2012
THE COMPLETE GUIDE TO
MOBILE PRODUCTION SERVICES & TECHNOLOGY
MOBILE SPORTS
PRODUCTION
YEARBOOK
featuring the
SIXTH ANNUAL
Remote services DIRECTORY
a Sports Video Group Publication
260 Fifth Ave., Ste. 600
New York, NY 10001
Tel: 212.481.8140
Fax: 212.696.1783
www.sportsvideo.org
Paul Gallo, Executive Director
paul@sportsvideo.org
Tel: 212.696.1799
Martin Porter, Executive Director
marty@sportsvideo.org
Tel: 516.767.6720
Ken Kerschbaumer, Editorial Director
kenkersch@sportsvideo.org
Tel: 212.481.8140, Fax: 212.696.1783
Jason Dachman, Managing Editor
jason@sportsvideo.org
Tel: 646.861.2373, Fax: 212.696.1783
Brandon Costa, Associate Editor
brandon@sportsvideo.org
Tel: 646.861.2370, Fax: 212.696.1783
Karen Hogan, Assistant Editor
karen@sportsvideo.org
Tel: 646.559.0434, Fax: 212.696.1783
Carolyn Braff, Contributing Editor
carolyn@sportsvideo.org
Susan Qualtrough, Copy Editor
susan@sportsvideo.org
Rob Payne,
Director of Sponsor Development
rob@sportsvideo.org
Tel: 212.481.8131
Andrew Lippe,
Membership & Client Services Manager
andrew@sportsvideo.org
Tel: 212.481.8133
Andrew Gabel, Sales & Marketing
Coordinator
agabel@sportsvideo.org
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Cristina Ernst, Circulation Manager
cris@sportsvideo.org
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Riva Danzig, Art Director
riva@danzigdesign.com
Tel: 917.602.4588
About SVG
The Sports Video Group was formed in 2006 to
support the professional community that relies
on video, audio, and broadband technologies to
produce and distribute sports content. Leagues,
owners, teams, players, broadcasters, Webcasters,
and consumer-technology providers have joined
SVG to learn from each other, turn vision into
reality, and implement innovations, while sharing
experiences that will lead to advances in sports
production/distribution and the overall consumer
sports experience.
Mission:
To advance the creation, production, and
distribution of sports content.
To provide a knowledge resource for the growing
community of sports video professionals working for
broadcast/broadband organizations, professional teams
and leagues, collegiate and secondary schools, and
facilities.
To facilitate a dialogue with manufacturers, suppliers,
and technology developers that will improve the quality
and profitability of sports programming.
PRINTED IN THE USA
FROM THE EDITORIAL DIRECTOR
12 A
Busy Industry in Transition
CEO Roundtable
17 T
ruck Vendors Remain
in High Gear
Despite fluctuating fuel costs, tight
credit, and labor strife, the industry is
still growing
E ngineering Report
33 T
ruck Design: IT Settles In
Production units continue shift to
network-based infrastructure
NEW TRUCK PROFILES
54 CBC Mobile Productions
60Corplex
64 Crosscreek Television
70 Game Creek Video
74 Lyon Video
78 Mobile TV Group
86 NEP Broadcasting
92 Raycom Sports
Mobile Service Providers
100 3ality Technica
Aerial Video Systems
AJA Video Systems
All Mobile Video
Alliance Productions
104 Alpha Video
Arctek Satellite
Azzurro Systems
Beck Associates
106 Bexel Broadcast Services
Broadcast Services Intl.
Broadcast Sports Inc.
Burst
CAT Entertainment
108 CBC Mobile
CBT Systems
Coastal Media Group
Communications Engineering
CP Communications
110 CSP Mobile Productions
Diversified Systems
Dome Productions
DTAGS
Encompass Digital Media
112 F&F Productions
Filmwerks
Frontline Communications
112 Gearhouse Broadcast
Gerling & Associates
116 IDS
Illumination Dynamics
IMT
KTV
Mansion Mobile Television
118 Metrovision Production Group
NES Communications Services
On Call Communications
PACSAT
ProductionHUB
PSSI/Strategic TV
120 Reality Check Systems
Show Partners
SOS Global Express
SPEVCO
The Systems Group
122 Token Creek Mobile TV
Trio Video
VER
VISTA Satellite
YES Productions
Table of Contents
Published by
Sports Video group
2012MOBILE SPORTS
PRODUCTION YEARBOOK
VENDOR SERVICES DIRECTORY
130 136
148
156
164
180
196
208
Crew Services
Regional Listing
Crew Services
Alphabetical Listing
Generators
Regional Listing
Generators
Alphabetical Listing
Mobile Production Units
Regional Listing
Mobile Production Units
Alphabetical Listing
Satellite Trucks
Regional Listing
Satellite Trucks
Alphabetical Listing
219 M
obile Sports
Production Gearbase
Details of the equipment found in
more than 175 of the top trucks from
30 vendors
236 Ad Index
Directory of SVG sponsors
Mobile Sports Production Yearbook 2012
7
SVG Advisory Board
12
The Sports Video Group is comprised of leading industry figures
who are committed to technical excellence in the sports industry.
Members help guide the direction of the organization, consult on
various group initiatives, and enable more dialogue across different industry segments.
Chairman
Steve Hellmuth, NBA, EVP, Operations and Technology
Advisory Board Members
Ken Aagaard, CBS Sports, EVP, Operations and
Production Services
Adam Acone, Industry Consultant
Glenn Adamo, NFL ,VP, Media Operations and Broadcasting
Peter Angell, Infront Sports and Media, Director,
Production & Programming Division
Andrea Berry, Fox Network Engineering and Operations,
SVP, Broadcast Operations
Chuck Blazer, FIFA Marketing and TV, Director
David Catzel, Microsoft, Platform Services Adviser, DPE
Chris Calcinari, ESPN, VP, Event Operations
Jason Cohen, HBO Sports, Director
Joe Cohen, HTN Communications, Chairman and CEO
Michael Cohen, Industry Consultant
Don Colantonio, ESPN, Senior Director of Production
Enhancements
Cindy Cortell, MLB Network, Director of IT
Michael Davies, Fox Sports, VP, Field Operations
Preston Davis, ABC, President, Broadcast Operations and
Engineering
Scott Davis, Industry Consultant
Jim DeFillipis, Fox Technology Group, SVP, Television
Engineering
Ed Delaney, YES Network, VP, Operations
Jed Drake, ESPN, SVP and EP, Event Production
Dave Dukes, PGA Tour Entertainment, Senior Director,
Technical Operations
Russell Gabay, Major League Baseball International, VP and
Executive Producer
Jerry Gepner, Bexel Broadcast Services, CEO
Steve Gorsuch, USTA Billie Jean King Tennis Center, Director
of Broadcast Operations
Mark Haden, MLB Network, VP, Engineering and IT
Deb Honkus, NEP Broadcasting, CEO
George Hoover, NEP Broadcasting, CTO
Jeff Jacobs, MTV Networks, VP, Production Planning and
Strategies
Robert D. Jordan CFE, Venue Research and Design,
Managing Partner
John Kvatek, University of Central Florida Athletics
Association, Director of Video Services
John Leland, Origin Digital, VP, Global Media Operations
Louis Libin, Broad Comm, President
Jodi Markley, ESPN, SVP, Operations
Michael Meehan, NBC Sports, VP
Ken Norris, UCLA, Director of Video Operations
Gary Olson, CONCACAF, CTO
Chuck Pagano, ESPN, CTO
Del Parks, Sinclair Broadcast Group, VP, Engineering and
Operations
Patty Power, CBS Sports Network, SVP, Operations
Paul Puccio, Industry Consultant
Scott Rinehart, NASCAR Media Group, Director of Internal
Operations
Larry Rogers, FirstinTV, President
Mike Rokosa, NBA, VP, Engineering
Bob Ross, CBS, SVP, East Coast Operations
Tom Sahara, Turner Sports, VP, Operations and Technology
Chuck Scoggins, Industry Consultant
Bruce Shapiro, Speed, Coordinating Technical Producer
Jack Simmons, Fox Sports, SVP, Production
Don Sperling, New York Giants Entertainment, VP and
Executive Producer
Jerry Steinberg, Fox Sports, SVP, Field Operations
Susan Stone, MLB Network, SVP, Operations
Patrick Sullivan, Game Creek Video, President
John Ward, DIRECTV Entertainment, SVP, Production &
Traffic Operations
Ernie Watts, Turner Studios, Senior Director of Technical Ops,
Live Events
Jeff Willis, ESPN, Coordinating Technical Manager of Events
Richard Wolf, ABC, SVP, Telecommunications & Network
Origination Services
Dave Zur, Altitude Sports & Entertainment, VP, Operations
Mobile Sports Production Yearbook 2012
A Busy Industry
In Transition
F
or the past six years, SVG’s Mobile Production Yearbook has reflected industry trends as it relates to truck design and layout. The transition to fiber infrastructures, reliance on server-based replay systems, and whether a truck can
handle 1080p/60 (and 3D as well) have been some of the categories that have
arisen over the years.
But this year’s Mobile Sports Production Yearbook may signal the beginning
of an end of an era in which remote operations are truly remote. Both the CEO
Roundtable and the Engineering Report reflect an evolving remote-production
universe that will find the trucks in the field increasingly tied to studio and editing operations thousands of miles from the sports venue.
As Jerry Steinberg of Fox Sports notes, “We seem to be at the end of baseband
video as a way to move images.”
So what does a move to “beyond baseband” mean for the remote-production
industry? A shift to moving video via IP and fiber and as files and packets will
transform trucks from production hubs to storage and signal-transport hubs. In
the near term, don’t expect front-bench and “mission-critical” staffers to be located in a broadcast studio, but there is definitely an opportunity to have an army
of staffers thousands of miles away from the venue creating more-dynamic show
opens, closes, and highlights, as well as better graphics and effects.
How will that impact the truck specifications that will be important in finding
the right unit for the right job? Concepts like signal throughput, server storage
capacity, and IP connectivity will rise in importance. And there is at least the potential to get by with a smaller production truck because some personnel could
work remotely. Whether the producers and directors can handle working in a
smaller truck is another issue altogether.
For now, the industry is taking baby steps in moving remote operations “beyond baseband.” But those steps have been successful and have resulted in a better on-air product, better archives back at the broadcast facility, and cost saving
in terms of travel and personnel.
The biggest obstacle now is that the backhaul circuits that connect the remote-production facilities to broadcast operations have not quite caught up
to allow “beyond baseband” to extend to events that don’t take place at major
sports venues. But companies like HTN and Level 3 continue to explore business
opportunities related to sports venues, such as college stadiums and arenas —
moves that could greatly make “beyond baseband” a broader reality.
All those changes may, eventually, change the very nature of the Mobile Sports
Production Yearbook and the always valuable Gearbase directory found at the
end of the publication. But the demands of the here and now have sports broadcasters and the vendors found within these pages focused squarely on such issues as moving to embedded audio, 1080p, and 3D.
The good news? Despite a still struggling economy, many of the remoteproduction–service providers are bullish on future opportunities. There is a
continuing uptick in demand for HD-capable production units, financing is becoming (slightly) easier to get for new builds, and technological advances have
allowed trucks to pack more power into a 53-ft. trailer than ever before.
And that is good news indeed for all involved.
Ken Kerschbaumer, SVG Editorial Director
Despite fluctuating fuel costs, tight credit,
and labor strife, the industry is still growing
CEO Roundtable
Truck Vendors Remain
In High Gear
By Jason Dachman
T
hanks to sky-high ratings and a series of lucrative new rights deals, the
sports-production industry has seen a surge in both revenue and overall
growth over the past year. Even with labor problems hitting both the NFL
and the NBA in 2011, demand for HD mobile units by national networks
and regional sports networks (RSNs) around the country continues to rise.
As a result, several mobile vendors have rolled out new HD trucks this year,
nearly all booked solid, and plenty more are planned for 2012.
Although the excitement surrounding 3D sports
production has subsided, new HD avenues like
Web and mobile streaming and mid- to low-level
college sports offer potentially valuable new revenue
sources for mobile-production providers.
“I think the industry is definitely in a good
place,” says Game Creek Video President/owner
Pat Sullivan. “For reasons that honestly escape
me, the ratings have been amazing in almost every
sector. When ratings are high, our customers can
charge advertisers more, which allows them to
aggressively invest in rights. They obviously need
[mobile vendors] to take advantage of those rights,
and that is where we can benefit.”
Nonetheless, challenges remain for an industry
that is often at the mercy of conservative financiers,
spastic fuel prices, and the troubling labor issues of
professional sports leagues like the NBA and NFL.
“The future of our business looks extremely bright
— until you factor in a pro-sports strike or lockout,”
says Mobile Television Group GM/co-owner Phil
Garvin. “That’s just the nature of the business. So
part of our job is to anticipate them. A loss of dates
[due to a lockout] is a horrendous blow, but we’ve
planned for it.”
Bigger Rights Deals Means More HD
Regardless of the NFL’s and NBA’s labor struggles,
the demand for live sports television has never been
higher, a fact that is most apparent in the recent
whirlwind of big-money rights deals between leagues
and networks. Networks are investing in sports at a
record clip on both the national level — see ESPN’s
eight-year, $15.5 billion Monday Night Football pact
— and regional level — for example, Time Warner
Cable’s 20-year, reportedly $3 billion deal with the
Los Angeles Lakers to launch two RSNs.
This increased investment has resulted in
increased need for HD resources, especially in the
RSN sector, where fans now demand the same HD
quality seen in national network telecasts.
“The networks have been doing big HD trucks for
a while, but now you also have regional nets doing
full HD,” says Alliance Productions GM Craig Farrell.
“I think the industry is definitely in a good place....The ratings have
been amazing in almost every sector.... Our customers can charge
advertisers more, which allows them to aggressively invest in rights.”
—Pat Sullivan, President, Game Greek Video
Mobile Sports Production Yearbook 2012
17
CEO Roundtable
“That regional work is growing, and, as a result, people
are building truly regional HD trucks. That is where
the biggest growth is in the industry right now.”
Nowhere is this trend more apparent than in college
sports, where the market’s crown jewel, football, has
caused a tectonic shift in conference alignment, as
well as a seemingly endless string of multimillionand often billion-dollar rights deals and conferencenetwork launches. As a result, football games that
previously called for SD trucks now demand HD
units, and conferences and schools are often willing
to deal with the lowest bidder.
“The biggest trend we are seeing is that the events
that were in SD a year ago — mostly college — are
now asking for HD trucks,” says Garvin. “The
problem with that is, they don’t have the budgets
that the high-profile shows do. These clients are
asking for HD trucks for SD prices. It is our job to
try to accommodate that. If you can’t figure out how
to do formerly SD shows in HD for a similar price,
then someone else will.”
Mobile-production vendors are also beginning
to peel back another layer in the college-sports
market, beyond top-tier football, as conference- and
school-specific networks like the Big Ten Network,
the Longhorn Network, and the Pac-12’s soon-to-be
launched conference and regional networks become
popular.
“The big networks and conferences have billions
of dollars tied up in rights to televise and distribute
college sports events,” says Sullivan. “But they are
probably only doing 20% of the inventory they have
the rights to. So that extra 80% is going to have to be
done somehow. It might be done on a low budget
with a few students on a streaming show, but I think
there are huge opportunities for our business to look
at that and see if we can take advantage.
“If you look at the long-term time spans that these
conference packages are running,” he continues,
“they are clearly going to be all-HD at some point in
time soon. It’s incumbent on guys like us to create
a platform that is efficient for doing those lowerend events in HD. Otherwise, we risk them taking a
different route entirely.”
Checking in on 3D
At CES 2010, the excitement surrounding 3D sports
and 3D production could not have been higher, with
plans announced for three new networks: ESPN 3D,
DIRECTV’s n3D, and Sony/Discovery/IMAX’s 3net.
And, although the technology and strategy behind
3D sports production have progressed by leaps and
bounds, interest from consumers and broadcasters
seems to have waned.
22
Mobile Sports Production Yearbook 2012
“The buzz of 3D just is not what it was two years
ago,” says Farrell. “There are not as many clients
asking for 3D because they think 3D is the next
big thing. Instead, everyone is on their heels now
waiting to see what happens. I don’t think 3D is
dead, but I think the big 3D push came a little too
early. The truck companies and [the technology
vendors] are making money on 3D, but I don’t
think the broadcasters or pretty much anyone else is
making money on it yet.”
CE Support
Nonetheless, consumer-electronics companies
looking to sell 3D sets — notably, Sony, Panasonic,
and LG — have kept 3D sports production alive
during its infancy by sponsoring 3D networks and
3D one-off events. This has allowed 3D remote
production to mature under the supervision of
vendors NEP (which has two 3D units dedicated to
ESPN 3D and n3D) and All Mobile Video (Epic is
used primarily for entertainment shows).
“We are extremely happy about the relationship we
have with ESPN and DIRECTV in supporting their 3D
efforts and definitely believe there is a future there,”
says NEP Supershooters President Mike Fernander.
“Look what happened with ESPN carving out 3D as
part of the Monday Night Football deal. I think that
is an indication that people see this as a long-term
market. Will it look exactly like it does today? Probably
not, but I think there definitely is a future for it.”
Work Stoppages Mean New Challenges
Network and mobile vendors alike narrowly
avoided a potentially disastrous scenario when the
NFL owners and players finally inked a new labor
agreement in July. Unfortunately, the same cannot be
said of the NBA, which has already lost a significant
chunk of the season to a prolonged lockout.
While every truck company does its best to plan
for work stoppages, each has its own strategy.
Mobile TV Group, for example, allocates a small
portion of the revenue from every show to a “rainyday fund.” With cash reserves on hand, MTVG has
pledged to its employees that there will be no layoffs
as a result of the NBA lockout.
“I realize that work stoppages hurt everyone, but
there are few other industries that are hit as hard
[by a lockout] as the mobile-production industry,”
says Garvin. “We have payments on our trucks, and
those payments don’t stop just because we just lost a
bunch of NBA or NFL dates. We still have to make
those payments every month.”
Game Creek and NEP, among others, do their
best to rebook trucks on alternative events, but, in
CEO Roundtable
‘“I realize that work stoppages hurt everyone, but there are few
other industries that are hit as hard [by a lockout] as the mobileproduction industry.”
—Phil Garvin, GM Mobile Television Group
the end, there is no way to make up for 100% of the
revenue lost.
“After looking at the [2004-05 NHL lockout]
and initially thinking it was going to be absolutely
devastating, clients ended up finding alternative
programming to fill their airtime,” says Sullivan.
“Was it as lucrative as doing a full NHL slate? No.
And that’s something that we have to expect. But
I believe that, if there is a long-term NBA work
stoppage, there will be alternative programming
that will prevent us from just getting zero revenue
out of the whole situation.”
The biggest concern for many companies during
a work stoppage is the impact that a major influx
of available trucks will have on the market’s supply
and demand dynamics.
“The loss of NBA dates doesn’t hurt us much
because we don’t do a whole lot,” says F&F
Productions founder/CEO George Orgera. “What
is going to hurt us is that there are going to be a
lot of extra trucks around looking for work and
competing for those middle-of-the-week one-offs
that are our gravy business.”
The F Words: Fuel Prices and Financing
Among the biggest concerns for several mobileproduction companies over the past three years has
been an inability to obtain financing to build new
trucks and the chaotic price fluctuation of diesel fuel.
The remote-production industry was hit
especially hard by the recession of the late 2000s.
Companies suddenly found themselves unable to
raise funds to build new trucks and, often, to pay
for the trucks already on the road. Since then, the
truck-financing landscape has leveled off but has yet
to return to the glory days of the mid 2000s.
“It’s not as easy as it was in 2007, but it’s definitely
getting better,” says Corplex President Scott West.
“For our new truck, Chromium [rolled out in
September], it took a lot longer to put the dollars
together in order to do it. You’ve seen more people
building. It’s not crazy building, but they are building.
That is up from basically no building in 2009.”
With banks and private financiers taking a far
more conservative approach to the industry, smaller,
younger truck companies face major roadblocks in
their efforts to make the HD leap.
28
Mobile Sports Production Yearbook 2012
“Smaller companies are now having troubles
with financing,” says Farrell. “The same deals that
financiers made available before are no longer out
there. They want guarantees and do not want to
build a truck on [speculation]. That is definitely
hindering the rollout of new HD units and the
overall transition from SD to HD. We have a couple
companies who are trying to make the move to HD,
but it’s not that easy.”
Once the new trucks hit the road, it is more
expensive than ever to transport them from venue
to venue. Just like the consumers who watch the
sports they produce, truck companies have been
hit hard at the pump. Although the cost of fuel
has leveled off slightly in recent months, the threat
of a sudden jump continues to plague mobileproduction companies, which often face hundreds
of miles between events.
“The [cost of fuel] is key,” says West. “We are
trying to be smarter about what jobs we take and
how we take them. We don’t typically take a job
out west [Corplex is based in Lake Bluff, IL] unless
we’re contracted or we can put enough shows
together to make it worthwhile. So, yes, it’s a factor
but not nearly as much as it was at its peak a few
years ago.”
The Bottom Line Is Up
Even with fluctuating fuel costs, a conservative
financing landscape, and tumultuous labor
situations, the mobile-production industry is in
far better shape than it was three years ago. With
ratings, ad revenue, and rights investments reaching
new heights, major networks and RSNs are more
willing than ever to spend on remote-production
resources, opening the door for mobile-production
companies to boost revenue and continue to expand
and upgrade their fleets.
“I’m not sure about the [immediate future] of
the overall economy, but I think sporting events
are something that people are always going to want
to watch,” says West. “The demand in our industry
is going to be strong for quite a while, so I’m very
optimistic about the next few years.”
Additional reporting by Brandon Costa
Production units continue shift to
network-based infrastructure
Engineering Report
Truck Design: IT Settles In
By Ken Kerschbaumer
R
emote-production-facility providers across the country, and
around the globe for that matter, continue to see truck design and
engineering move from a video-based to an IT-based environment. “The
truck of the future is definitely about being connected,” says Jerry Steinberg, EVP of operations and technology, Fox Sports. “We seem to be at
the end of baseband video as a way to move images and sound. As the
signal flow becomes IP-based and trucks are connected to studios, they
can move signals in a much different way.”
There is little doubt that today’s
trucks have become the equivalent
of large-scale IT networking
environments. First, there are the
EVS servers used for replay and
camera recording. More and more
EVS units, despite their high cost,
are making their way into vehicles
as tape becomes a thing of the past.
And most of the other tools — the
production switcher, the graphics
and editing systems, audio gear —
are computer-based.
And all those tools require
additional IT-based networks on
board. WiFi, Ethernet, and other
means of connectivity can often
require today’s engineers to juggle
more than 10 networks. And, with operators in the
truck increasingly looking to use those networks
to check e-mails or surf the Web, it is important to
protect mission-critical functions from outside users.
As much as IT is changing the truck infrastructure,
it is also changing what can be done out of a single
remote-production facility.
Fox Sports, for example, now has EVS servers
at its studio operations in Los Angeles, pulling in
camera signals from EVS servers in the remoteproduction unit at the network’s top NFL game
Today’s mobile production units are almost unrecognizable
from a decade ago, with digital and IP-based workflows.
each week. The goal? To allow the editors creating
highlight packages access to different camera angles
instead of just the line cut of the game.
To Tom Sahara, SVP of engineering and operations,
Turner Sports, tying remote and studio operations
together is the Holy Grail of remote broadcast
production. “It’s about everything related to what is
happening at the venue,” he says. “If there is a
milestone or league record [about to be broken] and
Mobile Sports Production Yearbook 2012
33
Engineering Report
there is a need for archive footage, the con​nectivity
allows the editor to search the library at headquarters,
find a clip, and transfer it back to the remote.”
Reaching that Holy Grail will have a ripple effect
on studio operations, reducing edit sessions because
more work can be done in the field. And producers
will finally be able to search for content at their own
convenience, rather than requiring material to be
loaded into an editing system.
But there are still issues at the regional level,
says Ken Stiver, VP of engineering/operations,
Mid-Atlantic Sports Network. “We don’t have
connectivity in every venue to send files back and
forth, and getting those pipes into venues is difficult.”
Sahara says the use of larger IP pipes also is
transforming some of the traditional workflows, such
as creating melt tapes or drives and sending physical
media back to a broadcast facility for the archive.
“Outside of the hours of the telecast, those large
pipes can do file transfers and be actively managed,”
he observes. “So, on the truck side, we need to build
that bridge that converges the broadcast side with
the digital properties. We will produce the program
and check a box where it is going to and what format
it needs to be in, and then a software application will
determine what the final product is.”
As much as IP pipes are changing the hardware
and software in a truck, they are also changing the
skill sets of engineers.
Says Game Creek Video President/owner Pat
Sullivan, “There has been a complete transition
from a traditional broadcast engineer when I started
in this business in 1998 to guys that are IP- and
network-savvy and solve problems by using the
networks and IP.”
Perhaps the biggest indicator that 3D is on its way
to sports-TV relevance is ESPN’s progression toward
a combined 2D/3D production model. Long viewed
as the Holy Grail in the quest for cost-effective live
3D sports production, the single-truck 2D/3D setup
uses one crew and relies on the left-eye feed from the
3D show for the primary 2D telecast. Casually
referred to as 5D, this model has been used by ESPN
for X Games, Little League World Series, NBA and
college basketball, and several boxing matches.
“5D gets much closer to the end objective, which is
Game Creek Video’s Kevin Callahan has seen rising demand for
producing multiple shows out of a single mobile unit.
to be able to produce a 2D/3D show at the same price
that you can produce 2D,” says NEP Supershooters
President Mike Fernander. “And without finding a
model like that, you’ll never get there. The question
is, at what events are they willing to compromise the
2D production in order to do a 3D production and to
what degree? I think, over time, there is going to be a
blend of the two that will eventually become a single
production. ESPN has gone a long way in doing that.”
However, with the exception of NEP and All
Mobile Video, no U.S. truck companies have invested
in a 3D truck. Much of the industry’s trepidation is
due to concern that consumer-electronics companies
may not always be there to cover the steep cost of an
independent 3D production.
“The CE manufacturers are pushing this, and,
if that money goes away, then so does 3D,” says
F&F Productions founder/CEO George Orgera. “If
they’re not there to pay the bills, it’s not going to
happen. Our trucks are capable of doing it if you just
add some 3D rigs, but we see no reason for F&F to
jump in there right now.”
Sullivan seconds that notion, saying he prefers
to invest in alternative up-and-coming truck
technologies like 1080p and 3G. “There is no
economic model for 3D to exist other than through
“Every truck designer is dealing with legacy formats, and
the question is, when can we make them go away?”
George Hoover, CTO, NEP Broadcasting
36
Mobile Sports Production Yearbook 2012
Engineering Report
support from [CE companies]. We have chosen to
focus more on 3G and 1080p because I think there is
a long-term model for that to pay for itself.”
Content creation for interactive TV services and
Web streaming are also impacting truck design and
infrastructure. Game Creek Video’s production unit at
the U.S. Open golf championship is used by ESPN and
DIRECTV to create both an interactive TV service,
which allows viewers to choose from different cameras
around the course, and Web-streaming coverage.
“We now do three or four broadcasts out of one set
of production trucks,” says Kevin Callahan, Game
Creek Video’s engineer-in-charge for the Fox Sports
mobile units. “At U.S. Open golf, the majority of
our truck was dedicated to the DIRECTV U.S. Open
mix channels and the Internet streaming. And they
looked like traditional shows; you would walk into
the truck and have no idea that it was segmenting
things. They all looked like full productions, with a
second control room operating in tape release and a
third control room for a third show.”
As trucks begin to be used for more than one
production, there is also the potential for encoders,
which repackage the video and audio signals for
delivery straight to Websites and mobile devices, to
reside in production trucks.
Sullivan says that, so far, remote-production service
providers have avoided that move. “Those encoders
can be very temperamental, and our guys have enough
on their plate without having to deal with that.”
More Feeds Than Ever
As consumer viewing habits drift towards laptops,
tablets, and smartphones, the mobile-production
industry is presented with an intriguing new revenue
stream. However, up to this point, Webcast and
multiplatform distribution has consisted of little
more than a secondary crew and setup in a B unit.
“I can’t think of an event that we’ve done out of
a mobile unit that went straight to Web and did not
have a television element,” says Fernander. “Now,
do I think that will never happen? I never like to say
never. It’s already happening in other markets — for
entertainment, premieres, talk shows, and so on. I
think sports could potentially get there, especially
for college sports. But, to date, I just haven’t seen it.”
However, streaming isn’t the only additional outlet
that now falls under the umbrella of your average
mobile unit. Home and away feeds, a clean and/or
dirty feed for the league, international feeds, isolated
camera angles, a Spanish or second-language feed,
and a host of others are quickly becoming necessary
components of a typical production.
“Having different outlets for the same content has
40
Mobile Sports Production Yearbook 2012
The ability to interconnect with fiber-based venues is top-ofmind for many truck design and engineering teams.
really increased the demand for mobile resources
within the compound,” says Corplex President Scott
West. “That is definitely a good thing for the
industry because the more outlets there are, the
more infrastructure and people you need at the
compound to handle programming. The influx
of new-media needs into the remote-production
environment makes truck designers ready to leave
some of the legacy formats behind.”
Says NEP Broadcasting CTO George Hoover,
“Every truck designer is dealing with legacy formats,
and the question is, when can we make them go
away? In 1998, trucks would support stereo or
maybe Dolby Pro Logic, but now they have to
support 16 embedded audio streams, discrete audio
signals, AES audio, analog audio, MADI audio, and
maybe Cobra Net audio.”
When it comes to easing operations, one of the
major trends in engineering is “embedded” signal
transport, whereby the audio and video signals
travel together. The reason is fairly simple: recording
devices like EVS servers simply don’t have enough
independent connectors to handle discrete transport
of each audio channel.
While there may be interest in eliminating a video
infrastructure that supports analog audio, sometimes
Engineering Report
it is the only way to move the video signal. But, when
the day comes that analog support is left behind,
there are benefits besides less complex signal
transport. “We are longing for that day so we can get
weight out of the truck,” says Hoover.
Reducing truck weight to less than 80,000 lbs. is
only part of the equation. Trucks also need to meet
increasingly tough emissions standards.
“Green tractors weigh more than the old ones,”
Hoover points out. “And everybody is having to
address the new emissions standards.”
For example, taking a truck to Hawaii for NEP
meant making sure it was “green-certified” by
California because it needed to reach the ports there.
The one upshot is that some of the changes, such
as moving to LED lighting, is having a positive
impact. “LED is great as it saves space and has less
heat,” says Hoover.
Riding the Technology Curve
The move to IT is also speeding up the equipmentreplacement cycle.
“Nothing we put in will last more than five years,
with the exception of the audio console and maybe
other equipment, like lenses,” says Hoover. “But
everything else will be new, like EVS servers or a
new version of the production switcher.”
Also being switched out now? Older monitors.
All of F&F Productions’ trucks, for example, have
been upgraded to virtual monitor walls, according
to Orgera.
“GTX-16 already had a virtual monitor wall,
but we switched out the 15, 14, and 12 to virtual
monitor walls and then put 15’s LCD monitor wall
in 11,” he says. “I think [virtual monitor walls] are
an absolute must in every truck we build. We are
getting rave reviews out of these Boland monitors
and the Evertz [multiviewers] that we have for the
monitor wall. [Clients] can get whatever [video
source] they want where they want it and how they
want it. You just can’t do that with an LCD wall.
Next year, we may put a virtual wall in 11 as well.”
The high-speed–camera market is another hot
one, and F&F has its eye on the Ikegami NAC
super-slo-mo that will be available early next year,
Orgera says. “It acts like a real camera but also has
full super-slo-mo [capability]. I know one of the
networks has demoed it a couple times, and they’re
just raving about it.”
Hoover thinks the super-slo-mo market should
be sorted out within the next two or three years. All
the camera manufacturers now offer double-speed
44
Mobile Sports Production Yearbook 2012
recording as a standard feature, “but that may be
too little too late for those who have already added
100-times cameras,” he opines. “The world loves
high-speed cameras.”
As for next-generation delivery formats like 3D
and 1080p, although the trucks have a 3G routing
infrastructure that can move the signals, nobody
on the client side is ordering 1080p facilities, and
the 3D format continues to be a niche product
for ESPN and events like the US Open tennis
championship and The Masters golf tournament.
“There is a price delta on 1080p, depending on
how you choose to make the capital purchases,”
says Hoover. “So one has to look if it is worth the
extra $500,000 to be 1080p-capable if no one wants
to use it. Or do you need the extra routing capacity
to handle a long-term contract?”
Adds Orgera, “We’re hearing more and more
about 1080p, and we’re going to be updating GTX15 either next year or the year after with a Kayenne
switcher and make it 1080p. All cameras on 16 are
1080p, but the switcher and EVS have to be updated.”
One thing is certain: no matter how closely tied
the remote facilities are to the studio operations,
don’t expect producers and those responsible for
telling the story of an event to be comfortable
working anywhere but at the site of the event.
“At the level of what we do for a network show,
there is no way to do it remotely,” says Sahara.
“Once you have all of the camera and audio people
out there, you might as well [have the rest of the
team] out there.”
Adds Steinberg, “What we do is tell stories, and
producers and directors need to be able to talk to
team management and be on-site to meet with
teams or go to the practice facility. Sitting in L.A.
while trying to cover a game in Green Bay does not
help tell the story.”
That said, Sahara notes that camera and audio
signals can be sent from smaller sports events to
a broadcast-operations center, provided a limited
number of cameras are used.
“Those shows are not following the storylines to
the extent that network shows are,” says Sahara. “So
there will be opportunities to bring feeds back to a
central studio for production.”
But, even at a regional level, those opportunities are
limited, though with increasing technical complexity.
“I never see that day happening, even on smaller
events,” says Stiver. “Even if you do a small show,
you still need someone there.”
Additional reporting by Jason Dachman
new truck
Profiles
This section of the Yearbook represents a slight
shift in direction, putting the focus squarely on
the providers’ latest and greatest trucks. In the
following pages, you’ll find articles about and
photos of the trucks that hit the road this year.
Not only can you find out if a particular
truck meets your needs, but you can also better understand the design and engineering
philosophy behind it. Best yet, by the time
you finish reading the section, you’ll have a
big-picture understanding of the latest engineering trends, why they are being embraced,
and what they mean to your future remote
productions.
For details on equipment in the trucks covered and the suppliers’ other offerings, please
turn to the Gearbase section, beginning on
page 199.
Mobile Sports Production Yearbook 2012
49
Profiles
CBC Mobile Productions
Infinity To Give Small Shows
The Big-Production Treatment
By Karen Hogan
F
or CBC Mobile Productions, the timing could
not have been more ideal. In January, the
company will roll out Infinity, the latest addition
to its fleet, after a perfect storm of opportunity
made adding a truck possible, economical, and
necessary.
54
In early 2011, CBC was approached by a Montrealbased truck vendor looking to sell a small mobile
unit, which had relatively new all-HD equipment.
At the time, CBC was leasing three 53-ft. expando
SD trucks, including a 2006 Gerling-built trailer.
“We said, here’s an interesting opportunity to get
a great deal on used HD equipment and get a trailer
that’s actually fairly new for a great price,” says Dale
Smith, director, CBC Mobile Productions.
With the lease on the SD mobiles set to expire,
CBC exercised an end-of-lease option to purchase
them, having already decided to move forward on
purchasing the small HD unit. Of the three SD
trucks bought by CBC, one was decommissioned
to be sold as a rack-ready 53-ft. expando; another
is being kept in service. The third truck, the 2006
Gerling , is currently being converted from SD to
HD. It is called Infinity.
“We created a build of an HD truck at half the
cost of the Évolution truck we built a year ago,” said
Smith. “Évolution and Infinity have very similar
layouts and engineering functionality.”
The 53-ft. expando features an Evertz EQX router,
a Grass Valley Kalypso switcher, and a 48-multilayer
Calrec Artemis audio console with Bluefin technology. Chyron’s HyperX3 and Lyric Pro and a Harris
Inscriber G3 will drive graphics for Infinity, and two
six-channel EVS XT[2] servers will provide replays.
The truck will also house two HDCAM and one
HDCAM SR decks, XHub[2], XFile2, DigiBeta, Beta
SP/SX, DVD, and Sennheiser, Crown, and Sony
microphones.
Equipped with six Sony HD cameras, and Canon
and Fuji lenses, Infinity is uniquely positioned to
give a large-production feel to smaller events.
“What we’re basically doing is bringing a sixcamera truck onto the marketplace [that] has the
Mobile Sports Production Yearbook 2012
Infinity is still a work in progress, with
plans to bring the mobile unit online in
December and roll it out in January.
real estate of our 53-ft. expando
trucks,” explains Smith, “[for]
production companies [that]
only require four to six cameras
and a couple EVS units but don’t want to go into a
smaller truck.”
Currently being integrated and wired by Diversified Systems in Santa Clara, CA, Infinity will come
online in December and be put into full service in
January. While the truck has the functionality to
build on and can be expanded for larger productions, CBC sees Infinity as a large truck for smaller,
budget-conscious productions.
“Too often, we see, in our industry, clients
go into a midsize HD mobile and overutilize the
resources of that truck, not only from a space [perspective] but from an engineering point of view,”
explains Smith, “whereas we’re bringing a truck
on the market that’s not going to cost the same as
a large HD unit but allows us a lot of flexibility to
handle the small-budget shows and build on it for
the large-budget shows. This way, we bring the best
of both worlds to our clients in one mobile.”
CBC MOBILE PRODUCTIONS
866.929.9995
www.cbc.radio-canada.ca/mobile
Official logotype
09_09_30
Profiles
Corplex
Chromium Hits the Road Ready for the Future
By Brandon Costa
C
60
orplex President Scott West has been so
pleased with his fleet’s second HD unit,
Iridium (introduced in 2008), that he easily
could have built an exact copy to help handle
the increased work load headed his company’s
way. However, future-proofing Corplex’s newest mobile unit, Chromium, quickly became a
top priority.
“The original goal was to build the same
truck,” says West, “but it’s been three years
since we did the last one. There’s been a
number of advances in technology, and we
wanted to take advantage of those in this next
truck. So the look and feel is very similar to the
last one, but the infrastructure and power is
much greater in Chromium.”
Designed by VP of Operations and Engineering
Dave Greany, Chromium and its support unit,
Nickel, build on the success of their sister units —
Iridium and Zinc, respectively — and have similar
floor plans. However, Chromium has significant
infrastructure improvements intended to set it up for
success for years to come.
The most notable upgrades include a new Calrec
Apollo 128-fader audio console, fully equipped with
eight TFT meter screens and eight touchscreen
assignment panels, and a Grass Valley Kayenne
production switcher, with integrated Summit fourchannel ClipStore server.
For West, however, the most important improvement on Chromium is the Evertz EQX and EMR
router with its Magnum unified control system, which
allows significant embedding and de-embedding.
“That’s really a big change in the industry over the
past few years,” he says. “It kind of sneaks up on you
because we have a little bit of that on our first truck,
and we have more on Iridium, and it just seems like
you never have enough when you go to these shows.
So we revised the audio plant and decided to make the
embedding and de-embedding all within the router,
make it very simple, and have there be a lot of it.”
To help round out the foundation of the mobile
unit, an EVS XT[2] server was also added to the plan
and has worked well. Other items “in the racks” —
MADI for the ADAM intercom; the Wohler MADI 8
Mobile Sports Production Yearbook 2012
Chromium increases capacity with Evertz router allowing
embedding/de-embedding and MADI in a small footprint.
speakers; Evertz HD2014 PassPort converter, frame
synchronizer, and decoder; and fiber connectivity
— give Chromium/Nickel the ability to handle large
signal quantities in multiple formats.
Integrated by Diversified Systems, Chromium
debuted on Sept. 1, broadcasting the Green Bay
Packers-Kansas City Chiefs preseason game. It’s the
third HD unit in the company’s fleet and was booked
through the fall by CBS Sports Network (Army
Football), CBS Sports (NFL), and MLB International
for the MLB postseason. It will also be involved with
the Rodeo Finals in Las Vegas for Winnercomm and
with the 2012 Super Bowl for NFL Network.
“There had been a lot of business that we had
been turning away over the past several years just
because we didn’t have the capacity to cover it,” says
West. “So now we’re able to look at different packages and be able to retain a lot of that business that
we had to pass on.”
Corplex
915 Sherwood Dr., Lake Bluff, IL 60044
Tel: 847.582.8800 / Fax: 847.582.8730
www.corplex.tv
Profiles
crosscreek television
Voyager 10 Slated To Complete HD
Triumvirate
By Jason Dachman
T
64
wo years ago, procuring funds for an HD
mobile-production unit without a dedicated
contract from a broadcaster would have been next
to impossible. However, as the economy claws
its way back, mobile-production vendors like
Crosscreek Television Productions have found it
less difficult to obtain financing for new trucks.
Proving this trend, Crosscreek will roll out its third
HD mobile unit, Voyager 10, in December, without
an exclusive contract.
“With the economy a year or two ago, you just
couldn’t build an HD truck without a [dedicated]
contract,” says Crosscreek President/CEO Spruce
McCree. “We even had a hard time getting the
money for Voyager 9 [which debuted in summer
2009] even though it had two contracts on it. I don’t
know if it’s a sign of industry [recovery] or just a sign
of [rising] demand, but we know that, if we put it out
there, it’s going to get used.”
The 53-ft. HD expando will operate autonomously, without a B unit, similarly to Crosscreek’s
Voyager 8 and Voyager 9. To enable seamless client
crossover, Voyager 10 has an almost identical layout to those two trucks, featuring three production
benches and a separate slide-out technical manager
position.
“All of our [mobile units] are self-contained in
one truck,” says McCree. “It keeps clients’ costs
down. And the logistics of having to park two trucks
in some of these smaller venues can be very difficult.”
Voyager 10 will feature a Grass Valley Kayenne
production switcher, a Chyron Duet HyperX3, four
EVS replay servers including an EVS XFile, and a
Pesa multirate video router. Also on board will be
eight Sony HDC 1500 cameras with Fujinon 88x
lenses.
The highlight is the new Calrec Artemis audio
mixer with Bluefin2 technology and two MADI
interfaces. The Artemis boasts up to 680 channelprocessing paths, 128 program buses, 64 IFB/track
outputs, and 32 auxiliaries.
Although Alabaster, AL-based Crosscreek plans
to deploy the truck primarily on regional B- and
Mobile Sports Production Yearbook 2012
Voyager 10 has almost identical layout to Voyager 8 and
Voyager 9 (shown), with three production benches and
slide-out technical manager position.
C-level college events through Alliance Productions,
Voyager 10’s infrastructure allows easy installation
of additional cameras and EVS servers to produce an
A-level network show, should the need arise.
“We have been unable to address the massive
needs of all of our clients, as well as additional clients, because we simply don’t have enough availability,” says McCree. “We haven’t had enough capacity,
and neither has Alliance, so we thought this was
necessary.”
Gerling & Associates completed the Voyager 10
trailer in September, and Beck Associates has served
as the truck’s integrator. McCree and VP of Engineering John Peers have set a target date of Dec. 1
for rollout.
Until then, Crosscreek will continue to stay busy
with its two current HD trucks and three digital SD
units, serving ESPN, Fox Sports, Speed channel,
TVG, and others. Crosscreek also serves as a major
mobile vendor for ESPN Regional Television’s coverage of SEC college sports and is the exclusive provider for ESPN’s NHRA drag-racing contract.
“Believe me, we are staying very busy these days, so
we are very excited for [Voyager 10],” says McCree.
“We have a proven track record, and we’re doing this
[new truck] for the right price, so it makes sense for
us, for the bank, and for our clients.”
CROSSCREEK TELEVISION PRODUCIONS
100 Airpark Ct., Alabaster, AL 35007
205.663.4411
www.crosscreektv.com
Profiles
GAME CREEK VIDEO
Two HD Units Head
To ESPN
By Ken Kerschbaumer
I
70
n August, Game Creek Video launched two 53-ft.
expando units for ESPN: Justice, a single-trailer
unit modeled on the company’s Larkspur unit, and
Victory, a two-trailer unit modeled on Dynasty.
“Justice is a single-expando unit with a shrunken
EVS replay area where the big goal is reducing the
size and weight,” says Jason Taubman, VP of design
and new technology.
Both units feature Grass Valley Kayenne
production switchers with 96 inputs and 48 outputs;
Evertz routing; Sony cameras and Canon lenses; and
Chyron graphics. Dynasty has nine EVS XT[2] replay
servers, and Victory has 17. Icon Broadcast is on
hand at Game Creek’s Hudson, NH, headquarters,
handling systems integration and testing; the truck
chassis were assembled by Gerling and Associates.
The equipment complement is very similar to
that of Larkspur and Dynasty, with two major
enhancements: the new units have the Calrec Apollo
audio board, along with new monitors custom built
by Boland.
“Apollo is the latest and greatest,” says Taubman.
“It has more inputs and outputs, has touchscreens,
and. when you compare it to the other Calrec
consoles, doubles the number of faders.”
It also has 12 layers, which means that it is,
essentially, 12 audio desks in one. And two rows of
72 faders make it easier than ever for an audio mixer
to quickly respond to live-sound needs.
“The operator can set it up any way they want,
and it will blow their minds at first because it is
overwhelming,” Taubman adds. “But, when they get
used to it, it will be the console they want.”
Helping in that flexibility is an Evertz audio router
that has 5,000x5,000 inputs and outputs. The video
router is 576x1,125.
The video router also feeds into the new Boland
LCD monitors, custom-made to offer a 16:10 aspect
ratio, no lights or buttons, and full control over an
IP network.
Taubman says the advantage of 16:10 is that it
makes it easier to add in tally information while
maximizing the size of the image.
Mobile Sports Production Yearbook 2012
Larkspur’s front bench features a GV Kayenne production
switcher and Boland flat-panel displays.
“They also have a fluorescent backlight, a hinged
design so that they can be lifted up and offer access
to connections on the back, and HD-SDI inputs so
there is no conversion gear required.
“They did a nice job,” he says of Boland. “We
started discussions in February and saw the first
prototype at NAB [in April].”
And, while Game Creek puts the finishing touches
on Justice, work has begun on standalone B units
that will be able to link up to any standalone Game
Creek Video production unit via a fiber tether box
that sits outside of the unit and has 500 ft. of video
and audio runs.
“The unit has its own router, monitors, and can
roll up to a standalone unit, unlike, say, the Fox unit,
where the B unit is totally inert without the A unit
because the guts that drive it are in the A unit,” says
Taubman.
The two B units will have 47-in. flat screens, six
along the side of the unit and two in the back and
in a monitoring station. It also features an area for
graphics and replay devices to be added and a room
that can be used for an audio submix or graphics area.
The first B unit will be used alongside Freedom for
Fox NFL games before it rides alongside Larkspur
for NBA coverage, work stoppages permitting.
Notes Taubman, “The goal is to make it as flexible
as possible.”
Game Creek Video
23 Executive Dr., Hudson, NH 03051
Tel: 603.882.5222 / Fax: 603.882.5444
www.gamecreekvideo.com
Profiles
LYON VIDEO
An Emphasis on
Audio for Lyon-12
By Brandon Costa
C
74
ommitted to staying ahead of the curve,
Columbus, OH-based Lyon Video serves a
growing trend in the mobile-production–unit industry with its latest truck, Lyon-12: embedding and
de-embedding of audio.
“One thing that we found that a lot of the clients
are already using is those 16 channels of audio,”
says Account Coordinator Chad Snyder, adding
that many clients are using the embedding to add
surround-sound mixes for international feeds.
“That’s the real reason for adding the embedding
and de-embedding going into and out of the EVS
[servers], so you can have a dual-transmission feed.”
The new truck, which hit the road in late July for
the ESPN RISE Games, features a 64-fader Calrec
Audio Artemis console, which relies on Calrec’s
Bluefin2 high-density signal processing for power
and on integrated Hydra2 networking to unify
inputs and outputs regardless of a source’s location.
The images are transmitted to an Evertz 3G routing
and processing package, a system that provides 64
embedding destinations and 48 de-embedding
sources, each with 16 channels of audio.
“The way we see it, the core of the truck is really
the audio console,” says Snyder. “It’s the anchor that
helps us earn long-term commitments from top-tier
clients like ESPN, Fox Sports, and Speed. This will be
a hardworking production truck for us, supporting
diverse shows for diverse clients. Not only is Calrec’s
Artemis the right size with the right features; it’s
operator-friendly: a freelance A1 can just sit down
and get to work.”
Integrated by Bennett Systems, Lyon-12 is a 53-ft.
trailer with a 49-ft. expansion that can work on
its own or with a B unit. It is the second in the
generation of the Lyon fleet with a 3G-transmission
package and is the third to feature a Grass Valley
Kayenne switcher and LDK Series cameras on board.
The truck, which is wired for 16 cameras, comes with
11 Grass Valley LDK 8000 Elite 3G cameras.
“We’re one of the few guys on the road to be able
to do a show optically and through triax,” Snyder
points out. “12 was our first truck to do that. It’s a
Mobile Sports Production Yearbook 2012
Above: Lyon-12 deploys Evertz 3G routing/processing for audio
embedding/de-embedding.
Below: Lyon-12 is booked through the end of the college football
season on ABC.
big deal for us, because this is the first truck where
we can do 1080p/60 on triax or on fiber.”
Lyon Video also selected 101X lenses from FUJINON as an integral component in Lyon-12. The
truck offers the wide-angle capabilities and zoom
range of FUJINON XA101x8.9BESM Super telephoto lens. In addition, Lyon has also recently added
three FUJINON XA88x8.8BESM telephoto HD field
lenses. Rounding out Lyon’s FUJINON lineup are
five XA72.9×9.3BESM telephoto HD field lenses,
two ZA22x7.6BERM telephoto ENG/handheld HD
lenses with 2X extenders, two ZA12x4.5BERM Super
wide-angle ENG/EFP HD lenses with 2X extenders,
and two XA17x7.6BERM HD ENG lenses with 2X
extenders, each paired with a Grass Valley LDK 8000
Elite camera.
Says Snyder, “ESPN has really latched onto the
unit.” It is booked through the remainder of the college football season for ABC before tackling a lineup
of bowl games and shifting to ESPN college basketball in the winter.
LYON VIDEO
2091 Arlingate Ln.
Columbus, OH 43228
614.297.0001
www.lyonvideo.com
Profiles
Mobile TV Group
HD Trucks Come in Threes
By Jason Dachman
E
ven with one of the largest fleets in the
industry, Mobile Television Group
(MTVG) is always looking to expand and
upgrade to keep pace with the rapidly
rising demand for HD mobile units. The
company rolled out three dual-feed HD
53-ft. expando trucks in 2010 and three
more in 2011 and has plans to debut
three more in 2012.
“We look at it like this: wherever the
major-league teams are, that’s where we
need to put a truck,” says President/coowner Phil Garvin. “We have to be able
to meet the [demand] in each of those
[markets].”
In 2011, MTVG unveiled 28HDX,
29HDX, and 30HDX. Two nearly identical
53-ft. expandos, 29HDX and 30HDX, debuted this
summer and ride on brand-new chassis built by
Frontline Communications. Meanwhile, 28HDX,
which hit the road in the spring, is a refurbished
trailer that has been totally stripped and rebuilt.
“If you walked into one truck or the other, you
would be hard pressed to tell the difference,” says
Garvin.
The 28HDX rebuild is part of a continued effort by
Garvin & company to replace all its first-generation
HD trucks with state-of-the-art units. Thus far,
MTVG has replaced 5HDX through 10HDX with
refurbished HD trucks and plans to pull 11HDX
and 12HDX off the road in the near future in order
to rebuild them.
“We’ve pretty much moved past SD, and we’re
now trying to get rid of all of our first-generation
HD trucks, meaning trucks with analog monitoring
with no multiviewers,” says Garvin. “By the end of
Main Office
2400 N. Ulster St.
Denver, CO 80238
Tel: 303.388.8500 / Fax: 303.388.3773
78
29HDX is one of three nearly identical trucks rolled out by
Mobile TV Group in 2011. The company now has three more
planned for 2012.
2012, we won’t have any trucks without multiviewers
and the latest gear.”
28HDX, 29HDX, and 30HDX are almost identical
in terms of layout and equipment. All three feature
Grass Valley Kayenne switchers (4M/E), three sixchannel and two four-channel EVS XT[2] production
servers, a Chyron HyperX CG for graphics, and 10
Grass Valley LDK8000 cameras (which run on
digital triax) outfitted with Canon lenses. The only
major difference lies in the audio console: 28HDX
features a Euphonix console; 29 and 30 have the new
Calrec Artemis.
“One of the biggest trends we’ve seen is clients’
demand for truly new trucks” says Garvin. “They
do not want a first-generation HD truck anymore,
even though it may have pretty much exactly the
Midwest Office
Minnesota/Wisconsin
379 W. 60th St.
Minneapolis, MN 55419
Tel: 952.922.2373 / Fax: 952.487.9124
Mobile Sports Production Yearbook 2012
Dallas Office
2909 Taylor St.
Dallas, TX 75226
Tel: 214.651.1446 / Fax: 214.571.9225
Profiles
82
mobile tv group
same capability as a new truck. They want
the new look and the latest generation of
equipment.”
Integrating the latest equipment into
the trucks not only allows Garvin to offer
a high-quality product but also protects
MTVG against potential complaints from
clients down the road.
“There is no such thing as flawless
technology,” he says. “There are always
going to be problems, whether it’s brand
new or seven years old. But if something
goes wrong in a brand-new truck with
the latest generation of equipment, then
clients are more understanding. However,
if it’s seven years old, that is not usually the case.
That is the business we are in.”
In addition to the latest generation of standard
equipment, all three trucks feature an optional
Vision Research Phantom v640 or v641 high-speed
camera for ultra-slow-motion replay.
“All of our new dual-feed trucks have [ultra-slowmotion] camera systems,” says Garvin. “We started
doing it about a year ago or a year and a half ago. But
now we have one system on all of the dual-feed
trucks. We have 14 of the Ultra-Mos, which is a
pretty big investment. About half are [Phantom
v640s] and half are [v641s].
“We do not provide the systems out to third
parties,” he continues. “Rather, it is part of our
truck, just like any other equipment. We see that as
becoming a totally standard part of pro events and
high-level college events. At this point, you have
to have them for events on that level. It’s almost
expected by many of our clients.”
In addition to on-board high-speed cameras,
Garvin says clients are demanding that dualfeed trucks like 28HDX, 29HDX, and 30HDX be
able to handle more HD feeds than ever before.
In addition to the home and away feeds on any
given show, MTVG is now being asked to deliver
a clean and/or dirty feed for the league, Webonly feeds, isolated camera angles, or a Spanishlanguage feed.
“These trucks are now cranking out a lot of
different feeds, and that’s a major challenge,” says
Garvin. “Some of them are embedded audio and
some are not. Some are analog and some are AES.
Some are HD and some are SD. It is a mess, and
I’m constantly buying more equipment to handle all
these feeds.”
Mobile Sports Production Yearbook 2012
MTVG’s newly unveiled 29HDX features a robust replay area
that includes two 4-channel and three 6-channel EVS XT2
production servers.
According to Garvin, even more feeds will need to
be delivered in HD as the demand for Spanish and
other second-language feeds grows. In February,
the Los Angeles Lakers and Time Warner Cable
announced a 20-year, reportedly $3 billion deal to
launch two new HD RSNs — one in English and one
in Spanish. The Lakers-focused Spanish-language
network will be the first of its kind in the U.S. and
hints at the potential windfall of Spanish RSNs to
come.
“We are starting to see a lot more Spanishlanguage feeds, which requires completely different
audio and graphics and usually one or two extra
cameras,” says Garvin. “That requires another truck,
but it can be an SD truck as of now. However, I
don’t know how much longer the Spanish feeds can
continue being in SD. The Lakers deal is a major
factor in all that.”
28HDX is currently serving the Dallas, Oklahoma,
and San Antonio markets (Mavericks, Rangers,
Spurs, Stars, Thunder); 29HDX works primarily in
Colorado and Utah (Nuggets, Rockies, Avalanche,
Jazz); and 30HDX handles the Pittsburgh market
(Pirates, Penguins) as well as the Carolinas and
Tennessee.
Next year will see the addition of another trio of
dual-feed HD mobile units to the MTVG family,
with 31HDX set to debut in March, 32HDX in July,
and 33HDX later in the year.
“We are aiming for three new trucks per year —
one or two brand new and one or two refurbished,”
says Garvin. “That is the plan for next year and in
the future.”
Profiles
NEP BROADCASTING
SS3 Hits Hawaii; New Domestic Trucks on Tap
By Ken Kerschbaumer
N
EP Supershooters continues to
be busy building new trucks as
well as flypacks designed to meet
client needs in both the continental
U.S. and Hawaii.
For example, in October 2011,
SS3 hit the high seas on its way
to Hawaii, where it has redefined
the concept of the mobile-production truck: all the equipment can
be removed from the 48-ft. production trailer and easily placed into
Econoline vans. The reason? To better serve clients like Oceanic Cable in
Hawaii, a market where inter-island
travel is a constant issue.
“There is an interesting challenge in the Hawaii with multipleisland work,” says NEP Broadcasting CTO George
Hoover. “So we have built an integrated truck/
flypack that can come out of the truck and work
independently of the trailer.”
The trailer itself made the drive from NEP’s
facility near Pittsburgh to California before setting sail on a freighter for Hawaii. Moving a large
production truck can be difficult in Hawaii because
ships large enough to transport it from one island
to another may run only once or twice a week. By
putting the equipment into flypacks, which can be
transported in smaller vans, NEP will be able to
NEP broadcasting
2 Beta Dr.
Pittsburgh, PA 15238
Tel: 800.444.0054
86
NEP SS3 serves the Hawaiian market.
move the gear via ferry service, which runs much
more frequently.
The trailer is laid out like any other single
expando from NEP, featuring three tiers of seating
in the main production area and a separate video
area. When the flypacks come out, the only thing
that remains are the consoles on the second and
third production benches.
The design goal was to build a flypack that two
people could assemble for an event in about four hours
and break down afterwards in less than an hour.
“The flypack can be put together in a classroom for
NEP Studios – NYC
NEP Studio 54
513 West 54th St.
New York, NY 10019
Tel: 212.468.1833
Fax: 212.468.1890
NEP Studio 33
503 West 33rd St.
New York, NY 10001
Tel: 212.649.6399
Fax: 212.760.2821
NEP Midtown Studios
885 Second Ave.
New York, NY 10017
Tel: 212.548.7700
Fax: 212.355.0523
NEP Production Center
727 Eleventh Ave.
New York, NY 10019
Tel: 212.649.6242
Fax: 212.974.1120
NEP Studio 37
36 West 37th St.
New York, NY 10018
Tel: 212.695.7704
Fax: 212.268.7920
NEP 5th Ave. Studios
401 Fifth Ave.
New York, NY 10016
Tel: 212.401.4981
Fax: 212.685.4317
NEP Penn Studios
401 Seventh Ave.
New York, NY 10001
Tel: 212.299.4866
Fax: 212.299.4867
NEP Screenworks –
Corona, CA
1580 Magnolia Ave.
Corona, CA 92879
Tel: 951.279.8877
Mobile Sports Production Yearbook 2012
NEP Denali – Burbank, CA
2 Theta Dr.
Burbank, CA 15238
Tel: 800.444.0054
New Jersey Field Office
96 Route 173 West
Hampton, NJ 08827
Tel: 908.735.4066
Hawaii 808.676.3800
www.nepinc.com
Profiles
NEP BROADCASTING
Denali California is designed for use in producing entertainment shows where space is limited.
88
a high school basketball game or in a hotel room or
under a tent,” says Hoover of the system’s flexibility.
The main trailer will be used for University of
Hawaii events while high school sports covered by
Oceanic Cable will benefit from the flypack configuration. SS3 joins three NEP trucks already in Hawaii:
two 53-ft. expandos and a 48-ft. SD straight truck.
Earlier this year, NEP completed Denali
California, a 53-ft. truck designed for broadcasts
of live entertainment shows where OB space is
limited. It is equipped with Calrec Audio’s 72
dual-fader Apollo console, has 1080p capability,
and a state-of-the-art layout and design supporting
more than 20 cameras and 20 servers. The truck
also features a Grass Valley Kalypso switcher with
two Dveous/MX DVEs, Sony cameras, and virtual
monitor walls throughout.
Hoover says a key selling point for the Apollo
was its dual-fader technology, which simplifies a
big show by giving mixers fast access to the maximum number of controls. Other pluses included
reasonable weight; integrated Hydra2 networking,
which unifies I/O whether inside or outside the
truck; reliability; sound quality; and client-attracting state-of-the-art technology.
And because there are times when entertainment and sports do converge, such as the Super
Bowl halftimes, where NEP trucks cover all aspects
of the event, Denali California might be seen on
the sidelines sooner than later. It offers sophisticated audio and record capabilities in a single
truck that includes a production room, a private
entrance vestibule, and a large audio room with
space for playback mixer and sweetener.
Mobile Sports Production Yearbook 2012
The new Hawaii unit is designed to be able to be broken down
by one or two people and sent off in shipping cases via ferry to
other islands in Hawaii.
2012 will see three new trucks hit the road for
NEP, according to Hoover. Denali Arizona on Jan.
14 will lead the parade.
“It is essentially a scaled-down version of the
Denali California truck,” he says. “It has a scaleddown Alpha audio console, as California is primarily an audio-recording and -mixing facility for
things like orchestras. Arizona is meant for shows
that have prerecorded music or audio handled in a
separate audio truck.”
With respect to sports trucks, two 53-ft. units
will be added to the fleet, one in February and
another in June. Both will have the same infrastructure as SS22 and the same floor plan as found
in SS16, 18, and 20.
Profiles
raycom sports
HD1 Is Targeted at Regional Sports
By Brandon Costa
W
92
hen Charles Moye, technical operations manager at Raycom Sports, was assigned the task
of heading up development of a brand-new HD
production truck, he knew he wanted to learn from
the best. So, while renting HD units from Game
Creek, NCP, and others during the college basketball
season last winter, he made himself the most observant person in the room.
“We certainly were taking a close look and trying to learn as much as we could from those companies,” says Moye. “We put a lot of thought into
it, and, with the budget that we had, we tried to do
the most that we could.”
Primarily used for Raycom ACC Network
broadcasts, HD1 will handle the regional sports
that Raycom is contracted to produce and will be
available for rental. The 53-ft. expando unit made
its debut on Sept. 3 at the ACC Network’s Football
Game of the Week between Appalachian State and
Virginia Tech.
“For most of the year, we are working on our
own shows,” he says. “However, we need the outside revenue to help pay for this thing. So, with that
in mind, you’ve got to build a truck that can handle
the equipment needs of an ESPN or a Fox and some
of the other companies that we work for.”
HD1, which can operate on fiber or triax, is
equipped with an Evertz EQX HD router and a
Grass Valley Kayenne HD production switcher
with 72 inputs, 36 outputs, four M/E panels, six
keyers per M/E, eight channels of DVE, 6 GB of
still store, two chroma keyers, and a Lance TDC100
controller. The truck also features a Calrec Omega
audio console, a bevy of EVS replay systems, and a
Chyron Duet HyperX3 HD/SD system for graphics.
A virtual monitor wall is driven by the Evertz VIPX
routing and multi-image display system and boasts
288 multiviewer outputs.
During broadcasts, Raycom Sports now has the
ability to deploy a total of 12 cameras, including
nine Sony HDC 1550R multiformat cameras with
10 various Canon lenses, six of which are 86x9.3
with stabilization.
In the booth, broadcasters will have use of a
Codi telestrator with a 14-in. monitor as well as
four LCD and eight color monitors.
Mobile Sports Production Yearbook 2012
HD1 features nine Sony 1500 HD camera positions and an
Everts VIPX routing and multi-image display system.
Gerling & Associates built the HD1 trailer, and
Diversified Systems handled the truck’s integration.
With the growth of conference channels and the
spike in live content on regional sports networks,
the supply of HD mobile units can, at times, struggle to keep up with demand of live event coverage.
Now, with HD1, Raycom Sports has made the
investment in its unit to allow both flexibility and
piece of mind.
“Any time you have your own truck, you’ve got a
little more control when you’re trying to cover all of
these games and when there just aren’t enough HD
trucks available,” says Moye, adding that Raycom
hopes to build a second HD unit at an undisclosed
date. “Having your own [truck] gives you the ability
to move it around, and that’s a big advantage.”
The truck is booked to cover the ACC Network’s
Football Game of the Week through December. It
will then immediately move to a fully loaded slate
of ACC basketball games in the winter.
The unit will also give Raycom Sports and the
ACC a major leg up as the conference continues to
expand, with Syracuse and Pittsburgh joining the
ranks in 2014 and Connecticut rumored also to be
interested in making the leap as well.
Says Kay, “We guarantee that the ACC Network
is in the forefront of technology for years to come
with this truck.”
raycom sports
900 W. Morehead St.
Charlotte, NC 28208
704.378.4400
www.raycomsports.com
mobile services
Providers
This year’s Mobile Services Providers sec-
tion covers a wide variety of service and consulting providers — from truck and power-generator
companies to truck-chassis builders, system integrators, and equipment-rental companies.
The section is our largest to date, highlighting
48 of the industry’s most important and well respected companies. For contact information for
these companies and other SVG sponsors, please
turn to page 246.
3ality Digital
page 100
Aerial Video Systems
100
AJA Video Systems
100
All Mobile Video
100
Alliance Productions
100
Alpha Video
104
Arctek Satellite
104
Azzurro Systems Integration
104
Beck Associates
104
Bexel Broadcast Services
106
Broadcast Services International
106
Broadcast Sports
106
Burst106
CAT Entertainment
106
CBC Mobile Productions
108
CBT Systems
108
Coastal Media Group
108
Communications Engineering
108
CP Communications
108
CSP Mobile Productions
110
Diversified Systems
page 110
Dome Productions
110
DTAGS110
Encompass Digital Media
110
F&F Productions
112
Filmwerks International
112
Frontline Communications
112
Gearhouse Broadcast
112
Gerling and Associates
112
IDS116
Illumination Dynamics
116
IMT116
KTV116
Mansion Mobile
118
Metrovision Production Group
118
NES118
On Call Communications
118
Pacsat118
ProductionHUB.com118
PSSI/Strategic TV
120
Reality Check Systems
120
Show Partners
120
SOS Global Express
120
SPEVCO120
The Systems Group
120
Token Creek Mobile Television
122
Trio Video
122
VER122
Vista122
YES Productions
122
Mobile Sports Production Yearbook 2012
97
Mobile Services Providers
In a market-changing shift for 3D sports production,
3ality Digital acquired 3D-rig manufacturer Element
Technica. The deal consolidates two of the prime
players in the burgeoning 3D-production–technology market, creating a sizable powerhouse in 3D film
and broadcasting. The new entity will manufacture
the full slate of product offerings from both companies, but the full Element Technica product line will
continue to be marketed under the Element Technica
banner.
In acquiring Los Angeles-based Element
Technica, 3ality also increased its in-house manufacturing and design capability and will look to further expand its R&D infrastructure. The companies
will combine in an expansion to the 3ality Digital
headquarters in Burbank, CA.
The new company will continue to offer 3ality’s
3D educational program (3DIQ) to filmmakers,
broadcasters, and craftspeople.
Aerial Video Systems
A provider of HD RF cameras, aerial production
support, communications, and custom POV applications, AVS continues to grow heading into 2012.
The company inventories 45 Link HD RF systems
worldwide and three Cineflex V14-HD gyro-stabilized HD aerial cameras and offers a single-unit,
single-carrier wireless 3DHD solution.
AVS-UK continues to expand its European presence, having provided HD RF Links for the Royal
Wedding and other high-profile events.
AVS’s 12-lb. wireless P1 camera system has
become the preferred Steadicam package for
Dancing With the Stars, America’s Got Talent,
NBC’s Sunday Night Football, ESPN’s Monday
Night Football, the NFL Network, and a variety of
award shows, including the Academy Awards.
AVS also provides HD RF cameras and aerials for
Monday Night Football, NFL Network games, the
MLB Playoffs and World Series, and Deadliest Catch.
Its lightweight RF handheld camera continues to be
the choice for such shows as the NBA Finals and the
L.A. Marathon. For the 2011 US Open tennis tournament, CBS Sports enlisted AVS to provide wireless
services for more than 375 hours of coverage spread
among CBS, ESPN, and Tennis Channel.
®
At IBC2011 in September, AJA Video Systems con-
100
Mobile Sports Production Yearbook 2012
tinued its quest to do more in less space. A case in
point: the company’s palm-sized UDC broadcastquality up/down/crossconversion mini-converter
can convert between SD, HD, and 3G video formats.
I/Os include SD/HD/3G SDI input and output, HDMI output, and two-channel RCA-style
audio output. The UDC also supports eight-channel
embedded audio and can be configured through
built-in DIP switches or via AJA’s MiniConfig software using the unit’s USB connection.
The company also added support for the Avid
DNxHD codec to its highly regarded Ki Pro Mini
video recorder.
All Mobile Video has updated its KU-3 productioncapable uplink truck with powerful new features.
KU-3 can now function as a remote master-control
center and simultaneously output four HD uplink
paths, including Web streaming. Besides these regular satellite paths, multiple HD coax and fiber I/O
connections are also available.
The truck’s Tricaster production system can provide “virtual sets” on a green screen. And, with the
truck’s four Sony cameras, five Sony VTRs, and two
Harris “clean and quiet” switchers, a “sports desk,”
a “news hit,” and live production can be simultaneously supported from one production vehicle.
Additionally, the truck features Dolby 5.1 surround sound (discrete and upmix), Dolby AC-3,
Dolby downmix, eight IFBs, four PC–to–HD-SDI
scalers, and a Miranda multiviewer in both production and transmission areas.
In the 3D arena, AMV’s Epic 3D production trailer continues to pursue 3D/2D-production opportunities and, most recently, captured a 3D concert
event for Maroon 5 for MTV and the documentation of the final two NASA Space Shuttle launches.
AMV also offers full 3D postproduction capability with Quantel Pablo conform, preparation, and
workflow software at the center of its workflow to
complement its field acquisition resources.
Alliance
PRODUCTIONS
Since 1997, Alliance Productions has striven to
identify and meet industry demand for top-notch
television-production services. As the largest group
of mobile-production companies in North America,
Alliance continues to expand its HD capabilities by
Mobile Services Providers
adding three HD mobile units in 2011, with another
HD truck scheduled to roll in December. This will
increase the Alliance Productions lineup of HD
mobile units to more than 30.
Corplex’s new Chromium HD unit joins Platinum
and Iridium in the company’s HD fleet. Its inaugural event was a Green Bay Packers preseason football game. It will be used for CBS College Sports’
Army football package.
In February, MIRA Mobile ushered in M-11 HD
and has received excellent response to this latest
addition. The company currently services MLB,
NHL, and NBA clients, as well as Versus Pac-12 and
Mountain West college football.
CSP HD-1 has been crisscrossing the USA for a
multitude of events, including ESPN, Major League
Lacrosse, Showtime boxing, CBS College Sports,
and Fox Sports Conference USA football.
In December, Crosscreek TV Productions will
add Voyager 10 to its group of HD mobile units.
Crosscreek serves ESPN, Fox Sports, Speed channel,
and NHRA drag racing, among others.
With 13 partners nationwide and more than 50
mobile units available, Alliance Productions consistently delivers high-quality technical facilities and a
high level of customer satisfaction.
Alpha Video’s Sports & Entertainment Group
specializes in design, integration, and support of
large-venue technology systems for collegiate- and
professional-sports facilities nationwide. During
spring and summer 2011, Alpha Video completed
installation of an HD video-control room at Fenway
Park in Boston and a video-control room at TD
Ameritrade Park in Omaha, the new home of the
NCAA College World Series.
Currently, the company is integrating an HD
video-control room for the new Florida Marlins
ballpark, an HD studio for the University of Iowa
Athletic Department, and the technology systems
for the new College Park Center arena at the
University of Texas at Arlington (UTA).
The UTA project is a prime example of the
Alpha Video 360 approach to large-venue technology and incorporates a wide variety of systems: an
HD video-control room, broadcast infrastructure
cabling, an IPTV distribution network, digital signage, digital menu boards, digital-signage creative-content services, and team coaching-video
systems.
104
Mobile Sports Production Yearbook 2012
HD
In 2011, ARCTEK upgraded its C-band trucks,
named Purple and White, to transmit MPEG-4 and
16 channels of audio. ARCTEK’s entire fleet of four
uplink trucks (two Ku- and two C-band) are based
on the Sprinter chassis, and all are equipped with
HD encoding and monitoring. Early in the new
year, ARCTEK provided multiplex MPEG-4 HD
transmission services for eight weeks of basketball College Gameday for ESPN. The Minneapolisbased satellite-transmission provider also worked
with CBS sports to launch the Tim Brando Show
from Shreveport, LA, over Labor Day weekend.
These highlights, breaking-news coverage, corporate events, and plenty of college football keep the
company running from coast to coast.
AzzurroCam is a fully integrated, compact production system designed and built by ASI. The company
has deployed AzzurroCam Systems within all NHL
arena venues as well as at all NFL training facilities.
AzzurroCam provides clients with the tools needed to capture broadcast-quality content, such as
remote talent, player and coach interviews, and
action shots from the goal line.
The AzzurroCam package can be tailored to
enable clients to operate single- or multiple-camera
sites. The unit serves as a complete remote studio
capable of controlling professional cameras, lighting, and audio through a simple user interface that
can operate on numerous touchscreen applications,
such as tablet PCs and the iPad. The integrated
package includes a Sony robotic HD/SD camera
with remote control of focus, aperture, color, setup,
and pan/tilt/zoom, plus remotely controllable audio
mixing, IFB, and DMX lighting-dimmer control.
An Austin, TX-based television-systems integrator
since 1982, Beck Associates is headquartered in a
20,000-sq.-ft. facility designed specifically for systems
integration. In addition to office space, it houses a
metal-fabrication shop, an extensive millwork facil-
Mobile Services Providers
ity, two bays for work on mobile units, and areas for
equipment storage and prewire. Beck also has branch
offices in Denver, Boston, and New Jersey.
Bexel continued to provide efficient portable solutions over the past year, thanks to the company’s
scalable flypacks and production trailers.
The customizable Hercules Flypack is intended
for remote and space-constrained venues. Flexible
and rugged, Hercules can be shipped anywhere in
the world. Like Hercules, Bexel’s Elements flypack
systems are customizable from two to 12 cameras.
All systems can be augmented with complementary
equipment that includes audio, RF audio, communications, graphics, fiber-optic systems, and wireless video.
Bexel has also sustained success with its three
mobile-production facilities. BBS One, for example,
is a configurable 53-ft. facility designed to enable 2D
or 3D production, digital editing, EVS workflows,
or online production applications.
BSI specializes in full-service technical production,
consulting, and engineering services for broadcasters in television and radio: project planning
and management, contracting for TV mobiles and
facilities, equipment rental, design and building of
broadcast operations, commentary support, signal
delivery via fiber optics or satellite, on-site supervision, and crewing.
Established in 1987, BSI services clients in North
America, Europe, Asia, and Australia. It has been
host broadcaster at World Cups, covered World
Championships and 16 Olympic Games, and
worked on such high-profile events as the 2010
NBA Finals and All-Star Game. Besides helping
host broadcasters produce an affordable world feed,
BSI assists in satisfying contractual obligations with
rightsholders.
bsi
BROADCAST SPORTS INC
an
company
Broadcast Sports has provided wireless point-ofview and on-board systems since 1983. With a large
106
Mobile Sports Production Yearbook 2012
fleet of dedicated television RF mobile units, the
company provides turnkey solutions that facilitate
the broadcast of many of the biggest sports and
entertainment events.
The company’s HD on-board and POV cameras, wireless audio and communications systems,
digital technology, and fiber systems are used for
NASCAR, Indy Racing League, PGA and LPGA
Tours, NFL, Triple Crown, SEC basketball, Major
League Baseball, NBA Finals, Surfing, X Games,
MTV Video Awards, Macy’s Thanksgiving Day
Parade, US Open tennis tournament, Ironman
Triathlon, and the Toronto Marathon.
Broadcast Sports recently opened offices in
Europe and South America and plans further
expansion in 2012.
A broadcast-equipment provider and systems integrator, Burst represents hundreds of leading manufacturers and serves clients and projects throughout
the country.
As a systems integrator, Burst is most proud of its
“Metroplex Trifecta”: its work at Cowboys Stadium,
Rangers Ballpark, and the American Airlines Center
in the Dallas-Fort Worth area. For the video-production control rooms at these world-class venues, it did
systems design, provided most and integrated all of
the equipment, and finished each project with comprehensive test, commissioning, and documentation
packages. These large production systems enable the
extravagant programming displayed on the cuttingedge video boards deployed at all three facilities.
Other stadium projects include the design/installation of the video-production system for the bigscreen display at Dick’s Sporting Goods Park in
Denver, integration of the new video-replay system
at University of Oregon’s Matthew Knight Arena
in Portland, and the engineering, drawings, and
installation of the Diamondbacks’ HD-SDI Video
Coaching System at Chase Field in Phoenix.
CAT Entertainment Services is a worldwide
provider of temporary power-generation and
temperature-control equipment. In addition to
providing state-of-the-art equipment, the com-
Mobile Services Providers
pany’s professionals and technicians integrate
planning, technical advice, customized installation, on-site operation, and support into every
project. Headquartered in St. Augustine, FL, with
supporting offices in Orlando, Tampa, Dallas,
Los Angeles, and New York, CAT Entertainment
Services can provide electric power to a single tent
or an entire stadium.
CBC Mobile Productions kicked off 2011 with its
newest HD mobile unit, Évolution, which continues to receive accolades from clients on both
sides of the border. In February, the company
teamed up with Bexel Broadcast Services to produce standalone 2D and 3D productions of the
NHL’s Heritage Classic in Calgary, AB. In April,
Tokyo Broadcasting System used Évolution for
its coverage of the 2011 Masters golf tournament.
In April, May, and June, CBC Mobile helped produce 51 NHL playoff games in a nine-week period
for Hockey Night in Canada.
In August, CBC Mobile Productions started
building its next HD mobile unit. Infinity is a
full 53-ft. expando HD truck with an Evertz EQX
router, Kalypso switcher, and a Calrec Artemis
audio console. Infinity will be launched in January
and will travel with fewer cameras and EVS units
than a typical 53-ft. expando but has been designed
purposely as an alternative solution for clients with
smaller production budgets.
Official logotype
09_09_30
CBT Systems is a leader in systems integration and
engineering for the television-broadcast industry.
Backed by more than 30 years of industry experience,
it provides innovative workflow technology and customized integration and engineering solutions. With
clients and projects in a wide range in both size and
scope, CBT handles sports broadcasting, television
broadcasting, video production, and corporate video.
Coastal Media Group (formerly Coastal Satellite),
has announced the newest addition to its arsenal.
108
The multicamera HD Carry/Fly-pack Production
System offers HD recording capability to solid-state
media. Featuring five Panasonic P2 cameras with
5,000 ft. of camera fiber, a multiviewer monitor
wall, 12-input switcher, and 32-input digital audio
board, the system offers exceptionally high-quality
images at an affordable price.
Coastal Media Group provided multicamera production support for Mez Sports’ MMA/
Boxing Event in Riverside, CA. Using the Fly-Pack
Production System, it handled all production duties
for the sold-out event.
Mobile Sports Production Yearbook 2012
CEI supports some of the world’s largest and most
sophisticated media networks. Founded in 1986, it
has emerged as a leader in global communications.
For clients from Fox to ABC and Disney, from
NASA to Hong Kong Telecom, it discovers, designs,
and constructs state-of-the art digital multimedia
communications facilities.
In the past year, CP Communications has rebuilt
two mobile units: HD1, designed for smaller productions requiring a versatile, high-quality truck;
and HDRF5, an all-in-one audio/video–routing
and –distribution ESU truck released earlier this
year.
The company upgraded HD1 to include
Thomson camera chains, Thomson LDK8000
cameras, an EVS XT[2] switcher, Panasonic
AV-HS450N switcher, and updated monitor wall
and tape room.
Both HD1 and HDRF5 recently worked the
World Series, with HD1 covering Baseball Tonight
in Texas and HDRF5 covering the ESPN program
in St. Louis. Following the World Series, HD1
traveled to Washington, DC, for the Marine Corps
Marathon while HDRF5 covered the New York
City Marathon from the finish line in Central Park.
Looking forward to 2012, CP Communications
plans to focus on continuing to improve frequency-spectrum management. Its HD camera systems,
including wireless, will move into MPEG-4.
Mobile Services Providers
CSP Mobile Productions has provided HD and SD
mobile trucks to broadcast for more than 20 years
and has been an Alliance member for eight years.
CSP is committed to giving its clients the quality they deserve with an engineering staff that goes
above and beyond.
This year, CSP launched its newest truck, HD1, in
late February just in time for March Madness. Then,
it was off to Showtime boxing in Texas and straight
to NAB for the Alliance Party, where it was given
great reviews.
In the summer. the company worked for MLB,
MLL, MLS, NASCAR, NFL Films for the Madden
launch, and CBC for road cycling in Quebec and
Montreal.
Football and hockey season is a very busy time,
with HD trucks serving Fox, ESPN, Versus Ivy
League, Raycom, NHL, CBC, CBS College Sports,
and Tupelo Honey Productions.
In the SD world, CSP handles ESPN3 football, boxing, and WNBA and looks forward to
adding Big East Basketball next year with ESPN
Charlotte.
Formed in 1993 as a full-service system-integration company addressing the technical needs of
the broadcast, audio/visual, RF, and IT industries, Diversified Systems offers turnkey solutions,
including engineering design, documentation, project management, equipment procurement, custom
fabrication, system integration, project commissioning, training, and after-installation support.
Diversified is a true multi­disciplinary integrator,
offering high-level expertise integrators broadcast,
AV, and IT.
Dome Productions continues to provide mobile and
remote production facilities, with delivery of feeds
via fiber and satellite distribution. It is the dynamic
of Dome’s main services that leads to growth in
offerings to support the ever changing production
world.
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Mobile Sports Production Yearbook 2012
The company’s new satellite-uplink facility combine an uplink-equipped tractor and HD-encoding–
equipped trailer, enabling delivery of signals via satellite with the trailer parked inside a venue and the
tractor located outside. The combination provides
full-size production facilities and an uplink unit
in a package that meets transport-industry weight
limitations.
Also new is the addition of the New Media
department to deliver content over multiple platforms. Services include customized video player
and Web page, Twitter and Facebook design, video
transcoding, live streaming to Internet, and VOD.
Recent projects include a TIFF 2011 live pressconference Webcast and the Canada Sings socialmedia campaign.
DTAGS continues to play a significant role in
the transmission of major sports events with
its innovative on-site MPEG-2/MPEG-4, 2D/3D
remote encoding/decoding, and monitoring solutions over both satellite and fiber infrastructures.
The DTAGS solution may reduce transmission
costs with multi­
channel encoding and provide
proactive on-site video, audio, and transportstream monitoring and analysis, improving the
overall transmission and maximizing bandwidth
efficiency to provide complete visibility of the
transmission chain.
DTAGS also offers ASI multiplexing, allowing
customers to consolidate multiple HD services into
a single transport stream with data rates up to 190
Mbps. With the continued emergence of 3D technology and increasing number of 3D broadcasts,
DTAGS remains a leader of encoding solutions for
this evolving format.
Encompass deployed seven of its transportable
uplinks to provide major U.S. and international
broadcasters remote-site transmissions 24/7 from
North Carolina to Vermont for breaking-news coverage of Hurricane Irene.
Encompass’s Waterfront switch in New York
City provided its clients with fiber and satellite connectivity delivering more than 100 feeds throughout
Mobile Services Providers
the world. In addition, Encompass initiated 24/7
“hot-standby” satellite-uplink backup network origination using its Atlanta and Minneapolis Teleports
for major New York-area networks.
All of the company’s locations are connected via
Global Interconnect, which allowed Encompass to
use all its facilities seamlessly to meet the extraordinary demand created by the largest tropical storm
to hit the Northeast Coast of the U.S. in nearly 75
years.
F&F Productions recently enhanced the majority of
its fleet with the addition of virtual-monitor walls
and other improvements. GTX-12 and GTX-14
are equipped with 15 Boland 32-in. HD-SDI monitors. To accommodate monitor-wall expansion on
the GTX-15, 18 Boland 32-in. HD-SDI monitors
have been added to the truck. Router size has been
increased, which doubled the output capacity to
288x576. In addition, the Tally System has been
completely updated with the Image Video Tally
System.
Each truck offers an array of Evertz multiviewers,
a combination of VIPA 18 DUO 3G and VIPA 32
DUO 3G units. Evertz MVP server software has been
added to each truck. The GTX-11 has been upgraded
with LED HD-SDI 10.4-in. monitoring, 12 Boland
12-in. SDI monitors, and three Ikegami 24-in. LCD
color monitors for PGM/PST and quad split.
Filmwerks has had an extremely busy year, providing broadcast and event power, site lighting, climate
control, and mobile studios to multiple productions
from coast to coast. Filmwerks ramped up once
again to support the PGA Championship, which
seems to grow exponentially every year.
As the season for golf wound down, the company
headed to a multitude of football efforts and to the
US Open tennis tournament, where rain delays
challenged it to move gear and jump through hoops
to get its Fashion Week effort in line.
In addition, the company has a busy fall season,
supplying power and climate control to various film
and television-series productions. Filmwerks has
designed and built electrical systems to provide better power for the Spidercam system and for Atlantic
Cine Equipment. It has also modified and designed
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Mobile Sports Production Yearbook 2012
custom generators and electrical paralleling systems
currently in use in Brazil.
Frontline Communications has built custom vehicles for broadcast, command and communications, satellite uplink/downlink, and mobile field
production and operation. Using a wide range of
chassis, from small SUVs to large custom-engineered vehicles and trailers, Frontline manufactures aluminum modular bodies, vehicle conversions, and trailers.
Gearhouse Broadcast operates globally with offices
in the U.S., UK, Australia, Qatar, and India and
specializes in broadcast-equipment rental and sales,
outside broadcast, project solutions, and systems
integration.
In 2010-11, the company provided broadcast
solutions for the 25th Winter Universiade in
Turkey, FIFA World Cup in South Africa, iRB
Rugby World Cup in New Zealand, and such tennis
tournaments as the ATP Masters 1000 Series, ATP
World Tour Finals in London, Australian Open
in Melbourne, and US Open in New York. In
addition, during the 2011 iRB Rugby World Cup,
Gearhouse Broadcast provided facilities, services,
equipment, and crew for a number of global international rightsholders.
The company is extremely active in the U.S.
mobile-production market, offering a wide range of
solutions, including flypacks, staffing, logistics, and
two production trucks, a 53-ft. HD expando with
up to 24 Sony cameras and a 43-ft. unit with up to
16 Sony cameras.
Gerling & Associates has been on extended overtime for a full year to provide deliveries of more
than 18 new remote-television-production trailers
and high-end trucks with expanding-side systems.
New developments in side systems and construction methods have produced the lightest trailer
systems available to include fast-set and -strike
features. Safety features have been upgraded with
better handrail systems, LED lighting on plat-
Mobile Services Providers
forms, and head-bump areas. Air-conditioning
choices have been expanded, and new designs are
ready to provide more reliability as well as lighter
weight.
Although business in Europe has slowed, South
America, Australia, and the Far East have presented
good sales opportunities with very different concepts coming from those clients.
Information & Display Systems, a provider of
information and display technology for the sports
industry, has created an HD 3D graphics package
with Brainstorm Multimedia’s “eStudio” 3D render engine for business partner IBM, the official
information-technology supplier and consultant to
the All England Lawn Tennis Club (AELTC), home
to the Wimbledon tennis championships.
The Wimbledon finals this year were screened
live in HD 3D. The tailor-made TV-graphics service, allowing for the BBC and international TV
to provide on-screen information to hundreds of
millions of homes around the world, were created natively by IDS in Brainstorm Multimedia’s
eStudio, a real-time–graphics software package for
broadcasters and production companies.
ID provides redundant power for live broadcast
primarily to sports clients — including ESPN, Golf
Channel, and Speed channel — for a range of highprofile events, such as Monday Night Football, the
U.S. Open golf tournament, Grand Am, Winter
and Summer X-Games, and several college football
tours.
“We specialize in studio-quiet redundant generators and deliver them in a compact footprint,” says
Director of Broadcast Services Rich Williams. The
ability to supply reliable power economically is also
key. According to Williams, this comes from the inhouse design and construction of the units, as well
as from working closely with clients. Custom-built
designs translate into cost savings for customers, he
adds, citing a recent a custom C unit for Saturday
Night Baseball with work space, HD monitors, and
communications.
“Our C-unit trailer configuration,” he points
out, “has eliminated the need for additional follow
trucks for production. Customers may use available
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Mobile Sports Production Yearbook 2012
space on the trailers for supplementary cabling, jib
carts, sideline dollies, golf carts, office space, etc. —
equipment that previously would be transported by
a separate vehicle.”
In addition to power and transportation for
broadcast, the company provides full-service lighting for broadcast booths, studio-location shows,
and red-carpet events. ID is a division of ARRI, a
manufacturer of entertainment and studio lighting.
ID has the ability to ensure top-of-the-line equipment and personnel, including conventional studio
lighting fixtures, automated luminaires, and ARRI’s
new line of LED lighting.
IMT announced new managed services for tablet computers and mobile devices. IMT’s Mobile
Device Managed Services (MDMS) offers IT organizations the ability to increase workforce productivity with comprehensive solutions that meet
enterprise business objectives for security, software
management, and application development. These
Managed Services are designed to maximize the
value of tablet computers and other mobile devices
across an enterprise.
The services include wireless-service activation,
configuration of mobile devices with customized
profiles, security for protection of corporate assets,
application and data migrations, repair and loaner
devices, and help-desk support with instructions
and data recovery.
KTV, a New York City-based production-equipment-rental company serves clients both domestically and worldwide. Specializing in HD storage and
acquisition, it maintains a diverse inventory to suit
all forms of broadcast production. The company’s
clients include all the major networks, regional
broadcasters, mobile-production companies, professional leagues and venues, and postproduction
houses, as well as independent production companies.
Mansion Mobile Television is emerging as a leading
Mobile Services Providers
mobile-television-production company, with facilities like its new ME-2HD 53-ft. expanding mobileproduction unit. Located in the heart of America
in Branson, MO, the company is near most major
cities in the Midwest. Its state-of-the-art facilities
are intended to make any sports, entertainment, or
corporate event the best it can be.
HD
METROVISION
Production Group
Metrovision Production Group offers a full spectrum of communication and production services,
including mobile production, satellite transmission,
IP media, live-event presentation, and broadcastequipment rentals. It has served clients across
North America since 1988. Along with having
a fleet of mobile units and extensive equipment
inventory, Metrovision takes a turnkey, solutionsdriven approach, combining technical expertise
with strong commitment to customer service.
NES has just completed an ESPN-certified C-band
truck, adding to its fleet of five mobile uplinks. Two
years after releasing its first 5.5-meter offset truck,
NES has found that the addition of a second C-band
unit will allow greater coverage area as well as more
availability for clients.
This unit was designed with a “go big or go
home” sensibility. Among its features are a 4.5meter trifold antenna, hub-mounted redundant
600-W solid-state amplifiers, four HD MPEG-2/4
encoders with 16 channels of audio (truck is wired
for four additional for a total of eight encoders),
two multiplexers and encoder software upgrades for
redundant 3D transmissions, two modulators with
advanced modulation up to 32 APSK, multiviewer
bit-stream analyzer, and an HD waveform with
Dolby, eye, and jitter.
On Call Communications is a provider of IP-based
mobile satellite solutions. The company’s mobile
communications systems provide video, voice, fax,
and data services over QuickSPOT IP-based, auto-
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Mobile Sports Production Yearbook 2012
mated systems. These compact systems are compatible with any IP application and can be easily operated by non-technical personnel.
The QuickSPOT On Demand bandwidth service allows customers to access dedicated (SCPC)
satellite space on demand, without scheduling in
advance. With a dedicated link, service never slows
down as other users come into the network because
each user receives a unique frequency. At the
push of a single button, the antenna sets up and
aligns itself, and the baseband system logs into the
QuickSPOT IP network ready to launch the communications application.
I N T E R N AT I O N A L
PACSAT is a full-service video- and audio-production, postproduction, and satellite-transmissions company. Headquartered in Sacramento,
CA, it provides services in the West, Midwest,
Southwestern, and Southeastern U.S. for major
news, sports, entertainment, advertising, corporate,
and government clients.
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ProductionHUB’s Request Engine connects users to
the production people, services, or equipment needed to get the job done, free of charge.
Request Engine features the world’s largest freelance network of film, television, video, digital
media, commercial, and live-event professionals,
including camera operators and crew, grips and
gaffers, production managers, teleprompter ops,
and sound techs.
From mobile-production trucks, professional
cameras, satellite trucks, grip trucks, and trailers to
walkie-talkies and video walls, users can buy and rent
professional equipment through the Request Engine.
The Request Engine also enables users to hire a
production company, facility, studio, or service to
help with the next project — whether it’s a commercial, PSA, corporate training video, music video,
animation, or documentary.
PSSI/Strategic TV is a provider of mobile satellite
Mobile Services Providers
transmission, production, and streaming services.
Since 1987, PSSI has specialized in the coordination, production, and distribution of domestic and
international live event programming. PSSI offers a
full range of fixed, mobile, and international flyaway
satellite systems that provide live video, audio, IP,
and data services worldwide.
The company regularly handles the extensive
transmission requirements of major PPV boxing
events, such as HBO’s Floyd Mayweather Jr.-Victor
Ortiz fight in September and Showtime’s Manny
Pacquiao–Shane Mosley fight in May. In addition,
the company has delivered every UFC PPV event for
half a decade.
Creating this year’s March Madness basketball
graphics package, which was identical in its use
across CBS, TBS, TNT, and truTV, was a team
effort, and the preparation included building logos in 3D to create team transitions, sound-bite
backgrounds, frontend sequences, and headshots
for more than twice the number of schools. The
package was built out by Reality Check, which also
wrote the scoreboard and bracket programs used
for the studio shows in both New York and Atlanta, and the designs for the insert package were
done in-house by Turner Sports Art Director Chad
Hudson.
To create its package of teases, the graphics team
traveled to Toronto in January, where it staged a
large-element shoot.
Show Partners founder/CEO Michael S. Mantovani
has resumed the role of president. He will again
direct the company’s strategic and operational initiatives as it focuses on supporting client needs,
diversifying, and improving its relationships with
vendors and freelancers.
Founded in 1985, Show Partners specializes in
remote TV and live-event productions. Among its
credits are PokerStars.net The Big Game, Street
League Skateboarding Series, World Series of Poker,
and the Hooters International Beauty Pageant.
Clients include Fox Sports, NBC Universal, Speed,
and Fuel TV.
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Mobile Sports Production Yearbook 2012
SOS has seen a broad range of successes in 2011,
with new business and steady increases with current clientele. These successes include its 24th consecutive Super Bowl, a major role at the Kazakhstan
Asian Winter Games, three new feature films, and
another year with American Idol.
SOS Global Express extended its reach globally
with the opening of a London office. Although the
company has always operated globally, the addition
of the London office will enhance the services it provides for clients doing business in the UK and EMEA.
With the London Olympics just around the
corner in 2012, SOS is well-positioned to provide
support in the UK as well as to other events around
the world.
SOS’s expanded global presence continues to
keep SOS ahead of its competition when working
for the broadcast, news, and sports industries.
A single-source provider of mobile vehicles for experiential marketing, TV broadcasting, training,
government, medical care, sports franchises, and
entertainment, SPEVCO builds custom vehicles
from the ground up and can perform extensive refurbishment to existing trailers, including paint/
body work.
SPEVCO continues to provide the remote-broadcast industry with custom production vehicles, having delivered the Nickel 53-ft. B unit to Corplex in
July. Having entered the marketplace in 2009, the
company is expanding into smaller vehicles, such as
box trucks and gooseneck trailers, to meet requests
at this end of the market.
Formed in 1989, The Systems Group offers technical and project-management expertise for broadcast-systems design and engineering. Among the
systems that its consulting and design teams have
developed are broadcast-LAN architecture, filebased workflows, centralized SNMP monitoring
and control, IPTV distribution, multichannel origi-
Mobile Services Providers
nation, and 3G infrastructure. TSG has offices in
Hoboken, NJ, and Los Angeles.
Token Creek’s Hiawatha unit rolled into Chicago
for the ESPNU NBA Combine telecast in May,
the first produced in HD. ESPNU deployed three
hard cameras, four handhelds, and a POV camera
primarily for promos and bumpers. ESPNU had its
typical college-basketball graphics package, deploying two Chyron Duets in the truck. All graphic
elements were prebuilt and focused on players’
skills, pros, and cons rather than statistics. With
a six-channel and two four-channel EVS servers,
ESPNU offered extensive replays after each group
left the court.
Trio Video provides facilities and crews nationwide
for broadcast and cable clients, entertainment companies, professional sports teams, and major corporations. Among the mobile units that Trio Video
operates is Tempo, a 48-ft. trailer (with a 29-ft. expandable side) outfitted with advanced HD equipment selected to provide picture quality and reliable
operation that meet the demands of HDTV location
production.
Included in this equipment array are six longzoom HD field lenses and five portable HD
zoom lenses, all from Canon USA. Canon lenses
mounted on Tempo’s HD cameras include two
XJ86x9.3B and four XJ75x9.3B long-zoom HD
field lenses, three HJ22ex7.6B long-zoom portable
HD lenses, and two HJ14ex4.3B wide-angle portable HD zoom lenses.
The portable HD lenses chosen by Trio Video
are two of the newest products in Canon’s HDxs
line. The HJ22ex7.6B is the longest-focal-length
portable HD production lens offered by Canon
(without an image-stabilization system). Offering
a range of creative options, the HJ22 portable HD
lens is designed for long-distance shooting combined with wide-angle capture in a lightweight
(4-lb.) form factor.
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Mobile Sports Production Yearbook 2012
In an effort to meet the growing needs in the
Central Florida market, equipment-rental company VER’s Orlando office has moved to a new,
larger space. The company says the faces and great
VER service are the same but now with a little
more room. The new address is 1611 Cypress Lake
Dr., Orlando, FL 32837. Phone is 407-582-0350,
fax 407-582-0370.
VISTA Satellite delivers more than 25,000 hours of
occasional-use satellite time a year for Fortune 500
companies, broadcasters, cable programmers, educational institutions, government agencies, and news
organizations. Headquartered in South Florida, the
company is now co-located with Stirling Studios, offering television production with connectivity via fiber and
satellite. VISTA’s Satellite Services Center is available 24
hours per day answering clients’ requests in multiple
languages and monitoring feeds via satellite and on-line.
New Orleans-based YES Productions, a producer of
shows and provider of mobile facilities since 1981,
has been especially busy in 2011.
Throughout the summer, the company provided
facilities to a variety of concerts and conventions,
including Bayou Country Superfest in New Orleans,
which was shot over two days, edited down to a twohour show, and fed to the Armed Forces Network.
In September, YES Productions’ HD1 covered
President Obama’s address to Congress from
Capitol Hill before traveling overnight to Durham,
NC, for Duke football.
Showing no signs of slowing down as 2011 draws
to a close, YES Productions tackled the VOODOO
Music Experience from nearby City Park in New
Orleans while providing facilities for CBS’s collegesports package and ESPN’s football package.
E
PORATION
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Directory
The SVG Mobile Production Yearbook is
proud, once again, to partner with Production
Hub to offer a comprehensive directory for
those on the hunt for crewing services, generators, satellite trucks, and remote production
units. Production Hub’s Website (www.productionhub.com) provides a valuable online
resource, listing not only the services covered
here but a wealth of other services as well.
The site also has one of the top job boards in
the industry, a valuable tool for freelancers who
are seeking work and for sports networks and
content creators that are looking to fill positions.
Feel free to use the services directories here
as a starting point for finding the providers
that best meet your needs, but also be sure to
visit www.productionhub.com for updated information on potential suppliers.
Mobile Sports Production Yearbook 2012
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Jeff London Productions
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Productions
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High End Labor Pool
No Jip Lighting
Computer Tradeshow
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LocalCrew.tv - Southern
California
NABET - CWA 53
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HAIR BY SAPPHIRE
Production Reference
Services
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Studio Center
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Productions
Photo Styling Workshops
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SDPC
Solana Productions
Wire Wizards Integration
Christie Every Productions
Industry415 Creative
Pro Video Productions
Tom Piozet - Home Planet
Productions/Home Planet
Post
Wintech Video
Renee Garcia Casting/RG
Casting
Crew Connection
Weile Production Services
ICA Creative Crews
Website
www.crewsouth.com
www.filmalaskalocations.com
guardianpictures.com/
www.eastwestproductions.com
Phone
(866) 816-2739
(907) 783-2143
(928) 566-1366
(480) 491-8312
BBPTV.com
(602) 321-0398
www.crewwestinc.com
www.highendlaborpool.com
(888) 444-2739
(602) 225-2454
(602) 684-0580
www.ctrrents.com
(386) 481-8783
www.localcrew.tv
(909) 980-4033
www.nabet53.org
cpresents.com
www.surreel.com
www.cameracorps.com
www.kwokmanproductions.com
www.californiacartbuilder.com
www.HairbySapphire.com
(818) 846-0490
(415) 785-3897
(323) 464-3975
(714) 846-2461
(949) 679-2089
(866) 347-1010
(213) 534-3100
(310) 963-2067
www.prodrefservice.com
(310) 275-8002
www.JTServices.com
www.thestudiocenter.com
(800) 439-1605
(916) 564-9333
www.crystalpyramid.com
(619) 644-3000
www.photostylingworkshops.com
(619) 295-1456
www.sdtv.com
(619) 293-7777
www.sdpcentre.com
www.SolanaProductions.com
www.WireWizards.TV
www.everyproductions.com
www.industry415.com
ProVideoProd.com
(619) 238-0400
(800) 745-8225
(619) 992-0549
(415) 902-0309
(415) 954-0988
(650) 355-1601
www.homeplanetproductions.com
(805) 965-9848
www.wintechvideo.com
www.myspace.com/
reneegarciacasting
www.crewconnection.com
www.weilerproductions.com
(818) 501-6565
(323) 532-7264
(800) 352-7397
(303) 470-5696
(800) 835-9292
I.A.T.S.E. Local 22
www.iatselocal22.com
(202) 269-0212
Maslow Media Group
Affect Films
KPS
Spiral Crews
Crew West/Satellink
Communication Service
Bear Crew
Crew Call
A Core Group Cannestro
www.maslowmedia.com
www.filmvideo.com
(202) 965-1100
(941) 744-9449
(863) 424-3472
(954) 925-3361
www.satellinkwest.com
(863) 698-4313
www.crewcallinc.com
(954) 509-0738
(407) 363-9055
(561) 644-8566
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
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Mobile Sports Production Yearbook 2012
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Media Central
Asia Broadcast
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Services
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Team, the Agency
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RJ Cleaning Service
Green Line Group
Midwest Video
STAR Tutoring Service
Sportstaff
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Services
Avenger Productions
Brooks Vision
Entertainment
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Production Central Group
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Digital Dreams Media
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Services
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NewYork
Website
www.camerasinternational.com
www.encompass-m.com
Phone
(813) 831-1553
(678) 421-6775
www.lpe.com
(404) 352-0464
www.phase3media.com
NOAPro.com
www.chriswademedia.com
www.eventengineering.com
(866) 454-8127
(808) 366-1515
(208) 850-0400
(773) 645-2000
(847) 543-1188
www.metro-studios.com
www.morganatkinson.com
www.nolamedic.com
www.netvibes.com/
worldclassvideo#World_Class_
Video
www.bluerockproductions.com
www.sanddollarproductions.com
crewscontrol.com/services/staffing.
aspx
mediacentral.net
www.absatellite.net
(317) 253-7832
(319) 363-2002
(785) 273-9003
(502) 637-7840
(504) 715-6003
(410) 224-0204
(410) 358-7000
(410) 344-1700
(800) 545-2739
(301) 217-0049
(301) 605-7629
www.alacervideo.com
(301) 754-0093
www.mtitv.com
www.teamtheagency.com
www.centralbookingservice.com
www.rjcleaning.com
www.glgtv.com
www.midwestvideo.com
www.startutoring.com
www.sportstaffcrews.com
(301) 608-9077
(617) 268-3600
(781) 364-1880
(978) 340-0930
(617) 663-5240
(248) 583-3630
(612) 866-0566
(816) 505-5533
www.premierepro.com
(702) 248-2580
www.avengerproductions.com
(702) 655-3339
www.brooksvision.com
(866) 286-4122
www.gotfilms.com
LVproductionsHD.com
www.productioncentralgroup.com
myspace.com/axis_video
(702) 838-9143
(702) 595-1726
(702) 395-7216
(856) 379-0873
(505) 489-2257
www.digitaldreamsmedia.com
(800) 311-9951
www.nebroadcast.com
(518) 634-2511
www.thalerfilms.com
(631) 851-2000
(718) 843-3038
www.thepeoplesdp.com
glpvideoproduction.com
(646) 415-7782
(518) 766-4358
abspayroll.net
(212) 675-4600
www.atlantictv.com
www.AuroraCoast.com
(212) 625-9327
(212) 375-0700
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
132
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Courtesy of
Crew Services* — Regional Listing
State
New York
City
New York
New York
New York
New York
New York
Website
www.youtube.com/cinesets
www.dailyhires.com
www.film-friends.com
www.filmwerk.tv
HiredGunVideo.com
Phone
(917) 544-5017
(888) 696-1800
(212) 620-0084
(212) 645-5558
(518) 755-6313
www.leftfieldpictures.com
(212) 564-2607
maxcurious.com
www.NBTVstudios.com
www.tech-ops.com
videodimensions.net
www.entertainmentservices.us
(212) 706-8200
(212) 500-2087
(212) 465-1318
(212) 262-5453
(315) 335-4645
Saratoga Springs
Name
Cinesets Studios
DailyHires.com
Film Friends
Filmwerk Media
Hired Gun Video
Leftfield Pictures, featuring
Leftfield Rentals and Crews
Max Curious
NBTV Studios
Technical Operations
Video Dimensions
Entertainment Services
Carr-Hughes Productions Adirondack
www.carr-hughes.com
(518) 584-0202
Cary
LADIEKADIVA.com
www.ladiekadiva.com
(919) 272-7555
Charlotte
Bulldog Event Services
Arena Specialists Event
Services
iO Productions
DPT Productions
Production Services
Oklahoma Film
Commission
2 Girls Catering & Craft
Services
CrewStore
Total Production Services
Cortron Media .
H & H Care
Vendor Services Directory
New York
New York
New York
New York
New York
Rome
North
Carolina
Matthews
Ohio
Oklahoma
Cincinnati
Oklahoma City
Oklahoma City
Tulsa
Oregon
Gladstone
Pennsylvania Norristown
Philadelphia
Pittsburgh
Pittsburgh
Rhode
Middletown
Island
South
Mount Pleasant
Carolina
Summerville
Tennessee
Bartlett
Madison
Nashville
Seymour
Texas
Fort Worth
Humble
Richmond
San Antonio
Utah
Salt Lake City
Washington
Virginia
McLean
Washington Seattle
Wisconsin
Seattle
Madison
Wausau
(704) 507-8042
www.arenaspecialistslive.com
(704) 708-6773
www.ioproductions.net
www.dptproductions.com
www.ProductionServicesLLC.com
www.oklahomaproductionguide.
com
(323) 651-1300
(405) 848-5952
(405) 476-0719
www.twogirlscatering.com
(503) 318-1719
www.thecrewstore.com
www.tpsweb.com
www.cortronmedia.com
(484) 688-0142
(888) 877-1178
(412) 302-4072
(412) 760-5881
Towerstream
www.towerstream.com
(866) 848-5848
Location Carolina
www.locationcarolina.com
(843) 224-0691
Turners Movie Medics
Proshow Systems
Junction Entertainment
Film Ready Face
5 Star Portable
Texas World Television
Texas Mobile Broadcasting
Paul Flanagan Productions
Five Point Six Studios
E-Z Moving
RMS Services
Accent Media
LDM Worldwide
Productions
Production Services NW
Grassland Media
Golden Icon
(918) 645-0127
www.FivePointSix.com
www.ezmovingslc.com
www.rmsservices-pro.com
www.accentmediainc.com
(843) 367-8117
(901) 372-0550
(615) 915-1559
(727) 214-8624
(865) 806-3351
(817) 572-4600
(281) 738-2329
(281) 633-0913
(210) 558-6777
(801) 347-7786
(435) 215-4814
(703) 356-9427
www.ldmworldwide.com
(206) 463-1902
www.psninc.com
www.grasslandmedia.com
www.goldenicon.com
(206) 542-1154
(608) 238-7575
(715) 849-4266
www.proshowsystems.com
www.junctionentertainment.com
www.filmreadyface.com
www.fivestarportables.com
www.twtv.net
www.texasmobiletv.com
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
134
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Crew Services*—Alphabetical Listing
Name
City
State
Website
Phone
2 Girls Catering & Craft Services
Gladstone
Oregon
www.twogirlscatering.com
(503) 318-1719
5 Star Portable
Seymour
Tennessee
www.fivestarportables.com
(865) 806-3351
A Core Group Cannestro
Palm Beach
Florida
ABS Payroll & Production
Accounting Services - New York
New York
New York
abspayroll.net
(212) 675-4600
Accent Media
Mc Lean
Virginia
www.accentmediainc.com
(703) 356-9427
Affect Films
Bradenton
Alacer Video Production Services Silver Spring
(561) 644-8566
Florida
www.filmvideo.com
(941) 744-9449
Maryland
www.alacervideo.com
(301) 754-0093
Alaska Locations
Anchorage
Alaska
www.filmalaskalocations.com
(907) 783-2143
Arena Specialists Event Services
Matthews
North Carolina
www.arenaspecialistslive.com
(704) 708-6773
Asia Broadcast
Potomac
Maryland
www.absatellite.net
(301) 605-7629
Atlantic Television
New York
New York
www.atlantictv.com
(212) 625-9327
Aurora Coast Productions
New York
New York
www.AuroraCoast.com
(212) 375-0700
Available Light/JT Services
Oceanside
California
www.JTServices.com
(800) 439-1605
Avenger Productions
Las Vegas
Nevada
www.avengerproductions.com
(702) 655-3339
Axis Video
Gloucester City
New Jersey
myspace.com/axis_video
(856) 379-0873
Bear Crew
Margate
Florida
BlueRock Productions
Baltimore
Maryland
www.bluerockproductions.com/
(410) 358-7000
Brooks Vision Entertainment
Las Vegas
Nevada
www.brooksvision.com
(866) 286-4122
Bulldog Event Services
Charlotte
North Carolina
Burke Brothers Productions
Phoenix
Arizona
BBPTV.com
(602) 321-0398
California Cart Builder
Lake Elsinore
California
www.californiacartbuilder.com
(866) 347-1010
Camera Corps
Huntington Beach California
www.cameracorps.com
(714) 846-2461
Cameras International
Tampa
Florida
www.camerasinternational.com
(813) 831-1553
Carr-Hughes Productions Adirondack
Saratoga Springs
New York
www.carr-hughes.com
(518) 584-0202
Central Booking Service
Canton
Massachusetts
www.centralbookingservice.com
(781) 364-1880
Chris Wade Media
Nampa
Idaho
www.chriswademedia.com
(208) 850-0400
Christie Every Productions
San Francisco
California
www.everyproductions.com
(415) 902-0309
Cinesets Studios
New York
New York
www.youtube.com/cinesets
(917) 544-5017
Clarion Production Services
Grayslake
Illinois
Computer Tradeshow Rentals
Alhambra
California
www.ctrrents.com
(386) 481-8783
Cortron Media
Pittsburgh
Pennsylvania
www.cortronmedia.com
(412) 302-4072
Creative Presentations
Fairfax
California
cpresents.com
(415) 785-3897
Crew Call
Orlando
Florida
www.crewcallinc.com
(407) 363-9055
Crew Connection
Evergreen
Colorado
www.crewconnection.com
(800) 352-7397
Crew West Inc
Phoenix
Arizona
www.crewwestinc.com
(888) 444-2739
Crew West/Satellink
Communication Service
Lakeland
Florida
www.satellinkwest.com
(863) 698-4313
Crews Control
Fulton
Maryland
crewscontrol.com/services/staffing.
aspx
(800) 545-2739
Crewsouth
Birmingham
Alabama
www.crewsouth.com
(866) 816-2739
CrewStore
Norristown
Pennsylvania
www.thecrewstore.com
(484) 688-0142
Crystal Pyramid dba Crystal
Pyramid Productions
San Diego
California
www.crystalpyramid.com
(619) 644-3000
DailyHires.com
New York
New York
www.dailyhires.com
(888) 696-1800
Digital Dreams Media
Brewster
New York
www.digitaldreamsmedia.com
(800) 311-9951
DPT Productions
Oklahoma City
Oklahoma
www.dptproductions.com
(405) 848-5952
Duckworks
Louisville
Kentucky
www.morganatkinson.com
(502) 637-7840
(954) 509-0738
(704) 507-8042
(847) 543-1188
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
136
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Crew Services*— D-N
Name
City
State
Website
Phone
E-Z Moving
Salt Lake City
Utah
www.ezmovingslc.com
(801) 347-7786
East West Productions
Mesa
Arizona
www.eastwestproductions.com
(480) 491-8312
Efroymson Services
Indianapolis
Indiana
Encompass Digital Media
Atlanta
Georgia
www.encompass-m.com
(678) 421-6775
Entertainment Services
Rome
New York
www.entertainmentservices.us
(315) 335-4645
Epicenter Films
Los Angeles
California
Event Engineering
Chicago
Illinois
www.eventengineering.com
(773) 645-2000
Film Friends
New York
New York
www.film-friends.com
(212) 620-0084
Film Ready Face
Nashville
Tennessee
www.filmreadyface.com
(727) 214-8624
Filmwerk Media
New York
New York
www.filmwerk.tv
(212) 645-5558
Five Point Six Studios
San Antonio
Texas
www.FivePointSix.com
(210) 558-6777
Golden Icon
Wausau
Wisconsin
www.goldenicon.com
(715) 849-4266
Golden Lamb Productions
Nassau
New York
glpvideoproduction.com
(518) 766-4358
Got Films
Las Vegas
Nevada
www.gotfilms.com
(702) 838-9143
Grassland Media
Madison
Wisconsin
www.grasslandmedia.com
(608) 238-7575
Green Line Group
Newton
Massachusetts
www.glgtv.com
(617) 663-5240
H & H Care
Pittsburgh
Pennsylvania
HAIR BY SAPPHIRE
Los Angeles
California
www.HairbySapphire.com
(310) 963-2067
High End Labor Pool
Phoenix
Arizona
www.highendlaborpool.com
(602) 225-2454
Hired Gun Video
New York
New York
HiredGunVideo.com
(518) 755-6313
I.A.T.S.E. Local 22
Washington
District of
Columbia
www.iatselocal22.com
(202) 269-0212
ICA Creative Crews
Fairfield
Connecticut
Industry415 Creative
San Francisco
California
www.industry415.com
(415) 954-0988
iO Productions
Cincinnati
Ohio
www.ioproductions.net
(323) 651-1300
Jeff London Productions
Lake Havasu City
Arizona
guardianpictures.com/
(928) 566-1366
Junction Entertainment
Madison
Tennessee
www.junctionentertainment.com
(615) 915-1559
KPS
Davenport
Florida
Kwokman Productions
Irvine
California
www.kwokmanproductions.com
(949) 679-2089
LADIEKADIVA.com
Cary
North Carolina
www.ladiekadiva.com
(919) 272-7555
LDM Worldwide Productions
Seattle
Washington
www.ldmworldwide.com
(206) 463-1902
Leftfield Pictures, featuring
Leftfield Rentals and Crews
New York
New York
www.leftfieldpictures.com
(212) 564-2607
Lighting & Production
Equipment
Atlanta
Georgia
www.lpe.com
(404) 352-0464
LocalCrew.tv - Southern
California
Alta Loma
California
www.localcrew.tv
(909) 980-4033
Location Carolina
Mount Pleasant
South Carolina
www.locationcarolina.com
(843) 224-0691
LV Productions
Las Vegas
Nevada
LVproductionsHD.com
(702) 595-1726
Maslow Media Group
Washington
District of
Columbia
www.maslowmedia.com
(202) 965-1100
Max Curious
New York
New York
maxcurious.com
(212) 706-8200
Media Central
North Potomac
Maryland
mediacentral.net
(301) 217-0049
Metro Studios
Hiawatha
Iowa
www.metro-studios.com
(319) 363-2002
(317) 253-7832
(213) 534-3100
(412) 760-5881
(800) 835-9292
(863) 424-3472
Metro Teleproductions
Silver Spring
Maryland
www.mtitv.com
(301) 608-9077
Midwest Video
Troy
Michigan
www.midwestvideo.com
(248) 583-3630
NABET - CWA 53
Burbank
California
www.nabet53.org
(818) 846-0490
NBTV Studios
New York
New York
www.NBTVstudios.com
(212) 500-2087
No Jip Lighting
Phoenix
Arizona
NOA Production
Kailua
Hawaii
(602) 684-0580
NOAPro.com
(808) 366-1515
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
140
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Crew Services* — N-W
Name
Nola Medic
City
New Orleans
State
Louisiana
Website
www.nolamedic.com
Phone
(504) 715-6003
Northeastern Broadcast Services
Catskill
New York
www.nebroadcast.com
(518) 634-2511
NY Crew Power Production
Services
Howard Beach
New York
(718) 843-3038
Oklahoma Film Commission
Tulsa
Oklahoma
www.oklahomaproductionguide.com (918) 645-0127
Paul Flanagan Productions
Richmond
Texas
Photo Styling Workshops
San Diego
California
www.photostylingworkshops.com
(619) 295-1456
Premiere Production Services
Henderson
Nevada
www.premierepro.com
(702) 248-2580
Pro Video Productions
San Francisco
California
ProVideoProd.com
(650) 355-1601
Production Central Group
Las Vegas
Nevada
www.productioncentralgroup.com
(702) 395-7216
Production Reference Services
Los Angeles
California
www.prodrefservice.com
(310) 275-8002
Production Services
Oklahoma City
Oklahoma
www.ProductionServicesLLC.com
(405) 476-0719
Production Services NW
Seattle
Washington
www.psninc.com
(206) 542-1154
Proshow Systems
Bartlett
Tennessee
www.proshowsystems.com
(901) 372-0550
California
www.myspace.
comreneegarciacasting
(323) 532-7264
Renee Garcia Casting/RG Casting West Hollywood
(281) 633-0913
RJ Cleaning Service
Gardner
Massachusetts
www.rjcleaning.com
(978) 340-0930
RMS Services
Washington
Utah
www.rmsservices-pro.com
(435) 215-4814
Sand Dollar Productions
Baltimore
Maryland
www.sanddollarproductions.com
(410) 344-1700
Satellite Digital Teleproductions
(S.D.T.V.)
San Diego
California
www.sdtv.com
(619) 293-7777
SDPC
San Diego
California
www.sdpcentre.com
(619) 238-0400
Solana Productions
San Diego
California
www.SolanaProductions.com
(800) 745-8225
Spiral Crews
Hollywood
Florida
Sportstaff
Kansas City
Missouri
www.sportstaffcrews.com
(816) 505-5533
STAR Tutoring Service
Minneapolis
Minnesota
www.startutoring.com
(612) 866-0566
Stew Casting
Albuquerque
New Mexico
Studio Center
Sacramento
California
www.thestudiocenter.com
(916) 564-9333
Surreel
Hollywood
California
www.surreel.com
(323) 464-3975
Team, the Agency
Boston
Massachusetts
www.teamtheagency.com
(617) 268-3600
Technical Operations
New York
New York
www.tech-ops.com
(212) 465-1318
Texas Mobile Broadcasting
Humble
Texas
www.texasmobiletv.com
(281) 738-2329
Texas World Television
Fort Worth
Texas
www.twtv.net
(817) 572-4600
Thaler Films
Hauppauge
New York
www.thalerfilms.com
(631) 851-2000
The People’s DP
Manhattan
New York
www.thepeoplesdp.com
(646) 415-7782
Three Phase Media
Atlanta
Georgia
www.phase3media.com
(866) 454-8127
Tom Piozet - Home Planet
Productions/Home Planet Post
Santa Barbara
California
www.homeplanetproductions.com
(805) 965-9848
Total Production Services
Philadelphia
Pennsylvania
www.tpsweb.com
(888) 877-1178
Towerstream
Middletown
Rhode Island
www.towerstream.com
(866) 848-5848
Turners Movie Medics
Summerville
South Carolina
(843) 367-8117
Video Concepts
Topeka
Kansas
(785) 273-9003
Video Dimensions
New York
New York
videodimensions.net
(212) 262-5453
Weile Production Services
Highlands Ranch
Colorado
www.weilerproductions.com
(303) 470-5696
Wintech Video
Sherman Oaks
California
www.wintechvideo.com
(818) 501-6565
Wire Wizards Integration
San Diego
California
www.WireWizards.TV
(619) 992-0549
World Class Video
Annapolis
Maryland
www.netvibes.com/
(410) 224-0204
worldclassvideo#World_Class_Video
(954) 925-3361
(505) 489-2257
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
144
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
State
City
Name
Website
Phone
Anchorage
Northern Lights Marine
Generators
www.northern-lights.com
(907) 562-2222
Fairbanks
SolarAlaska
www.solaralaska.com
(907) 235-6842
Mesa
Sound Lighting F/X
www.soundlightingfx.com
(602) 722-0783
Phoenix
Reel - Men
www.reelmeninc.com
(602) 286-6800
Phoenix
United Rentals - Phoenix
www.ur.com
(602) 273-7401
Scottsdale
RSC Rental Service
www.rscrental.com
(480) 905-3300
Tucson
H&E Equipment Services
www.he-equipment.com
(520) 770-1120
Mena
Laark Honeywagons
www.laarkhoneywagons.com
(818) 516-6474
North Little Rock
Event Power
Alameda
Mike Van Dine Power &
Light
www.powerlight.net
(510) 749-9475
Burbank
AC Power Distribution
www.acpowerdistribution.com
(818) 848-4004
Burbank
United Rentals - Burbank
www.ur.com
(818) 842-5288
Calabasas
Studio Air Conditioning
Rentals
www.studioairconditioning.com
(818) 222-4143
Carson
Multiquip
www.multiquip.com
(800) 421-1244
Chatsworth
Cinerep International
www.cinerepamps.com
(818) 882-2677
Chatsworth
SMS Generators
smsgenerators.com
(818) 361-2151
Compton
CAT Entertainment Services es-cat.com
Culver City
Century Studio
www.centurystudio.com
(310) 287-3600
Culver City
La Brea Air
www.labrearentals.com
(800) 452-2732
Los Angeles
W.A. Benjamin Electric
www.benjaminelectric.com
(213) 749-7731
Marina del Rey
Westside Production
Services
Newark
Atlas Sales & Rentals
www.atlassales.com
(800) 972-6600
Norco
Norco Equipment Rentals
www.norcoequipmentrentals.com
(951) 371-1231
North Hollywood
Hollywood Honeywagon &
Production Vehicles
www.hollywoodhoneywagon.com
(818) 763-1966
North Hollywood
Star Power Generators
www.starpowergenerators.com
(818) 982-2200
Placentia
Temp Power Systems
www.temppower.com
(714) 223-5600
San Diego
Andrus Lighting and Grip
andruslighting.com
(619) 521-0585
San Fernando
Illumination Dynamics
www.illuminationdynamics.com
(818) 686-6400
San Francisco
Cresco Production Express
www.crescorent.com
(415) 920-2801
Simi Valley
Cinema Air
cinemaair.com
(805) 732-6517
Sun Valley
Dadco
www.dadcopowerandlights.com
(818) 768-8886
Colorado
Broomfield
Checkers Industrial Safety
Products
www.CableProtector.com
(800) 438-9336
Connecticut
Stamford
Lex Products
www.lexproducts.com
(818) 768-4474
Florida
Clearwater
Command
cmnd.com
(727) 724-1220
Dania
EmPower
www.empowergenerators.com
(866) 751-9644
Deerfield Beach
IIS Group Optimum Power
& Environment
www.optimumpower.com
(954) 421-2828
Fort Lauderdale
Garrett Sound & Lighting
www.garrettsound.com
(954) 777-3277
Fort Lauderdale
Production Power & Air
www.productionpowerandair.com
(954) 739-2468
Fort Lauderdale
Production Toolbox
Services
productiontoolbox.com
(954) 463-4820
Hollywood
Sidram Power
www.sidrampower.com
(954) 989-8898
Miami
Americas Generators
gopower.com
(305) 592-6800
Miami
MAGIC II Lighting & Grip
www.magic2lighting.com
(305) 685-1811
Miami
Megawattage
www.megawattage.com
(954) 302-3565
Alaska
Arizona
Arkansas
California
Vendor Services Directory
Courtesy of
Generators* — Regional Listing
(501) 351-5837
(310) 631-7700
(310) 244-2700
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
148
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Generators* — Regional Listing
State
Florida
Georgia
Name
Mobile Power & Air
Website
www.aparty4less.com
Phone
(305) 235-9188
Miami
Unique Producers Service
www.uniqueproducers.com
(305) 681-7627
Miami Beach
Great Southern Studios
www.greatsouthernstudios.com
(305) 944-2464
Orlando
CAT Entertainment Services es-cat.com
Orlando
DataPro Systems
www.dataprosystems.com
(407) 292-4282
Orlando
Hollywood Rentals
Production Services Orlando
www.hollywoodrentals.com
(407) 354-2555
Orlando
Walker Miller Equipment
Company
www.walkermiller.com
(407) 299-2620
Pinellas Park
First Unit Production
Services
www.firstunit.com
(727) 522-2203
St. Augustine
CAT Entertainment Services es-cat.com
(904) 737-7730
Tampa
Production Services &
Systems
www.psstampa.com
(813) 354-1913
Atlanta
PC&E (Production
Consultants & Equipment)
www.pce-atlanta.com
(404) 609-9001
(407) 855-6195
Savannah
Ross SysCon
www.rosssyscon.com
(912) 238-5800
Hawaii
Lihue
Toolmaster Hawaii
www.toolmasterhawaii.com
(808) 246-1000
Illinois
Schiller Park
Northern Lighting & Power
www.northernlightingandpower.com
(847) 671-9695
Indiana
Carmel
Koch Creative Enterprises
Iowa
Alta
Gull Wing Industries
Des Moines
Pratt Audio - Visual & Video www.prattav.com
(515) 280-9800
Oskaloosa
Musco Lighting
www.musco.com
(800) 825-6030
Kansas City
Lights On Kansas City
www.lightson.com
(913) 362-6940
Overland Park
Prime Light
primelight.com
(913) 226-0849
Baton Rouge
Digital FX
www.digitalfx.tv
(888) 898-6010
Hammond
Event Rental
www.neworleansevent.com
(504) 362-8368
Harvey
Center Staging
www.centerstaging.net
(504) 247-0020
Kenner
Aggreko - Louisiana
www.aggreko.com
(504) 461-0556
New Orleans
Available Lighting
www.availablelighting.com
(504) 831-5214
New Orleans
Nola Film Logistics
www.nolafl.com
(504) 309-6612
New Orleans
Silver Screen Supply
www.silverscreensupplies.com
(504) 737-0555
Shreveport
Louisiana Grip And
Lighting
Beltsville
TOPP Portable Air
www.spotcool.com
(800) 892-8677
Centreville
Annapolis Mobile Power
Services
www.annapolismobilepower.com
(410) 758-0450
Severn
Kohler Event Services Maryland
www.kohlereventservices.com
(866) 732-8734
Munters - MCS
Headquarters
www.muntersmcs.com
(800) 686-8377
Canton
High Output - Boston
www.highoutput.com
(781) 364-1800
Dedham
ScreenLight & Grip
www.screenlightandgrip.com
(781) 326-5088
Hamilton
CMT
www.habitatmonitor.com
(978) 768-2555
Hudson
Thermalogic
www.thermalogic.com
(800) 343-4492
West Bridgewater
Equipment 4 Rent
www.equipment4rent.net
(508) 583-5500
Worcester
Immedia
www.immedia1.com
(508) 791-3366
Rochester
Essential Sound Products
www.essentialsound.com
(248) 375-2655
Brooklyn Park
Broadway Rental
Equipment
www.broadwayrental.com
(763) 533-1680
Shakopee
Ziegler Power Systems
www.zieglerinc.com
(612) 445-4292
Kansas
Louisiana
City
Miami
Maryland
Massachusetts Amesbury
Michigan
Minnesota
(317) 846-3443
www.gull-wing.com
(800) 838-1482
(661) 877-1776
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
152
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Generators* — Regional Listing
State
Missouri
Name
Dean Machinery
Website
deancat.com
Phone
(816) 200-5470
St. Louis
CK Power Products
www.ckpower.com
(314) 868-8620
St. Louis
Current Events
www.watts-on-wheels.com
(314) 204-5119
Montana
Bozeman
Filmlites
www.filmlitesmt.com
(406) 587-0226
Nevada
Las Vegas
Fourth Phase
www.prg.com
(702) 942-4572
Reno
United Rentals - Reno
www.ur.com
(775) 789-6000
Atlantic
Highlands
Risco
www.riscorv.com
(732) 872-7722
Kenilworth
CAT Entertainment Services es-cat.com
Maple Shade
Sunbelt Rentals
www.sunbeltrentals.com
(856) 779-2772
South Plainfield
SBP Industries
www.sbp4juice.com
(908) 412-8630
New Mexico
Santa Fe
Serious Grippage & Light
www.seriousgrippage.com
(505) 473-1566
New York
Bayside
Abbey Rent-All
www.abbeyrent.com
(718) 428-0400
Brooklyn
United Rentals - Brooklyn
www.ur.com
(718) 456-8546
Hicksville
On Site Energy
www.onsite-energy.com
(800) 736-8251
Holtsville
H.O. Penn Machinery
Company
www.hopenn.com
(631) 654-4400
Long Island City
Ace Rentals and Staging
www.acerentals.com
(718) 943-0840
Long Island City
Available Light
www.alny.net
(718) 707-9670
Long Island City
Silvertrucks Lighting
www.silvercupstudios.com
(718) 906-2000
Mineola
Thomas Cestare
www.thomascestareinc.com
(516) 742-5550
Nanuet
Dynamic Productions
www.dynamic-prod.com
(845) 624-5101
New Paltz
Stark Lighting & Generator
www.starklighting.com
(347) 538-6501
New Rochelle
Tri-state Electric
www.tri-state-electric.com
(866) 947-3252
New York
RGH Productions
www.rghlighting.com
(212) 947-4749
Pine Bush
Pine Bush Equipment
www.pbeinc.com
(845) 744-2006
Staten Island
Goblin Lighting Services
www.goblininc.com
(718) 447-7157
Denver
Cooke Rentals
cookerentals.com
(704) 483-2722
Wilmington
Gregory Poole Equipment
www.gregorypoole.com
(888) 646-7368
Ohio
Massillon
HydroThrift
www.hydrothrift.com
(330) 837-5141
Oklahoma
Oklahoma City
Toucan Productions
www.toucanlighting.com
(405) 943-9036
Oregon
Portland
Halton
www.haltoncompany.com
(503) 288-6411
Air Conditioner Rental and
Leasing
www.acrental.com
(800) 581-4844
Performance Lighting
Rentals
perflight.com
(412) 781-5655
New Jersey
North
Carolina
City
Kansas City
Pennsylvania Pittsburgh
Pittsburgh
(908) 272-8400
Rhode Island North Kingstown
CAT Entertainment Services es-cat.com
(888) 296-4492
North Kingstown
CAT Entertainment Services es-cat.com
(401) 845-2281
Providence
High Output - Providence
www.highoutput.com
(401) 521-0676
Charleston
All Occasions Party
www.alloccasionsparty.com
(843) 554-6334
Charleston
High Output - Charleston
www.highoutput.com
(843) 722-3600
Charleston
Neff Rental
www.neffrental.com
(843) 760-6333
Charleston
Paladin Equipment Rentals
Dandridge
Rathbone Energy
www.rathboneenergy.com
(800) 223-1775
Knoxville
Smoky Mountain Grip &
Lighting
www.smokymtngrip.com
(865) 947-5483
Nashville
Citation Film & Tape
Support
www.citationsupport.com
(615) 298-5252
Dallas
CAT Entertainment Services es-cat.com
South
Carolina
Tennessee
Texas
(843) 819-6401
(214) 638-1400
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
154
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Generators* — Regional Listing
State
City
Name
Website
Phone
Texas
Dallas
R & R Lighting
www.texasgenerators.com
(214) 341-3222
Forney
Regenerators
Manufacturing
www.regenerators.com
(972) 552-3944
Houston
Juice Goose / Whitenton
Industries
www.juicegoose.com
(713) 772-1404
Houston
MC Lighting & Production
Services
www.mclighting.com
(713) 723-1393
Houston
Whitenton Industries
www.juicegoose.com
(713) 772-1404
Irving
Panavision - Dallas
www.panavision.com
(972) 929-8585
Rowlett
Burrell Enterprises
www.litepower.com
(972) 475-8111
LitePOWER
www.litepower.com
(972) 475-8111
Spring
Aggreko - Texas
www.aggreko.com
(281) 298-9151
Vermont
Hinesburg
NRG Systems
www.nrgsystems.com
(802) 482-2255
Washington
Seattle
Pacific Grip & Lighting Seattle
www.pacific-grip.com
(206) 622-8540
Seattle
Pacific Grip & Lighting Washington
www.pacific-grip.com
(206) 622-8540
Sheboygan
Kohler Event Services Wisconsin
www.kohlereventservices.com
(888) 769-3794
Wisconsin
Generators* — Alphabetical Listing
Name
City
State
Website
Phone
Abbey Rent-All
Bayside
New York
www.abbeyrent.com
(718) 428-0400
AC Power Distribution
Burbank
California
www.acpowerdistribution.com
(818) 848-4004
Ace Rentals and Staging
Long Island City
New York
www.acerentals.com
(718) 943-0840
Aggreko - Louisiana
Kenner
Louisiana
www.aggreko.com
(504) 461-0556
Aggreko - Texas
Spring
Texas
www.aggreko.com
(281) 298-9151
Air Conditioner Rental And Leasing
Pittsburgh
Pennsylvania
www.acrental.com
(800) 581-4844
All Occasions Party
Charleston
South
Carolina
www.alloccasionsparty.com
(843) 554-6334
Americas Generators
Miami
Florida
gopower.com
(305) 592-6800
Andrus Lighting and Grip
San Diego
California
andruslighting.com
(619) 521-0585
Annapolis Mobile Power Services
Centreville
Maryland
www.annapolismobilepower.com
(410) 758-0450
Atlas Sales & Rentals
Newark
California
www.atlassales.com
(800) 972-6600
Available Light
Long Island City
New York
www.alny.net
(718) 707-9670
Available Lighting
New Orleans
Louisiana
www.availablelighting.com
(504) 831-5214
Broadway Rental Equipment
Brooklyn Park
Minnesota
www.broadwayrental.com
(763) 533-1680
Burrell Enterprises
Rowlett
Texas
www.litepower.com
(972) 475-8111
CAT Entertainment Services
Compton
California
es-cat.com
(310) 631-7700
CAT Entertainment Services
Orlando
Florida
es-cat.com
(407) 855-6195
CAT Entertainment Services
St. Augustine
Florida
es-cat.com
(904) 737-7730
CAT Entertainment Services
Kenilworth
New Jersey
es-cat.com
(908) 272-8400
CAT Entertainment Services
North Kingstown
Rhode Island
es-cat.com
(888) 296-4492
CAT Entertainment Services
North Kingstown
Rhode Island
es-cat.com
(401) 845-2281
CAT Entertainment Services
Dallas
Texas
es-cat.com
(214) 638-1400
Center Staging
Harvey
Louisiana
www.centerstaging.net
(504) 247-0020
Century Studio
Culver City
California
www.centurystudio.com
(310) 287-3600
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
156
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Generators* — C-L
Name
City
State
Website
Phone
Checkers Industrial Safety Products
Broomfield
Colorado
www.CableProtector.com
(800) 438-9336
Cinema Air
Simi Valley
California
cinemaair.com
(805) 732-6517
Cinerep International
Chatsworth
California
www.cinerepamps.com
(818) 882-2677
Citation Film & Tape Support
Nashville
Tennessee
www.citationsupport.com
(615) 298-5252
CK Power Products
St. Louis
Missouri
www.ckpower.com
(314) 868-8620
CMT
Hamilton
Massachusetts
www.habitatmonitor.com
(978) 768-2555
Command
Clearwater
Florida
cmnd.com
(727) 724-1220
Cooke Rentals
Denver
North
Carolina
cookerentals.com
(704) 483-2722
Cresco Production Express
San Francisco
California
www.crescorent.com
(415) 920-2801
Current Events
St. Louis
Missouri
www.watts-on-wheels.com
(314) 204-5119
Dadco
Sun Valley
California
www.dadcopowerandlights.com
(818) 768-8886
DataPro Systems
Orlando
Florida
www.dataprosystems.com
(407) 292-4282
Dean Machinery
Kansas City
Missouri
deancat.com
(816) 200-5470
Digital FX
Baton Rouge
Louisiana
www.digitalfx.tv
(888) 898-6010
Dynamic Productions
Nanuet
New York
www.dynamic-prod.com
(845) 624-5101
EmPower
Dania
Florida
www.empowergenerators.com
(866) 751-9644
Equipment 4 Rent
West Bridgewater
Massachusetts www.equipment4rent.net
(508) 583-5500
Essential Sound Products
Rochester
Michigan
(248) 375-2655
Event Power
North Little Rock
Arkansas
Event Rental
Hammond
Louisiana
www.neworleansevent.com
(504) 362-8368
Filmlites
Bozeman
Montana
www.filmlitesmt.com
(406) 587-0226
First Unit Production Services
Pinellas Park
Florida
www.firstunit.com
(727) 522-2203
Fourth Phase
Las Vegas
Nevada
www.prg.com
(702) 942-4572
Garrett Sound & Lighting
Fort Lauderdale
Florida
www.garrettsound.com
(954) 777-3277
Goblin Lighting Services
Staten Island
New York
www.goblininc.com
(718) 447-7157
Great Southern Studios
Miami Beach
Florida
www.greatsouthernstudios.com
(305) 944-2464
Gregory Poole Equipment
Wilmington
North
Carolina
www.gregorypoole.com
(888) 646-7368
Gull Wing Industries
Alta
Iowa
www.gull-wing.com
(800) 838-1482
H & E Equipment Services
Tucson
Arizona
www.he-equipment.com
(520) 770-1120
H.O. Penn Machinery
Holtsville
New York
www.hopenn.com
(631) 654-4400
Halton
Portland
Oregon
www.haltoncompany.com
(503) 288-6411
High Output - Boston
Canton
Massachusetts www.highoutput.com
(781) 364-1800
High Output - Charleston
Charleston
South
Carolina
www.highoutput.com
(843) 722-3600
High Output - Providence
Providence
Rhode Island
www.highoutput.com
(401) 521-0676
Hollywood Honeywagon &
Production Vehicles
North Hollywood
California
www.hollywoodhoneywagon.com
(818) 763-1966
Hollywood Rentals Production
Services - Orlando
Orlando
Florida
www.hollywoodrentals.com
(407) 354-2555
HydroThrift
Massillon
Ohio
www.hydrothrift.com
(330) 837-5141
IIS Group Optimum Power &
Environment
Deerfield Beach
Florida
www.optimumpower.com
(954) 421-2828
Illumination Dynamics
San Fernando
California
www.illuminationdynamics.com
(818) 686-6400
Immedia
Worcester
Massachusetts www.immedia1.com
(508) 791-3366
Juice Goose / Whitenton Industries
Houston
Texas
(713) 772-1404
Koch Creative Enterprises
Carmel
Indiana
www.essentialsound.com
(501) 351-5837
www.juicegoose.com
(317) 846-3443
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
158
Mobile Sports Production Yearbook 2012
SPORTS VIDEO gROUP ADVISORY BOARD
Chairman
Steve hellmuth, nBa, evp, operations and technology
when it comes to technology,
sports television leads the way
we’re proud to represent those professionals who enrich the fan’s experience,
break new barriers, and establish new standards for all forms of live television,
mobile, and broadband entertainment.
svg’s advocacy, communication, education, and market development
activities are made possible by the following sponsors:
platinum sponsors
PREMIER SPONSORS
AbekAs • Adtec digitAl • AsperA • cAlrec Audio • chyron • cisco • cobAlt digitAl • digico • elementAl technologies
• ensemble designs • evertz • hArmAn • hArmonic • hArris • i-moviX • ikegAmi electronics • inertiA unlimited • lAwo
• nevion • orAd • origin digitAl • prg mediA services • riedel communicAtions • ross video • ses world skies
• sos globAl • telecAst Fiber–A belden brAnd • telestreAm • terAneX • the studio – b&h
• the tiFFen compAny • tvlogic • wohler technologies
CORPORATE SPONSORS
3Ality technicA • Active storAge • Adobe • AJA video systems • AmberFin • ArQivA • Artel video systems • Ateme
• Audio-technicA • AXis globAl logistics • AXon digitAl • broAdcAst piX • broAdcAst sports • civolution • cleAr-com •
comcAst mediA center • crown cAstle • dAle pro Audio • dAlet mediA systems • dolby • echostAr • editshAre • encompAss
digitAl mediA • ericsson • eurovision • evs • Fletcher sports • For-A • Front porch digitAl • gepco • gerling & AssociAtes
• globecAst • glowpoint • htn • idX • Joseph electronics • Jvc • levels beyond • liveclips • liveu • mediA recAll by deluXe
• mirAndA • motorolA • mpe • multidyne • nAc imAge technology • nep • netApp • net insight • neulion • pesA • phizzle •
phoeniX optiX • pnc eQuipment FinAnce • polAr mobile • production hub • QuAntel • QuAntum • rimAge • sennheiser •
sgi • sgl • shure • signiAnt • smt • snell • soliddd • spectrA logic • sportvision •stAgetec usA • stAts inc. • tAscAm • tAke1
insurAnce • tAtA communicAtions • tekserve • tektroniX • the switch • thought eQuity motion • tightrope mediA systems •
t-vips • tvu networks • tXtstAtion • utAh scientiFic • ver • vidovAtion • vidyocAst • vision reseArch • vistA sAtellite
• white sAnds engineering/seg • Xos digitAl • Xl video • yAmAhA
MOBILE/INTEgRATOR SPONSORS
AeriAl video systems • All mobile video • AlliAnce productions • AlphA video • Arctek sAtellite prods.
• Azzurro system integrAtion • beck AssociAtes • broAdcAst services int’l • cAt entertAinment services • cbc mobile
productions • cbt systems • coAstAl mediA group • communicAtions engineering inc. • corpleX • cp communicAtions
• crosscreek • csp mobile • diversiFied systems • dome productions • dtAgs • Frontline communicAtions • F&F productions
• Filmwerks int’l • gAme creek video • geArhouse broAdcAst • ids • ims productions • illuminAtion dynAmics
• integrAted mediA technologies • lyon video • mAnsion mobile • metrovision • mirA mobile • mobile tv group
• nes communicAtions services • on cAll communicAtions • pAcsAt • proshow • pssi/strAtegictv • show pArtners • spevco
• the systems group • token creek • trio video • yes productions
AdvAncing the creAtion, production,
& distribution oF sports content
w w w.s por tsv i d e o.o r g
adviSory Board memBerS
Ken aagaard, cBs sports, evp, operations and
production services
adam acone, industry consultant
Glenn adamo, nFl ,vp, media operations and
Broadcasting
Peter angell, infront sports and media, director,
production & programming division
andrea Berry, Fox network engineering and operations,
svp, Broadcast operations
Chuck Blazer, FiFA marketing and tv, director
david Catzel, microsoft, platform services adviser, dpe
Chris Calcinari, espn, vp, event operations
Jason Cohen, hBo sports, director
Joe Cohen, htn communications, chairman and ceo
michael Cohen, industry consultant
don Colantonio, espn, senior director of production
enhancements
Cindy Cortell, mlB network, director of it
michael davies, Fox sports, vp, Field operations
Preston davis, aBc, president, Broadcast operations and
engineering
Scott davis, industry consultant
Jim deFillipis, Fox technology group, svp, television
engineering
ed delaney, yes network, vp, operations
Jed drake, espn, svp and ep, event production
dave dukes, pga tour entertainment, senior director,
technical operations
russell Gabay, major league Baseball international, vp
and executive producer
Jerry Gepner, Bexel Broadcast services, ceo
Steve Gorsuch, ustA billie Jean king tennis center,
director of Broadcast operations
mark haden, mlB network, vp, engineering and it
deb honkus, nep Broadcasting, ceo
George hoover, nep Broadcasting, cto
Jeff Jacobs, mtv networks, vp, production planning and
strategies
robert d. Jordan, cFe, venue research and design,
managing partner
John Kvatek, university of central Florida Athletics
association, director of video services
John Leland, origin digital, vp, global media operations
Louis Libin, Broad comm, president
Jodi markley, espn, svp, operations
michael meehan, nBc sports, vp
Ken norris, uclA, director of video operations
Gary olson, concAcAF, cto
Chuck Pagano, espn, cto
del Parks, sinclair Broadcast group, vp, engineering and
operations
Patty Power, cBs sports network, svp, operations
Paul Puccio, industry consultant
Scott rinehart, nascar media group, director of internal
operations
Larry rogers, show partners, president
mike rokosa, nBa, vp, engineering
Bob ross, cBs, svp, east coast operations
Tom Sahara, turner sports, vp, operations and technology
Chuck Scoggins, industry consultant
Bruce Shapiro, speed, coordinating technical producer
Jack Simmons, Fox sports, svp, production
don Sperling, new york giants entertainment, vp and
executive producer
Jerry Steinberg, Fox sports, svp, Field operations
Susan Stone, mlB network, svp, operations
Patrick Sullivan, game creek video, president
John Ward, directv entertainment, svp, production &
traffic operations
ernie Watts, turner studios, senior director of technical
ops, live events
Jeff Willis, espn, coordinating technical manager of
events
richard Wolf, Abc, svp, telecommunications & network
origination services
dave Zur, Altitude sports & entertainment, vp, operations
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Generators* — K-R
Name
Kohler Event Services - Maryland
City
Severn
State
Maryland
Website
www.kohlereventservices.com
Phone
(866) 732-8734
Kohler Event Services - Wisconsin
Sheboygan
Wisconsin
www.kohlereventservices.com
(888) 769-3794
La Brea Air
Culver City
California
www.labrearentals.com
(800) 452-2732
Laark Honeywagons
Mena
Arkansas
www.laarkhoneywagons.com
(818) 516-6474
Lex Products
Stamford
Connecticut
www.lexproducts.com
(818) 768-4474
Lights On Kansas City
Kansas City
Kansas
www.lightson.com
(913) 362-6940
LitePOWER
Rowlett
Texas
www.litepower.com
(972) 475-8111
Louisiana Grip And Lighting
Shreveport
Louisiana
MAGIC II Lighting and Grip
Miami
Florida
www.magic2lighting.com
(305) 685-1811
MC Lighting & Production Services
Houston
Texas
www.mclighting.com
(713) 723-1393
Megawattage
Miami
Florida
www.megawattage.com
(954) 302-3565
Mike Van Dine Power & Light
Alameda
California
www.powerlight.net
(510) 749-9475
Mobile Power & Air
Miami
Florida
www.aparty4less.com
(305) 235-9188
Multiquip
Carson
California
www.multiquip.com
(800) 421-1244
Munters - MCS Headquarters
Amesbury
Massachusetts www.muntersmcs.com
(800) 686-8377
Musco Lighting
Oskaloosa
Iowa
www.musco.com
(800) 825-6030
Neff Rental
Charleston
South
Carolina
www.neffrental.com
(843) 760-6333
Nola Film Logistics
New Orleans
Louisiana
www.nolafl.com
(504) 309-6612
Norco Equipment Rentals
Norco
California
www.norcoequipmentrentals.com
(951) 371-1231
Northern Lighting & Power
Schiller Park
Illinois
www.northernlightingandpower.
com
(847) 671-9695
Northern Lights Marine Generators
Anchorage
Alaska
www.northern-lights.com
(907) 562-2222
NRG Systems
Hinesburg
Vermont
www.nrgsystems.com
(802) 482-2255
On Site Energy
Hicksville
New York
www.onsite-energy.com
(800) 736-8251
Pacific Grip & Lighting - Seattle
Seattle
Washington
www.pacific-grip.com
(206) 622-8540
Paladin Equipment Rentals
Charleston
South
Carolina
Panavision - Dallas
Irving
Texas
www.panavision.com
(972) 929-8585
PC&E (Production Consultants &
Equipment)
Atlanta
Georgia
www.pce-atlanta.com
(404) 609-9001
Performance Lighting Rentals
Pittsburgh
Pennsylvania
perflight.com
(412) 781-5655
Pine Bush Equipment
Pine Bush
New York
www.pbeinc.com
(845) 744-2006
Pratt Audio - Visual & Video
Des Moines
Iowa
www.prattav.com
(515) 280-9800
Prime Light
Overland Park
Kansas
primelight.com
(913) 226-0849
Production Power & Air
Fort Lauderdale
Florida
www.productionpowerandair.com
(954) 739-2468
Production Services & Systems
Tampa
Florida
www.psstampa.com
(813) 354-1913
Production Toolbox Services
Fort Lauderdale
Florida
productiontoolbox.com
(954) 463-4820
R & R Lighting
Dallas
Texas
www.texasgenerators.com
(214) 341-3222
Rathbone Energy
Dandridge
Tennessee
www.rathboneenergy.com
(800) 223-1775
Reel - Men
Phoenix
Arizona
www.reelmeninc.com
(602) 286-6800
Regenerators Manufacturing
Forney
Texas
www.regenerators.com
(972) 552-3944
RGH Productions
New York
New York
www.rghlighting.com
(212) 947-4749
Risco
Atlantic
Highlands
New Jersey
www.riscorv.com
(732) 872-7722
Ross SysCon
Savannah
Georgia
www.rosssyscon.com
(912) 238-5800
RSC Rental Service
Scottsdale
Arizona
www.rscrental.com
(480) 905-3300
(661) 877-1776
(843) 819-6401
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
162
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Generators* — R-Z
Name
City
State
Website
Phone
SBP Industries
South Plainfield
New Jersey
www.sbp4juice.com
(908) 412-8630
ScreenLight & Grip
Dedham
Massachusetts www.screenlightandgrip.com
(781) 326-5088
Serious Grippage & Light
Santa Fe
New Mexico
www.seriousgrippage.com
(505) 473-1566
Sidram Power
Hollywood
Florida
www.sidrampower.com
(954) 989-8898
Silver Screen Supply
New Orleans
Louisiana
www.silverscreensupplies.com
(504) 737-0555
Silvertrucks Lighting
Long Island City
New York
www.silvercupstudios.com
(718) 906-2000
Smoky Mountain Grip & Lighting
Knoxville
Tennessee
www.smokymtngrip.com
(865) 947-5483
SMS Generators
Chatsworth
California
smsgenerators.com
(818) 361-2151
SolarAlaska
Fairbanks
Alaska
www.solaralaska.com
(907) 235-6842
Sound Lighting F/X
Mesa
Arizona
www.soundlightingfx.com
(602) 722-0783
Star Power Generators
North Hollywood
California
www.starpowergenerators.com
(818) 982-2200
Stark Lighting & Generator
New Paltz
New York
www.starklighting.com
(347) 538-6501
Studio Air Conditioning Rentals
Calabasas
California
www.studioairconditioning.com
(818) 222-4143
Sunbelt Rentals
Maple Shade
New Jersey
www.sunbeltrentals.com
(856) 779-2772
Temp Power Systems
Placentia
California
www.temppower.com
(714) 223-5600
Thermalogic
Hudson
Massachusetts www.thermalogic.com
(800) 343-4492
Thomas Cestare
Mineola
New York
www.thomascestareinc.com
(516) 742-5550
Toolmaster Hawaii
Lihue
Hawaii
www.toolmasterhawaii.com
(808) 246-1000
TOPP Portable Air
Beltsville
Maryland
www.spotcool.com
(800) 892-8677
Toucan Productions
Oklahoma City
Oklahoma
www.toucanlighting.com
(405) 943-9036
Tri-state Electric
New Rochelle
New York
www.tri-state-electric.com
(866) 947-3252
Unique Producers Service
Miami
Florida
www.uniqueproducers.com
(305) 681-7627
United Rentals - Brooklyn
Brooklyn
New York
www.ur.com
(718) 456-8546
United Rentals - Burbank
Burbank
California
www.ur.com
(818) 842-5288
United Rentals - Phoenix
Phoenix
Arizona
www.ur.com
(602) 273-7401
United Rentals - Reno
Reno
Nevada
www.ur.com
(775) 789-6000
W.A. Benjamin Electric
Los Angeles
California
www.benjaminelectric.com
(213) 749-7731
Walker Miller Equipment
Orlando
Florida
www.walkermiller.com
(407) 299-2620
Westside Production Services
Marina del Rey
California
Whitenton Industries
Houston
Texas
www.juicegoose.com
(310) 244-2700
(713) 772-1404
Ziegler Power Systems
Shakopee
Minnesota
www.zieglerinc.com
(612) 445-4292
Mobile Production Units* — Regional Listing
State
City
Name
Website
Phone
Alabama
Alabaster
Crosscreek Television Productions
www.crosscreektv.com
(205) 663-4411
Jemison
Control 1 Communications
control1comm.com
(205) 706-9524
Mobile
Corredo Media Solutions
corredo.tv
(251) 533-5433
Montgomery
Dan Black Studios
danblackstudios.com
(334) 279-6036
Spanish Fort
AVS Media Group
www.avsmediagroup.com
(251) 621-1200
Alaska
Anchorage
Alaska Mobile Productions
www.sattruckak.com
(907) 762-9268
Arizona
Mesa
Skyline Productions
www.skylinevideo.com
(480) 345-8009
Arkansas
Little Rock
Alliance Productions
www.allianceproductions.com
(501) 219-2653
Little Rock
Hailstone Creek Productions
www.hailstonecreek.com
(501) 371-9515
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
164
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
State
City
Name
Website
Phone
Arkansas
North Little
Rock
Jones Mobile Television
www.jmtv.com
(501) 376-1993
Rogers
Clark’s Video Group
www.clarksvideogroup.com
(479) 636-7111
Burbank
Pacifico Television Engineering
www.pacificobroadcast.com
(818) 566-9706
Burbank
Touring Video
www.touringvideo.com
(818) 504-3500
Calabasas
Coastal Satellite
www.coastalsatellite.com
(818) 880-9800
Chatsworth
Cinerep International
www.cinerepamps.com
(818) 882-2677
Concord
E-N-G Mobile Systems
www.e-n-g.com
(800) 662-4522
Diamond Bar
21 Lakes Media Group
www.21lakes.com
(951) 278-4151
Joshua Tree
Mojave Film Services
www.mojavefilmservices.com
(760) 799-4414
Los Angeles
Cinelease
www.cinelease.com
(818) 841-8282
Malibu
J-Lab
www.j-lab.com
(310) 457-4090
Norwalk
UniSat: Universal Satellite
Communications
www.unisatmobile.com
(562) 483-4800
Riverside
New Revolution Entertainment
www.newrevolution.com
(951) 780-7323
Sacramento
PACSAT - California
www.pacsat.com
(800) 672-2728
San Diego
All Mobile Video - California
www.amvchelsea.com
(858) 569-8451
San Diego
Satellite Digital Teleproduction
(S.D.T.V.)
www.sdtv.com
(619) 293-7777
San Diego
SWATV Entertainment
swatv.com
(619) 746-2390
San Francisco
Beyond Pix Studios
www.beyondpix.com
(415) 434-1027
San Francisco
Brickley Production Services
www.brickley.com
(415) 864-6600
San Francisco
Cresco Production Express
www.crescorent.com
(415) 920-2801
San Martin
South Valley Mobile Television
southvalleymobiletelevision.com (408) 230-5694
Santa Barbara
Natural Video In Production
www.naturalvip.com
(805) 963-3592
Santa Clarita
Buboosky
www.buboosky.com
(661) 510-7650
Sunland
Schulman Mobile Video
schulmanmv.com
(323) 785-2528
Vacaville
VTR Specialists
www.vtrspecialists.com
(707) 453-1343
Van Nuys
PSSI Global Services - Strategic
Television
www.pssiglobal.com
(310) 575-4400
Van Nuys
Sweetwater Digital Productions
www.svptv.com
(818) 902-9500
West Covina
VideoWorks
www.videowks.com
(626) 338-4820
Commerce
City
MSI Satellite Communications
www.prolinkon-line.net
(720) 529-9743
Denver
Mountain Mobile Television
www.mobiletvgroup.com
(303) 542-5555
Denver
Production Services International
www.psiiusa.com
(303) 757-8400
Englewood
RBI - Remote Broadcasts Inc.
www.rbitv.com
(303) 349-6521
Englewood
Yellow Gal High Definition (YGHD)
yghdtv.com
(720) 255-1640
Milford
Conover Production Services
www.conover.net
(203) 877-5427
Simsbury
Fountainhead Production
www.fountainhd.net
(860) 658-4838
District of
Columbia
Washington
Locked On Communications
www.locked-on.net
(410) 923-2979
Florida
Boca Raton
Mobile Studios
www.mobilestudios.com
(877) 777-7147
Cape
Canaveral
Communications Concepts
www.cciflorida.com
(321) 783-5232
Clearwater
F & F Productions
www.fandfproductions.com
(727) 535-6776
Clearwater
Frontline Communications
www.frontlinecomm.com
(727) 573-0400
Clearwater
Oshkosh Specialty Vehicles
www.oshkoshsv.com
(708) 596-5066
Fort
Lauderdale
Digital Comm Link
www.dclinc.net
(877) 532-5438
Fort
Lauderdale
Global Technical Solutions
www.gtsivideogear.com
(954) 583-8001
California
Vendor Services Directory
Courtesy of
Mobile Production Units* — Regional Listing
Colorado
Connecticut
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
168
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Mobile Production Units* — Regional Listing
State
City
Name
Website
Phone
Florida
Ft. Lauderdale
MSR Mobile Stage Rentals
www.mobilestagerentals.com
(877) 882-8889
Ft. Lauderdale
Remote Telecast
www.remotetelecast.tv
(954) 295-1735
Jacksonville
HMTV
www.televisiontrucks.com
(904) 223-0742
Lake Mary
Skystorm Productions
www.skystorm.com
(407) 328-4747
Miami
American Media Productions
www.
americanmediaproductions.com (305) 865-7425
Miami
Christian Media Group
www.cmgshows.com
(786) 286-4942
Miami
Fireland Productions & Satellite Services
www.firelandtv.com
(305) 386-6882
Miami
NEWS EDITS Inc
www.newsedits.com
(786) 515-9796
Miami
Tfactor Mobile Television
www.tfactor.tv
(305) 597-0430
Miami Beach
Encanta Productions
encanta.com
(305) 673-5958
Miami Beach
Mirikesh Production Motorcoach &
Trailer
www.mirikesh.com
(786) 295-3969
Orlando
Orbital Communications
www.orbitalcom.tv
(800) 682-4364
Orlando
TMR Television Mobile Resources
www.tvmr.com
(407) 737-0046
St. Petersburg
All Mobile Video - Florida
www.allmobilevideo.com
(813) 579-8902
Tampa
10-20 Productions
10-20tv.com
(813) 300-4221
West Palm
Beach
National Teleproductions
www.ntpfla.com
(561) 689-9271
Atlanta
Encompass Digital Media
www.encompass-m.com
(678) 421-6775
Atlanta
KEF Media Associates
www.kefmedia.com
(404) 605-0009
Atlanta
Mobile Stage Network Inc. Rentals &
Sales
www.mobilestagenetwork.com
(516) 882-5412
Atlanta
Turner Studios
www.turnerstudios.com
(404) 885-4876
Jasper
Talking Rock Communications
www.
talkingrockcommunications.
com
(706) 692-6450
Lawrenceville
Lightnin’ Production Rentals
www.lightnin.net
(770) 963-1234
Lilburn
Gunner Live
www.gunnerlive.com
(678) 313-6001
Marietta
AgoraTV
www.agoratv.tv
(678) 581-3750
Hawi
Keith Nealy Productions
www.keithnealy.com
(808) 882-7772
Honolulu
John Guild Communications
www.john-guild.com
(808) 596-2211
Kapolei
George Cambra Movie Production
Trucks
Kapolei
Vision Accomplished Hawaii
www.visionaccomplished.com/
vahawaii
(808) 591-0066
Idaho
Boise
Netwest Communications Group
www.netwestcom.com
(208) 562-8000
Illinois
Chicago
Big Shoulders Digital Video Productions
www.bigshoulders.com
(312) 540-5400
Chicago
GigRig Chicago
www.gigrigchicago.com
(312) 666-9900
Chicago
Trio Video
www.triovideo.com
(312) 421-7060
Crystal Lake
Satellite Technology Systems
www.stslivetv.com
(800) 838-1472
Lake Bluff
Corplex Television
www.corplex.tv
(888) 673-5400
Maryville
Abacus Group of St. Louis
www.agstl.com
(314) 583-3747
Peoria
ScheffTech Productions
www.schefftech.com
(309) 253-7609
St. Charles
HD Roadie Mobile Entertainment
www.hdroadie.com
(630) 918-7000
Hammond
Calutech Mobile Solutions
www.calutechmobiles.com
(219) 845-1695
Indianapolis
IMS Productions
www.imsproductions.tv
(317) 492-8733
Indianapolis
LeSEA Productions
www.whmbtv.com
(317) 773-5050
Merrillville
Lakeshore Productions
www.lakeshoreproduction.com
(219) 756-5656
Mishawaka
CVM Productions
www.cvmproductions.com
(574) 256-0068
Noblesville
LeSEA Productions
www.leseaproductions.com
(317) 773-5050
Georgia
Hawaii
Indiana
(808) 845-1546
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
170
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Mobile Production Units* — Regional Listing
State
Indiana
City
South Bend
Name
LeSEA Productions
Website
www.leseaproductions.com
Phone
(574) 291-8200
Kansas
Olathe
Freebird Communications
www.freebirdtv.com
(913) 209-2788
Kentucky
Lexington
Hammond Communications Group
www.hammondcg.com
(859) 254-1878
Louisiana
New Orleans
Satellite Center
www.satctr.com
(504) 915-8244
New Orleans
YES Productions
www.yesproductions.org
(800) 736-8812
Maine
Saco
CSP Mobile Productions
www.cspmobile.com
(207) 375-6052
Maryland
Parkton
Jomar Productions
www.jomarproductions.com
(410) 343-1599
Phoenix
Sheffield Audio Video Productions
www.sheffieldav.com
(410) 628-7260
Massachusetts Auburn
Michigan
Minnesota
Missouri
Nevada
New
Hampshire
New Jersey
New York
Wolf Coach
www.wolfcoach.com
(508) 791-1950
Avon
Technology Management
www.tmcrecycles.com
(508) 580-6701
Bedford
Sullivan Video Services
www.sullivanvideo.com
(800) 877-9299
Springfield
VideoPort Communications
www.videoportc.com
(413) 737-7517
Wakefield
Remote Facilities Consulting Services
www.remotefacilities.com
(781) 246-8300
Plymouth
Cii Productions
ciivideo.com
(734) 459-3936
Southfield
Mobile Telecast Productions
www.mobiletelecast.net
(248) 663-1883
Southfield
Uplynx Satellite Trucks
www.uplynx.tv
(248) 797-3197
Sterling
Heights
Moonlink Satellite
www.moonlinksat.com
(586) 323-9590
Arden Hills
Common World Productions
www.commonworld.com
(651) 582-0502
Minneapolis
Arctek HD Satellite Productions
www.arcteksat.com
(612) 623-1986
Mound
RumJungle Media
www.rumjungle.com
(952) 472-5525
Branson
Mansion Mobile TV
www.mansionmobile.tv
(417) 593-1052
Kansas City
Cashmark Media
www.cashmarkmedia.com
(816) 861-4200
Springfield
TL Mobile Television
www.tlmobiletv.com
(417) 877-0025
St. Louis
Broadcast Biscuit
www.broadcastbiscuit.com
(636) 458-7553
St. Louis
Spot Media Transfer
www.spotmediatransfer.com
(314) 667-5915
St. Louis
Television Engineering
www.tvengineering.com
(866) 692-0228
Las Vegas
CoverEDGE Las Vegas
www.coveredge.com
(800) 822-6397
Las Vegas
RentLEDsigns.com
www.RentLEDsigns.com
(888) 920-4485
Hudson
Game Creek Video
www.gamecreekvideo.com
(603) 882-5222
Pelham
Thistle Communications
www.thistlecommunications.net
(603) 598-5100
East
Rutherford
Venue Services Group
www.vsg.tv
(888) 700-4388
Hackensack
Patchamp
www.patchamp.com
(201) 457-1504
Maywood
NE Productions
mobilexstream.com
(800) 382-2072
Ramsey
Jim Houston Productions
Voorhees
Broadcast Center Studios
broadcastcenterstudios.com
(856) 751-3500
Wayne
Vision Quest Productions
www.visionquestproductions.
com
(973) 686-9400
Flushing
Multi Media Network News
www.multimedianetworknews.
com
(718) 809-7058
Lancaster
Admiral Video Mobile Productions
www.AdmiralVideo.com
(716) 651-9900
New City
Flight 9 Satellite Services
www.flight9.com
(845) 426-5320
New York
All Mobile Video
www.allmobilevideo.com
(212) 727-1234
New York
All Mobile Video
www.allmobilevideo.com
(212) 586-8616
New York
KoKo - Baz Video & Film
www.kokobaz.com
(212) 674-6601
New York
Mobile Video Lighting
www.mobilevideolighting.com
(212) 695-6942
Port
Washington
ADM Productions
admproductions.com
(516) 484-6900
Warwick
Centrex Communications
www.centrexcom.com
(845) 987-1666
(201) 825-7659
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
174
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Mobile Production Units* — Regional Listing
State
New York
City
West Babylon
Name
Village Video News
Website
www.vvn.com
Phone
(631) 752-9311
North
Carolina
Apex
RMG Satellite Productions
www.rmgsat.com
(919) 363-3645
Charlotte
Paradigm Broadcast Services
www.paradigmbroadcast.com
(704) 995-9600
Columbus
Lyon Video
www.lyonvideo.com
(614) 297-0001
Columbus
Mobile Production Services
www.remoteriley.com
(614) 864-7900
North Olmsted Custom Mobile Products
www.custommobileproducts.
com
(440) 779-2740
Poland
First Call UPLinks
www.firstcalluplinks.com
(800) 951-6707
Sunbury
Bennett Systems
www.tvmobile.net
(740) 965-5727
Sunbury
Gerling and Associates
www.gerlinggroup.com
(740) 965-2888
Tulsa
LeSEA Productions
www.leseaproductions.com
(918) 254-4701
Tulsa
Winnercomm
www.winnercomm.com
(918) 496-1900
Eugene
Palmquist Productions
palmquistproductions.com
(541) 687-8627
Wilsonville
MIRA Mobile Television
www.miramobile.com
(503) 464-0900
Boyertown
J A Taylor & Associates
www.broadcastassociates.com
(610) 754-6800
Harrisburg
Media Solutions
www.mediamadeeasy.com
(877) 860-5255
PMTV - Producers Management
King of Prussia TeleVision
www.pmtv.com
(610) 768-1770
Lancaster
Proviaus
www.proviaus.com
(717) 842-0440
Philadelphia
New Century Productions
www.ncpvideo.com
(610) 798-4014
Philadelphia
Total Production Services
www.tpsweb.com
(888) 877-1178
Pittsburgh
NEP Broadcasting
www.nepinc.com
(800) 444-0054
Pittsburgh
Viewpoint Production Services
www.viewpoint.tv
(800) 820-0402
West Chester
CCI Communications
www.ccivideo.com
(610) 296-7233
South
Carolina
Myrtle Beach
Satellite Papa
www.satellitepapa.com
(843) 333-5963
Tennessee
Cordova
KNO Productions
www.knoproductions.com
(901) 729-8770
Goodlettsville
Video One Productions
Ohio
Oklahoma
Oregon
Pennsylvania
www.vopinc.com
(615) 859-1521
Hendersonville Camp Digital
www.campdigital.net
(615) 826-0122
Hendersonville Stokes Production Services
www.stokesvideo.com
(615) 822-6500
Murfreesboro
Tennessee Digital Video
www.tndv.com
(615) 585-6528
Argyle
GoVision
www.jumbo.tv
(940) 464-2320
Arlington
Greene HD Productions
www.greenehdtv.com
(817) 860-4086
Austin
Earl Miller Productions
www.earlmillerproductions.com
(512) 458-4343
Beaumont
Bounce Multimedia
www.bouncemultimedia.com
(409) 860-5551
Dallas
TexasTVTrucks.com
www.TexasTVTrucks.com
(972) 570-1118
Dallas
Tricam Video Productions
www.tricamvideo.com
(817) 909-4137
Houston
Advanced Containment Systems
www.acsi-us.com
(713) 987-0336
Humble
Texas Mobile Broadcasting
www.texasmobiletv.com
(281) 738-2329
Schertz
Shook Mobile Technology
www.shook-usa.com
(210) 651-5700
Waco
TriVan Truck Body Texas
www.trivan.com
(866) 874-8261
Utah
Sandy
Videolines Mobile Television
videolinesmobiletv.com
(801) 580-9474
Virginia
Williamsburg
Colonial Williamsburg Productions
www.history.org/productions
(757) 220-7143
Washington
Auburn
Jonas Jensen Studios
www.jonasjensen.com
(800) 776-5554
Seattle
LDM Worldwide Productions
www.ldmworldwide.com
(206) 463-1902
Seattle
Production Services NW
www.psninc.com
(206) 542-1154
Wisconsin
Waunakee
Token Creek Mobile Television
www.tokencreek.com
(608) 849-4965
Canada
Vancouver, BC Proshow Broadcast
www.proshow.com
(604) 293-1771
Texas
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
176
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Mobile Production Units* — Alphabetical Listing
Name
10-20 Productions
21 Lakes Media Group
Abacus Group of St. Louis
ADM Productions
Admiral Video Mobile
Productions
Advanced Containment Systems
AgoraTV
Alaska Mobile Productions
All Mobile Video
All Mobile Video - California
All Mobile Video - Florida
Alliance Productions
American Media Productions
Arctek HD Satellite Productions
AVS Media Group
Bennett Systems
Beyond Pix Studios
Big Shoulders Digital Video
Productions
Bounce Multimedia
Brickley Production Services
Broadcast Biscuit
Broadcast Center Studios
Buboosky
Calutech Mobile Solutions
Camp Digital
Cashmark Media
CCI Communications
Centrex Communications
Christian Media Group
Cii Productions
Cinelease
Cinerep International
Clark’s Video Group
Coastal Satellite
Colonial Williamsburg
Productions
Common World Productions
Communications Concepts
Conover Production Services
Control 1 Communications
Corplex Television
Corredo Media Solutions
CoverEDGE Las Vegas
Cresco Production Express
Crosscreek Television
Productions
CSP Mobile Productions
Custom Mobile Products
CVM Productions
Dan Black Studios
City
Tampa
Diamond Bar
Maryville
Port Washington
State
Florida
California
Illinois
New York
Website
10-20tv.com
www.21lakes.com
www.agstl.com
admproductions.com
Phone
(813) 300-4221
(951) 278-4151
(314) 583-3747
(516) 484-6900
Lancaster
New York
www.AdmiralVideo.com
(716) 651-9900
Houston
Marietta
Anchorage
New York
San Diego
St. Petersburg
Little Rock
Miami
Minneapolis
Spanish Fort
Sunbury
San Francisco
Texas
Georgia
Alaska
New York
California
Florida
Arkansas
Florida
Minnesota
Alabama
Ohio
California
www.acsi-us.com
www.agoratv.tv
www.sattruckak.com
www.allmobilevideo.com
www.amvchelsea.com
www.allmobilevideo.com
www.allianceproductions.com
www.americanmediaproductions.com
www.arcteksat.com
www.avsmediagroup.com
www.tvmobile.net
www.beyondpix.com
(713) 987-0336
(678) 581-3750
(907) 762-9268
(212) 727-1234
(858) 569-8451
(813) 579-8902
(501) 219-2653
(305) 865-7425
(612) 623-1986
(251) 621-1200
(740) 965-5727
(415) 434-1027
Chicago
Illinois
www.bigshoulders.com
(312) 540-5400
Beaumont
San Francisco
St. Louis
Voorhees
Santa Clarita
Hammond
Hendersonville
Kansas City
West Chester
Warwick
Miami
Plymouth
Los Angeles
Chatsworth
Rogers
Calabasas
Texas
California
Missouri
New Jersey
California
Indiana
Tennessee
Missouri
Pennsylvania
New York
Florida
Michigan
California
California
Arkansas
California
www.bouncemultimedia.com
www.brickley.com
www.broadcastbiscuit.com
broadcastcenterstudios.com
www.buboosky.com
www.calutechmobiles.com
www.campdigital.net
www.cashmarkmedia.com
www.ccivideo.com
www.centrexcom.com
www.cmgshows.com
ciivideo.com
www.cinelease.com
www.cinerepamps.com
www.clarksvideogroup.com
www.coastalsatellite.com
(409) 860-5551
(415) 864-6600
(636) 458-7553
(856) 751-3500
(661) 510-7650
(219) 845-1695
(615) 826-0122
(816) 861-4200
(610) 296-7233
(845) 987-1666
(786) 286-4942
(734) 459-3936
(818) 841-8282
(818) 882-2677
(479) 636-7111
(818) 880-9800
Williamsburg
Virginia
www.history.org/productions
(757) 220-7143
Arden Hills
Cape Canaveral
Milford
Jemison
Lake Bluff
Mobile
Las Vegas
San Francisco
Minnesota
Florida
Connecticut
Alabama
Illinois
Alabama
Nevada
California
www.commonworld.com
www.cciflorida.com
www.conover.net
control1comm.com
www.corplex.tv
corredo.tv
www.coveredge.com
www.crescorent.com
(651) 582-0502
(321) 783-5232
(203) 877-5427
(205) 706-9524
(888) 673-5400
(251) 533-5433
800822NEWS
(415) 920-2801
Alabaster
Alabama
www.crosscreektv.com
(205) 663-4411
Saco
North Olmsted
Mishawaka
Montgomery
Maine
Ohio
Indiana
Alabama
www.cspmobile.com
www.custommobileproducts.com
www.cvmproductions.com
danblackstudios.com
(207) 375-6052
(440) 779-2740
(574) 256-0068
(334) 279-6036
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
180
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Mobile Production Units* — C-M
Name
City
Digital Comm Link
Fort Lauderdale
E-N-G Mobile Systems
Concord
Earl Miller Productions
Austin
Encanta Productions
Miami Beach
Encompass Digital Media
Atlanta
F & F Productions
Clearwater
Fireland Productions & Satellite
Miami
Services
First Call UPLinks
Poland
Flight 9 Satellite Services
New City
Fountainhead Production
Simsbury
Freebird Communications
Olathe
Frontline Communications
Clearwater
State
Florida
California
Texas
Florida
Georgia
Florida
Website
www.dclinc.net
www.e-n-g.com
www.earlmillerproductions.com
encanta.com
www.encompass-m.com
www.fandfproductions.com
Phone
(877) 532-5438
(800) 662-4522
(512) 458-4343
(305) 673-5958
(678) 421-6775
(727) 535-6776
Florida
www.firelandtv.com
(305) 386-6882
www.firstcalluplinks.com
www.flight9.com
www.fountainhd.net
www.freebirdtv.com
www.frontlinecomm.com
(800) 951-6707
(845) 426-5320
(860) 658-4838
(913) 209-2788
(727) 573-0400
www.gamecreekvideo.com
(603) 882-5222
Game Creek Video
Hudson
Ohio
New York
Connecticut
Kansas
Florida
New
Hampshire
George Cambra Movie
Production Trucks
Gerling and Associates
GigRig Chicago
Global Technical Solutions
GoVision
Greene HD Productions
Gunner Live LLC
Hailstone Creek Productions
Hammond Communications
Group
HD Roadie Mobile
Entertainment
HMTV
IMS Productions
J A Taylor & Associates
J-Lab
Jim Houston Productions
John Guild Communications
Jomar Productions
Jonas Jensen Studios
Jones Mobile Television
KEF Media Associates
Keith Nealy Productions
KNO Productions
KoKo - Baz Video & Film
Lakeshore Productions
LDM Worldwide Productions
LeSEA Productions
LeSEA Productions
LeSEA Productions
LeSEA Productions
Lightnin’ Production Rentals
Kapolei
Hawaii
Sunbury
Chicago
Fort Lauderdale
Argyle
Arlington
Lilburn
Little Rock
Ohio
Illinois
Florida
Texas
Texas
Georgia
Arkansas
www.gerlinggroup.com
www.gigrigchicago.com
www.gtsivideogear.com
www.jumbo.tv
www.greenehdtv.com
www.gunnerlive.com
www.hailstonecreek.com
(740) 965-2888
(312) 666-9900
(954) 583-8001
(940) 464-2320
(817) 860-4086
(678) 313-6001
(501) 371-9515
Lexington
Kentucky
www.hammondcg.com
(859) 254-1878
St. Charles
Illinois
www.hdroadie.com
(630) 918-7000
Jacksonville
Indianapolis
Boyertown
Malibu
Ramsey
Honolulu
Parkton
Auburn
North Little Rock
Atlanta
Hawi
Cordova
New York
Merrillville
Seattle
Indianapolis
Noblesville
South Bend
Tulsa
Lawrenceville
www.televisiontrucks.com
www.imsproductions.tv
www.broadcastassociates.com
www.j-lab.com
www.john-guild.com
www.jomarproductions.com
www.jonasjensen.com
www.jmtv.com
www.kefmedia.com
www.keithnealy.com
www.knoproductions.com
www.kokobaz.com
www.lakeshoreproduction.com
www.ldmworldwide.com
www.whmbtv.com
www.leseaproductions.com
www.leseaproductions.com
www.leseaproductions.com
www.lightnin.net
(904) 223-0742
(317) 492-8733
(610) 754-6800
(310) 457-4090
(201) 825-7659
(808) 596-2211
(410) 343-1599
(800) 776-5554
(501) 376-1993
(404) 605-0009
(808) 882-7772
(901) 729-8770
(212) 674-6601
(219) 756-5656
(206) 463-1902
(317) 773-5050
(317) 773-5050
(574) 291-8200
(918) 254-4701
(770) 963-1234
Locked On Communications
Washington
www.locked-on.net
(410) 923-2979
Lyon Video
Mansion Mobile TV
Media Solutions
Columbus
Branson
Harrisburg
Florida
Indiana
Pennsylvania
California
New Jersey
Hawaii
Maryland
Washington
Arkansas
Georgia
Hawaii
Tennessee
New York
Indiana
Washington
Indiana
Indiana
Indiana
Oklahoma
Georgia
District of
Columbia
Ohio
Missouri
Pennsylvania
www.lyonvideo.com
www.mansionmobile.tv
www.mediamadeeasy.com
(614) 297-0001
(417) 593-1052
(877) 860-5255
(808) 845-1546
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
184
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Mobile Production Units* — M-S
Name
MIRA Mobile Television
Mirikesh Production Motorcoach
& Trailer
Mobile Production Services
Mobile Stage Network Rentals &
Sales
Mobile Studios
Mobile Telecast Productions
Mobile Video Lighting
Mojave Film Services
Moonlink Satellite
Mountain Mobile Television
MSI Satellite Communications
MSR Mobile Stage Rentals
Multi Media Network News
National Teleproductions
Natural Video In Production
NE Productions
NEP Broadcasting
Netwest Communications Group
New Century Productions
New Revolution Entertainment
NEWS EDITS
Orbital Communications
Oshkosh Specialty Vehicles
Pacifico Television Engineering
PACSAT - California
Palmquist Productions
City
Wilsonville
State
Oregon
Website
www.miramobile.com
Phone
(503) 464-0900
Miami Beach
Florida
www.mirikesh.com
(786) 295-3969
Columbus
Ohio
www.remoteriley.com
(614) 864-7900
Atlanta
Georgia
www.mobilestagenetwork.com
(516) 882-5412
Boca Raton
Southfield
New York
Joshua Tree
Sterling Heights
Denver
Commerce City
Fort Lauderdale
Flushing
West Palm Beach
Santa Barbara
Maywood
Pittsburgh
Boise
Philadelphia
Riverside
Miami
Orlando
Clearwater
Burbank
Sacramento
Eugene
www.mobilestudios.com
www.mobiletelecast.net
www.mobilevideolighting.com
www.mojavefilmservices.com
www.moonlinksat.com
www.mobiletvgroup.com
www.prolinkon-line.net
www.mobilestagerentals.com
www.multimedianetworknews.com
www.ntpfla.com
www.naturalvip.com
mobilexstream.com
www.nepinc.com
www.netwestcom.com
www.ncpvideo.com
www.newrevolution.com
www.newsedits.com
www.orbitalcom.tv
www.oshkoshsv.com
www.pacificobroadcast.com
www.pacsat.com
palmquistproductions.com
(877) 777-7147
(248) 663-1883
(212) 695-6942
(760) 799-4414
(586) 323-9590
(303) 542-5555
(720) 529-9743
(877) 882-8889
(718) 809-7058
(561) 689-9271
(805) 963-3592
(800) 382-2072
(800) 444-0054
(208) 562-8000
(610) 798-4014
(951) 780-7323
(786) 515-9796
(800) 682-4364
(708) 596-5066
(818) 566-9706
(800) 672-2728
(541) 687-8627
www.paradigmbroadcast.com
(704) 995-9600
Hackensack
Florida
Michigan
New York
California
Michigan
Colorado
Colorado
Florida
New York
Florida
California
New Jersey
Pennsylvania
Idaho
Pennsylvania
California
Florida
Florida
Florida
California
California
Oregon
North
Carolina
New Jersey
Paradigm Broadcast Services
Charlotte
Patchamp
PMTV - Producers Management
TeleVision
Production Services International
Production Services NW
Proviaus
Proshow Broadcast
PSSI Global Services - Strategic
Television
RBI - Remote Broadcasts
Remote Facilities Consulting
Services
Remote Telecast
RentLEDsigns.com
www.patchamp.com
(201) 457-1504
King of Prussia
Pennsylvania
www.pmtv.com
(610) 768-1770
Denver
Seattle
Lancaster
Vancouver, BC
Colorado
Washington
Pennsylvania
Canada
www.psiiusa.com
www.psninc.com
www.proviaus.com
www.proshow.com
(303) 757-8400
(206) 542-1154
(717) 842-0440
(604) 293-1771
Van Nuys
California
www.pssiglobal.com
(310) 575-4400
Englewood
Colorado
www.rbitv.com
(303) 349-6521
Wakefield
Massachusetts www.remotefacilities.com
(781) 246-8300
Fort Lauderdale
Las Vegas
www.remotetelecast.tv
www.RentLEDsigns.com
(954) 295-1735
(888) 920-4485
www.rmgsat.com
(919) 363-3645
Minneapolis
New Orleans
Florida
Nevada
North
Carolina
Minnesota
Louisiana
RMG Satellite Productions
Apex
RumJungle Media
Satellite Center
Satellite Digital Teleproduction
(S.D.T.V.)
www.rumjungle.com
www.satctr.com
(952) 472-5525
(504) 915-8244
San Diego
California
www.sdtv.com
(619) 293-7777
Satellite Papa
Myrtle Beach
www.satellitepapa.com
(843) 333-5963
Satellite Technology Systems
Crystal Lake
South
Carolina
Illinois
www.stslivetv.com
(800) 838-1472
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
188
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Mobile Production Units* — S-Y
Name
ScheffTech Productions
Schulman Mobile Video
Sheffield Audio Video
Productions
Shook Mobile Technology
Skyline Productions
Skystorm Productions
South Valley Mobile Television
Spot Media Transfer
Stokes Production Services
Sullivan Video Services
SWATV Entertainment
Sweetwater Digital Productions
City
Peoria
Sunland
State
Illinois
California
Website
www.schefftech.com
schulmanmv.com
Phone
(309) 253-7609
(323) 785-2528
Phoenix
Maryland
www.sheffieldav.com
(410) 628-7260
Schertz
Mesa
Lake Mary
San Martin
St. Louis
Hendersonville
Bedford
San Diego
Van Nuys
Texas
Arizona
Florida
California
Missouri
Tennessee
Massachusetts
California
California
Talking Rock Communications
Jasper
Technology Management
Television Engineering
Tennessee Digital Video
Texas Mobile Broadcasting
TexasTVTrucks.com
Tfactor Mobile Television
Avon
St. Louis
Murfreesboro
Humble
Dallas
Miami
Thistle Communications
Pelham
TL Mobile Television
TMR Television Mobile Resources
Token Creek Mobile Television
Total Production Services
Touring Video
Tricam Video Productions
Trio Video
TriVan Truck Body Texas
Turner Studios
UniSat: Universal Satellite
Communications
Uplynx Satellite Trucks
Venue Services Group
Video One Productions
Videolines Mobile Television
VideoPort Communications
VideoWorks
Viewpoint Production Services
Village Video News
Vision Accomplished Hawaii
Kapolei
Vision Quest Productions
VTR Specialists
Winnercomm
Wolf Coach
Yellow Gal High Definition
(YGHD)
YES Productions
Springfield
Orlando
Waunakee
Philadelphia
Burbank
Dallas
Chicago
Waco
Atlanta
www.shook-usa.com
www.skylinevideo.com
www.skystorm.com
southvalleymobiletelevision.com
www.spotmediatransfer.com
www.stokesvideo.com
www.sullivanvideo.com
swatv.com
www.svptv.com
www.talkingrockcommunications.
Georgia
com
Massachusetts www.tmcrecycles.com
Missouri
www.tvengineering.com
Tennessee
www.tndv.com
Texas
www.texasmobiletv.com
Texas
www.TexasTVTrucks.com
Florida
www.tfactor.tv
New
www.thistlecommunications.net
Hampshire
Missouri
www.tlmobiletv.com
Florida
www.tvmr.com
Wisconsin
www.tokencreek.com
Pennsylvania www.tpsweb.com
California
www.touringvideo.com
Texas
www.tricamvideo.com
Illinois
www.triovideo.com
Texas
www.trivan.com
Georgia
www.turnerstudios.com
(417) 877-0025
(407) 737-0046
(608) 849-4965
(888) 877-1178
(818) 504-3500
(817) 909-4137
(312) 421-7060
(866) 874-8261
(404) 885-4876
Norwalk
California
(562) 483-4800
Southfield
East Rutherford
Goodlettsville
Sandy
Springfield
West Covina
Pittsburgh
West Babylon
Michigan
New Jersey
Tennessee
Utah
Massachusetts
California
Pennsylvania
New York
www.unisatmobile.com
(210) 651-5700
(480) 345-8009
(407) 328-4747
(408) 230-5694
(314) 667-5915
(615) 822-6500
(800) 877-9299
(619) 746-2390
(818) 902-9500
(706) 692-6450
(508) 580-6701
(866) 692-0228
(615) 585-6528
(281) 738-2329
(972) 570-1118
(305) 597-0430
(603) 598-5100
Wayne
Vacaville
Tulsa
Auburn
www.uplynx.tv
www.vsg.tv
www.vopinc.com
videolinesmobiletv.com
www.videoportc.com
www.videowks.com
www.viewpoint.tv
www.vvn.com
www.visionaccomplished.com/
Hawaii
vahawaii
New Jersey
www.visionquestproductions.com
California
www.vtrspecialists.com
Oklahoma
www.winnercomm.com
Massachusetts www.wolfcoach.com
(248) 797-3197
(888) 700-4388
(615) 859-1521
(801) 580-9474
(413) 737-7517
(626) 338-4820
(800) 820-0402
(631) 752-9311
(973) 686-9400
(707) 453-1343
(918) 496-1900
(508) 791-1950
Englewood
Colorado
yghdtv.com
(720) 255-1640
New Orleans
Louisiana
www.yesproductions.org
(800) 736-8812
(808) 591-0066
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
192
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Satellite Trucks* — Regional Listing
State
City
Name
Website
Phone
Alabama
Jemison
Control 1 Communications
control1comm.com
(205) 706-9524
Montgomery
Dan Black Studios
danblackstudios.com
(334) 279-6036
Chandler
ATCI - Antenna Technology
Communications
www.atci.net
(480) 844-8501
Phoenix
Crew West
www.crewwestinc.com
(888) 444-2739
Prescott
Desert Sky Media
www.DesertSkyMedia.com
(888) 728-8782
Concord
E-N-G Mobile Systems
www.e-n-g.com
(800) 662-4522
Fresno
RTM - Remote Transmission
Management
www.rtmhd.com
(866) 786-4389
Los Angeles
Flying Cow Satellite Services
www.flyingcowsat.com
(310) 372-4759
Modesto
Remote Telecast
www.remotetelecast.tv
(209) 534-9988
Mountain View
TVU Networks
www.tvupack.com
(650) 969-6732
Sacramento
PACSAT - California
www.pacsat.com
(800) 672-2728
San Diego
Satellite Digital Teleproduction
(S.D.T.V.)
www.sdtv.com
(619) 293-7777
San Francisco
Central Coast Uplink
www.centralcoastuplink.com
(831) 325-5271
San Jose
Broadlogic Network
Technologies
www.broadlogic.com
(408) 452-3300
San Jose
Global Link Productions
www.globalinktv.com
(408) 465-2787
San Juan
Capistrano
Todocast
todocast.tv
(949) 655-1036
Santa Clara
Anacom
www.anacominc.com
(408) 519-2062
Arizona
California
Sun Valley
Panarex Electronics
www.pansatusa.com
(818) 768-5161
Sunland
Schulman Mobile Video
schulmanmv.com
(323) 785-2528
Vacaville
Sure Link
www.surelink.tv
(888) 580-7036
Van Nuys
PSSI Global Services - Strategic
Television
www.pssiglobal.com
(310) 575-4400
Connecticut
Stamford
Newtec America
www.newtec.be
(203) 323-0042
District of
Columbia
Washington
Dawnbreaker Communications
www.dawnbreakercommunications.com
(202) 288-0805
Washington
LiveOnSite
www.liveonsite.com
(703) 431-4332
Washington
NPR Satellite Services
www.nprss.org
(202) 513-2626
Clearwater
Advanced Microwave
Components
www.advancedmicrowave.com
(727) 571-1008
Clearwater
F & F Productions
www.fandfproductions.com
(727) 535-6776
Clearwater
Frontline Communications
www.frontlinecomm.com
(727) 573-0400
Dania
Calhoun Satellite
Communications
calhounsat.com
(305) 655-2629
Fort Lauderdale
Digital Comm Link
www.dclinc.net
(877) 532-5438
Fort Lauderdale
Remote Telecast
www.remotetelecast.tv
(954) 295-1735
Fort Lauderdale
RemoteOne Communications
www.remoteonecommunications.com
(954) 707-0765
Hallandale
K-Tel Media
Lakeland
Crew West / Satellink
Communication Service
www.satellinkwest.com
(863) 698-4313
Melbourne
BAF Satellite & Technology
www.satamerica.com
(800) 966-3822
Melbourne
Harris
www.harris.com
(800) 442-7747
Melbourne
International Communications
Products
www.digiceiver.com
(321) 722-2700
Miami
GLASAT.COM
www.glasat.com
(786) 210-2235
Miami
NEWS EDITS
www.newsedits.com
(786) 515-9796
Ocala
Atlantic Coast Satellite
Telcommunications
www.acst-uplink.com
(352) 687-3587
Florida
(305) 753-9008
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
196
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Satellite Trucks* — Regional Listing
State
Florida
City
Name
Website
Phone
Ocala
R & D Communication Services
www.rdcommunicationservices.com
(352) 629-5252
Orlando
Lowery Satellite Services
lowerysatellite.com
(407) 859-7940
Orlando
Telepoint Studios
www.Telepointstudios.com
(407) 859-0115
Orlando
TMR Television Mobile
Resources
www.tvmr.com
(407) 737-0046
St. Cloud
Comtech Antenna Systems
www.comtechantenna.com
(407) 892-6111
Atlanta
Encompass Digital Media
www.encompass-m.com
(678) 421-6775
Jasper
Talking Rock Communications
www.talkingrockcommunications.com
(706) 692-6450
Lilburn
Gunner Live
www.gunnerlive.com
(678) 313-6001
Marietta
AgoraTV
www.agoratv.tv
(678) 581-3750
Hawaii
Kailua
NOA Production
NOAPro.com
(808) 366-1515
Illinois
Crystal Lake
Satellite Technology Systems
www.stslivetv.com
(800) 838-1472
Peoria
WTVP
www.wtvpvideo.org
(309) 677-4747
Sugar Grove
A I S Satellite Communications
www.aissatellite.com
(630) 466-4304
Wauconda
Satellite Communication Systems www.1800usalink.com
Indiana
Merrillville
Lakeshore Productions
www.lakeshoreproduction.com
(219) 756-5656
Iowa
Clear Lake
Efficient Antenna Systems
www.easisat.com
(800) 327-4797
Waterloo
Baird Satellite Supporting
Systems
www.bairdsatellitesupports.com
(319) 233-3561
Kentucky
Florence
Nickless Shirmer & Co.
www.nsccom.com
(800) 543-1584
Louisiana
New Orleans
Satellite Center
www.satctr.com
(504) 915-8244
Maine
Saco
CSP Mobile Productions
www.cspmobile.com
(207) 375-6052
Maryland
Potomac
Asia Broadcast
www.absatellite.net
(301) 605-7629
Remote Broadcast Services
www.RemoteBroadcastServices.com
(201) 312-5531
Billerica
Polatis
www.polatis.com
(978) 327-5080
Wakefield
Remote Facilities Consulting
Services
www.remotefacilities.com
(781) 246-8300
Albion
Satellite Export & Engineering.
www.sepatriot.com
(800) 470-3510
Ann Arbor
Michigan Satellite Systems
www.misat.com
(734) 761-9011
Farmington Hills Roscor Corp - Michigan
www.roscor.com
(248) 489-0090
Cottage Grove
PSB Satellite
www.PSBsatellite.com
(651) 768-9150
Minneapolis
Arctek HD Satellite Productions
www.arcteksat.com
(612) 623-1986
Minneapolis
RumJungle Media
www.rumjungle.com
(952) 472-5525
Kansas City
Satellite Engineering Group
www.sateng.com
(800) 932-1555
Georgia
Massachusetts Ashland
Michigan
Minnesota
Missouri
(847) 556-1056
St. Louis
Spot Media Transfer
www.spotmediatransfer.com
(314) 667-5915
Montana
Butte
RapComm
www.rapcomm.com
(406) 490-1895
Nevada
Las Vegas
Crew West
crewwestinc.com
(480) 367-6888
New
Hampshire
Manchester
Newpoint Technologies
www.newpointtech.com
(603) 263-2014
Pelham
Thistle Communications
www.thistlecommunications.net
(603) 598-5100
Holmdel
Musicam USA
www.musicamusa.com
(732) 739-5600
Kearny
A3 Media
www.a3mediallc.com
(800) 881-0569
Old Bridge
Fulton Production and
Consulting
www.satellitedownlink.com
(917) 312-9894
Wayne
Vision Quest Productions
www.visionquestproductions.com
(973) 686-9400
Albuquerque
Crew West
crewwestinc.com
(888) 444-2739
New Jersey
New Mexico
New York
Hauppauge
Miteq
www.miteq.com
(631) 436-7400
Nanuet
American Satellite Uplink
www.americansatelliteuplink.com
(845) 352-0998
New City
Flight 9 Satellite Services
www.flight9.com
(845) 426-5320
New York
All Mobile Video
www.allmobilevideo.com
(212) 727-1234
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
200
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Satellite Trucks* — Regional Listing
State
New York
North
Carolina
Ohio
Pennsylvania
Name
Website
Phone
New York
Liman Video Rental
www.lvrusa.com
(212) 594-0086
New York
Metrovision Production Group
www.metrovision-nyc.com
(212) 989-1515
Victor
GCS
www.globalcoms.com
(585) 742-9100
Warwick
Centrex Communications
www.centrexcom.com
(845) 987-1666
West Babylon
Village Video News
www.vvn.com
(631) 752-9311
Charlotte
All Stars Communications
www.allstarscomm.com
(704) 377-9393
Cincinnati
Central Satellite Service
www.centralsat.com
(513) 821-7200
New
Middletown
Sure Shot Transmissions
www.sureshotsat.com
(330) 542-0900
North Olmsted
Custom Mobile Products
www.custommobileproducts.com
(440) 779-2740
Poland
First Call UPLinks
www.firstcalluplinks.com
(800) 951-6707
Rocky River
TeleNet Media
www.telenetmedia.net
(216) 276-8841
Sunbury
Gerling and Associates
www.gerlinggroup.com
(740) 965-2888
Boyertown
J A Taylor & Associates
www.broadcastassociates.com
(610) 754-6800
Harrisburg
Media Solutions
www.mediamadeeasy.com
(877) 860-5255
Indiana
Quintech Electronics &
Communications.
www.quintechelectronics.com
(800) 839-3658
King of Prussia
PMTV - Producers Management
Television
www.pmtv.com
(610) 768-1770
Malvern
Liberty Uplink
www.libertyuplink.com
(215) 964-5222
Philadelphia
Total Production Services
www.tpsweb.com
(888) 877-1178
South
Carolina
Myrtle Beach
Satellite Papa
www.satellitepapa.com
(843) 333-5963
Tennessee
Cordova
Prolink Mobile Satellite
Communications
prolinksat.com
(901) 356-2394
Nashville
NorthStar Studios
www.northstarstudios.tv
(800) 605-3590
Austin
ATX|HD
www.atxhd.com
(800) 338-6862
Dallas
TexasTVTrucks.com
www.TexasTVTrucks.com
(972) 570-1118
Denton
WSC HD Productions
www.wschdproductions.tv
(940) 483-9200
Fort Worth
Applied Telecommunications
www.appliedtelecominc.com
(817) 763-5992
Houston
PACSAT
www.pacsat.com
(800) 672-2728
Texas
City
South Houston
Houston SatLink
www.houstonsatlink.com
(832) 887-8545
Utah
Salt Lake City
Bonneville Satellite
www.bonneville.com
(801) 575-7500
Virginia
Glen Allen
SkyWire Communications
www.skywireuplink.com
(877) 575-9947
Virginia Beach
Atlantic Satellite
www.atlanticsat.com
(757) 318-3500
Waynesboro
JSB Service
www.jsbservice.com
(540) 949-5899
Williamsburg
Colonial Williamsburg
Productions
www.history.org/productions
(757) 220-7143
Washington
Ridgefield
Wild Hare Satellite
www.wildharesat.com
(360) 573-6850
West Virginia
Charleston
Media Center
www.themediacenter222.com
(304) 720-5466
Wisconsin
Prairie Du Chien DH Satellite
www.dhsatellite.com
(800) 627-9443
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
204
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Satellite Trucks* — Alphabetical Listing
Name
A I S Satellite Communications
A3 Media
Advanced Microwave Components
AgoraTV
All Mobile Video
All Stars Communications
American Satellite Uplink
Anacom
Applied Telecommunications
Arctek HD Satellite Productions
City
Sugar Grove
Kearny
Clearwater
Marietta
New York
Charlotte
Nanuet
Santa Clara
Fort Worth
Minneapolis
State
Illinois
New Jersey
Florida
Georgia
New York
North Carolina
New York
California
Texas
Minnesota
Phone
(630) 466-4304
(800) 881-0569
(727) 571-1008
(678) 581-3750
(212) 727-1234
(704) 377-9393
(845) 352-0998
(408) 519-2062
(817) 763-5992
(612) 623-1986
Maryland
Website
www.aissatellite.com
www.a3mediallc.com
www.advancedmicrowave.com
www.agoratv.tv
www.allmobilevideo.com
www.allstarscomm.com
www.americansatelliteuplink.com
www.anacominc.com
www.appliedtelecominc.com
www.arcteksat.com
www.absatellite.net/services/index.
html
Asia Broadcast
Potomac
ATCI - Antenna Technology
Communications
Atlantic Coast Satellite
Telcommunications
Chandler
Arizona
www.atci.net
(480) 844-8501
Ocala
Florida
www.acst-uplink.com
(352) 687-3587
Virginia
Beach
Austin
Melbourne
Waterloo
Salt Lake City
San Jose
Dania
San Francisco
Cincinnati
Warwick
Williamsburg
St. Cloud
Jemison
Las Vegas
Albuquerque
Virginia
www.atlanticsat.com
(757) 318-3500
Texas
Florida
Iowa
Utah
California
Florida
California
Ohio
New York
Virginia
Florida
Alabama
Nevada
New Mexico
www.atxhd.com
www.satamerica.com
www.bairdsatellitesupports.com
www.bonneville.com
www.broadlogic.com
calhounsat.com
www.centralcoastuplink.com
www.centralsat.com
www.centrexcom.com
www.history.org/productions
www.comtechantenna.com
control1comm.com
crewwestinc.com
crewwestinc.com
(800) 338-6862
(800) 966-3822
(319) 233-3561
(801) 575-7500
(408) 452-3300
(305) 655-2629
(831) 325-5271
(513) 821-7200
(845) 987-1666
(757) 220-7143
(407) 892-6111
(205) 706-9524
(480) 367-6888
(888) 444-2739
Lakeland
Florida
www.satellinkwest.com
(863) 698-4313
Arizona
Maine
www.crewwestinc.com
www.cspmobile.com
(888) 444-2739
(207) 375-6052
Ohio
www.custommobileproducts.com
(440) 779-2740
Dan Black Studios
Phoenix
Saco
North
Olmsted
Montgomery
Washington
Desert Sky Media
Prescott
Prairie Du
Chien
Fort
Lauderdale
Concord
Clear Lake
Atlanta
Clearwater
Poland
New City
Los Angeles
danblackstudios.com
www.
dawnbreakercommunications.com
www.DesertSkyMedia.com
(334) 279-6036
Dawnbreaker Communications
Alabama
District of
Columbia
Arizona
Wisconsin
www.dhsatellite.com
(800) 627-9443
Florida
www.dclinc.net
(877) 532-5438
California
Iowa
Georgia
Florida
Ohio
New York
California
www.e-n-g.com
www.easisat.com
www.encompass-m.com
www.fandfproductions.com
www.firstcalluplinks.com
www.flight9.com
www.flyingcowsat.com
(800) 662-4522
(800) 327-4797
(678) 421-6775
(727) 535-6776
(800) 951-6707
(845) 426-5320
(310) 372-4759
Atlantic Satellite
ATX|HD
BAF Satellite & Technology
Baird Satellite Supporting Systems
Bonneville Satellite
Broadlogic Network Technologies
Calhoun Satellite Communications
Central Coast Uplink
Central Satellite Service
Centrex Communications.
Colonial Williamsburg Productions
Comtech Antenna Systems
Control 1 Communications
Crew West
Crew West
Crew West / Satellink
Communication Service
Crew West
CSP Mobile Productions
Custom Mobile Products
DH Satellite
Digital Comm Link
E-N-G Mobile Systems
Efficient Antenna Systems
Encompass Digital Media
F & F Productions
First Call UPLinks
Flight 9 Satellite Services
Flying Cow Satellite Services
(301) 605-7629
(202) 288-0805
(888) 728-8782
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
208
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Vendor Services Directory
Courtesy of
Satellite Trucks* — F-R
Name
Frontline Communications
Fulton Production and Consulting
GCS
Gerling and Associates
GLASAT.COM
Global Link Productions
Gunner Live
Harris
Houston SatLink
City
Clearwater
Old Bridge
Victor
Sunbury
Miami
San Jose
Lilburn
Melbourne
South
Houston
State
Florida
New Jersey
New York
Ohio
Florida
California
Georgia
Florida
Website
www.frontlinecomm.com
www.satellitedownlink.com
www.globalcoms.com
www.gerlinggroup.com
www.glasat.com
www.globalinktv.com
www.gunnerlive.com
www.harris.com
Phone
(727) 573-0400
(917) 312-9894
(585) 742-9100
(740) 965-2888
(786) 210-2235
(408) 465-2787
(678) 313-6001
(800) 442-7747
Texas
www.houstonsatlink.com
(832) 887-8545
International Communications
Products
J A Taylor & Associates
JSB Service
K-Tel Media
Lakeshore Productions
Liberty Uplink
Liman Video Rental
Melbourne
Florida
www.digiceiver.com
(321) 722-2700
Boyertown
Waynesboro
Hallandale
Merrillville
Malvern
New York
www.broadcastassociates.com
www.jsbservice.com
www.lakeshoreproduction.com
www.libertyuplink.com
www.lvrusa.com
(610) 754-6800
(540) 949-5899
(305) 753-9008
(219) 756-5656
(215) 964-5222
(212) 594-0086
LiveOnSite
Washington
www.liveonsite.com
(703) 431-4332
Lowery Satellite Services
Media Solutions
Metrovision Production Group
Michigan Satellite Systems
Miteq
Musicam USA
Orlando
Harrisburg
New York
Ann Arbor
Hauppauge
Holmdel
lowerysatellite.com
www.mediamadeeasy.com
www.metrovision-nyc.com
www.misat.com
www.miteq.com
www.musicamusa.com
(407) 859-7940
(877) 860-5255
(212) 989-1515
(734) 761-9011
(631) 436-7400
(732) 739-5600
Newpoint Technologies
Manchester
www.newpointtech.com
(603) 263-2014
NEWS EDITS
Newtec America
Nickless Shirmer & Co.
NOA Production
NorthStar Studios
Miami
Stamford
Florence
Kailua
Nashville
www.newsedits.com
www.newtec.be
www.nsccom.com
NOAPro.com
www.northstarstudios.tv
(786) 515-9796
(203) 323-0042
(800) 543-1584
(808) 366-1515
(800) 605-3590
NPR Satellite Services
Washington
www.nprss.org
(202) 513-2626
PACSAT
PACSAT - California
Panarex Electronics
PMTV - Producers Management
TeleVision
Polatis
Prolink Mobile Satellite
Communications
PSB Satellite
PSSI Global Services - Strategic
Television
Quintech Electronics &
Communications
Houston
Sacramento
Sun Valley
King Of
Prussia
Billerica
Pennsylvania
Virginia
Florida
Indiana
Pennsylvania
New York
District of
Columbia
Florida
Pennsylvania
New York
Michigan
New York
New Jersey
New
Hampshire
Florida
Connecticut
Kentucky
Hawaii
Tennessee
District of
Columbia
Texas
California
California
www.pacsat.com
www.pacsat.com
www.pansatusa.com
(800) 672-2728
(800) 672-2728
(818) 768-5161
Pennsylvania
www.pmtv.com
(610) 768-1770
Massachusetts
www.polatis.com
(978) 327-5080
Tennessee
prolinksat.com
(901) 356-2394
Cottage Grove Minnesota
www.PSBsatellite.com
(651) 768-9150
Van Nuys
California
www.pssiglobal.com
(310) 575-4400
Indiana
Pennsylvania
www.quintechelectronics.com
(800) 839-3658
R & D Communication Services
Ocala
Florida
(352) 629-5252
RapComm
Butte
Montana
Remote Broadcast Services
Ashland
Massachusetts
www.rdcommunicationservices.
com
www.rapcomm.com
www.RemoteBroadcastServices.
com
Cordova
(406) 490-1895
(201) 312-5531
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
212
Mobile Sports Production Yearbook 2012
TM
The Search Engine for Media & Entertainment
Courtesy of
Satellite Trucks* — R-W
Name
Remote Facilities Consulting
Services
Remote Telecast
City
State
Website
Phone
Wakefield
Massachusetts
www.remotefacilities.com
(781) 246-8300
Modesto
Fort
Lauderdale
Fort
Lauderdale
Farmington
Hills
California
www.remotetelecast.tv
(209) 534-9988
Florida
www.remotetelecast.tv
(954) 295-1735
Florida
www.remoteonecommunications.
com
(954) 707-0765
Michigan
www.roscor.com
(248) 489-0090
Fresno
California
www.rtmhd.com
(866) 786-4389
Minneapolis
New Orleans
Wauconda
Minnesota
Louisiana
Illinois
www.rumjungle.com
www.satctr.com
www.1800usalink.com
(952) 472-5525
(504) 915-8244
(847) 556-1056
San Diego
California
www.sdtv.com
(619) 293-7777
Kansas City
Albion
Myrtle Beach
Crystal Lake
Sunland
Glen Allen
St. Louis
Vacaville
New
Middletown
Missouri
Michigan
South Carolina
Illinois
California
Virginia
Missouri
California
www.sateng.com
www.sepatriot.com
www.satellitepapa.com
www.stslivetv.com
schulmanmv.com
www.skywireuplink.com
www.spotmediatransfer.com
www.surelink.tv
(800) 932-1555
(800) 470-3510
(843) 333-5963
(800) 838-1472
(323) 785-2528
(877) 575-9947
(314) 667-5915
(888) 580-7036
Ohio
www.sureshotsat.com
(330) 542-0900
Talking Rock Communications
Jasper
Georgia
(706) 692-6450
TeleNet Media
Telepoint Studios
TexasTVTrucks.com
The Media Center
Rocky River
Orlando
Dallas
Charleston
Thistle Communications
Pelham
www.thistlecommunications.net
(603) 598-5100
TMR Television Mobile Resources
Orlando
San Juan
Capistrano
Philadelphia
Mountain
View
West Babylon
Wayne
Ridgefield
Denton
Peoria
Ohio
Florida
Texas
West Virginia
New
Hampshire
Florida
www.talkingrockcommunications.
com
www.telenetmedia.net
www.Telepointstudios.com
www.TexasTVTrucks.com
www.themediacenter222.com
www.tvmr.com
(407) 737-0046
California
todocast.tv
(949) 655-1036
Pennsylvania
www.tpsweb.com
(888) 877-1178
California
www.tvupack.com
(650) 969-6732
New York
New Jersey
Washington
Texas
Illinois
www.vvn.com
www.visionquestproductions.com
www.wildharesat.com
www.wschdproductions.tv
www.wtvpvideo.org
(631) 752-9311
(973) 686-9400
(360) 573-6850
(940) 483-9200
(309) 677-4747
Remote Telecast
Vendor Services Directory
RemoteOne Communications
Roscor - Michigan
RTM - Remote Transmission
Management
RumJungle Media
Satellite Center
Satellite Communication Systems
Satellite Digital Teleproductions
(S.D.T.V.)
Satellite Engineering Group
Satellite Export & Engineering
Satellite Papa
Satellite Technology Systems
Schulman Mobile Video
SkyWire Communications
Spot Media Transfer
Sure Link
Sure Shot Transmissions
Todocast
Total Production Services
TVU Networks
Village Video News
Vision Quest Productions
Wild Hare Satellite
WSC HD Productions
WTVP
(216) 276-8841
(407) 859-0115
(972) 570-1118
(304) 720-5466
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
216
Mobile Sports Production Yearbook 2012
mobile sports
Production
Gearbase
Every year, those seeking to broadcast sports
with the latest technology and innovations
have a chance to do so, thanks to the production trucks found in the 2011 Gearbase.
Data on 175 trucks for live remote sports
broadcasting and production indicate a variety
of enhancements: more-capable replay systems
from companies like EVS and Grass Valley,
expanded audio boards, more-flexible production switchers, and more.
Gearbase continues to be one of the most
important offerings in the SVG Mobile Sports
Production Yearbook. And for good reason: although visiting dozens of Websites can get the
job done, sometimes it’s still easier to leave the
Web aside and turn to a paper product.
That said, in 2012, an online version of these
charts will allow you to search for the truck
with the specs that best meet your needs. The
data will be able to be updated as specifications
and equipment complements change or a new
truck is rolled out.
Contact information for the companies listed here starts on page 164.
Mobile Sports Production Yearbook 2012
219
Company
GearBase
Truck
Truck Name
Name
Titan
All Mobile Video
Crossroads
Resolution
Celebrity
Cinetour
CBC Mobile Productions
Endurance
Straight
60’ triple
expando
53’ triple
expando
53’ triple
expando
53’ triple
expando
53’ double
expando
53’ expando
51’
Triax,
Triax,
Fiber,
Fiber,or
or
Both
Both
Audio
Audio Console
Console
(Channels)
(Channels)
Number of
Cameras
& Make
HD
N
Both
Studer Vista 8 (256)
24 Sony
HD
N
Both
Studer Vista 8 (256)
16 Sony
HD
N
Both
Studer Vista 8 (256)
14 Sony
HD
N
Both
Studer Vista 8 (256)
14 Sony
HD
N
Both
None
8 Sony
SD
SD
N
N
Triax
Triax
Midas Legend 3000 (48)
Midas Legend 3000 (48)
12 Ikegami
8 Ikegami
Epic 3D
53’ double
expando
HD/3D
Y
Both
Studer Vista 8 (256)
18 Sony (9 3D rigs)
ENCORE
53’ expando
HD
N
Both
SSL C100 (96)
9 Sony, 2 Panasonic
POV
ÉVOLUTION
53’ expando
HD
N
Both
Calrec Sigma w\Bluefin (80)
8 Sony, 2 Panasonic
POV
INFINITY
53’ expando
HD
N
Both
PREMIERE
53’ expando
HD
N
Both
SSL C100 (96)
9 Sony, 2 Panasonic
POV
CHINOOK
53’ expando
SD
N
Triax
Calrec T-100 (48)
9 Sony, 2 Sony POV
CHAMPION
53’ expando
SD
N
Triax
Yamaha PM4000 (48)
8 Sony, 2 Sony POV
Truck One
14x30
HD
N
Fiber
Mackie Onyx (32)
5 JVC
Corplex Chromium HD
53’ expando
HD/3G
Y
Both
Calrec Apollo 128 Fader (240) +
MADI (8)
10 Sony
Corplex Iridium HD
53’ expando
HD
N
Both
Calrec Sigma (144)
10 Sony
Corplex Platinum HD
53’ triple
expando
HD
N
Both
Calrec Alpha 100 (192)
10 Sony
HD-1
28’ truck, 16’
trailer
HD/SD
N
Triax and RF
Midas Venice 320 (32)
6 Thomson, 2 JVC
Voyager 6
53’ expando
SD
N
N
Soundcraft Series 5 (56)
9 Sony
Voyager 7
48’
SD
N
N
Soundcraft Series 4 (44)
9 GV
Voyager 8
53’ expando
HD
Y
Both
Calrec Sigma Desk w/Bluefin (128)
19 Sony
Voyager 9
53’ expando
HD
Y
Both
Calrec Sigma Desk w/Bluefin (128)
13 Sony
Voyager 10 (under
construction)
53’ expando
HD
Y
Both
Calrec Artemis (256; exp, to 340)
10 Sony
CSP HD1
53’ expando
HD
N
Both
Calrec Omega (56)
8 Ikegami
CSP HD3
53’
HD
N
Both
Calrec Omega (56)
8 Ikegami
Calrec Artemis w\Bluefin (48 multi- 6 Sony, 2 Panasonic
layer)
POV
CSP
Crosscreek Television
Productions
CP Mobile
Productions
Corplex
Coastal
Media
Group
1080p/60
1080p/60
Dimensions
Dimensions HD/SD
HD/SD Capable
Capable
222
Mobile Sports Production Yearbook 2012
All information subject to change. Please contact the truck vendor’s
Website for the most current information on equipment and capabilities
Graphics
24 Fujinon
Switcher, M/E
Number Replay Devices
Still Store
Kits vary
Sony MVS8000A, 4M/E
4 6-ch EVS, HDCAM
Sony
16 Fujinon
Pinnacle Deko 3000
Kits vary
Sony MVS8000G, 4M/E
16 HDCAM
Sony
14 Fujinon
Avid Deko 3000,
Chyron HyperX3,
Infinit
Kits vary
Sony MVS8000, 4M/E
12 HDCAM
Sony
Chyron Infinit
Kits vary
Sony MVS8000, 4M/E
10 HDCAM or DigiBeta
Sony
Kits vary
Sony HDVS7250, 2.5M/E
As needed
Optional
Kits vary
Kits vary
GVG Kalypso, 4M/E
GVG4000, 3M/E
EVS, Tektronix Profile, as needed
10 DigiBeta or BetaSP, 2 VHS
Leitch
Leitch
Kits vary
Sony MVX8000X, 4M/E
4 EVS, 18 HDCAM
Sony
Sennheiser, Sony, Beyer,
Shure, Crown
GV Kalypso, 4M/E
15 Fujinon
8 Fujinon
12 Fujinon
9 Fujinon
18 Fujinon
9 Canon
11 Canon
6 Canon, 2
Fujinon
11 Canon
Chyron Infinit, Avid
Deko 3000
Avid Deko 3000
Chyron Infinit
Avid Deko 3000,
Chyron HyperX3,
Infinit
Chyron Hyper
X3, Lyric Pro |
Inscriber G3
Chyron Hyper X3, Lyric
Sennheiser, Sony, Beyer
Pro
Chyron Hyper
X3, Lyric Pro |
Inscriber G3
Chyron Hyper
X3, Lyric Pro |
Inscriber G3
6 Canon, 4 Chyron Hyper X3 Lyric
Fujinon
Pro| Inscriber G3
Chyron Hyper X2 Lyric
6 Canon, 4
Pro |
Inscriber
Fujinon
G3
Microphones
GV Kayenne, 4.5M/E
3 6-ch EVS XT2, XHub2, XFile2, 3
HDcam, 2 HDSR, XDcam, DigiBeta,
Beta SP/SX, DVD
6-ch EVS XT2+, 6-ch EVS XT2, 4-ch XS
Spotbox, XHub2, XFile2, HDcam, HDSR,
XDcam, DigiBeta
2 6-ch EVS XT2, XHub2, XFile2, 2
HDcam, HDSR, XDcam, DigiBeta,
Beta SP/SX, DVD
3 6-ch EVS XT2, XHub2, XFile2, 3
HDcam, 2 HDSR, XDcam, DigiBeta,
Beta SP/SX, DVD
GV Kalypso
GV Kayenne
Sennheiser, Crown, Sony
GV Kalypso, 4M/E
Sennheiser, Sony, Beyer,
Shure, Crown
GV Kalypso, 4M/E
Sennheiser, Audio
Technica, Sony, Shure,
EV, Crown
GV Kalypso, 4M/E
5-ch EVS XT, 4-ch EVS XT, R/O EVS XT,
DigiBeta, Beta SP/SX, DVD
GV Kalypso
Sennheiser, Beyer, EV,
Sony
GV 4000, 3M/E
4-ch EVS XT, 4-ch HCT, DigiBeta, Beta
SP/SX, DVD
Leitch SS
4-ch Abekas Mira
Abekas
Lenses vary
Chyron HyperX
Kits vary
FOR-A HVS 300
8 Fujinon,
7 Canon
Per client spec
Senn, Beyer, Sony, EV,
Shure
GV Kayenne, 4M/E
15 Canon
Per client spec
Senn, Beyer, Sony, EV,
Shure
GV Kalypso, 4 HD, 4M/E
15 Fujinon
Per client spec
Shure, Senn, A-T, Sony,
Sound Devices
GV Kalypso, 4M/E
6 Fujinon,
2 Canon
Chyron Duet SD
Senn
Panasonic HS450 HD-SDI,
16x4 I/O, 2 DVI out
11 Fujinon Chyron HyperX HD/SD
As requested
6 Canon, 3
Chyron HyperX HD/SD
Fujinon
EV, A-T, Sony, Shure
15 Fujinon
Chyron HyperX3
As requested
15 Fujinon
Chyron HyperX3
As requested
15 Fujinon
Chyron HyperX3
As requested
3 Fujinon,
7 Canon
Chyron Duet HyperX3
Full complement
7 Fujinon,
3 Canon
Chyron Duet HyperX3
Full complement
4 6-ch EVS XT2, Spotbox, 2 XHub2, 4-chl
Summit server, HDCAM, DigiBeta
2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS
XT2 RO, Spotbox, 2 XHub2, HDCAM,
DigiBeta
2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS
XT2 RO, Spotbox, 2 XHub2, HDCAM,
DigiBeta, BetaSP
Panasonic 1200 DVCPRO, 360 Systems
HD server 2 in, 2 out, EVS on request
6-ch EVS XT, 4-ch EVS XT, XFile, FFV, 4
DigiBeta, 6 Betacam
4-ch EVS XT2, XFile, 3 BetaSP, 3 DigiBeta,
GV Kalypso, 4M/E
FFV
2 6-ch EVS XT2, 2 4-ch EVS XT2, 3 EVS
GV Kayenne, 4M/E
XT2 RO, XFile{2}, EVS HUB, IPDirector, 2
DigiBeta, 4 DVCPRO
6-ch EVS XT2, 4-ch EVS XT, 3 EVS XT2
GV Kayenne, 4M/E
RO, XFile2, EVS XHub, IPDirector, 2
DigiBeta, 2 DVCPRO
6-ch EVS XT2+, 4-ch EVS
GV Kayenne, 4M/E,
XT2+,XFile2,EVS HUB,2 DigiBeta,
DVCPRO
GV Kayenne 400/25, 4M/E, 2 6-ch and 4-ch EVS XT2, 4-ch Spot Box/
20 ch of DPIs, and clip
RO EVS XT2, EVS IP Director, HDCAM,
player
DVCPRO, 2 DigiBeta, FFV
GVG Kayenne 400/25,
6-ch and 4-ch EVS XT2, 4-ch Spot Box/
4M/E, 20 ch of DPIs, and RO EVS XT2, EVS IP Director, HDCAM,
clip player
DVCPRO, 2 DigiBeta, FFV, FFV
GV Kalypso, 4M/E
GearBase
Lenses
GV Kalypso
GV Kalypso
GV Kayenne
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso
GV Keyenne
GV Kayenne
K2
GV Kayenne
K2
Kayenne
Mobile Sports Production Yearbook 2012
223
Company
CSP
CSP 5
40’
SD
N
N
Yamaha PM-3500 (48)
9 Ikegami
Horizon HD
53’
HD
N
Triax
Calrec Alpha 100 (360)
10 GV
Majestic HD w/B unit
53’
HD
N
Triax
Calrec Alpha 100 (360)
10 GV
Spirit HD
53’
HD
N
Both
Calrec Sigma (360)
10 Sony
Trillium HD w/B-Unit
53’
HD
N
Both
Calrec Alpha 100 w/Bluefin (540)
10 Sony
Tribute HD
53’
HD
N
Triax
Calrec (240)
10 GV
Thunder HD
53’
HD
Partial
Both
Calrec Sigma (360)
10 Sony
Echo HD
53’
HD
Partial
Both
Calrec Sigma (360)
10 Sony
Netstar
53’
SD
N
Triax
Soundcraft Series FIVE (52)
9 Ikegami
Unity
53’
SD
N
Triax
Calrec S2 (60)
9 Ikegami
ECO-1
58x20
SD
N
Triax
Yamaha PM4000 (52)
10 Sony
ECO-2
58x20
SD
N
Triax
Midas Heritage 2000 (56)
10 GV
ECO-3HD
30x18
HD
N
Triax
Yamaha (48)
4 GV
GTX-11
53’ expando
HD
N
Both
Calrec Omega w/Bluefin
13 Ikegami
GTX-12
53’ expando
HD
N
Both
Calrec Omega Digital w/Bluefin
13 Ikegami
GTX-14
53’ expando
HD
N
Both
Calrec Omega Digital w/Bluefin
14 Ikegami
HD
N
Both
Calrec Alpha w/Bluefin
14 Ikegami
HD
N
Both
Calrec Apollo w/Bluefin2
14 Ikegami
Game Creek Video
F&F Productions
ECO Broadcast
Solutions
Dome Productions
GearBase
Truck Name
226
GTX-15
GTX-16
1080p/60
Dimensions HD/SD Capable
53’ double
expando
53’ double
expando
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
Eagle A&B
53’ expando
HD
N
Both
Calrec Omega w/Bluefin (56)
10 Sony
Freedom A&B
53’ expando
HD
N
Both
Calrec Sigma 100 (64)
12 Sony
Intrepid A&B
53’ expando
HD
N
Both
Calrec Sigma 100 (64)
13 Sony
Northstar
53’ expando
HD
N
Both
Calrec Sigma w/Bluefin (64)
10 Sony
Patriot A&B
53’ expando
HD
N
Both
Calrec Alpha 100 (72)
12 Sony
14 Sony
Fox A,B,C (D,E)
2 53’ expando
HD
N
Both
Calrec Alpha w/Bluefin (96), Calrec
Sigma 100 (64)
Clipper A&B
53’ expando
HD
N
Both
Calrec Alpha 100 (72)
12 Sony
Liberty A&B
53’ dual expando
HD
N
Both
Calrec Alpha w/Bluefin (96)
12 Sony
Legends
53’ expando
HD
N
Both
Calrec Alpha w/Bluefin (80)
12 Sony
Dynasty A&B
53’ dual expando
HD
Y
Both
Calrec Alpha w/Bluefin (96)
10 Sony
Larkspur
53’ expando
HD
Y
Both
Calrec Alpha w/Bluefin (80)
11 Sony
Victory A&B
53’ dual expando
HD
Y
Both
Calrec Apollo (144)
10 Sony
Justice
53’ expando
HD
Y
Both
Calrec Apollo (144)
11 Sony
Southern Cross A&B
53’ expando
SD
N
Triax
Calrec Q2 (120)
12 Sony
GCV-B1
GCV-B2
53’
53’
HD
HD
Y
Y
N/A
N/A
N/A
N/A
N/A
N/A
Mobile Sports Production Yearbook 2012
All information subject to change. Please contact the truck vendor’s
Website for the most current information on equipment and capabilities
Graphics
Microphones
Switcher, M/E
5 Fujinon,
4 Canon
Chyron Duet HyperX
Full complement
GV 4000, 3M/E
11 Canon
Chyron HyperX3, Lyric
Pro
A-T, Senn, EV
GV Kalypso, 4M/E
14 Canon
Chyron HyperX3, Lyric
Pro
Senn, A-T, EV
GV Kalypso, 4M/E
Senn, A-T, EV
GV Kalypso, 4M/E
Senn, A-T, EV
GV Kalypso, 4M/E
Senn, A-T, EV
GV KAYENNE, 4M/E
A-T, Senn, EV
GV Kalypso, 4M/E
A-T, Senn, EV
GV Kalypso, 4M/E
A-T, EV, Senn, ME, RE
GV Kalypso, 4M/E
2 6-ch EVS, 4 DigiBeta, BetaSP
GV Kalypso
A-T, Senn, EV
GV Kalypso, 4M/E
2 6-ch EVS, 4 DigiBeta, BetaSP
GV Kalypso
Sony, Senn, HMDs
GVG Kalypso,
4M/E
11 Canon
14 Canon
11 Canon
11 Canon
11 Canon
9 Canon
9 Canon
10 Canon
Chyron HyperX3, Lyric
Pro
Chyron HyperX3, Lyric
Pro
Chyron HyperX3, Lyric
Pro
Chyron HyperX3, Lyric
Pro
Chyron HyperX3, Lyric
Pro
Chyron HyperX3, Lyric
Pro
Chyron HyperX3, Lyric
Pro
Chyron Duet HyperX
10 Fujinon
Chyron Duet Hyper X
5 Fujinon
Duet LEX HD
Sony, Senn, HMD
15 Fujinon
Chyron HyperX3
Senn, EV, Sony
15 Fujinon
Chyron HyperX3
Senn, EV, Sony
16 Fujinon
Chyron HyperX3
Senn, EV, Sony
16 Fujinon
Chyron HyperX3
Senn, EV, Sony
16 Fujinon
Sony, Senn, HMDs
Senn, EV, Sony
GVG Kalypso, 4M/E
MVS-8000GSF, 2M/E
GV Kalypso, 4M/E,
Doubletake
GV Kalypso, 4M/E,
Doubletake
GV Kalypso, 4M/E,
Doubletake
GV Kalypso, 4M/E,
Doubletake
GV Kayenne, 4M/E,
Doubletake
11 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso, 3M/E
15 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso Duo, 3M/E
15 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso Duo, 3M/E
12 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso, 3M/E
14 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso, 3M/E
18 Canon
As requested
Beyer, Senn, EV, Sony
GV Kayenne, 4M/E
16 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso Duo, 3M/E
16 Canon
As requested
Beyer, Senn, EV, Sony
GV Kayenne, 4M/E
14 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso, 3M/E
13 Canon
As requested
Beyer, Senn, EV, Sony
GV Kayenne, 4M/E
11 Canon
As requested
Beyer, Senn, EV, Sony
GV Kayenne, 4M/E
13 Canon
As requested
Beyer, Senn, EV, Sony
GV Kayenne, 4M/E
11 Canon
As requested
Beyer, Senn, EV, Sony
GV Kayenne, 4M/E
15 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso, 3M/E
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
Number Replay Devices
4-ch EVS XT2, 4-ch EVS LSM, XFile2, 2
BetaSP, 2 DigiBeta, FFV
2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot
XT2, XHub,
2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT2, Spot XS,
XHub,
2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot
XS, XHub2, 2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot
XT2, XHub2, 2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT3,
Spot XS, XHub,
2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot
XT2, XHub2, 2 HDCAM
2 6-ch EVS XT2+, 4-ch RO XT2, 4-ch Spot
XS, XHub2, 2 HDCAM
Still Store
Abekas
GearBase
Lenses
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kayenne
GV Kalypso
GV Kalypso
6-ch EVS XT, 3 Sony DVW-A500 VTR, 2
Sony BVW-D75 Beta SP
6-ch EVS XT, EVS XFile, 4 Sony
DVW-A500 VTR, Sony BVW-D75 Beta
SP,
2 Sony BVW-75 Beta SP
1 7Channel EVS XT3 4RU
2
AJA KiPro
1 Panasonic DVCPro
HD
2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2,
DVCPRO, DigiBeta
2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2,
DVCPRO, DigiBeta
2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2,
2-SRW5500, DigiBeta
2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2,
2 DVCPRO, DigiBeta
4 6-ch EVS HD XT2, 2-SRW5500,
DVCPRO, DigiBeta
2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta,
HDCAM, DVCPRO
2 6-ch EVS XT2, 3 4-ch EVS XT2 RO,
DVCPRO, HDCAM, DigiBeta
2 EVS XT2, 3 EVS RO, DVCPRO, DigiBeta
2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta,
HDCAM, DVCPRO
2 6-ch EVS XT2, 3 4-ch EVS XT2 RO,
DigiBeta, HDCAM, DVCPRO
2 6-ch EVS XT2, 4 6-ch XT2 super slo mo,
4 6-ch EVS RO, DVCPRO
2 4-ch EVS XT2, 3 4-ch EVS XT2 RO,
HDCAM
3 6-ch EVS XT2, 2 4-ch EVS RO,
DVCPRO, DigiBeta
2 6-ch EVS XT2, 2 4-ch EVS RO, 3
HDCAM, DigiBeta
2 EVS XT2, 4 EVS RO, DVCPRO, DigiBeta
2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta,
DVCPRO
2 EVS XT2+, 4 EVS RO, DVCPRO,
DigiBeta
2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta,
DVCPRO
6-ch XT, 6-ch XT super slo mo, 5 DigiBeta,
2 DigiBeta
N/A
N/A
GV Kalypso DVEous MX
Dual Twin
GV Kalypso DVEous MX
Dual Twin
GV Kalypso DVEous MX
Dual Twin
GV Kalypso DVEous MX
Dual Twin
GV Kayenne, K2 Summit
24-ch DVE
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kayenne
GV Kalypso
GV Kayenne
GV Kalypso
GV Kayenne
GV Kayenne
GV Kayenne
GV Kayenne
GV Kalypso
N/A
N/A
Mobile Sports Production Yearbook 2012
227
IMS
Company
Productions
GearBase
MIRA Mobile
Metrovision
Mansion
Mobile
Television
Lyon Video
JAS
Digital
Jones
Mobile
TV
230
Truck Name
1080p/60
Dimensions HD/SD Capable
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
IMS HD1
53’ expando
HD
Y
Both
Calrec Sigma (128)
16 Sony
IMS HD2
53’ dual expando
HD
Y
Triax
Calrec Sigma (128)
8 Sony
New Wave
29’ hybrid
HD
N
Fiber
Yamaha (40)
4 Sony
JMTV
51’ expando
SD
N
Triax
Yamaha PM4000 (56)
8 Sony
Lyon-1
38’ expando
HD
N
Both
Yamaha M7CL
(48)
6 GV
Lyon-2
38’ expando
HD
N
Both
Yamaha M7CL
(48)
6 GV
Lyon-3
50’ expando
SD
N
Triax
Yamaha PM4000 (56)
11 Ikegami
Lyon-5
53’ expando
HD
N
Triax
Calrec Q2 (120)
9 GV
Lyon-6
53’ expando
HD
N
Triax
Calrec Alpha (160)
10 GV
Lyon-7
53’ expando
HD
N
Triax
Calrec Sigma w/Bluefin (320)
11 GV
Lyon-8
53’ expando
HD
N
Both
Calrec Sigma w/Bluefin (320)
13 GV
Lyon-9
50’ expando
HD
N
Both
Calrec Omega Digital w/Bluefin
(160)
9 GV
Lyon-10
53’ expando
HD
N
Both
Calrec Omega Digital w/Bluefin
(160)
10 GV
Lyon-11
53’ expando
HD
Y
Both
Calrec Apollo w/Bluefin2 (1020)
16 GV
Lyon-12
53’ expando
HD
Y
Both
Calrec Artemis w/Bluefin2 (340)
12 GV
ME-1
50’ expando
SD
N
Triax
Yamaha PM1D (128)
9 Ikegami
ME-2HD
53’ expando
HD
N
Triax
SSL C-100HD (256)
11 GV, 2 Sony robos
Metro HD-1
40’ expando
HD/SD
N
Fiber
Studer Vista 5 Console (24)
10 Sony
Metro HD-2
40’ expando
HD/SD
N
Fiber
Calrec Omega Bluefin (64)
8 Sony
Metro HD-3
40’
HD/SD
N
Fiber
Allen & Heath ML5000 (32)
6 Sony
MIRA M4HD
53’ expando
HD
N
Both
Yamaha PM-5000 (64)
8 Sony
MIRA M5HD (dual feed)
53’ expando
HD
N
Both
Yamaha PM-5000 (64)
10 Sony
MIRA M6
53’ expando
SD
N
Triax
Soundcraft Series 5 (64)
10 Ikegami
MIRA M7HD
53’ expando
HD
N
Both
Calrec Sigma w/Bluefin (104 mono,
104 stereo)
10 Sony
MIRA M8HD
48’ expando
HD
N
Both
Calrec Omega w/Bluefin (64 mono,
48 stereo)
7 Sony
Mobile Sports Production Yearbook 2012
All information subject to change. Please contact the truck vendor’s
Website for the most current information on equipment and capabilities
Graphics
Microphones
Switcher, M/E
20 Canon
Chyron HPX
Senn, Beyer, Shure, Sony
GV Kalypso+K13, 4M/E
10 Canon
Chyron HPX
Senn, Beyer, Shure, Sony
GV Kayenne, 4.5M/E
4 Fujinon
Chyron HyperX2
Senn, Electrovoice
Sony MFS-2000, 1.5M/E
Number Replay Devices
Still Store
2 6-ch EVS XT2, 4 6-ch EVS XT2 RO,
SpotBox, XFile, SportsHub, DVCPRO,
HDCAM
6-ch EVS XT2, 4-ch EVS XT2, 2 4-ch
EVS XT2 RO, SpotBox, XFile, SportsHub,
DigiBeta
GearBase
Lenses
Sony
6-ch EVS XT2, 4-ch RO XT2, 4-ch
Spotbox, EVS XHub, XNet, XFile2, 2
DigiBeta, 2 BetaSP
6-ch EVS XT2,4-ch EVS XT2, XFile,
XHub, FFV HD, DVC Pro HD, DigiBeta
6-ch EVS XT2,4-ch EVS XT2, XFile,
XHub, FFV HD, DVC Pro HD, DigiBeta
6-ch EVS XT, 2 4-ch EVS XT, XFile, 2
DigiBeta, BetaSP, VHS
2 6-ch EVS XT2, 2 4-ch EVS XT2 RO,
XFile 2, FFV HD, HDCAM, DVCPRO,
DigiBeta, BetaSP, DVD
6-ch EVS XT2+, 6-ch EVS XT2, 4-ch
EVS XT2+ RO, 4-ch XT2 RO, EVS XT2+
Spotbox, XFile 2, DVCPRO, DigiBeta,
BetaSP, DVD
2 6-ch EVS XT2, 2 4-ch EVS XT2 RO,
EVS XT2 Spotbox, XFile 2, HDCAM,
DVCPRO, DigiBeta, BetaSP, DVD
3 6-ch EVS XT2, 3 4-ch EVS XT2 RO,
XFile2, HDCAM, DVCPRO, DigiBeta,
BetaSP, DVD
2 6-ch EVS XT2, 2 4-ch EVS XT2 RO,
EVS XT2 Spotbox, XFile2, DVCPRO,
HDCAM, DigiBeta, BetaSP, DVD
2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch
EVS XT2 RO, EVS XT2 SpotBox, XFile2,
DVCPRO, 2 HDCAM, DigiBeta, BetaSP,
DVD
4 6-ch EVS XT2+, 4-ch EVS XS2+
SpotBox, XFile2, DVCPRO, HDCAM,
DigiBeta, BetaSP, DVD
3 6-ch EVS XT2+, 4-ch EVS XT2+ RO,
EVS XT2+ SpotBox, XFile2, DVCPRO,
HDCAM, DigiBeta, BetaSP, DVD
10 Fujinon
Chyron HyperX3
A-T, Beyer, PZM, Sony,
EV, Lectro
GV 4000, 3M/E
6 Fujinon
Per request
Senn, A-T, Sony
GV Kalypso, 3M/E
6 Fujinon
Per request
Senn, A-T, Sony
GV Kalypso, 3M/E
13 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kalypso, 4M/E
10 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kalypso, 4M/E
19 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kayenne, 4.5M/E
11 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kalypso, 4M/E
16 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kalypso, 4M/E
20 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kayenne, 4.5M/E
12 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kayenne, 4.5M/E
9 Fujinon, Chyron HyperX2, Lyric
2 Canon
5.25
Senn, EV, Sony
GV Kalypso
4-ch EVS XT2, EVS 4-ch HTC, 4 DigiBeta,
2 BetaSP, 2 DVD
GV Kalypso
12 Canon
Chyron HyperX2
Senn, EV, Sony
GV Kalypso
2 6-ch EVS, 4-ch EVS RO, 2 HDCAM,
XDCAM, DVCPRO, 2 DVD
GV Kalypso
Fujinon
Chyron HyperX3, Lyric
Pro
A-T, Sony, EV
GV HD/SD Kalypso, 4M/E
2 6-ch EVS XT2, DigiBeta, DVD FFV,
DVCAM, DVCPRO
GV Kalypso
Fujinon
Chyron HyperX3, Lyric
Pro
A-T, Sony, EV
GV HD/SD Kalypso, 4M/E
2 6-ch EVS XT2, DigiBeta, DVD, FFV,
DigiBeta, DVCAM, DVCPRO
GV Kalypso
Fujinon
Chyron HyperX3, Lyric
Pro
A-T, Sony, EV
Sony HD/SD MVS-8000A, 6-ch EVS XT2, DigiBeta, DVD, DigiBeta,
2.5M/E
DVCAM, DVCPRO
9 Canon
Chyron HyperX3
Senn, Beyer, EV, Shure,
Sony
GV Kalypso, 4M/E
11 Fujinon
2 Chyron HyperX3
Senn, EV, Shure, Sony
GV Kalypso, 4M/E
1 Canon, 9
Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX3
Senn, Beyer, Shure, Sony
GV Kalypso, 4M/E
8 Fujinon
Chyron HyperX3
Senn, Shure, Sony
GV Kalypso, 4M/E
2 4-ch EVS XT2, 4-ch EVS RO XT2, EVS
Spotbox, XFile, FFV
2 6-ch EVS XT2+, 2 EVS XT 2+ RO, EVS
SpotBox, XFile, FFV
6-ch EVS XT, XFile, 4 DigiBeta, 2 BetaSP,
FFV
6-ch EVS XT2,4-ch EVS XT2, 2 4-ch EVS
XT2 RO, EVS SpotBox, XFile, XDCAM,
HDCAM, DigiBeta, BetaSP
6-ch EVS XT2, 4-ch EVS XT2, EVS
SpotBox, FFV, 2 DVD, BetaSP, DigiBeta
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kayenne
GV Kalypso
GV Kalypso
GV Kayenne
GV Kayenne
Sony MVS-8000A
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
Mobile Sports Production Yearbook 2012
231
MIRA Mobile Company
NCP
MPS
Mobile TV Group
GearBase
234
Truck Name
1080p/60
Dimensions HD/SD Capable
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
MIRA M9HD
53’ expando
HD
N
Both
Calrec Sigma w/Bluefin (104 mono,
104 stereo)
10 Sony
MIRA M10
53’ expando
SD
N
Triax
Yamaha PM-4000 (56)
10 Ikegami
MIRA M11HD
53’ expando
HD
N
Both
2X
50’ expando
SD
N
Triax
Calrec Sigma w/Bluefin (104 mono,
104 stereo)
Soundcraft Europa (48)
5HDX
53’ expando
HD
N
Triax
Soundcraft Series 5 (56)
10 GV
6HDX
53’ expando
HD
N
Triax
Soundcraft Series 5 (56)
10 GV
7HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV
8HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV
9HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV
11HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV
12HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV
10 Sony
8 Sony
14D
53’
SD
N
Triax
Yamaha PM 4000 (40)
8 Sony
16HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV
17HDX-S
18HDX-S
19HDX-S
40’ expando
40’ expando
40’ expando
HD
HD
HD
N
N
N
Triax
Triax
Triax
Yamaha PM 5000 (48)
Yamaha PM 5000 (48)
Yamaha PM 5000 (48)
6 GV
6 GV
6 GV
20HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV
21HDX-S
48’ expando
HD
N
Triax
Euphonix Max Air (84)
8 GV
22HDX-S
48’ expando
HD
N
Triax
Euphonix Max Air (108)
8 GV
23HDX-S
48’ expando
HD
N
Triax
Euphonix Max Air (108)
8 GV
PUMA HD
PUMA Colorado
32’ expando
32’ expando
HD
SD
N
N
Triax
Triax
Allen & Heath (40)
Allen & Heath (40)
6 GV
5 GV
24HDX
48’ expando
HD
N
Triax
Euphonix MaxAIR (108)
8 GV
25HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (22)
10 GV
26HDX
27HDX
28HDX
53’ expando
53’ expando
53’ expando
HD
HD
HD
N
N
N
Triax
Triax
Triax
10 GV
10 GV
10 GV
29HDX
53’ expando
HD
N
Triax
30HDX
53’ expando
HD
N
Triax
Euphonix System 5-B (22)
Euphonix System 5-B (24)
Euphonix System 5-B (24)
Euphonix System 5-B (256, exp. to
340)
Euphonix System 5-B (256, exp. to
340)
MPS 1
48’
SD 16:9
N
Triax
Yamaha PM-3500 (48)
10 Sony
MPS 3
28’
SD 16:9
N
Triax
Yamaha PM-2000 (48)
6 Sony
MU 4
50’ expando
SD 16:9
N
Triax
Yamaha PM4000 (56)
12 GV
MU 5
53’ expando
SD 16:9
N
Triax
SSL Axiom MT+ (192)
10 Sony
NCP II
53’ expando
SD
N
Both
Yamaha PM 5000 (52)
11 Ikegami
NCP III
53’ expando
HD
Y
Triax
Calrec S (48)
10 GV
NCP IV
53’ expando
HD
Y
Both
Calrec Sigma w/Bluefin (72)
12 Ikegami, 1
Panasonic
NCP VII
53’ expando
HD
Y
Triax
Calrec Alpha (96)
12 GV, 1 Panasonic
NCP VIII
53’ expando
HD
Y
Both
Calrec Alpha w/Bluefin (96)
12 Ikegami, 1 Sony
Mobile Sports Production Yearbook 2012
10 GV
10 GV
All information subject to change. Please contact the truck vendor’s
Website for the most current information on equipment and capabilities
Graphics
Microphones
Switcher, M/E
12 Fujinon
Chyron HyperX3
Senn, Beyer, Shure, Sony
GV Kalypso, 4M/E
10 Fujinon
Chyron LEX
Senn, EV, Sony
GV Kalypso, 4M/E
11 Fujinon
Chyron HyperX3
Senn, Beyer, Shure, Sony
GV Kalypso, 4M/E
Still Store
2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS
SpotBox, XFile, 1 DVCPRO, DigiBeta
6-ch EVS XT, XFile, FFV, 4 DigiBeta, 2
BetaSP, 2 DVD
2 6-ch EVS XT2+, 3 4-ch EVS XT2+ RO,
EVS SpotBox, XFile, 1 DVCPRO, DigiBeta
3 EVS, 3 BetaSP
2 4-ch EVS XT, 6-ch XT2, DigiBeta, 2
BetaSP
2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS
XT RO, DigiBeta, 2 BetaSP
2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS
XT RO, DigiBeta, 2 BetaSP
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso
GV Kalypso, Abekas
ClipStore
GV Kalypso, Abekas
ClipStore
GV Kalypso, Abekas
ClipStore
10 Canon
Chyron LEX
A-T, Senn, EV, Sony
GV 3000, 3M/E
11 Canon
Chyron HyperX, LEX
A-T, Senn, EV, Sony
GV Kalypso, 4M/E
11 Canon
Chyron HyperX, LEX
A-T, Senn, EV, Sony
GV Kalypso, 4M/E
11 Canon
Chyron HyperX, LEX
A-T, Senn
GV XTEN DD, 4M/E
Chyron HyperX, LEX
A-T, Senn
GV Kalypso, 4M/E
2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS
XT RO, DigiBeta, 2 BetaSP
GV Kalypso, Abekas
ClipStore
Chyron HyperX, LEX
A-T, Senn
GV Kalypso, 4M/E
2 4-ch EVS XT, 4-ch EVS XT RO, 2 XFiles,
DigiBeta, BetaSP
GV Kalypso, Abekas
ClipStore
12 Canon
2 Chyron HyperX
A-T, Senn
GV Kalypso, 4M/E
12 Canon
2 Chyron HyperX
A-T, Senn
GV Kalypso, 4M/E
GV Kalypso, Abekas
ClipStore
GV Kalypso, Abekas
ClipStore
Sony
GV Kalypso, Abekas
ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
10
Canon, 1
Angenieux
10
Canon, 1
Angenieux
Number Replay Devices
9 Canon
Chyron LEX
Senn
Sony DVS 7250, 3.5M/E
12 Canon
2 Chyron HyperX
A-T, Senn, EV
GV Kalypso, 4M/E
8 Canon
8 Canon
8 Canon
Chyron HyperX
Chyron HyperX
Chyron HyperX
Senn, Sony, EV
Senn, Sony, EV
Senn, Sony, EV
GV Kayak-300, 3M/E
GV Kayak-300, 3M/E
GV Kayak-300, 3M/E
12 Canon
Chyron HyperX
A-T, Senn, EV
GV Kalypso, 4M/E
10 Canon
Chyron HyperX
Senn, Sony, EV
GV Kalypso, 3M/E
12 Canon
Chyron HyperX
Senn, Sony, EV
GV Kayak, 4.5M/E
9 Canon
Chyron HyperX
Senn, Sony, EV
GV Kalypso, 3M/E
5 Canon
5 Canon
Chyron Duet
Chyron Duet
Senn, Sony, EV
Senn, Sony, EV
GV Kayak
GV Kayak
9 Canon
Chyron HyperX
Senn, Sony, EV
GV Kayak, 3.5M/E
11 Canon
Chyron HyperX
Senn, Sony, EV
GV Kayenne, 4M/E
11 Canon
11 Canon
11 Canon
Chyron HyperX
Chyron HyperX
Chyron HyperX
Senn, Sony, EV
Senn, Sony, EV
Senn, Sony, EV
GV Kayenne, 4M/E
GV Kayenne, 4M/E
GV Kayenne, 4M/E
2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS
XT RO, DigiBeta, 2 BetaSP
2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS
XT RO, DigiBeta, 2 BetaSP
EVS, 3 BetaSP
2 4-ch EVS XT2, 6-ch EVS XT2, 2 4-ch
EVS XT RO, XFile, DigiBeta, 2 BetaSP
6-ch EVS XT, 6-ch EVS XT RO, DVD
6-ch EVS XT, 6-ch EVS XT RO, DVD
6-ch EVS XT, 6-ch EVS XT RO, DVD
2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS
XT RO, DigiBeta, 2 BetaSP
6-ch EVS XT, 4-ch EVS XT, 4-ch EVS XT
RO, BetaSP, DigiBeta, DVD
2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS
XT RO, DigiBeta, 2 BetaSP, DVD
6-ch EVS XT, 4-ch EVS XT, 2 4-ch EVS XT
RO, BetaSP, DVD
4-ch EVS XT, 4-ch EVS XT RO, BetaSP
4-ch EVS, DVCAM, DVD
6-ch EVS, 4-ch EVS, 4-ch EVS RO, XFile,
BetaSP, DigiBeta, DVD
2 4-ch EVS XT2, 6-ch EVS XT2, 2 4-ch
EVS XT RO, 2 XFile, DigiBeta, 2 BetaSP
5 EVS
5 EVS
5 EVS
11 Canon
Chyron HyperX
Senn, Sony, EV
GV Kayenne, 4M/E
5 EVS
Internal, Abekas ClipStore
GV Kayenne, 4M/E
5 EVS
Internal, Abekas ClipStore
GV Kalypso, 4M/E
4-ch EVS, 4-ch EVS XT, 2 DigiBeta, 3
BetaSP, FFV
GV Kalypso
GV Kalypso, 4M/E
2 4-ch EVS LSM, DigiBeta, 2 Beta SP, FFV
GV Kalypso
11 Canon
Chyron HyperX
Senn, Sony, EV
6 Canon, 4
Fujinon
3 Canon, 3
Fujinon
6 Canon, 4
Fujinon
6 Fujinon,
5 Canon
Chyron Duet HyperX2
w/Cmix
EV, Sony, Shure, Senn,
Rohde
EV, Sony, Shure, Senn,
Rohde
EV, Sony, Shure, Senn,
Rohde
EV, Sony, Shure, Senn,
Rohde
Chyron Duet HyperX2
Chyron Duet HyperX2
w/Cmix
Chyron Duet HyperX3
GV Kalypso, 4M/E
GV Kalypso, 4M/E
7 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso Duo, 4M/E
8 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 3M/E
13 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
13 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
14 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso Duo, 4M/E
6-ch EVS XT, 4-ch EVS XT2, XFile, 4
DigiBeta, 2 BetaSP, FFV
6-ch EVS XT, 4-ch EVS XT, XFile, 4 Digi
Beta, 2 Beta SP, FFV
6-ch EVS XT, 4-ch EVS HCT, FFV, 6
DigiBeta, 2 BetaSP
3 4-ch EVS XT, 4-ch EVS RO, HDCAM,
2 DigiBeta
2 6-ch EVS XT2 XT, 2 6-ch EVS XT2 RO,
EVS XT2 SpotBox, 2 DigiBeta, BetaSP,
DVCPRO, Gig-E, Multicam 10
2 6-ch EVS XT2, 3 4-ch EVS RO XT2,
EVS SpotBox, 2 HD DVCPro, HDCAM 2
DigiBeta, Gig-E, Multicam 10
6-ch EVS XT2, 4-ch EVS XT2, 3 4-ch EVS
RO XT2, EVS XT2 SpotBox, DigiBeta,
DVCPRO, 2 HDCAM, Gig-E, Multicam
10
GearBase
Lenses
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Abekas ClipStore
Internal, Spotbox
Internal, Abekas ClipStore
GV Kalypso
GV Kalypso
As requested
As requested
As requested
As requested
As requested
Mobile Sports Production Yearbook 2012
235
Company
1080p/60
Dimensions HD/SD Capable
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
NCP IX
53’ expando
SD
N
Triax
Yamaha PM1D (48)
9 Sony
NCP X
53’ expando
HD
Y
Triax
Calrec Alpha w/Bluefin (96)
16 GV, 1 Panasonic
NCP XI
53’ expando
HD
Y
Both
Calrec Sigma w/Bluefin (72)
10 Ikegami
NCP XII
53’ expando
HD
Y
Triax
SSL C100 (92)
10 Sony
NCP XIV
53’ expando
HD
Y
Both
Calrec Sigma w/Bluefin (72)
10 Ikegami, 1
Panasonic
ND-2
53’ expando
HD
N
Both
Calrec Q2 (120)
Up to 14 Sony
ND-3
53’ expando twin
HD
N
Both
Calrec Alpha w/Bluefin (86)
23 Sony
ND-4
53’ expando twin
HD
N
Both
Calrec Alpha w/Bluefin (86)
14 Sony
Red & Black
53’ expando twin
HD
N
Triax
Calrec Alpha w/Bluefin (86)
11 Sony
SS10
53’ expando twin
HD
N
Both
Calrec Alpha w/Bluefin (96)
22 Sony
SS11
53’ expando
HD
N
Both
Calrec Omega w/Bluefin (64)
10 Sony
SS14
53’ expando
HD
N
Triax
Calrec Alpha (48)
10 GV
SS16
53’ expando with
B unit
HD
N
Triax
Calrec Sigma w/Bluefin (64)
10 Sony
SS17
53’ expando
HD
N
Both
Calrec Sigma w/Bluefin (64)
10 Ikegami
SS18
53’ expando
HD
N
Triax
Calrec Sigma w/Bluefin (64)
11 GV
SS19
53’ expando
HD
N
Both
Calrec Sigma w/Bluefin (64)
10 Sony
SS20
53’ expando
HD
N
Triax
Calrec Sigma w/Bluefin (64)
12 Sony
SS21
53’ expando twin
HD
N
Both
Calrec Alpha w/Bluefin (86)
15 Sony, 5 GV
SS22
53’ expando
HD
N
Both
Calrec Apollo w/Bluefin
12 Sony
SS24
53’ expando twin
HD
N
Both
Calrec Alpha w/Bluefin (86)
15 Sony
SS23
53’ expando with
B unit
HD
N
Triax
Calrec Alpha (64)
10 GV
HD
N
Both
Calrec Alpha w/Bluefin (86)
15 GV, 1 Panasonic
HD
N
Triax
Calrec Sigma w/Bluefin (64)
10 GV
NEP
NCP
GearBase
Truck Name
SS25
SS28
238
53’ expando twin
with carry-all
truck
53’ expando with
B unit
SS29
53’ expando twin
HD
N
Both
Calrec Artemis (60)
10 Sony, 2
Panasonic
SS31
53’ expando
3D
N
Both
Calrec Q2 (60)
Up to 8 Sony 3D
SS32
53’ expando
3D
Y
Both
Calrec Alpha w/Blufin (72)
Up to 8 Sony 3D
SS4
52’ expando
SD
N
Both
Calrec S2 (60)
12 Sony
Mobile Sports Production Yearbook 2012
All information subject to change. Please contact the truck vendor’s
Website for the most current information on equipment and capabilities
Graphics
Microphones
Switcher, M/E
9 Fujinon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
18 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
11 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
12 Canon
As requested
Senn, EV, Sony
Sony MVS8000, 4M/E
13 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
10 Canon
As requested
Senn, Sony, EV, Shure,
Sanken
GV Kalypso, 4M/E
22 Canon
As requested
Senn, Sony, EV, Shure
Sony MVS-8000A, 4M/E
16 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
13 Fujinon
As requested
Senn, Sony, EV, Shure
GV Kayenne 4M/E
26 Fujinon
As requested
Senn, Sony, EV, Shure
Sony MVS-8000, 3.5M/E
13 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
11 Fujinon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
11 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
11 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso Duo, 4M/E
11 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
9 Canon, 2
Fujinon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
10 Canon,
2 Fujinon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
19 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso Duo, 4M/E
13 Canon
As requested
18 Canon
As requested
Senn, Sony, EV, Shure
Sony MVS-8000, 3.5M/E
13 Fujinon
As requested
Senn, Sony, EV
GV Kalypso, 4M/E
15 Canon,
2 Fujinon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
10 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
13 Canon
As requested
Senn, Sony, EV, Shure
GV Kayenne, 4M/E
As
requested
As requested
As requested
Sony MVS-8000X, 4M/E
As
requested
As requested
As requested
Sony MVS-8000A, 4M/E
13 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
GV Kalypso, 7M/E
Number Replay Devices
6-ch EVS XT, 4-ch EVS XT, 4 DigiBeta, 1
BetaSP, FF
3 6-ch EVS XT2, 4 6-ch EVS XT2,
6-ch EVS XT2 SpotBox, 2 DigiBeta, 2
DVCPRO, Gig-E, Multicam 10
2 6-ch EVS XT2, 3 4-ch EVS RO XT2, EVS
SpotBox, DVCPRO, 2 DigiBeta, Gig-E,
Multicam 10
2 6-ch EVS XT2, 3 4-ch EVS XT2 RO,
EVS XT2 SpotBox, XDCAM, 2 DigiBeta,
2 BetaSP
2 6-ch EVS XT2, 2 6-ch EVS RO XT2,
EVS XT2 SpotBox, 2 HDCAM, XDCAM,
DigiBeta, Gig-E, Multicam 10
Wired for 8 VTR and 4 EVS as requested
6 6-ch EVS XT2, 4-ch EVS XT2, 2 EVS
XT2 with Super Motion, EVS SpotBox,
EVS Sport Net Hub, DigiBeta, 3 HDCAM
SRW, 2 HDCAM
6 6-ch EVS XT2, EVS SpotBox, EVS Sport
Net Hub, DigiBeta, 3 HDCAM, HDCAM
SRW
2 6-ch EVS XT2, 4 EVS XT2, SpotBox,
Sports Net Hub, 8 HDCAM, 2 SRW
4 6-ch EVS XT2, 2 6ch EVS XT2 Super
Motion, Sports Net Hub, EVS SpotBox, 2
DigiBeta, 3 HDCAM SRW, 2 DVCPRO
3 6-ch EVS XT2, 4-ch EVS XT2 RO, EVS
XT2 SpotBox, Sport Net Hub, DigiBeta,
DVCPRO, 2 HDCAM
2 6-ch, 2 4-ch EVS XT2, EVS XT2, EVS
SpotBox, DigiBeta, 2 HD Cam
4 6-ch EVS XT2, EVS SpotBox, Sport Net
Hub, 2 HD Cam, DVC Pro, DigiBeta
2 6-ch EVS XT2, 2 4-ch EVS XT2, EVS
SpotBox, DigiBeta, 5 HDCAM, HDCAM
SRW
4 6-ch EVS XT2, EVS SpotBox, DigiBeta
3 6-ch EVS XT2, 4-ch EVS XT2, EVS
SpotBox, Sport Net Hub, DigiBeta, 2
DVCPRO, HDCAM, SRW
5 6-ch EVS XT2, 4-ch EVS XT2, EVS
SpotBox, Sport Net Hub, DigiBeta,
DVCPRO, HD Cam, SRW
12 6-ch EVS XT2, Sport Net Hub, EVS
SpotBox, DigiBeta, DVCPRO, SRW
5 6-ch EVS XT2, EVS Sport Box, Sport Net
Hub, HD Cam, DVC Pro, DigiBeta
6 6-ch EVS XT2, 2 DigiBeta, 2 EVS
SpotBox, Sport Net Hub, 3 HDCAM,
HDCAM SRW, DVC Pro
2 6-ch EVS XT2, 2 4-ch EVS XT2 RO,
EVS Spotbox, Sport Net Hub, 2 DVCPRO,
HDCAM, DigiBeta
8 EVS XT2, EVS XT2 Super Motion,
EVS SpotBox,Sport Net Hub, DigiBeta, 2
DVCPRO
2 6-ch EVS XT2, 3 4-ch EVS XT2, EVS
SpotBox, 2 DigiBeta, DVCPRO, HDCAM
3 6-ch EVS XT2, 2 6-ch EVS XT2 RO,
EVS SpotBox, Sport Net Hub, DigiBeta, 2
DVCPRO
Wired for 6 EVS XT2 and 10 tape
machines, as requested
5 6-ch ECS XT2+, 6-ch EVS XT2+, Spot
Box, 3 SRW dual stream, DVC Pro, 2
Blu-ray
4 6-ch EVS XT, EVS XT, SpotBox, 4
DigiBeta
Still Store
As requested
GearBase
Lenses
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
Mobile Sports Production Yearbook 2012
239
Company
Slipstream Raycom PROSHOW
Sports
Media
B’CAST
NEP Denali
NEP
GearBase
Truck Name
SDTV TL Mobile
Television
Token Creek Trio Video
Turner
Studios Audio Console
(Channels)
Number of
Cameras
& Make
48’ expando
SD
N
Both
Yamaha PM 4000-48C (44)
13 Ikegami
SS5
52’ expando
SD
N
Both
Calrec S2 (60)
12 Sony
SS7
52’ expando
SD
N
Both
Calrec S2 (60)
12 Sony
SS9
53’ expando twin
HD
N
Triax
Calrec Sigma w/Bluefin (64)
10 GV
Gold
53’ expando
SD
N
Both
Calrec Q2 (120)
12 Sony
California
53’ expando
HD
N
Both
Calrec Apollo (144)
up to 16 Sony
Summit
53’ expando twin
HD
N
Both
Calrec Alpha w/Bluefin (96)
up to 24 Sony
Prodigy
40’
HD
N
Triax
Yamaha M7 (48)
8 Sony
Maestro
40’ expando
HD
N
Triax
Calrec Omega (112)
10 Sony
HD1
53’ expando
HD/SD
Y
Both
Calrec Omega Audio Console w/
Bluefin (48)
12 Sony
R4
51’
SD
N
Triax
Yamaha PM 4000 (48)
8 Ikegami
SSM 1
53’
SD
N
Triax
Yamaha PM 3500 (48)
6 Sony
SD
N
Triax
Allen & Heath ML4000 (40)
8 Sony
HD
Y
Both
Calrec Zeta (56)
7 Sony
HDLA
YES
Productions
Triax,
Fiber, or
Both
SS2
ExpandoLink
242
1080p/60
Dimensions HD/SD Capable
40’ combo/
expandable
40’ combo/
expandable
HD Link
32’ combo
HD/SD
Y
Triax
Yamaha 02R96 (24)
None
Hollywood
50’ expando
HD
N
Triax
PM 4000 44 (analog)
7 GV
Hiawatha
53’
HD
N
Triax
Calrec w/Bluefin (56)
8 GV
Chippewa
48’ expando
SD
N
Triax
Yamaha PM 4000 (52)
12 Sony
Varsity
53’ expando
HD
N
Triax
Calrec Sigma w/Bluefin (80)
10 GV
Tango
53’ expando
HD
N
Triax
Calrec Alpha 100 (88)
12 GV
Rhythm
53’ expando
HD
N
Triax
Calrec Sigma 100 w/Bluefin (212)
9 GV
Phoenix
53’ expando
HD
N
Triax
Calrec Sigma (62)
9 GV
Tempo
48’ expando
HD
N
Triax
Calrec Omega w/BlueFin (112)
9 GV
TS1
53’ expando
HD
Y
Both
Calrec Alpha w/Bluefin (318)
12 Ikegami
TS2
53’ expando
HD
Y
Both
Calrec Alpha w/Bluefin (318)
12 Ikegami
HD1
53’ expando
HD
N
Both
Calrec Sigma w/Bluefin (64)
9 Ikegami
HD2
53’ expando
HD
N
Both
Calrec Omega w/Bluefin (56)
8 Ikegami
Mobile Sports Production Yearbook 2012
All information subject to change. Please contact the truck vendor’s
Website for the most current information on equipment and capabilities
Graphics
Microphones
Switcher, M/E
15 Canon,
1 Fujinon
As requested
Senn, Sony, EV, Shure
GV 4000, 3.5M/E
12 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
13 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
11 Fujinon,
1 Canon
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
As requested
Senn, Sony, EV, Shure
As requested
Fujinon
As
requested
2 Canon,
up to 20
Fujinon
7 Canon,
1 Fujinon
9 Canon,
1 Fujinon
Still Store
7 DigiBeta, BetaSP
As requested
GV Kalypso, 4M/E
3 6-ch EVS XT, EVS XT, SpotBox, 6
DigiBeta
3 6-ch EVS XT, EVS SpotBox, 6 DigiBeta
2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch
EVS XT RO, EVS SpotBox, DigiBeta,
HDCAM
Up to 20 on request
As requested
Senn, Sony, EV, Shure
GV Kalypso, 4M/E
Up to 16 VTRs and 5 servers on request
As requested
As requested
Senn, Sony, EV, Shure
GV Kalypso Duo HD,
4M/E
20 VT or 7 EVS on request, 2 EVS SpotBox
As requested
Chyron HyperX2
Senn, Sony, EV
Sony MVS-8000, 2.5 M/E
2 6-ch EVS XT[2] LSM, HDCAM,
DVCPro, KiPro, DVD
Sony MVS-8000,
Abekas Clipstore
Chyron HyperX2
Senn, Sony, EV
GV Kalypso, 4 M/E
GV Kalypso,
Abekas Clipstore
Senn, A-T
GV Kayenne HD, 4M/E
2 6-ch EVS XT[2] LSM, HDCAM,
Digibeta DVCPro, KiPro, DVD
2 6-ch EVS XT2+, 2 4-ch EVS RO XT2+,
4-ch EVS Spotbox, EVS XFile
Senn, Sony, Shure
GV 3000-3T, 3M/E
2 EVS 4 Ch. XT2+, 1 EVS 4 Ch. RO
Abekas
Chryon Duet HyperX3
HD/SD
2 Canon, 6 Chyron Duet Hyper X2
Canon
HD/SD
10 Canon
Number Replay Devices
As requested
As requested
As requested
As requested
4 Canon
Chyron LEX, Infinit
Senn, A-T, EV
GV 3000, 3M/E
5 BetaSP, FFV
Abekas
8 Canon
Chyron Duet
Senn, Sony
DVS 7350, 3.5M/E
EVS XT, 6 BVW-D75, DVW-500, Doremi
Sony
4 Canon
Chyron HyperX2
Senn, Sony
Sony MVS 8000, 4M/E
EVS XT2 HD, XFile, 2 HDW-S2000
None
Chyron Max
Senn, Sony
Sony MFS-2000, 1.5M/E
Sony BVW-75, Sony BVW-D75, 2 Sony
PVW-2800
8
Angenieux,
2 Canon
Chyron HyperX
EV, Shure, Senn
GVG Kayenne 3M/E
6-ch EVS,4-ch EVS, Spotbox, XFile, 2
DigiBeta
10
Angenieux
Chyron HyperX3
Senn, Shure, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX
Senn, A-T, Sony, Shure
GV Kalypso, 4M/E
15
Angenieux,
1 Fujinon
Chyron HyperX3
Senn, Shure, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX3
Senn, Sony, Shure
GV Kalypso, 4M/E
9 Fujinon
Chyron HyperX3
Senn, Sony, Shure
GV Kalypso, 4M/E
9 Fujinon
Chyron HyperX3
Senn, Sony, Shure
GV Kalypso, 4M/E
9 Canon
Chyron HyperX3
Senn, Sony, Shure
GV Kalypso, 4M/E
Senn, Sony, Neumann,
Sanken
Senn, Sony, Neumann,
Sanken
6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS
XT2 RO, XFile2, SpotBox, NetGuard Hub,
BetaSP, DigiBeta, DVCPRO, HDCAM
6-ch EVS XT, 4-ch EVS XT, 4-ch EVS
XT RO, EVS X-File, 2 DigiBeta, BetaSP, 5
DigiBeta, 3 DVD, FF Lane Control
6-ch EVS XT2, 4-ch EVS XT2, EVS XT2
RO, XFile2, SpotBox, Sport Hub 2, BetaSP,
DigiBeta, DVCPRO, HDCAM
2 6-ch EVS XT2, 2 4-ch EVS XT2 RO,
SpotBox
6-ch EVS XT2, 4-ch EVS XT2, 4-ch RO
XT2, SpotBox
6-ch EVS XT2, 4-ch EVS XT2+, 4-ch RO
XT2+, SpotBox
6-ch EVS XT2, 4-ch EVS XT2, 4-ch RO
XT2, SpotBox
2 6-ch EVS XT, 2 4-ch EVS XT, 2 DigiBeta,
3 HDCAM
2 6-ch EVS XT, 2 4-ch EVS XT, 2 DigiBeta,
3 HDCAM
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
13 Canon
Chyron HyperX3
13 Canon
Chyron HyperX3
10 Fujinon
Chyron HyperX3
Standard audio
GV Kalypso Duo HD
6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2
RO, 4-ch EVS XS SpotBox, XNet, XFile,
XHub, HDCAM, DigiBeta, FFV
GV Kalypso
8 Fujinon
Chyron HyperX3
Standard audio
GV Kalypso Duo HD
6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2
RO, 4-ch EVS XS SpotBox, XNet, XFile,
XHub, HDCAM, DigiBeta, BetaSP, FFV
GV Kalypso
GV Kalypso, 4M/E
GV Kalypso, 4M/E
GearBase
Lenses
Kalypso internal
Kalypso internal
Mobile Sports Production Yearbook 2012
243
SVGSponsorDirectory / AdIndex
246
SVG Sponsor
Page
Level
Contact
email
phone
3ality Technica
81
Corporate
Steve Schklair
steve@3alitydigital.com
818-333-3000
Abekas
19
Premier
Junaid Sheikh
junaid@abekas.com
650-470-0903
Active Storage
177
Corporate
Jeff Lowe
jefflowe@activestorage.com
310-212-5248
Adobe Systems
178
Corporate
Anita Engelman
aengelma@adobe.com
408-536-2327
ADTEC Digital
39
Premier
Kevin Ancelin
kevina@adtecinc.com
904-720-2003
Aerial Video Systems
195
Mobile
Argyle Nelson
argyle@aerialvideo.com
818-954-8842
AJA Video Systems
117
Corporate
Shea Byrnes
shea@aja.com
415-834-5675
All Mobile Video
244
Mobile
Eric Duke
eduke@amvchelsea.com
212-727-9862
Alliance Productions
186
Mobile
Craig Farrell
Craig@allianceproductions.com
501-219-2653
Alpha Video
197
Mobile
Jeffrey Volk
jeffv@alphavideo.com
952-841-3311
Amberfin
58
Corporate
Geoff Bowen
geoff.bowen@amberfin.com
818-768-8948
Arctek Satellite
Productions
205
Mobile
Brian Stanley
bstanley@arcteksat.com
612-308-9079
Arqiva
66
Corporate
Simon Thrush
simon.thrush@arqiva.com
202-728-8615
Artel Video Systems
91
Corporate
Richard Dellacanonica
rhd@artel.com
978-795-4914
Aspera
56
Premier
Michelle Munson
michelle@asperasoft.com
510-849-2386
ATEME
150
Corporate
Pierre Lauzon
p.lauzon@ateme.com
514-907-1351
Audio-Technica
151
Corporate
Mike Edwards
medwards@atus.com
330-686-2600
Avid
32
Platinum
Mary Stevens
Mary.Stevens@avid.com
650-731-6627
Axis Global Logistics
102
Corporate
Brian Harvey
bharvey@axisg.com
718-906-2866
Axon Digital
143
Corporate
John Carapella
john.carapella@axon.tv
866-757-9890
Azzurro System
Integration
202
Mobile
Francis Luperella
fluperella@azzurrohd.com
201-784-2020
The Studio - B&H
11
Premier
Michael Kolat
michaelk@bhphotovideo.com
212-239-7500
Beck Associates
249
Mobile
Fred Wright
fwright@becktv.com
512-252-7555
Bexel
4
Platinum
Lee Estroff
lestroff@bexel.com
770-448-8522
Blackmagic Design
9
Platinum
Mel Atherton
melissa@blackmagic-design.com
[61] 3 9682 4770
Broadcast Pix
61
Corporate
Arco Groenenberg
agroenenberg@broadcastpix.com
415-310-2646
Broadcast Services
Int’l.
193
Mobile
Brooke Eady
brooke@bsi-tv.com
905-332-2171
Broadcast Sports
145
Corporate
Peter Larsson
Peter.Larsson@l-3com.com
443-831-1296
Calrec Audio
55
Premier
Kevin Emmott
kevin.emmott@calrec.com
[44] 1422 842159
Canon Broadcast
15
Platinum
Rich Eilers
reilers@cusa.canon.com
201-807-3342
CAT Entertainment
Services
217
Mobile
Phil Wessels
phil.wessels@ringpower.com
904-494-7550
CBC Mobile
Productions
187
Mobile
Dale Smith
dale.smith@cbc.ca
416-205-6513
CBT Systems
199
Mobile
Darrell Wenhardt
darrell@cbt-net.com
858-536-2927
Chyron
29
Premier
Bonnie Barclay
bbarclay@chyron.com
631-845-2179
Cisco
34
Premier
Michael Caponigro
mcaponig@cisco.com
408-527-6111
Civolution
89
Corporate
Emmanuel Josserand
emmanuel.josserand@civolution.com
[44] 20 7845 7371
Clear-Com - A HME
Company
157
Corporate
Judy Cheng
judy.cheng@clearcom.com
510-337-6676
Coastal Media Group
182
Mobile
Bob Adler
bob@cngnow.com
818-880-9800
Cobalt Digital
83
Premier
Bob McAlpine
Bob.McAlpine@cobaltdigital.com
631-651-2713
Comcast Media
Center
137
Corporate
Jeff Rohr
jeff.rohr@cable.comcast.com
303-486-3811
Communications
Engineering Inc.
165
Mobile
Phil Whitebloom
phil.whitebloom@commeng.com
703-550-5800
Corplex
229
Mobile
Scott West
scott@corplex.tv
847-457-1430
CP Communications
225
Mobile
Kurt Heitmann
kurt.heitmann@cpcomms.com
914-345-9292
CrossCreek
247
Mobile
Spruce McRee
spruce@crosscreektv.com
205-663-4411
Crown Castle
135
Corporate
Sandy deSosta
sandy.desostoa@crowncastle.com
724-416-2444
CSP Mobile
218
Mobile
Len Chase
len@cspmobile.com
207-282-9680
Dale Pro Audio
114
Corporate
Tim Finnegan
tim@daleproaudio.com
212-475-1124
Mobile Sports Production Yearbook 2012
SVG Sponsor Directory / Ad Index
SVG Sponsor
Page
Level
Contact
email
phone
Dalet Digital Media
Systems
95
Corporate
Raoul Cospen
rcospen@dalet.com
[33] 1 41 27 67 53
Digico
14
Premier
Jack Kelly
jackk@g1limited.com
516-249-1399
Diversified Systems
126
Mobile
Fred D’Alessandro
fd@divsysinc.com
908-245-4833
Dolby
124
Corporate
Dale Schweppe
dale.schweppe@dolby.com
415-558-0158
Dome Productions
220
Mobile
Mary Ellen Carlyle
mcarlyle@domeprod.com
416-341-2022
DTAGS
185
Mobile
Sheila Smith
Sheila.Smith@dtags.tv
918-398-0061
5
Platinum
Mark Seigle
Mark.Seigle@dts.com
425-522-0709
Echostar
167
Corporate
Kathryn Miller
kathryn.miller@echostar.com
303-706-4833
EditShare
181
Corporate
Andy Liebman
andyliebman@editshare.com
617-782-0479
Elemental
Technologies
27
Premier
Keith Wymbs
keithw@elementaltechnologies.com
503-222-3212
Encompass Digital
63
Corporate
Don Gabriel
dgabriel@encompass-m.com
678-421-6762
Ensemble Design
43
Premier
Cindy Zuelsdorf
cindy@ensembledesigns.com
530-478-8328
Ericsson Television
Inc.
149
Corporate
Ed Giovannini
edward.giovannini@ericsson.com
203-268-1335
Eurovision
72
Corporate
Jim Scott
jim.scott@eurovision.net
973-764-5234
Evertz
71
Premier
Joe Cirincione
joe@evertz.com
818-558-3910
EVS
121
Corporate
Greg Macchia
g.macchia@evs.tv
973-575-2111
F&F Productions
232
Mobile
George Orgera
georgeo@fandfproductions.com
727-535-9595
Filmwerks Int’l.
214
Mobile
Mike Satrazemis
Michaels@filmwerksintl.com
910-675-1145
Fletcher Sports
125
Corporate
Tom Fletcher
tom@fletch.com
312-932-2703
For-A Corporation
94
Corporate
Pedro Silvestre
silvestre@for-a.com
201-944-1120
Front Porch Digital
155
Corporate
Phil Jackson
pjackson@fpdigital.com
303-926-5873
Frontline
Communications
203
Mobile
Bob King
rking@frontlinecomm.com
727-573-0400
Fujinon/Fujifilm
2
Platinum
Thom Calabro
tcalabro@fujinon.com
973-686-2409
Game Creek Video
221
Mobile
Pat Sullivan
sullgame@aol.com
603-821-2205
Gearhouse Broadcast
211
Mobile
Marc Genin
mgenin@gearhousebroadcast.com
818-955-9449
Gepco International
163
Corporate
Glen Powers
glen_powers@gepco.com
845-535-3035
Gerling & Associates
129
Corporate
Fred Gerling
fredg@gerlinggroup.com
740-965-2888
Globecast
90
Corporate
Matthew Rosenstein
Matthew.rosenstein@globecast.com
212-332-2178
Glowpoint
172
Corporate
Stephen Vobbe
svobbe@glowpoint.com
973-855-3411
6
Platinum
Andy Jackson
andy.jackson@grassvalley.com
404-929-5004
Katy TemplemanHolmes
Katy.Templeman-Holmes@harman.
com
818-920-3295
408-490-7941
DTS
Grass Valley
Harman
206
Premier
Harmonic
37
Premier
Greg Davis
greg.davis@harmonicinc.com
Harris
20
Premier
Jennifer Rosemann
jennifer.rosemann@harris.com
816-434-4061
HTN
111
Corporate
Joe Cohen
jcohen@htncom.com
212-239-3710
I-MOVIX
57
Premier
Nadia Sinigaglia
nsinigaglia@i-movix.com
[32] 0 65 554 110
IDS
201
Mobile
Dave Lunghino
dlunghino@ids-sports.com
904-645-8697
IDX
67
Corporate
Vickii Chaffee
vickii@idx.tv
310-328-2850
Ikegami Electronics
10
Premier
Teri Zastrow
tzastrow@ikegami.com
201-368-9171
Illumination
Dynamics
142
Mobile
Jeff Pentek
Jeff@illuminationdynamics.com
704-679-9400
IMS Productions
253
Mobile
Robby Greene
rgreene@brickyard.com
317-492-8710
Inertia Unlimited
45
Premier
Jeff Silverman
jeff@inertiaunlimited.com
802-368-2591
Integrated Media
Technologies
189
Mobile
Tom McGowan
tom.mcgowan@imtglobalinc.com
818-761-9770
8
Platinum
Peter Cleary
peter.cleary@intelsat.com
212-839-1812
Joseph Electroncs
103
Corporate
Chris Annella
chrisa@josephelectronics.com
847-588-3800
JVC
59
Corporate
Craig Yanagi
CYanagi@jvc.com
973-317-5117
Lawo
48
Premier
Herbert Lemcke
herbert.lemcke@lawo.ca
416-292-0078
Level 3
23
Platinum
Kirsten Megahan
Kirsten.Megahan@Level3.com
720-888-4524
Intelsat
248
Mobile Sports Production Yearbook 2012
SVG Sponsor Directory / Ad Index
SVG Sponsor
Page
Level
Contact
email
phone
76
Corporate
Art Raymond
art@levelsbeyond.com
303-495-2424
Corporate
Jack Loop
jloop@liveclips.com
203-856-1454
LiveU
84
Corporate
Ken Zamkow
ken@liveu.tv
201-742-5227
Lyon Video
245
Mobile
Bob Lyon
rlyon@lyonvideo.com
614-319-4080
Mansion Mobile
191
Mobile
Matt Adams
matt.adams@mariner-holdings.com
913-647-9700
Media Recall by
Deluxe
190
Corporate
Don Hollenback
dhollenback@mediarecall.com
847-513-6810
Metrovision
224
Mobile
Jim McGillion
jim@metrovision.tv
212-989-1515
Microsoft
Silverlight
Inside
Back
Cover
Platinum
Chris Carper
ccarper@microsoft.com
425-538-1383
MIRA Mobile
240
Mobile
Frank Taylor
ftaylor@miramobile.com
503-464-0661
Miranda
65
Corporate
Jay Gravina
jay.gravina@miranda.com
201-995-1590
Mobile TV Group
241
Mobile
Philip Garvin
pgarvin@coloradostudios.com
303-542-5555
Motorola Mobility
107
Corporate
Jaime Kyajohnian
wjk051@motorola.com
978-614-3370
MPE
153
Corporate
Neal Pilzer
neal@mpenyc.com
212-245-0970
Levels Beyond
Live Clips
MultiDyne
47
Corporate
Frank Jachetta
frank@multidyne.com
516-671-7278
NAC Image
Technology
113
Corporate
Andy Hayford
ahayford@nacinc.com
[44] 1844 290585
NEP Broadcasting
228
Corporate
George Hoover
george.hoover@nepinc.com
800-444-0054
NES Communication
Services
210
Mobile
Keith Valeri
kvaleri@nescomm.com
508-842-4328
NetApp
98
Corporate
Gail Costantini
gailc@netapp.com
646-497-8640
Net Insight
69
Corporate
Joe Lograsso
joe.lograsso@netinsight.com
973-703-5538
NeuLion
31
Corporate
Chris Wagner
Chris.Wagner@neulion.com
516-622-8357
Nevion
50
Premier
John Glass
JGlass@nevion.com
805-247-8560
NewTek
Cover
2,
Page
1
Platinum
Philip Nelson
philip@newtek.com
210-370-8266
On Call
Communications
213
Mobile
Erin Ludden
erin@occsat.com
949-707-1985
Orad
25
Premier
Shaun Dail
shaund@orad.tv
201-332-3900
Origin Digital
53
Premier
Nicole Figueiredo
nfigueiredo@origindigital.com
201-537-8646
PacSat
198
Mobile
Steve Mallory
pacsatboss@pacsat.com
916-446-7890
Platinum
Carter Hoskins
hoskinsc@us.panasonic.com
770-619-1779
PESA
171
Corporate
Dan Holland
dholland@pesa.com
256-726-9200
Phizzle
73
Corporate
Stephen Peary
speary@phizzle.com
415-613-3396
Corporate
Tom Morin
tom@phoenixoptix.com
401-637-4600
Panasonic
Phoenix Optix
250
PNC Equipment
Finance
173
Corporate
Russ Munson
russ.munson@pnc.com
714-969-6955
Polar Mobile
77
Corporate
Regan Fletcher
regan.fletcher@polarmobile.com
415-608-3293
PRG Media Services
24
Premier
Lee Golinello
lee@prg.com
407-996-4126
Production Hub
251
Corporate
Steve Rotz
srotz@productionhub.com
877-629-4122
ProShow Audio Visual
Broadcast
194
Mobile
Matt Hussack
mhussack@proshow.com
604-293-1771
PSSI/Strategic TV
209
Mobile
Clayton Packard
cpackard@pssiglobal.com
310-893-6024
Quantel
175
Corporate
Lee Turvey
lee.turvey@quantel.com
212-738-9434
Quantum
Corporate
Paivi Juvonen
paivi.juvonen@quantum.com
949-856-7870
Back
Reality Check Systems
Cover
Platinum
Jeff Heimbold
jeff@realityx.com
323-465-3900
Riedel
Communications
41
Premier
Kelly Fair
kelly.fair@riedel.net
818-241-4696
Rimage
96
Corporate
Jason Evans
jason.evans@rimage.com
301-529-1015
Ross Video
16
Premier
Steve Romain
sromain@rossvideo.com
613-652-4886
Sennheiser
62
Corporate
Jeff Alexander
jalexander@sennheiserusa.com
860-434-9190
SES World Skies
38
Premier
Sean Tietjen
sean.tietjen@ses.com
609-987-4465
Mobile Sports Production Yearbook 2012
SVG Sponsor Directory / Ad Index
SVG Sponsor
Page
Contact
email
phone
SGI
85
Corporate
Floyd Christofferson
floydc@sgi.com
408-212-0291
SGL Broadcast
139
Corporate
Mickey Charles
Mickey@sglbroadcast.com
615-324-3613
Show Partners
207
Mobile
Michael Mantovani
michaelm@showpartners.com
321-257-1854
Shure
147
Corporate
Mike Lohman
lohman_mike@shure.com
847-600- 6417
Signiant
105
Corporate
Tara Bartley
tbartley@signiant.com
781-221-4021
SMT
87
Corporate
Patricia Hopkins
p.hopkins@sportsmedia.com
919-493-9390
Snell
75
SoliDDD
Corporate
John Shike
john.shike@snellgroup.com
650-703-4906
Corporate
Neal Weinstock
neal@soliddd.com
718-693-1001
Platinum
Mark Bonifacio
Mark.Bonifacio@am.sony.com
201-358-4190
Sony
13
SOS Global Express
46
Premier
Fernando Soler
fsoler@sosglobal.com
800-628-6363
Spectra Logic
51
Corporate
Hossein ZiaShakeri
hosseinz@spectralogic.com
303-449-6444
Spevco
128
Mobile
Bill Victory
bvictory@spevco.com
336-924-7927
Sportvision
141
Corporate
Mike Jakob
mjakob@sportvision.com
773-293-4350
Stagetec USA
68
Corporate
Rusty Waite
rusty@stagetec.com
650-209-5557
Stats Inc.
131
Corporate
Nick Stamm
stamm@stats.com
847-583-2110
T-VIPS
169
Corporate
Steve Sloane
steve.sloane@t-vips.com
973-376-8282
Take1 Insurance
99
Corporate
Scott Carroll
scott@take1insurance.com
714-285-4090
Corporate
Dan Montecalvo
dmontecalvo@tascam.com
330-329-8735
TASCAM
Tata Communications
109
Corporate
Kevin Watson
kevin.watson@tatacommunications.
com
703-547-6539
Tekserve
21
Corporate
Matt Cohen
mcohen@tekserve.com
212-929-3645
Tektronix
115
Corporate
Richard Duvall
richard.duvall@tektronix.com
503-627-3203
Telecast Fiber - A
Belden Brand
42
Premier
Steve DeFrancesco
Steve.defrancesco@belden.com
508-754-4858
Telestream
18
Premier
Barbara DeHart
barbarad@telestream.net
530-470-1306
Teranex
35
Premier
Mike Poirier
mike.poirier@teranex.com
407-858-6039
The Switch
183
Corporate
Jessica Mintz
jessica.mintz@theswitch.tv
323-645-8012
The Systems Group
215
Mobile
Chris Mehos
cmehos@tsg-hoboken.com
201-795-4672
The Tiffen Company
26
Premier
Carol Posnack
cposnack@tiffen.com
631-609-3235
Thought Equity
Motion
159
Corporate
Abby Lurie
alurie@thoughtequity.com
720-382-2890
Tightrope Media
Systems
119
Corporate
Steve Israelsky
steve@trms.com
866-866-4118
Token Creek
236
Mobile
John Salzwedel
john@tokencreek.com
608-849--4965
Trio Video
237
Mobile
Gary Meagher
garym@triovideo.com
312-533-4110
TVLogic
52
Premier
Wes Donahue
wes@preco.net
818-842-4632
TVU Networks
179
Corporate
David Robertson
drobertson@tvunetworks.com
646-510-1987
txtstation
80
Corporate
Michael Falato
michael@txtstation.com
512-535-5381
Utah Scientific
79
Corporate
Richard Hajdu
rhajdu@utsci.com
330-865-7552
Video Equipment
Rentals (VER)
138
Corporate
Howie Rosenthal
hrosenthal@verrents.com
818-956-1414
VidOvation
161
Corporate
Jim Jachetta
jimj@vidovation.com
949-777-5435
VidyoCast
93
Corporate
Eyal Hillman
eyal@vidyocast.com
917-455-4997
Corporate
Patrick Ott de Vries
patrickottdevries@hotmail.com
973-692-4018
123
Corporate
Joshua Liemer
jliemer@vistasat.com
954-838-0900
3
Platinum
Isaac Hersly
ihersly@vizrt.com
646-746-0010
146
Corporate
Jill Lynch
jlynch@tvcinc.com
623-516-4211
Vision Research
VISTA Satellite
VIZRT
White Sands
Engineering/SEG
252
Level
Wohler
30
Premier
Don Bird
dbird@wohler.com
510-870-0865
XOS Digital
133
Corporate
Chris Taylor
ctaylor@xosdigital.com
978-294-0286
Yamaha Commercial
Audio Systems
101
Corporate
Marc Lopez
mlopez@yamaha.com
714-522-9544
YES Productions
233
Mobile
Jim Moriarty
jim@yesproductions.com
504-840-4891
Mobile Sports Production Yearbook 2012
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