1 Copyright Management Roles for Librarians + Info Pros Offered by Lesley Ellen Harris, Copyrightlaws.com + SLA Click University Certificate in Copyright Management CCM 100 2 Scenario 1 • Your colleague has distributed 30 copies of an article for an in-house seminar you are attending. You know that copyright has not been cleared. Do you say anything, or do you think … • It may be fair use/dealing • No one will find out • Send license fee to copyright owner after the fact 2 3 Scenario 2 • Your boss has told you to email 50 articles found in databases licensed by your organization to his brother on sabbatical in Mexico. Do you … • Refer your boss to the database licenses • Do what your boss requests, hoping that he is liable if there are any legal issues • Move to Mexico and take the articles with you 3 4 Scenario 3 • You work in a public library and have a blog that discusses positive aspects of social networking. You post daily before you go to work. • Who owns your blog? • Who is liable if unauthorized content is posted on your blog? • Who owns copyright in the comments submitted to the blog? 4 5 Common Points • Copyright law is not always straightforward • Co-workers and bosses often do not understand copyright and licenses • Having copyright procedures in place can help ensure copyright compliance • Written Copyright Policies can answer questions in advance and provide consistency 5 6 Agenda 1. Why do we need to manage copyright? 2. How do we manage copyright? 3. Who is responsible for copyright management? 4. What tools do we need to manage? 5. When do we begin? 6 7 Why Do We Need to Manage Copyright? 7 8 1. Laws • Every country has copyright laws – EU Copyright Directives • International copyright treaties • Contractual obligations relating to copyright-protected content 8 9 2. Lawsuits • 2003: Legg Mason was ordered to pay almost $20 M for copying a newsletter • 2007: Knowledge Networks paid $300,000 for distributing articles and research reports to employees via e-mail newsletters – They used articles from publishers such as Reed Elsevier and the Associated Press, without obtaining licenses or permissions 9 10 3. Digital Changes • Content is licensed, not purchased • Information or content is accessed, negotiated for, its use is subject to terms and conditions, must interpret licenses, must manage content • Managing digital content is whose responsibility? 10 11 4. Widespread Copying • Whether the photocopying machine, a scanner or the Internet, technology allows everyone to be a publisher and also infringer of copyright materials • Cost has decreased • Speed and ease has greatly increased • Instant distribution around the world 11 12 5. Copyright Owners • More aware of copyright laws protecting their works • More concerned about unauthorized uses of their works • More likely to enforce their rights 12 13 6. $$$ • Interruption of work by being ordered to stop using a work • Lawyers’ fees, paying the copyright owner (after-the-fact license, settlement, in court), copyright owners’ attorney fees (in a court case) 13 14 7. Employee Confidence • Setting a good internal example to employees • Copyright management, policies and education provides security to employees • Easier to perform work 14 15 8. Reputation • Public appearance as an unethical organization • If your organization receives public funding, copyright violations could be an issue 15 16 From Why to How … 16 17 Eliminate Misinformation ☒ You can copy up to 10% of a work without obtaining permission ☒ Only those works with © are protected by copyright ☒ Online content is in the public domain ☒ Images found through Google are free to use ☒ I obtained permission so I can use the image/document wherever I want 17 18 Understanding Copyright Language • Intellectual property (IP) • Patents/TMs/Copyright • Content • Protected works • License • Treaty • Contracts • Permission • Reproduction • Infringement Principles • • • • • Intangible property No protection in ideas Gray areas Balance Liability for infringement 18 19 1. Intangible Property • Copyright is an area of IP • Intellectual v. physical property • Book — physical and intellectual/ intangible component • Copyright protects the intangible part of a work 19 20 “As you know, you can’t copyright an idea…” Michael Douglas’ character in Fatal Attraction, from the screenplay by James Dearden 20 21 2. No Protection in Ideas • Copyright law does not protect ideas, facts, history or news • Copyright protects the expression of ideas • Anyone may use an idea without obtaining permission 21 22 3. Gray Areas, aka It Depends • Copyright law is not black and white; many interpretations (e.g., fair use/dealing) • • • • • Read Copyright Act Court cases Legislative history of Copyright Act International treaties Final answer: court of law 22 23 “Like conventional wars, the copyright war has been intensely polarizing. The conflict has been protracted and venomous. The middle ground seems to have disappeared. Anyone who works or writes in the copyright field is either ‘one of us’ or ’one of them.’” Professor Jessica Litman The Politics of Intellectual Property, Jessica Litman, Cardozo Arts & Entertainment, Vol. 27, page 313 at 317. 23 24 4. Balance • Copyright author/owner v. user • Balance shifts • Identification with “one side” • Copyright = understanding the “other side” too 24 25 5. Liability • Who is liable? • Everyone who contributes to the copyright infringement may be liable • Includes your organization, employer as well as you personally • May even include your customers who use content you send them 25 26 Management is an Art • Law to court cases to your particular facts • Knowledge • Experience • “Copyright wisdom” 26 27 What Is The Role of The NonLawyer in Managing Copyright? 27 28 Poll How many of you have in-house counsel or outside copyright counsel for ongoing copyright information and advice? 28 29 Non-Lawyers Managing Copyright • In our information economy, librarians and others are gatekeepers to information • Necessitates the role of non-lawyers as “copyright police,” gurus and enforcers • Question: to embrace or avoid that role? Is it optional? 29 30 Librarian/Non-Lawyer or Lawyer? • Negotiating a license for a digital periodical • Preparing a draft copyright policy • Teaching copyright basics • Interpreting fair use/dealing 30 31 What Would You Do? • You are the Copyright Librarian. You provide copyright information to a researcher. The researcher ignores your advice. 31 32 Management Involves Enterprise-Wide Efforts • Support of senior management and employees at all levels • Copyright compliance is an enterprise-wide project • Self-education first • Education of all employees, clients and possibly the public 32 33 Facets to Compliance • Copyright law has many facets – financial – ethical – legal – managerial – confidence level 33 34 Copyright Management • Dealing with day-to-day copyright issues • Understanding copyright issues • Mechanisms in place –copyright resources –copyright policy • Organized approach • Being proactive 34 35 What are your goals in the Certificate in Copyright Management? © Lesley Ellen Harris 2016. Email lesley@copyrightlaws.com for permission to reproduce these slides. 35