The Texas Education Agency’s Lighthouse Initiative for English/Language Arts Classrooms Texas Essential Knowledge and Skills (TEKS) and the Advanced Placement Program* Welcome to the revised Lighthouse Initiative for English/Language Arts Classrooms. This guide provides several useful tools for helping Texas English/Language Arts and Reading teachers connect the Texas Essential Knowledge and Skills (TEKS) and Pre-AP* and AP* curricular objectives. The purpose of the guide is to help educators incorporate strategies into their teaching that will prepare their students for success in advanced English courses in high school and beyond. Examples of these tools include the following: middle school and high school TEKS and AP alignment charts;** classroom strategies; and sample lessons grades 6–12. Table of Contents All students, whether they are in regular classrooms or in AP classrooms, deserve the same kind of reading and writing excellence. –Sharon Kingston, original committee member PDF of All Site Documents Please note: This Web site was updated in fall 2006. [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 1 Table of Contents Welcome Foreword—Texas Education Agency Dear Reader—A Word from the Revision Committee Chairperson Introduction Contributors Copyright Notice The TEKS and AP*: Alignment of Curricular Objectives** Middle School TEKS and AP* Alignment Chart High School TEKS and AP* Alignment Chart Classroom Strategies Lessons Texts and Visual Abraham Lincoln’s Second Inaugural Address Alphonse Daudet’s "The Last Lesson" Armed Conflicts, 1990–2004 Sample Lessons for Grades 6–12 Grade 6-The Building Blocks of Annotation Grade 7-The Search for Common Ground Grade 8-Deriving Author’s Purpose Grade 9-The Power of Language Grade 10-Reading, and Thinking, and Annotating…Oh My! Grade 11-Critical Thinking: Synthesizing Ideas and Information Grade 12-The Movement of Ideas [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 2 Welcome Foreword—Texas Education Agency Dear Reader—A Word from the Revision Committee Chairperson Introduction Contributors Copyright Notice Use this resource as it best fits your own environment and teaching philosophy. New teachers may find it to be a road map for excellence that will guide their search for effective teaching practices. Teachers in mid-career may find it both a validation of their current teaching practices and a spur to further instructional creativity. Master teachers will be able to add their own valuable strategies and objectives to those contained in this volume. -Lynne Hagar Weber, original committee chairperson [printer-friendly] ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 3 Foreword In 2001, the Texas Education Agency brought together a group of experienced and highly respected English/Language Arts and Reading teachers to develop a guide for educators in grades six through twelve that would facilitate an understanding of the alignment between the Texas Essential Knowledge and Skills (TEKS) and the Advanced Placement Program* (AP)* curriculum. Their work became the first Lighthouse guide—The Advanced Placement Program* and the TEKS: A Lighthouse Initiative for Texas Language Arts Classrooms. This exceptional group of authoring teachers chose the lighthouse metaphor to guide their efforts, explaining that the TEKS provided a firm foundation for teaching a challenging framework of Pre-AP* and AP strategies. The guide was intended to serve as a beacon lighting the way for teachers in the integration of TEKS and AP teaching and learning goals. The publication of the English/Language Arts Lighthouse guide led to the development of similar guides for mathematics, science, and social studies by committees of experienced educators in their respective fields. (These are all available free of charge to Texas educators through the TEA Lighthouse Initiative website at http://www.tealighthouse.org.) Each new guide built upon the work begun by that original group of inspired English/Language Arts and Reading teachers and included new technology, tools, and techniques. With this in mind, the Texas Education Agency sponsored a second look at the English/Language Arts guide and is pleased to present this new and updated version. Our hope is that the Lighthouse Initiative for Texas English/Language Arts Classrooms can be used to prepare more students for advanced level work in English through teaching the TEKS. Advanced Academics Unit Division of Curriculum Texas Education Agency [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 4 Dear Reader When I arrived at my first AP* Summer Institute in 1996, I never thought the content the lead consultant offered over those five days would renew how I teach English. Now, after taking several Summer Institutes, teaching Pre-AP* and AP English classes for another ten years, and becoming an endorsed College Board consultant myself, I get the chance to enact a dream: to spend lots of time with English teachers and help them renew their teaching. The feeling of satisfaction we experience while teaching our students is only surpassed by the reward of being able to offer one another instruction through mentoring, teaming, conferences, and publications like these. Working with the members of the revision committee for the Lighthouse Initiative for English/Language Arts Classrooms has been such an experience. This guide can do so much more than provide you with a day or two’s worth of activities for your students. It provides answers to the questions many teachers struggle with every day: How do I prepare my students for AP when I have to prepare for TAKS? How do I ensure my supervisors know that what goes on in my classroom is designed to teach the skills measured on the test? How do my students know that what I am teaching them will help them perform well, not only on exams, but also as they read and write for business, for college, and for pleasure? As you read and consider the entire guide, you will see how what you do each day sculpts tomorrow’s AP English student. It may also help you craft a new vision for your English/Language Arts or Reading course. The following people—long-time friends and colleagues of the revision committee members —compiled the first edition of this document in 2001, and without their original vision, this revised Lighthouse project would guide no pedagogical ships. Ronda Brandon, Advanced Placement Strategies, Inc., Dallas, TX Rosa Fonseca, Franklin High School, El Paso, TX Sharon Kingston, Coronado High School, Lubbock, TX Doris R. Sanders, Advanced Placement Strategies, Inc., Dallas, TX Becky Talk, Advanced Placement Strategies, Inc., Dallas, TX Kelly Tumy, North Shore Senior High School, Houston, TX Karen Werkenthin, Round Rock High School, Round Rock, TX Lynne Hagar Weber, St. Mark’s School of Texas, Dallas, TX Further thanks go to the following people: Tolly Patterson Salz of the Episcopal School of Dallas, who contributed the introduction to the revised guide; Tracy Laughlin of Resources for Learning, LLC, who helped coordinate the revision project; Tom Lewis of Whitewater High School in Fayetteville, Georgia; Dr. Cathleen Hannigan, independent scholar; Skip Moran of Highland Park Middle School in Dallas; Claire Mrozek of the Episcopal School of Dallas; Dr. David Southward of the University of Wisconsin-Milwaukee; and Bob Wofford of Las Cruces High School in Las Cruces, New Mexico. Jim Lindsay Revision Committee Chairperson Episcopal School of Dallas [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 5 Introduction for Texas English/Language Arts and Reading Instructors A curriculum does not consist solely of the books we teach; rather, a curriculum consists of the skills students should master and concepts students should understand, organized thoughtfully and logically in such a way that provides a scaffold for learning. In his book, Developing a Quality Curriculum, Allan Glatthorn (1994) suggests that the goal of curriculum alignment is the unity of four curricular aspects that complement one another: the written curriculum (the one that appears in the guides); the tested curriculum (the one that appears in the classroom and on standardized tests); the supported curriculum (the one that appears in textbooks and other resources); and the taught curriculum (the one that the teacher actually delivers). While the TEKS for English/Language Arts and Reading offer a framework of learning objectives, it should be the responsibility of teachers within a school—or among schools within a particular system—to define and align these objectives in a way that fosters and facilitates student growth. The Pre-AP* and AP* expectations should serve as a starting place for these curricular discussions, encouraging all teachers to begin specifying and clarifying the skills and knowledge their students need to master to achieve to their full potential. In my practice as a K-12 English/Language Arts Curriculum Coordinator for a school district in Texas, I found that when educators are active as decision makers and creators in designing the units and materials to support a curricular framework, what results is a thoughtful, creative, and relevant curriculum. And when educators across grade levels join forces, they can shape programs that clearly align skills and content and create seamless bridges between courses. A few years ago, I had the opportunity to work with teachers in grades 5-12 to identify the skills most essential to their grade levels and to demonstrate the power of the interconnectedness and vertical alignment of these skills. To illustrate the specific objectives students should learn in each grade, I asked teachers to use the same piece of literature as a basis for creating both a reading and writing lesson for their respective grade level. The result was phenomenal. Even though the teachers used the same piece of literature, the focus for each reading and writing unit was markedly different. At the same time, the lessons were meaningfully connected to those of the previous and subsequent grade levels. Teachers could see clearly that the skills students learned in eighth grade provided the foundation for the skills they would need to master in eleventh grade. As educators, one of our highest rewards is to receive students who not only are eager to learn, but also are prepared to do so. When a student has mastered essential skills of reading, writing, and critical thinking, it is usually due to teachers who, since kindergarten, have been thoughtfully and purposefully teaching those fundamental skills. I encourage you to use the materials in this guide as a framework for your own learning and understanding. May you be inspired and encouraged to work together with your colleagues to create rich teaching and learning opportunities that will serve you, your students, and your school. Tolly Patterson Salz Teacher of the Arts of the English Language, Episcopal School of Dallas [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 6 Contributors Revised version (2006) written and compiled by: Jim Lindsay, Committee Chairperson, Episcopal School of Dallas, Dallas, TX Kathy Brown, Gentry Junior School, Baytown, TX Stefanie Bush, Galena Park Independent School District, Houston, TX Sandra Coker, Westlake High School, Austin, TX Dr. Teri Marshall, Saint Mary's Hall, San Antonio, TX Drue Ann Wise, James Pace High School, Brownsville, TX Original document (2001) written and compiled by: Ronda Brandon, Advanced Placement Strategies, Inc., Dallas, TX Rosa Fonseca, Franklin High School, El Paso, TX Sharon Kingston, Coronado High School, Lubbock, TX Doris R. Sanders, Advanced Placement Strategies, Inc., Dallas, TX Becky Talk, Advanced Placement Strategies, Inc., Dallas, TX Kelly Tumy, North Shore Senior High School, Houston, TX Karen Werkenthin, Round Rock High School, Round Rock, TX Lynne Hagar Weber, St. Mark's School of Texas, Dallas, TX [printer-friendly] ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 7 Copyright Notice ©2006 by the Texas Education Agency. All rights reserved. Copyright © Notice. The Materials are copyrighted © and trademarked ™ as the property of the Texas Education Agency (TEA) and may not be reproduced without the express written permission of TEA, except under the following conditions: A. Texas public school districts, charter schools, and Education Service Centers may reproduce and use copies of the Materials and Related Materials for the districts' and schools' educational use without obtaining permission from TEA. B. Residents of the state of Texas may reproduce and use copies of the Materials and Related Materials for individual personal use only, without obtaining written permission of TEA. C. Any portion reproduced must be reproduced in its entirety and remain unedited, unaltered and unchanged in any way. D. No monetary charge can be made for the reproduced materials or any document containing them; however, a reasonable charge to cover only the cost of reproduction and distribution may be charged. Private entities or persons located in Texas that are not Texas public school districts, Texas Education Service Centers, or Texas charter schools or any entity, whether public or private, educational or non-educational, located outside the state of Texas MUST obtain written approval from TEA and will be required to enter into a license agreement that may involve the payment of a licensing fee or a royalty. Every effort has been made to credit sources. If any sources were omitted, please notify us for acknowledgements in future editions. For information contact: Office of Copyrights, Trademarks, License Agreements, and Royalties Texas Education Agency 1701 N. Congress Ave. Austin, TX 78701-1494 phone 512-463-7004 e-mail: copyrights@tea.state.tx.us [printer-friendly] ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 8 The TEKS and AP*: Alignment of Curricular Objectives The connections and common objectives between the Texas Essential Knowledge and Skills (TEKS) and the goals and expectations for AP* English Language and Composition and AP English Literature and Composition begin in the middle school grade levels. For more students to succeed in advanced English courses like AP, the foundations must be established in the lower grades. These charts illustrate the alignment between the middle and high school TEKS and AP English courses. Teachers at varying grade levels can use these charts to prepare all learners for the high expectations of both the AP English Language and Composition and AP English Literature and Composition courses. Please see the course descriptions for AP English Language and Composition and English Literature and Composition on the College Board Web site. Middle School TEKS and AP Alignment Chart** (pdf) High School TEKS and AP Alignment Chart** (pdf) Please note: The text and information provided in these charts is excerpted from the College Board and AP Central's Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download at apcentral.collegeboard.com. [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 9 Middle School TEKS Objectives and AP* Goals and Expectations Texas Essential Knowledge and Skills Grade 6 7 8 √ √ √ Advanced Placement Program** Goals and Expectations The student is expected to: b 1 Listening/speaking/ purposes (A) determine the purposes for listening such as to gain information, to solve problems, or to enjoy and appreciate; (B) eliminate barriers to effective listening; (C) understand the major ideas and supporting evidence in spoken messages; (D) listen to learn by taking notes, organizing, and summarizing spoken ideas. b 2 Listening/speaking/ critical listening (A) interpret speakers’ messages (both verbal and nonverbal), purposes, and perspectives; (B) identify and analyze a speaker’s persuasive techniques such as selling, convincing, and using propaganda; The AP English course description does not identify specific goals or expectations directly related to the listening/speaking or viewing/representing strands of the TEKS objectives. √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ (B) analyze a speaker’s persuasive techniques and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 10 Texas Essential Knowledge and Skills credibility; (C) distinguish between the speaker’s opinion and verifiable fact; (D) monitor his/her own understanding of the spoken message and seek clarification as needed; (E) compare his/her own perception of a spoken message with the perception of others; (F) evaluate a spoken message in terms of its content, credibility, and delivery. b 3 Listening/speaking/ appreciation (A) listen to proficient, fluent models of oral reading, including selections from classic and contemporary works; (B) analyze oral interpretations of literature for effects on the listener; (C) analyze the use of aesthetic language for its effects. b 4 Listening/speaking/ culture (A) connect his/her own experiences, information, insights, and ideas with the experiences of others through speaking and listening; (B) compare oral traditions across regions and cultures; (C) identify how language use such as labels and sayings reflects regions and cultures. b 5 Listening/speaking/ audiences (A) adapt spoken language such Grade 6 7 8 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Advanced Placement Program** Goals and Expectations *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 11 Texas Essential Knowledge and Skills as word choice, diction, and usage to the audience, purpose, and occasion; (B) demonstrate effective communication skills that reflect such demands as interviewing, reporting, requesting, and providing information (C) present dramatic interpretations of experiences, stories, poems, or plays to communicate; (D) generate criteria to evaluate his/her own oral presentations and the presentations of others; (E) use effective rate, volume, pitch, and tone for the audience and setting; (F) clarify and support spoken ideas with evidence, elaborations, and examples. b 6 Reading/word identification (A) apply knowledge of lettersound correspondences, language structure, and context to recognize words; (B) use structural analysis to identify root words with prefixes such as dis-, non-, in-, and suffixes such as – ness, -tion, and –able; (B) use structural analysis to identify words, including knowledge of Greek and Latin roots and prefixes/suffixes; (C) locate the meanings, pronunciations, and derivations of unfamiliar words using dictionaries, Grade 6 7 8 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Advanced Placement Program** Goals and Expectations √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 12 Texas Essential Knowledge and Skills glossaries, and other sources. b 7 Reading/fluency (A) read regularly in independent-level materials (texts in which no more than approximately 1 in 20 words is difficult for the reader); (B) read regularly in instructionallevel materials that are challenging but manageable (texts in which no more than approximately 1 in 10 words is difficult for the reader); (C) demonstrate characteristics of fluent and effective readers; (D) adjust reading rate based on purposes for reading; (E) read aloud in selected texts in ways that both reflect understanding of the text and engage the listeners; (F) read silently with increasing ease for longer periods. b 8 Reading/variety of texts (A) read classic and contemporary works; Grade 6 7 8 Advanced Placement Program** Goals and Expectations √ √ Read complex texts with understanding. √ √ √ √ √ √ √ √ √ √ √ √ √ Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. (B) select varied sources such as plays, anthologies, novels, textbooks, poetry, newspapers, manuals, and electronic texts when reading √ √ √ Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 13 Texas Essential Knowledge and Skills Grade 6 7 8 for information or pleasure; (C) read for varied purposes such as to be informed, to be entertained, to appreciate the writer’s craft, and to discover models for his/her own writing; Advanced Placement Program** Goals and Expectations from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. √ √ √ Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. (D) read to take action such as to complete forms, make informed recommendations, and write a response. b 9 Reading/vocabulary development (A) develop vocabulary by listening to selections read aloud; (B) draw on experiences to bring meaning to words in context such as interpreting idioms, multiple-meaning words, and analogies; (B) draw on experiences to bring meanings to words in context such as interpreting figurative language idioms, multiple-meaning words, and analogies; (C) use multiple reference aids, including a thesaurus, a synonym finder, a dictionary, and software, to clarify √ √ √ √ √ √ Develop a wide-ranging vocabulary used appropriately and effectively. √ Develop a wide-ranging vocabulary used appropriately and effectively. √ Develop a wide-ranging vocabulary used appropriately and effectively. √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 14 Texas Essential Knowledge and Skills meanings and usage; (D) determine meanings of derivatives by applying knowledge of the meanings of root words such as like, pay or happy and affixes such as dis-, pre-, or un-; (E) study word meanings systematically such as across curricular content areas and through current events; (F) distinguish denotative and connotative meanings; (G) use word origins as an aid to understanding historical influences on English word meanings. b 10 Reading/ comprehension (A) use his/her own knowledge and experience to comprehend; (B) establish and adjust purposes for reading such as reading to find out, to understand, to interpret, to enjoy, and to solve problems; (C) monitor his/her own comprehension and make modifications when understanding breaks down such as by rereading a portion aloud, using reference aids, searching for clues, and asking questions; (D) describe mental images that text descriptions evoke; (E) use the text’s structure or progression of ideas such as Grade Advanced Placement Program** Goals and Expectations 6 7 8 √ √ √ √ √ √ Develop a wide-ranging vocabulary used appropriately and effectively. √ √ √ Develop a wide-ranging vocabulary used appropriately and effectively. Develop a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively. √ √ √ √ √ √ √ √ √ √ √ √ Read complex texts with understanding. √ √ √ Read complex texts with understanding. √ √ √ Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Read complex texts with understanding. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 15 Texas Essential Knowledge and Skills Grade 6 7 8 cause and effect or chronology to locate and recall information; (F) determine a text’s main (or major) ideas and how those ideas are supported with details; (G) paraphrase and summarize text to recall, inform, or organize ideas; (H) draw inferences such as conclusions or generalizations and support them with text evidence and experience; (I) find similarities and differences across texts such as in treatment, scope, or organization; Advanced Placement Program** Goals and Expectations Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. √ √ √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. √ √ √ Read complex texts with understanding. √ √ √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. √ √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 16 Texas Essential Knowledge and Skills (J) distinguish fact and opinion in various texts; (K) answer different types and levels of questions such as open-ended, literal, and interpretative as well as testlike questions such as multiple choice, true-false, and short answer; (L) represent text information in different ways such as in outline, timeline, or graphic organizer; (M) use study strategies to learn and recall important ideas from texts such as preview, question, reread, and record. b 11 Reading/literary response (A) offer observations, make connections, react, speculate, interpret, and raise questions in response to texts; Grade 6 √ 7 √ 8 √ √ √ √ √ √ √ √ √ √ √ √ √ Advanced Placement Program** Goals and Expectations Read primary and secondary source material carefully, and synthesize material from these texts in student compositions. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 17 Texas Essential Knowledge and Skills (B) interpret text ideas through such varied means as journal writing, discussion, enactment, and media; Grade 6 7 8 √ √ √ Advanced Placement Program** Goals and Expectations meaning and value. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. (C) support responses by referring to relevant aspects of text and his/her own experiences; √ √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Make careful observations of textual detail. Establish connections among observations. (D) connect, compare, and contrast ideas, themes, and issues across text. √ √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read complex texts with understanding. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Make careful observations of textual detail. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 18 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. b 12 Reading/text structures/literary concepts (A) identify the purposes of different types of texts such as to inform, influence, express, or entertain; (B) recognize the distinguishing features of genres, including biography, historical fiction, informational texts, and poetry; (C) compare communication in different forms such as contrasting a dramatic performance with a print version of the same story or comparing story variants; (D) understand and identify literary terms such as playwright, theater, stage, act, dialogue, analogy, and scene across a variety of literary forms (texts); (E) understand literary forms by recognizing and √ √ √ Read complex texts with understanding. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. √ √ √ Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read complex texts with understanding. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. √ √ √ √ √ √ √ Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Develop awareness of literary tradition and the complex ways in which imaginative literature builds *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 19 Texas Essential Knowledge and Skills Grade 6 7 distinguishing among such types of text as stories, poems, myths, fables, tall tales, limericks, plays, biographies, and autobiographies; (E) understand literary forms by recognizing and distinguishing among such types of text as myths, fables, tall tales, limericks, plays, biographies, autobiographies, tragedy, and comedy; (F) analyze characters, including their traits, motivations, conflicts, point of view, relationships, and changes they undergo; 8 Advanced Placement Program** Goals and Expectations upon the ideas, works, and authors of earlier times. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. √ Underscore the commonalities and distinctive elements of evocative literary language. √ √ √ Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. (G) recognize and analyze story plot, setting and problem resolution; √ √ √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 20 Texas Essential Knowledge and Skills Grade 6 7 Advanced Placement Program** Goals and Expectations 8 • • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. (H) describe how the author’s perspective or point of view affects the text; (I) analyze ways authors organize and present ideas such as through cause/effect, compare/contrast, inductively, deductively or chronologically; √ √ √ √ √ √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. (J) recognize and interpret literary devices such as flashback, foreshadowing, and symbolism; √ √ √ Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 21 Texas Essential Knowledge and Skills Grade 6 7 Advanced Placement Program** Goals and Expectations 8 • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. (K) recognize how style, tone, and mood contribute to the effect of the text. √ √ √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Reflect on the link between grammar and style. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 22 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations elements of evocative literary language. b 13 Reading/inquiry/research (A) form and revise questions for investigations, including questions arising from readings, assignments, and units of study; (B) use text organizers, including headings, graphic features, and tables of contents, to locate and organize information; (C) use multiple sources, including electronic texts, experts, and print resources, to locate information relevant to research questions; √ √ √ √ √ √ √ √ √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read primary and secondary source material carefully, and synthesize material from these texts in student compositions. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). (D) interpret and use graphic sources of information such as maps, graphs, timelines, or tables to address research questions; √ √ √ Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 23 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Analyze images as text. (E) summarize and organize information from multiple sources by taking notes, outlining ideas, and making charts; √ √ √ Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. (F) produce research projects and reports in effective formats for various audiences; √ √ √ Establish connections among observations. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 24 Texas Essential Knowledge and Skills Grade 6 7 Advanced Placement Program** Goals and Expectations 8 • works through close reading to arrive at an understanding of their multiple meanings. Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. (G) draw conclusions from information gathered from multiple sources; √ √ √ Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Use graphics and visual images in texts published in print and electronic media and analyze how such *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 25 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). (H) use compiled information and knowledge to raise additional, unanswered questions; √ √ √ Establish connections among observations. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). (I) present organized statement, reports, and speeches using visuals or media to support meaning, as appropriate. √ √ √ Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 26 Texas Essential Knowledge and Skills b 14 Reading/culture (A) compare text events with his/her own and other readers’ experiences; Grade 6 7 8 √ √ √ Advanced Placement Program** Goals and Expectations Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. (B) determine distinctive and common characteristics of cultures through wide reading; √ √ √ Reflect on the social and historical values a work reflects and embodies. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. (C) articulate and discuss themes and connections that cross cultures. √ √ √ Reflect on the social and historical values a work reflects and embodies. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Reflect on the social and historical values a work reflects and embodies. b 15 Writing/purposes (A) write to express, discover, record, develop, reflect on ideas, and to problem solve; √ √ √ Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write in both formal and informal contexts to gain authority and learn to take risks in writing. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 27 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Write for a variety of purposes. Write thoughtfully and reflectively about composition process. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. Write to explain through the use of analysis/interpretation and brief focused analyses on aspects of language and structure. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Write to explore, discovering ideas through the process of writing about text. (B) write to influence such as to persuade, argue, and request; √ √ √ Write effectively under time constraints. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 28 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations five-paragraph essay and place emphasis on content, purpose, and audience. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Create and sustain arguments based on readings, research, and/or personal experience. Write for a variety of purposes. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. (C) write to inform such as to explain, describe, report, and narrate; √ √ √ Write effectively under time constraints. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 29 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Write for a variety of purposes. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. Write to explain through the use of analysis/interpretation and brief focused analyses on aspects of language and structure. (D) write to entertain such as to compose humorous poems or short stories; √ √ √ Write effectively under time constraints. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 30 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations and achieving appropriate emphasis through diction and sentence structure. Write for a variety of purposes. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. (E) select and use voice and style appropriate to audience and purpose; √ √ √ Write effectively under time constraints. Identify and practice writers’ strategies. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. (F) choose the appropriate form for his/her own purpose for writing, including journals, letters, editorials, reviews, poems, presentations, narratives, reports, and instructions; Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. √ √ (F) choose the appropriate form for his/her own purpose for writing such as journals, letters, editorials, reviews, poems, memoirs, narratives, and instructions; √ Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Write to understand through the use of response and reaction papers, annotation, freewriting, and reading *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 31 Texas Essential Knowledge and Skills (G) use literary devices effectively such as suspense, dialogue, and figurative language; Grade 6 7 8 √ √ √ Advanced Placement Program** Goals and Expectations journals. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Produce imitation exercises, journals, collaborative writing, and in-class responses. (H) produce cohesive and coherent written texts by organizing ideas, using effective transitions, and choosing precise wording. √ √ √ Apply effective writing strategies and techniques. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Apply effective writing strategies and techniques. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Develop and organize ideas in clear, coherent, and persuasive language. Develop a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness. b 16 Writing/penmanship/ capitalization/ punctuation/spelling (A) write legibly by selecting cursive or manuscript as appropriate; (B) capitalize and punctuate correctly to clarify and enhance meaning such as capitalizing titles, using hyphens, semicolons, colons, possessives, and sentence √ √ √ √ √ √ Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 32 Texas Essential Knowledge and Skills punctuation; (C) write with accurate spelling of syllable constructions, including closed, open, consonant before –le, and syllable boundary patterns; (C) spell derivatives correctly by applying the spellings of bases and affixes; (D) write with accurate spelling of roots such as drink, speak, read, or happy, inflections such as those that change tense or number, suffixes such as –able or –less, and prefixes such as re- or un-; (D) spell frequently misspelled words correctly such as their, they’re, and there; (E) use resources to find correct spellings; (F) spell accurately in final drafts; (G) understand the influence of other languages and cultures on the spelling of English words. b 17 Writing/grammar/usage (A) use regular and irregular plurals correctly; (A) write in complete sentences, varying the types such as compound and complex sentences, and use appropriately punctuated independent and dependent clauses; Grade 6 7 8 √ Advanced Placement Program** Goals and Expectations Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. √ √ √ Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. √ √ √ √ √ √ √ √ √ √ √ √ √ Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. √ Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Incorporate subordinate and coordinate constructions *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 33 Texas Essential Knowledge and Skills (B) write in complete sentences, varying the types such as compound and complex, and use of appropriately punctuated dependent clauses; (C) use conjunctions to connect ideas meaningfully; Grade 6 7 8 Advanced Placement Program** Goals and Expectations in a variety of sentence structures. Reflect on the link between grammar and style. √ Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. √ √ √ Incorporate subordinate and coordinate constructions in a variety of sentence structures. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. (D) use adjectives (comparative and superlative forms) and adverbs appropriately to make writing vivid or precise; √ √ √ Incorporate subordinate and coordinate constructions in a variety of sentence structures. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Develop a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness. (E) use prepositional phrases to elaborate written ideas; √ √ √ Incorporate subordinate and coordinate constructions in a variety of sentence structures. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 34 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations structures, including appropriate use of subordination and coordination. (F) employ standard English usage in writing for audiences, including subjectverb agreement, pronoun referents, and parts of speech; √ (G) use verb tenses appropriately and consistently such as present, past, future, perfect, and progressive; (H) write with increasing accuracy when using apostrophes in contractions such as doesn’t and possessives such as Maria’s; (I) write with increasing accuracy when using pronoun case such as “He and they joined him.” √ b 18 Writing/writing process (A) generate ideas and plans for writing by using prewriting strategies such as brainstorming, graphic organizers, notes, and logs; √ √ Incorporate subordinate and coordinate constructions in a variety of sentence structures. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. √ √ Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. √ √ √ Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. √ √ √ Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. √ √ √ Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Apply effective writing strategies and techniques. Move effectively through the stages of the writing process, with careful attention to inquiry and research, *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 35 Texas Essential Knowledge and Skills (B) develop drafts by categorizing ideas, organizing them into paragraphs, and blending paragraphs within larger units of text; Grade 6 7 8 √ √ √ Advanced Placement Program** Goals and Expectations drafting, revising, editing, and reviewing. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Read primary and secondary source material carefully, and synthesize material from these texts in student compositions. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. (C) revise selected drafts by adding, elaborating, deleting, combining, and rearranging text; √ √ √ Develop and organize ideas in clear, coherent, and persuasive language. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. (D) revise drafts for coherence, progression, and logical √ √ √ Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 36 Texas Essential Knowledge and Skills Grade 6 7 8 support of ideas; Advanced Placement Program** Goals and Expectations purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (E) edit drafts for specific purposes such as to ensure standard usage, varied sentence structure, and appropriate word choice; √ √ √ Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques of coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (F) use available technology to √ √ √ Develop a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness. Enhance ability to use grammatical conventions *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 37 Texas Essential Knowledge and Skills Grade 6 7 8 support aspects of creating, revising, editing, and publishing texts; Advanced Placement Program** Goals and Expectations appropriately and develop stylistic maturity in writing. Construct essays with logical organization, enhanced by specific techniques of coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (G) refine selected pieces frequently to “publish” for general and specific audiences; √ √ √ Develop and organize ideas in clear, coherent, and persuasive language. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Construct essays with logical organization, enhanced by specific techniques of coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (H) proofread his/her own writing and that of others; √ √ √ Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. (I) select and use reference materials and resources as √ √ √ Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Read primary and secondary source material carefully, synthesize material from these texts in *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 38 Texas Essential Knowledge and Skills Grade 6 7 8 needed for writing, revising, and editing final drafts. Advanced Placement Program** Goals and Expectations student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Demonstrate understanding of the conventions of citing primary and secondary source material. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Evaluate and incorporate reference documents into researched papers. b 19 Writing/evaluation (A) apply criteria to evaluate writing; √ √ √ (B) respond in constructive ways to others’ writings; √ √ √ (C) evaluate how well his/her own writing achieves its purposes; √ √ √ Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (D) analyze published examples as models for writing; √ √ √ Write thoughtfully and reflectively about composition process. Identify and practice writers’ strategies. Produce imitation exercises, journals, collaborative writing, and in-class responses. (E) review a collection of written works to determine strengths and weaknesses and to set √ √ √ Apply effective writing strategies and techniques. Identify and practice writers’ strategies. Produce imitation exercises, journals, collaborative *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 39 Texas Essential Knowledge and Skills Grade 6 7 8 goals as a writer. Advanced Placement Program** Goals and Expectations writing, and in-class responses. Apply effective writing strategies and techniques. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. b 20 Writing/inquiry/research (A) frame questions to direct research; (B) organize prior knowledge about a topic in a variety of ways such as by producing a graphic organizer; (C) take notes from relevant and authoritative sources such as guest speakers, periodicals, and on-line searches; √ √ √ Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. √ √ √ Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. √ √ √ Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (D) summarize and organize ideas gained from multiple sources in useful ways such as outlines, conceptual maps, learning logs, and timelines; (E) present information in various √ √ √ √ √ √ Evaluate and incorporate reference documents into researched papers. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Establish connections among observations. Move effectively through the stages of the writing *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 40 Texas Essential Knowledge and Skills forms using available technology; (F) evaluate his/her own research and raise/frame new questions for further investigation; Grade 6 √ 7 √ 8 √ Advanced Placement Program** Goals and Expectations process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Write thoughtfully and reflectively about composition process. (G) follow accepted formats for writing research, including documenting sources. √ √ √ Evaluate and incorporate reference documents into researched papers. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Demonstrate understanding of the conventions of citing primary and secondary source material. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. b 21 Writing/connections (A) collaborate with other writers to compose, organize, and revise various types of texts, including letters, news, √ √ √ Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Write in both formal and informal contexts to gain *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 41 Texas Essential Knowledge and Skills Grade 6 7 8 records, and forms; Advanced Placement Program** Goals and Expectations authority and learn to take risks in writing. Produce imitation exercises, journals, collaborative writing, and in-class responses. (B) correspond with peers or others via e-mail or conventional mail; (C) identify challenges faced by published authors and strategies they use to compose various types of text. b 22 Viewing/representing/ interpretation (A) describe how illustrators’ choice of style, elements, and media help to represent or extend the text’s meanings; √ √ √ √ √ √ √ √ Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Identify and practice writers’ strategies. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Make careful observations of textual detail. (B) interpret important events and ideas gathered from maps, charts, graphics, video segments, or technology presentations; √ √ √ Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 42 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Make careful observations of textual detail. (C) use media to compare ideas and points of view. √ √ √ Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Establish connections among observations. b 23 Viewing/representing/ analysis (A) interpret and evaluate the various ways visual image makers such as illustrators, documentary filmmakers, and political cartoonists represent meanings; √ √ √ Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. (B) compare and contrast print, visual and electronic media such as film with written story; √ √ √ Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 43 Texas Essential Knowledge and Skills Grade 6 7 8 Advanced Placement Program** Goals and Expectations Make careful observations of textual detail. (C) evaluate the purposes and effects of varying media such as film, print, and technology presentations; √ √ √ Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Make careful observations of textual detail. (D) evaluate how different media forms influence and inform. √ √ √ Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Establish connections among observations. b 24 Viewing/representing/ production (A) select, organize, or produce visuals to complement and extend meanings; √ √ √ Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. (B) produce communications using technology or √ √ √ Use graphics and visual images in texts published in print and electronic media and analyze how such *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 44 Texas Essential Knowledge and Skills Grade 6 7 8 appropriate media such as developing a class newspaper, multimedia reports, or video reports; (C) assess how language, medium, and presentation contribute to the message. Advanced Placement Program** Goals and Expectations images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. √ √ √ Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Establish connections among observations. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 45 High School TEKS Objectives and AP* Goals and Expectations Texas Essential Knowledge and Skills WRITING (1) Writing/purposes. The student writes in a variety of forms, including business, personal, literary, and persuasive texts, for various audiences and purposes. The student is expected to: (A) write in a variety of forms using effective word choice, structure, and sentence forms with emphasis on organizing logical arguments with clearly related definitions, theses, and evidence; write persuasively; write to report and describe; and write poems, plays, and stories; Eng I Eng II √ Eng III Eng IV Advanced Placement Program** Goals and Expectations Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 46 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. (A) write in a variety of forms with an emphasis on persuasive forms such as logical argument and expression of opinion, personal forms such as response to literature, reflective essay, and autobiographical narrative, and literary forms such as poems, plays, and stories; √ Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 47 Texas Essential Knowledge and Skills (A) write in various forms with particular emphasis on business forms such as a report, memo, narrative or procedure, summary/abstract, and résumé; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. (A) write in a variety of forms with an emphasis on literary forms such as fiction, poetry, drama, and media scripts; (B) write in a voice and style appropriate to audience and purpose; and √ √ √ √ Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 48 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations to public policies, from imaginative literature to popular culture. Identify and practice writers’ strategies. Produce imitation exercises, journals, collaborative writing, and in-class responses. Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. (B) draw upon the distinguishing characteristics of written forms such as essays, scientific reports, speeches, and memoranda to write effectively in each form; √ Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 49 Texas Essential Knowledge and Skills (C) organize ideas in writing to ensure coherence, logical progression, and support for ideas. Eng I Eng II √ √ Eng III Eng IV Advanced Placement Program** Goals and Expectations Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. √ Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Apply effective writing strategies and techniques. (C) write in a voice and style appropriate to audience and purpose; √ Develop and organize ideas in clear, coherent, and persuasive language. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Produce projects that call on evaluation of the legitimacy and purpose of sources used. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 50 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Write for a variety of purposes. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. Write to explain through the use of analysis/interpretation and brief focused analyses on aspects of language and structure. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 51 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Write to explore, discovering ideas through the process of writing about text. (D) employ literary devices to enhance style and voice; √ Write effectively under time constraints. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Produce imitation exercises, journals, collaborative writing, and in-class responses. (E) employ precise language to communicate ideas clearly and concisely; and √ Apply effective writing strategies and techniques. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Identify and practice writers’ strategies. Reflect on the link between grammar and style. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 52 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. (F) organize ideas in writing to ensure coherence, logical progression, and support for ideas. √ Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Apply effective writing strategies and techniques. Develop and organize ideas in clear, coherent, and persuasive language. (2) Writing/writing processes. The student uses recursive writing processes when appropriate. The student is expected to: (A) use prewriting strategies to generate ideas, develop voice, and plan; √ √ √ √ Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Create essays that balance generalization and specific *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 53 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations illustrative detail. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. (B) develop drafts both alone and collaboratively, by organizing and reorganizing content and by refining style to suit occasion, audience, and purpose; √ √ √ Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Write for a variety of purposes. Move effectively through the stages of the writing process, with careful attention to inquiry and research, *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 54 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. (B) develop drafts both independently and collaboratively by organizing content such as paragraphing and outlining and by refining style to suit occasion, audience, and purpose; √ Incorporate subordinate and coordinate constructions in a variety of sentence structures. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Write for a variety of purposes. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 55 Texas Essential Knowledge and Skills (C) proofread writing for appropriateness of organization, content, style, and conventions; Eng I Eng II √ √ Eng III √ Eng IV Advanced Placement Program** Goals and Expectations language. Incorporate subordinate and coordinate constructions in a variety of sentence structures. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Write for a variety of purposes. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. Incorporate subordinate and coordinate constructions in a variety of sentence structures. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 56 Texas Essential Knowledge and Skills (C) use vocabulary, organization, and rhetorical devices appropriate to audience and purpose; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Write for a variety of purposes. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. (D) refine selected pieces frequently to publish for general and specific audiences; and √ √ √ Incorporate subordinate and coordinate constructions in a variety of sentence structures. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 57 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (D) use varied sentence structure to express meanings and achieve desired effect; (E) use technology for aspects of creating, revising, editing, and publishing texts. √ √ √ √ Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 58 Texas Essential Knowledge and Skills (E) revise drafts by rethinking content organization and style to better accomplish the task; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Create essays that balance generalization and specific illustrative detail. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 59 Texas Essential Knowledge and Skills (F) use effective sequences and transitions to achieve coherence and meaning; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Create essays that balance generalization and specific illustrative detail. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 60 Texas Essential Knowledge and Skills (G) use technology for aspects of creating, revising, editing, and publishing texts; and Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. (H) refine selected pieces to publish for general and specific audiences. √ Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop and organize ideas in clear, coherent, and persuasive language. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 61 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. (3) Writing/grammar/usage/ conventions/spelling. The student relies increasingly on the conventions and mechanics of written English, including the rules of usage and grammar, to write clearly and effectively. The student is expected to: (A) produce legible work that shows accurate spelling and correct uses of the conventions of punctuation and capitalization such as italics and ellipses; (B) demonstrate control over grammatical elements such as subject-verb agreement, pronoun-antecedent agreement, verb forms, and parallelism; √ √ √ √ Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Apply effective writing strategies and techniques. √ √ √ √ Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Apply effective writing strategies and techniques. (C) compose increasingly more involved sentences that contain gerunds, participles, and infinitives in their various functions; √ √ √ √ Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 62 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations sentence structures, including appropriate use of subordination and coordination. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Apply effective writing strategies and techniques. Demonstrate understanding and mastery of standard written English as well as stylistic maturity. (D) produce error-free writing in the final draft; and √ √ √ √ Incorporate subordinate and coordinate constructions in a variety of sentence structures. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Apply effective writing strategies and techniques. Demonstrate understanding and mastery of standard written English as well as stylistic maturity. (E) use a manual of style such as Modern Language Association (MLA), American Psychological Association (APA), and The Chicago Manual of Style (CMS). √ √ Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Apply effective writing strategies *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 63 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations and techniques. Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Demonstrate understanding of the conventions of citing primary and secondary source material. (4) Writing/inquiry/research. The student uses writing as a tool for learning. The student is expected to: (A) use writing to formulate questions, refine topics, and clarify ideas; √ √ √ √ Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. (B) use writing to discover, organize, and support what is known and what needs to be learned about a topic; √ √ √ Apply effective writing strategies and techniques. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Produce projects that call on evaluation of the legitimacy and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 64 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. (B) use writing to discover, record, review, and learn; (C) compile information from primary and secondary sources in systematic ways using available technology; √ √ √ √ Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 65 Texas Essential Knowledge and Skills Eng I Eng II Eng III (C) use writing to organize and support what is known and what needs to be learned about a topic; (D) represent information in a variety of ways such as graphics, conceptual maps, and learning logs; (D) compile information from primary and secondary sources using available technology; Eng IV √ √ √ Advanced Placement Program** Goals and Expectations Demonstrate understanding of the conventions of citing primary and secondary source material. Evaluate and incorporate reference documents into researched papers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Apply effective writing strategies and techniques. √ Analyze images as text. √ Evaluate and incorporate reference documents into researched papers. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Apply effective writing strategies and techniques. Demonstrate understanding of the conventions of citing primary and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 66 Texas Essential Knowledge and Skills (E) use writing as a study tool to clarify and remember information; (E) organize notes from multiple sources in useful and informing ways such as graphics, conceptual maps, and learning logs; Eng I Eng II √ √ Eng III Eng IV Advanced Placement Program** Goals and Expectations secondary source material. Evaluate and incorporate reference documents into researched papers. Apply effective writing strategies and techniques. √ √ Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. (F) compile written ideas and representations into reports, summaries, or other formats and draw conclusions; and √ √ √ Apply effective writing strategies and techniques. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 67 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Evaluate and incorporate reference documents into researched papers. (F) link related information and ideas from a variety of sources; √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. (G) analyze strategies that writers in different fields use to √ √ √ Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Identify and practice writers’ strategies. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 68 Texas Essential Knowledge and Skills compose; (G) compile written ideas and representations into reports, summaries, or other formats and draw conclusions; and Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. (H) use writing as a tool for reflection, exploration, learning, problem solving, and personal growth. √ Evaluate and incorporate reference documents into researched papers. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Write thoughtfully and reflectively about composition process. (5) Writing/evaluation. The student evaluates his/her own writing and the writings of others. The student is expected to: (A) evaluate writing for both mechanics and content; and √ √ √ Reflect on the link between grammar and style. Enhance ability to use grammatical conventions appropriately and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 69 Texas Essential Knowledge and Skills (B) respond productively to peer review of his/her own work. (5) Writing/analysis. The student communicates with writers inside and outside the classroom, including writers who represent diverse cultures and fields. The student is expected to: (A) analyze strategies that writers in different fields use to compose; Eng I Eng II √ √ Eng III Eng IV Advanced Placement Program** Goals and Expectations develop stylistic maturity in writing. Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Write thoughtfully and reflectively about composition process. √ √ Apply effective writing strategies and techniques. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (B) correspond with other writers electronically and in conventional ways; (C) collaborate with other writers; and (D) recognize how writers represent and reveal their cultures and traditions in texts. √ √ √ Reflect on the social and historical values a work reflects and embodies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Write for a variety of purposes. Produce imitation exercises, journals, collaborative writing, and in-class responses. Write thoughtfully and reflectively about composition process. Reflect on the social and historical values a work reflects and embodies. Write to evaluate through the use of judgments about a work’s artistry, *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 70 Texas Essential Knowledge and Skills (6) Writing/evaluation. The student evaluates his/her own writing and the writings of others. The student is expected to: (A) evaluate how well writing achieves its purposes and engage in conversations with peers and the teacher about aspects of his/her own writing and the writings or others; Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Reflect on the link between grammar and style. √ Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. (B) analyze and discuss published pieces as writing models and apply criteria developed by self and others to evaluate writing; and √ Establish connections among observations. Apply effective writing strategies and techniques. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Reflect on the social and historical values a work reflects and embodies. (C) accumulate and review Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Reflect on the link between *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 71 Texas Essential Knowledge and Skills his/her own written work to determine its strengths and weaknesses and to set his/her own goals as a writer. Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations grammar and style. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Demonstrate understanding and mastery of standard written English as well as stylistic maturity. Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Write thoughtfully and reflectively about composition process. READING (6) Reading/word identification/vocabulary development. The student uses a variety of strategies to read unfamiliar words and to build vocabulary.[Eng.2&3The student acquires an extensive vocabulary through reading and systematic word study.] The student is expected to: (A) expand vocabulary through wide reading, listening, and discussion; (B) rely on context to determine meanings of words and phrases such as figurative language, idioms, multiple meaning words, and technical vocabulary; (B) rely on context to determine meanings of words and phrases such as figurative language, connotation and denotation of words, analogies, idioms, and √ √ √ √ √ √ Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 72 Texas Essential Knowledge and Skills technical vocabulary; (C) apply meanings of prefixes, roots, and suffixes in order to comprehend; (D) research word origins, including Anglo-Saxon, Latin, and Greek words; (D) research word origins as an aid to understanding meanings, derivations, and spellings as well as influences on the English language; (E) use reference material such as glossary, dictionary, thesaurus, and available technology to determine precise meanings and usage; and (F) identify the relation of word meanings in analogies, homonyms, synonyms/antonyms, and connotation/denotation. (F) discriminate between connotative and denotative meanings and interpret the connotative power of words; and (G) read and understand analogies. (7) Reading/comprehension. The student comprehends selections using a variety of strategies. The student is expected to: (A) establish a purpose for Eng I Eng II Eng III √ √ √ √ √ √ √ √ √ Eng IV Advanced Placement Program** Goals and Expectations Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively. Develop a wide-ranging vocabulary used appropriately and effectively. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). √ √ √ √ √ Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Examine a variety of writers to *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 73 Texas Essential Knowledge and Skills reading such as to discover, interpret, and enjoy; (A) establish and adjust purpose for reading such as to find out, to understand, to interpret, to enjoy, and to solve problems; (B) draw upon his/her own background to provide connection with texts; Eng I √ Eng II √ Eng III √ √ √ √ Eng IV Advanced Placement Program** Goals and Expectations examine the wealth of approaches to subject and audience that such writers display. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Make careful observations of textual detail. Establish connections among observations. (C) monitor his/her own reading strategies and modify them when understanding breaks down such as rereading, using resources, and questioning; (D) construct images such as graphic organizers based on text descriptions and text structures; (E) analyze text structures such as compare and contrast, cause and effect, and chronological ordering for how they influence understanding; √ √ √ √ √ √ √ √ √ Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 74 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. Establish connections among observations. (F) identify main ideas and their supporting details; (F) produce summaries of texts by identifying main ideas and their supporting details; √ √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Make careful observations of textual detail. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Make careful observations of textual detail. Establish connections among observations. (G) summarize texts; √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Make careful observations of textual *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 75 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations detail. Establish connections among observations. (G) draw inferences such as conclusions, generalizations, and predictions and support them with text evidence and experience; √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. Establish connections among observations. (H) draw inferences such as conclusions, generalizations, and predictions and support them from text; Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. √ Make careful observations of textual detail. Establish connections among observations. (H) use study strategies such as skimming and scanning, √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read closely from the following perspectives: *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 76 Texas Essential Knowledge and Skills note taking, outlining, and using study-guide questions to better understand texts; and (I) use study strategies such as skimming and scanning, note taking, outlining, and using study-guide questions to better understand texts; and Eng I Eng III √ √ √ (I) read silently with comprehension for a sustained period of time; (J) read silently with comprehension for a sustained period of time. Eng II √ Eng IV Advanced Placement Program** Goals and Expectations • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 77 Texas Essential Knowledge and Skills (7) Reading/word identification/vocabulary development. The student acquires an extensive vocabulary through reading and systematic word study. The student is expected to: (A) expand vocabulary through wide reading, listening, and discussing; (B) rely on context to determine meanings of words and phrases such as figurative language, idioms, multiple meaning words, and technical vocabulary; (C) apply meanings of prefixes, roots, and suffixes in order to comprehend; (D) research word origins as an aid to understanding meanings, derivations, and spellings as well as influences on English language; (E) use reference material such as glossary, dictionary, thesaurus, and available technology to determine precise meanings and usage; (F) discriminate between denotative and connotative meanings and interpret the connotative power of words; and (G) read and understand analogies. Eng I Eng II Eng III Eng IV √ √ √ √ √ √ Advanced Placement Program** Goals and Expectations meaning is embodied in literary form. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 78 Texas Essential Knowledge and Skills (8) Reading/variety of texts. The student reads extensively and intensively for different purposes in varied sources, including world [Eng.3-American] literature. The student is expected to: (A) read to be entertained, to appreciate a writer’s craft, to be informed, to take action, and to discover models to use in his/her own writing; Eng I Eng II Eng III √ √ √ Eng IV Advanced Placement Program** Goals and Expectations Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 79 Texas Essential Knowledge and Skills (B) read in such varied sources as diaries, journals, textbooks, maps, newspapers, letters, speeches, memoranda, electronic texts, and other media; Eng I Eng II √ √ Eng III √ Eng IV Advanced Placement Program** Goals and Expectations through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 80 Texas Essential Knowledge and Skills (C) read world literature, including classic and contemporary works; and Eng I Eng II √ √ Eng III Eng IV Advanced Placement Program** Goals and Expectations subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 81 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. (C) read American and other world literature, including classic and contemporary works; and √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 82 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Create essays that balance generalization with specific illustrative detail. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 83 Texas Essential Knowledge and Skills (D) interpret the possible influences of the historical context on a literary work. Eng I Eng II Eng III √ √ √ Eng IV Advanced Placement Program** Goals and Expectations form. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 84 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations their social and cultural values. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (8) Reading/comprehension. The student comprehends selections using a variety of strategies. The student is expected to: (A) establish and adjust purpose for reading such as to find out, to understand, to interpret, to enjoy, and to solve problems; (B) draw upon his/her own background to provide connection to texts; √ √ Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Make careful observations of textual detail. (C) monitor his/her own reading strategies and modify when necessary; √ Establish connections among observations. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 85 Texas Essential Knowledge and Skills (D) construct images such as graphic organizers based on text descriptions and text structures; (E) analyze text structures such as compare/contrast, cause/effect, and chronological order for how they influence understanding; Eng I Eng II Eng III Eng IV √ √ Advanced Placement Program** Goals and Expectations Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 86 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV (F) produce summaries of texts by identifying main idea and supporting detail; √ (G) draw inferences and support them with textual evidence and experience; √ Advanced Placement Program** Goals and Expectations observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 87 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. (H) use study strategies such as note taking, outlining, and using study-guide questions to better understand texts; and (I) read silently with comprehension for a sustained period of time. (9) Reading/culture. The student reads widely, including world literature[Eng.3-American], to increase knowledge of his/her own culture, the culture of others, and the common elements across cultures. The student is expected to: (A) recognize distinctive and shared characteristics of cultures through reading; and √ √ √ √ √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 88 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations interpretive skills in reading. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. (B) compare text events with his/her own and other readers’ experiences. √ √ Reflect on the social and historical values a work reflects and embodies. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. √ Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Reflect on the social and historical values a work reflects and embodies. Establish connections among observations. (9) Reading/variety of texts. The student reads extensively and intensively for different purposes in varied sources including British literature, in increasingly demanding texts. The student is expected to: (A) read to be entertained, to appreciate a writer’s craft, to be informed, to take action, and to √ Examine a variety of writers to examine the wealth of approaches to subject and audience that such *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 89 Texas Essential Knowledge and Skills discover models to use in his/her own writing; Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. (B) read in varied sources such as diaries, journals, textbooks, maps, newspapers, letters, speeches, memoranda, electronic texts, and other media; √ Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. (C) read British and other literature, including classic and contemporary works; and √ Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 90 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. (D) interpret the possible influences of the historical context on a literary work. √ Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 91 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. (10) Reading/literary response. The student expresses and supports responses to various types of texts. The student is expected to: (A) respond to informational and aesthetic elements in texts such as discussions, journals, oral interpretations, and dramatizations; √ Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 92 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Make careful observations of textual detail. Establish connections among observations. (A) respond to informational and aesthetic elements in texts such as discussions, journals, oral interpretations, and enactments; √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 93 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Make careful observations of textual detail. Establish connections among observations. (A) respond to informational and aesthetic elements in texts such as discussions, journals, oral interpretations, enactments, and graphic displays; √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 94 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations detail. Establish connections among observations. (B) use elements of text to defend his/her own responses and interpretations; and (B) use elements of text to defend, clarify, and negotiate responses and interpretations; and √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. √ √ Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 95 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. (C) compare reviews of literature, film, and performance with his/her own responses; √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Make careful observations of textual detail. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 96 Texas Essential Knowledge and Skills (C) analyze written reviews of literature, film, and performance to compare with his/her own responses. Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Make careful observations of textual detail. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. (10) Reading/culture. The student reads widely, including British literature to increase knowledge of his/her own culture, the culture of others, and the common elements across culture. The student is expected to: (A) recognize distinctive and shared characteristics of cultures through reading; √ Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 97 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. (B) compare text events with his/her own and other readers’ experiences; and √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 98 Texas Essential Knowledge and Skills (C) recognize and discuss themes and connections that cross cultures. Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (11) Reading/literary concepts. The student analyzes literary elements for *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 99 Texas Essential Knowledge and Skills their contributions to meaning in literary texts. The student is expected to: (A) recognize the theme (general observation about life or human nature) within a text; Eng I Eng II √ (A) compare and contrast varying aspects of texts such as themes, conflicts, and allusions both within and across texts; (C) analyze characters and identify time and point of view; √ √ √ √ Eng IV Advanced Placement Program** Goals and Expectations Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Underscore the commonalities and distinctive elements of evocative literary language. √ (A) compare and contrast varying aspects of texts such as themes, conflicts, and allusions; (B) analyze relevance of setting and time frame to text’s meaning; Eng III √ Make careful observations of textual detail. Underscore the commonalities and distinctive elements of evocative literary language. Make careful observations of textual detail. Underscore the commonalities and distinctive elements of evocative literary language. Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 100 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (C) describe and analyze the development of plot and identify conflicts and how they are addressed and resolved; √ √ Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 101 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (D) identify basic conflicts; Make careful observations of textual detail. Underscore the commonalities and distinctive elements of evocative literary language. √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (D) analyze the melodies of literary language, including its use of evocative words and rhythms; √ √ Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Underscore the commonalities and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 102 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (E) analyze the development of plot in narrative text; Make careful observations of textual detail. Underscore the commonalities and distinctive elements of evocative literary language. √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (E) connect literature to historical contexts, current events, and his/her own experiences; √ √ Make careful observations of textual detail. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Reflect on the social and historical values a work reflects and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 103 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations embodies. Establish connections among observations. (F) recognize and interpret important symbols; Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Underscore the commonalities and distinctive elements of evocative literary language. √ Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. (F) understand literary forms and terms such as author, drama, biography, autobiography, myth, tall tale, dialogue, tragedy and comedy, structure in poetry, epic, ballad, protagonist, antagonist, paradox, analogy, dialect, and comic relief as appropriate to the selections being read. √ √ Make careful observations of textual detail. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 104 Texas Essential Knowledge and Skills (G) recognize and interpret poetic elements such as metaphor, simile, personification, and the effect of sound on meaning; and (H) understand literary forms and terms such as author, drama, biography, autobiography, myth, tall tale, dialogue, tragedy and comedy, structure in poetry, epic, ballad, protagonist, antagonist, paradox, analogy, dialect, and comic relief as appropriate to the selections being read. Eng I Eng II √ Eng III Eng IV Advanced Placement Program** Goals and Expectations detail. Underscore the commonalities and distinctive elements of evocative literary language. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. √ Make careful observations of textual detail. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. (11) Reading/literary response. The student expresses and supports responses to various types of texts. The student is expected to: (A) respond to informational Read to become aware of how *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 105 Texas Essential Knowledge and Skills and aesthetic elements in texts such as discussions, journal entries, oral interpretations, enactments, and graphic displays; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. (B) use elements of text to defend, clarify, and negotiate √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read to become aware of how stylistic effects are achieved by *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 106 Texas Essential Knowledge and Skills responses and interpretations; Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. (C) analyze written reviews of literature, film and performance to compare with his/her own responses; and √ Draw from connections a series of inferences leading to an interpretive conclusion. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 107 Texas Essential Knowledge and Skills Eng I Eng II (D) evaluate text through critical analysis. Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Establish connections among observations. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion. (12) Reading/analysis/ evaluation. The student reads critically to evaluate texts [Eng. 2&3-and the authority of sources]. The student is expected to: (A) analyze characteristics of text, including its structure, word choices, and intended audience; √ Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 108 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations rhetorical strategies and techniques. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. (A) analyze the characteristics of clearly written texts, including the patterns of organization, syntax, and word choice; √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. (B) evaluate the credibility of information sources and determine the writer’s motives; √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 109 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. (B) evaluate the credibility of information sources, including how the writer’s motivation may affect that credibility; and √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. (C) analyze text to evaluate the Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read primary and secondary *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 110 Texas Essential Knowledge and Skills logical argument and to determine the mode of reasoning used such as induction and deduction; and Eng I √ Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. (C) recognize logical, deceptive, and/or faulty modes of persuasion in texts. √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. Draw from connections a series of inferences leading to an interpretive *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 111 Texas Essential Knowledge and Skills (D) analyze texts such as editorials, documentaries, and advertisements for bias and use of common persuasive techniques. Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations conclusion about a piece of writing’s meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. (12) Reading/literary concepts. The student analyzes literary elements for their contributions to meaning in literary texts. The student is expected to: (A) compare and contrast elements of texts such as themes, conflicts, and allusions both within and across texts; √ Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 112 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. (B) propose and provide examples of themes that cross texts; √ Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 113 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. (C) analyze relevance of setting and time frame to text’s meaning; √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 114 Texas Essential Knowledge and Skills (D) describe the development of plot and identify conflicts and how they are addressed and resolved; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations meaning is embodied in literary form. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. (E) analyze the melodies of literary language, including its use of evocative words and rhythms; √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 115 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. (F) connect literature to historical contexts, current events and his/her own experiences; √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 116 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. (G) understand literary forms and terms such as author, drama, biography, autobiography, myth, tall tale, dialogue, tragedy and comedy, structure in poetry, epic, ballad, protagonist, antagonist, paradox, analogy, dialect, and comic relief as appropriate to the selections being read. √ Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 117 Texas Essential Knowledge and Skills (13) Reading/inquiry/ research. The student reads in order to research selfselected and assigned topics. The student is expected to: (A) generate relevant, interesting, and researchable questions; Eng I Eng II Eng III √ √ √ Eng IV Advanced Placement Program** Goals and Expectations complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Make careful observations of textual *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 118 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations detail. Establish connections among observations. (B) locate appropriate print and non-print information using texts and technical resources, periodicals and book indices, including databases and the Internet; √ (B) locate appropriate print and non-print information using text and technical resources, including databases and the Internet; (C) organize and convert information into different forms such as charts, graphs, and drawings; Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. √ √ √ Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 119 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Analyze images as text. Make careful observations of textual detail. Establish connections among observations. (C) use text organizers such as overviews, headings, and graphic features to locate and categorize information; √ √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 120 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. (D) adapt researched material for presentation to different audiences and for different purposes and cite sources completely; and √ Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 121 Texas Essential Knowledge and Skills Eng I Eng II (D) produce reports and research projects in varying forms for audiences; and √ Eng III √ Eng IV Advanced Placement Program** Goals and Expectations Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Demonstrate understanding of the conventions of citing primary and secondary source material. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. (E) draw conclusions from information gathered. √ √ √ Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Conduct informed research and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 122 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. (13) Reading/analysis/ evaluation. The student reads critically to evaluate texts and the authority of sources. The student is expected to: (A) analyze the characteristics of clear text such as conciseness, correctness, and completeness; √ Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Make careful observations of textual detail. Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 123 Texas Essential Knowledge and Skills (B) evaluate the credibility of information sources, including how the writer’s motivation may affect that credibility; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Make careful observations of textual detail. Establish connections among observations. (C) recognize logical, deceptive, and/or faulty modes of persuasion in text; √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Examine a variety of writers to *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 124 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations examine the wealth of approaches to subject and audience that such writers display. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Make careful observations of textual detail. Establish connections among observations. (D) apply modes of reasoning such as induction and deduction to think critically; √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Make careful observations of textual detail. Establish connections among observations. (E) describe how a writer’s motivation, stance, or position may affect text credibility, structure, and tone; and √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 125 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Make careful observations of textual detail. Establish connections among observations. (F) analyze aspects of texts such as patterns of organization and choice of language for their effect on audiences. √ Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Apply effective writing strategies and techniques. (14) Reading/inquiry/ research. The student uses reading and research skills to develop self-selected topics. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 126 Texas Essential Knowledge and Skills The student is expected to: (A) generate relevant, interesting, and researchable questions; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Make careful observations of textual detail. Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 127 Texas Essential Knowledge and Skills (B) locate appropriate print and non-print information using text and technical resources, including databases and the Internet; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations meaning and value. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). (C) use text organizers such as overviews, headings, and graphic features to locate and categorize information; √ Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. (D) evaluate the credibility of information sources and their appropriateness for varied √ Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Make careful observations of textual detail. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 128 Texas Essential Knowledge and Skills needs; (E) organize and record new information in systematic ways such as notes, charts, and graphic organizers; Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. Make careful observations of textual detail. Establish connections among observations. Draw from connections a series of inferences leading to an interpretive *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 129 Texas Essential Knowledge and Skills (F) produce research projects and reports in varying forms for audiences; and Eng I Eng II Eng III Eng IV √ Advanced Placement Program** Goals and Expectations conclusion about a piece of writing’s meaning and value. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. Consider each source as a text that was itself written for a particular audience and purpose. Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers. (G) draw relevant questions for further study from the research findings or conclusions. √ Create and sustain arguments based on readings, research, and/or personal experience. Read primary and secondary source material carefully, synthesize material from these texts in student compositions, and cite source material using conventions recommended by professional organizations such as the Modern Language Association, the American Psychological Association, and the Council of Science Editors. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Conduct informed research and synthesize varied sources (to evaluate, cite, and utilize source materials). *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 130 Texas Essential Knowledge and Skills Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations Make careful observations of textual detail. Establish connections among observations. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. LISTENING/SPEAKING (14) Listening/speaking/ critical listening. The student listens attentively for a variety of purposes. The student is expected to: (A) focus attention on the speaker’s message; (A) focus attention, interpret, respond, and evaluate speaker’s message; and (A) demonstrate proficiency in each aspect of the listening process such as focusing attention, interpreting, and responding; (B) use knowledge of language and develop vocabulary to interpret accurately the speaker’s message; (B) engage in critical, empathic, appreciative, and reflective listening. (B) use effective strategies for listening such as prepares for listening, identifies the types of listening, and adopts appropriate strategies; (C) monitor speaker’s message for clarity and understanding such as asking relevant questions to clarify understanding; and The AP English course description does not identify specific goals or expectations directly related to the listening/speaking or viewing/representing strands of the TEKS objectives. √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 131 Texas Essential Knowledge and Skills (C) demonstrate proficiency in critical, empathic, appreciative, and reflective listening; (D) formulate and provide effective verbal and nonverbal feedback; (D) use effective strategies to evaluate his/her own listening such as asking questions for clarification, comparing and contrasting interpretations with others, and researching points of interest or contention; and (E) use effective listening to provide appropriate feedback in a variety of situations such as conversations and discussions and informative, persuasive, or artistic presentations. (15) Listening/speaking/ evaluation. The student listens to analyze, appreciate, and evaluate oral performances and presentations. The student is expected to: (A) listen and respond appropriately to presentations and performances of peers or published works such as original essays or narratives, interpretations of poetry, and individual or group performances of scripts; (B) identify and analyze the effect of artistic elements within literary texts such as character development, rhyme, imagery, and language; (C) evaluate informative and persuasive presentations of peers, public figures, and media presentations; (D) evaluate artistic performances of peers, public Eng I Eng II Eng III √ Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 132 Texas Essential Knowledge and Skills presenters, and media presentations; and (E) use audience feedback to evaluate his/her own effectiveness and set goals for future presentations. (15) Listening/speaking/ purposes. The student speaks clearly and effectively for a variety of purposes The student is expected to: (A) use the conventions of oral language effectively; (B) use informal, standard, and technical language effectively to meet the needs of purpose, audience, occasion, and task; (C) communicate effectively in conversations and group discussions while problem solving, and planning; (D) use effective verbal and nonverbal strategies in presenting oral messages; (E) ask clear questions for a variety of purposes and respond appropriately to the questions of others; and (F) make relevant contributions in conversations and discussions. (15) Listening/speaking/ critical listening. The student listens attentively for a variety of purposes. The student is expected to: (A) demonstrate proficiency in each aspect of the listening process such as focusing attention, interpreting, and responding; (B) use effective strategies for listening such as preparing for Eng I Eng II √ √ Eng III Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 133 Texas Essential Knowledge and Skills listening, identifying the types of listening, and adopting appropriate strategies; (C) demonstrate proficiency in critical, empathic, appreciative, and reflective listening; (D) use effective strategies to evaluate his/her own listening such as asking questions for clarification, comparing and contrasting interpretations with those of others, and researching points of interest or contention; and (E) use effective listening to provide appropriate feedback in a variety of situations such as conversations and discussions and informative, persuasive, or artistic presentations. (16) Listening/speaking/ purposes. The student speaks clearly and effectively for a variety of purposes and audiences. The student is expected to: (A) use the conventions of oral language effectively; (B) use informal, standard, and technical language effectively to meet the needs of purpose, audience, occasion, and task; (C) prepare, organize, and present a variety of informative messages effectively; (C) prepare, organize, and present a variety of informative and persuasive messages effectively with emphasis on persuasion; (D) use effective verbal and nonverbal strategies in presenting oral messages; (E) ask clear questions for a Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 134 Texas Essential Knowledge and Skills variety of purposes and respond appropriately to the questions of others; and (F) make relevant contributions in conversations and discussions. (16) Listening/speaking/ evaluation. The student evaluates and critiques oral presentations and performances. The student is expected to: (A) apply valid criteria to analyze, evaluate, and critique informative and persuasive messages; (B) apply valid criteria to analyze, evaluate, and critique literary performances; (C) use praise and suggestions of others to improve his/her own communication; and (D) identify and analyze the effect of aesthetic elements within literary texts such as character development, rhyme, imagery, and language. (16) Listening/speaking/ purposes. The student speaks clearly and effectively for a variety of purposes. The student is expected to: (A) use conventions of oral language effectively, including word choice, grammar, and diction; (B) use informal, standard, and technical English to meet demands of occasion, audience, and task; (C) respond appropriately to the opinions and views of others; (D) adopt verbal and nonverbal strategies to accommodate Eng I √ Eng II √ √ √ Eng III Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 135 Texas Essential Knowledge and Skills needs of the listener and occasion; (E) ask clear questions for a variety of purposes and respond appropriately to the questions of others; (F) make relevant contributions in conversations and discussions; (G) express and defend a point of view using precise language and appropriate detail; and (H) speak responsibly to present accurate, truthful, and ethical messages. (17) Listening/speaking/ presentations. The student prepares, organizes, and presents informative and persuasive oral messages. The student is expected to: (A) present and advance a clear thesis and support the major thesis with logical points or arguments; (A) present and advance a clear thesis and logical points, claims, or arguments to support messages; (A) present clear thesis statements and claims; (B) choose valid evidence, proofs, or examples to support points or claims; (B) choose valid proofs from reliable sources to support claims; (B) support major thesis with logical points or arguments; (C) use appropriate and effective appeals to support points, claims, and arguments; (C) choose valid evidence or proofs to support claims; Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 136 Texas Essential Knowledge and Skills (D) use effective verbal and nonverbal strategies such as pitch and tone of voice, posture, and eye contact. (D) use language and rhetorical strategies skillfully in informative and persuasive messages; (D) use effective appeals to support points, claims, or arguments; (E) use effective nonverbal strategies such as pitch and tone of voice, posture, and eye contact; (E) use language and rhetorical strategies skillfully in informative and persuasive messages; (F) make informed, accurate, truthful, and ethical presentations. (F) analyze purpose, audience, and occasion to choose effective verbal and non-verbal strategies for presenting messages and performances; (G) interpret literary texts such as telling stories, and interpreting scenes from narrative or dramatic texts or poems; (H) use feedback to judge effectiveness in communicating and setting goals for future presentations. (18) Listening/speaking/ literary interpretations. The student prepares, organizes, plans, and presents literary interpretations. The student is expected to: Eng I Eng II Eng III Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 137 Texas Essential Knowledge and Skills (A) make valid interpretations of literary texts such as telling stories, interpreting poems, stories, or essays; (A) make interpretations of a variety of literary texts; (B) analyze purpose audience and occasion to choose effective verbal and nonverbal strategies such as pitch and tone of voice, posture, and eye contact; (B) justify the choice of verbal and non-verbal performance techniques by referring to the analysis and interpretations of the text; (C) present interpretations by telling stories, performing original works, and interpreting poems and stories for a variety of audiences. (18) Listening/speaking/ evaluation. The student evaluates and critiques oral presentations and performances. The student is expected to: (A) apply valid criteria to analyze, evaluate, and critique informative and persuasive messages; (B) apply valid criteria to analyze, evaluate, and critique literary performances; (C) use praise and suggestions of others to improve his/her own communication; and (D) identify and analyze the effect of artistic elements within literary texts such as character development, rhyme, imagery, and language. Eng I √ Eng II Eng III √ √ √ √ Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 138 Texas Essential Knowledge and Skills (19)Viewing/representing/ interpretation. The student understands and interprets visual representations. The student is expected to: (A) describe how meanings are communicated through elements of design, including shape, line, color, and texture; (B) Analyze relationships, ideas, and cultures as represented in various media; (C) distinguish the purposes of various media forms such as informative texts, entertaining texts, and advertisements. (20) Viewing/representing/ analysis. The student analyzes and critiques the significance of visual representations. The student is expected to: (A) investigate the source of a media presentation or production such as who made it and why it was made; (B) deconstruct media to get the main idea of the message’s content; (C) evaluate and critique the persuasive techniques of media messages such as glittering generalities, logical fallacies, and symbols; (D) recognize how visual and sound techniques or design convey messages in media such as special effects, editing, camera angles, reaction shots, sequencing, and music; (E) recognize genres such as nightly news, newsmagazines, and documentaries and identify the unique properties of each; Eng I Eng II Eng III Eng IV √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Advanced Placement Program** Goals and Expectations *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 139 Texas Essential Knowledge and Skills (F) compare, contrast, and critique various media coverage of the same event such as in newspapers, television, and on the Internet. (21) Viewing/representing/ production. The student produces visual representations that communicate with others. The student is expected to: (A) examine the effect of media on constructing his/her own perception of reality; (B) use a variety of forms and technologies such as videos, photographs, and web pages to communicate specific messages; (C) use a range of techniques to plan and create a media text and reflect critically on the work produced; (D) create media products to include a billboard, cereal box, short editorial, and a threeminute documentary or print ad to engage specific audiences; (D) create media products to include a five-to six-minute documentary, a print ad, an editorial, a flier, a movie critique, or an illustrated children’s book to engage specific audiences; (D) create media products to include a seven-to ten-minute documentary, ad campaigns, political campaigns, or video adaptations of literary texts to engage specific audiences; Eng I √ √ Eng II √ √ Eng III √ √ Eng IV Advanced Placement Program** Goals and Expectations √ √ √ √ √ √ √ √ √ √ √ √ √ *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 140 Texas Essential Knowledge and Skills (D) create media products to include a ten-to fifteen-minute investigative documentary, ad campaigns, political campaigns, or parodies to engage specific audiences; (E) create, present, test, and revise a project and analyze a response, using data-gathering techniques, such as questionnaires, group discussions, and feedback forms. Eng I Eng II Eng III Eng IV √ √ √ √ √ Advanced Placement Program** Goals and Expectations *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this product. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 141 Classroom Strategies The selection of teaching and learning strategies collected here includes those gathered by the revision committee members, as well as many originally compiled and described by the committee of educators who developed the Social Studies Lighthouse guide. Every effort was made to credit original sources. Hyperlinked strategies are those that appear in lessons on this site. (Click here for downloadable MS Word version.) One-Two-Three: This reading strategy introduces new words to students and allows them to learn how context can help them determine meaning. It is useful on many levels, particularly in the lower grades as full assignments and for older students in preparation for difficult reading objective questions. Using a threecolumned chart, students write in the first column unfamiliar words in an assigned reading. In the second column, they jot down words and phrases near the unfamiliar word that seem to suggest its meaning. In the third column, students write their own guesses at definitions of the unfamiliar word, based on the surrounding words, keeping in mind consistency in parts of speech. SQ3R: This is a method of tackling a reading assignment for students of all levels of experience. The SQ3R method suggests a plan for surveying a given assignment, questioning the author’s purpose, reading the assignment in its entirety, reciting the lesson in some note-taking format, and reviewing the assignment for understanding. Suggested steps of this method include: Before reading: SURVEY While surveying: QUESTION When beginning: READ After reading: RECITE As an ongoing process: REVIEW If all of the materials from a reading assignment have been organized, regular review of study materials will eliminate the need to “cram” before a test. When preparing for a cumulative test, review of all previous study materials will assist in seeing broad relationships, overarching themes, and change over time. For more information, see: Robinson, F.P. (1961, 1970). Effective study (4th ed.). Harper & Row: New York. Preview Read Think Review PRTR: This simple reading method incorporates the principles psychologists have long studied through experimentation. People learn and retain information better if they understand the material to be learned, express ideas in their own words, and rehearse/review materials in several shorter study sessions over time. The PRTR method suggests that the learner preview, read, think, and review as he/she reads. To begin a reading assignment, the learner should preview with a brief look ahead to the lesson, noting 142 subheading or section titles. The learner then reads the major section previewed. The learner should do only a section or two at each reading session so as to absorb the information presented. The next step is to think about what has been read. This is an active process where the learner may take notes, ask questions, and think critically about the assignment. Finally, the learner should review, which should include scanning the section just read, noting key terms or concepts, and summarizing what has been presented. While this process sounds involved, with practice it becomes routine and takes but a few extra minutes of reading time. It will lead to greater understanding of content materials. For more information, see: Myer, D.G. (2001). Psychology (6th ed.). Worth Publishers: New York. Spirit Reading: Also called Jump-in Reading, Spirit Reading is an oral reading activity used with whole groups. The teacher begins reading the text orally, and students then randomly read aloud as they desire. Spirit Reading can be an enjoyable activity to encourage full-class participation in oral reading in a non-threatening manner. Read Along/Think Aloud: This strategy involves: modeling for students the internal thought processes of an effective reader. defining for students skills/terms to be targeted in the selection. helping students internalize and transfer reading skills to their own independent analysis. Step 1: Select a passage to read aloud that contains outstanding examples of skills that are to be emphasized. The passage should be of moderate difficulty, so that it is neither too hard to understand, nor too easy to spot the examples. Step 2: Talk through the thinking processes used as reading difficulties/skills appear, modeling the appropriate problem-solving/annotation strategies. Remember the following points: Make predictions. Target key literary devices and/or elements of author’s style. Describe the picture you are forming in your head from the text. Make analogies (linking prior knowledge to new information in the text). Verbalize confusing points (monitoring ongoing comprehension). Model “fix up” strategies (correcting lagging comprehension, annotation tips, dealing with dual comprehension). 143 Step 3: Continue reading passages aloud, but gradually make fewer verbal remarks. Begin to wean students from depending on your thought processes to developing their own processes and strategies. Note-taking Cornell Note-Taking: This is a useful tool for students as they begin to read textbooks, primary and secondary resource materials, or any other assigned reading where specific content information should be gathered and organized for future use. For more information, see: Pauk, W. (2000). How to study in college (7th ed.). Houghton Mifflin Company: Boston. Sticky Note Sticky Note Annotation: This note-taking method is an alternative when students are not allowed to write in their textbooks. Students will need a sticky note type pad of paper. As students read assigned textbook material, they should write in their own words important concepts, key terms, major dates, or issues of note on the removable notepaper. These sticky notes can be placed directly in the text for quick reference. When reviewing reading materials, the sticky note can be a valuable tool for summarizing large quantities of information. Sticky notes can be easily removed for class discussion, essay writing, or exam review. Dialectical Journal: This is a double-entry journal that provides a "paper trail of students’ thoughts" as they read text. In this journal, students essentially have a dialogue with their reading material. In the left column, students briefly paraphrase an idea from the text. In the right column, students write their response to the idea. Responses could include stating and defending an opinion, posing and explaining a question, or connecting the text’s content to other people, events, literature, or ideas. For more information, see: Berthoff, A.E. (1982). Forming, thinking, writing: The composing imagination. Boynton/Cook: Portsmouth, NH. Concept Cards: Using note cards, students can identify major issues, characters, and events and may determine the significance and impact of these events. This method allows student practice in gathering, summarizing, comparing, contrasting, and analyzing information regarding a person, time period, or issue. 144 Graphic Organizers: Using graphic organizers, students can categorize and organize information that they read in a meaningful format that is useful for analysis. Teachers can use these visual tools for explanations and review. Teachers and students can create their own or use blank structures found in most textbooks to show cause-effect, compare-contrast, sequencing, whole-part, and other concepts. Half-Page Solution: As students are required to read assignments of greater length for greater depth, it is important for them to make productive use of time spent in reading and note-taking. This strategy assists students in gathering information from a secondary source such as a textbook assignment and merging it with class discussion or lecture. Students fold a sheet of paper in half, placing “Notes from Reading” and “Notes from Class” as headings of the two resulting columns. On the left side of the page, students take selective notes indicating only the most significant information from a text or other reading assignment. As the instructor facilitates class discussion, the students decide what information not previously recorded should be added and include this information in their own words on the right side. This technique helps the student learn to take a large quantity of information and synthesize it for future use. H Chart: An H Chart is similar to a Venn Diagram and is used to compare and contrast two items. Columns are labeled for students to fill in with the appropriate information. Students then complete a conclusion statement below the chart. Organizing SMELL: This strategy introduces the skills of constructing and evaluating arguments and using primary and secondary documents to analyze point of view, context, and bias. SMELL was first developed for use in the analysis of advertising. In the classroom, it is especially appropriate for in-depth analysis of persuasive documents. Instructors are encouraged to go beyond the literal in showing students how to use this strategy for analysis. Elements include: Sender-Receiver Relationship - Who are the sender and receiver of the message and what is their relationship? Message - What is a literal summary of the content? Effect - What emotional strategies does the author use? Logic - What is the rationale used by the author? Language - Why did the author choose the language and style used in the argument? 145 Analyzing TPCASTT: This is an effective strategy for analyzing poems or other literary works. It is an especially useful tool for getting students to start thinking about the reliability of different historical sources. Frequently, poems will contain a popular version of history that students can evaluate critically using information in their text or from other sources. Elements of analysis: T: Title What does the title mean literally? Complete this before reading the poem. P: Paraphrase After reading the poem, what does it mean literally in your own words? (This can be very difficult when a poem has abstract meaning.) C: Connotation What does the poem mean beyond the literal? A: Attitude What is/are the feeling(s) expressed by the author? S: Shifts What changes in speakers and attitudes occur in the poem? T: Title Interpreted What does the title mean beyond the literal? T: Theme What is the poet saying? Content Frame/Matrix: The content frame is a strategy to help students analyze the interrelationships of ideas. Frames, or matrices, help students organize and compare information from a variety of texts, including textbook information, visual texts, fiction, and nonfiction. A content frame/matrix is built with categories or types of information listed on the left-hand side of a chart and subdivisions of the categories listed across the top of the chart. It is important for students to create their own frame/matrix in order to use the strategy independently. If a teacher simply duplicates the frame to have students fill in the boxes, the strategy ceases to be a strategy for independent use and becomes nothing but a worksheet. Content frames can be used across the curriculum, but they are excellent for use in the English Language Arts classroom for character analysis and theme analysis. For more information, see: Armbruster, B. B., Anderson, T. H., & Meyer, J. L. (1991). Improving content-area reading using instructional graphs. Reading Research Quarterly, 26, 393–416. 146 OPTIC: OPTIC is an organized approach for teaching students how to read visual or graphic text closely. As noted in How to Study in College (2001) by Walter Pauk, the five letters in the word OPTIC provide a mnemonic device to remember the five key elements in analyzing a visual. O is for Overview. Conduct a brief overview of the main subject of the visual. P is for Parts. Scrutinize the parts of the visual. Note any elements or details that seem important. T is for Title. Read the title or caption of the visual (if present) for added information. I is for Interrelationships. Use the words in the title or caption and the individual parts of the visual to determine connections and relationships within the graphic. C is for Conclusion. Draw a conclusion about the meaning of the visual as a whole. Summarize the message in one or two sentences. OPTIC can be used with any visual or graphic text, including photographs, diagrams, charts, and fine art. For more information, see: Pauk, W. (2000). How to study in college (7th ed.). Houghton Mifflin Company: Boston Discussing Inner/Outer Circle: This technique can be used to develop students’ understanding of concepts while practicing higher-level questioning. This method gives students the responsibility for running a structured classroom discussion. To prepare for the activity, the teacher assigns a discussion-worthy reading assignment. In addition, the teacher instructs students in writing higher-order questions that go beyond simple knowledge-based and comprehension questions to ones requiring greater application, analysis, synthesis, and evaluation. Students write three to five critical thinking questions. For discussion, students are seated in two concentric circles. As the activity begins, the inner circle discusses and answers questions posed by the outer circle, while the outer circle listens, takes notes, and poses prepared questions. Roles then reverse. The teacher is a non-participating observer. 147 Question Wall: To move students to a higher level of thinking, the instructor should model upper-level questioning and should give students the opportunity to practice these questioning techniques themselves. As a reference for themselves and for students, instructors may consider creating a Question Wall on which they post selected questions. As the entire class becomes familiar with these questions and practices using them, students will begin to demonstrate greater depth of thinking with greater confidence and frequency. For more information, see: Bloom, B.S. (1956). Taxonomy of educational objectives: Cognitive domain. David McKay and Company: New York. Socratic Model: Socratic seminars typically consist of 50- to 80-minute periods. In groups of 25 or fewer, students prepare for the seminar by reading a common text (e.g., a novel, poem, essay, or document) or viewing a work of art. The teacher poses questions requiring students to evaluate options and make decisions. In Socratic seminars, students must respond with a variety of thoughtful explanations: they must give evidence, make generalizations, and tell how the information is represented for them. In other words, they must engage in active learning. The assumption is that when students actively and cooperatively develop knowledge, understanding, and ethical attitudes and behaviors, they are more apt to retain these attributes than if they had received them passively. Critical Thinking Verbs: The verbs below correlate with the six levels of thinking in Benjamin Bloom’s Taxonomy of Educational Objectives. Posting these verbs in a prominent place in the classroom attunes students to the difference between lower- and higher-level tasks and helps raise the level of classroom discussion. This in turn develops habits of mind that are central to an advanced level of critical thinking. Level I. Knowledge know, define, memorize, repeat, record, list, recall, name, relate, collect, label, specify, cite, enumerate, tell, recount Level II. Comprehension restate, summarize, discuss, describe, recognize, explain, express, identify, locate, report, retell, review, translate Level III. Application exhibit, solve, interview, simulate, apply, employ, use, demonstrate, dramatize, practice, illustrate, operate, calculate, show, experiment Level IV. Analysis interpret, analyze, differentiate, compare, contrast, scrutinize, categorize, probe, investigate, discover, inquire, detect, classify, arrange, group, organize, examine, survey, dissect, inventory, question, test, distinguish, diagram, inspect Level V. Synthesis compose, plan, propose, produce, invent, develop, design, formulate, arrange, assemble, construct, set up, prepare, imagine, hypothesize, incorporate, generalize, 148 originate, predict, contrive, concoct, systematize Level VI. Evaluation judge, decide, appraise, evaluate, rate, compare, value, revise, conclude, select, assess, measure, estimate, infer, deduce, score, predict, choose, recommend, determine For more information, see: Bloom, B.S. (1956). Taxonomy of educational objectives: Cognitive domain. David McKay and Company: New York. Think-Pair-Share: This discussion strategy ensures that each student is an active participant in a learning situation. The teacher provides something for the students to think about, often asking students to write down their ideas as evidence of their thinking. Students then pair to share their ideas. As much as possible, students should only work in pairs. The larger the group, the greater the chance that students will once again become passive learners. The share aspect can also include having partners share their observations or conclusions with another set of partners or the larger group. Sharing can involve posting writing work or making an informal or formal presentation. For more information, see: Kagan, S. (1989). Cooperative learning resources for teachers. Resources for Teachers: San Juan Capistrano, CA. [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 149 Lessons These lessons for grades 6-12 were developed based on two texts—one non-fiction and one fiction—and a visual representation. This approach reflects the structures and skills contained in the English/Language Arts Texas Assessment of Knowledge and Skills (TAKS). Texts Abraham Lincoln’s Second Inaugural Address "The Last Lesson" by Alphonse Daudet Armed Conflicts, 1990-2004 Sample Lessons Grade 6-The Building Blocks of Annotation Grade 7-The Search for Common Ground Grade 8-Deriving Author’s Purpose Grade 9-The Power of Language Grade 10-Reading, and Thinking, and Annotating…Oh My! Grade 11-Critical Thinking: Synthesizing Ideas and Information Grade 12-The Movement of Ideas [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 150 Abraham Lincoln’s Second Inaugural Address (Click here for downloadable MS Word version.) March 4, 1865 1 Fellow countrymen: At this second appearing to take the oath of the presidential office, there is less occasion for an extended address than there was at the first. Then a statement, somewhat in detail, of a course to be pursued, seemed fitting and proper. Now, at the expiration of four years, during which public declarations have been constantly called forth on every point and phase of the great contest which still absorbs the attention and engrosses the energies of the nation, little that is new could be presented. The progress of our arms, upon which all else chiefly depends, is as well known to the public as to myself; and it is, I trust, reasonably satisfactory and encouraging to all. With high hope for the future, no prediction in regard to it is ventured. 2 On the occasion corresponding to this four years ago, all thoughts were anxiously directed to an impending civil war. All dreaded it—all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war—seeking to dissolve the Union, and divide effects, by negotiation. Both parties deprecated war; but one of them would make war rather than let the nation survive; and the other would accept war rather than let it perish. And the war came. 3 One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the Southern part of it. These slaves constituted a peculiar and powerful interest. All knew that this interest was, somehow, the cause of the war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union, even by war; while the government claimed no right to do more than to restrict the territorial enlargement of it. 4 Neither party expected for the war the magnitude or the duration which it has already attained. Neither anticipated that the cause of the conflict might cease with, or even before, the conflict itself should cease. Each looked for an easier triumph, and a result less fundamental and astounding. Both read the same Bible, and pray to the same God; and each invokes his aid against the other. It may seem strange that any men should dare to ask a just God’s assistance in wringing their bread from the sweat of other men’s faces; but let us judge not, that we be not judged. The prayers of both could not be answered—that of neither has been answered fully. 5 The Almighty has his own purposes. "Woe unto the world because of offenses! for it must needs be that offenses come; but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through his appointed time, he now wills to remove, and that he gives to both North and South this terrible war, as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to him? Fondly do we hope—fervently do we pray—that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman’s two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn by the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said, "The judgments of the Lord are true and righteous altogether." 151 6 With malice toward none; with charity for all; with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in; to bind up the nation’s wounds; to care for him who shall have borne the battle, and for his widow, and his orphan—to do all which may achieve and cherish a just and lasting peace among ourselves, and with all nations. [printer-friendly] ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 152 The Last Lesson by Alphonse Daudet (Click here for downloadable MS Word version.) 1 I started for school very late that morning and was in great dread of a scolding, especially because M. Hamel had said that he would question us on participles, and I did not know the first word about them. For a moment I thought of running away and spending the day out of doors. It was so warm, so bright! The birds were chirping at the edge of the woods; and in the open field back of the saw-mill the Prussian soldiers were drilling. It was all much more tempting than the rule for participles, but I had the strength to resist, and hurried off to school. 2 When I passed the town hall there was a crowd in front of the bulletinboard. For the last two years all our bad news had come from there—the lost battles, the draft, the orders of the commanding officer—and I thought to myself, without stopping: "What can be the matter now?" 3 Then, as I hurried by as fast as I could go, the blacksmith, Wachter, who was there, with his apprentice, reading the bulletin, called after me: "Don’t go so fast, bub; you’ll get to your school in plenty of time!" 4 I thought he was making fun of me, and reached M. Hamel’s little garden all out of breath. 5 Usually, when school began, there was a great bustle, which could be heard out in the street, the opening and closing of desks, lessons repeated in unison, very loud, with our hands over our ears to understand better, and the teacher’s great ruler rapping on the table. But now it was all so still! I had counted on the commotion to get to my desk without being seen; but, of course, that day everything had to be as quiet as Sunday morning. Through the window I saw my classmates, already in their places, and M. Hamel walking up and down with his terrible iron ruler under his arm. I had to open the door and go in before everybody. You can imagine how I blushed and how frightened I was. 6 But nothing happened, M. Hamel saw me and said very kindly: "Go to your place quickly, little Franz. We were beginning without you." 7 I jumped over the bench and sat down at my desk. Not till then, when I had got a little over my fright, did I see that our teacher had on his beautiful green coat, his frilled shirt, and the little black silk cap, all embroidered, that he never wore except on inspection and prize days. Besides, the whole school seemed so strange and solemn. But the thing that surprised me most was to see, on the back benches that were always empty, the village people sitting quietly like ourselves; old Hauser, with his threecornered hat, the former mayor, the former postmaster, and several others besides. Everybody looked sad; and Hauser had brought an old primer, thumbed at the edges, and he held it open on his knees with his great spectacles lying across the pages. 8 While I was wondering about it all, M. Hamel mounted his chair, and, in the same grave and gentle tone which he had used to me, said: "My children, this is the last lesson I shall give you. The order has come from Berlin to 153 teach only German in the schools of Alsace and Lorraine. The new master comes tomorrow. This is your last French lesson. I want you to be very attentive." 9 What a thunder-clap these words were to me! 10 Oh, the wretches; that was what they had put up at the town-hall! 11 My last French lesson! Why, I hardly knew how to write! I should never learn any more! I must stop there, then! Oh, how sorry I was for not learning my lessons, for seeking birds' eggs, or going sliding on the Saar! My books, that had seemed such a nuisance a while ago, so heavy to carry, my grammar, and my history of the saints, were old friends now that I couldn't give up. And M. Hamel, too; the idea that he was going away, that I should never see him again, made me forget all about his ruler and how cranky he was. 12 Poor man! It was in honor of this last lesson that he had put on his fine Sunday-clothes, and now I understood why the old men of the village were sitting there in the back of the room. It was because they were sorry, too, that they had not gone to school more. It was their way of thanking our master for his forty years of faithful service and of showing their respect for the country that was theirs no more. 13 While I was thinking of all this, I heard my name called. It was my turn to recite. What would I not have given to be able to say that dreadful rule for the participle all through, very loud and clear, and without one mistake? But I got mixed up on the first words and stood there, holding on to my desk, my heart beating, and not daring to look up. I heard M. Hamel say to me: 14 "I won’t scold you, little Franz; you must feel bad enough. See how it is! Every day we have said to ourselves: ‘Bah! I’ve plenty of time. I’ll learn it tomorrow.’ And now you see where we’ve come out. Ah, that’s the great trouble with Alsace; she puts off learning till tomorrow. Now those fellows out there will have the right to say to you: ‘How is it; you pretend to be Frenchmen, and yet you can neither speak nor write your own language?’ But you are not the worst, poor little Franz. We’ve all a great deal to reproach ourselves with. 15 "Your parents were not anxious enough to have you learn. They preferred to put you to work on a farm or at the mills, so as to have a little more money. And I? I’ve been to blame also. Have I not often sent you to water my flowers instead of learning your lessons? And when I wanted to go fishing, did I not just give you a holiday?" 16 Then, from one thing to another, M. Hamel went on to talk of the French language, saying that it was the most beautiful language in the world—the clearest, the most logical; that we must guard it among us and never forget it, because when a people are enslaved, as long as they hold fast to their language it is as if they had the key to their prison. Then he opened a grammar and read us our lesson. I was amazed to see how well I understood it. All he said seemed so easy, so easy! I think, too, that I had never listened so carefully, and that he had never explained everything with so much patience. It seemed almost as if the poor man wanted to give us all he knew before going away, and to put it all into our heads at one stroke. 154 17 After the grammar, we had a lesson in writing. That day M. Hamel had new copies for us, written in a beautiful round hand: France, Alsace, France, Alsace. They looked like little flags floating everywhere in the school-room, hung from the rod at the top of our desks. You ought to have seen how every one set to work, and how quiet it was! The only sound was the scratching of the pens over the paper. Once some beetles flew in; but nobody paid any attention to them, not even the littlest ones, who worked right on tracing their fish-hooks, as if that was French, too. On the roof the pigeons cooed very low, and I thought to myself: "Will they make them sing in German, even the pigeons?" 18 Whenever I looked up from my writing I saw M. Hamel sitting motionless in his chair and gazing first at one thing, then at another, as if he wanted to fix in his mind just how everything looked in that little school-room. Fancy! For forty years he had been there in the same place, with his garden outside the window and his class in front of him, just like that. Only the desks and benches had been worn smooth; the walnut-trees in the garden were taller, and the hop-vine, that he had planted himself, twined about the windows to the roof. How it must have broken his heart to leave it all, poor man; to hear his sister moving about in the room above, packing their trunks! For they must leave the country next day. 19 But he had the courage to hear every lesson to the very last. After the writing, we had a lesson in history, and then the babies chanted their ba, be, bi, bo, bu. Down there at the back of the room old Hauser had put on his spectacles and, holding his primer in both hands, spelled the letters with them. You could see that he, too, was crying; his voice trembled with emotion, and it was so funny to hear him that we all wanted to laugh and cry. Ah, how well I remember it, that last lesson! 20 All at once the church-clock struck twelve. Then the Angelus. At the same moment the trumpets of the Prussians, returning from drill, sounded under our windows. M. Hamel stood up, very pale, in his chair. I never saw him look so tall. 21 "My friends," said he, "I--I--" But something choked him. He could not go on. 22 Then he turned to the blackboard, took a piece of chalk, and, bearing on with all his might, he wrote as large as he could: "Vive La France!" 23 Then he stopped and leaned his head against the wall, and, without a word, he made a gesture to us with his hand; "School is dismissed—you may go." [printer-friendly] ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 155 156 Number of armed conflicts 1990- 2004 1990 1991 1992 1993 1994 1995 1996 1997 Americas 1998 Asia 1999 Africa Regional distribution and number of armed conflicts, 1990-2004 2000 2001 Europe 2002 2003 Middle East 2004 Source: SIPRI Yearbook 2005, Stockholm International Peace Research Institute; Uppsala Conflict Data Program, Uppsala, Sweden. 0 5 10 15 20 25 30 35 Grade 6 TEKS and AP* objectives demonstrated** (pdf) Lesson-The Building Blocks of Annotation Our ultimate goal as teachers of English is to create students who can think clearly and communicate effectively. —Ronda Brandon, original committee member [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 157 Grade 6 TEKS and AP* Objectives in Sample Lesson Texas Essential Knowledge and Skills b 1 (D) listen to learn by taking notes, organizing, and summarizing spoken ideas b 2 (A) interpret speakers’ messages (both verbal and nonverbal), purposes, and perspectives b 2 (D) monitor his/her own understanding of the spoken message and seek clarification as needed b 2 (E) compare his/her own perception of a spoken message with the perception of others b 3 (A) listen to proficient, fluent models of oral reading, including selections from classic and contemporary works b 3 (C) analyze the use of aesthetic language for its effects b 6 (A) apply knowledge of letter-sound correspondences, language structure, and context to recognize words b 7 (B) read regularly in instructional-level materials that are challenging but manageable (texts in which no more than approximately 1 in 10 words is difficult for the reader) b 7 (F) read silently with increasing ease for longer periods b 8 (C) read for varied purposes such as to be informed, to be entertained, to appreciate the writer’s craft, and to discover models for his/her own writing b 9 (A) develop vocabulary by listening to selections read aloud b 10 (E) use the text’s structure or progression of ideas such as cause and effect or chronology to locate and recall information b 10 (F) determine a text’s main (or major) ideas and how those ideas are supported with details Advanced Placement Program* Goals and Expectations** Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Develop a wide-ranging vocabulary used appropriately and effectively. Develop a wide-ranging vocabulary used appropriately and effectively. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Develop a wide-ranging vocabulary used appropriately and effectively. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 158 b 10 (G) paraphrase and summarize text to recall, inform, or organize ideas b 10 (H) draw inferences such as conclusions or generalizations and support them with text evidence and experience b 10 (I) find similarities and differences across texts such as treatment, scope, or organization b 11 (B) interpret text ideas through such varied means as journal writing, discussion, enactment, and media b 11 (D) connect, compare, and contrast ideas, themes, and issues across text b 12 (F) analyze characters, including their traits, motivations, conflicts, point of view, relationships, and changes they undergo b 13 (B) use text organizers, including headings, graphic features, and tables of contents, to locate and organize information b 15 (F) choose the appropriate form for his/her own purpose for writing, including journals, letters, editorials, reviews, poems, presentations, narratives, reports, and instructions b 21 (A) collaborate with other writers to compose, organize, and revise various types of texts, including letters, news, records, and forms Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. Make careful observations of textual detail. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Make careful observations of textual detail. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write in both formal and informal contexts to gain authority and learn to take risks in writing. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 159 Grade 6 Sample Lesson The Building Blocks of Annotation Annotation while reading, deconstructing objective questions, targeting context clues Contributed by Jim Lindsay, Episcopal School of Dallas, Dallas, TX Time Needed: Four class periods with homework and additional lesson options Materials/Resources Needed: • • • • • • • • • • • • Handout: Which is fiction? Which is non-fiction? Two colors of highlighters or crayons Copies of Abraham Lincoln’s Second Inaugural Address (columned text version) Pens, pencils, markers Handout: Reading Comprehension Questions Handout: One-Two-Three Construction paper or index cards Markers Copies of “The Last Lesson” (columned text version) Student flash cards Handout: Reading Check for “The Last Lesson” The AP Vertical Teams Guide for English (see http://apcentral.collegeboard.com/pre-ap/0,,1750-0-34485,00.html) Class Period 1—Fiction/Non-Fiction and Vocabulary • Preparation and Instruction o o o o Give Lincoln’s Second Inaugural Address (columned text version) to each student. Prepare students for reading by differentiating the terms fiction and non-fiction. Remind them that fiction is made up by the author and that non-fiction is real, factual information. Estimated time: 5 minutes. Optional: Depending on student understanding and pre-knowledge of the terms, you may choose to do the following warm up. ƒ Give each student one yellow and one orange highlighter. You can choose your own colors, use two different colored crayons, or one pencil and one pen. Give them the handout: Which is fiction? Which is non-fiction? ƒ Time the students for 90 seconds. For 30 seconds, have them read the two lists of types of writing. Then, for the next 30 seconds, have them highlight in yellow all the examples of fiction. For the third 30 seconds, have them highlight in orange all the examples of non-fiction. Review answers with the students. Inform students that they will now read a piece of non-fiction silently as you read aloud. Tell them to find “A Presidential Address” on their handouts and circle it. You may want to have ©2006 Texas Education Agency 160 o o o o o o o o them write the title of this piece: Abraham Lincoln’s Second Inaugural Address. If necessary, briefly define what an inaugural address is. Provide copies of Lincoln’s Second Inaugural Address (columned text version). Direct students to read the piece silently as you read aloud. Because the vocabulary is mature here, the students may struggle with reading the text on their own. Your verbal emphases and intonations may help their understanding of new words. Redirect at the end of the reading as you see fit. Read the first paragraph and allow children to answer the questions to the side of the reading. Each paragraph’s direction should take about two to four minutes. During writing time, travel the room to check for understanding and to answer questions. Do your best to coach the students to puzzle out difficult words and directions on their own. Help only with directions. Estimated time: 20 minutes. After the reading is complete and all answers answered, give students the handout: Reading Comprehension Questions. (10 minutes). You may wish to collect this handout for a grade. Answer key: 1. B, 2. C, 3. C, 4. A, 5. C, 6. A, 7. A, 8. D Closure/final discussion: Ask the students: “what elements of the speech categorize it as nonfiction?” Homework: Bring the speech home and find five words we did not discuss today that you still do not know the meanings for. Be prepared to discuss those words tomorrow. Class Period 2—Diction and Vocabulary • Preparation and Instruction o o o o o o o o Begin by asking students to take out their copies of the speech they read yesterday. Also, they will need their five new words homework. Ask students to work in pairs; if the number of students is uneven, create one group of three. Give students new handout: One-Two-Three. Read the directions with them. Tell students that they have one minute to write down their homework words onto the handout’s first column. Next, have them go into the text and find loaded diction that surround the foreign word but seems to have something to do with it by support or by contrast. Feel free to do one together or use the example on the sheet. While they are working, have them define all of the foreign words based on their loaded diction finds. Estimated time: 15 minutes. Have pairs of students branch out and find another pair, thus creating a group of four. Have students see which like words they chose and check with one another to see where they matched the other pair’s (or came close) and where they differed. Put stars next to the ones that had the same words, but very different meanings. Estimated time: 10 minutes. On the back of the sheet, have the students draw three columns and share words that the other pair did not choose. Fill in the other pair’s information, thus creating a longer list of new words. Estimated time: 5 minutes. Check student work for accuracy in their definitions. Correct uneven parts of speech. Closure: Give students index cards or construction paper and markers. Have them make a class set of flash cards for vocabulary enrichment and study. Estimated time: 10 minutes. Give students copy of Alphonse Daudet’s “The Last Lesson” (columned text version). Homework: Students will read the story and annotate independently on the side column. You may have to coach the students into understanding the differences between the annotation style of the Lincoln handout, which prompted the students to write about certain details in the text, and this one, which does not. Class Period 3—Reading Check and Graphic Organizer • Preparation and Instruction o To review the previous day’s lesson, begin by having students take out their One-Two-Three handouts. Give them three to five minutes to “flash study” the words and definitions. ©2006 Texas Education Agency 161 o o o o o Have students put all materials away. Tell them that you will use the flashcards that everyone made yesterday. (You likely will want to pre-check these cards for accuracy.) You will hold up one piece of construction paper and show everyone the word. They are not allowed to call out. Everyone will look at the word, think about the word, and when the students think they know the correct definition, they can raise their hands. The idea here is to allow all students the appropriate wait time. Once all hands, or as many hands as you think will go up, are raised, ask one student to give the answer. Feel free to play devil’s advocate and ask other students if the participant is correct or not. Continue the game until all words are shown. Then, do it again, faster, and with the expectation that all students will raise their hands. The idea here is to have more students knowledgeable about the words than last time. Feel free to make this game more competitive by making two teams, judging on how much time you would like to spend on it. Estimated time: 12-15 minutes. Have students take out their annotated copies of Daudet’s “The Last Lesson.” Inform students that you will give them a timed reading check. Provide students with the handout: Reading Check. They can do the reading check “open book,” but they are expected to have already read the story. Collect it for a grade if you like, review the answers. Key to reading check: 1. D, 2. C, 3. A, 4. D, 5. C, 6. B, 7. C, 8. B, 9. D Estimated time: 15 minutes. After the reading check, have students create a graphic organizer. The instructions are the following: After reading “The Last Lesson,” create a graphic organizer with the phrase “Physical and Emotional Reactions to War.” On the left-hand side of the paper, tell students to find three direct quotations that show a cause of the German occupation. On the right, have them write three quotations that illustrate the effects of the impending German occupation of France. Work in pairs. Estimated time: 15 minutes. Closure: Openly discuss findings, emphasizing the personal reactions to war. Homework Journal Question: What are the similarities between Abraham Lincoln’s Second Inaugural Address and Daudet’s “The Last Lesson?” Expected minimum length: 250 words. Class Period 4—Developing Journal Responses and Sentence Length • Preparation and Instruction o o o o o Group students into teams of four. Ask them to take 10 minutes to read their journal responses to one another. Monitor as they do. Estimated time: 10 minutes. After each student has read his or her journal, tell students to choose the best one of the group. Ask that student to read the entry to the class. Therefore, you will have one journal entry from each group that the entire class will hear. Estimated time: 10 minutes. Follow up questions: Why did the group decide that this entry was the best? What qualities does it have that make it the best? What details were important to mention that this entry uses? What conclusions does the writer draw about the story and the speech? Estimated time: 10 minutes. Closure: Have students return to their own seats and ask them to reread their own journals. At this time, they may make corrections, add sentences where necessary, and generally develop their responses more. Ask them to take the remainder of the period to do so, making sure they proofread when finished. They will turn their polished entries in for a grade. Estimated time: 15 minutes. Optional (an extension for a block schedule or an additional lesson): If you have time and are so inclined, you can take a moment to teach an important syntactical pattern. Use The AP Vertical Teams Guide for English. You can make these terms a highlighted portion of today’s lesson, or you can give it more emphasis and perhaps use it as a means to rewriting for the students’ journals. ƒ Using page 37 of The AP Vertical Teams Guide for English, teach students about sentence length. ƒ Introduce sentence length: telegraphic, short, medium, and long. ƒ Short Version: Have the student pinpoint the one telegraphic sentence in Lincoln’s Second Inaugural Address, “And the war came.” (par. 2). Identify how it is a telegraphic sentence and how long the sentences are around it. Ask, “What is the ©2006 Texas Education Agency 162 ƒ effect of the sentence by making it telegraphic?” The answer is for elevation. Writers use telegraphics to emphasize an important idea. Long, medium, and short sentences are very important, too. But the use of a telegraphic sends a distinct message to the reader. They are also rare. Most major works have only one, or just a few telegraphic sentences for special emphasis. Have them take home their journals to rewrite and improve. Instruct them to find one special place in their journal to use a telegraphic sentence for emphasis. Long Version: Have half the class take Lincoln’s speech home and count how many words are in each sentence. Instruct them to make a chart of each sentence and its length. (They will find only one telegraphic.) Have the second half of the class take home the Daudet story and count each word in each sentence. Tell them to make a chart of each sentence’s length. They will find some rhetorical fragments, which we can consider telegraphics. They emphasize specific feelings from the speaker. Look at such examples as “My last French lesson! (par. 14) or the one truly telegraphic sentence: “See how it is! (par. 12). For homework, they can complete these charts and rewrite their journals, finding one special place for a telegraphic sentence. Plan to discuss or write about why the student made that specific choice. ©2006 Texas Education Agency 163 Which is fiction? Which is non-fiction? A short story about a talking duck An article from an encyclopedia about dogs A biography on Thomas Jefferson A nursery rhyme A story about Dr. Martin Luther King, Jr. A how-to speech An article about the Space Shuttle A novel A play or musical The movie: Spiderman 2 A Halloween horror story One of your own journal entries A fairy tale A tall tale A travelogue A Greek myth A fable A presidential address An essay about ice cream A Charlie Brown comic A science textbook A user’s manual for a DVD player A television documentary on Italy A chart or diagram of vital statistics A vampire story A blueprint for a new house ©2006 Texas Education Agency 164 Abraham Lincoln's Second Inaugural Address, March 4, 1865 Notes and questions to answer about what I am reading. 1 2 3 4 Fellow countrymen: At this second appearing to take the oath of the presidential office, there is less occasion for an extended address than there was at the first. Then a statement, somewhat in detail, of a course to be pursued, seemed fitting and proper. Now, at the expiration of four years, during which public declarations have been constantly called forth on every point and phase of the great contest which still absorbs the attention and engrosses the energies of the nation, little that is new could be presented. The progress of our arms, upon which all else chiefly depends, is as well known to the public as to myself; and it is, I trust, reasonably satisfactory and encouraging to all. With high hope for the future, no prediction in regard to it is ventured. On the occasion corresponding to this four years ago, all thoughts were anxiously directed to an impending civil war. All dreaded it—all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war— seeking to dissolve the Union, and divide effects, by negotiation. Both parties deprecated war; but one of them would make war rather than let the nation survive; and the other would accept war rather than let it perish. And the war came. One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the Southern part of it. These slaves constituted a peculiar and powerful interest. All knew that this interest was, somehow, the cause of the war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union, even by war; while the government claimed no right to do more than to restrict the territorial enlargement of it. Neither party expected for the war the magnitude or the duration which it has already attained. Neither anticipated that the cause of the conflict might cease with, or even before, the conflict itself should cease. Each looked for an easier triumph, and a result less fundamental and astounding. Both read the same Bible, and pray to the same God; and each invokes his aid against the other. It may seem strange that any men should dare to ask a just God's assistance in wringing their bread from What is paragraph one mainly about? What do these words mean? avert: insurgent agents: deprecated: perish: What important details do you see about slavery in the South? What sentences can you underline that seem to show how north and south are equal? ©2006 Texas Education Agency 165 the sweat of other men's faces; but let us judge not, that we be not judged. The prayers of both could not be answered—that of neither has been answered fully. 5 The Almighty has his own purposes. "Woe unto the world because of offenses! for it must needs be that offenses come; but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through his appointed time, he now wills to remove, and that he gives to both North and South this terrible war, as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to him? Fondly do we hope— fervently do we pray—that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn by the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said, "The judgments of the Lord are true and righteous altogether." What conclusions can you draw about what President Lincoln thinks about God’s role in the war? 6 With malice toward none; with charity for all; with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in; to bind up the nation's wounds; to care for him who shall have borne the battle, and for his widow, and his orphan--to do all which may achieve and cherish a just and lasting peace among ourselves, and with all nations. What changes does Lincoln hope to see in America now that the war is over? ©2006 Texas Education Agency 166 Reading Comprehension Questions Based on your reading of the speech and note-taking, respond to the following items. 1. What is the first paragraph mainly about? a. b. c. d. How both the north and the south feared a civil war How Lincoln feels hopeful for the future of America How four years has passed by How Lincoln’s next term as president will be better than the last 2. The word avert in paragraph two most clearly means a. b. c. d. begin start over from scratch prevent pause 3. The phrase insurgent agents in paragraph two most clearly means a. b. c. d. supporters co-workers rebels teachers 4. The word perish in paragraph two most clearly means a. b. c. d. die lose control rise again grow 5. Which sentence from the speech supports the idea that the issue of slavery was one major cause of the Civil War? a. b. c. d. “One-eighth of the whole population were colored slaves” “localized in the Southern part of it” “These slaves constituted a peculiar and powerful interest.” “the government claimed no right to do more than to restrict the territorial enlargement of it.” 6. Why does President Lincoln say that Northerners and Southerners believed in God, but their prayers could not be “answered fully”? a. b. c. d. He means that both North and South share similarities. He means that all people from the United States have reading ability. He believes that the two parties judge each other. He believes that the war affected northern life more than southern life. ©2006 Texas Education Agency 167 7. Paragraph five is important to the speech because it helps the reader understand a. b. c. d. 8. how Lincoln hopes the country will heal after the war. how humans angered their God. how the war still has the possibility of returning. how many wounds must be healed before the war is truly over. Look at the diagram about information from the story. CAUSE EFFECT The United States will achieve peace. Which of these details belongs in the box labeled “CAUSE”? a. b. c. d. Northerners must give in to Southerners. Lincoln will lead the mission to end the war. All must be friendly to those who do not originate from America. We must do everything in our power to discourage hatred and encourage good will. ©2006 Texas Education Agency 168 One-Two-Three Use this strategy for making your best guess at what an unfamiliar word means. Using this method will prove as easy as “One-two-three.” One Write down your unfamiliar words in this column. Example: Peruse Two Write down the words and phrases near your word that seem to help suggest the meaning of the unfamiliar word. Remember, some words will contrast your word, which also helps determine meaning. “skim” (contrast), “thoroughly,” “read along,” and “examination” Three Write down your own definition of the unfamiliar word. Remember to keep your part of speech consistent! Peruse – to read carefully 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. ©2006 Texas Education Agency 169 THE LAST LESSON By Alphonse Daudet Notes about what I am reading. I started for school very late that morning and was in great dread of a scolding, especially because M. Hamel had said that he would question us on participles, and I did not know the first word about them. For a moment I thought of running away and spending the day out of doors. It was so warm, so bright! The birds were chirping at the edge of the woods; and in the open field back of the saw-mill the Prussian soldiers were drilling. It was all much more tempting than the rule for participles, but I had the strength to resist, and hurried off to school. When I passed the town hall there was a crowd in front of the bulletin-board. For the last two years all our bad news had come from there—the lost battles, the draft, the orders of the commanding officer—and I thought to myself, without stopping: "What can be the matter now?" Then, as I hurried by as fast as I could go, the blacksmith, Wachter, who was there, with his apprentice, reading the bulletin, called after me: "Don't go so fast, bub; you'll get to your school in plenty of time!" I thought he was making fun of me, and reached M. Hamel's little garden all out of breath. Usually, when school began, there was a great bustle, 5 which could be heard out in the street, the opening and closing of desks, lessons repeated in unison, very loud, with our hands over our ears to understand better, and the teacher's great ruler rapping on the table. But now it was all so still! I had counted on the commotion to get to my desk without being seen; but, of course, that day everything had to be as quiet as Sunday morning. Through the window I saw my classmates, already in their places, and M. Hamel walking up and down with his terrible iron ruler under his arm. I had to open the door and go in before everybody. You can imagine how I blushed and how frightened I was. But nothing happened, M. Hamel saw me and said very kindly: "Go to your place quickly, little Franz. We were beginning without you." I jumped over the bench and sat down at my desk. Not till then, when I had got a little over my fright, did I see that our teacher had on his beautiful green coat, his frilled shirt, and the little black silk cap, all embroidered, that he never wore except on inspection and prize days. Besides, the whole school seemed so strange and solemn. But the thing that surprised me most was to see, on the back benches that were always empty, the village people sitting quietly like ourselves; old Hauser, with his three-cornered hat, the former mayor, the former postmaster, and several others besides. Everybody looked sad; and Hauser had brought an old primer, thumbed at the edges, and he held it open on his knees with his great spectacles lying across the pages. While I was wondering about it all, M. Hamel mounted his chair, and, in the same grave and gentle tone which he had used to me, said: "My children, this is the last lesson I shall give you. The order has come from Berlin to teach only German in the schools of Alsace and Lorraine. The new master comes tomorrow. This is your last French lesson. I want you to be very ©2006 Texas Education Agency 170 attentive." What a thunder-clap these words were to me! Oh, the wretches; that was what they had put up at the townhall! My last French lesson! Why, I hardly knew how to write! I should never learn any more! I must stop there, then! Oh, how sorry I was for not learning my lessons, for seeking birds' eggs, or going sliding on the Saar! My books, that had seemed such a nuisance a while ago, so heavy to carry, my grammar, and my history of the saints, were old friends now that I couldn't give up. And M. Hamel, too; the idea that he was going away, that I should never see him again, made me forget all about his ruler and how cranky he was. Poor man! It was in honor of this last lesson that he had put on his fine Sunday-clothes, and now I understood why the old men of the village were sitting there in the back of the room. It was because they were sorry, too, that they had not gone to school more. It was their way of thanking our master for his forty years of faithful service and of showing their respect for the country that was theirs no more. While I was thinking of all this, I heard my name called. It was my turn to recite. What would I not have given to be able to say that dreadful rule for the participle all through, very loud and clear, and without one mistake? But I got mixed up on the first words and stood there, holding on to my desk, my heart beating, and not daring to look up. I heard M. Hamel say to me: "I won't scold you, little Franz; you must feel bad enough. See how it is! Every day we have said to ourselves: 'Bah! I've plenty of time.I'll learn it to-morrow.' And now you see where we've come out. Ah, that's the great trouble with Alsace; she puts off learning till tomorrow. Now those fellows out there will have the right to say to you: 'How is it; you pretend to be Frenchmen, and yet you can neither speak nor write your own language?' But you are not the worst, poor little Franz. We've all a great deal to reproach ourselves with. "Your parents were not anxious enough to have you learn. They preferred to put you to work on a farm or at the mills, so as to have a little more money. And I? I've been to blame also. Have I not often sent you to water my flowers instead of learning your lessons? And when I wanted to go fishing, did I not just give you a holiday?" Then, from one thing to another, M. Hamel went on to talk of the French language, saying that it was the most beautiful language in the world—the clearest, the most logical; that we must guard it among us and never forget it, because when a people are enslaved, as long as they hold fast to their language it is as if they had the key to their prison. Then he opened a grammar and read us our lesson. I was amazed to see how well I understood it. All he said seemed so easy, so easy! I think, too, that I had never listened so carefully, and that he had never explained everything with so much patience. It seemed almost as if the poor man wanted to give us all he knew before going away, and to put it all into our heads at one stroke. After the grammar, we had a lesson in writing. That day M. Hamel had new copies for us, written in a beautiful round hand: France, Alsace, France, Alsace. They looked like little 10 15 ©2006 Texas Education Agency 171 flags floating everywhere in the school-room, hung from the rod at the top of our desks. You ought to have seen how every one set to work, and how quiet it was! The only sound was the scratching of the pens over the paper. Once some beetles flew in; but nobody paid any attention to them, not even the littlest ones, who worked right on tracing their fish-hooks, as if that was French, too. On the roof the pigeons cooed very low, and I thought to myself: "Will they make them sing in German, even the pigeons?" Whenever I looked up from my writing I saw M. Hamel sitting motionless in his chair and gazing first at one thing, then at another, as if he wanted to fix in his mind just how everything looked in that little school-room. Fancy! For forty years he had been there in the same place, with his garden outside the window and his class in front of him, just like that. Only the desks and benches had been worn smooth; the walnut-trees in the garden were taller, and the hop-vine, that he had planted himself twined about the windows to the roof. How it must have broken his heart to leave it all, poor man; to hear his sister moving about in the room above, packing their trunks! For they must leave the country next day. But he had the courage to hear every lesson to the very last. After the writing, we had a lesson in history, and then the babies chanted their ba, be, bi, bo, bu. Down there at the back of the room old Hauser had put on his spectacles and, holding his primer in both hands, spelled the letters with them. You could see that he, too, was crying; his voice trembled with emotion, and it was so funny to hear him that we all wanted to laugh and cry. Ah, how well I remember it, that last lesson! All at once the church-clock struck twelve. Then the Angelus. At the same moment the trumpets of the Prussians, returning from drill, sounded under our windows. M. Hamel stood up, very pale, in his chair. I never saw him look so tall. "My friends," said he, "I--I--" But something choked him. He could not go on. Then he turned to the blackboard, took a piece of chalk, and, bearing on with all his might, he wrote as large as he could: "Vive La France!" Then he stopped and leaned his head against the wall, and, without a word, he made a gesture to us with his hand; "School is dismissed—you may go." 20 ©2006 Texas Education Agency 172 Reading Check Directions: Answer the following questions regarding, “The Last Lesson.” (12.5 points each) 1. Which statement best reflects Franz’s change in attitude by the end of the story? a. b. c. d. Franz thinks his lessons are not important after all. Franz believes that careful attention to details will help him learn German grammar better. Franz sees that he understands the material M. Hamel wants Franz to learn. Franz sees the disappointment in M. Hamel, which makes him want to work harder. 2. Why does Franz decide to go to school after all? a. b. c. d. He is forced to by Prussian soldiers. He has to turn in his assignment on participles. He gathers the energy to show up. He hears M. Hamel calling him. 3. In paragraph four, what is the meaning of the word bustle? a. b. c. d. commotion silence bell society 4. Which sentence tells you that the school-house looks different on this day? a. b. c. d. “Through the window I saw my classmates, already in their places” “I had to open the door and go in before everybody.” “’Go to your place quickly, little Franz. We were beginning without you.’” “But the thing that surprised me most was to see, on the back benches that were always empty, the village people sitting quietly like ourselves;” 5. The reader can conclude that a. b. c. d. M. Hamel does not teach very well. M. Hamel must have extra school supplies ready for the townspeople. usually, M. Hamel dresses more casually. M. Hamel will soon deliver his last lesson in French. 6. Paragraph eight is important to the story because a. b. c. d. M. Hamel has accepted another teaching position. the world war will change the townspeople’s lives. earlier, Franz read the bulletin at the town hall. M. Hamel has been taking German lessons. ©2006 Texas Education Agency 173 7. The author probably wrote this story mainly to a. b. c. d. show how one student can make a difference in a teacher’s life. portray the Prussians as bad influences on the French. describe the personal effects of war on a people. illustrate how difficult writing instruction can be in France. 8. Read the following sentence, which begins a summary of the story. Franz decides to go to school even though he is tempted not to. _____________________________________________________ _____________________________________________________ _____________________________________________________ _____________________________________________________ Which set of sentences best completes the summary? a. His teacher informs the class that today will be the final day the students will learn in French. The townspeople come to make sure M. Hamel is doing his job. b. He finds that on this day, he will learn his last French lesson. Franz decides to work hard in honor of his teacher and his country. c. The townspeople enter to listen to the lesson. They help the students with their grammar instruction. d. Franz decides to work hard on his grammar lesson. Half-way through his assignment, he is interrupted by Prussian soldiers who stop the school day. Bonus 5 points! 9. An idea presented in both Lincoln’s Second Inaugural Address and this story is a. b. c. d. that the impact of war always alters language. that even children are affected daily by war. the future of the country and its feelings of pride. that war affects the nation on a personal level. ©2006 Texas Education Agency 174 Grade 7 TEKS and AP* objectives demonstrated** (pdf) Lesson-The Search for Common Ground The classroom curriculum should provide students a challenging framework of lessons designed to help them "navigate" important, often difficult, material. —Sharon Kingston, original committee member [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 175 Grade 7 TEKS and AP* Objectives in Sample Lesson Texas Essential Knowledge and Skills b 7 (B) read regularly in instructional-level materials that are challenging but manageable (texts in which no more than 1 in 10 words is difficult for the reader) b 9 (F) distinguish denotative and connotative meanings b 10 (A) use his/her own knowledge and experience to comprehend b 10 (B) establish and adjust purposes for reading such as reading to find out, to understand, to interpret, to enjoy, and to solve problems b 10 (C) monitor his/her own comprehension and make modifications when understanding breaks down such as by rereading a portion aloud, using reference aids, searching for clues, and asking questions b 10 (F) determine a text’s main (or major) ideas and how those ideas are supported with details b 10 (G) paraphrase and summarize text to recall, inform, or organize ideas b 10 (H) draw inferences such as conclusions or generalizations and support them with text evidence and experience b 10 (I) find similarities and differences across texts such as in treatment, scope, or organization Advanced Placement Program* Goals and Expectations** Read complex texts with understanding. Develop a wide-ranging vocabulary used appropriately and effectively. Develop a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness. Read complex texts with understanding. Read complex texts with understanding. Make careful observations of textual detail. Read complex texts with understanding. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 176 Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. b 10 (J) distinguish fact and opinion in various texts b 10 (K) answer different types and levels of questions such as open-ended, literal, and interpretative as well as test-like questions such as multiple choice, true-false, and short answer b 10 (L) represent text information in different ways such as in outline, timeline, or graphic organizer b 11 (A) offer observations, make connections, react, speculate, interpret, and raise questions in response to texts Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Read primary and secondary source material carefully, and synthesize material from these texts in student compositions. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. b 11 (B) interpret text ideas through such varied means as journal writing, discussion, enactment, and media Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 177 • understanding of their multiple meanings. Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. b 11 (C) support responses by referring to relevant aspects of text and his/her own experiences Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Make careful observations of textual detail. Establish connections among observations. b 11 (D) connect, compare, and contrast ideas, themes, and issues across text Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read complex texts with understanding. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Make careful observations of textual detail. Establish connections among observations. b 12 (A) identify the purposes of different types of texts such as to inform, influence, express, or entertain b 12 (F) analyze characters, including their traits, motivations, conflicts, point of view, relationships, and changes they undergo Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read complex texts with understanding. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 178 • • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. b 12 (G) recognize and analyze story plot, setting and problem resolution Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. b 12 (H) describe how the author’s perspective or point of view affects the text b 12 (J) recognize and interpret literary devices such as flashback, foreshadowing, and symbolism Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 179 • • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. b 12 (K) recognize how style, tone, and mood contribute to the effect of the text Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Reflect on the link between grammar and style. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 180 b 15 (A) write to express, discover, record, develop, reflect on ideas, and to problem solve Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Write for a variety of purposes. Write thoughtfully and reflectively about composition process. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. Develop an effective use of rhetoric, including controlling tone, maintaining a consistent voice, and achieving emphasis through parallelism and antithesis. Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. Write to explain through the use of analysis/interpretation and brief focused analyses on aspects of language and structure. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Write to explore, discovering ideas through the process of writing about text. b 15 (F) choose the appropriate form for his/her own purpose for writing, including journals, letters, Write effectively under time constraints. Write in several forms—narrative, exploratory, expository, argumentative—on many different *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 181 editorials, reviews, poems, presentations, narratives, reports, and instructions b 15 (F) choose the appropriate form for his/her own purpose for writing such as journals, letters, editorials, reviews, poems, memoirs, narratives, and instructions subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. b 18 (A) generate ideas and plans for writing by using prewriting strategies such as brainstorming, graphic organizers, notes, and logs Write to understand throught the use of response and reaction papers, annotation, freewriting, and reading journals. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Apply effective writing strategies and techniques. b 22 (B) interpret important events and ideas gathered from maps, charts, graphics, video segments, or technology presentations Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate – make and explain judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Make careful observations of textual detail. b 22 (C) use media to compare ideas and points of view Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 182 Analyze images as text. b 23 (C) evaluate the purposes and effects of varying media such as film, print, and technology presentations Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate – make and explain judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. Make careful observations of textual detail. b 23 (D) evaluate how different media forms influence and inform Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Write to evaluate – make and explain judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. b 24 (A) select, organize, or produce visuals to complement and extend meanings Establish connections among observations. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 183 Grade 7 Sample Lesson The Search for Common Ground Unraveling meaning by understanding tone, imagery, point-of-view, word choice, setting, characterization, symbols, and conflict to discover its effects in written text Contributed by Stefanie Bush, Galena Park Independent School District, Houston, TX (Click here for downloadable MS Word Version.) Time Needed: Eight 50-minute class periods Materials/Resources Needed: • • • • • • • • • • • • • • • • • • • • • Various pictures from history showing the treatment of slaves, the underground railroad, soldiers from the Civil War, Lincoln giving his second inaugural address, destruction from war, and actual war scenes (Each student will receive a set of pictures. To save time, cut pictures and have each set in a baggie.) Sentence strips – two per student 3x5 note cards (Students will need one note card per picture. If students have eight pictures, they will need eight note cards.) Glue sticks Pencil/paper Copies of Abraham Lincoln’s Second Inaugural Address – one per student Inaugural Address Student Organizer – one per student Inaugural Address Essay Assessment – one per student Music that has various shifts in tone (“Reflections of Earth” from the Illuminations: Tapestry of Dreams CD (Buena Vista Records) is perfect for this activity.) “The Last Lesson” Activity Sheet 1 - one per student “The Last Lesson” Activity Sheet 2 - one per student Scissors Copies of “The Last Lesson” by Alphonse Daudet – one per student Large white paper Colored pencils Chart paper Sticky notes - three per group Markers “The Last Lesson” Short Answer Assessment – one per student Copies of Armed Conflicts, 1999-2004 Viewing and Representing Discussion Guide ©2006 Texas Education Agency 184 Class Period 1—Picture scramble to build background knowledge for Lincoln’s Second Inaugural Address • Preparation and Instruction o o o o o o o Students may work in groups; however, each student is responsible for the activity. Instruct students to tape the two sentence strips together—end to end. Using the photographs, have students create a cause/effect timeline. Although the teacher may have a preferred order, allow students time to discuss and pick out details that create a logical cause/effect timeline according to the details they see from the pictures. Have students compare their sequence of events with their group members. Once a logical cause/effect order has been established, have students glue their pictures onto the sentence strips. If the teacher has chosen pictures that reflect a specific progression through time, this is the appropriate point in the lesson to correct students and adjust knowledge. Glue a note card above each picture. Have students write their cause or effect on each note card. Using the timeline as a guide, allow students time to discuss their thoughts and ideas about the people and events that surrounded the Civil War. Discuss the tone portrayed in each picture. Class Period 2—Discover Writing to understand point-of-view • Preparation and Instruction o o o o o o o o Students will use their timelines as a reference tool while listening to the instrumental music. Instruct students to first listen to the music and then identify a specific person in one of the pictures that reflects the specific tone of the music. Once they have identified the person, they should begin writing from that person’s point of view. (For example, if they hear repetitive drums in the music and that makes them think of the soldier on the horse marching to battle, they begin writing from the soldier’s point of view.) Students should write in first person. Instruct students to consider what they think the person is thinking or wondering. Is the person worrying, being confident, or finding hope in something? Each time the music shifts, have students choose a different point of view from which to write. Students should change personas approximately every four to five minutes. Students will not write about every person in the pictures. It may be necessary to repeat the music. When students are finished writing, have them underline their best sentence, phrase, or even word within each point of view. There is no minimum or maximum. If the student loves the entire entry, he or she may underline the entire entry. He or she may simply underline a phrase or one vivid verb. Instruct students to do a read around. Do not require a specific path. Allow students to read their underlined parts as they fit in with the other readings. It is appropriate to have pauses between readings. Record the reading and replay it for students. Students will want to create a second and third poem once they hear the beauty and power of their words. Publish and post poems around the room with sample timelines or create a Civil War poetry book. Discuss the variety of people represented within each picture. Discuss the difficulty Lincoln must have faced when writing a speech that had to relate to each of these audiences. What might each person want to hear about? What tone should Lincoln have in his speech? Should the tone change based on the audience? Consider the following organizer: Audience What question(s) might they want answered from their president? Soldier wounded in war ©2006 Texas Education Agency 185 Freed slave Slave owner Grieving mother Class Period 3—Selective highlighting and graphic organizer to read closely • Preparation and Instruction o o o Read Lincoln’s Second Inaugural Address aloud. Do not make any marks on the text. Read Lincoln’s Second Inaugural Address a second time. During this reading, instruct students to underline sentences, phrases, or words from the speech that create an image. Instruct students to complete Inaugural Address Student Organizer. Class Period 4—Timed writing to allow students to synthesize information from the text and graphic organizer into an essay • Preparation and Instruction o Allow students to use their organizers and text to respond to Inaugural Address Essay Assessment. Class Period 5—Word puzzle to make predictions and to establish purpose for reading Alphonse Daudet’s “The Last Lesson” • Preparation and Instruction o o o o o o o o o o Students may work in groups; however, each student is responsible for the activity. Instruct students to read the group of words found on “The Last Lesson” Activity Sheet 1. Students should discuss what they think the text will be about based on the list of words. Have students make a list of statements they think will be true based on the words. Categorize the words from activity 1 into the four categories on “The Last Lesson” Activity Sheet 2. Explain to students that there is no right answer. What group of words do you think will be part of the conflict? Which words do you think represent characters in the text? Identify which words represent a possible setting for the story. Which nouns do you think will become symbols? Based on the categories, students should add to their lists of statements. Analyze how each category relates to the other category. For example, how do the list of words under setting relate to the list of words under character? How would you connect the two lists of words? What inferences can you make about the characters? Is there a relationship between the list of symbols and the suggested conflict(s)? Allow students to move words into different categories as they discover relationships and connections between the words. Once students have a preferred grouping, allow them to glue their words. Class Period 6—Mind Map to help students creatively organize and connect details; encourage close reading of text • Preparation and Instruction ©2006 Texas Education Agency 186 o o o Read “The Last Lesson” by Alphonse Daudet. Have students create a Mind Map for the story. ƒ Write the title in the center of the paper. ƒ Add four branches to represent the four categories: conflict, characters, symbols, setting. Students should use a different color for each branch. ƒ Use the text to add specific details to the branches. Students should use symbols, pictures, colors, and shapes to make a creative representation of the literature. If students use words from the text, print the words on curved lines using lower and UPPER case letters. If the word is very important make it LARGER than less important words. When students identify important connections, use arrows. ƒ Be creative! Have fun!! Allow time for students to return to “The Last Lesson” Activity Sheet 2 to confirm or correct the words in each category. Review the list of statements they made prior to reading. Based on the reading, are the statements true? Class Period 7—Tour de knowledge to allow students an opportunity to clarify comprehension through discussion and to ask probing questions • Preparation and Instruction o o o o o o Have students work in groups of three to develop questions based on the text. Explain to students that they are not answering the questions. They are making a list of questions that they would like other class members to think about. These questions are often about connections. Students know a connection is being made, but they may not know how, why, or what. While students are working, post the chart paper around the room. If you have 6 groups, you need 6 pieces of chart paper. Hang the paper where groups can move freely around them. Each group should identify three of their best questions. Print one question on each sticky note. Take up the sticky notes and group them. Often students have the same questions. If a question is asked more than once, it is a great question to use for this activity. Choose the 6 most thought provoking questions. Stick one question in the middle of each of the pieces of chart paper. Give each group a different colored marker so that you know how each group answered the question. Allow students 3-4 minutes to rotate around to each question. Students should read the questions, discuss possible answers, decide on the best answer, and record it on the chart paper. Instruct students to stay at their station until you signal for the entire class to rotate. Students must offer a different answer from the prior groups. Each question should have several possible answers. Once students have had the opportunity to answer each question, discuss insightful answers and realizations/discoveries about the text. Class Period 8—Assessment • Preparation and Instruction o Have students complete “The Last Lesson” Short Answer Assessment. Class Period 9—Guided discussion of visual material to engage students in conversation to evaluate and analyze text • Preparation and Instruction ©2006 Texas Education Agency 187 o o Have students work in groups to analyze the visual, Armed Conflicts, 1999-2004. Instruct students to use the Viewing and Representing Discussion Guide to move the conversation forward. Students must manage time wisely in order to address each question. Students must defend and challenge ideas expressed from peers. ©2006 Texas Education Agency 188 Inaugural Address Student Organizer I. The speaker uses imagery to create a(n) _____________________ tone. Quote from text that created an image: Describe the image that was created: What effect does this choice have on the tone of the text? Paragraph One: Paragraph Two: Paragraph Three: Paragraph Four: ©2006 Texas Education Agency 189 Inaugural Address Student Organizer (cont’d) II. The speaker uses word choice to create a(n) ___________________ tone. Word choice from the text: Why did the speaker use this word or group of words as opposed to other choices? What effect does this choice have on the tone of the text? Paragraph One: Paragraph Two: Paragraph Three: Paragraph Four: ©2006 Texas Education Agency 190 Inaugural Address Essay Assessment You know that tone is the way an author’s feelings and attitude toward his or her subject are expressed. The speaker will carefully choose words and images to create a tone. Read Abraham Lincoln’s Second Inaugural Address carefully. Then, in a well-organized essay, analyze how the speaker uses tone to reveal his attitude toward all people. ©2006 Texas Education Agency 191 “The Last Lesson” Activity Sheet 1 “Vive La France!” garden little Franz courage late that morning running away scolding commotion Pigeons tomorrow French anxious the last lesson school-room trembled with emotion town hall iron ruler crowd time enslaved gentle solemn ©2006 Texas Education Agency 192 “The Last Lesson” Activity Sheet 2 Setting Characters Symbols Conflict ©2006 Texas Education Agency 193 “The Last Lesson” Short Answer Assessment You have 50 minutes to respond to the following questions. Each response should be insightful, be well thought out, and contain evidence from the text when appropriate. 1. Do you think M. Hamel is justified in retiring his position as master? 2. How would you characterize little Franz? 3. What was Daudet’s purpose in writing this story? 4. What does the garden symbolize? 5. Identify a major theme for “The Last Lesson.” 6. Why is the last French lesson so important to the town’s people? 7. In paragraph 20, something choked M. Hamel and “he could not go on.” What choked him? 8. What can you infer about the Berlin government? 9. What two things are being compared in paragraph 16? Why would the author make this comparison? Connecting Texts 1. Identify a common theme between Lincoln’s Second Inaugural Address and “The Last Lesson.” 2. How are Lincoln and Daudet similar? 3. How are Lincoln and Daudet different? ©2006 Texas Education Agency 194 Viewing and Representing Discussion Guide 1. Who created this message? 2. What is the purpose of the message? 3. What techniques are used to attract and hold attention? 4. What point-of-view is represented in this message? 5. What has been left out of this message? 6. What inferences can you make based on the details? 7. What questions are left unanswered? 8. What information would you like to see added to this visual? Connecting Texts 1. How does the theme of this visual compare to the theme from Lincoln’s Second Inaugural Address and “The Last Lesson?” 2. Do all three pieces of text share an underlying message? ©2006 Texas Education Agency 195 Grade 8 TEKS and AP* objectives demonstrated** (pdf) Lesson-Deriving Author’s Purpose The best change was that all my other students also profited from the same methods, same skills. —Rosa Fonseca, original committee member [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 196 Grade 8 TEKS and AP* Objectives in Sample Lesson Texas Essential Knowledge and Skills b 7 (A) read regularly in instructional-level materials b 8 (A) read classic and contemporary works b 9 (F) distinguish denotative and connotative meanings b 10 (H) draw inferences such as conclusions or generalizations and support them with text evidence and experience b 11 (D) connect compare, and contrast ideas, themes, and issues across texts b 12 (H) describe how the author’s perspective or point of view affects the text b 14 (B) determine distinctive and common characteristics of cultures through wide reading b 15 (A) write to express, discover, record, develop, reflect on ideas and to problem solve Advanced Placement Program* Goals and Expectations** Read complex texts with understanding. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Develop a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning and to analyze how that meaning is embodied in literary form. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Make careful observations of textual detail. Establish connections among observations. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Reflect on the social and historical values a work reflects and embodies. Move beyond such programmatic responses as the fiveparagraph essay and place emphasis on content, purpose and audience. Write to understand through the use of response and reaction papers, annotation, free writing, and reading journals. Write to explain through the use of analysis/interpretation and brief focused analyses on aspects of language and structure. Write to evaluate through the use of judgments about a work’s artistry, and explore a work’s underlying social and cultural values through analysis, interpretation, and argument. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 197 Grade 8 Sample Lesson Deriving Author’s Purpose Analysis of literary devices to determine author’s purpose; examination of similarities and differences in style Contributed by Kathy Brown, Gentry Junior School, Baytown, TX Time Needed: Eight class periods Materials/Resources Needed: • • • • • Copies of Abraham Lincoln’s Second Inaugural Address Copies of “The Last Lesson” Read Along / Think Aloud instructions Author’s Purpose activity Venn Diagram handout Class Period 1—Reading strategies • Preparation and Instruction o o o Read Lincoln’s Second Inaugural Address using the Read Along / Think Aloud strategy with students. Place particular emphasis on clarifying meaning, connotative words, and historical references. Be sure students are annotating. Class Period 2—Determining author’s purpose • Preparation and Instruction o o o Students complete the Author’s Purpose activity. Allow students to work with a partner pre-assigned by the teacher. Students will finish for homework if necessary. Class Period 3—Identifying textual evidence • Preparation and Instruction o o Debrief Author’s Purpose activity by conducting a whole-class discussion. Focus discussion around questions 1-3 and 6-8; use the overhead or chalkboard to keep a visual record of discussion points. ©2006 Texas Education Agency 198 o o o As the discussion progresses, note similarity in responses, but more importantly, when students offer different responses to the same question, encourage them to support their answers with specific textual evidence. Move students away from the idea that there is “one right answer.” Students must become accustomed to thinking, taking a stance, then supporting it with textual evidence. Encourage students to add to their responses on the worksheet as other students’ ideas make sense to them; have them use a different color of ink so that they can see how their thinking/understanding has changed/deepened. Class Periods 4-6—Reading strategies, author’s purpose, textual evidence • Preparation and Instruction o Repeat days 1-3 using “The Last Lesson.” Class Period 7—Compare and contrast • Preparation and Instruction o o o Students complete the Venn Diagram individually. Students use annotated texts and Author’s Purpose worksheets to compare and contrast the two pieces by completing the Venn diagram. Have students use three different colors of ink or highlighters on the diagram: one for the difference in Lincoln’s Second Inaugural Address, one for the differences in “The Last Lesson,” and one for the similarities in the two pieces. Class Period 8—Paragraph writing • Preparation and Instruction o Students construct a paragraph. ƒ ƒ There are many possibilities at this point for student writing. Consider having the students write a paragraph of 5-8 sentences on one or more of the following topics: ° comparing and contrasting the two pieces overall; ° comparing the two pieces only; ° contrasting the two pieces only; or ° choosing one specific criterion from the Venn diagram (such as tone or literary devices) to compare and/or contrast. ©2006 Texas Education Agency 199 Read Along / Think Aloud What is it? • A model for students to learn and utilize the thought processes of an effective reader • A way of defining for students’ skills and terms targeted in the selection • A method for students to internalize and transfer the reading skills to their own independent analyses Uses: • • • • • • To introduce new terms in literary analysis To introduce a new reading assignment To deepen comprehension of a selection To deal with a more difficult reading level or concept To focus reader attention or place emphasis on a specific skill or excerpt To slow the reading process and make the reader aware of his or her metacognitive processes Procedures: • Students are given a copy of the text so they may annotate the targeted skills or objectives. • As the teacher reads the piece aloud, he or she provides a running commentary of the thought processes of an effective reader, including stops for o discussion; o clarification; o elaboration; o extension; and o definition, identification. • Students mark the text according to teacher instruction. • As students’ skills advance, teacher guidance will diminish and students will mark more independently. Step 1: ; Select a passage to read aloud that contains outstanding examples of skills for emphasis. The passage should be of moderate difficulty, so it is neither too hard to understand, nor too easy to spot the examples. Step 2: ; Talk through the thinking processes used as reading difficulties/skills appear, modeling the appropriate problem-solving/annotation strategies. Remember the following points: 9 Make predictions. 9 Describe the picture you are forming in your head from the information. 9 Make analogies (linking prior knowledge to new information in the text). 9 Verbalize confusing points (monitoring ongoing comprehension). 9 Model “fix up” strategies (correcting lagging comprehension, annotation tips, dealing with dual comprehension). Step 3: ; Continue reading passages aloud, but gradually make fewer verbal remarks. Begin to wean students from depending on your thought processes, to developing their own processes and strategies. ©2006 Texas Education Agency 200 Author’s Purpose Read the assigned passage and answer the questions that follow. Be sure to cite evidence from the passage for support where necessary. 1. List the emotionally charged (connotative) words the author uses in this passage. 2. What inferences can you make about the author’s attitude (tone) toward the subject by looking at the words listed in question #1? Be sure to explain how and why these words suggest the author’s attitude. 3. Study the list of devices below. Place a check mark by any of the devices used by the writer in this passage. _____ Simple diction _____ Figurative language _____ Simple sentence structure _____ Humor _____ Vivid imagery _____ Archetypes _____ Sound devices _____ Repetition _____ Specialized vocabulary or jargon _____ Literal language _____ Complex sentence structure _____ Irony _____ Foreshadowing _____ Suspense _____ A listing of details _____ Parallel structure _____ Conflict _____ Other(s) _________________ 4. Select a device checked above. ________________________ Quote an example from the passage. Explain the purpose or effect of the use of the device. ©2006 Texas Education Agency 201 5. Select a second device checked above. ________________________ Quote an example from the passage. Explain the purpose or effect of the use of the device. 6. Who is the intended audience for this passage? Justify your answer with references to the author’s attitude and the devices used in the passage. 7. What is the author’s purpose in writing the passage? Justify your answer. 8. Does the author achieve his or her purpose? Is it effective? Justify your answer. ©2006 Texas Education Agency 202 203 Author’s Purpose Audience Literary Devices Tone Connotative words Same ©2006 Texas Education Agency Different Lincoln’s Second Inaugural Address Different “The Last Lesson” Grade 9 TEKS and AP* objectives demonstrated** (pdf) Lesson-The Power of Language The AP program gave me hope and confidence that teachers do indeed have the power to effect change. —Karen Werkenthin, original committee member [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 204 Grade 9 TEKS and AP* Objectives in Sample Lesson TEKS – English I (Grade 9) 1 (A) write in a variety of forms using effective word choice, structure, and sentence forms with emphasis on organizing logical arguments with clearly related definitions, theses, and evidence; write persuasively; write to report and describe; and write poems, plays, and stories Advanced Placement Program* Goals and Expectations** Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. 3 (C) compose increasingly more involved sentences that contain gerunds, participles, and infinitives in their various functions Write to understand through the use of response and reaction papers, annotation, freewriting, and reading journals. Enhance ability to use grammatical conventions appropriately and develop stylistic maturity in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Apply effective writing strategies and techniques. Demonstrate understanding and mastery of *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 205 standard written English as well as stylistic maturity. 4 (D) represent information in a variety of ways such as graphics, conceptual maps, and learning logs 7 (B) draw upon his/her background to provide connection with texts 7 (E) analyze text structures such as compare and contrast, cause and effects, and chronological ordering for how they influence understanding Incorporate subordinate and coordinate constructions in a variety of sentence structures. Apply effective writing strategies and techniques. Analyze images as text. Evaluate and incorporate reference documents into researched papers. Make careful observations of textual detail. Establish connections among observations. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. Establish connections among observations. 7 (F) identify main ideas and their supporting details 7 (H) draw inferences such as conclusions, generalizations, and predictions and support them from text Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Make careful observations of textual detail. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 206 Make careful observations of textual detail. Establish connections among observations. 8 (B) read in such varied sources as diaries, journals, textbooks, maps, newspapers, letters, speeches, memoranda, electronic texts, and other media Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. 10 (B) use elements of text to defend his/her own responses and interpretations Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 207 Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments Consider each source as a text that was itself written for a particular audience and purpose Sort through disparate interpretations to analyze, reflect upon, and write about a topic and through such activity enter into conversations with other writers and thinkers Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. 11 (A) recognize the theme (general observation about life or human nature) within a text 12 (A) analyze characteristics of text, including its structure, word choices, and intended audience Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 208 meaning is embodied in literary form. Make careful observations of textual detail. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 209 Grade 9 Sample Lesson The Power of Language Exploring how visual and textual language impact and create meaning Contributed by Dr. Teri Marshall, Saint Mary’s Hall, San Antonio, TX Time Needed: Four or five 50-minute class periods Materials/Resources Needed: • • • • • • • Copies of Armed Conflicts, 1990-2004 Copies of “The Last Lesson” Copies of Abraham Lincoln’s Second Inaugural Address Unlined paper Language textbook or resource (e.g., Sentence Composing for High School by Don Killgallon1) that teaches and provides models of sentences using participial phrases Transparency of Abraham Lincoln’s Second Inaugural Address Transparency pens Class Period 1—OPTIC and Think-Pair-Share strategies • Preparation and Instruction o o o o o Organize the classroom so that pairs of students can sit together and collaborate on the day’s activity. Teacher should have partners pre-assigned for this activity, preferably with the seating assignments labeled on their desks prior to students’ arrival in the classroom. If there is an odd number of students in a class, then one carefully selected group of three can be assigned. In addition, write the letters O, P, T, I, C (see description of OPTIC strategy) vertically on the board, chart stand, or overhead projector, leaving space out to the side to write the rest of the words as you teach each step: Overview, Parts, Title, Interrelationships, Conclusion. Inform students that they will be looking at a variety of texts centered around a common topic but encompassing different themes. In addition, they will be examining how style contributes to a writer’s meaning, purpose, and effect. Tell students that they will be learning a critical strategy for analyzing and interpreting visual text, one which they can use in any subject area. Provide students with a copy of the Armed Conflicts, 1999-2004. Have each student get out a sheet of paper and pen or pencil. Tell students that they will be using Think-Pair-Share as the discussion strategy for today. 1 Killgallon, D. (1998). Sentence composing for high school: A worktext on sentence variety and maturity. Boynton/Cook: Portsmouth, NH. ©2006 Texas Education Agency 210 o o o o o o o o o o o o o Give students one minute to jot down a general overview of what they are seeing. You should expect a very surface look at what the visual seems to include. Write out the word “Overview” by the “O” on the board. Tell students that now you will give them two minutes individually to write down every little piece and part of what they see: names, information, numbers – all elements and details that seem important. Time the students for two minutes. Write out the words “Parts” by the “P” on the board. After the individual brainstorming time, have partners share their details and add information to their lists. Next, have students examine closely the words in the caption – highlighting or underlining the key words. Write out the word “Title” by the “T” on the board. Have students now work as partners to write down all the connections and relationships they can find connecting the words in the caption (title) with the parts in the graphic itself. Write the word “Interrelationships” by the “I” on the board. Individually, have each student write one or two complete sentences drawing a conclusion about what the graph shows. Students may compare and contrast countries or draw a conclusion about the status of stability in a country over time. Write out the word “Conclusion” by the “C” on the board. Have each student in each partner set read aloud his or her conclusion to his or her partner. Have partners provide evidence for their conclusions from the graph and discuss the similarities and differences in their conclusions. Ask for partners to volunteer to share their conclusions with the entire class. Debrief the OPTIC strategy with students. ƒ Ask them if the strategy worked for them in completing the task successfully. ƒ Ask them about other graphics that they have used and studied in English classes and if the OPTIC strategy would be helpful to them in their analysis. ƒ Ask them how they can use the strategy in other classes. Tell students that they have learned a strategy highly recommended in Walter Pauk’s book How to Study in College2. Discuss with students that the OPTIC strategy is a critical strategy for college-bound students. Engage students in a brief discussion of the reasons for armed conflicts, the implications, and the effects. Lead students to describe the effects on the morals and values of a society as results of wars and armed conflicts: loyalty, hope, friendship, community, unity, tradition, education. Prepare students to read the short story “The Last Lesson” by Alphonse Daudet (1840-1897) by telling them that the author wrote the story as a result of the Franco-Prussian War of 18701871. Have students look for some messages/themes that the author wants to communicate about the impact of war on a society and its people. Distribute a copy of “The Last Lesson” as homework reading. Class Period 2—Providing Evidence, Content/Frame Matrix • Preparation and Instruction o o 2 Organize the classroom so that pairs of students can sit together and collaborate on the day’s activity. Teachers should have partners pre-assigned for this activity, preferably with the seating assignments labeled on their desks prior to students’ arrival in the classroom. If there is an odd number of students in a class, then one carefully selected group of three can be assigned. In addition, draw a Content Frame/Matrix on the board, large sheet of chart paper, or overhead projector similar to the following example. Teachers may add a blank column for students to add other themes/messages they may find. Teachers may also change any of the values/morals to include other areas you may have found in the text. Pauk, W. (1984). How to study in college. Houghton Mifflin Company: Boston. ©2006 Texas Education Agency 211 o Although it will be tempting to create a handout of the content frame/matrix for students to fill in the squares, it is not advisable if the teacher wants to teach students a learning strategy. It is well documented in the research on strategic instruction that students must do the drawing of the graphic if transfer to other learning situations is to take place. Sample Matrix Loyalty Hope Friendship Education Community Unity Tradition “The Last Lesson” Lincoln’s Second Inaugural Address o o o o o o o o Distribute a sheet of unlined paper to each student. Have students draw the content frame/matrix you have drawn on the board, chart paper, or overhead projector. Have students work together as partners to fill in the columns with evidence from the “The Last Lesson” as to the messages about the tragedies of war. Even though the students are working as partners, each student must have his or her own individual chart. Tell students that they need to include as many pieces of evidence under the value/moral that they can find in the story, understanding that it is possible that not all the values are represented. Indeed, students may add columns if they find additional morals/values discussed in the story. Tell students that they should not simply write down the actual words of the text. Evidence should be written in the form of summaries or paraphrases, with each piece of evidence identified by its paragraph number. Allow 20 minutes or so for students to work on their content frames, walking around the room and providing help and support as needed. Once students have had some time to work through the story together, engage the class in a large-group discussion of evidence to support the author’s messages about the tragedies of war. Teachers may have certain groups come up to write their ideas on the model content frame or simply record students’ responses as they are discussed. Encourage students to add detail and information as needed to their content frames. Tell students that short stories are not the only types of text that speak to a society’s values and morals. Distribute a copy of Abraham Lincoln’s Second Inaugural Address. Provide students with the background for the speech that served as part of the prompt for this text on Question 1 of the 2002 AP English Language Examination, available at: http://apcentral.collegeboard.com/repository/eng_lang_frq_02_10330.pdf As a homework assignment, have students read the speech and complete the content frame/matrix individually at home just like they did with the information from “The Last Lesson.” Teachers may use the content frame/matrix as an independent practice assessment. Have students bring their language/grammar textbooks to class for the next day. ©2006 Texas Education Agency 212 Class Periods 3-5—Participial Phrases • Preparation and Instruction o o o o o o o o o o o Organize the classroom so that pairs of students can sit together and collaborate on the day’s activity. Teacher should have partners pre-assigned for this activity, preferably with the seating assignments labeled on their desks prior to students’ arrival in the classroom. If there is an odd number of students in a class, then one carefully selected group of three can be assigned. Make a transparency of the speech to use to highlight key sentences that include participial phrases. Teachers may collect the completed content frame/matrix for a grade or simply provide some opening time in class to share students’ ideas and evidence from Lincoln’s Second Inaugural Address. Highlight the fact that students probably noted Lincoln’s elaborate language structures. Tell the students that many writers use phrases and clauses to enhance the meaning, purpose, and effect of their writing. Introduce or review the concept of participial phrases and complete some grammar exercises where students experiment with writing sentences using participial phrases in a variety of positions within the sentence: sentence opener, subject-verb split, and sentence closer. This may take the rest of the class period depending on whether the participial phrase is a new concept for the students. Have students go back into the speech and highlight the third sentence of paragraph two (“While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war – seeking to dissolve the union, and divide effects, by negation.”) and the first sentence of paragraph three (“One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the Southern part of it.”). Model the underlining for the students using the overhead projector. Ask students to find the core that is the main clause of the third sentence of paragraph two (“Insurgent agents were in the city.”). Identify the subject and verb of the main clause. If students have studied the adverb clause, point that out as the sentence opener. However, the main phrases to examine are the two participial phrases used as sentence closers, each one beginning with the participle “seeking.” Lead students in a discussion of the impact of those two phrases. ƒ What do the phrases do? ƒ What would happen to Lincoln’s meaning if they were discarded? Complete the same process for the first sentence of paragraph three. If students have studied parallelism, point out the importance of that concept in that particular sentence. The participial phrases in the first sentence of paragraph three are, once again, used as sentence closers. Have students compose a paragraph that elaborates on one or more of the messages, providing evidence from the text. The paragraph must contain at least two sentences that imitate the structures of the two sentences with participial phrases from “Lincoln’s Second Inaugural Address.” Have students label the subject and verb of the sentences they write, and label the participial phrases as closers. ƒ Teachers could have students choose which text to write about. ƒ Teachers could have students write two separate paragraphs: one on each text. ƒ Teachers could have students write a short essay comparing and contrasting one of the values/morals as presented by the two authors. Ensure that one of the criteria on the grading rubric includes an assessment of participial phrases. ©2006 Texas Education Agency 213 Grade 10 TEKS and AP* objectives demonstrated** (pdf) Lesson-Reading, and Thinking, and Annotating…Oh My! These Lighthouse objectives give students and teachers permission to reverse roles and learn from each other, therefore creating the best learning environment. —Kelly Tumy, original committee member [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 214 Grade 10 TEKS and AP* Objectives in Sample Lesson TEKS – English II (Grade 10) 1 (A) write in a variety of forms with an emphasis on persuasive forms such as logical argument and expression of opinion, personal forms such as response to literature, reflective essay, and autobiographical narrative, and literary forms such as poems, plays, and stories Advanced Placement Program* Goals and Expectations** Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Identify and practice writers’ strategies. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Compose essays with a variety of sentence structures, including appropriate use of subordination and coordination. Vary writing experiences for literary works depending upon the following purposes: writing to understand, writing to explain, and writing to evaluate. 4 (A) use writing to formulate questions, refine topics, and clarify ideas 4 (B) use writing to discover, organize, and support what is known and what needs to be learned about a topic 6 (F) discriminate between connotative and denotative meanings and interpret the connotative power of words 7 (G) draw inferences such as conclusions, generalizations, and predictions & support them with text evidence and experience Write to understand through the use of response and reaction papers, annotation, free-writing, and reading journals. Apply effective writing strategies and techniques. Develop a wide ranging vocabulary used appropriately and effectively. Develop a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. 7 (I) read silently with comprehension for a *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 215 sustained period of time Make careful observations of textual detail. Establish connections among observations. 8 (B) read in such varied sources as diaries, journals, textbooks, maps, newspapers, letters, speeches, memoranda, electronic texts, and other media Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including precritical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. 8 (D) interpret the possible influences of the historical context on a literary work Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 216 writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Study, intensively, representative works from various genres and periods, concentrating on works of recognized literary merit. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning. 10 (B) use elements of text to defend his/her own responses and interpretations Reflect on the social and historical values a work reflects and embodies. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 217 • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. 11 (A) compare and contrast varying aspects of texts such as theme, conflicts, and allusions Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning and to analyze how that meaning is embodied in literary form. 12 (A) analyze characteristics of clearly written text, including the patterns of organization, syntax, and word choice Make careful observations of textual detail. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. 14 (B) engage in critical, emphatic, appreciative and reflective listening *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 218 Grade 10 Sample Lesson Reading, and Thinking and Annotating…Oh My! Close reading and annotation strategies for analyzing tone, theme and purpose Contributed by Drue Ann Wise, James Pace High School, Brownsville, TX Time needed: Five 55-minute class periods Materials/Resources Needed: • • • • • • • Overhead projector, transparencies Copies of Daudet’s “The Last Lesson” Copies of Abraham Lincoln’s Second Inaugural Address Highlighters Copies of H-Chart handout Copies of Armed Conflicts, 1999-2004 Copies of Additional Lesson-Objective Questions Class Period 1—Pre-reading activity and first reading of “The Last Lesson” • Preparation and Instruction o o o Present the following prompt for students: “What are some of the positive and negative effects associated with the war in Iraq?” Students free-write for 10 minutes. Teacher generates table on transparency (or other presentation equipment) illustrating effects given by students. Effects of the War in Iraq Positive effects o o o o Negative effects Students discuss effects as a group. Students are given Daudet’s “The Last Lesson.” Students read title and write prediction of story content in margin. Students read story silently annotating in margins anything they find interesting or meaningful. This reading activity can be given as homework if class time is limited. ©2006 Texas Education Agency 219 Class Period 2—Re-read “The Last Lesson” and annotate for word choice, images, and details • Preparation and Instruction o o o o o o o o o o o o Teacher reviews Spirit Reading and Annotation strategies. Teacher leads students in discussion of the effects of the German invasion on the residents of Alsace. Students and teacher re-read story using Spirit Reading strategy (paragraphs 1-14 only). Teacher then leads class in annotation of each paragraph (1-14) using the following guidelines: ƒ Circle all words that stand out or have connotative meaning. Review definition of connotation as needed. ƒ Bracket [ ] all details that seem important, interesting, meaningful. ƒ Underline dominant images. Students and teacher then discuss the specific tone/tones created from the author’s choice of diction, details, and images and note any shifts in tone. Next, students break up into groups of four or five, re-read paragraphs 15-22, and annotate using the same guidelines as for the previous paragraphs. Students generate tone words created from annotation of diction, details, imagery and note any tonal shifts. Next, students generate thematic concepts or ideas which are illustrations of the details and tone. From the thematic ideas, class (led by teacher) develops thematic statement(s) for the passage. Students discuss multiple tone and theme possibilities. Students, guided by teacher, generate statement to sum up the speaker’s attitude toward the German infiltration of Alsace and the author’s purpose. For homework, students write one or two paragraphs analyzing the tone of the passage through the author’s word choice, images, and details making note of any shifts in tone. Consider what purpose the author illustrates here. Class Period 3—Read Lincoln’s Second Inaugural Address and annotate for main ideas and purpose • Preparation and Instruction o o o Provide copies of Lincoln’s Second Inaugural Address. Teacher leads students in brief discussion of the effects of the Civil War, both positive and negative. Teacher writes effects on transparency or other presentation equipment. During this time, the teacher should encourage students to think about the commonalities between their responses from the question of two days ago about the war in Iraq and their responses for this assignment. Effects of the Civil War Positive effects Negative effects ©2006 Texas Education Agency 220 o o o o o o o Students are given copy of Lincoln’s Second Inaugural Address to read silently; write a brief main idea statement of each paragraph. Teacher re-reads speech to class (paragraph by paragraph) discussing the main idea of each paragraph. Students write main ideas in margins. Teacher and students generate statement of author’s purpose. Students break up into groups of four or five and analyze word choice of each paragraph highlighting any words that have connotative meaning (emphasis on repetition). Students generate words which represent author’s tone. Teacher leads students in discussion of author’s attitude toward ending of the war and the future of the country. For homework students write one or two paragraphs analyzing the author’s purpose and attitude supported by evidence from the speech. Class Period 4—Compare both selections and analyze bar graph of armed conflicts • Preparation and Instruction o o o o o o o o Review H-Chart strategy. Prepare copies of H-Chart Handouts. Prepare copies of Armed Conflicts, 1999-2004. Students compare and contrast literary and rhetorical devices in the two readings using the H-Chart Handout. Students, led by teacher, discuss the authors’ attitudes and purposes and how they are achieved. Students, led by teacher, discuss thematic connections between the two texts. Using the Armed Conflicts, 1999-2004 graph, teacher leads class in analysis and discussion of modern day conflicts and their effects. Class discusses how bar graph might change in 2004 and 2005 with the conflict in Iraq. Class Period 5—Assessment (modified lesson-objective questions) • Preparation and Instruction o o o o Prepare copies of Additional Lesson-Objective Questions. Prepare copies of Armed Conflicts, 1999-2004. Students complete Additional Lesson-Objective Questions. Answer Key: 1. c 2. d 3. a 4. c 6. b 7. d 8. a 9. a 11. c 12. b 13. d 14. c 5. d 10. c 15. a ©2006 Texas Education Agency 221 Name_______________________ Date________________________ H-Chart Handout Compare and contrast the authors’ use of devices in “The Last Lesson” and Lincoln’s Second Inaugural Address. First, write the device in the appropriate column with an example. Then, supply a brief summary statement for each device. Finally, at the bottom of the handout, write a statement of claim, or arguable thesis statement, which notes the similarities and differences across the two texts. Lincoln’s Second Inaugural Address “The Last Lesson” Both ©2006 Texas Education Agency 222 Name_______________________ Date________________________ Additional Lesson-Objective Questions Read the following passages and choose the best answer to the questions that follow. Excerpted from Daudet’s “The Last Lesson” Passage 1 1 5 I started for school very late that morning and was in great dread of a scolding, especially because M. Hamel had said that he would question us on participles, and I did not know the first word about them. For a moment I thought of running away and spending the day out of doors. It was so warm, so bright! The birds were chirping at the edge of the woods; and in the open field back of the saw-mill the Prussian soldiers were drilling. It was all much more tempting than the rule for participles, but I had the strength to resist, and hurried off to school. 1. A contrast of imagery is found in which of the following statements? a. “I started for school very late that morning and was in great dread of a scolding.” b. “For a moment I thought of running away and spending the day out of doors.” c. “The birds were chirping at the edge of the woods; and . . . the Prussian soldiers were drilling.” d. “It was all much more tempting than the rule for participles, but I had the strength to resist.” 2. By using the first person point of view, the author a. b. c. d. creates distance between the speaker and the reader. emphasizes the beauty of nature. personalizes the instruction on participles. connects the reader to the speaker’s anxiety. 3. By using words such as “great dread of scolding” and “thought of running away,” the author establishes a sense of a. b. c. d. foreboding. pity. urgency. mockery. Passage 2 1 5 After the grammar, we had a lesson in writing. That day M. Hamel had new copies for us, written in a beautiful round hand: France, Alsace, France, Alsace. They looked like little flags gloating everywhere in the school-room, hung from the rod at the top of our desks. You ought to have seen how every one set to work, and how quiet it was! The only sound was the scratching of the pens over the paper. Once some beetles flew in; but nobody paid any attention to them, not even the littlest ones, who worked right ©2006 Texas Education Agency 223 on tracing their fish-hooks, as if that was French, too. On the roof the pigeons cooed very low, and I thought to myself: “Will they make them sing in German, even the pigeons?” 4. The sarcastic tone is supported by the use of which of the following details? a. b. c. d. “They looked like little flags gloating everywhere.” “Nobody paid any attention to them.” “Will they make them sing in German, even the pigeons?” “You ought to have seen how everyone set to work.” 5. The imagery that illuminates the mood in the classroom is a. “That day M. Hamel had new copies for us, written in a beautiful round hand.” b. “On the roof the pigeons cooed very low.” c. “They looked like little flags gloating everywhere.” d. “The only sound was the scratching of the pens over the paper.” 6. The use of the simile in lines 2-3 creates a sense of a. seriousness. b. patriotism. c. sentimentality. d. whimsy. 7. By repeating France, Alsace, France, Alsace, the author is a. creating a distance between M. Hamel and his students. b. emphasizing the loss of a beautiful language. c. dramatizing the German invasion. d. establishing a sense of pride. Excerpted from Lincoln’s Second Inaugural Address Passage 3 1 5 On the occasion corresponding to this four years ago all thoughts were anxiously directed to an impending civil war. All dreaded it—all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war—seeking to dissolve the Union, and divide effects, by negotiation. Both parties deprecated war; but one of them would make war rather than let the nation survive; and the other would accept war rather than let it perish. And the war came. 8. All of the following devices are found in this passage EXCEPT a. b. c. d. metaphor. parallel structure. alliteration. contrast. ©2006 Texas Education Agency 224 9. The sentence type found in lines 6-7 is a. b. c. d. antithetical. balanced. periodic. inverted. 10. The tone of the passage can best be described as a. b. c. d. bitter and accusatory. detached yet didactic. earnest and solemn. sarcastic and sharp. Passage 4 1 With malice toward none; with charity for all; with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in; to bind up the nation’s wounds; to care for him who shall have borne the battle, and for his widow and his orphan--to do all which may achieve and cherish a just and lasting peace among ourselves, and with all nations. 11. The word choice used to create an emotional appeal (pathos) is a. b. c. d. “malice” and “charity.” “borne” and “battle.” “widow” and “orphan.” “firmness” and “right.” 12. In the passage the author uses predominantly which of the following? a. b. c. d. appositive phrases infinitive phrases absolute phrases participial phrases 13. The tone of this passage can BEST be described as a. b. c. d. somber and disdainful. irreverent and allusive. objective and sentimental. hopeful and promising. Answer the following questions with the use of the graph Armed Conflicts, 1999-2004. 14. As compared to other nations, the Middle East shows a. b. c. d. a steady decline in armed conflicts. the most drastic increase in armed conflicts. little change in the number of armed conflicts. relatively no armed conflicts. 15. An inference supported by the bar graph is a. peace efforts were most successful in 1997. b. the Americas lack the ability to control armed conflicts. ©2006 Texas Education Agency 225 c. total armed conflicts will continue to decrease in the next five years. d. Asia will continue to lead in the number of armed conflicts. ©2006 Texas Education Agency 226 Grade 11 TEKS and AP* objectives demonstrated** (pdf) Lesson-Critical Thinking: Synthesizing Ideas and Information Being credible as a teacher means I must continually examine my practices, question my beliefs [about teaching], and enact changes. —Karen Werkenthin, original committee member [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 227 Grade 11 TEKS and AP* Objectives in Sample Lesson TEKS – English III (Grade 11) Advanced Placement Program* Goals and Expectations** 6 (F) discriminate between connotative and denotative meanings and interpret the connotative power of words 7 (G) draw inferences such as conclusions, generalizations, and predictions and support them with text evidence and experience 8 (B) read in such varied sources as diaries, journals, textbooks, maps, newspapers, letters, speeches, memoranda, electronic texts, and other media Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Establish connections among their observations. 8 (G) draw inferences and support them with textual evidence Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. 10 (B) use elements of text to defend, clarify, and negotiate responses and interpretations 12 (A) analyze characteristics of text, including its structure, word choices, and intended audience 12 (A) analyze the characteristics of clearly written texts, including the patterns of organization, syntax, and word choice 12 (C) analyze text to evaluate the logical argument Analyze and interpret samples of good writing, and to determine the mode of reasoning used such as identifying and explaining an author’s use of rhetorical induction and deduction strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Make careful observations of textual detail. Consider each source as a text that was itself written for a particular audience and purpose. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 228 Grade 11 Sample Lesson Critical Thinking: Synthesizing Ideas and Information Examination of details, images, and rhetorical strategies to discover purpose and to construct a synthesis essay Contributed by Sandra Coker, Westlake High School, Austin, TX Time Needed: Eight 50-minute periods Materials/Resources Needed: • • • • • • • • • • Overhead Transparencies Copies of Alphonse Daudet’s “The Last Lesson” (numbered line version) Sample Analysis: Focus and Time Indicators in “The Last Lesson” “The Last Lesson” Reading Comprehension Questions Copies of Abraham Lincoln’s Second Inaugural Address (numbered line version) Second Inaugural Address Reading Comprehension Questions Activity prompt and handouts from the Advanced Placement 2002 English Language & Composition Exam accessible at www.apcentral.collegeboard.com. Log in as a teacher. Go to menu links: Click The Exams, then Exam Questions, then English Language and Composition. o Free Response Question 1 http://apcentral.collegeboard.com/repository/eng_lang_frq_02_10330.pdf o Sample Essays for Question 1 http://apcentral.collegeboard.com/repository/sample_english_lang_q_17459.pdf o Scoring Guidelines http://apcentral.collegeboard.com/repository/sg_english_lang_02_11389.pdf o Scoring Commentary http://apcentral.collegeboard.com/repository/ap02_comment_english__17378.pdf Writing Prompt Copies of Armed Conflicts, 1999-2004 Class Period 1—Pre-reading activity and first reading of “The Last Lesson” • Preparation and Instruction o o o Write the following prompt on the board: “How does a society respond to oppression or armed conflict?” Students free-write for 10 minutes. Teacher generates table on transparency illustrating effects given by students. ©2006 Texas Education Agency 229 Effects of Oppression Text and paragraph number o o o o o o o Comments and questions about effects Students discuss effects and responses (whole group). Students are given story “The Last Lesson” (numbered line version). Students read title and write prediction of story content. Students note paragraph focus on left margin of text. Students read story silently underlining text to be used for later reference and noting in margins everything that suggests the effects of oppression, paying particular attention to how that portion of the text suggests oppression and its effects. Suggest that students also notate with brackets [words or phrases that indicate movement of time]. See Sample Analysis: Focus and Time Indicators in “The Last Lesson.” Class Period 2—Small groups analyze “The Last Lesson” and annotate for paragraph focus, details, and images • Preparation and Instruction o o o o Teacher leads students in brief discussion of the effects of the German invasion on the residents of Alsace. Teacher then leads class in noting focus of each paragraph; observe movement of ideas. Small groups examine images and details that suggest change, resistance, and courage. 1 Homework: Write a thesis sentence using the Toulmin model (see below) and an introductory paragraph that suggests the thematic ideas presented in the story. Note: students should consider details and images. Toulmin model: Because _______________, therefore________________, since__________________. Sample: Because such an approach focuses student attention on specific aspects, it is therefore a valuable writing and thinking strategy, since organizational patterns should clarify the significant components of an argument. 1 For more information, see Toulmin, S.E. (1958). The uses of argument. Cambridge University Press: Cambridge. Toulmin, S., Rieke, R., Janik, A. (1978). An introduction to reasoning. Macmillan: New York. ©2006 Texas Education Agency 230 Class Period 3—Simulated AP Reading • Preparation and Instruction o Have students complete the Reading Comprehension Questions for “The Last Lesson.” Class Period 4—Reading Comprehension • Preparation and Instruction o Have students read Abraham Lincoln’s Second Inaugural Address (numbered line version) and answer the Reading Comprehension Questions. Class Period 5—Timed Essay • Preparation and Instruction o Retrieve the Advanced Placement 2002 English Language and Composition Exam materials from the AP Central website and have students complete the timed essay. Class Period 6—Compare reading selections and analyze rhetorical appeals • Preparation and Instruction o o Small groups examine images and details that suggest change, resistance, and courage. Small groups compare and contrast rhetorical strategies (appeals to logic, emotion, or ethics of the speaker) in the two selections using the chart below. Homework: Write a thesis sentence, a compound-complex sentence, and an introductory paragraph that suggests the thematic ideas about change presented in the story and in the speech. Note: Students should consider details and rhetorical appeals. Speaker’s Attitude Toward Change The Last Lesson Abraham Lincoln’s Second Inaugural Address Class Period 7—Author attitude and purpose • Preparation and Instruction o Students, led by teacher, discuss the authors’ attitudes and purposes and how they are achieved. ©2006 Texas Education Agency 231 o o o Students are given bar graph of Armed Conflicts, 1999-2004 to analyze and draw conclusions. Teacher leads class in analysis and discussion of modern day conflicts and their effects. Small groups discuss how bar graph might change in 2004 and 2005 (conflict in Iraq). Class Period 8—Synthesis essay • Preparation and Instruction o Have students respond individually and in writing to the following prompt: (Writing Prompt). Possible follow-up lessons • • Students can read The Things They Carried or A Rumor of War2 and discuss the connotation of the terms revolution and war and/or any similarities and differences. Students can analyze various war speeches, letters, poetry, song lyrics, or films. 2 O’Brien, T. (1990). The Things They Carried. Houghton Mifflin: Boston. Caputo, P. (1977). A Rumor of War. Henry Holt: New York. ©2006 Texas Education Agency 232 “The Last Lesson” (numbered line version) THE LAST LESSON By Alphonse Daudet I started for school very late that morning and was in great dread of a scolding, especially because M. Hamel had said that he would question us on participles, and I did not know the first word about them. For a moment I thought of running away and spending the day out of doors. It was so warm, so bright! The birds were chirping at the edge of the woods; and in the open field back of the saw-mill the Prussian soldiers were drilling. It was all much more tempting than the rule for participles, but I had the strength to resist, and hurried off to school. When I passed the town hall there was a crowd in front of the bulletin-board. For the last two years all our bad news had come from there--the lost battles, the draft, the orders of the commanding officer--and I thought to myself, without stopping: "What can be the matter now?" Then, as I hurried by as fast as I could go, the blacksmith, Wachter, who was there, with his apprentice, reading the bulletin, called after me: "Don't go so fast, bub; you'll get to your school in plenty of time!" I thought he was making fun of me, and reached M. Hamel's little garden all out of breath. Usually, when school began, there was a great bustle, which could be heard out in the street, the opening and closing of desks, lessons repeated in unison, very loud, with our hands over our ears to understand better, and the teacher's great ruler rapping on the table. But now it was all so still! I had counted on the commotion to get to my desk without being seen; but, of course, that day everything had to be as quiet as Sunday morning. Through the window I saw my classmates, already in their places, and M. Hamel walking up and down with his terrible iron ruler under his arm. I had to open the door and go in before everybody. You can imagine how I blushed and how frightened I was. But nothing happened, M. Hamel saw me and said very kindly: "Go to your place quickly, little Franz. We were beginning without you." I jumped over the bench and sat down at my desk. Not till then, when I had got a little over my fright, did I see that our teacher had on his beautiful green coat, his frilled shirt, and the little black silk cap, all embroidered, that he never wore except on inspection and prize days. Besides, the whole school seemed so strange and solemn. But the thing that surprised me most was to see, on the back benches that were always empty, the village people sitting quietly like ourselves; old Hauser, with his three-cornered hat, the former mayor, the former postmaster, and several others besides. Everybody looked sad; and Hauser had brought an old primer, thumbed at the edges, and he held it open on his knees with his great spectacles lying across the pages. While I was wondering about it all, M. Hamel mounted his chair, and, in the same grave and gentle tone which he had used to me, said: "My children, this is the last lesson I shall give you. The order has come from Berlin to teach only German in the schools of Alsace and Lorraine. The new master comes tomorrow. This is your last French lesson. I want you to be very attentive." What a thunder-clap these words were to me! Oh, the wretches; that was what they had put up at the town-hall! My last French lesson! Why, I hardly knew how to write! I should never learn any more! I must stop there, then! Oh, how sorry I was for not learning my lessons, for seeking birds' eggs, or going sliding on the Saar! My books, that had seemed such a nuisance a while ago, so heavy to carry, my grammar, and my history of the saints, were old friends now that I couldn't give up. And M. Hamel, too; the idea that he was going away, that I should never see him again, made me forget all about his ruler and how cranky he was. Poor man! It was in honor of this last lesson that he had put on his fine Sunday-clothes, and now I understood why the old men of the village were sitting there in the back of the room. It was because they were sorry, too, that they had not gone to school more. It was their way of thanking our master for his forty years of faithful service and of showing their respect for the country that was theirs no more. 1 5 10 15 20 25 30 35 40 45 ©2006 Texas Education Agency 233 While I was thinking of all this, I heard my name called. It was my turn to recite. What would I not have given to be able to say that dreadful rule for the participle all through, very loud and clear, and without one mistake? But I got mixed up on the first words and stood there, holding on to my desk, my heart beating, and not daring to look up. I heard M. Hamel say to me: "I won't scold you, little Franz; you must feel bad enough. See how it is! Every day we have said to ourselves: 'Bah! I've plenty of time. I'll learn it to-morrow.' And now you see where we've come out. Ah, that's the great trouble with Alsace; she puts off learning till tomorrow. Now those fellows out there will have the right to say to you: 'How is it; you pretend to be Frenchmen, and yet you can neither speak nor write your own language?' But you are not the worst, poor little Franz. We've all a great deal to reproach ourselves with. "Your parents were not anxious enough to have you learn. They preferred to put you to work on a farm or at the mills, so as to have a little more money. And I? I've been to blame also. Have I not often sent you to water my flowers instead of learning your lessons? And when I wanted to go fishing, did I not just give you a holiday?" Then, from one thing to another, M. Hamel went on to talk of the French language, saying that it was the most beautiful language in the world—the clearest, the most logical; that we must guard it among us and never forget it, because when a people are enslaved, as long as they hold fast to their language it is as if they had the key to their prison. Then he opened a grammar and read us our lesson. I was amazed to see how well I understood it. All he said seemed so easy, so easy! I think, too, that I had never listened so carefully, and that he had never explained everything with so much patience. It seemed almost as if the poor man wanted to give us all he knew before going away, and to put it all into our heads at one stroke. After the grammar, we had a lesson in writing. That day M. Hamel had new copies for us, written in a beautiful round hand: France, Alsace, France, Alsace. They looked like little flags floating everywhere in the school-room, hung from the rod at the top of our desks. You ought to have seen how every one set to work, and how quiet it was! The only sound was the scratching of the pens over the paper. Once some beetles flew in; but nobody paid any attention to them, not even the littlest ones, who worked right on tracing their fish-hooks, as if that was French, too. On the roof the pigeons cooed very low, and I thought to myself: "Will they make them sing in German, even the pigeons?" Whenever I looked up from my writing I saw M. Hamel sitting motionless in his chair and gazing first at one thing, then at another, as if he wanted to fix in his mind just how everything looked in that little school-room. Fancy! For forty years he had been there in the same place, with his garden outside the window and his class in front of him, just like that. Only the desks and benches had been worn smooth; the walnut-trees in the garden were taller, and the hop-vine, that he had planted himself twined about the windows to the roof. How it must have broken his heart to leave it all, poor man; to hear his sister moving about in the room above, packing their trunks! For they must leave the country next day. But he had the courage to hear every lesson to the very last. After the writing, we had a lesson in history, and then the babies chanted their ba, be, bi, bo, bu. Down there at the back of the room old Hauser had put on his spectacles and, holding his primer in both hands, spelled the letters with them. You could see that he, too, was crying; his voice trembled with emotion, and it was so funny to hear him that we all wanted to laugh and cry. Ah, how well I remember it, that last lesson! All at once the church-clock struck twelve. Then the Angelus. At the same moment the trumpets of the Prussians, returning from drill, sounded under our windows. M. Hamel stood up, very pale, in his chair. I never saw him look so tall. "My friends," said he, "I--I--" But something choked him. He could not go on. Then he turned to the blackboard, took a piece of chalk, and, bearing on with all his might, he wrote as large as he could: "Vive La France!" Then he stopped and leaned his head against the wall, and, without a word, he made a gesture to us with his hand; "School is dismissed--you may go." 50 55 60 65 70 75 80 85 90 95 100 ©2006 Texas Education Agency 234 Sample Analysis : Focus and Time Indicators in “The Last Lesson” FOCUS images of freedom, details introduce idea of resistance bad news of war, hurriedtime images of hurry and “bustle” and sound imagery nothing solemnity speculation title and reason news explained repetition “last lesson” understanding thematic I started for school very late that morning and was in great dread of a scolding, especially because M. Hamel had said that he would question us on participles, and I did not know the first word about them. For a moment I thought of running away and spending the day out of doors. It was so warm, so bright! The birds were chirping at the edge of the woods; and in the open field back of the saw-mill the Prussian soldiers were drilling. It was all much more tempting than the rule for participles, but I had the strength to resist, and hurried off to school. When I passed the town hall there was a crowd in front of the bulletin-board. For the last two years all our bad news had come from there—the lost battles, the draft, the orders of the commanding officer—and I thought to myself, without stopping: "What can be the matter now?" Then, as I hurried by as fast as I could go, the blacksmith, Wachter, who was there, with his apprentice, reading the bulletin, called after me: "Don't go so fast, bub; you'll get to your school in plenty of time!" I thought he was making fun of me, and reached M. Hamel's little garden all out of breath. Usually, when school began, there was a great bustle, which could be heard out in the street, the opening and closing of desks, lessons repeated in unison, very loud, with our hands over our ears to understand better, and the teacher's great ruler rapping on the table. But now it was all so still! I had counted on the commotion to get to my desk without being seen; but, of course, that day everything had to be as quiet as Sunday morning. Through the window I saw my classmates, already in their places, and M. Hamel walking up and down with his terrible iron ruler under his arm. I had to open the door and go in before everybody. You can imagine how I blushed and how frightened I was. But nothing happened, M. Hamel saw me and said very kindly: "Go to your place quickly, little Franz. We were beginning without you." I jumped over the bench and sat down at my desk. Not till then, when I had got a little over my fright, did I see that our teacher had on his beautiful green coat, his frilled shirt, and the little black silk cap, all embroidered, that he never wore except on inspection and prize days. Besides, the whole school seemed so strange and solemn. But the thing that surprised me most was to see, on the back benches that were always empty, the village people sitting quietly like ourselves; old Hauser, with his three-cornered hat, the former mayor, the former postmaster, and several others besides. Everybody looked sad; and Hauser had brought an old primer, thumbed at the edges, and he held it open on his knees with his great spectacles lying across the pages. While I was wondering about it all, M. Hamel mounted his chair, and, in the same grave and gentle tone which he had used to me, said: "My children, this is the last lesson I shall give you. The order has come from Berlin to teach only German in the schools of Alsace and Lorraine. The new master comes tomorrow. This is your last French lesson. I want you to be very attentive." What a thunder-clap these words were to me! Oh, the wretches; that was what they had put up at the town-hall! My last French lesson! Why, I hardly knew how to write! I should never learn any more! I must stop there, then! Oh, how sorry I was for not learning my lessons, for seeking birds' eggs, or going sliding on the Saar! My books, that had seemed such a nuisance a while ago, so heavy to carry, my grammar, and my history of the saints, were old friends now that I couldn't give up. And M. Hamel, too; the idea that he was going away, that I should never see him again, made me forget all about his ruler and how cranky he was. Poor man! It was in honor of this last lesson that he had put on his fine Sunday-clothes, and now I understood why the old men of the village were sitting there in the back of the room. It was because they were sorry, too, that they had not gone to school more. It was their way of thanking our master for his forty years of faithful service and of showing their respect for the country that was theirs no more. TIME MOVEMENT time: “very late” time: “plenty” time: from the usual to the “now” time “not till then” time: today and tomorrow time: last “never see” time to “honor” and “thank” ©2006 Texas Education Agency 235 reproach for all explained language as key to identity and freedom suggests courage images of tranquility new and beautiful work tranquility or shock directly introduces courage visual and sound imagery images of strength pride and strength While I was thinking of all this, I heard my name called. It was my turn to recite. What would I not have given to be able to say that dreadful rule for the participle all through, very loud and clear, and without one mistake? But I got mixed up on the first words and stood there, holding on to my desk, my heart beating, and not daring to look up. I heard M. Hamel say to me: "I won't scold you, little Franz; you must feel bad enough. See how it is! Every day we have said to ourselves: 'Bah! I've plenty of time. I'll learn it to-morrow.' And now you see where we've come out. Ah, that's the great trouble with Alsace; she puts off learning till tomorrow. Now those fellows out there will have the right to say to you: 'How is it; you pretend to be Frenchmen, and yet you can neither speak nor write your own language?' But you are not the worst, poor little Franz. We've all a great deal to reproach ourselves with. "Your parents were not anxious enough to have you learn. They preferred to put you to work on a farm or at the mills, so as to have a little more money. And I? I've been to blame also. Have I not often sent you to water my flowers instead of learning your lessons? And when I wanted to go fishing, did I not just give you a holiday?" Then, from one thing to another, M. Hamel went on to talk of the French language, saying that it was the most beautiful language in the world—the clearest, the most logical; that we must guard it among us and never forget it, because when a people are enslaved, as long as they hold fast to their language it is as if they had the key to their prison. Then he opened a grammar and read us our lesson. I was amazed to see how well I understood it. All he said seemed so easy, so easy! I think, too, that I had never listened so carefully, and that he had never explained everything with so much patience. It seemed almost as if the poor man wanted to give us all he knew before going away, and to put it all into our heads at one stroke. After the grammar, we had a lesson in writing. That day M. Hamel had new copies for us, written in a beautiful round hand: France, Alsace, France, Alsace. They looked like little flags floating everywhere in the school-room, hung from the rod at the top of our desks. You ought to have seen how every one set to work, and how quiet it was! The only sound was the scratching of the pens over the paper. Once some beetles flew in; but nobody paid any attention to them, not even the littlest ones, who worked right on tracing their fish-hooks, as if that was French, too. On the roof the pigeons cooed very low, and I thought to myself: "Will they make them sing in German, even the pigeons?" Whenever I looked up from my writing I saw M. Hamel sitting motionless in his chair and gazing first at one thing, then at another, as if he wanted to fix in his mind just how everything looked in that little school-room. Fancy! For forty years he had been there in the same place, with his garden outside the window and his class in front of him, just like that. Only the desks and benches had been worn smooth; the walnut-trees in the garden were taller, and the hop-vine, that he had planted himself twined about the windows to the roof. How it must have broken his heart to leave it all, poor man; to hear his sister moving about in the room above, packing their trunks! For they must leave the country next day. But he had the courage to hear every lesson to the very last. After the writing, we had a lesson in history, and then the babies chanted their ba, be, bi, bo, bu. Down there at the back of the room old Hauser had put on his spectacles and, holding his primer in both hands, spelled the letters with them. You could see that he, too, was crying; his voice trembled with emotion, and it was so funny to hear him that we all wanted to laugh and cry. Ah, how well I remember it, that last lesson! All at once the church-clock struck twelve. Then the Angelus. At the same moment the trumpets of the Prussians, returning from drill, sounded under our windows. M. Hamel stood up, very pale, in his chair. I never saw him look so tall. "My friends," said he, "I--I--" But something choked him. He could not go on. Then he turned to the blackboard, took a piece of chalk, and, bearing on with all his might, he wrote as large as he could: "Vive La France!" Then he stopped and leaned his head against the wall, and, without a word, he made a gesture to us with his hand; "School is dismissed--you may go." time: now “see how it is” time: to reflect and “reproach ourselves” for wasted time 15 time: reproach for wasted time continues time: of amazement at beauty that must be guarded time: “after the grammar” time: speculates about future time: to work and reflect “for forty years” time: of sadness 20 time: “clock struck” the final moment time: for strength time: to go (into the future) ©2006 Texas Education Agency 236 “The Last Lesson” Reading Comprehension Questions 1. In the first paragraph, the speaker emphasizes a. the onset of animosity toward his teacher. b. an appreciation for the aesthetic qualities of the countryside. c. a casual but concerned interest in the soldiers. d. an apprehension of and reluctance to perform responsibilities. e. a concern for and resistance to authority. 2. The mention of the “great ruler” in line 16 followed by the mention of the “terrible iron ruler” in line 19 introduces the possibility of all of the following EXCEPT a. oppression. b. fear. c. languor. d. change. e. solemnity. 3. The paragraph beginning “I jumped over the desk” can best be described as which of the following? a. descriptive b. narrative c. expository d. persuasive e. argumentative 4. The effect of the paragraphs beginning at line 47 and ending at line 55 is one of a. a sense of urgency in the establishment of a resistance movement. b. a feeling of ridicule directed toward sentimental and oafish citizens. c. a recognition of a contrived exhibition intended to disconcert the invaders. d. an awareness of a moment of interlude to bemoan lost opportunity. e. an exhilarated regret for the citizens who will remain. 5. The purpose of the paragraph beginning at line 56 is to a. shift to a tone of anxiety. b. contrast the past with the present. c. support a point made in the previous paragraph. d. comment on the beauty of the moment. e. present a counterargument. 6. From line 77 to the end of the story, the writer appeals to which of the following series of values? a. resolve, patriotism, resistance b. honesty, consent, tolerance c. security, equality, liberty d. morality, capability, condescension e. education, persistence, preparedness ©2006 Texas Education Agency 237 Abraham Lincoln’s Second Inaugural Address (numbered line version) March 4, 1865 Fellow countrymen: At this second appearing to take the oath of the presidential office, there is less occasion for an extended address than there was at the first. Then a statement, somewhat in detail, of a course to be pursued, seemed fitting and proper. Now, at the expiration of four years, during which public declarations have been constantly called forth on every point and phase of the great contest which still absorbs the attention and engrosses the energies of the nation, little that is new could be presented. The progress of our arms, upon which all else chiefly depends, is as well known to the public as to myself; and it is, I trust, reasonably satisfactory and encouraging to all. With high hope for the future, no prediction in regard to it is ventured. On the occasion corresponding to this four years ago, all thoughts were anxiously directed to an impending civil war. All dreaded it—all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war—seeking to dissolve the Union, and divide effects, by negotiation. Both parties deprecated war; but one of them would make war rather than let the nation survive; and the other would accept war rather than let it perish. And the war came. One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the Southern part of it. These slaves constituted a peculiar and powerful interest. All knew that this interest was, somehow, the cause of the war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union, even by war; while the government claimed no right to do more than to restrict the territorial enlargement of it. Neither party expected for the war the magnitude or the duration which it has already attained. Neither anticipated that the cause of the conflict might cease with, or even before, the conflict itself should cease. Each looked for an easier triumph, and a result less fundamental and astounding. Both read the same Bible, and pray to the same God; and each invokes his aid against the other. It may seem strange that any men should dare to ask a just God's assistance in wringing their bread from the sweat of other men's faces; but let us judge not, that we be not judged. The prayers of both could not be answered—that of neither has been answered fully. The Almighty has his own purposes. "Woe unto the world because of offenses! for it must needs be that offenses come; but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through his appointed time, he now wills to remove, and that he gives to both North and South this terrible war, as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to him? Fondly do we hope—fervently do we pray—that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn by the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said, "The judgments of the Lord are true and righteous altogether." With malice toward none; with charity for all; with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in; to bind up the nation's wounds; to care for him who shall have borne the battle, and for his widow, and his orphan—to do all which may achieve and cherish a just and lasting peace among ourselves, and with all nations. 5 10 15 20 25 30 35 40 45 ©2006 Texas Education Agency 238 Abraham Lincoln’s Second Inaugural Address Reading Comprehension Questions 1. In paragraph one the speaker’s expression “The progress of our arms” is best understood to mean a. the state of the country. b. a movement toward the end of the war. c. a great contest of armies. d. the preservation of the union. e. the status of the war. 2. Paragraph one includes all of the following EXCEPT a. paired adjectives. b. a prediction. c. metaphoric language. d. an ethical appeal. e. long prepositional phrases. 3. As used in line 13, “deprecated” is best understood to mean a. bemoaned. b. condemned. c. disparaged. d. lamented. e. belittled. 4. The purpose of paragraph 3 is best described as a. an emotional appeal to all citizens of the country. b. a logical appeal to explain the cause of the war. c. an ethical appeal to establish the president’s good intentions. d. an exact reflection of the consequences of insurgent activities. e. a call for reconciliation between the government and the insurgents. 5. An important rhetorical shift is signaled by which of the following statements? a. “upon which all else chiefly depends” line 6 b. “with high hope for the future” line 8 c. “to dissolve the Union and divide effects by negotiation” lines 11-12 d. “was somehow the cause of the war” line 18 e. “both read the same Bible” line 26 6. The last sentence of the speech includes all of the following EXCEPT a. extended metaphor. b. parallel structure. c. infinitive phrases. d. paired adjectives. e. prepositional phrases. ©2006 Texas Education Agency 239 Writing Prompt Directions: The following prompt is based on the accompanying three sources. This question requires you to integrate all three sources into a coherent, well-written essay. Refer to the sources to support your position; avoid mere paraphrase or summary. Your arguments should be central; the sources should support this argument. Remember to attribute both direct and indirect citations. Introduction War and armed conflicts have influenced many societies throughout time. What are these influences, and how has it affected those involved and those who witness the members of a society who are always affected in some way? In what ways does armed conflict change a society and its members? Does war or oppression or combat make a society amenable to change? Can the change to a society as a result of such actions culminate in positive or negative results, or in both? Assignment Read or scan your notes from the three sources carefully. Then, in an essay that synthesizes all three of the sources for support, evaluate the pros and cons of armed conflict, and take a position that defends, challenges, or qualifies the claim that armed conflict has had a negative impact on the members of a global society. Refer to the sources as the titles listed for your convenience. Daudet’s “The Last Lesson” or Daudet’s story Lincoln’s “Second Inaugural Address” or Lincoln’s address Armed Conflicts graph or the conflicts graph ©2006 Texas Education Agency 240 Grade 12 TEKS and AP* objectives demonstrated** (pdf) Lesson-The Movement of Ideas If reading and writing provide the bedrock and structure of the lighthouse, then viewing and representing allow its light to make a complete rotation, brightening the way so that students of all frames of mind may find their way to enlightenment. —Doris R. Sanders, original committee member [printer-friendly] *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Web site. **Permission to excerpt AP materials does not constitute review or endorsement by the College Board, of these materials, or any questions or testing information they may contain. ©2006 Texas Education Agency For more information, please send an e-mail to Curriculum@tea.state.tx.us 241 Grade 12 TEKS and AP* Objectives in Sample Lesson TEKS – English IV (Grade 12) 1 (C) write in a voice and style appropriate to audience and purpose Advanced Placement Program* Goals and Expectations** Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write in both formal and informal contexts to gain authority and learn to take risks in writing. Produce projects that call on evaluation of the legitimacy and purpose of sources used. Formulate varied, informed arguments. 1 (E) employ precise language to communicate ideas clearly and concisely Consider each source as a text that was itself written for a particular audience and purpose. Write in several forms—narrative, exploratory, expository, argumentative—on many different subjects from personal experiences to public policies, from imaginative literature to popular culture. Reflect on the link between grammar and style. 1 (F) organize ideas in writing to ensure coherence, logical progression, and support for ideas Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. Construct essays with logical organization, enhanced by specific techniques to increase coherence, such as repetition, transitions, and emphasis. Apply effective writing strategies and techniques. 2 (A) use prewriting strategies to generate ideas, develop voice, and plan Develop and organize ideas in clear, coherent, and persuasive language. Move beyond such programmatic responses as the five-paragraph essay and place emphasis on content, purpose, and audience. Write essays that proceed through several stages or drafts, with revision aided by teacher and peers. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 242 Create essays that balance generalization and specific illustrative detail. Develop an effective use of rhetoric, including controlling tone, establishing and maintaining voice, and achieving appropriate emphasis through diction and sentence structure. 6 (B) rely on context to determine meanings of words and phrases such as figurative language, idioms, multiple meaning words, and technical vocabulary 8 (D) construct images such as graphic organizers based on text descriptions and text structures 8 (E) analyze text structures such as compare/contrast, cause/effect, and chronological order for how they influence understanding Move effectively through the stages of the writing process, with careful attention to inquiry and research, drafting, revising, editing, and reviewing. Develop a wide-ranging vocabulary used appropriately and effectively, with denotative and connotative resourcefulness. Use graphics and visual images in texts published in print and electronic media and analyze how such images both relate to written texts and serve as alternative forms of texts themselves. Analyze images as text. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. 8 (G) draw inferences and support them with textual evidence and experience Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 243 Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Make careful observations of textual detail. 8 (I) read silently with comprehension for a sustained period of time 9 (B) read in varied sources such as diaries, journals , textbooks, maps, newspapers, letters, speeches, memoranda, electronic texts, and other media Draw from connections a series of inferences leading to an interpretive conclusion about a piece of writing’s meaning and value. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. 9 (D) interpret the possible influences of the historical context on a literary work Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 244 writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Gain awareness of how writing style has changed dramatically through history, and its existence in many national and local varieties. 11 (A) respond to informational and aesthetic elements in texts such as discussions, journal entries, oral interpretations, enactments, and graphic displays Develop awareness of literary tradition and the complex ways in which imaginative literature builds upon the ideas, works, and authors of earlier times. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. 11 (B) use elements of text to defend, clarify, and negotiate responses and interpretations Make careful observations of textual detail. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Accompany reading with thoughtful discussion and writing about works in the company of one’s fellow students. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 245 • • literary works, including pre-critical impressions and emotional responses. Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Make careful observations of textual detail. Establish connections among observations. 12 (A) compare and contrast elements of texts such as themes, conflicts, and allusions both within and across texts Draw from connections a series of inferences leading to an interpretive conclusion. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. 12 (E) analyze the melodies of literary language, including its use of evocative words and rhythms Make careful observations of textual detail. Read closely from the following perspectives: • Experience of literature – the subjective dimension of reading and responding to literary works, including pre-critical impressions and emotional responses. • Interpretation of literature – analysis of literary works through close reading to arrive at an understanding of their multiple meanings. • Evaluation of literature – an assessment of the quality and artistic achievement of literary works and a consideration of their social and *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 246 cultural values. Increase ability to explain clearly, cogently, even elegantly, understanding and interpretation of literary works. Underscore the commonalities and distinctive elements of evocative literary language. 13 (F) analyze aspects of texts such as patterns of organization and choice of language for their effect on audiences Read deliberately and thoroughly, taking time to understand a work’s complexity, to absorb its richness of meaning, and to analyze how that meaning is embodied in literary form. Read complex texts with understanding and write prose of sufficient richness and complexity to communicate effectively with mature readers. Examine a variety of writers to examine the wealth of approaches to subject and audience that such writers display. Become acquainted with a wide variety of prose styles from many disciplines and historical periods and gain understanding of the connections between writing and interpretive skills in reading. Read to become aware of how stylistic effects are achieved by writers’ linguistic choices. Analyze and interpret samples of good writing, identifying and explaining an author’s use of rhetorical strategies and techniques. Apply effective writing strategies and techniques. 14 (C) demonstrate proficiency in critical, empathic, appreciative, and reflective listening 16 (C) respond appropriately to the opinions and views of others 16 (E) ask clear questions for a variety of purposes and respond appropriately to the questions of others 16 (F) make relevant contributions in conversations and discussions 16 (G) express and defend a point of view using precise language and appropriate detail *AP, Advanced Placement Program, and Pre-AP are registered trademarks of the College Board, which does not endorse nor was it involved in the production of this Website. **The text and information provided in this column is excerpted from the College Board and AP Central’s Course Description. The text is the summary and interpretation of the authors of the revised English/Language Arts Lighthouse guide. Codifying the objectives outlined in the Course Description may not adequately represent the fuller description of the AP English Language or AP English Literature courses and exams provided in the Course Description by the College Board, available for download on apcentral.collegeboard.com. ©2006 Texas Education Agency 247 Grade 12 Sample Lesson The Movement of Ideas Analyzing texts and learning how to prepare for and deliver a Socratic seminar Contributed by Jim Lindsay, Episcopal School of Dallas, Dallas, TX Time Needed: Four 50-minute class periods Materials/Resources Needed: • • • • • • • Copies of “The Last Lesson” Copies of Abraham Lincoln’s Second Inaugural Address Copies of Movement of Ideas worksheet Copies of Inner-Outer Circle handout Transparency (or similar presentation form) of Movement of Ideas worksheet. Model Pre-Writing Strategy Optional: Copies of Armed Conflicts, 1999-2004 Class Period 1—Movement of Ideas • Preparation and Instruction o o o o o o o o o Organize the classroom so that students work in groups of four. Present the Movement of Ideas worksheet. Using either an overhead transparency, a board model, or a computer-based visual, present the Movement of Ideas worksheet as visual so all students may follow the example. Inform students that they will be learning a deconstruction skill that will serve them in preparing for Inner-Outer Circle discussions. This strategy will also serve as a prewriting sheet for future timed writings. Provide students with a copy of Daudet’s “The Last Lesson” and Lincoln’s Second Inaugural Address. Instruct students that they will have fifteen minutes to read the two pieces silently. At the teacher’s discretion, this portion of the lesson can be assigned as homework for the night prior. From the groups of four, students break into pairs. The first pair will utilize “The Last Lesson.” The second group will utilize the Second Inaugural Address. Present the students with the Movement of Ideas worksheet. Tell them to come up with – in ten minutes – four dominant strategies that their author uses to power forward his purpose. They will copy the concrete detail and paragraph number in the first column, name the dominant device in the second column, and indicate how the particular literary device(s) illustrates a major point of the author’s theme or argument in the third column. Optional: Model for the students, one example of the exercise for each. Use this example, if necessary: ©2006 Texas Education Agency 248 What is it? “The Last Lesson” “I thought of spending the day out of doors. It was so warm, so bright! The birds were chirping.” (1) and “Once some beetles flew in; but nobody paid attention to them.” (17) Lincoln’s Second Inaugural Address “but one of them would make war rather than let the nation survive, and the other would accept war rather than let it perish.” (2) o o o o How does it make meaning? Juxtaposition, pastoral imagery Juxtaposition, non-descript pronouns, italics What is the author’s purpose? The speaker’s initial pastoral imagery reveals what one would expect from a schoolboy – the value placed on the outdoors, on play, on nature. However, Daudet juxtaposes the impact of the pastoral when another component of Franz’s life is threatened. Because Franz’s view of nature in paragraph 17 is limited, the author argues how something so important to a young person – to any person – becomes overshadowed by another that is more fleeting. This contrast yields his sardonic tone when Franz questions if “even the pigeons” (17) will change due to such a military insurgence, which illuminates how war affects more than soldiers and policy; it alters our understanding of our own core values. Lincoln elucidates a notion of the past. Through his juxtaposition of the creation of war and the consent of war, and the use of vague pronouns, which surround both clauses, he displays the political division that existed between north and south, but does so without directly blaming either the union or confederate forces. For emphasis, Lincoln underscores the words “make” and “accept” to power forward the responsibility both parties played in the war. Through this contrast, ironically, Lincoln illuminates the unity he seeks to gain in his following four-year tenure as president of the United States. Give the students a second blank copy of the Movement of Ideas worksheet. Have the first pair of students teach the second pair of students their findings and write the information on the new worksheet. Discuss, as a class, the observations and complete charts. Homework: Have students prepare for an Inner-Outer Circle discussion of the two pieces by reading the Inner-Outer Circle handout. Optional: Provide students with a copy of the graph, Armed Conflicts, 1999-2004. Challenge them to study the chart and make connections across all three texts during their discussion. Class Period 2—Inner-Outer Circle • Preparation and Instruction o o Review Inner-Outer Circle strategy. Organize the classroom so that an even distribution of desks creates the inner circle and half of the class population can fill it. The other half sits on the outer circle. Modify the style of the discussion strategy as you see fit. If your class is smaller than 16 students, you may want to have one circle instead of two. If you teach on a block, you can extend the time to 35 minutes per circle, and then do your reflection comments at the end of the period. If you have a large class of seniors, you may want to spend two days on the activity. Whatever your situation, you can use the Inner-Outer Circle with great success, and it is suggested you do it throughout the year. The students will learn, grow, and impress you often. ©2006 Texas Education Agency 249 Class Period 3—Pre-Writing • Preparation and Instruction o o o o This lesson follows a traditional, teacher-led plan. You will need no other special handouts or materials except for the story and the speech. Review Model Pre-Writing Strategy. For ten to fifteen minutes, lead a discussion that offers your feedback on yesterday’s discussion. Praise good speakers, and use their comments to teach other students how to make well-supported connections to the text and arguments of the pieces. Encourage less than stellar speakers to use what they did accomplish to go deeper into the texts next time. It is not advisable to use Inner-Outer Circle as a fleeting strategy. Rather, use it frequently, and you will surely delight in how the students grow with the skill across the school year. They will also show growth in their writing due to this high-level of thinking and listening. The next activity will utilize the remainder of the period but will prove an essential prewriting strategy for Advanced Placement* English timed writings and for other essay questions as well. See Model Pre-Writing Strategy. Ask students to imagine a timed writing open-ended question that asked them to evaluate one piece and develop a well-written essay that discusses how the author’s modes of evocative literary language illustrate the speaker’s tone and purpose. It is suggested that you choose one work for this activity and use the other for your actual timed writing. To fulfill this need, and since the students have more experience with it, we will use the Lincoln piece. o Draw three large circles on the board: o Instruct students that you will teach them a useful prewriting strategy, one they can use on tomorrow’s, and subsequent, timed writings. Their goal is to learn it and use it enough so they can eventually prewrite for an essay in three minutes. First, have students decide – collectively – which literary terms seem most dominant in the Lincoln address. Once they have chosen, ask them, “For what ultimate purpose does Lincoln utilize these strategies?” Jot down those strategies and a rough idea of the purpose in the top circle. For the left-hand circle, you will write the name of the first strategy and underline it. Then, ask the students to offer three of the strongest examples of this strategy. Write crude transliterations of the quotations in the circle. Have students take a few minutes for open discussion to reveal why these examples are the strongest to discuss. Write crude notes next to each quotation in the left-hand circle. Follow the same procedure for the right-hand circle and illustrate the second literary technique. Optional: Draw another line stemming from each of the bottom circles. Add an extra literary technique in each. This one will serve as an ancillary point and detail for the students to use, should they find themselves with extra time during the writing period. This detail and illustration should serve the same purpose as the primary device in the main bubble. o o o o o ©2006 Texas Education Agency 250 o o o o Label the top circle “Thesis Idea.” Label the pair of circles “Body 1” and “Body 2.” They now have the beginnings of a four-paragraph essay. Draw a line underneath the map, and label it “Thesis Statement.” Have students create the statement as a group as you write it on the board. This part will complete the prewriting instruction. Homework: prepare to take a timed writing on one of the two works tomorrow. Class Period 4—Timed Writing • Preparation and Instruction o o o Prepare copies of Alphonse Daudet’s “The Last Lesson.” Prepare a class set of the Timed Writing Question Sheet. To mirror the Advanced Placement Examination in Literature and Composition, suggested time for reading and completion is 40 minutes. Give students timed writing question, encouraging them to use the new prewriting strategy. They ought to write their essays in ink (again, to mirror the exam instructions), and do any prewriting on the question sheet. ©2006 Texas Education Agency 251 Movement of Ideas Worksheet Name of work/author: What is it? Here you will put a concrete detail and a paragraph number. Place one concrete detail in each box. How does it make meaning? Here you will show what literary devices or mode of evocative language you see in the quotations (simile, metaphor, etc.). What is the author’s purpose? Here you will comment on how the particular literary device(s) illustrates a major point of the author’s theme or argument. 1. 2. 3. 4. 5. ©2006 Texas Education Agency 252 6. 7. 8. ©2006 Texas Education Agency 253 The Inner-Outer Circle LISTEN Listening is a rare happening among human beings. You cannot listen to the word another is speaking if you are preoccupied with your appearance or with impressing the other, or if you are trying to decide what you are going to say when the other stops talking, or if you are debating whether the word being spoken is true or relevant or agreeable. Such matters may have their place, but only after listening to the word as the word is being uttered. Listening . . . is a primitive act of love, in which a person gives himself to another’s word, making himself accessible and vulnerable to that word. From Friends Journal by William Stringfellow ©2006 Texas Education Agency 254 The Inner-Outer Circle A Way to Teach Socratic Discussion in High School English Classrooms Student Handout Developed by Jim Lindsay Description: The Inner-Outer Circle consists of one class population split in half. Approximately 13 of you will sit in the “inner” circle. For 25 minutes, the inner circle will discuss the assigned reading selection. Then, we will switch positions, the people on the outer circle will become the inner circle, and they will discuss the same reading selection with newer, refreshed viewpoints and evidence. Each student is graded on individual performance, but with the idea that the individual contributes to the whole class discussion. Objective: Through consistent Inner-Outer Circle discussions, students are forced to direct their own learning. They decide which parts of the passage to discuss and what path the discussion will follow. Some of the goals of this assignment are the following: ¾ to teach one another about what you find in your reading, ¾ to take risks rather than rely on teacher validation, ¾ to read and evaluate literature orally and on a complex level, ¾ to involve yourself completely in the reading and listening process, ¾ to practice finding and preparing meaningful passages from your text; and, ¾ to learn how to take notes effectively from listening. Grading: You are graded on a five-point scale. Level one reflects the most minor of comments. Level five is the strongest. 1 (below 70) = a spoken offering of usually one sentence. Here, you can also give more than a sentence that paraphrases, identifies, or speaks “around” meaning. This type of comment will not earn you many points, but if you participate often, you can acquire some additive points. 2 (70-79) = an offering of a quotation from the assigned reading, which tells me that you see a concrete detail. Yet, you do only that and do not go beyond the obvious to show what the meaning of the passage is. Even if your analysis is completely incorrect, you may still earn the 2 because you take a risk or add a valid point. Again, if you have already spoken a stronger comment and add a 2, you get more credit. 3 (80-89) = a comment that begins with a quotation and extends into some good commentary. Students who extend and analyze usually earn a score of 3. Also, if you broach a topic that spawns lively discussion, you earn a 3 for your ability to springboard further great thinking. Remember, though, you have to root yourself in the text with a quote and comment first! 4 (90-100) = 5 (90-100) = an indication that you have done something even greater than the extension that would earn you a 3. Usually, an extension that earns a 4 has seen a passage on more than one level, analyzed a literary device, or commented on how the passage is valuable to the whole piece in multiple ways. This type of comment will explain the “how,” whereas the 3 extension would only show the “what.” Think literary devices here, and you will be on your way to earning a score of 4. is the highest number on the scale, which shows how you look at the text for deep, rich analysis, multiple literary devices, and a cross-reference. Start with a quotation, offer the deep comment, view and show the importance of the ©2006 Texas Education Agency 255 literary device, cross reference a second detail within the text or to another book entirely, and show the similarities or differences. For instance, if we were discussing how Ma in The Grapes of Wrath is easily identified as an earth mother archetype, you may make a cross reference to how Mama in A Raisin in the Sun is the same archetype and compare the two characters’ traits and authors’ treatment of the paragons. Preparation: When you prepare for an Inner-Outer Circle discussion, your homework for the night before is to read the assignment and then return to class having highlighted and written notes about 7-10 passages from the assignment. In the event we will discuss poetry, you should highlight and take notes on 7-10 lines, couplets, or parts of stanzas. If you prepare only one or two quotations, you will not do well because it is likely that a classmate will “steal” your quotation and you will be left with a grade that does not reflect your knowledge. Table Leaders: Each circle has a student table leader. This person will delegate who speaks and will monitor and change topics that either become overdone or forced. Also, the person should know when to ask more of a participant with statements such as “How did you figure that out?” or “Tell us more about why you see the passage in that way.” The table leader is interactive. Sometimes, the teacher will pass a note to the table leader to help him or her encourage quieter students to talk and bring up topics that the circle missed. Almost always, the table leader earns a 100% for the job. This person is the one who delegates fairness. The Outer Circle: The outer circle members do not just sit back and enjoy the ride before them. They make a list of students’ names on their own paper and, using this sheet, grade their classmates as well. The outer circle members take notes as copiously as the teacher does. You will never suffer from accidentally repeating a comment from the inner circle if you are well prepared and take good notes while the discussion is taking place. You turn this sheet in at the end of the period and it becomes 10% of your grade. Tips: ¾ ¾ ¾ ¾ ¾ Do not be absent because the make up is harder and involves fewer people, typically at 7:30 am two days after the assigned Inner-Outer Circle. If you have morning sports or activities, it is imperative that you are in class. If you are shy, now is your time to work on that! You must find a way (and I am always happy to help!) to participate because you should view these days as opportunities to grow. Do not dominate the conversation. Balance your excellent comments with excellent listening and note-taking. You harm others’ grades if you take up their time. You can assist in this way by being as succinct as possible. Blather gets belabored quickly. Prepare! Study with a friend if you like and plan quotes together. This way you can practice allying one another. Avoid relying on pre-published study notes. I know when you use them, and you may breach your school’s acceptable use policy or honor code. ©2006 Texas Education Agency 256 Model Pre-Writing Strategy Thesis idea: To encourage a nation to heal and re-envision their sense of core values for a socially progressive future ¾ nondescript pronouns Body 1: Juxtaposition, ¾ “make war […] accept war” ¾ “malice toward none […] charity for all” ¾ “American slavery […] those divine attributes” ¾ Telegraphic sentence Body 1: structure of speech: past/present/future ¾ Past: “impending civil war,” “all dreaded it,” “and the war came.” ¾ Present: “The Almighty has […] purposes” ¾ Future: “let us strive on to finish” and “bind the nation’s wounds” Thesis Statement: ©2006 Texas Education Agency 257 Timed Writing Question Sheet Read the story, “The Last Lesson,” by Alphonse Daudet carefully. Write an essay in which you discuss how the modes of evocative literary language elucidate the author’s purpose. ©2006 Texas Education Agency 258