Jastreboff, 2014 1

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Jastreboff, 2014 1

Ear-level instrumentation in the treatment of tinnitus

Pawel J. Jastreboff, Ph.D., Sc.D., M.B.A.

Professor

Department of Otolaryngology

Emory University School of Medicine

Atlanta, GA pjastre@emory.edu

www.tinnitus-pjj.com

Disclosure Statement:

No relevant financial or non-financial relationships to disclose

Jastreboff, 2014 2

Sound is important to our well being and for correct functioning of our auditory system

Sounds in daily environment

Sounds of nature

Voices

Music

Jastreboff, 2014 3

Music and / or sounds of nature are recognized to help

Reduce stress

With sleep problems

Promote learning, including helping dyslexia

Induce positive changes in cognitive function

In recovery from traumatic events including health problem

(cardiac operation)

Jastreboff, 2014 4

Is tinnitus a real physical sound?

Are rules governing interaction of tinnitus with external sounds the same as for two external sounds? dB SPL

NO!!!

Two external sounds

Tinnitus

Critical band frequency

Therefore

There is no vibratory activity in the cochlea corresponding to tinnitus perception and thus

Tinnitus is a phantom auditory perception

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Patients’ comments about perception of tinnitus

Tinnitus is loud

Tinnitus takes my attention from other sounds and things I should be doing

Tinnitus causes that I cannot understand people

Tinnitus is getting louder when I am in quiet

Tinnitus is getting louder when I am exposed to loud sound

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Use of sound in tinnitus treatment

 Sound is an important part of many tinnitus treatments; it is used to:

– Cover-up (masking)

– Achieve immediate relief

– Distract attention from monitoring tinnitus

– Decrease stress

– Help with sleep

– Decrease the difference between the tinnitus signal and background neuronal activity (principle used in Tinnitus

Retraining Therapy - TRT)

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How sound is used

When tinnitus annoying

A few times a day

As an exercise in set times

When convenient

All the time

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Use of ear level instrument for tinnitus in the past

Ear level instrument started to be used in tinnitus therapy over 30 years ago

– Hearing aids

– Maskers

What have we learned from past experiences?

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Ear level instruments, such as sound generators (SG), hearing aids (HA), combination instruments (Combi), can be very helpful and an important part of tinnitus treatment

However, alone these devices are seldom the solution for high level tinnitus control and should always be utilized in conjunction with counseling; proper counseling is an essential part of any effective tinnitus treatment protocol

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Practically everybody experience tinnitus when put in sufficiently quiet environment for some time

Many people report having tinnitus, but only small proportion of people hearing tinnitus is bothered by it

Why tinnitus is bothersome only to some people?

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Observation

 Lack of relationship between psychoacoustical description of tinnitus, its severity and treatment outcome

Conclusion

 Auditory system plays a secondary role in clinically-relevant tinnitus; other systems in the brain are dominant

Complains of tinnitus patients point out systems which might be involved

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The Neurophysiological Model of Tinnitus

Processing of tinnitus-related signal within various parts of the central nervous system has to be included in the analysis of the phenomenon of bothersome (clinicallysignificant) tinnitus

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Perception & Evaluation

Auditory & other Cortical Areas

Detection

Subcortical

Emotional Associations

Limbic System

Source

Cochlea

Annoyance

Autonomic Nervous System

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Perception & Evaluation

Auditory & other Cortical Areas

H

E

Detection

Subcortical

H

E

Emotional Associations

Limbic System

Source

Cochlea

H

R

Annoyance

Autonomic Nervous System

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Perception & Evaluation

Auditory & other Cortical Areas

H

P

H

E

Detection

Subcortical

H

E

Emotional Associations

Limbic System

Source

Cochlea

H

R

Annoyance

Autonomic Nervous System

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Techniques to achieve habituation

 Reclassify tinnitus to category of neutral stimuli

Retraining COUNSELING

 Decrease strength of tinnitus-related neuronal activity

SOUND THERAPY

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Principles of using sound in TRT

Sound used as a part of sound therapy in TRT should never induce annoyance or any kind of negative reaction from the patient, as this would increase the activation of the autonomic and limbic nervous systems, and consequently may prevent habituation from occurring

Systematic masking should be avoided

Sound level should be above range of stochastic resonance

Improve hearing abilities with amplification, when needed

Consistent increased stimulation with sounds decreases gain within the auditory system

Current TRT protocol is geared toward using at least two types of sound

Sounds of nature, particularly water

Broadband noise

Music is used in majority of patients, mainly as element of protocols for misophonia

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Effects of silence on tinnitus

It has been shown that practically everyone develops temporary tinnitus, if put in an extremely quiet environment:

“It is so quiet that ears are ringing”

As a rule, patients with tinnitus find that their tinnitus seems much louder and more intrusive in a quiet room or when their ears are blocked

The gain in the auditory system increases resulting in enhancement of the tinnitus signal

It is crucial to have an enriched sound environment together with sound provided by ear-level instruments

The sound of the instruments provides “safety net”

Avoid silence!

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Principles of perception of strength of a signal

All of our senses reacts not to the absolute value of a stimulus, but to the difference between the stimulus and background

The strength of any signal in the nervous system is related to its difference with background neuronal activity

By increasing background neuronal activity, it is possible to effectively decrease the strength of tinnitus-related neuronal activity within the auditory pathways and consequently in all systems involved

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Strength of tinnitus signal depends on its difference from a background

TINNITUS

BACKGROUND

TINNITUS

BACKGROUND

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The role of sound therapy in TRT

Decrease contrast between tinnitus and background neuronal activity

Interfere with the brain’s ability to detect the tinnitus signal

Reduce abnormal gain in the auditory system

Increase frequency range of the stimulation of the auditory system

Preserve or restore symmetry of stimulation of the auditory system

Improve communication ability

Decrease the strain-to-hear

Decrease focus on the ear and sound perception

Increase patient’s sense of control

Decrease general stress caused by tinnitus

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Enhanced stimulation by sound can be provided by

Environmental sounds (e.g., table-top machines, iPod,

MP3 players, CDs, TV)

– non amplified amplified by hearing aids or combination devices

Recent advances in hearing aids allow for streaming sound from iPod, MP3 players, CDs and other devices directly to hearing aids

Sound generators or sound generator part of combination devices

Ear level devices should be used concurrently with enhancement of the environmental sounds

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Why to use ear level instruments?

To facilitate the implementation of sound therapy which results in improvement of the compliance with the protocol

To give a patients a sense of control and of doing something tangible (psychological aspects)

About 30% of patients have hyperacusis. For these patients use of well controlled, stable sound source, such as provided by sound generators, is highly beneficial

Additional positive consequence is decreasing “strain-to-hear” phenomenon in patients with hearing loss by using hearing aids or combination instruments

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General rules for choosing instruments

(in TRT)

 Recent tinnitus or tinnitus is not a significant concern

=> no instruments necessary (but still can be used)

Bothersome tinnitus, no hearing loss => SGs

Bothersome tinnitus and hearing loss => Combi or HAs

Hyperacusis => SGs

Hyperacusis & tinnitus => SGs

Hyperacusis & tinnitus & hearing loss => Combi

Always use binaural fitting to preserve / restore the symmetry of stimulation of the auditory system

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Stochastic resonance

Stochastic resonance causes that weak, close to threshold signal, is better detected and it is enhanced by addition of low level noise

Sound therapies with random noise are used in treatment of tinnitus and hyperacusis

Results of specific study showed that, consistently with stochastic resonance, tinnitus loudness match was increased (~10%) in statistically significant manner by adding low level of noise

Stochastic resonance might play a role in worsening tinnitus

Performing REM is recommended

Patients with misophonia are at the highest risk

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Threshold of a signal detection

Effects of Stochastic Resonance

Signal strength

Additional noise

Additional noise

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Change of tinnitus loudness [dB]

1.4

1.2

1

0.8

0.6

0.4

0.2

0

-12 -9 -6 -3

-0.2

0 3 6

-0.4

White noise level [dB SL]

9 12

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Therefore, precautions should be taken not to use too low levels which could be close to the threshold levels of sound perception, as these could enhance the tinnitus signal due to the stochastic resonance.

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Mixing point

” Tinnitus changing

Annoyance

Threshold of hearing

Effective range of sound use

Tinnitus suppressed

“masking”

Jastreboff, ‘95

Intensity of a sound

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“Mixing point”

Effective range of sound

Annoyance

FACILITATION

Suppression

(“masking”)

INHIBITION

Stochastic resonance

Sound intensity [dB SL]

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Sound generators

Should be used only for patients who have normal hearing

Can be used for tinnitus and / or hyperacusis and as a part of protocols for misophonia

Particularly needed for cases with hyperacusis

Must provide control of the sound level used to patients

Used in past smooth change of sound level has been replaced by an increase by pre-set value (toggle or remote-controlled step value)

Shaping of the sound spectrum is needed for improving the acceptance of a sound by patients

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History of sound generators

Viennatone Silent Star – characteristics like old AM/Ti, but better cosmetic appeal - still available in Europe

GHI in-the-ear or OTE - smoother and expanded in high frequency region frequency characteristics

Audifon / Kind, Hansaton, other companies

Currently, due to decrease of prices of combination devices they can be used as sound generators

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Viennatone AMTi

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Silent Star

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Real Ear Measurements

(in Tinnitus Retraining Therapy)

Verbal reports are not sufficient to determine sound levels used by patients during treatment

Modified Real Ear Measurements (REM) of the sound level in the ear canal were performed to:

– To measure sound level used by patients at the beginning of the treatment

– To determine potential changes in sound levels during treatment,

– To determine potential differences in sound setting between tinnitus only and hyperacusis patients

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Average sound level used by the patients was ~11 dB SL (Re: threshold of perception of the sound produced by SG - range from 0 to 20 dB SL)

This sound level should not interfere with speech perception, except in cases with significant hearing loss in frequency range of

1 kHz to 3 kHz

There is no difference in setting sound generators between patients with tinnitus only, and patients with tinnitus and hyperacusis

The comfort level for noise provided by sound generators appears to be the factor determining sound level used by patients

REM measurements decrease the risk of the use of sound levels within the range of stochastic resonance or overstimulation

REM is highly recommended as a part of TRT protocol

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Tinnitus Retraining Therapy

Volume Control Taper

70

60

50

40

30

20

10

0

0 10 20 30 40 50 60 70 80 90 100

Percent CW Rotation (%)

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Tinnitus Retraining Therapy

Frequency Response

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Instruction for setting SGs in TRT - tinnitus

Sound should not create annoyance or problems because of any reason!

Goal for tinnitus patient is “mixing” point

Step method is recommended

Avoid consistent masking of tinnitus; short periods of masking are not important

Volume of sound generators should be stable – kept at the same level regardless of behavior of tinnitus or listening environment during the block of usage

Recommended sound level 6 to 20 dB SL

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“Mixing point”

Effective range of sound

Annoyance

FACILITATION

Suppression

(“masking”)

INHIBITION

Stochastic resonance

Sound intensity [dB SL]

Jastreboff, 2014 45

Use of hearing aids in sound therapy

(present hearing loss)

Commonly they are first type of instrumentation used as 80% of tinnitus patients have some hearing loss

Hearing aids are implemented to expand stimulation of auditory system and secondarily to alleviate strain to hear

Aids are implemented primarily for tinnitus treatment, communication is a secondary benefit

Aids should be worn during all waking hours

Enrichment of environmental sound is crucial

May mask tinnitus

Limited effectiveness, if not used as a part of specific program of treatment and sound use

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Setting Hearing Aids - “tinnitus fitting”

Patient is gradually eased into amplification

The aim is to provide amplification above 6 kHz (through gradual process)

More stress on high quality of amplified sound

Recommendation to disable all “noise reduction” features

Automatic adaptive functions are to be used with caution

Some patients may require volume control due to misophonia or psychological reasons

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Unilateral losses

Approach is based on multisensory integration of auditory and visual systems

CROS

BiCROS

Stress on impact of hearing loss on the auditory system

– Plasticity

– Improved symmetry of stimulation

External sound enrichment is crucial

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Combination instruments (in TRT)

Adding a noise produced by SGs may negatively influence speech discrimination in patients with hearing loss

Therefore, HA part of the Combi is used mainly to prevent decrease of speech understanding

Amplification is set primary to compensate for the effect of noise introduced by SG, thus, frequently initial amplification is set below recommended “target”

Amplification is gradually increased during subsequent appointments

Patient needs to understand the rationale of implemented protocol

Combination instruments may be recommended for patients whose mild hearing loss would not indicate the need to use hearing aids alone

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Open fitting

Recommended for all type of instruments

To prevent attenuation of environmental sounds

Occluding the ear canal makes tinnitus worse

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Selected list of companies offering tinnitus-orieted ear-level devices

Amplisound

Audifon

General Hearing Instruments

GN ReSound

Hansaton

Oticon

Phonak

Siemens

Starkey

Unitron

Widex

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Amplisound

Features

Quell

TINNITUS DEVICES FDA 510(k): K132965

Suggested Fitting Range

Available in beige or taupe

Interchangable soundtips available in 4 lengths.

Locking handle for a secure and comfortable fit

Domes available in 3 sizes

Easy to use scrolling volume wheel.

0dB at minimum.

On/Off Switch in VC.

#10 battery (90 hours)

Manufactured by Amplisound solacefortinnitus.net

Frequency in Hz

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Quell

TINNITUS DEVICES FDA 510(k): K132965

Quell tinnitus devices offer a reliable and affordable solution for sound therapy by qualified tinnitus practitioners. The sound stimulus has been carefully designed for a smooth, extra broad band response.

Quell tinnitus devices can be fit to the patient with the standard initial program settings.

As needed, these devices can be adjusted with

Hearing Studio programming software.

Adjustable features include:

12 band equalizer for frequency shaping and tone quality adjustment

Low battery indicator tone which is pre-set at

60 dB and 500 Hz (can be turned off)

Manufactured by Amplisound solacefortinnitus.net

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Audifon

 Company well know in Germany where offers variety of instruments for tinnitus

Relatively recent in the USA

Promotes devices as tailored to TRT

Only two devices available at the moment

SG: switch TRT

Combination devices: Switch 8 TRT

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General Hearing Instruments

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GN ReSound

Combination devices on the market for several years

Current models: Verso TS, LiNX TS (LTN961-DRW, LTN761-

DRW, LTN977-DW, LNT777-DW, LNT988-DW, LNT788),

ReSound LiNX TS is compatible with iPhone 5s, iPhone 5c, iPhone 5, iPad Air, iPad (4th generation), iPad mini with Retina display, iPad mini, and iPod touch (5th generation), using iOS

7.X or later.

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Hansaton

Private company well know in Germany

Two models of the Hansaton SOUL tinnitus combination instruments: the Slim BTE and the X-mini RIC BTE in two technology levels as well: the SOUL Economy class (8 channels/8 bands), and the SOUL Business class (16 channels/ 16 bands).

HANSATON SOUL systems can be operated by remote control for volume and program changing. Systems are Bluetooth enabled and allow for direct, wireless contact with the TV or stereo system.

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Oticon

Oticon Hearing released this year their version of tinnitus management called Tinnitus Sound Support in their Alta Pro and Nera Pro hearing aids

Tinnitus SoundSupport

– Provides the sounds based on white, pink or red noise which can be limited in frequency by high pass or low pass filters

– Provides the option of amplitude modulation, a volume control and automatic level steering

– Generates a broadband noise signal with adjustable spectrum

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Phonak

Phonak Audéo V combination device is RIC portfolio for mild to severe hearing losses

Four designs, three external receivers and four performance levels

Running on the new operating system, AutoSense OS, Audéo V is promoted as better in automatic adaptation to listening situations than previous models

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Siemens

Practically all Siemens HA include sound generators and can be used as combination instruments

Just introduced binax is promoted as allowing to achieve up to

25% better speech intelligibility than people with normal hearing in the same cocktail-party situation

System emulates natural binaural listening by linking two binax hearing instruments using e2e wireless 3.0 data transmission technology without compromising battery life

Android phones can be used as remote control for Siemens hearing aids

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Starkey

Combination device - Xino Tinnitus product - include Multiflex

Tinnitus Technology

Multiflex Tinnitus Technology

– Generates a broadband noise signal with adjustable spectrum

– The sound can be frequency and amplitude modulated resulting in perception similar to ocean waves or a breeze

SoundPoint Tinnitus feature allows to tailor the sound under the guidance of tinnitus patient

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Unitron

Moxi 2 and Quantum 2 combination instruments

Sound generators part is available in nearly all technology levels and styles

Unique aspect of their hearing aids – a possibility to upgrade given model to better hearing technology levels at any time

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Widex

Widex promotes a technology of fractal tones, called Zen, to help relax

Broad band noise can be used as well, level of which can be modified by remote control

Zen is available in all DREAM and Clear technology

Low-end device, Zen2Go, are promoted for tinnitus

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Current changes in instrumentation for tinnitus

Majority of manufacturers are offering combination instruments with broad band noise spectrum of which can be modified (e.g.,

Siemens, high-end Widex)

Increase ease of streaming sound to devices (e.g., ReSound

LiNX and iPhone)

Improvement in quality of CROS and BICROS wireless systems

Enhanced frequency range up to 10 – 12 kHz

Wireless communication between hearing aids

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Take home points

Vast majority of tinnitus patients could benefit from the use of ear level instrumentation

Use bilateral fitting

Selection of instruments depends on the specifics of a patient; combination instruments are optimal for majority of cases

The sound produced by SG (or SG part of Combi) should never evoke annoyance

Sound range selected by patients varies from 0 dB SL to 20 dB

SL; it is advisable to avoid sound levels below 6 dB SL to avoid potential negative impact of stochastic resonance

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Fitting of HAs should follow a specific recommendations of

“tinnitus fitting" which typically involves not reaching initially the target, fitting performed over several appointments and disabling noise cancelation features for main program; providing amplification above 6 kHz (through gradual process) is recommended

Patients with decreased sound tolerance require even more gradual introduction of amplification

Sound generators worn under ear muffs are recommended for patients when ear protection is required

Counseling tailored to specifics of a patient and proposed instruments is crucial to achieve high level of success

Jastreboff, 2014 72

Thank you

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