR4_RNa4NaÒf@URV`_RZV[V`PR[a\SN[RYRTN[aRe\aVP `\PVNYVaRdU\V`V__RSbaNOYfRea_RZRYfdRYY²Q_R``RQ³NUVTUdNVàRQ]R[PVY `XV_aN_bS¿RQOY\b`RdVaUQ_N]RQ`YRRcR`NONYYR_V[N`YV]N[Q\SP\b_`RNSNObY\b` P\Na.`6VZNTV[RUR_ÙRV`NQ\_[RQdVaUaURNPPR[a`N[QQRaNVY`\SSRZV[V[R PUN_Z³NOVa\S_UV[Rà\[RNa\bPU\SSb_NUV[a\SYNPR]RNXV[TS_\ZOR[RNaU NURZYV[R\_YN]RY@URV`RYRTN[aN[QT_NPRSbY_\ZN[aVPN[Q_R`VYVR[aOb_àV[TdVaU ]R_`\[NYVaf:fY\cRNSSNV_dVaU?RR`R·`P\YYRPaV\[`P\ZR`S_\ZaUR`NZRcV`V\[ N[QàRZ`S_\ZaURdNf`ÙRUN`V[`]V_RQZRN[QaN]]RQV[a\Zf\d[SN`PV[NaV\[` ?RR`RQ_Nd`S_\Za_NcRY`]NV[aV[T`Zb`VPN[Q¿RNZN_XRa`dUVPU6ORYVRcRNQQ a\aURNb_N\SUVà\_fV[RNPUTN_ZR[a:fVZZR[`RN]]_RPVNaV\[S\_UR_PY\aUR` P\ZR`[\a\[YfS_\ZaURV_à_VXV[TN]]RN_N[PRN[QZfNQZV_NaV\[S\_UR_ N`NOYNPXd\ZN[V[aURSNÙV\[V[Qbà_fObaNY`\ORPNb`R6UNcRUNQaUR]_VcVYRTR \S`RRV[TN`XRaPUP\ZRa\YVSR2NPU\SUR_`XRaPUR`N_Rd\_X`\SN_aaURZ`RYcR` `\a\`RRNP_\^bV`_R[QR_RQV[NP\Y\_RQ]R[PVYORP\ZRNORNbaVSbYP\Na\_ P\PXaNVYQ_R``\[N_RNY]R_`\[³aURRe]R_VR[PRPUN[TRQZfN]]_\NPUa\aURTN_ ZR[aN[Qa\SNÙV\[N`NdU\YR@RR[aUV`dNfSNÙV\[V`b[^bRàV\[NOYf N_a3\_ZRVaU\YQ`N`]RPVNY]YNPRORPNb`RVaV[c\YcR``\ZN[fZRQVNN[Q]_\ PR``R`V[PYbQV[TQ_NdV[TN[Q`RdV[T<[PRaUNaTN_ZR[aV`gV]]RQb]\[N[RNTR_ Ù\]]R_ÙRORP\ZR`NdNYXV[TPN[cNÙR_`RYS .1Ra_\Va[NaVcRdU\Z\cRQa\;RdF\_XN[QNaaR[QRQaURQR`VT[`PU\\YNa=N_ `\[`?RR`RV[VaVNYYfd\_XRQdVaUN`ZNYYP\[aRZ]\_N_f¾_Z._YR^bV[@URORPNZR "/ Tracy Reese Sketches for Fall 2007 Courtesy the artist #$/ Tracy Reese Fall 2007 Collection 2007 Courtesy Tracy Reese QR`VT[QV_RPa\_S\_:NTN`PU\[VN[QNY`\d\_XRQdVaU:N_P7NP\O`Na=R__f2YYV` 6[&&$dVaUaUR`b]]\_a\SUR_SNZVYf?RR`R·`\d[cV`V\[`PNZRa\S_bVaV\[ @URUNÒRP\ZRNU\b`RU\YQ[NZRV[SNÙV\[OfRZO_NPV[TaURV[`]V_NaV\[`\SaUR ]NàPUNYYR[TV[Td\ZR[a\O_\NQR[aURV_dN_Q_\ORÒRf\[QON`VPOYNPX N[QR[UN[PV[Td\ZR[·ÒRàN``RaÀ_NPf?RR`RV`N`\]UVàVPNaRQP\YYRPaV\[\S aVZRYR``]VRPR`³PUN_ZV[T]_RaafN[Qb[QR[VNOYfYbeb_V\b`=YR[af?RR`R·` Z\_RNPPR``VOYRP\YYRPaV\[V`f\baUSbYdVaUNO\URZVN[¿Nc\_@URUN`PNYYRQVa N`RN`\[NYZb`R5R_P\YYRPaV\[ÙNcRORP\ZR`f[\[fZ\b`dVaUcVO_N[Pf N[QSRZV[V[Vaf´6SCNYR[aV[\UNQNSNÙV\[QR`VT[R_Vad\bYQORA_NPf?RR`R 5R_QR`VT[`N_R_R¾[RQdVaUN[RePR``\SSRZV[V[R¿\b_VÙR`N[Q¿NaaR_V[T `VYU\bRaaRÀURfN_RW\fSbYµ 05 ?RR`RV`N]R_`\[NYUR_\V[R5R_àbQV\V`V[aURURN_a\SaURTN_ZR[aQVà_VPa(UR_ à\_RV`NZ\[TaU\`R\SaURb]]R_RPURY\[\SQR`VT[R_`(UR_PY\aUR`Ù\R` UN[QONT`N[QU\ZRP\YYRPaV\[N_ROYNg\[RQNP_\`àUR]NTR`\SRcR_fSNÙV\[ ZNTNgV[R0RYRO_VaVR`dRN_UR_d\_XN`Q\ReRPbaVcR`QV_RPa\_`N[QSNÙV\[NOYR dN[[NOR`.[QàVYY^bVRaN`VaV`XR]a?RR`RV`\[R\SaUR\[YfZNV[à_RNZOYNPX 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\_TN[VgRQNaaUR:\QR_[NTR3b_[Vab_R 0\Z]N[fV[;RdF\_X 9R`YVR8V[T5NZZ\[Q´6[`VQR<ba`VQR B]a\d[1\d[a\d['7NP\O9Nd_R[PRN[QaUR .RàURaVP2aU\`\SaUR5N_YRZD\_XV[T0YN`` 0\ZZb[VafµV[<cR_aUR9V[R'AUR._aN[Q 9VSR\S7NP\O9Nd_R[PR#$%" 0UN_YR`.YN[b[]bOYVÙRQZN[b`P_V]a\[ 7NP\O9Nd_R[PRPN&$ ! 04 Eddie Opara Brankica Kovrlija Frank LaRocca John de Menil Nick Olson Ryan Lauer Salvador Orara George Plesko 01BVS;O^=TÆQS Energy Experimentation Catalogue 2006 Photo: Ryan Lavine 01 >`]ÆZS BVS;O^=TÆQS(;O^^W\UO /<Se5Ò^VWQ:O\RaQO^S by Nico Wheadon, Curatorial Assistant The Map Office, a New York-based multidisciplinary design studio, specializes in brand, web and print design. As a small yet internationally renowned design group, the Map has forged both commercial and creative relationships, with clients such as Banana Republic, American Express, The Metropolitan Museum of Art and The Studio Museum in Harlem. In describing the mission of The Map Office, founder and creative director Eddie Opara asserts, “Our process is to translate our clients’ needs into dynamic visual systems that can be presented at any scale. It is our goal to create seamless, natural experiences where any surface is a potential display and any gesture, a potential command.” With investments in the commercial, institutional and research facets of the design process, the studio has pioneered a unique approach centered around educating clients on the fundamentals of visual communication. As head designers to The Studio Museum in Harlem, The Map Office designs the Museum’s seasonal catalogue, Studio, and Opara established the Museum’s visual identity while working at 2x4, New York. The first Map Office-designed Museum exhibition catalogue was Energy/Experimentation, in which Opara premiered typeface designer Joshua Darden’s typeface Freight. Other projects include Sophie, a design resource for young women seeking to expand their knowledge of design, nutrition, beauty and fashion. More recently, The Map Office has been designing a new website for The Kitchen, a nonprofit experimental performance space in New York. The site will launch later this year, and highlight Map’s integration of research and design, from concept to completion. In the near future, The Map Office will venture in new directions, collaborating with a New York University film student to provide graphic support for a short documentary about kites and possibly opening an office in Los Angeles. Eddie Opara and cofounder George Plesko earned their MFAs in graphic design from Yale University and founded The Map Office in 2005. As creative director, Opara’s projects include designing and developing large-scale graphics installations, innovative software, web interfaces and graphics for clients such as Disney Imagineering, Graphis, Surface and Elle. Ð eeebVS[O^]TÆQSQ][ Omnes Regular ABCDEFGGHIIJKLM NOPQRSTUUVWXYYZ aabcdeefgghijjklm nopqrstuvwxyyz 112344567890 ¬«-()ë½¼¾¿æêik õö ±²Ã½® >`]ÆZS /1]\dSàObW]\eWbV 8]aVcO2O`RS\ by Nico Wheadon, Curatorial Assistant NW How do you navigate between the various demands of art and industry? How do you translate client needs into visual systems and vice versa? JD We synthesize a client’s aesthetic needs and functional requirements with what we believe to be true about readability, aided by an awareness of how we and other designers have addressed similar questions in the past. We then assemble up to a dozen different ideas, relevant historical samples, contemporary graphic ideas and fragments from our pile of speculative projects, all of which may engender a new design, which comes with plenty of documentation and ongoing support. NW What iconic projects, past and future, are most emblematic of your studio’s mission? JD I’m particularly pleased with a project we completed this spring for the redesign of the Asian Tatler[OUOhW\Sa7beOabVSÆàbbW[SeS^`]dWRSR]\SVc\R`SR^S`QS\b of the typefaces for a publication, approximately a third of which were new designs created expressly for Tatler’s use. We’re also working on a new website and our Æàb^`W\bSRQObOZ]UcSO\ReSVOdSOP]cbOR]hS\\Sebg^STOQSTO[WZWSaW\RSdSZ]^ment for the general market. Darden, arguably the pioneering independent font designer of African-American descent, was born in 1979 in Northridge, CA, and never received formal training in typeface design. Darden founded the Joshua Darden Studio in 2004 and currently teaches typography at Parsons The New School for Design in New York. Ð Studio / Summer 2007 8]aVcO2O`RS\¼AbcRW]½8]aVcO2O`RS\AbcRW]eeeX]aVcORO`RS\Q][ 1 35 The Joshua Darden Studio is a premier typeface design studio with an innovative approach to production that highlights the key intersections of art and industry. In recognizing the ever-changing needs of readers in a digital age, the Joshua Darden Studio employs market research and experimentation to forge a new design paradigm in which function and expression coalesce into fresh typefaces that have a “solid raison d’être, free of post-rationalization or an unnecessarily romantic view of historical norms.”1 Innovators such as Darden drive rather than follow commercial trends and remain at the forefront of constantly evolving creative markets by fabricating custom, distinct typographical aesthetics that serve the design needs of clients such as The New York Times Magazine and The Studio Museum in Harlem. Nico Wheadon For those of us in the dark, could you explain what typography is and the ways by which it is considered an artistic process or practice? Joshua Darden Typography is the design of the look and feel of text. For most of its history, it has been associated with publishing and advertising. Before the 1880s, the process of typeface design was physical and involved the actual sculpting of shapes into steel with sharp handheld tools. I am a typeface designer, which means I draw the alphabet, numerals, basic punctuation and at least two hundred other symbols comprising a custom typeface, and then create a software program that is installable on a user’s computer. Because typography is a means of communication, typeface designers also tend to be interested in language and legibility and try to understand the cultural connotations of different lettering styles. 01/ Part Occasional Tables 2007 B&B Italia Courtesy Stephen Burks 02/ Stephen Burks Photo: Danny Bright 01 >`]ÆZS >`]QSaaW\UAbS^VS\0c`Ya by Nicole Sealey Industrial designer Stephen Burks, who has developed concepts for Calvin Klein, Estée Lauder, Herman Miller, Swatch and others, has nothing to hide. His newest endeavor, the Handmade collection, enthusiastically (and quite literally) puts the design “process” on view for the world to see. The indoor/outdoor paper furniture series speaks to the idea of process as art. While some artists host restricted open studio visits, Burks’s Tribeca suite is the ultimate open house. It serves as both studio O\RUOZZS`gaÔQSSf^]aW\UbVS[ObS`WOZaPS\SObVbVSPSOcbgO\RbVSPSOcbWÆQObW]\ of the materials. When describing the exhibition’s assembly, Burks loosely compares it to the making of paper airplanes. Unlike most paper planes, though, this furniture is intricately crafted 02 and requires more than paper to create. Using an intense melding process, he comPW\SaÔbbS`\SRÔ^SàVSSbaQ]Z]`SRT]O[V]bUZcSO\Re]dS\ÆPSÙZOaab]T]`[ functional tables, chairs and stools. “My work deals with the appropriate relationship of things; the space between the narrative, materials, the object and the activity,” Burks says. This latest collection is a guided tour of Burks’s composite world of operation, modernity and multidimensionality. It’s all about process, research and development. Architecture buffs survey end products, completed works. Construction is isolated from the public. Not in Handmade. Burks wants audiences to experience the complete undertaking, from conception to completion. Hence, the work and the work-in-progress are equally valid and necessary parts of the collection. Handmade was unveiled, in collaboration with 23 Suite Studio, during the 2007 New York International Contemporary Furniture Fair. Ð eee`SORg[ORS^`]XSQbaQ][ <WQ]ZSASOZSgWaOe`WbS`SRWb]Ò\R^]SbZWdW\UW\0`]]YZg\ Bc`\bVSÔUSO\RORRa][S Q]Z]`b]0`gO\¿ae]`Y >`]ÆZS 0`gO\1]ZZWS` Pg3ZWhOPSbV0`]e\2W`SQb]`¿a=TÆQS7\bS`\ eeeP`gO\Q]ZZWS`Q][ Studio / Summer 2007 Collier currently is working on another picture book, this time about Abraham Lincoln as seen through the eyes of Frederick Douglass, with Nikki Giovanni, as well as an exhibition of his work opening July 19, 2007, at Strivers Gardens Gallery at 135th Street and Eighth Avenue. Ð 37 Look at any of Bryan Collier’s illustrations and you will experience an explosion of color and vitality. The Maryland native combines watercolor, photographs and images cut from magazines to create his collages. Collier has been drawing and painting all his life; his talents were fully supported by his family, culminating in his choice to pursue illustrating and painting as a career. He was, he says, “suddenly hit with a creative bug” ObOUSÆTbSS\O\RVOa\]bPSS\bVSaO[SaW\QSEVWZSQ][^ZSbW\UVWa04/ObbVS>Òbb Institute, Collier volunteered at Harlem Hospital’s Harlem Horizon Art Studio, which provides resources for self-taught artists and children. He went on to become director of the program, a position that allowed him to be a positive role model for children in the community. 6WaÆàbQVWZR`S\¿aP]]YUptown, which he wrote and illustrated, won a 2001 Ezra Jack Keats Book Award, named in honor of the author of Collier’s two favorite books from his childhood, The Snowy Day and Whistle for Willie. It took seven years for Uptown to be published, a lag Collier attributes to the time—then, diversity in story lines and imagery was the exception, not the norm, in picture books. His work came at a time when the publishing world was only beginning to open up. Collier went on to illustrate many other children’s books, such as Rosa with Nikki Giovanni and Visiting Langston with Willie Perdomo, both on his own and with other authors. All of Collier’s works deal with the overarching themes of diversity, “transformation, redemption, Sf^Z]ÒbW]\O\RRWaQ]dS`g½/ZbV]cUVVSaOgaVSWa\]bW\ÇcS\QSRPgOa^SQWÆQO`bist or movement, Collier sees a direct connection between his illustrations and his UÒ\R[]bVS`¿a_cWZbaOÆfbc`S]TVWaQVWZRV]]R 39 © Bryan Collier Welcome to Pineapple Skies Created excusively for The Studio Museum in Harlem Studio / Summer 2007 41 Education Power to the Public Studio/ Summer 2007 Education and Public Programs Ac[[S` %:WabW\Ua by Romi Crawford, Curator and Director of Education and Public Programs Photo: Ray Llanos Youth Programs The Studio Museum in Harlem is dedicated to creating a safe environment for youths to express themselves creatively. The Museum hosts free programs for high school students outside the school environment. These programs offer students opportunities to meet and converse with prominent visual artists, express their ideas through discussions, facilitate tours and hands-on workshops and develop important communication and critical thinking skills. Nations, cities and even neighborhoods are all, to some extent, “imagined communities.” The idea that we are connected to each other overrides the logistic impossibility of actually knowing everyone who makes up these various public forms. Despite the fact that we can’t really and truly know everyone who shares our national, [c\WQWÔZO\RZ]QOZWRS\bWÆQObW]\aeSOaac[S[S[bership in a mutually recognizable public sphere. It’s no secret that we don’t do all of our living in private. An equal share of our lived experience takes place in public. While we are well aware of our roles in domestic life, we are perhaps less conscious of our implicit involvement in the making of public life. We activate public space, such as gardens and parks, the minute we use them. We stimulate public buildings the second that we enter them. We encourage public institutions by supporting them. Creating public programs, much like creating public buildings and spaces, requires, above all else, the recognition of a public. Not unlike architect David Adjaye and artist Bodys Isek Kingelez, who envision real or idealized public environments, the Education and Public Programs Department at the Studio Museum engages with a public that is at once real and imagined. Public lectures, such as The Artist’s Voice series; public readings, such as the Books & Authors programs; concerts, such as the annual JVC Jazz Festival; conferences, such as Here & Now: The Second African-American Art Conference, co-hosted with New York University and the W.E.B. DuBois Institute for African and African American Research at Harvard University; tours for seniors; and school-based initiatives, such as Expanding the Walls, reveal our ongoing commitment to a public that we cherish, respect and empower.Ð Youth Programs are supported by The Peter Jay Sharp Foundation; MetLife Foundation; Time Warner Inc.; Citigroup Foundation; the Jacob and Gwendolyn Lawrence Trust; New York State Council on the Arts, a state agency; Bank of America; and the Eathon Hall Memorial Fund. Family Programs Are you looking for something fun to do with your kids instead of watching Saturday morning cartoons? Bring the family to the Studio Museum and experience art in new and exciting ways! The Studio Museum acknowledges the need for families to spend time together. Nurturing bonds between parents and their children through art, the Museum offers programs and activities that allow families to share in the creative process. Bring the family and explore our exciting exhibitions. Become an artist in a hands-on workshop and create works of art with your kids! Family Fun @ the Studio! The Studio Museum offers free admission to all visitors ]\bVSÆàbAObc`ROg]TSOQV[]\bVbV`]cUVWba4`SSab Saturdays! program. Family Fun is a special program offered on select Saturdays to children and their parents or guardians to experience the fun of exploring art together. This monthly program features festive activities T]`QVWZR`S\OUSa"b]gSOà]ZRO\RbVSW`TO[WZWSa 4O[WZg>`]UÒ[aO`SRSaWU\SRT]`TO[WZWSaeWbVQVWZR`S\OUSa"b]gSOà]ZR 4O[WZg>`]UÒ[aO`S4@33>`S`SUWabÒbW]\Wa`S_cW`SR>ZSOaSQOZZ &$""#f $" to register. 4O[WZg>`]UÒ[aO`STc\RSRW\Ô`bPg^cPZWQTc\RaT`][bVS<SeG]`YAbObS=TÆQS ]T>O`Ya@SQ`SObW]\6Wab]`WQ>`SaS`dObW]\[ORSOdOWZOPZSbV`]cUVbVS]TÆQS]T Assemblyman Keith L.T. Wright. Adult Programs The Studio Museum in Harlem has a long tradition of presenting programs that address prevalent issues in contemporary art by artists of African descent. Through the Department of Education and Public Programs, we offer a diverse range of programs that engage artists, writers, scholars and critics. Educator Programs The Studio Museum in Harlem acknowledges teachers as professionals at the center of education, whose aWU\WÆQO\bQ]\b`WPcbW]\aVOdSbVS[]ab^`]T]c\RSTfect on the lives and learning of students. The array of ^`]UÒ[aRSaWU\SRT]`SRcQOb]à`SÇSQbabVS;caSc[¿a commitment to reaching beyond the traditional classroom and museum visit by responding to the increasing demand for quality arts education from an interdisciplinary perspective. Educator and School Programs at The Studio Museum in Harlem are supported by The Wachovia Foundation, Citigroup Foundation, Pierre and Maria-Gaetana Matisse Foundation, Barker Welfare Foundation, The Center for Arts Education, May & Samuel @cRW\4O[WZg4]c\RObW]\C\WdSàOZ1WbgAbcRW]aO\RbVS]TÆQS]T;O\VObbO\0]`]cUV President Scott M. Stringer. Special Programs These unique programs fall into a category all their own. They are presented in collaboration with other renowned organizations throughout New York City and abroad. BcSaROg8cZg!(O[º(^[ ArtLooks: A Day in the Life of an Artist Brooklyn Bound with Danny Simmons Join us for a trip into Brooklyn to visit the gallery and studio of artist, novelist, poet and Def Poetry Jam creator Danny Simmons. Danny Simmons Corridor Gallery is a project of The Rush Philanthropic Arts Foundation. The organization was founded in 1995 by brothers Russell, Danny and Joseph “Rev Run” Simmons. Space is limited, so please RSVP by July 20, 2007. to 212.864.4500 x264 ArtLooks is funded by an endowment established by the Jacob and Gwendolyn Lawrence Trust. Additional support is provided by New York State Council on the Arts, a state agency. 4`WROg8cZg %(º(^[ (rain date: Friday, July 27) Uptown Fridays! Music, Cocktails & Culture DJ: Rich Medina Dance to the sounds of some of the hottest DJs spinning in New York, connect with others during guided tours or aV]^¾bWZg]cR`]^W\bVS;caSc[¿a\SeZgab]QYSRab]`S Bring a friend and have a cocktail and conversation. But, whatever you do, don’t miss these fun and festive evenings of culture in Harlem! AObc`ROg/cUcab" (^[ Senior Programs / Tours For Seniors This tour will be lead by our Expanding the Walls students Are you an elder? Do you like meeting and having con versations with new people? Well … then it’s time to get out and socialize! Spend a Saturday afternoon at the Studio Museum during these exclusive tours that explore our current exhibitions. AObc`ROg/cUcab"(O[º (^[ Picture Perfect! Exploring the Expanding the Walls exhibition Families, don’t miss this chance to join a tour and workshop with amazing young photographers from the Expanding the Walls program! After an exciting tour of Shift in Focus, the program exhibition, head to the artmaking workshop turned photo studio and use creative techniques to turn photographs into art! BcSaROg/cUcab"º4`WROg/cUcab% (O[º!(^[ HandsOn: Design with Gregory Gray BVWaTc\Tc\ÆZZSRT]c`ROge]`YaV]^SfQZcaWdSZgT]` middle school students will provide an opportunity to work with a professional New York designer who will introduce the basics of design practice. Students will be guided through the process of creating their own functional interior-designed spaces based on their own needs, interests and personalities. This is a great summer opportunity to meet other creative teens, learn from a professional artist and develop new skills! Space is limited, so please RSVP by August 1, 2007, to 212.864.4500 x264 43 AObc`ROg/cUcab&O\RAc\ROg/cUcab' (O[º%(^[ Community Art Jam: Harlem Week Celebration Location: I.S. 175 West 135th Street between Lenox and Seventh Avenues 4`WROg/cUcab "%(º(^[ Hoofers’ House 7:00pm–8:30pm Uptown Fridays! Music, Cocktails & Culture DJ: Asho Productions Tap dancers show your shoes to get in free! Join us at the Children’s Festival on 135th Street as we celebrate Harlem Week! Participate in a family-friendly art-making workshop and get more info on what’s coming up at the Studio Museum! In honor of the important place of tap dancing in Harlem’s history, the Studio Museum now partners with The Kitchen to create a home for hoofers. This summer eSeWZZaV]eQOaSbVSÆ\ST]]be]`Y]TaSZSQbSRRO\QSà bVObO`Sac`Sb]Pc`\c^bVSÇ]]` BcSaROg/cUcab (O[º (^[ ArtLooks: A Day in the Life of an Artist Queens Bound with Accra Shepp Join us for an afternoon with photographer Accra Shepp at his studio in Queens to learn about his unique Leaf Print photographic process. Youth Programs are supported by The Peter Jay Sharp Foundation; MetLife Foundation; Time Warner Inc.; Citigroup Foundation; the Jacob and Gwendolyn Lawrence Trust; New York State Council on the Arts, a state agency; Bank of America and the Eathon Hall Memorial Fund. Space is limited, so please RSVP by August 10, 2007, to 212.864.4500 x264 ESR\SaROg/cUcab %(^[ The Artist’s Voice: Artists-in-Residence 2006–07 Titus Kaphar / Wardell Milan / Demetrius Oliver Finally, an opportunity to be a part of the conversation! These evenings of interaction with artists will get you talking. The Artist’s Voice series provides a forum for artists to discuss the processes and themes underlying their work and for audiences to ask questions. Join the current Artists-in-Residence for an in-depth discussion about their exhibition, their work and their residency experience. If you’re looking to be on the pulse of the art scene, don’t miss this one. The Artist’s VoiceWa4@33ASObW\UWaZW[WbSRO\ROdOWZOPZS]\OÆàbQ][SÆàbaS`dSR basis. Please call 212.864.4500 x264 to reserve a space. The Artist’s Voice is made possible, in part, by an endowment established by the Ron Carter Family in memory of SMH Trustee, Janet Carter. The Artists-in-Residence Program and annual exhibition are presented with the support of Nimoy Foundation; Elaine Dannheisser Foundation; The Greenwall Foundation; New York State Council on the Arts, a state agency; Helena Rubinstein Foundation; Jerome Foundation; Milton and Sally Avery Arts Foundation and endowments established by the Jacob and Gwendolyn Lawrence Trust and Andrea Frank Foundation. Are you an elder? Do you like meeting and having conversations with new people? Well … then it’s time to get out and socialize! Spend a Saturday afternoon at the Studio Museum during these exclusive tours that explore our current exhibitions. Senior Programs are supported, in part, by New York State Council on the Arts, a state agency, and Renate, Hans & Maria Hofmann Trust. This presentation of Hoofers’ House is a collaboration between The Studio Museum in Harlem and The Kitchen. AObc`ROgAS^bS[PS`(O[º (\]]\ Back to School Kick Off! Calling all elementary school children and parents! What better way is there to jumpstart the 2007–08 school year than with art? Check out the Artists-in-Residence exhibition, Midnight’s Daydream, and participate in an art-making workshop that is sure to help young students shake off the summer brain-drain in a fun, creative way! Don’t miss this opportunity to take home free back-toaQV]]ZUWdSOeOgaO\RÆ\R]cbV]ebVSAbcRW];caSc[ can be a resource for parents and students throughout the school year! AObc`ROgAS^bS[PS`#(O[ (rain date: Saturday, September 22) Architectural Walking Tours @OaVOe\5`WTÆ\9O`g\=ZWdWS` AObc`ROgAS^bS[PS`& (^[ Senior Programs / Tours For Senoirs! Late summer is the perfect time to experience Harlem! Explore this rich neighborhood with architectural preservationist and Harlem resident John T. Reddick. Participants will go on an intimate tour of Harlem beginning in our galleries and extending to the streets where Reddick will illuminate how many of the concepts seen in our current exhibitions are present in Harlem’s historical landscape. Pre-registration is required and early registration is encouraged. Please call &$""#f $"b]`SUWabS` US\SÒZ^cPZWQ#[S[PSàaS\W]àabcRS\ba 4`WROgAS^bS[PS` %(º(^[ (rain date: Friday, September 28) Uptown Fridays! Music, Cocktails & Culture DJ: 1N2 Mark Bradford Black Venus (detail) 2005 Courtesy the artist and AWYYS[O8S\YW\a 1]<SeG]`Y BVcàROg=Qb]PS`"%(^[ Art:21 Season 4 Screening: Paradox, featuring Mark Bradford at The Studio Museum in Harlem Mark Bradford transforms materials scavenged from the street into wall-sized collages and installations that respond to the impromptu patterns and networks that emerge in a city. Art:21, Art in the Twenty-First CenturyWabVSÆàbP`]ORQOabaS`WSa]\\ObW]\OZ^cPZWQ television to focus exclusively on contemporary visual art and artists in the United States. In the series, contemporary artists speak directly to the audience, in their own e]`RaO\R`SÇSQb]\bVSW`ZWdSaa]c`QSa]TW\a^WÒbW]\O\Re]`YW\U^`]QSaaSa>`]ÆZSR artists include painters, sculptors, printmakers, photographers, installation artists, video artists and artists working with new media, environmental or public issues, and hybrid forms. BVWa^`]UÒ[Wa4@33ASObW\UWaZW[WbSRO\ROdOWZOPZS]\OÆàbQ][SÆàbaS`dSR basis. Please call 212.864.4500 x264 to reserve a space. AObc`ROg=Qb]PS`$ (^[ Senior Programs / Tours For Senoirs! Are you an elder? Do you like meeting and having conversations with new people? Well … then it’s time to get out and socialize! Spend a Saturday afternoon at the Studio Museum during these exclusive tours that explore our current exhibitions. Senior Programs are supported, in part, by New York State Council on the Arts, a state agency, and Renate, Hans & Maria Hofmann Trust. AObc`ROg=Qb]PS`$(O[º (!^[ D is for Design! Exploring David Adjaye: Making Public Buildings New York City is full of buildings of all shapes, sizes and colors. If you could design and build your own building, what would it look like? Join a guided tour of the David Adjaye: Making Public Buildings exhibition and get inspired! Studio/ Summer 2007 Grab a camera as we explore buildings in Harlem on a walking tour, and then create your own public space from your photographs and other fun art-making materials! ESR\SaROg=Qb]PS`"(º$(^[ The Studio Museum in Harlem Celebrates Art Beyond Sight Awareness Month The Education and Public Programs Department is thrilled to participate in Art Education for the Blind’s Art Beyond Sight Awareness Month. Parents of blind or visually impaired children are invited to this hands-on workshop session, hosted by a blind/visually impaired artist. Participants will explore strategies for creating fun and meaningful art museum experiences with their children. BcSaROg=Qb]PS`'"(!º$(!^[ Educator Program Teachers, come view the current exhibition and learn about the education programs the Museum hosts for students all year long, including internships, Saturday morning programs, the Expanding the Walls Photography program, tours and workshops. ESR\SaROg=Qb]PS`% 7:00pm Threads of Time, The Fabric of History with Rosemary E. Reed Miller @]aS[O`g3@SSR;WZZS`^`]ÆZSabVW`bgSWUVb/T`WQO\/[S`Wcan designers and dressmakers from 1850 to the present. Books & Authors Be sure to arrive early for this already legendary program featuring some of today’s most talented authors. Packed to capacity, Books & Authors is designed to introduce works by literary masters, established living authors and emerging writers. This program also features new titles that explore black culture locally, nationally and internationally. Sometimes it’s a performance and other times it’s a straight reading, but there’s always a discussion ÆZZSReWbV`WQVRWdSàS^Sà^SQbWdSa3OQV^`]UÒ[WaT]Zlowed by a book signing. Books & AuthorsWa4@33ASObW\UWaZW[WbSRO\ROdOWZOPZS]\OÆàbQ][SÆàbaS`dSR basis. Please call 212.864.4500 x264 to reserve a space. Books & Authors is made possible, in part, by The New York State Council on the Arts, a state agency. 4`WROg=Qb]PS`'%(º(^[ Uptown Fridays! Music, Cocktails & Culture DJ: Reborn 45 HEADS UP! Be on the lookout for Studio / Summer 2007 Overheard these upcoming programs! by Shanta Scott, AQV]]ZO\R4O[WZg>`]UÒ[a1]]`RW\Ob]` 3dSèWaVg]cQ]cZRPSOÇg]\bVSeOZZW\bVSUOZZS`WSaXcabb]VSOèVOb]bVSàVOdSb]aOgOP]cbbVSO`be]`Y- BVSa^`W\U %SfVWPWbW]\a^`]dWRSR[cQVT]]RT]`bV]cUVbSa^SQWOZZgT]`QVWZR`S\;Waa7\O[RO`¿aT]c`bVUÒRS QZOaaT`][>A&"W\;O\VObbO\]\S]TbVSAbcRW];caSc[¿aQ]ZZOP]ÒbWdSaQV]]Zab]]YWbOZZW\Rc`W\UOUcWRSR b]c`6S`SO`SOTSe_c]bSaT`][bVSabcRS\baeVS\bVSgeS`SOaYSRT]`bVSW`bV]cUVba]\Philosophy of Time Travel and Henry Taylor: Sis and Bra. Ð On Philosophy of Time Travel (2007): ¼E]e7aWbac^^]aSRb]Z]]YZWYSbVOb-½ ¼7b¿aT`][]cbSàÔQS½ ¼7bZ]]YaZWYSbVSQSWZW\UWaOP]cbb]TOZZR]e\½ ¼7b¿aOe]`Y]TO`bbVObZ]]YaZWYSRSab`cQbW]\½ Mommy and Me @ the Studio! This exciting new visual art-based program is designed just for expectant mothers and mothers with infants. Meet other moms, and enjoy art-making, story time and other activities that encourage creativity and bonding. ESR\SaROg<]dS[PS`%$(!º&(^[ David Adjaye / Wood Auditorium, Avery Hall (lower level), Columbia University @Sa^]\RS\b: Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem. Presented in association with the Graduate School of Architecture, Planning and Preservation (GSAPP) as part of the GSAPP Wednesday Night Lecture Series, Fall 2007. <]dS[PS`º PERFORMA07: Dave McKenzie The Studio Museum in Harlem This program is co-presented with PERFORMA07 PERFORMA07 is the second biennial of new visual art ^S`T]`[O\QS^`SaS\bSRPg>3@4=@;/O\]\^`]Æb multidisciplinary arts organization dedicated to exploring the critical role of live performance in the history of twentieth-century art and encouraging new RW`SQbW]\aW\^S`T]`[O\QST]`bVSbeS\bgÆàbQS\bc`g ¼EVge]cZRbVSaQcZ^bc`SZO\RVS`SW\bVWaÔ`bWQcZOà^]b-½ ¼7aWb`]QYaQS[S\b]`[SbOZ-½ ¼<]P]RgSZaSR]SabVWaBVWaWabVS]\Zg[caSc[eVS`S7¿dSSdS` aSS\a][SbVW\UZWYSbVWa½ On Henry Taylor’s Sis and Bra (2004): ¼B][SWbZ]]YaZWYSOÔW\bW\UW\aWRS]TOÔW\bW\U½ ¼BVSg¿`SW\OV]caSW\bVSQ]c\b`gG]cQO\aSSUÒaaO\Rb`SSa outside the window.” ¼;OgPSVSÔW\bSROPORUSPSQOcaSVWaP`]bVS`¿aO^]ZWQS]TÆQS`½ BVcàROg<]dS[PS`#ºAc\ROg<]dS[PS`& Here and Now: The Second African American Art Conference at New York University. ¼BVS`S¿aOaVWSZRW\T`]\b]TbVS[a]bVSg¿ZZPS^`]bSQbSR½ 1]\TS`S\QS]ÙO\WhSà( Dean Mary Schmidt Campbell, Professor Deborah Willis and Professor Manthia Diawara ¼7bVW\YVS^WQYSRc^bVS`]aST`][bVSUO`RS\PSVW\RVW[½ Cosponsored by the Department of Photography & Imaging, Tisch School of the Arts, New York University; Kanbar Institute of Film & Television, Tisch School of the Arts, New York University; Institute of African American Affairs, New York University; Department of Art and Art Professions, Steinhardt School of Culture, Education, and Human Development, New York University; W.E.B. Du Bois Institute for African and African American Research, Harvard University; and The Studio Museum in Harlem. For more information contact the Department of Photography & Imaging, Tisch School of the Arts, New York University, 721 Broadway, 8th Floor, New York, New York 10003. Send an email to secondaaac@gmail.com or call 212.998.1930. On Henry Taylor’s Fatty (2006): ¼I6S\`gBOgZ]`K^cbbO^S]dS`VWaSgSb][OYSWbZ]]YZWYSO\SgS patch.” ¼6SQO[S]cb]TbVSPOQY]TbVSac^S`[O`YSba]\]]\Se]cZR aSSVW[]`[OYSTc\]TVW[½ ¼7bVW\Y4ObbgWabVSO`bWab¿aQ]caW\]`P`]bVS`½ Titus Kaphar / Conversation between paintings #3: Descent (diptych) / 2007 / Courtesy the artist / Photo: Adam Reich 47 Studio / Summer 2007 49 Studio Visit Jeff Sims 01/ Jeff Sims In the Company of Others (detail) 2005–07 Courtesy the artist 3Qs: New Acquisition Nape of the Neck, Small of the Back Rico Gatson 03/ Jeff Sims By Us For Us 2007 Courtesy the artist 02/ Jeff Sims Not For Everyone 2006 Courtesy the artist by Lauren Haynes, Curatorial Assistant Studio / Summer 2007 01/ Rico Gatson Nape of the Neck, Small of the Back 2006 Museum purchase made possible by Gifts from an Anonymous Donor, Helena Barquet, Giulia G. Borghese, Alvin D. Hall, and Mr. and Mrs. E. Thomas Williams by Christine Y. Kim, Associate Curator 01 BVS]dSÒZZOb[]a^VS`S]T8STTAW[a¿aabcRW]W\8]\Sa 6OZZOb>Òbb7\abWbcbSWaQOZ[O\R`SZOfSRPcbg]cabWZZUSb bVSTSSZW\UbVObWaOdS`gOQbWdSaÔQSEVS\g]cS\bS` bVSabcRW]g]cQO\U]SWbVS`ZSTb]``WUVb@WUVbbOYSag]c W\b]OaWRS`]][bVObAW[acaSaÔ`bWOZZgT]àb]ÒUS W\QZcRW\UbVSab]ÒUS]T[ObS`WOZabVObVScaSRT]Ò %dWRS]^`]XSQb7\bVWadWRS]WiggerVScaSaQ]TTSS S\RZSaaZg^]c`SRW\b]OQc^b]Sf^Z]`SVWabOYS]\bVS e]`R¼eWUUS`½eVWQVVSRSÆ\SaOaO^Sà]\eV]WaeVWbS ]\bVS]cbaWRSO\RPZOQY]\bVSW\aWRSAW[a¿ae]`Y In the Company of Others #º%WaRWa^ZOgSR]\bVS ZSTbeOZZ]TbVS[OW\`]][]TVWaabcRW]eVWQVWaOQ QSaaSRPgU]W\UZSTbT`][bVSS\bÒ\QSBVSaSQO\dOaSa TSObc`SQ]TTSSQcâO\RVO\Ra]TOZZRWTTS`S\bQ]Z]àO\R aWhSaA][SO`SXcabVO\Raa][SO`SXcabQ]TTSSQcâ O\Ra][SO`SP]bV AW[aabcRWSRÔW\bW\UOaO\c\RSÙÒRcObSPcbVSRSaQ`WPSaVW[aSZTOaOÔW\bS`ZSO`\W\Ub]ÔW\bW\]bVS`[SRWO BVSPOQYeOZZW\VWaabcRW]RWa^ZOga]\S]TVWadS\bc`Sa into other media, By Us For Us %O[WfSR[SRWO W\abOZZObW]\TSObc`W\UO\]^S\QOPW\SbO\RRWTTS`S\babgZSa of coffee cups. In front of a window is a table covered with ÔW\bP`caVSaO\R]bVS`ÔW\bS`¿ab]]Za<Sfbb]bVWabOPZSWa OaV]`bS`bOPZSbVObV]ZRaOa[OZZaQ`SS\O2D2^ZOgSÒ\R ]bVS`SZSQb`]\WQS_cW^[S\bbVObAW[acaSab]aV]eWigger O\R]bVS`dWRS]e]`Ya/\RÆ\OZZgPSbeSS\bVSbe]R]]`ways in the main studio space is Not For Everyone $ an installation that features a small end table, a coffee cup, 02 01 03 OaWZdS`Q]TTSS^]bO\ROacUO`P]eZ»bVSS\RbOPZSWaÔW\bSR eWbVeVObbVSQ]TTSSQcê]cZRZ]]YZWYSWTWbeOaÆZZSReWbVQ]TTSSO\Rg]ceS`SZ]]YW\UR]e\ObWbT`][OP]dS 3dS\bV]cUVQ]TTSSWaOZZO`]c\RAW[a¿aabcRW]VSWa_cWQY b]^]W\b]cbbVOb¼Wb¿a\]bOP]cbQ]TTSS½/\ROTbSà^S\RW\UbW[SW\VWaabcRW]O\RZ]]YW\UObVWae]`YbVWaPSQ][Sa QZSO`»WbWaOP]cbÒQSWRS\bWbgO\RW\bS`^Sà]\OZ`SZObW]\ships. It just so happens that Sims uses coffee and coffee Qcâ]TRWTTS`S\bQ]Z]àb]VSZ^Sf^Z]`SbVSaSWaacSaÐ 8STTAW[aeOaP]`\W\1VObbO\]]UO B<O\RÒWaSRW\>]`bZO\R=@ 6S`SQSWdSRVWa04/T`][1]`\WaV 1]ZZSUS]TbVS/`baW\ASObbZSW\''% O\RWaQc``S\bZgOQO\RWRObST]`;4/ Ob>Òbb7\abWbcbSW\0`]]YZg\eVS`S VSZWdSaO\Re]`Ya 1V`WabW\SG9W[EVObWabVSSfOQb]`WUW\]TbVSTO[]ca ^V]b]UÒ^Vg]cVOdSO^^`]^`WObSRO\ROPabÒQbSR- @WQ]5Oba]\ First of all, the original image is astonishing W\WbaP`cbOZWbg7ÆàbQO[SOQ`]aaWbW\OP]]YQOZZSR The Black Book and more recently online. The caption reads, “Peter, a slave from Baton Rouge, Louisiana, 1863. The scars are a result of a whipping by his overseer, who was subsequently discharged. It took two months to recover from the beating.” 1G9/`Sg]cabWZZe]`YW\UW\ÔW\bW\UaQcZ^bc`SO\RdWRS]- 6]eR]g]ce]`YW\OZZbVSaS[SRWOO\ReVObO`SbVSQ]\\SQbW]\a]`bV`SORaO[]\UbVS[T]`g]c- @5 I’m still working in all media; it feels natural. I didn’t always, but the ideas tend to dictate my approaches. This sounds simplistic, but sometimes there’s something that is better expressed in video and so forth. 7e]cZRRSÆ\WbSZgaOgbVObbVSWRSOaO`SbVSbV`SORabVOb connect everything. 1G9G]c`Q]Z]àQVS[SaO`S]TbS\dS`ga^SQWÆQEVOb are some of the ones you’ve used in the past, and how RWRg]caSZSQbbVSQ]Z]àT]`bVWaÔW\bW\UO\RbVSP]Rg]T e]`YTSObc`SRObg]c`ZOaba]Z]aV]eW\<SeG]`Y- @5 In the past I’ve used pastel colors and black and white. The color scheme in the most recent project is a departure of sorts. I wanted earth tones that approximate the colors associated with African textiles. BVSQ]Z]àVOdS\]a^SQWÆQ[SO\W\UPcbbVSU]ZR is inspired by the tradition of religious painting, as well as other sources. The serialized palette was an attempt to unify the body of work into a brand of sorts. Rico Recommends: Book: Nobody Knows My Name (1961) by James Baldwin Album: This Is My Country (1968) by The Impressions Movie: Gimme Shelter (1970) by Albert and David Maysles 51 Checkout Elizabeth Catlett Mora Homage to Black Panthers 1970 Collection The Studio Museum in Harlem Jamal Cyrus The Filnigas 2006 Courtesy the artist Meschac Gaba Lipstick Building 2004 Collection The Studio Museum in Harlem Maren Hassinger In a Quiet Place 1985 Collection The Studio Museum in Harlem Xenobia Bailey Sistah Paradise Great Wall of Fire Revival Tent 1993 Courtesy the artist and Stefan Stux Gallery Adel Abdessemed Pluie Noire 2006 Courtesy the artist Studio / Summer 2007 03/ J. Max Brody Schomburg Center for Research in Black Culture Courtesy of Davis Brody Bond Aedas 02/ J. Max Brody Harlem Children’s Zone Courtesy Albert Vecerka/ Esto by Corey E. Walker, Public Relations Intern by Naomi Beckwith, Assistant Curator If You Like... Elizabeth Catlett Mora Born 1915, Washington, DC Lives and works in Cuernavaca, Mexico Icon J. Max Bond: Correcting Absence Pg@SÇSQbW\U/PaS\QS 01/ J. Max Brody Russ Berrie Medical Science Pavilion Courtesy Davis Brody Bond Aedas Then Checkout... Jamal Cyrus Born 1979, Houston, TX Lives and works in Houston, TX 8;Of0]\RWaOaW\UcZO`bOZS\bP]bV OaO\SRcQOb]Ò\RSa^SQWOZZgOaO\ O`QVWbSQbOÆSZRW\eVWQVZSaabVO\# ^S`QS\b]TbV]aSZWQS\aSRO`S/T`WQO\ /[S`WQO\7\bS`\ObW]\OZZg`SQ]U\WhSR Oa]\S]T/[S`WQO¿aZSORW\UO`QVW bSQba0]\RVOaQ`SObSRe]`YOQ`]aa \SO`ZgÆdSRSQORSaO\RbV`SSQ]\bW\S\ba»<]`bV/[S` WQO3c`]^SO\R/T`WQO6WaSfbS\aWdSbÒQY`SQ]`R]T Sf^S`WS\QSO\RW\\]dObW]\VOaVSZ^SR^]aWbW]\VWaÆ`[ 2OdWa0`]Rg0]\Rb][O\OUSbVSQ][^ZSbW]\]TbVS\Se E]`ZRBÒRS1S\bSÀWbS;S[]`WOZOabVS^`]XSQb¿aOa a]QWObSO`QVWbSQba0]\R¿aÔ`bWQWÔbW]\[O`YabVSÆàb bW[SO\/T`WQO\/[S`WQO\VOaPSS\^Wd]bOZZgW\d]ZdSRW\ bVS`SRSdSZ]^[S\b]TbVSaWbS 01 E]`YW\U]\Reflecting Absence, the World Trade Center AWbS;S[]`WOZeWZZ\]bPSbVSTWàbbW[S0]\RVOacaSRVWa SfbS\aWdSO`QVWbSQbcÒZÔZSbbSb][S[]`WOZWhSObÒUSRg 6SRSaWU\SRbVSQ`g^b]T;O`bW\:cbVS`9W\U8`W\/bZO\bO O\RbVS[S[]`WOZT]`T]c`g]c\UUW`ZaYWZZSRW\0W`[W\UVO[ /:W\'$!7\ORRWbW]\bVS\Se[S[]`WOZeWZZV]caSO`SaSO`QVQS\bS``SQOZZW\UbVSa^W`Wb]T0]\R¿aTWàb[OX]è]`Y bVS0]ZUObO\UO:WPÒ`gW\5VO\O If You Like... Meschac Gaba Born 1961, Cotonou, Benin Lives and works in the Netherlands and Benin Then Checkout... Xenobia Bailey Born 1955, Seattle, WA Lives and works in New York, NY Bond’s firm’s selection as associate architects for the [S[]`WOZS\ac`SaOQ]\bW\cObW]\]T0]\R¿aZ]\UbW[S ^`]TSaaW]\OZ`SZObW]\aVWêWbV<SeG]`Y1Wbg7\bVS'$a 0]\RT]`[SRbVS/`QVWbSQb¿a@S\SeOZ1][[WbbSS]T6O`lem, which spearheaded revitalization of the community, W\QZcRW\UUcWRW\UbVSRSdSZ]^[S\b]TbVSAQV][PcÙ1S\bS`T]`@SaSO`QVW\0ZOQY1cZbc`SO\RBVSAbcRW];caSc[ W\6O`ZS[6WaSf^S`bWaSVOaOZa]b]cQVSReVObWaOÙcOPZg 6O`ZS[¿a[]ab`SQ]U\WhOPZSZO\R[O`YbVS/^]ZZ]BVSObS` 02 Bond’s stewardship of Reflecting Absence will be vital to the monument’s realization, but also may be a wateraVSR[][S\bW\Q]``SQbW\UbVSOPaS\QS]T/T`WQO\ Americans in architecture. Ð If You Like... Maren Hassinger Born 1947, Los Angeles, CA Lives and works in Baltimore, MD Then Checkout... Adel Abdessemed Born 1971, Constantine, Algeria Lives and works in Berlin, Germany 8;Of0]\ReOaOAbcRW];caSc[B`cabSST`][''º ! 03 53 Artist Commission Harlem World: Drawing the People by Ali Evans, Editor-in-Chief & PR Manager @bZZR_Q_Nd`]R\]YRS_\ZN_\b[Qd\_YQa\aURcVcNPV\b`à_RRa`\S5N_YRZ N[QaURfNYYRcR[abNYYfZNXRaURV_dNfa\"aU@a_RRaDRP\ZZV``V\[RQ ]\_a_NVaN_aVàA_\f´4R_VPNbYaµ?\OR_aà\`RaUV`RN`RY_VTUa\ba`VQR\b_Q\\_` \[aUV`VP\[VPaU\_\bTUSN_Ra\PN]ab_R`\ZR\SaURZN[fSNPRàUNaZNXRb]aUV` Rea_N\_QV[N_fZRa_\]\YV`9VXRdR·cRa\YQf\bORS\_RN`f\b·YY`RRN[QN`f\b X[\dVSf\bYVcRUR_RaUR]R\]YRV[5N_YRZN_RORNbaVSbY Ð <[R\SaURSRdRZR_TV[TOYNPXN_aVà`d\_X V[TV[aUR]\_a_NVaa_NQVaV\[\[aURà_RRa`\S ;RdF\_XA_\fPN[ORS\b[Q_R]_\QbPV[T O\aUSNZ\b`N[QRcR_fQNf¾Tb_R`N[QSNPR` V[0R[a_NY=N_XN[Q[\dV[5N_YRZ Studio / Summer 2007 55 Studio / Summer 2007 57 Studio / Summer 2007 Harlem-in-Residence: Community, Relationships and Creativity Pg8]V\B@SRRWQY 02 AUR`bZZR_V`NYdNf`NT_RNaaVZR\SfRN_NaAUR@abQV\:b`RbZV[5N_ YRZDVaUVaP\ZR`NPR_aNV[RePVaRZR[aN[QP\Z]RaVaVcR`]V_VaN_\b[Q aUR:b`RbZ·`N[[bNYReUVOVaV\[\SaURd\_X\SaUR._aVà`V[?R`VQR[PR N[QaUR]U\a\T_N]Uf\SVa`2e]N[QV[TaURDNYY`àbQR[a`6[`]V_RQOfaUR P\[cR_TR[PR\SNYYaURaNYR[ab[QR_N`V[TYR5N_YRZ_\\S6ORTN[a\_R¿RPa N[Rd\[5N_YRZ·`V[aR_adV[RQV[¿bR[PR\[aURP_RNaVcRaU\bTUaN[Q]R_ `\[NY_RYNaV\[ÙV]`\SN_aVà`N[QV[àVabaV\[`6[O\aUPN`RàURReUVOVaRQ _R`bYa`_R¿RPaNfRN_Y\[TR[TNTRZR[aOfaNYR[aRQf\b[T]R\]YRd\_XV[T P_RNaVcRYfdVaUaUR:b`RbZ·`àNSSN[Q_R`\b_PR` / Gregory Gray Essence Music Festival 2004 Courtesy the artist 03/ David Stone Martin Jam Session #1, Cleff 4001 ca. 1950 Courtesy Collection of John T. Reddick 04/ Schomburg exterior Photo: Terrance Jennings 03 ?RPR[aYfaUV`dNÒ_\bTUaU\ZRa\ZRV[]N_aOfaURPRYRO_Na\_f_R\]R[ V[T\SaUR@PU\ZOb_T0R[aR_S\_?R`RN_PUV[/YNPX0bYab_RdUVPU UNQORR[V[YN_TR]N_aPY\`RQS\_ad\fRN_`N`Vab[QR_dR[aN_R[\cNaV\[ Of1Naa[R_._PUVaRPa`@b_]_V`V[TYfdUVYRP\[à_bPaV\[UN`P\ZRa\ ZRN[QV`]YNPRZR[a\_RePYb`V\[a\ZN[f5N_YRZVaRàUR_R[\cNaV\[ \SaUR@PU\ZOb_TYVXRaUNa\SaUR.]\YY\N[QaUR@abQV\:b`RbZ UNÒRR[`RR[N`N[RPR``N_fb]T_NQRNXV[Q\S_RN_ZV[TS\_ONaaYRdVaU aURP\ZZb[Vaf·`SNVaUaUNaaURV_V[àVabaV\[NYUVà\_VR`ZV``V\[N[Q RZO_NPV[T`]V_Va`d\bYQ\[YfORR[UN[PRQ.`6]N``RQaU_\bTUaUR @PU\ZOb_T·`T_NPV\b`YfRe]N[QRQY\OOfN[QOfaUR_RY\PNaRQ9NaVZR_ 2QV`\[4NYYR_f6dN`_RZV[QRQ\SaUR]_VQR6·QSRYadUR[N`Nf\b[T N_PUVaRPab_RT_NQbNaR6QV`P\cR_RQ\[Zf¾_àcV`VaaUR_RaUNaaUR ObVYQV[T·`\_VTV[NYQR`VT[R_dNàUR.S_VPN[.ZR_VPN[N_PUVaRPa7:Ne /\[QdU\d\bYQYNaR_QR`VT[aUR@abQV\:b`RbZ·`"aU@a_RRa TNYYR_VR``RR]NTR"1Naa[R_·`_R[\cNaV\[aU\bTUaSbYYf_VSS`\[/\[Q·` QR`VT[dUVYR]_R`R_cV[TVa`N_PUVaRPab_NYV[aRT_VafN[QZ\QVSfV[TaUR SNPVYVafa\NPP\ZZ\QNaRPb__R[acV`Va\_N[QàNSS[RRQ` AUR_RSb_OVÙRQY\OOf_RaNV[`ZbPU\SVa`\_VTV[NYPUN_NPaR_N[QS\_ZR aUR`]V_Va\SZN[f\SVa`S\_ZR_V[UNOVaN[a`6[SNPaVadN`V[aUNaY\OOf 01 04 59 aUNa6NP^bV_RQ^bVaRPN`bNYYfNcNàN[Qd\[QR_SbYYf]R_`\[NYX[\dYRQTR \SadR[aVRaUPR[ab_f.S_VPN[.ZR_VPN[]U\a\T_N]Uf3V_à6YRN_[RQ ZbPUaU_\bTUS_VR[QYfPUNa`dVaUN[QTbVQN[PRS_\ZaUR`PU\YN_1RO\_NU DVYYV`dU\dNàUR[N@PU\ZOb_TàNSSR_9NaR_6NP^bV_RQV[S\_ZNaV\[ ¾_àUN[QaU_\bTUP\[cR_`NaV\[`dVaUDVYURYZV[NDf[[aURQNbTUaR_ \SRN_YfadR[aVRaUPR[ab_f@\baU0N_\YV[N]U\a\T_N]UR_?VPUN_Q@ ?\OR_a`N[QV[Y\[TaNYX`dVaU:N_cV[@ZVaUaURZVQadR[aVRaUPR[ab_f 5N_YRZ]U\a\T_N]UR_/\aU@ZVaUN[QDf[[NaaURaVZRdR_R´`R[V\_µ c\Yb[aRR_`ZN[[V[TaURY\OOf·`V[S\_ZNaV\[QR`X Studio / Summer 2007 01/ David Stone Martin The Genius of Art Tatum #6, Verve 657 1958 Courtesy Collection of John T. Reddick 02/ David Stone Martin Josh White, Asch 348 1944 Courtesy Collection of John T. Reddick ?RZRZOR_V[TaUV`ZNQRaURcV`VaV[TaUR[Rd9NaVZR_2QV`\[4NYYR_fNYY aURZ\_RQRYVTUaSbY.V_fN[QO_VTUaaURTNYYR_fd_N]`N_\b[QdUNaUNQ S\_ZNYYfORR[aURb]]R_PYR_Rà\_fN]\_aV\[\SN[V[aR_V\__V`V[TNO\cR NQWNPR[a_\\Sa\]à\aURY\dR_YRcRY_R`RN_PUYVO_N_fAUV`[RdTNYYR_f `b__\b[Q`NTYN``RQV[PR[a_NYP\_RdUVPU]_\cVQR`YVTUaN[QNcVRd\SaUR YVO_N_f`]NPRORY\d6[aUV`N_RNaUR@PU\ZOb_TUN`PYRcR_Yf_RUb[TVa` `R_VR`\S.N_\[1\bTYN`Zb_NY`dUVPUZNXRàURZcV`VOYRa\cV`Va\_`\S O\aUaURTNYYR_fN[Q_R`RN_PUYVO_N_f3\_Va`Pb__R[aReUVOVaV\[/YNPX._a' A_RN`b_R`S_\ZaUR@PU\ZOb_TaURZb_NY`P\[a_NàdRYYV[`PNYRN[QUVà\_f dVaUaURN_ad\_X\[QV`]YNfV[aURTNYYR_f.`\[RaNXR`V[aURd\_X`\S.b TbàN@NcNTR7NP\O9Nd_R[PR2YVgNORaU0NaYRaa:\_N\_1NcVQ5NZZ\[` Va·`[\aUN_Qa\VZNTV[RaURV_\cR_YN]]V[T_RYNaV\[ÙV]`\_a\P\[aRZ]YNaR aURZ[NcVTNaV[T5N_YRZN[QVa`V[¿bR[PR\[aURV_N_aVàVPaUV[XV[T 04 03 02 DUVYRRe]Y\_V[TaUR@PU\ZOb_T·`b]T_NQRQN_PUVcNYNPPR``6QRPVQRQ a\]R_`bRN[\aUR_5N_YRZ_RYNaV\[ÙV]aUNa\SaURWNggP\Z]\`R_N[Q ]VN[Và:N_f9\bDVYYVNZ`&²&%dU\_R`VQRQNa# 5NZVYa\[ AR__NPRN[QdN`_\ZN[aVPNYYfV[c\YcRQdVaUaURVYYbà_Na\_N[QT_N]UVP N_aVà1NcVQ@a\[R:N_aV[& ²&&.]]_RPVNaVcR\SUV`N_aVàVPaNYR[a DVYYVNZ`N`XRQ:N_aV[a\QR`VT[aURNYObZP\cR_S\_UR__RP\_QV[T\[ ¿RQTYV[T.`PU?RP\_Q`V[&!!AU\bTUaURV__\ZN[PRR[QRQ^bVPXYfaURf _RZNV[RQYVSRY\[TS_VR[Q`N[QaURUVTUYf_RTN_QRQDVYYVNZ`V[a_\QbPRQ :N_aV[a\ZN[faNYR[aRQ]R_S\_ZR_`@bPUdNÙV`_N]]\_adVaUaUR`R N_aVààUNaUV`VYYbà_NaV\[`PN]ab_RN[V[aVZNPfORadRR[aURZ_R¿RPaRQ NPR_aNV[V[aVZNPfdVaUaURV_]R_`\[NYVaVR`N[QZb`VP3_\ZaUNa¾_à DVYYVNZ`P\ZZV``V\[:N_aV[d\bYQT\\[a\VYYbà_NaRUb[Q_RQ`\SWNgg NYObZP\cR_`S\_[\a\[Yf.`PUObaNY`\0YRS?RP\_Q`CR_cR?RP\_Q` 1\d[/RNaZNTNgV[RN[Q]_\QbPR_;\_ZN[4_N[g A\QNfT_N]UVPQR`VT[R_``bPUN`:VPUNRY0\\]R_N[Q4_RT\_f4_NfYVcR N[Qd\_XV[5N_YRZN[QaURV_NRàURaVP`R[`VOVYVaVR`N_R_R¿RPaRQV[O\aU aURV_YVcV[TR[cV_\[ZR[a`N[QQR`VT[d\_X6[QRRQdURaUR_f\b·_RN_R`V QR[aP\ZZbaR_\_cV`Va\_5N_YRZN[QVa`V[àVabaV\[`_RaNV[N[V[aVZNaR N[Qb[V^bRNOVYVafa\PUNYYR[TRN[QV[`]V_RP_RNaVcVaf Ð 01 7\U[A?RQQVPXd\_X`\[N_PUVaRPab_NY]_R`R_cNaV\[]YN[[V[TN[Q]bOYVPN_aV[;RdF\_X0Vaf5R `R_cR`\[0\ZZb[Vaf/\N_Q&V[:N[UNaaN[N[QVàUR.``\PVNaRCVPR=_R`VQR[a\S2QbPNaV\[ =_\T_NZZV[TS\_aUR0R[a_NY=N_X0\[`R_cN[Pf 03/ David Stone Martin Mary Lou Williams Trio, Asch 351 1944 Courtesy Collection of John T. Reddick 04/ Michael Cooper African Burial Ground Brochure 2006 Courtesy Michael Cooper Inc./ Point C Studios 61 3YNTS\_aUR:\\['1VR;VTTR_&#&N[.ZR_VPN[¿NTdVaUN[\a^bVaRP\[PRNYRQR]VaURa P_VaV^bV[TaURB@T\cR_[ZR[a·`]_R\PPb]NaV\[dVaUaUR`]NPR_NPRN`Va`V[[R_PVaVR`dR_ROb_[V[T a\aURPUVYQ_R[·Ò\\XAN_/RNPU&&N`dRRaYf`R_V\b`Re]Y\_NaV\[\SaURPUNYYR[TR`\S5N_YRZ YVSRQb_V[TaUR4_RNa1R]_R``V\[ Pg:Wh5eW\\, Executive Assistant to the Director .SNc\_VaR]N_a\SaURQNVYfP\ZZbaRS\_ZN[fdU\_RYf\[aUR@RcR[aU.cR[bRYV[RV`N`R_VR`\ScVO_N[a TYN``Z\`NVP`V[aURb]a\d[àNaV\[`0\ZZV``V\[RQOfaUR:A.._a`S\_A_N[`Va]_\T_NZ Qb_V[TaURYNaR&&àUR`Rd\_XÙVTUYVTUaaUR`\PVNYN[QN_PUVaRPab_NYUVà\_f\SaUR[RVTUO\_U\\Q` aUR`bOdNfYV[R`R_cR`5N_YRZ·` `bOdNfàNaV\[`]_\bQYfU\àDVYYVR/V_PU·`5N_YRZAVZRYV[R&&" NaaUR "aU@a_RRaàNaV\[CV[PR[a@ZVaU·`:V[a\[·`=YNfU\b`RN[Q:\cR_`N[Q@UNXR_`&&&Na #aU@a_RRaN[Q:N_R[5N``V[TR_·`:R``NTRS_\Z:NYP\YZ&&%NaaURaU@a_RRa0R[a_NY=N_X;\_aU à\]<[R\SaURZ\àV[aR_RàV[TN[QORY\cRQ\SaUR`Rd\_X`V`b[Q\bOaRQYf3YfV[T5\ZR'5N_YRZ 5R_\R`N[Q5R_\V[R`&&#Na"aU@a_RRaNZ\`NVPZb_NYOf3NVaU?V[TT\YQZNQRdVaUN``VàN[PRS_\Z AVZANVa1R`VT[`N[QSNO_VPNaRQOf:V\aa\:\`NVP` 3NVaU?V[TT\YQdU\dNÒ\_[V[5N_YRZV[& V`N[N_aVàdU\`RYVTUaURN_aRQP\Y\_SbYd\_X³ _N[TV[TS_\ZZN`X`N[QQ\YYà\]R_S\_ZN[PRN_aa\PUVYQ_R[·Ò\\X`³ORYVR`NQRR]R[TNTRZR[adVaU aUR]\YVaVPNYN`]RPa`\SN_aZNXV[TN[QNYVSRY\[TP\ZZVaZR[aa\aURRe]Y\_NaV\[N[QRe]YVPNaV\[\S OYNPXUVà\_fN[Qd\ZR[·ÙVà\_f@URVÒRàX[\d[S\_aURà\_f^bVYa`ÙRORTN[a\ZNXRV[aUR RN_Yf&%`NP\[aV[bNaV\[\SNS\YXN_aZRQVbZV[dUVPUPURR_SbYS\_Z`PN[\OYV^bRYfP\ZZb[VPNaR `R_V\b`ZR``NTRÀUV``bOcR_`V\[\SS\_ZN[QZR``NTR]R_ZRNaRÙR_\Rbc_RS_\ZaURVP\[VP 3YfV[T5\ZRdUVPUaNXR`Va`[NZRS_\ZaURPYN``VP9V\[RY5NZ]a\[ab[RV`N]R_SRPaReNZ]YR\S ?V[TT\YQ·``VT[Nab_RSb`V\[\SP_NSaN[Q]\YVaVPÀURZb_NY`]YVaORadRR[aURb]a\d[N[QQ\d[a\d[ ]YNaS\_Z`P\[`Và`\SaR[`PR[R`ReRPbaRQV[P\Y\_SbYTYN`àVYR`\[NdUVaRONPXT_\b[Q2NPU`PR[R QR]VPa`N[VP\[VP`\PVNY\_PbYab_NYV[àVabaV\[ON`RQV[\_P\[[RPaRQa\5N_YRZ¿N[XRQOf`VT[V¾PN[a .S_VPN[.ZR_VPN[`N``\PVNaRQdVaUaUNaV[àVabaV\[\_aUR¾RYQVa_R]_R`R[a`@b__\b[QV[TRNPUcVT[RaaR V`NO\_QR_aUNa_RPNYYà_NQVaV\[NY.ZR_VPN[^bVYaV[T]NaaR_[`N[QaURQR`VT[`\S8R[aRPY\aUN[QP\[ [RPa`3YfV[T5\ZRa\?V[TT\YQ·`à\_f^bVYa`NRàURaVPNYYfN[QP\[PR]abNYYf .`bPPR``SbYSb`V\[\SaURQRP\_NaVcRN[QaURaU\bTUa]_\c\XV[T3YfV[T5\ZRV`N]VRPRaUNaPN[OR NPPR``RQ\[ZbYaV]YRYRcRYÒfcVRdR_`dVaUZbYaV]YRV[aR[a`N[QQR]aU`\SR[TNTRZR[aA\aURZ\à PN`bNYcVRdR_VaV`NPURR_SbYP\Y\_SbYSRNab_RR[YVcR[V[TaURQ_NO`bOdNf`V[dUVPU;RdF\_XR_``]R[Q `\ZbPUaVZRDVaUNOVaZ\_RP\[`VQR_NaV\[dR_RNYVgRaUNaaURd\_XV`N`NYbaRa\d\ZR[ZR[N[Q \_TN[VgNaV\[àUNaS\bTUa³N[QP\[aV[bRa\¾TUa³S\_R^bNYVafV[`\PVNYN[QPbYab_NYYVSRN[QdRTRa NYVaaYRaU_VYY\SV[`]V_NaV\[V[N[\_ZNYYfb[V[`]V_V[T`RaaV[T3YfV[T5\ZR'5N_YRZ5R_\R`N[Q5R_\V[R` RZO\QVR`?V[TT\YQ·`Z\aa\´6S<[R0N[.[f\[R0N[.YYF\b4\aaN1\6À_fµ Ð 3\_Z\_RV[S\_ZNaV\[NO\baaUR:A.._a`S\_A_N[`Va]_\T_NZ\_a\Y\\Xb]V[S\_ZNaV\[NO\baN[fd\_X\SN_aV[aUR;RdF\_X0Vaf`bOdNf `fàRZcV`VadddZaNV[S\ZaNNSa Photos: Ray Llanos Studio / Summer 2007 Demetrius Oliver / Almanac (detail) / 2006–07 / Courtesy the artist Demetrius Oliver / Almanac (detail) / 2006–07 / Courtesy the artist 63 Studio / Summer 2007 65 Studio / Summer 2007 Staff Picks Home in Harlem Pg:Wh5eW\\, Executive Assistant to the Director Ask a Museum Guard Michael Williams EVObWabVS[]abW\bS`SabW\UbVW\UOP]cbe]`YW\UOb bVSAbcRW];caSc[Being able to witness all the great black talent and being responsible for the Museum’s property. /TbS`\SO`ZgOgSO`]TQ][[cbW\Ub]bVSAbcRW];caSc[ T`][0`]]YZg\7RSQWRSRb]Z]]YT]Ò\OÔ`b[S\bW\ 6O`ZS[/aeSOZZY\]ec^b]e\`SOZSabObSUSbaV]bbS` O\RV]bbS`SdS`gROgPcbÆ\OZZg7T]c\ROU`SOb^ZOQS 7eOaa]SfQWbSRb]Sf^Z]`S[g\Se\SWUVP]`V]]RºO\R b]USb[g\SeV][SW\^S`TSQb]`RS` aWU\OUSTOzORSTÒU[S\baPW`RPObVaacPeOgaWU\aSZOP]ÒbSQOabW`]\TS\QW\UO\RbVS]QQOaW]\OZbSZS^V]\SP]]bV 3dS\T]`bV]aS]Tca\]b`S\]dObW\UOVWab]`WQP`]e\ab]\S ]ÒRRW\U]\S]TOYW\Rb]cQVSab]\SeQ]\ab`cQbW]\bVS 2S^]b]TTSàRSaWU\W\a^WÒbW]\O\RSfS[^ZWÆSaSQ]Z]UWQOZ entrepreneurship. ;gÆàbab]êOa;caVbO`W6O`ReO`S!ESab #bV Ab`SSb/TbS`S\dW]caZgeObQVW\UU`SS\bVc[PSR6O`ZS[WbSaP`]eaSbVSeWRSaSZSQbW]\]TUO`RS\ac^^ZWSa7VSORSR b]bVSÔW\baSQbW]\O\R^WQYSR]cba][SQcab][PZS\RSR 0S\XO[W\;]]`SÔW\bQ]Z]àb]S\ZWdS\[ga[OZZaÔQS EVWZSbVSg[Og\]bVOdSbVSVWUV^`]ÆZS]TQVO`[W\Ua^SQWOZbgab]`Sa]`bVSaVW\g\SeTÒ\QVWaSaW\bVS\SWUVP]`V]]R #bVAb`SSb¿a[O\gR]ZZOÒ\RRWaQ]c\bab]`SaO`S U`SOb`Sa]c`QSaT]`bV]aS]Tca]\ObWUVbPcRUSb;gbe] favorites are 2]ZZO`2S^]b!#$ESab #bVAb`SSbO\R 53;Ab]`Sa $ESab #bVAb`SSbeVS`S7^WQYSRc^ V]caSV]ZRSaaS\bWOZa»T`][ÔW\bP`caVSab]eW\SUZOaaSa T`][7bOZg»ObPOÙOW\^`WQSa /TSePZ]QYaR]e\ #bVWa<SeG]`Y1Wbg¿a[]abc\W_cS home store. 2S[]ZWbW]\2S^]b $3Oab #bVAb`SSbO\R its sister store across the street, AQV[cQY0`]a/\bW_cSa #3Oab #bVAb`SSbR]\¿baSZZQO`^Sba]`[W\WPZW\Ra 7\abSORbVSg]TTSÒaSS[W\UZgS\RZSaaaSZSQbW]\]TdW\bOUS O\R`SQgQZSRÆbbW\UaO\RTc`\WaVW\UaaOZdOUSRT`][`S\]dOtion and demolition sites across the Northeast. I admired T]c`Ç]]àQÒ[[SReWbV/`b2SQ]ZWUVbW\UÆfbc`SaaZSSY '#aPObV`]][QOPW\Sba]`\ObSDWQb]`WO\PO\WabSàQZOe T]]bbcPaabOW\SRUZOaaÔ\SZaO\ROTOPaSb]TAOO`W\S\ BcZW^QVOWà»OZZPST]`S7aSbT]]bW\bVSPOQYgO`RBVSgO`R WaO\O`QVWbSQbcÒZe]\RS`ZO\R]TUOÙ]gZSaQ][[S`QWOZ BVWaWabVS^S`TSQbbW[S]TbVSgSO`T]ÒZT`SaQ]RW\W\U Sa^SQWOZZgOTbSÒZ]\UOTbS`\]]\]TÔW\bW\UO\Rc\ÔQYW\U EVWZS[g]cbR]]àÔQSWaZW[WbSRb]bVSÆ`SSaQO^S7O[ fortunate to have some fantastic spots near my new apartment. ;Of1OTT{ $ /[abS`RO[/dS\cSWaOQ]hg[Wf ]TVWâbS`Q]TTSSaV]Ô\R7bOZWO\QOT{aS`dW\UQO^^cQQW\] Ô\W\WaOZORaPSSÒ\ReW\S/UZOaa]T^`]aSQQ]OTSe T`WS\RaO\ROaWRSeOZYbOPZST]`^S]^ZSeObQVW\U[ORST]` O`SZOfW\UP`SOY EVObR]SaWb[SO\b]g]cb]PSOaSQc`Wbg]TÆQSÒb bVSAbcRW];caSc[/aO^Sà]\P]`\O\RÒWaSRW\6O`ZS[7Æ\RbVS community to be very diverse. To me, the Museum proves that there are people producing art from and about the community through a variety of talents and expressions. 4]ÒRObSW\bVS\SWUVP]`V]]R7VSORSRb]bVS\SeSab `SabOcÒ\bW\bVSO`SOBVO\Yab]bVSPZ]UC^b]e\4ZOd]` c^b]e\ÇOd]è]`R^`SaaQ][7Y\SebVObbVS6cRa]\ @WdS`1OT{$'%ESab!!`RAb`SSbVORXcab]^S\SRW\ ESab6O`ZS[;O\VObbO\dWZZSBVS`SabOcÒ\baS`dSa SQZSQbWQ/[S`WQO\QcWaW\STSObc`W\UZ]QOZ^`]RcQSO\R acabOW\OPZgÒWaSR[SObaeVWZSbVSÔbW]PO`]TTSàc\W_cS Q]QYbOWZa\O[SRT]`6O`ZS[ZO\R[O`YaO\ROaSZSQbW]\]T local and international wines. EWbVOZZbVSbS[^bW\UT]]ROb6O`ZS[¿a[O\g`SabOcÒ\ba 7Y\]eWbeWZZPSO`SOZQVOZZS\USb]aOdS[]\SgPgSObW\UOb V][S4]`bc\ObSZg7QO\USbZ]QOZ^`]RcQSObbVS6O`ZS[ @S\OWaaO\QS4O`[Sà¿;O`YSb BcSaROga&O[b]"^[ T`][8cZg"b]<]dS[PS`"]\bVS>ZOhOObbVS/RO[ 1ZOgb]\>]eSZZAbObS=TÆQS0cWZRW\U$!ESab #bVAb`SSb O\Rab]QYc^]\abO^ZSaPOYSRU]]RaO\RU]c`[SbWbS[a at the 4OWèOg ! &BeSZTbV/dS\cSÐ EVObVOaPSS\g]c`TOd]`WbSSfVWPWbW]\ObbVS AbcRW];caSc[It’s hard for me to say, but I do appreciate how the Museum galleries transform from one exhibition to another. 67 Development News Luncheon April 20, 2007 Photos: @Og:ZO\]a =c`ÆàbO\\cOZA^`W\U0S\SÆb:c\QVS]\VSZR]\4`WROg /^`WZ %ObbVS;O\RO`W\=`WS\bOZ6]bSZW\<Se G]`YeOaOa[OaVW\UacQQSaa3dS`g]\SQO[S]cbW\ bVSWà^`W\UÆ\S`gO\RS\X]gSRORSZWUVbTcZOTbS`\]]\ bVObTSObc`SRObV`WZZW\UTOaVW]\aV]ePgb]^RSaWU\S` BÒQg@SSaSBVSAbcRW];caSc[W\6O`ZS[ÔWRb`WPcbS b]aSdSÒZV]\]`SSa( $>cZWbhS`>`WhSeW\\S`@]PW\ 5WdVO\ZSORW\UQ]\bS[^]Ò`gO`bWab:]`\OAW[â]\O\R TOaVW]\RSaWU\S`BÒQg@SSaSSOQV]TeV][VOdSU`SObZg contributed to African-American art and culture. To top ]TTbVSZ]dSZgOTbS`\]]\SOQVUcSab`SQSWdSRbVSUWTb]TO PSOcbWTcZaQO`TRSaWU\SRPgBÒQg@SSaSBVS^`]QSSRa T`][bVWaSdS\beWZZPS\SÆbbVS;caSc[¿aSRcQObW]\O\R ^cPZWQ^`]UÒ[aÐ Premiere Table 2SPÒ::SS03B<Sbe]`Y 2`/[SZWO=Uc\ZSaW Ann Tenenbaum Kathryn C. Chenault 1O`]ZAcbb]\:SeWa Benefactor Altria Group, Inc. 5OgZS>S`YW\a/bYW\a 0O`\Sga<SeG]`Y Amy Cappellazzo @OQ_cSZ1VSd`S[]\b0OgZ]` DS`]\WQO1VO[PSà Deborah Chatman ;OZOOY1][^b]\@]QY ;OÙO`Sbb1]]^S` >SUUg1]]^S`2OdWa The Corcoran Group :W\RO42OWbh BVS3ab{S:OcRS`1][Ô\WSa7\Q ;c\O3Z4Wbc`W AcaO\4OZSa6WZZ 5ZO[]c`;OUOhW\S Carla Harris Joyce K. Haupt :SV[O\\;Oc^W\ B]\gO:SeWa:SS 1V`WabW\OA<:SeWa 1ObWS;O``]\ 1`gabOZ;Q1Ò`g 1SZWO;Q5SS Portia E. Paterson :WaO>S``g 6]ZZg>VWZZWâ;2 Kim Powell 3`WQO@SWR ;O`WS1V`Wab[Oa@V]\S 8SO\\S@]VObg\ :SaZWS:SeWaAe]`R Alice Tisch ;S``gZ6BWaQV Teri Trotter Saundra Williams-Cornwell DS`]\WQOESPP Patron BS`W/UW\a >SU/Zab]\ /`WSZ1O^WbOZ;O\OUS[S\b7\Q =[^ÒYOaV0ObVSXO 8S[W\O@0S`\O`R AVOc\20WUUSà/ZZSg\S 0Z]][W\UROZS¿a Stefania Bortolami Suzanne Boyd Juanita Britton Alicia Bythewood >SUUg1]]^S`1OT`Wbh /U\Sa1O[[]QY 4OWbV6O[^b]\1VWZRa Pippa Cohen /[g4W\S1]ZZW\a ES\Rg;1`][eSZZ Norma Jean Darden :g\\2OdS\^]`b 2Oe\:OhSbbS2OdWa /\USZOA[WbV2][hOZ AW[O4O[WZO\b AOÒ4Wbh[Oc`WQS Barbara Gladstone Charlynn Goins Cristina Grajales Bethann Hardison Hallie S. Hobson :OBO\gO@WQVO`Ra]\8OQYa]\ Julie Jones <O\Qg::O\S AcYW:Oà]\ 3dWS:Oa`g :]WRO<WQ]ZOa:SeWa 4Z]`S\QS:g\QV 7`WaH;O`RS\ DWdW]\S;OàVOZZ AbS^VO\WO;Q1ZS\\S\ 5W\US`;Q9\WUVb1VOdSà 8S\\WTS`;QAeSS\Sg /ZWQWO6OZZ;]Ò\ ;O`bVO:<Seb]\ Edris E. Nicholls AchO\\S:@O\R]Z^V BÒQg@SSaS Gd]\\S2]UUSbb@VSO 2SP]ÒV@]PS`ba /cab`WO1@]R`WUcShDWQYSà 0Sbag@]aa :WaOAQVWTT :OcÒAY]ZS` ;WQVSZA[OZZSg Sophie Crichton Stuart Jane Sutherland <WQ]ZODOaaSZZ 4OgSEObbZSb]\ Contributor AVSZZSg4]f/O`]\a DWQYg/aaSdS`] ;SZdO0cQYaPOc[ Joanne Cassullo Clementine 8cRWbV;2OdS\^]`b Deborah Dean 5ÒQS6WUVb]eS`2S<W`] 4Ò\QSa2Wbb[S` /\\S3V`S\YÒ\h :OcÒ;WQVOZQVgaVg\ <O\Qg<SUZSg 0`]]YS<SWRWQV Eileen Harris Norton :]eS`gAb]YSaAW[a Sharon Gurman Socol ;SZWaaOA]`]a Joanne Stern :]`\OAW[â]\ ;Oc`SS\EVWbS ;O`dO5`WTÆ\EWZaVW`S BVSAbcRW];caSc[W\ 6O`ZS[e]cZRZWYSb]bOYS bVWa]^^]`bc\Wbgb]bVO\Y bVST]ZZ]eW\U^S]^ZST]`bVSW` ac^^]`bW\[OYW\UbVWaSdS\b ^]aaWPZS( <]SZ6O\YW\]T;]~b6S\ \SaaSgCA/T]ÙÒQW]caZg Q]\b`WPcbW\UQVO[ÔU\S BÒQg@SSaS=[0ObVSXO 0`WO\A]ZWaO\R:Oc`WaO B`cS[^S`]TB@2SaWU\a7\Q T]ÒZZ]TbVSWÙS\S`]aWbgO\R ac^^]`bW\QZcRW\UbVSR]\O bW]\]TQcab][RSaWU\SR aQO`dSaT]`SOQVUcSab Studio / Summer 2007 69 Development News 1]\bS[^]Ò`g4`WS\Ra0S\SÆb May 9, 2007 EVObO\O[OhW\USdS\W\UBV`SSVc\R`SRac^^]`bSà O\RT`WS\RaRO\QSRO\RQSZSPÒbSRbVSAbcRW];caSc[ Ob6cRa]\0O`BVSSdS\W\UÒWaSR#T]`bVS ;caSc[¿aSRcQObW]\O\R^cPZWQ^`]UÒ[aESbVO\Y Morgans Hotel GroupT]à^]\a]`W\UbVSSdS\bÐ Photos: @Og:ZO\]a Development News Supporters 2006–07 Studio / Summer 2007 Photo: Ray Llanos The Board of Trustees and Director of The Studio Museum in Harlem extend deep gratitude to the donors who supported the Museum from June 15, 2006, to June 15, 2007. Ð 1]\bS[^]Ò`g4`WS\RaWaORg\O[WQZSORSàVWÛ`]c^]Tg]c\U^`]TSa aW]\OZabVObWaQ][[WbbSRb]ac^^]`bW\UBVSAbcRW];caSc[W\6O`ZS[ OabVS^`SS[W\S\bdS\cST]è]`YaPgO`bWaba]T/T`WQO\RSaQS\b BV`]cUV[S[PSàVW^RcSaO\R`SdS\cSaT`][WbaO\\cOZ0S\SÆb 1]\bS[^]Ò`g4`WS\RaRW`SQbZgac^^]`babVS;caSc[¿aSRcQObW]\O\R ^cPZWQ^`]UÒ[a7\`Sbc`\T]`bVSWàc^^]`b[S[PSà]TbVS1]\bS[ ^]Ò`g4`WS\Ra`SQSWdSOZZ]TbVSPS\SÆba]T7\RWdWRcOZ;S[PSàVW^ ^ZcaO\SfQZcaWdS^`]UÒ[]TOQbWdWbWSaO\Ra^SQWOZSdS\baW\QZcRW\U ^`WdObSOTbS`V]cà[caSc[bOZYaO\RdWSeW\UaOaeSZZOaUcWRSRb]cà ]TUOZZS`WSaO\RO`bWaba¿abcRW]a 4]`[]`SW\T]`[ObW]\]\1]\bS[^]Ò`g4`WS\Ra^ZSOaSQ]\bOQbbVS ;S[PSàVW^=TÆQSOb &$""#f Supporters (June 15, 2006–June 15, 2007) $500,000 & above The New York City Department of Cultural Affairs $100,000 to $499,999 Carnegie Corporation of New York Council Member Inez E. Dickens 9th CD Speaker Christine Quinn and the New York City Council The Joyce Alexander Wein Artist Prize New York State Council on the Arts The Peter Jay Sharp Foundation $50,000 to $99,999 Altria Group, Inc. American Center Foundation Bloomberg Kathryn C. & Kenneth Chenault Peggy Cooper Davis & Gordon J. Davis/LeBoeuf, Lamb, Greene & MacRae Anne & Joel Ehrenkranz Horace W. Goldsmith Foundation Carol Sutton Lewis & William M. Lewis Jr. Raymond J. McGuire Susan & Donald Newhouse The Starr Foundation Ann Tenenbaum & Thomas H. Lee Time Warner, Inc. Wachovia $25,000 to $49,999 Anonymous Advent Capital Management, LLC Gayle Perkins Atkins & Charles Atkins Debra L. Lee/ BET Network Bloomingdale’s Citigroup Foundation Elaine Dannheisser Foundation Mitzi & Warren Eisenberg Estate of Bobby Short The Estee Lauder Companies, Inc. Fellows of Contemporary Art Alphonse Fletcher Jr./ Fletcher Asset Management, Inc. Goldman, Sachs & Co. Dr. Lisa Grain & David J. Grain Joseph & Niki Gregory Agnes Gund & Daniel Shapiro Hess Foundation, Inc. JP Morgan Chase Lehman Brothers Merrill Lynch MetLife Foundation Rodney M. Miller The New York Community Trust The Nimoy Foundation The Norman & Rosita Winston Foundation Eileen Harris Norton Pepsi Cola North America >ÆhS`7\Q Pierre & Maria Gaetana Matisse Foundation The Scherman Foundation Morgan Stanley Alice & Tom Tisch Reginald Van Lee/ Booz-Allen & Hamilton Inc Wallace Special Projects Fund at Community Funds, Inc. on behalf of an anonymous donor in honor of Lelia Allen and Dolores Williams. Verizon $10,000 to $24,999 The AJ Perella Foundation Apollo Real Estate Advisors, LP Audain Foundation for Visual Arts Avon Products, Inc. Black Enterprise Patrick A. Bradford Melva Bucksbaum & Raymond Learsy The Center for Arts Education 1WbW¡`]c^5Z]POZ;O`YSba7\Q ConEdison The Cowles Charitable Trust Credit Suisse Estate of Irene Wheeler The Greenwall Foundation Kathy & Richard S. 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Simpson ;`;à8]V\BBV][â]\ BWTTO\g1] B]Pg2:SeWa>VWZO\bV`]^WQ4c\R of the Jewish Community 4SRSÒbW]\]T1ZSdSZO\R University of British Columbia EO`\S`;caWQ5`]cÂS`dWQSa ;`;à5`SUEVWbS $5,000 to $9,999 Anonymous /[S`WQO\3f^`Saa1][Ô\g >VWZO\bV`]^WQ>`]UÒ[ Arts Intern 6SZS\O0O`_cSb 1]`Sg;0OgZ]` @OQ_cSZ1VSd`S[]\b0OgZ]` Patricia Blanchet 5WcZWO50]ÙVSaS 1O`dS`4SRSÒZAOdW\Ua0O\Y Claudia Cohen Pippa Cohen BVS1]ZZSUS]T<Se@]QVSZZS ;`;à:O``g2OWa B`]g2Wf]\ @SPSQQO;O`bW\3WaS\PSÙ AYW^4W\ZSg 4Ò\YTc`b9c`\Wb9ZSW\ASZh>1 53;ObQVW\U5WTba>`]UÒ[ Gladstone Gallery, Inc. VOZZSgYVO``WaPcÙ;WQVOSZ @]aS\TSZR /ZZS\;6O`dSg1>/ 8]gQS7Ò6Oc^b77 9SdW\8]V\a]\9O`S\8S\YW\a Johnson 8]V\a]\>cPZWaVW\U1][Ô\g ;OZOWYO/8]\Sa DS`\]\8]`RO\8` Pamela J. 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Harper :WaO:6O``Wa Thomas A. Harris Jr. Jessica B. Harris Shellie Hart ASg[]c`16SQY :WaO6SW\0]PAS\U Candace Hines ;OZWYO6W\Ya]\ @V]\O6]TT[O\ Dolores Holder ;`;à7èW\86]Z[Sa ;WQVSZZS6]`R 8OQ_cSZW\S<6]eSZZ Studio / Summer 2007 Pamela Huff 3ZSO\]`26cUVSa /\USZO6c`RZS 70;1]`^]ÒbW]\;ObQVW\U 5Ò\ba>`]UÒ[ ;`;à4`SRRWS8O[Sa8` BÒQSg0`]e\8O[Sa Kendall James @WQVO`R8O``Sbb 0O``g8O`chSZaYW Dr. Christopher A. Johnson 6SZS\S8]V\a]\2]`]bVgESab 4]c\RObW]\4]`/`bWabaW\<SSR ;WQVSZZS8]V\a]\ Carolyn Jones 8O\WQS;8]\Sa ;O`bVO;8]\Sa ;SZO\WS8]\Sa @Og[]\R8]\Sa 4Ò\QW\S39SZZg EO\RO9S[^9W\U6cPS`b9W\U 1VSYSaVO9WRR B]\W9W\U Aishetu Kolo 9VO`g:OhO``SEVWbS ;SZWaaO:SS 0`WO\:STbeWQV 6]\;à>WS``S<:SdOZ BO\gO1:SeWa /\ReSZS:SeWa 8]aS^V:SeWa 1VO`WaaS@:WZZWS 3c\WQS:W`WO\] B]gO:WdS`^]]Z BV][Oa:]^Sh>WS``S :SaZWS/:]eS`g 5ZS\\:]e`g 9SZZg;OQ<SOZ :O``g;O\USZ AVO\\]\;O\WUOcZb ;`;à@]PS`b;O`Qca ;`;à:W]\SZ6;O`bW\Sh 1OaaO\RÒ/;ObbVSea 8S\\WTS`;ObbVSea BV][Oa:;Q5WZZ8` 2]`]bVg8;Q5WZZ0]c\Ra 9O`S\;Q5WZZ:Oea]\ 2]cUZOa3;Q7\b]aV 2`2O[WS\;Q9\WUVb @WbbO;Q:OcUVZW\ 9g\Oab]\;QAVW\S A^S\QS`;SO\a ;]\WQO;SVbO BVS;S`QY1][Ô\g4]c\RObW]\ >Ob`WQY;WQVSZ 7R`Wa;WU\]bb /Z[O@;WZZS` ;O`Y;WZZa 9O`S\3;WbQVSZZ BÒQW;WbQVSZZ8]\Sa ;g`\O3;]``Wa ;`;à8]SZ;]bZSg ;SZdW\;c``g <O\Qg0`]e\<SUZSg Denise Nelson Shani Nembhard 73 @]PS`b1<Seb]\ Doris Nicholson :WaO<]`[O\ /ZSfO\RS`6<]`[O\ 2`/RS[]ZO=ZcUPST]ZO =PW\\O/=\gSOU]`] =[O`=bWSYc;]\WQO=bWSYc ;`;àEWZZWO[@>O`Wa 1V`gabOZ>O`YS` Phillipe Paul ;O`_cWbO8>]]Z3QYS`b 9\cb3QYS`b Sean Porter Nancy D. Portnoy DeWayne A. Powell :S]\O`R6>bOaQV\WY 3`WQO@SSR @]PS`b:@STTYW\ BS`S\QS@WZSg 4Ò\QSaQO@W]a >SbÒ@WdWS`S 9S\\SbV@]PS`ba 8OQ_cSZW\S/@]PS`ba @SUW\OZR@]PS`ba ;`;à@WQVO`R@]]P /\bV]\gE@cTT Steve Sallion Alenia Sammy Carole Seidelman Olaitan B. Senbanjo Dr. William Seraile Kenneth Shaltz Joan H. Shapiro 3ZhO@AVO`^S Charmaine Shelton @WQVO`RAV`]âVW`S ;`;àAQ]bbAW[â]\ Charles Sims ;`;àDW\QS\bA[WbV ;O`g/ZWQSA[WbV 1]ZZSbbSDA[WbV Peter Som :WaOA]]R]] :]`SbbOA]e Bryan Stair 8]O\\S;AbS`\ ;`;à5S]TT`SgAbS`\ ;`;à@]\OZR:AbSeO`b Tara Styles ;`;àEWZZWO[Abg`]\ Clara D. Sujo Patricia A. Sullivan Candice Taylor Charmae Theisz Artie Thompson 2S``WQYBV][â]\ A2¿/\USZ]BV][â]\ Sharon A. Thompson Christine Todd @OTSB]bS\UQ] 8OQ_cSZW\SBcUUZS <WQ]ZSDOZS\bW\S 2`GOSZDO`\OR]@V]RSa /\QgDS`RWS`22A /gO\\ODWQb]`W\ Omar Wasow BV][Oa8EOba]\4]c\RObW]\ 2`;à/`\]ZRESPP BWO\O;ESPP3dO\a5cYO3dO\a 0`WO\ESRRW\Ub]\ ;`;à8]V\1EVWbS ;`;à2O\WSZ@EWUcb]e Sybil Williams @]PW\@EWZZWO[a Tatia Williams ;O`gEWZa]\ 4Ò\QWZZSEWZa]\ 2OdWREEgQY]TT Cesar Hidalgo / En Sof 01 / 2007 BVSAbcRW];caSc[W\6O`ZS[[OYSaSdS`gSTT]`bb]S\ac`SbVSOQQcÒQg]TWba ZWaba]Tac^^]`bSà7Tg]c`\O[SWa\]bZWabSROag]c^`STS`]`WTg]cPSZWSdSbVOb g]c`\O[SVOaPSS\][WbbSR^ZSOaSZSbcaY\]ePgQ]\bOQbW\UbVSRSdSZ]^[S\b ]TÆQSOb &$""#f ]`[S[PSàVW^.abcRW][caSc[]Ù Studio / Summer 2007 Development News Art Acquisition Gifts The Museum thanks the following patrons, who have made gifts of works of art from 2005 to June 15, 2007, that enhance the collection for the enjoyment of this and future generations. 2005 Anonymous Donor 8cRWO0ZOQY @S\O0Ò\abS\ Kathryn Chenault H]~8]SZ2WQb`]e @SPSQQO;O`bW\3WaS\PSÙ ;SaQVO5OPO 7aQO5`SS\ÆSZRAO\RSàASPOabWO\ 0ZO\QY 5OWZ9\]f 2OdS;Q9S\hWS 8S\\WTS`;QAeSS\Sg ;W[W8]aS^V>]aS` Deborah Willis 2006 @]ZO\R9ObVZSS\/cUcabW\S 1]`Sg@OQ_cSZ1VSd`S[]\b0OgZ]` Dawoud Bey AbS^VS\A]\gO0ZOYS Kathryn Chenault >`WaQWZZO1c\\W\UVO[ ES\Rg2S1OÒdO:OcÒ2S1OÒdO /\\S3V`S\YÒ\h /\\S3V`S\YÒ\hW\V]\]`]T<O\Qg ::O\S @SPSQQO;O`bW\3WaS\PSÙ 6S`PS`b5S\b`gPS_cSab Alvin Hall Eileen Harris Norton ;]\W_cS9\]eZb]\ 8cZWS;SV`Sbc Adam Pendleton @]PS`baBWZb]\ Barbara Karp Shuster 2007 Anonymous Donor 9WYO0]ÙVSaS /\\S3V`S\YÒ\h David Alan Grier Alvin Hall <O\Qg::O\S 0`WRUSb;]]`S 8S`][S3ZZS\AbS`\ 6O\YEWZZWaBV][Oa 8OQYAVOW\[O\ Museum Store The titles on your bookshelves and the objects in your home help describe who you are—what is most important and relevant to you in this world. While each person’s collection is distinct and personal, we’ve assembled here a diverse, beautiful and handy mix of books and items available in the Studio Museum Store. 01 02 05 03 06 8]W\ca online! 07 ¼G]cR]\¿bQOZZg]cR]\¿be`WbS³½ and we love hearing your reactions to exhibitions, projects and events. Drop us a line with suggestions or comments. This visitor sent us a postcard all the way from Japan! 01 David Adjaye: Houses by Peter Allison Item#&" Price!"'# Member '% 02 David Adjaye: Making Public Buildings by Peter Allison Item#&!& Price# Member(" # 03 Furniture+Architecture by Edwin Heathcote Item#&&# Price$ Member# 04 Architecture CountsPg;WQVOSZ81`]aPWSO\RAbSdS@]aS\bVOZ Item#"" ! Price''# Member&"% 05 Architecture ShapesPg;WQVOSZ81`]aPWSO\RAbSdS@]aS\bVOZ Item#"" Price''# Member&"$ 06 British Built: UK Architecture’s Rising GenerationPg:cQg0cZZWdO\b Item#1][W\UA]]\ Price"# Member!& # 07 Forever HarlemPg:Z]gREWZZO[a Item#&%# Price ''# Member #"$ gSO` renewal UWTb < / ; 3= 4; 3; 0 3@ A 6 7 >6 = : 2 3@ < / ; 3= 4/ 2 2 7 B7 = < / :; 3; 0 3@ 4/ ; 7 :G >/ @B < 3@:3 D 3:; 3; 0 3@ A/ < 2/ 0 =D 3 BVS;S[PSàVW^2SÔ`b[S\bWaRSZWUVbSR b]ZSbg]cY\]ebVObBVSAbcRW];caSc[W\ Harlem’s website now includes the ability to X]W\bVS;caSc[]``S\Seg]c`[S[PSàVW^ eWbVOQ`SRWbQO`R]\ZW\SCaW\Ug]c`/[S`WQO\ 3f^`Saa2WaQ]dS`;OabS`1O`R]`DWaOg]c QO\\]eaOTSZgO\R_cWQYZgX]W\O\RPSS\bWbZSR b]OV]ab]T[S[PSàVW^PS\SÆba»W\QZcRW\U T`SSOR[WaaW]\;caSc[ab]`SRWaQ]c\ba O\R[]`S»eVWZSZS\RW\UQ`WbWQOZac^^]`b b]bVS;caSc[O\RWba^`]UÒ[aDWaWb]c` [S[PSàVW^ÔUSObwww.studiomuseum. org/membership and see just how easy it is. 04 Yes! I want to be a member of The Studio Museum in Harlem. / 2 2 @ 3A A 1 7 B G A B/B 3 E= @ 9>6 = < 3 6 = ; 3>6 = < 3 H7 > 3; / 7 :/ 2 2 @ 3A A >ZSOaSR]\]b[OYS[g\O[SORR`SaaO\R]bVS`W\T]`[ObW]\ available to third-party providers. Special Membership Groups 2W`SQb]`¿a1W`QZS # 1cÒb]`¿a1W`QZS# Contemporary Friends 1]c^ZS! 7\RWdWRcOZ General Membership Groups 0S\STOQb]` 2]\]`# /aa]QWObS # Ac^^]`bS` 4O[WZg>O`b\S`%# 7\RWdWRcOZ# AbcRS\b AS\W]` Payment Method 7VOdSS\QZ]aSR[gQVSQY [OYSQVSQYÔgOPZSb]BVSAbcRW];caSc[W\6O`ZS[ >ZSOaSPWZZ[g( American 3f^`Saa ;OabS`1O`R DWaO < / ; 3= 41 / @ 2 6 = : 2 3@ / 2 2 @ 3A A 01 02 03 04 1 7 B G A B/B 3 E= @ 9>6 = < 3 6 = ; 3>6 = < 3 1 / @ 2< C ; 0 3@ 3 F >2/B 3 H7 > A 7 5 < /B C @ 3 05 06 07 01 Mother of Pearl NecklacePg:SOV0S\RSVO[ Item#" & Price" Member' 02 Adinka Charm Bracelet by Amanne Collection Item#1][W\UA]]\ Price # Member # 03 Adinka Charms by Amanne Collection Item#1][W\UA]]\ Price! Member ## 04 Black is Beautiful T-ShirtsPgBVSAbcRW];caSc[W\6O`ZS[ Item# %$ %$% Price # Member # 05 Laid Back Pillows by Tina Shoulders Item#"!#' Price" Member!" 06 Spin The Bottle GamePg9WYYS`ZO\R Item#&$$ Price& Member$& 07 Sandy Baker WatchesPgAO\Rg0OYS` Item#"!%& Price ! Member'## 08 Ze CarPg9WYYS`ZO\R Item##' Price$ Member# 08 Did you know you can join online at www.studiomuseum.org/membership? Thank you for your support and welcome to The Studio Museum in Harlem!BVSAbcRW];caSc[W\6O`ZS[]TTSàbVSPSabeOg b]Sf^Z]`SPZOQYQcZbc`SO\RbVSZObSabb`S\RaW\Q]\bS[^]Ò`gO`b From the Director Group Membership Special Membership Groups Visitor Information 4`][bVSPcabZW\UaWRSeOZYa]T bVSW`RWdSàS[SRWOO\R^Sà^SQ #bVAb`SSbb]bVSW\bSZZSQbcOZ bWdSa]\Q]\bS[^]Ò`gQcZbc`S S\dW`]\[S\b]TbVS`SQS\bZg W\b]bVSUOZZS`WSa/\ROaOZeOga Individual $50 Address `S\]dObSRAQV][PcÙ1S\bS`T]` the Harlem Postcards]TTSÒ 4cZZgbOfRSRcQbWPZS ""E #bVAb 4`SSOR[WaaW]\T]`]\S @SaSO`QVW\0ZOQY1cZbc`SOeOZY ;S[PSà]TbVS2W`SQb]`¿a1W`QZSO\RT`SaVZ]]YObSdS`gROg]\]c` #RWaQ]c\b]\OZZ[caSc[ab]`S <SeG]`Y<G 1cÒb]`¿a1W`QZSO`SbVSVWUVSabZSdSZ]T bV`]cUV6O`ZS[`SdSOZaO`WQVVWa ab`SSba purchases. 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Supporter $100 • Advance announcement of special AOZdOR]`=ÒÒ]TBVS;O^=TÆQS bW]\David Adjaye: Making Public bÒQS6O`ZS[¿aOSabVSbWQO\R Membership Info &#bOfRSRcQbWPZS bÒdSZ^`]UÒ[a]ÙO\WhSRPgA;6 BuildingsbVWaWaacSSf^Z]`Sa bVSRSaWU\abcRW]eV]aSTO\bOabWQ &$""#f /ZZbVS^`SQSRW\UPS\SÆba^Zca( QcZbcÒZSd]ZcbW]\bVSVWUVaQV]]Z 7\dWbObW]\ab]c\W_cSSdS\baT]` e]`YVOaPSS\O\SaaS\bWOZÔ`b =\SQ][^ZW[S\bO`gbWQYSbb]O\ Ô`bWQWÔ\baW\]cÈxpanding Director’s Circle only. 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Pcb^cPZWaVSReWbV]cb`Sa^]\ W\Q`SOaSg]cÙWTbb]BVSAbcRW];caWPWZWbgT]`S``]à]`][WaaW]\a 4`SSOR[WaaW]\T]`]\S BVWaWaacS]TAbcRW]Wac\RSè`WbbS\W\Ô`beWbVac^^]`bT`][0Z]][PSÙ aSc[W\6O`ZS[PgaW[^Zg`S_cSabW\UO AbcRW]Oaac[Sa\]`Sa^]\aWPWZ #RWaQ]c\b]\OZZ[caSc[ab]`S [ObQVW\UUWTb^`]UÒ[T]`[T`][g]c` WbgT]`c\a]ZWQWbSR[O\caQ`W^ba]` purchases. employer. ^V]b]UÒ^Va/ZZ`WUVbaW\QZcR ;S[PSà]\ZgRWaQ]c\b W\UbÒ\aZObW]\W\b]]bVS`ZO\U aV]^^W\UROga cOUSa`SaS`dSRPgbVS^cP 4]ÙWTba]Tab]QY]`]bVS`Q]\b`WPcbW]\a ;S[PSàRWaQ]c\b]\aSZSQbSRcQOZWaVS`<]bVW\UW\bVWa^cPZWQObW]\ ^ZSOaSQOZZbVS2SdSZ]^[S\b=TÆQSOb =^SÒbW]\]TBVSAbcRW];caSc[W\6O`ZS[Waac^^]`bSRW\Ô`beWbV^cPZWQTc\Ra Thelma’s photo / AbcRW]Wa^cPZWaVSRbV`SSbW[SaOgSO`PgBVSAbcRW];caSc[W\6O`ZS[ [OgPS`S^`]RcQSReWbV]cbbVS bW]\O\R^cPZWQ^`]UÒ[a ^`]dWRSRPgBVS<SeG]`Y1Wbg2SÔ`b[S\b]T1cZbcÒZ/TTOWà1]c\QWZ;S[PS` BW[]bVg5`SS\ÆSZRAO\RSà &$""#f ! ""E #bVAb<SeG]`Y<G %1]^g`WUVb %AbcRW];OUOhW\S ^S`[WaaW]\]TbVS^cPZWaVS` 7\dWbObW]\ab]]^S\W\U`SQS^bW]\ 7\Sh32WQYS\a'bV12A^SOYS`1V`WabW\S?cW\\bVS<SeG]`Y1Wbg1]c\QWZ All material is compiled from sources believed to beemail reliable, but to Please comments ]TSfVWPWbW]\a Cover Image2OdWR/RXOgS /aaS[PZg[O\9SWbV:BE`WUVb%bV/2O\R<SeG]`YAbObS1]c\QWZ]\bVS/`ba published without responsibility for errors orpr@studiomuseum.org. omissions. Studio assumes accompanied by a member. OabObSOUS\Qg 2007 / 1]c`bSag/RXOgS/aa]QWObSa \]`Sa^]\aWPWZWbgT]`c\a]ZWQWbSR[O\caQ`W^ba]`^V]b]UÒ^Va/ZZ`WUVba W\QZcRW\UbÒ\aZObW]\W\b]]bVS`ZO\UcOUSaO`S`SaS`dSRPgbVS^cPZWaVS` <]bVW\UW\bVWa^cPZWQObW]\[OgPS`S^`]RcQSReWbV]cbbVS^S`[WaaW]\ of the publisher. James VanDerZee>]`bÒWb]TO;O\6]ZRW\UO1O\S'! 1]c`bSag2]\\O;caaS\RS\DO\2S`HSS

2SaW¡\ Issue - The Studio Museum in Harlem

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