Publications for Roger Benjamin
Publications for Roger Benjamin
2012
2015
Benjamin, R. (2012). Alex Jelinek. (pp.
365-366).
Benjamin, R. (2015). Kandinsky and Klee in
Tunisia. Oakland: University of California Press.
2014
Benjamin, R. (2014). 'Schone Aquarelle': Paul
Klee and Indigenous Art from Kairouan. In
Zentrum Paul Klee, Bern (Eds.), The Journey to
Tunisia, 1914: Paul Klee, August Macke, Louis
Moilliet, (pp. 232-239). Ostfildern, Germany:
Hatje Cantz Verlag.
Benjamin, R. (2012). Colliding Landscapes:
Dunhuang Cave Temples and the Tim Johnson
System. Australian and New Zealand Journal of
Art, 12, 200-223.
Benjamin, R. (2012). Indigenous Identity, from
Papunya to Proppa Now. Academic Exchanges
between the University of Tsukuba and the
University of Sydney, Tokyo, Japan: University
of Tsukuba, Japan.
Benjamin, R. (2014). American Art, Australian
Focus, 1945-1975. Australian and New Zealand
Journal of Art, 14(1).
Benjamin, R. (2012). Prague on the Sunshine
Coast: the Peregian Roadhouse by Alex Jelinek.
Fabrications, 21(2), 60-81.
Benjamin, R. (2014). Colonial Panoramania. In
Martin Jay, Sumathi Ramaswamy (Eds.),
Empires of Vision: A Reader, (pp. 111-137).
Durham: Duke University Press.
Benjamin, R. (2012). Review of 'Tjukurrtjanu:
Origins of Western Desert Art'. Art and
Australia, 49(4).
Benjamin, R. (2014). Klee, Macke, Moilliet:
Trois modernes en Tunisie. Qantara: Magazine
des cultures arabe et méditerranéenne,
91(Spring), 12-15.
Benjamin, R. (2014). L'oeuvre tunisien de
Wassily Kandinsky au musée national d'Art
moderne. La Revue des Musees de France, 5,
33-42.
Benjamin, R. (2014). Matisse et l'hôtel Villa de
France: Hommage et rénovation. Qantara:
Magazine des cultures arabe et méditerranéenne,
93(Autumn), 62-66.
Benjamin, R. (2014). Preface, Special Issue
'American Art, Australian Focus, 1945-1975'.
Australian and New Zealand Journal of Art,
14(1), 1-3. <a
href="http://dx.doi.org/10.1080/14434318.2014.
943362">[More Information]</a>
Benjamin, R. (2014). Review of Jeanette Hoorn,
'Hilda Rix Nicholas and Elsie Rix's Moroccan
Idyll: Art and Orientalism'. Australian and New
Zealand Journal of Art, 14(2), 222-225.
Benjamin, R. (2014). We should Value the
Biennale Protest, not Threaten Arts Funding. The
Conversation. <a
href="http://theconversation.com/we-should-valu
e-the-biennale-protest-not-threaten-arts-funding24333">[More Information]</a>
2013
Benjamin, R. (2013). Like a Poem. Tim Johnson:
The Luminescent Ground, (pp. 9 - 22).
Birmingham, United Kingdom: Ikon.
Benjamin, R. (2013). unknown title. In: Imprint:
Growing Up Planned. Canberra Contemporary
Art Space, Canberra, Australia.
Benjamin, R. (2012). Tim Johnson, The Way
Things Are. NEWv2: Selected Recent
Acquisitions 2009-2011, (pp. 88 - 89). St Lucia,
Queensland, Australia: University of Queensland
Art Museum.
2011
Benjamin, R. (2011). Alex Jelinek. In Phillip
Goad and Julie Willis (Eds.), The Encyclopedia
of Australian Architecture. (pp. 365-366).
Melbourne, Australia: Cambridge University
Press.
Benjamin, R. (2011). Profits and Cultural
Empowerment (1990). How Aborigines invented
the idea of contemporary art. Writings on
Aboriginal contemporary art, Fortitude Valley,
Queensland, Australia: Institute of Modern Art.
Benjamin, R. (2011). The Fallacy of Aboriginal
Modernism (1998). How Aborigines invented the
idea of contemporary art. Writings on Aboriginal
contemporary art, (pp. 227 - 228). Fortitude
Valley, Queensland, Australia: Institute of
Modern Art.
Benjamin, R. (2011). The Mad Square:
Modernity in German Art, 1910-1937. Art
Monthly Australia, 245, (pp. 12 - 14). Canberra,
Australia: Art Monthly Australia.
2010
Benjamin, R. (2010). Art and Soul in the Desert:
review of Once Upon a Time in Papunya by
Vivien Johnson. The Australian Literary Review,
6 October 2010, (pp. 9 - 10). Sydney, Australia:
News Limited.
Benjamin, R. (2010). Collector's dossier: Tim
Johnson. Australian Art Collector, issue number
52, Sydney, Australia: Gadfly Media Custom
Publishing Service.
Publications for Roger Benjamin
Benjamin, R. (2010). Le voyage en Orient: de L'
Orientalisme Moderniste. In Soline Massot
(Eds.), De Delacroix a Kandinsky:
LOrientalisme en Europe, (pp. 204-225).
Brussels: Editions Hazan.
Benjamin, R. (2010). Why did Matisse love late
Renoir? In Philadelphia Museum of Art, Los
Angeles County Museum of Art (Eds.), Renoir in
the 20th Century, (pp. 136-145). Germany: Hatje
Cantz Verlag.
2009
Benjamin, R. (2009). Catalogue - Passions: A
Century of Modern Art from the Home of Justice
Roddy Meagher. Passions: A Century of Modern
Art from the Home of Justice Roddy Meagher,
Sydney, Australia: University of Sydney.
Benjamin, R., Myers, F., Johnson, V., Kimber,
R., Perkins, H. (2009). Icons of the desert: early
aboriginal paintings from Papunya. (pp. 12 - 48).
New York, United States of America: Cornell
University.
Benjamin, R. (2009). Icons of the Desert: Early
Aboriginal Paintings from Papunya. Herbert F.
Johnson Museum of Art, Cornell University,
USA, New York, United States of America:
Herbert F. Johnson Museum of Art.
Benjamin, R. (2009). Inner Landscapes. Tim
Johnson: Painting Ideas, (pp. 28 - 43). Brisbane,
Australia: Queensland Art Gallery.
Benjamin, R. (2009). Preface. A Singular Voice:
Essays on Australian Art and Architecture, (pp. 6
- 8). Sydney, Australia: Power Publications.
2008
Benjamin, R. (2008). The Henson defence. The
Weekend Australian, 31 May 2008, (pp. 25 - 25).
Sydney, Australia: News Limited.
2007
Benjamin, R. (2007). Guggenheim on the Yarra.
Australian Financial Review Magazine,
28/06/2007, (pp. 56 - 58). Afghanistan: John
Fairfax Group.
2006
Benjamin, R. (2006). Juan Davila. Carlton VIC:
The Miegunyah Press.
Benjamin, R. (2006). The Mesh of Images. In
Caroline Williamson (Eds.), Juan Davila, (pp.
26-37). Carlton VIC: The Miegunyah Press.
2005
Benjamin, R. (2005). "Prophets of the Desert",
review of Geoffrey Bardon and James Bardon,
Papunya-A Place made after the Story: The
Beginnings of the Western Desert Painting
Movement.
Benjamin, R. (2005). Andalusia in the time of
the Moors: regret and colonial presence in Paris,
1900. In Jocelyn Hackforth-Jones; Mary
Roberts (Eds.), Edges of Empire: Orientalism
and Visual Culture, (pp. 181-205). Malden,
Massachusetts: Blackwell Publishers.
Benjamin, R. (2005). From Tomes to Terabytes:
Confessions of an art historian in the age of
visual culture. Art & Australia, (pp. 246 - 249).
Paddington, Australia: Art and Australia Pty Ltd.
Benjamin, R. (2005). Landscape near Collioure.
Study for "The Joy of Life". In Sven Bjerkhof
(Eds.), Matisse Masterpieces at Statens Museum
for Kunst, (pp. 25-44). Copenhagen (Denmark):
Statens Museum for Kunst.
2004
Benjamin, R. (2004). Crossing country: The
alchemy of Western Arnhem Land art in Sydney.
Art Monthly Australia No 176, (pp. 12 - 15).
Canberra, Australia: Art Monthly Australia.
Benjamin, R. (2004). Orientalism, Modernism
And Indigenous Identity. In Steve Edwards and
Paul Wood (Eds.), Art of the Avant-Gardes, (pp.
85-107). New Haven and London: Nicholson
Museum, University of Sydney.
2003
Benjamin, R. (2003). "Gordon Bennett", "Angela
Brennan", "Juan Davila", "Michael Nelson
Jagamarra", "Tim Johnson", "Emily Kam
Kngwarray", "Ross Moore", "Peter Tyndall", "HJ
Wedge". See Here Now: Vizard Foundation Art
Collection of the 1990s, Melbourne, Australia:
Thames & Hudson Ltd.
Benjamin, R. (2003). Afterimages: Algerian
echoes in Renoir's late work. In Roger
Benjamin (Eds.), Renoir and Algeria, (pp.
109-117). New Haven, USA: Yale University
Press.
Benjamin, R. (2003). From the studio to the
street: Renoir's Algiers figure paintings. In
Roger Benjamin (Eds.), Renoir and Algeria, (pp.
81-108). New Haven, USA: Yale University
Press.
Benjamin, R. (2003). Introduction: The
impressionist as Orientalist. In Roger Benjamin
(Eds.), Renoir and Algeria, (pp. 3-15). New
Haven, USA: Yale University Press.
Benjamin, R. (2003). Juan Davila: Panorama of
Santiago, Chile, 1973-2003. Witnessing to
Silence: Art and Human Rights, (pp. 20 - 23).
Canberra, Australia: Australian National
University (ANU).
Benjamin, R. (2003). Odalisques and homages:
Renoir's studio Orientalism, 1870-75. In Roger
Benjamin (Eds.), Renoir and Algeria, (pp.
Publications for Roger Benjamin
17-37). New Haven, USA: Yale University
Press.
Benjamin, R. (2003). Orientalist Aesthetics: Art,
Colonialism, and French North Africa,
1880-1930. USA: University of California Press.
Benjamin, R. (2003). Radiant Cultures: Tim
Johnson's Art. Synergies, (pp. 9 - 14). Canberra,
Australia: Australian National University Drill
Hall Gallery.
Benjamin, R. (2003). Renoir and Algeria. New
Haven, USA: Yale University Press.
Benjamin, R. (2003). Renoir and Algeria
Exhibition. Williamstown, MA, USA, United
States of America: Sterling & Francine Clark Art
Institute.
Benjamin, R. (2003). Renoir et L'Algerie. In
Guegan (Eds.), de Delacroix a Renoir: LAlgerie
des peintres, (pp. 208-211). Paris: Institut Du
Monde Arabe/Editions Hazan.
Benjamin, R. (2003). Renoir in Algiers: the
landscape paintings. In Roger Benjamin (Eds.),
Renoir and Algeria, (pp. 39-79). New Haven,
USA: Yale University Press.
Benjamin, R. (2003). Renoir, un impressionniste
en Algerie. In Guegan (Eds.), de Delacroix a
Renoir: LAlgerie des peintres, (pp. 213-221).
Paris: Institut Du Monde Arabe/Editions Hazan.
2002
Benjamin, R. (2002). Colonial Tutelage to
Nationalist Affirmation: Mammeri and Racim,
Painters of the Maghreb. In Jill Beaulieu and
Mary Roberts (Eds.), Orientalism's
Interlocutors: Painting, Architecture,
Photography, (pp. 43-78). Durham UK: Duke
University Press.
Benjamin, R. (2002). Schulim Krimper; Gordon
Bennett. Canberra, Australia: National Gallery of
Australia.
2001
Benjamin, R. (2001). Ingres chez les Fauves. In
Adrian Rifkin and Susan Siegfried (Eds.),
Fingering Ingres, (pp. 93-121). United States:
Wiley-Blackwell Publishing.