KENNESAW STATE UNIVERSITY GRADUATE COURSE PROPOSAL OR REVISION, Cover Sheet (10/02/2002) Course Number/Program Name ARED 6200 L Department Visual Arts Degree Title (if applicable) Master of Arts in Teaching Art Education Proposed Effective Date Summer 2008 Check one or more of the following and complete the appropriate sections: X Sections to be Completed II, III, IV, V, VII I, II, III I, II, III I, II, III I, II, III I, II, III New Course Proposal Course Title Change Course Number Change Course Credit Change Course Prerequisite Change Course Description Change Notes: If proposed changes to an existing course are substantial (credit hours, title, and description), a new course with a new number should be proposed. A new Course Proposal (Sections II, III, IV, V, VII) is required for each new course proposed as part of a new program. Current catalog information (Section I) is required for each existing course incorporated into the program. Minor changes to a course can use the simplified E-Z Course Change Form. Submitted by: Faculty Member Approved _____ Date Not Approved Department Curriculum Committee Date Approved Approved Approved Approved Approved Approved Not Approved Department Chair Date School Curriculum Committee Date School Dean Date GPCC Chair Date Dean, Graduate College Date Not Approved Not Approved Not Approved Not Approved Not Approved Vice President for Academic Affairs Date Approved Not Approved President 1 Date KENNESAW STATE UNIVERSITY GRADUATE COURSE/CONCENTRATION/PROGRAM CHANGE I. Current Information (Fill in for changes) Page Number in Current Catalog Course Prefix and Number Course Title Credit Hours Prerequisites Description (or Current Degree Requirements) II. Proposed Information (Fill in for changes and new courses) Course Prefix and Number __ARED 6200L ______________________________ Course Title __Art Education Practicum II_______________ Credit Hours 3 Prerequisites EDUC 6100, EDUC 6100L, ARED 6200, ARED 7705 Description (or Proposed Degree Requirements) This field experience is designed to provide the candidate with the opportunity to apply and reflect on concepts addressed in the pre-requisite course ARED 6200, Teaching Comprehensive Art Education. Candidates will be placed in appropriate school settings where they will carry out directed activities. Candidates will spend approximately nine hours per week in the field. Candidates must have a satisfactory practicum to continue in the MAT Art Education program without remediation. Verification of Liability Insurance is required. III. Justification The proposed Master of Arts in Teaching Art Education program will prepare high quality art teachers with advanced content knowledge and expertise in teaching and learning, to help meet the critical teacher shortage in the state of Georgia. It will also help school districts respond to the No Child Left Behind Act of 2001. The MAT program also responds to the demand for a career path for artists who desire to teach. The societal need for this program can be exemplified by the scores of individuals (that meet the target student description of BA or BFA graduates) who call/email the KSU art education advisors almost daily. These potential and/or provisional employees of public schools are in search of the most immediate way to satisfy the requirements for certification in the state of Georgia. The Georgia Professional Standards Commission will no longer evaluate transcripts for the certification process and depend upon universities to certify art teachers to accomplish this task for the educational system. 2 IV. Additional Information (for New Courses only) Instructor: Drs. Bird, Gregory or Garner Text: See Attached Syllabus Prerequisites: EDUC 6100, EDUC 6100L, ARED 6200, ARED 7705 Objectives: See Attached Syllabus Instructional Method: See Attached Syllabus Method of Evaluation: See Attached Syllabus - V. Resources and Funding Required (New Courses only) Resource Amount Faculty Other Personnel Equipment Supplies Travel New Books New Journals Other (Specify) TOTAL Funding Required Beyond Normal Departmental Growth 3 VI. COURSE MASTER FORM This form will be completed by the requesting department and will be sent to the Office of the Registrar once the course has been approved by the Office of the President. The form is required for all new courses. DISCIPLINE COURSE NUMBER COURSE TITLE FOR LABEL (Note: Limit 16 spaces) CLASS-LAB-CREDIT HOURS Approval, Effective Term Grades Allowed (Regular or S/U) If course used to satisfy CPC, what areas? Learning Support Programs courses which are required as prerequisites Art Education ARED 6200 L Art Practicum II 3 Summer 2008 Regular APPROVED: __________________________________________ ______ Vice President for Academic Affairs or Designee __ 4 VII Attach Syllabus College of the Arts Department of Visual Arts ARED 6200L Art Education Practicum II Dr. Sandra Bird 5 Course: ARED 6200L Art Education Practicum II I. Department of Visual Arts Kennesaw State University Fall Semester I II. Instructor: Dr.Sandra Bird Office in VA 232 Office phone: 770-423-6435 Email: sbird@kennesaw.edu Office hours: MW 2 to 3, or by appointment III. Class Sessions: T/TH 4:00pm to 6:00pm, or in schools during the Block periods IV. Texts (required): C. Danielson. (1990). Enhancing Professional Practice: A Framework for Teaching. Alexandria, VA: ASCD Anderson, T. (2000). Real Lives: Art Teachers and the Cultures of School. Portsmouth, NH: Heinemann Some readings/research will be available via internet. Additional readings will be copied and distributed to students. V. Catalog Description: This field experience is designed to provide the candidate with t he opportunity to apply and reflect on concepts addressed in the pre-requisite course ARED 6200, Curriculum, Assessment, & Classroom Management. Candidates will be placed in appropriate school settings where they will carry out directed activities. Candidates will spend approximately nine hours per week in the field. Candidates must have a satisfactory practicum to continue in the MAT Art Education program without remediation. Verification of Liability Insurance is required. VI. Purpose/Rationale: This course offers art education students an opportunity to participate in field experiences in the P-12 art classroom setting. ARED 4425 provides students with experiences prior to student teaching to plan, implement, assess, and adjust instruction appropriate to the needs, abilities, and learning styles of all learners. Students learn to develop positive classroom climates, motivational techniques, and classroom management abilities necessary to develop critical thinking skills and enhance learning in the art classroom. 6 VII. Conceptual Framework Summary & Related Standards & Requirements Collaborative Development of Expertise in Teaching and Learning. The Kennesaw State University teacher education faculty is committed to preparing teachers who demonstrate expertise in facilitating learning in all students. Toward that end, the KSU teacher education community strongly upholds the concept of collaborative preparation requiring guidance from professionals inside and outside the university. In tandem with this belief is the understanding that teacher expertise develops along a continuum which includes the stages of pre-service, induction, in-service, and renewal; further, as candidates develop a strong researchbased knowledge of content and pedagogy, they develop their professional expertise in recognizing, facilitating, assessing, and evaluating student learning. While completing your graduate program at Kennesaw State University, you are required to be involved in a variety of leadership and school-based activities directed at the improvement of teaching and learning. Appropriate activities may include, but are not limited to, attending and presenting at professional conferences, actively serving on or chairing school-based committees, attending PTA/school board meetings, leading or presenting professional development activities at the school or district level, and participating in education-related community events. As you continue your educational experiences, you are encouraged to explore every opportunity to learn by doing. Knowledge Base Teacher development is generally recognized as a continuum that includes four phases: preservice, induction, in-service, renewal (Odell, Huling, and Sweeny, 2000). Just as Sternberg (1996) believes that the concept of expertise is central to analyzing the teaching-learning process, the teacher education faculty at KSU believes that the concept of expertise is central to preparing effective classroom teachers and teacher leaders. Researchers describe how during the continuum phases teachers progress from being Novices learning to survive in classrooms toward becoming Experts who have achieved elegance in their teaching. We, like Sternberg (1998), believe that expertise is not an end-state but a process of continued development. The knowledge base for methods of teaching students who are English language learners continues to develop rapidly. Current directions include SIOP, differentiated instruction, and content-area learning strategy instruction. The field draws on research literature from foreign language, cultural responsiveness, psychology and ESOL. The emphasis in this class will be on developing skills in application of researchbased best practices, documenting impact on student learning, and reflective practice. Technology Standards Telecommunication and information technologies will be integrated throughout the master teacher preparation program, and all candidates must be able to use technology to improve student learning and meet Georgia Technology Standards for Educators. During the courses, candidates will be provided with opportunities to explore and use instructional media, especially microcomputers, to assist teaching. They will master use of productivity tools, such as multimedia facilities, local-net and Internet, and feel confident to design multimedia instructional materials, create WWW resources, and develop an electronic learning portfolio. Candidates in this course will be expected to apply the use of educational technology in classrooms for students in their classrooms. Specifically, candidates will use spreadsheet software to develop graphs, 7 charts, and tables, word processing to write papers, and e-mail to communicate with the instructors and their peers. Diversity Standards A variety of materials and instructional strategies will be employed to meet the needs of the different learning styles of diverse learners in class. Candidates will gain knowledge as well as an understanding of differentiated strategies and curricula for providing effective instruction and assessment within multicultural classrooms. One element of course work is raising candidate awareness of critical multicultural issues. A second element is to cause candidates to explore how multiple attributes of multicultural populations influence decisions in employing specific methods and materials for every student. Among these attributes are age, disability, ethnicity, family structure, gender, geographic region, giftedness, language, race, religion, sexual orientation, and socioeconomic status. An emphasis on cognitive style differences provides a background for the consideration of cultural context. Kennesaw State University provides program accessibility and accommodations for persons defined as disabled under Section 504 of the Rehabilitation Act of 1973 or the Americans with Disabilities Act of 1990. A number of services are available to support students with disabilities within their academic program. In order to make arrangements for special services, students must visit the Office of Disabled Student Support Services (ext. 6443) and develop an individual assistance plan. In some cases, certification of disability is required. Please be aware there are other support/mentor groups on the campus of Kennesaw State University that address each of the multicultural variables outlined above. Professional Portfolio Requirements A required element in each portfolio for the Graduate Program is the portfolio narrative. The purpose of the portfolio narrative is to ensure that every candidate reflects on each of the proficiencies on the CPI with regard to what evidence the candidate has selected for his/her portfolio. In your portfolio, you need to include a narrative, which includes descriptive, analytic and reflective writing in which you reflect on each of the proficiencies and how you make the case that the evidence you have selected in your portfolio supports a particular proficiency, using the Portfolio Narrative Rubric as a guide. The narrative should be comprehensive, documenting research-based best practices. In this class you will do projects that have been specifically designed to assist you in portfolio development. For example, you will create a comprehensive, thematic unit consisting of at least 4 lesson plans for your final project in this class. A videotaped lesson, along with critical analysis, is a required element for graduation from the Bagwell College of Education. Therefore, attend carefully to the assignments in this course and how they will assist you in meeting future college requirements. Extensions Candidates should keep on-going documentation of ways in which they extended their learning and skills from this and other courses. For this course, this could include identifying students who gain access to more art educational environments, actual changes implemented in the school as a result of the Building Plan, changes in student behavior or learning that results from co-teaching, interactions with parents, committees formed or served on related to art education, peer mediated strategies implemented in your class or other classrooms, workshops on co-teaching conducted at the school, the establishment of additional co-teaching teams at your school etc. VIII. Impact on Student Learning Analysis It is our assumption that you are already assessing the influence of your instruction on your students’ learning and that you are considering what factors, such as student diversity, might affect your students’ achievement. For this assignment, you will select a lesson, activity, unit, or skill that you plan to teach this semester and analyze its impact 8 on your students’ learning. Then, you will reflect on the impact on your students’ learning on that particular lesson, activity, unit, or skill using the “Impact on Student Learning Analysis” Rubric as a guide. You will want to consider how the differences that every student brings to the classroom setting may have influenced learning (see definition of “every student” at the top of attached “Impact on Student Learning” rubric). Unless your program area tells you differently, the length of the reflection is up to you, but it should be concise. (See Directions for “Impact on Student Learning Analysis” that accompanies the Rubric for greater detail.) Graduate Field Experience Requirements While completing your graduate program at Kennesaw State University, you are required to be involved in a variety of leadership and school-based activities directed at the improvement of teaching and learning. Appropriate activities may include, but are not limited to, attending and presenting at professional conferences, actively serving on or chairing school-based committees, attending PTA/school board meetings, leading or presenting professional development activities at the school or district level, and participating in education-related community events. As you continue your educational experiences, you are encouraged to explore every opportunity to learn by doing. IX. Accessibility and Accommodations Kennesaw State University provides program accessibility and accommodations for persons defined as disabled under Section 504 of the Rehabilitation Act of 1973 or the Americans with Disabilities Act of 1990. A number of services are available to support students with disabilities within their academic program. In order to make arrangements for special services, students must visit the Office of Disabled Student Support Services (770-423- 6443) and develop an individual assistance plan. In some cases, certification of disability is required. Please be aware that there are other support/mentor groups on the campus of Kennesaw State University that address each of the multicultural variables outlined above. For more information contact the Student Life Center at 770-423-6280. The effect of culture is a key component of understanding special education. Consideration of the impact of socioeconomic and cultural differences on identification, assessment, intervention, and service delivery will be considered. X. Goals and Objectives The KSU teacher preparation faculty is strongly committed to the concept of teacher preparation as a developmental and collaborative process. Research for the past 25 years has described this process in increasingly complex terms. Universities and schools must work together to successfully prepare teachers who are capable of developing successful learners in today’s schools and who choose to continue their professional development. Candidates in this course are expected to perform at the Advanced or Teacher Leader level of performance. (See CPI: Graduate Performance Outcomes.) The KSU teacher preparation faculty is strongly committed to the concept of teacher preparation as a developmental and collaborative process. Research for the past 25 years has described this process in increasingly complex terms. Universities and schools must work together to successfully prepare teachers who are capable of developing successful learners in today’s schools and who choose to continue their professional development. As a result of the 9 satisfactory fulfillment of the requirements of this course, the student will demonstrate a broad base of Knowledge, Skills and Dispositions. Knowledge (Subject Matter Expert) 1. Uunderstand Danielson’s Framework for Teaching, and recognize its relationship to the PTEU conceptual framework and accompanying assessment instruments. Skills (Facilitator of Learning) 1. 2. 3. 4. 5. 6. Develop instructional materials appropriate for teaching art at two levels (either elementary/middle, elementary/high, or middle/high). Develop instructional media appropriate for teaching the developed lesson. Observe two practicing teachers and develop observation records of their methods and habits. Implement the developed unit in two different school environments (Block I and Block II). Gain experience in classroom management and discipline techniques in the context of teaching art. Collect paperwork, student worksheet samples, photographs of student art work, etc. for future use in market portfolio. Dispositions (Collaborative Professional) 1. 2. 3. Facilitate micro-teaching (for peers) and conduct constructive critical discussions. Reflect on own performance and receive critical analysis from supervisors (university and classroom teachers), regarding authentic classroom performance. Collect teacher-generated and published curriculum and assessment materials for future use in their own classrooms. XI. Evaluation of Student Outcomes A. Class Participation/Attendance – Students are expected to attend class and to actively engage in classroom activities. Participation requires more than attendance. Candidates, like the instructors, are expected to come to class meetings thoroughly prepared. “Thoroughly prepared” is defined as having the readings well enough to verbally and in writing state the definitions of terms from the readings; discuss ideas, notions, concepts, issues, and procedures in relation to previous information presented in class or in previous readings; and apply the information from the readings to problems. It also implies the Candidates have reviewed information from the previous class meetings. Your participation grade will be calculated based upon your ability to meet these requirements. It is also required that all assignments be turned in on time. Cooperative learning group activities in class will enable Candidates to apply new skills and knowledge. Each Candidate has something unique to contribute to the class experience that will facilitate the learning of other class members. As a teacher, you will be responsible for educating all students, including those with disabilities and those who are culturally and linguistically diverse. Together, we will work to prepare you for this challenge! Please note: Negative and disruptive comments/behavior does not count as participation. This does not mean that you cannot disagree; however, disagreements must be handled in a professional manner. 10 B. Electronic Portfolio - *PTEU assessment documents (TOSS CPI) for Candidate - The candidate will attach copies of their PTEU assessment documentation (completed by the university supervisors, cooperating teachers and the candidate) to their portfolios. This separate section will be maintained by the student throughout their development at Kennesaw State University. *Exemplar lesson and assessed student products - The candidate will select one exemplar lesson that is taught during ARED 4425. All visual references for the lessons (via slides, PowerPoint, handouts, etc.) will be scanned or attached to the lesson. Five examples of resulting student products (reflecting the low, middle and high levels of graded performance) will be included as well as the accompanying assessment documentation. *Impact on Student Learning Analysis: It is our assumption that you are already assessing the influence of your instruction on your students' learning and that you are considering what factors, such as student diversity, might affect your students' achievement. For this assignment, you will select a lesson, activity, unit or skill that you plan to teach this semester and analyze its impact on your students' learning. Then, you will reflect on the impact on your students' learning on that particular lesson, activity, unit or skill using the "Impact on Student learning Analysis" Rubric as a guide. You will want to consider how the differences that every student brings to the classroom setting may have influenced learning ) see definition of "every student" at the top of attached "Impact on Student learning " rubric). See Directions for "Impact on Student learning Analysis" that accompanies the Rubric for greater detail. *Undergraduate Portfolio Narrative: A required element in each portfolio for TOSS, Student Teaching, and the Graduate Program is the portfolio narrative, The purpose of the portfolio narrative is to ensure that every candidate reflects on each of the proficiencies on the CPI with regard to what evidence the candidate has selected for his/her portfolio. In your portfolio, you need to include a brief narrative in which you reflect on each proficiency and how you make the case that the evidence you have selected in your portfolio supports a particular proficiency using the Portfolio Narrative Rubric as a guide. Unless your program area tells you differently , the length of the reflection is up to you yet is should be concise. *Exemplar unit - The candidate will attach a copy of their original unit (created during ARED 4410) to their electronic portfolio. C. Micro-teaching experience For the first part of the quarter, each student will complete a micro-teaching experience by developing and teaching a series of art lessons to the members of the class. These lessons will be accompanied by a lesson plan and instructional materials. The students will be responsible for conducting a 30 to 45 minute multicultural DBAE art lesson where the class participants will be directed through the art experience by the student in charge of the class. The lesson will contain a motivation (a hook), a demonstration, and an evaluation phase. The micro-lesson will be videotaped for the purpose of the student to evaluate his/her own teaching presentation and style. Additional information for this experience will be provided in class. 11 D. Field experiences A major portion of this course will be spent by students teaching art in the field. One five week block will be in the elementary school. Another five week block will be in the middle school or high school art program. During these field experiences, students will be responsible for teaching in art classes under the supervision of the cooperating instructors. In addition, the college instructor will make field observations and provide feedback concerning student classroom performance. The evaluation for these field experiences will be based on written assessments from the cooperating teachers and myself. Further information on these field experiences will be provided in separate handouts. While participating in all field experiences, your are encouraged to be involved in a variety of school-based activities directed at the improvement of teaching and learning. Activities may include, but are not limited to, tutoring students, assisting teachers or other school personnel, attending school board meetings, and participating in education-related community events. As you continue your field experiences, you are encouraged to explore every opportunity to learn by doing. XII. Evaluation and Grading Assignments Class participation/Attendance Presentations of original work (Microteaching,Recap) Block 1 Experience Block 2 Experience Electronic Portfolio (CPIs, ISLA, PN, samples) Total Points Assessed 200 200 200 200 200 1000 Course Objectives Grades will be assigned as follows: 900-1000 A 800-899 B 700-799 C 609-699 D 500-599 F General Guidelines and Standards for Written Assignments 1. All assignments must be typed, double spaced, with 1” margins on both sides using 12 point Times New Roman font. 2. All assignments must be checked for spelling and grammar prior to handing in work to instructors. Failure to check can affect an assignment grade. 3. Confidentiality of students, settings, and teachers is required. All identifying names and information should be omitted from your written work and discussions – use pseudonyms. 4. Late assignments are unacceptable without making prior arrangements with the instructors. 5. The instructors expect quality writing not quantity. Eliminate jargon and hyperbole and 12 6. 7. focus on clearly stating your point. Examine the language you use within your assignments and move towards the use of person first language; removing the focus on a person’s behavior or disability by stating the person first, i.e., "a person with a disability" instead of "a disabled person." Avoid judgmental statements and focus on the facts when writing about students and colleagues. As teachers we need to put our own biases and opinions aside and view each person as a capable and valuable human being. APA STYLE: The American Psychological Association is the standard used for bibliographic references and citations in special educational and ESOL literature. This is the format used in the text. Attention to sequence of data, capitalization and punctuation is essential. The APA style manual (5th ed.) can be found in the reference section of Sturgis Library. The reference librarians can assist you. APA style tips can also be found online at, for example, http://www.apastyle.org/styletips.html ACADEMIC HONESTY: Every KSU student is responsible for upholding the provisions of the Student Code of Conduct, as published in the Undergraduate and Graduate Catalogs. Section II of the Student Code of Conduct addresses the University's policy on academic honesty, including provisions regarding plagiarism and cheating, unauthorized access to University materials, misrepresentation/falsification of University records or academic work, malicious removal, retention, or destruction of library materials, malicious/intentional misuse of computer facilities and/or services, and misuse of student identification cards. Incidents of alleged academic misconduct will be handled through the established procedures of the University Judiciary Program, which includes either an "informal" resolution by a faculty member, resulting in a grade adjustment, or a formal hearing procedure, which may subject a student to the Code of Conduct's minimum one semester suspension requirement. The student is reminded to consult pp. 201-219 of the 2006-2007 KSU Graduate Catalog for the University's policy. Any strategy, which has the appearance of improving grades without increasing knowledge, will be dealt with in accordance with the University's policy on academic honesty. In addition, students in the graduate program in special education are held accountable by the Georgia Professional Code of Ethics for Educators (http://www.doe.k12.ga.us/informationresources/ethics.html) and the Council for Exceptional Children's (CEC) Code of Ethics for Educators of Persons with Exceptionalities (http://www.cec.sped.org/ps/code.htm#1). ADA STATEMENT: Students with disabilities are responsible for registering with the Office of Student Disabilities Services in order to receive special accommodations and services. Please notify the instructor during the first week of classes if a reasonable accommodation for a disability is needed for this course. A letter from the KSU Disability Services Office must accompany this request. CLASS ATTENDANCE AND PARTICIPATION: Students are expected to attend all class sessions and be active participants in the learning process. This class includes presentations by professionals from other disciplines and class attendance is essential for participation in development of a multi-disciplinary perspective. Class activities will include discussion, role playing and group collaborative activities requiring the participation of all students. Students have many experiences and skills, which they can share to facilitate everyone's learning. Evaluation will include attendance, communication and collaboration skills demonstrated during class. 13 DISRUPTIVE BEHAVIOR: The University has a stringent policy and procedure for dealing with behavior that disrupts the learning environment. Consistent with the belief that your behavior can interrupt the learning of others, behavior that fits the University's definition of disruptive behavior will not be tolerated. (See Campus Policies and Procedures pp. 201-220 and 210 of the 2006- 2007 KSU Graduate Catalog). HUMAN DIGNITY: The University has formulated a policy on human relations that is intended to provide a learning environment, which recognizes individual worth. That policy is found on p. 216 in the 2006-2007 KSU Graduate Catalog. It is expected, in this class, that no Professional should need reminding but the policy is there for your consideration. The activities of this class will be conducted in both the spirit and the letter of that policy. RELIGIOUS OBSERVANCES: Students who anticipate the necessity of being absent from class due to the observation of a major religious observance must provide notice of the date(s) to the instructor, in writing, by the second class meeting. REFEREED JOURNAL: A refereed journal utilizes a panel of reviewers to select articles with appropriate content and research design for inclusion in the journal. A list of examples of refereed journals in the field is included here: Studies in Art Education Art Education GLOSSARY OF TERMS: Each student is encouraged to keep an on-going glossary of terms throughout the semester. The development of a glossary should help to facilitate greater understanding of information presented in class and in the assigned readings. This is not a required assignment, but may be a portfolio item. Websites: Georgia Quality Core Curriculum Standards In Visual Art and Music http://www.glc.k12.ga.us/qcc/ Georgia Learning Connections website www.glc.k12.ga.us NAEA website www.naea-reston.org National Art Education Standards http://artsedge.kennedy-center.org/teach/standards/ 14 Tentative Course Outline **This outline provides a guide for the sequence of topics in this course. Deviations may be necessary. ** Week 1 Topic Intro/Overview of Domains Texts/Chapters Anderson, pp.11 - 24 Danielson, pp.29 –37 Assignments Due Cooperative group discussion Reflections/ worksheets 2 Domain 1 Anderson, pp. 25 – 44 Danielson, pp.62 - 78 Cooperative group discussion Reflections/ worksheets 3 Domain 2 Anderson, pp. 45 – 60 Danielson, pp. 79 - 89 Cooperative group discussion Reflections/worksheets 4 Domain 3 Cooperative group discussion Reflections/ worksheets 5 Domain 4 6 Narrative data collection Anderson, pp. 61 - 76 Danielson, pp. 90 105 Anderson, pp. 77 – 91 Danielson, pp. 106 119 Anderson, pp.92 – 112 Danielson, pp. 38 - 50 Preparations for field experiences 7 Block 1 8 Block 1 9 Block 1 10 Block 1 11 12 Feedback session from Block 1 Block 2 13 Block 2 14 Block 2 15 Block 2 16 Block 2 Cooperative group discussion Reflections/ worksheets Microteaching of original unit/lessons Peer evaluations Teaching in School Electronic discussions Teaching in School Electronic discussions Teaching in School Electronic discussions Teaching in School Electronic discussions Cooperative group discussion Midterm CPI (Candidate, School Supervisor and University Supervisor) Teaching in School Electronic discussions Teaching in School Electronic discussions Teaching in School Electronic discussions Teaching in School Electronic discussions Teaching in School Electronic discussions 15 References Alexander, K. & Day, M. (1991). Discipline-Based Art Education: A Curriculum Sampler. Santa Monica, CA: Getty Center for Education in the Arts. Anderson, T. (1988). A Structure for Pedagogical Art Criticism. Studies in Art Education 30(1), 28-38. Beardsley, M. (1966). The Aesthetic Problem of Justification. Journal of Aesthetic Education 1(2), 2939. Broudy, H. (1972). Enlightened Cherishing: An Essay on Aesthetic Education. Urbana: University of Illinois Press. Chalmers, F. G. (1996). Celebrating Pluralism: Art, Education, and Cultural Diversity. Los Angeles: The J. Paul Getty Trust. Chapman, L. (1978). Approaches to Art Education. New York: Harcourt Brace Jovanovich. Clark, G., Zimmerman, E. & Zurmuehlen, M. (1987). Understanding Art Testing. Reston, VA: NAEA. Cromer, J. (1991). History, Theory, and Practice of Art Criticism. Reston, VA: NAEA. Danielson, C. (1996). Enhancing Professional Practice: A Framework for Teaching. Alexandria, VA.: Association for Supervision and Curriculum Development. Day, M. (1974). The Use of Formative Evaluation in the Art Classroom. Art Education,27:2. Dewey, J. (1934). Art as Experience. New York: Minton Beach. Effland, A. (1990). A History of Art Education: Intellectual and Social Currents in Teaching the Visual Arts. New York: Teachers College Press. Eisner, E. (1985). The Educational Imagination: On the Design and Evaluation of School Programs (2nd. Ed.). New York: Macmillan. Erickson, M. (1988). “Teaching Aesthetics K-12.” In Steve Dobbs (ed.). Research Readings for Discipline-Based Art Education. Reston, VA: NAEA. Getty Center for Education in the Arts. (1986). Beyond Creating: The Place for Art in America’s Schools. Los Angeles. Heberholz, D & Heberholz, B. (1990). Developing Artistic and Perceptual Awareness. Dubuque, Iowa: William C. Brown. Hume. A Survival Guide for the Secondary Art Teacher Hurwitz, A & Madeja, S. (1977). The Joyous Vision: A Source Book for Elementary Art Appreciation. Englewood Cliffs, N.J.: Prentice-Hall. 16 Hurwitz, A. (1983). The Gifted and Talented in Art: A Guide to Program Planning. Worcester, MS:Davis. Kaelin,E. (1990). The Construction of a Syllabus for Aesthetics in Art Education: Art Education 43(2):2234. Mayer, R. (1974). The Artist’s Handbook of Materials and Techniques, New York: Viking Press. McFee, J. & Degge, R. (1980). Art, Culture, and Environment. Dubuque, IA: Kendall-Hunt. National Art Education Association. (1986). Quality Art Education. Reston, VA: NAEA. Oosterhof, A. (1999). Developing and Using Classroom Assessments. Upper Saddle River, NJ: PrenticeHall Inc. Reiser, R. & Dick,W. (1996). Instructional Planning: A Guide for Teachers. Needham Heights, MS:Allyn & Bacon. Stake, R. (1975). Evaluation the Arts in Education: A Responsive Approach. Columbus, OH:Charles Merrill. Tiedt, P.L. & Tiedt, I.M. (1989). Multicultural Teaching: A Handbook of Activities, Information and Resources. 3rd. ed. Boston: Allyn & Bacon. Thorne,J. (1990). Mainstreaming Procedures: Support Services and Training. NAEA Advisory. Reston, VA: NAEA. Uhlin, D. (1972). Art for Exceptional Children. Dubuque, IA: William C. Brown. Wachowiak, F. & Clements, R. (1997) Emphasis Art: A Qualitative Art Program for Elementary and Middle Schools. 6th ed. New York: Harper Collins. Wilson, B. & Hoff, H. (eds). (1988). History of Art Education: Proceedings from the Penn State Conference. Reston, Va.: NAEA. Wilson, B. (1997). The Quiet Evolution. Los Angeles: The J. Paul Getty Trust. Worthne, B. &Sanders, J. (1987). Educational Evaluation: Alternative Approaches and Practical Guidelines. New York: Longman. 17