TCS PUBLISHER Jan-June 16 p.1.pub

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THE T UESDA Y CON C ERT SERIES
Since the Church of the Epiphany was founded in 1842, music
C HORAL E VENSONG
is sung at Epiphany on the first
W E D N E S D A Y of the month
by the Schola Epiphaniensis
6 January, 3 February, 2 March,
6 April, 4 May,
6:00-6:30 P M
___
Join us for this half-hour offering of contemplative
16th century music and prayer
has played a vital role in the life of the parish. The Tuesday
Concert Series reaches out to the entire metropolitan
Washington community and runs throughout the year. No other
concert series follows such a pattern and, as such, it is unique in
the Washington DC area.
Epiphany houses three fine musical instruments: The Steinway D
concert grand piano was a gift to the church in 1984, in memory
of vestry member Paul Shinkman, and the 4-manual, 64-rank,
3,467-pipe Æolian-Skinner pipe organ (1968) is one of the most
versatile in the city. The 3-stop chamber organ (2014),
commissioned in memory of Albert and Frances Manola, was
built by Orglarstvo Škrabl of Slovenia.
There is no admission charge for the Tuesday concerts, but you
are invited to make a freewill offering to help support our artists
who give freely of their time and skill in performing here.
Maintaining the artistic quality of Epiphany’s series with donations as the sole source of revenue is challenging. For information on how to become a PARTNER of the series and support our artistic work, please contact the Director of Music, Jeremy Filsell at jfilsell@epiphanydc.org, or take a PARTNERSHIP
brochure from the rear of the church.
CD
available from the church office of
EPIPH A N Y’ S
C H OIR& ORG A N
WITH
WASHI NGTON SYMPHONI C
BRASS
$15
The Church of the Epiphany
Tuesday Concert Series
January–June 2016
12:10pm
At Metro Center
1317 G Street, NW, Washington, DC 20005
Phone: 202-347-2635
info@epiphanydc.org
www.epiphanydc.org
5 January – Tyler St. Clare, Janna Critz, Joshua
Barnett, Michael Jancarek,
voices, dulcimers, guitars, antique
flutes; bringing to life the revelry of
15 March – The Choir of St. Martin-in-the-Fields,
London, UK; one of the UK’s premier professional church
ensembles, currently on tour in the US
10 May – Duo Amaral Jorge Amaral &
Mia Pomerantz-Amaral, guitars in the
music of Latin America: duoamaral.com
Christmas as it might have been
celebrated in the colonies 300 years ago
12 January – Schola Epihaniensis; Rachel Evangeline Barham, Rebecca Kellerman-Petretta, James
Rogers, Oliver Mercer, Roger Isaacs,Voices Jeremy
Filsell, piano Michelle Lundy, Harp; Music for Epiphany
-tide including Benjamin Britten’s ‘The Journey of the Magi’ and
Ceremony of Carols
19 January – Theo Davis, harpsichord & organ plays
Bach, Couperin, Dupré & Duruflé on Epiphany’s grand organ
26 January – Tzu-yi Chen, piano The
recent runner-up at the 7th Liszt-Garrison
International Piano Competition and
prizewinner for the ’Best Liszt Interpretation
Award’ plays Tchaikovsky, Liszt and Debussy.
2 February – Amy
Domingues ,Viola da Gamba
Anthony Harvey, theorbo
Jeremy Filsell, continuo; Enigmatic
17 May – Robert Simonds, violin
plays Purcell, Biber and Piazzolla:
robertsimonds.squarespace.com
24 May – Jocelyn Swigger, piano presents on Frédéric
22 March – Richard Giarusso, Baritone Lauren
Rausch, violin Jeremy Filsell continuo in a Bach program marking the historic and religious events of Holy Week
31 May – Ralitza Patcheva & Jeremy Filsell, pianos
29 March – Andrew Sords, Violin Ina Mirtcheva,
piano; this internationally recognized duo offers masterworks
perform Rachmaninov’s
symphonic scale Suite for
Two Pianos Op. 17 and
music by Debussy on two
Steinway Ds
by Beethoven, Franck and Sarasate: andrewsords.com
5 April – Washington Bach Consort, J. Reilly
Lewis, director Cantata: Am Abend aber desselbigen
Sabbats, BWV 42; Prelude and Fugue in E-flat Major, BWV
552 Victoria
Shields, organ
16 February – Vasily Popov, cello Ralitza Patcheva,
piano. This virtuoso husband-and-wife team offer works by
Stravinsky, Rachmaninov and Brahms
23 February – BLACK HISTORY MONTH: Peate
Peagues and Irvin Peterson; music of the African diaspora
focusing on the life and accomplishments of renowned Washingtonian Richard Smallwood
1 March –Washington Bach Consort,
J. Reilly Lewis, director Cantata: Wie schön
leuchtet der Morgenstern, BWV 1; Prelude and Fugue
in C Major, BWV 547 Jeremy Filsell, organ
8 March – Sarah Biber, cello Jeremy Filsell, piano
celebrating the 100th anniversary of Max Reger’s death (March
19, 1916) with a rare performance of his epic 3rd Sonata in F
major Op. 78 for cello and piano:
takomaensemble.blogspot.com/p/cellos-and-bass.html
enchanting Liebeslieder Waltzes
“ ..I am the one who, walking in greenery,
seeks delightful flowers.” Corina
14 June – The Atlantic Reed Consort; an Oboe, Clarinet,
14th century music for
Clavisimbalum and flutes: ramee.org
19 April – Martin Labazevitch piano; a performance
of Modest Mussorgsky’s monumental Pictures at an Exhibiton
(1874)
26 April – Beau Soir Ensemble; Michelle Lundy,
harp Jennifer
Ries, viola
Lauren Sileo,
flute; music by
Scarlatti and
Respighi:
beausoir.org
3 May –Washington Bach Consort, J. Reilly
Lewis, director Cantata: Bringet
dem Herrn Ehre seines Namens BWV
148; Toccata and Fugue in F Major,
BWV 540 Todd
7 June – Scott Auby, Kristen Dubenion-Smith,
Matthew Loyal Smith, Rebecca Kellerman-Petretta,
Voices with Jeremy Filsell, piano in Brahms’ beguiling and
12 April – I Dilettosi Fiori
Marti, Flutes and Clavisimbalum
Echoes: The Voice of the Viola da Gamba—
Works by Marais, Buxtehude and Telemann: amydomingues.com
9 February – MARDI GRAS celebrated with New Orleans
Jazz from Mike Flaherty's Dixieland Direct ...
Chopin’s virtuoso Etudes Op. 25 and the three Nouvelle Etudes
jocelynswigger.com
Fickley, organ
Bass Clarinet, Saxophone and
Bassoon quintet with cutting edge sound
and who add a new twist to Bach, Vivaldi
and Debussy: arconsort.org
21 June – Floyd’s Row; Andrew Arceci, gamba
Chris Ferebee, mandolin; a British-American ensemble fusing
early, folk, and classical idioms; works by Purcell, Campion and
Francesco Barsanti: floydsrow.com
28 June – Magnificat with Philip Cave director; the
professional and award-winning British Early Music Ensemble
specializing in the restoration and performance of neglected choral
masterpieces from Reformation England and 16th century Spain:
chorworks.com/magnificat/
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