Publications for John Clark
Publications for John Clark
2015
Clark, J. (2015). Canon-Making and Curating in
Recent Asian Art. Journal of Fine Arts, 2(2),
33-93.
Clark, J. (2015). Moral Tales, Now with Humor
and Maybe Redemption. In A. Bergmann, S-L
Hertel, J. Noth, A. Papist-Matsuo, W. Schrape
(Eds.), Elegant Gathering in a Scholar's Garden:
Studies in East Asian Art in Honor of Jeong-hee
Lee-Kalisch, (pp. 287-291). Wiemar: Verlag und
Datenbank für Geisteswissenschaften.
Clark, J., Chen, W. (2015). Questions of
Contemporary Discourse and Its Development in
the Work of Araya Rasdjarmrearnsook. Xiandai
Meishu, 176, 35-47. <a
href="http://www.tfam.museum/Research/Publis
hingDetail.aspx?ddlLang=en-us&id=983">[Mor
e Information]</a>
2014
Clark, J. (2014). [Book Review] '"Avant-Garde"
Art Groups in China, 1979–1989: The Stars The Northern Art Group - The Pond Association
- Xiamen Dada: A Critical Polylogue' by Paul
Gladston. The China Journal, 72, 223-225.
Clark, J. (2014). Alms to Stray Dogs and Other
Stories: Araya Rasdjarmrearnsook in
Conversation with John Clark. Art Monthly
Australia, 268, 34-41.
Clark, J., Veal, C. (2014). Araya
Rasdjarmrearnsook: Storytellers of the Town. 4A
Centre for Contemporary Asian Art; ANU Drill
Hall Gallery, Sydney, Australia: 4A Centre for
Contemporary Asian Art.
Clark, J. (2014). Is the Modernity of Chinese Art
Comparable?: An Opening of a Theoretical
Space. Journal of Art Historiography, 10. <a
href="http://arthistoriography.wordpress.com/10jun-2014/">[More Information]</a>
Clark, J. (2014). Japan and Modern Asian Art.
Journal of Fine Arts, 1(2), 49-80.
Clark, J. (2014). The Worlding of the Asian
Modern. In Michelle Antoinette, Caroline
Turner (Eds.), Contemporary Asian Art and
Exhibitions: Connectivities and World-making,
(pp. 67-88). Canberra: ANU Press.
Clark, J. (2014). Trajectories of the National: Xu
Beihong and Arthur Kampf in Inter-Asian
Comparison. In Wang Wenjuan (Eds.),
Globalisation and Ethnicisation: Xu Beihong Art
Research and Development in 21st Century
China, (pp. 405-424). Beijing: Chinese Peoples
University Press.
2013
Clark, J. (2013). [Book review] Hans Belting,
'Florence and Baghdad: Renaissance Art and
Arab Science'. Australian and New Zealand
Journal of Art, 13, 185-189.
Clark, J. (2013). Asian Artists as Long-Distance
Cultural Specialists in the Formation of
Modernities. In Fuyubi Nakamura, Morgan
Perkins, Olivier Krischer (Eds.), Asia through
Art and Anthropology: Cultural Translation
Across Borders, (pp. 19-32). London:
Bloomsbury Academic, imprint of Bloomsbury.
Clark, J. (2013). Here we go Asian again.
ORIENTing: Ian Fairweather in Western
Australian Collections and With or Without You,
(pp. 45 - 48). Perth, Australia: Lawrence Wilson
Art Gallery.
Clark, J. (2013). Jumaadi's Artwork. The Figural
Poetry of Jumaadi, (pp. 40 - 43). Jakarta,
Indonesia: Art:1.
Clark, J. (2013). Modernities of Japanese Art.
Leiden: Brill.
Clark, J. (2013). Presenting the Self: Pictorial
and Photographic Discourses in
Nineteenth-century Dutch Indies and Siam. Ars
Orientalis, 43, 66-81.
Clark, J. (2013). The Elephant and The Ant:
Chinese and Thai Art in the 1980s and 1990s.
In Parul D Mukherji, Naman P Ahuja, Kavita
Singh (Eds.), InFlux: Contemporary Art in Asia,
(pp. 20-35). New Delhi: Sage Publications India
Pvt. Ltd.
Clark, J. (2013). The Endogenous-Exogenous
Interface in Globalism: The Case of China and
Thailand. In Hans Belting, Andrea Buddensieg,
Peter Weibel (Eds.), The Global Contemporary
and the Rise of New Art Worlds, (pp. 193-201).
Karlsruhe, Germany: ZKM Publications.
2012
Clark, J. (2012). Modern and Contemporary
Chinese Art: Main Issues. In Birgit Hopfener,
Franziska Koch, Jeong-hee Lee-Kalisch, Juliane
Noth (Eds.), Negotiating Difference:
Contemporary Chinese Art in the Global
Context, (pp. 33-47). Weimar: VDG Weimar.
Clark, J. (2012). Okakura Tenshin and Aesthetic
Nationalism. In Rimer, J. Thomas (Eds.), Since
Meiji: Perspectives on the Japanese Visual Arts,
1868-2000, (pp. 212-256). Honolulu: University
of Hawaii Press.
Clark, J. (2012). The Southeast Asian Modern:
Three Artists. In Nora A. Taylor, Boreth Ly
(Eds.), Modern and Contemporary Southeast
Asian Art: An Anthology, (pp. 15-32). New York,
United States: Cornell University Press.
2011
Publications for John Clark
Clark, J. (2011). 'Asian Art' and Australia. In
Anderson, Jaynie (Eds.), The Cambridge
Companion to Australian Art, (pp. 217-230).
Cambridge: Cambridge University Press.
Elena Filipovic, Marieke van Hal, Solveig
Ovstebo (Eds.), The Biennial Reader, (pp.
164-183). Ostfildern, Germany: Hatje Cantz
Verlag.
Clark, J. (2011). An "Australian" creative space:
where is Australian-Asian Art now?
Contemporary Visual Art + Culture: Broadsheet,
40(2), 90-95.
Clark, J. (2010). Chinese modern artists in
postwar France, 1980s and 1990s. In John A
Clark (Eds.), Modernities of Chinese Art, (pp.
187-209). Leiden: Brill.
Clark, J. (2011). Charusu Waaguman, saikô.
Kindai Gasetsu, 20(4), 12-35.
Clark, J. (2010). Fiona Tan: coming home. Art
and Australia 47(4), volume 47 issue 4, (pp. 685
- 685). Sydney (Paddington), Australia: Art and
Australia Pty Ltd.
Clark, J. (2011). Icon and Image in Modern Thai
Art: A Preliminary Exploration. Contemporary
Aesthetics, 3(Special), 1-31.
Clark, J. (2011), Modern and Contemporary
Asian Art: A Working Bibliography. <a
href="http://sydney.edu.au/arts/art_history_film/
documents/Clark_Bibliography.pdf">[More
Information]</a>
Clark, J. (2011). Open and closed discourses of
Modernity in Asian Art. In Melissa Chiu,
Benjamin Genocchio (Eds.), Contemporary Art
in Asia: A Critical Reader, (pp. 27-45). United
States of America: The MIT Press.
Clark, J. (2011). Un Paris changeant: la capitale
mondiale de l'art vue par les artistes venus de
Chine (et de quelques autres pays d'Asie).
Artistes chinois a Paris, (pp. 10 - 19). Paris,
France: Paris Musees.
2010
Clark, J. (2010). [Book review] Art in China 2/e,
Oxford University Press, edited by C. Clunas.
Asian Art News, 20(2), 100-100.
Clark, J. (2010). A distant view. In James
Elkins, Zhivka Valiavicharska and Alice Kim
(Eds.), Art and globalization. University Park,
PA: Pennsylvania State University Press.
Clark, J. (2010). Art in Beijing 1981 & 1990. In
John A Clark (Eds.), Modernities of Chinese Art,
(pp. 19-27). Leiden: Brill.
Clark, J. (2010). Asia's invisible [?] modernism.
In Peking University Research Centre for
Aesthetics and Aesthetic Education (Eds.), What
is Chinese Contemporary Art?, (pp. 438-459).
Chengdu: Sichuan Meishu Chubanshe.
Clark, J. (2010). Asian Modernities: Chinese and
Thai Art Compared, 1980 to 1999. Sydney,
Australia: Power Publications.
Clark, J. (2010). Beauty of Distance:
postmortems John Clark. Contemporary Visual
Art + Culture: Broadsheet 39(3), volume 39
issue 3, (pp. 207 - 207). Adelaide, Australia:
Contemporary Art Centre of South Australia
(CACSA).
Clark, J. (2010). Biennials as structures for the
writing of art history: the Asian perspective. In
Clark, J. (2010). Japanese Contemporary Art and
Globalization: Largely Seen from Participation
in the Venice Biennale. International
Symposium: Globalization, localization, and
Japanese studies in the Asia-Pacific region,
Kyoto, Japan: International Research Center for
Japanese Studies.
Clark, J. (2010). Modernities of Chinese Art.
Leiden: Brill.
Clark, J. (2010). Setouchi art matters. Asian Art
News 20(5), Volume 20 Issue 5, (pp. 50 - 54).
Hong Kong, China (excludes SARs and Taiwan
Province): Asian Art News.
Clark, J. (2010). Taiwan in Venice. Taiwan
Pavilion at the Venice Biennale: A Retrospective
1995-2007, (pp. 117 - 121). Taipei, Taiwan:
Taipei Fine Arts Museum.
Clark, J. (2010). The intractable wall and Asia.
Contemporary Visual Art + Culture: Broadsheet
39(2), volume 39 Issue 2, (pp. 102 - 105).
Adelaide, Australia: Contemporary Art Centre of
South Australia (CACSA).
Clark, J. (2010). Wirgman, Charles. The Oxford
Dictionary of National Biography. Oxford:
Oxford University Press.
2009
Clark, J. (2009). Beyond the National, inside the
Global: New Identity Strategies in Asian Art in
the Twenty-First Century. 32nd International
Congress in the History of Art 2008, Australia:
The Miegunyah Press.
Clark, J. (2009). Margo Machida, Unsettled
Visions: Contemporary Asian American artists
and the social imaginary. Asian Art News, 19(6),
120.
Clark, J. (2009). Political expression and the
recent Chinese landscape painting of Ding Fang.
emaj: electronic Melbourne art journal, 4, 1-23.
Berghuis, T., Clark, J., Butler, R., Cruickshank,
A. (2009). The Asia Pacific Triennial: an
interview. Broadsheet, 38.4, (pp. 235 - 239).
Adelaide, Australia: Contemporary Art Centre of
South Australia (CACSA).
Publications for John Clark
Clark, J. (2009). Zhi Jiang Dahai [For Jiang
Dahai]. Jiang Dahai: Xuanchang / StringField,
(pp. 109 - 110). Beijing, China (excludes SARs
and Taiwan Province): Jinri Meishuguan.
2008
Clark, J. (2008), Modern Asian art: the
contemporary as a site in the absence of history.
Clark, J. (2008). Modernities in art: how are they
"other"? In Kitty Zijlmans and Wilfried van
Damme (Eds.), World art studies: exploring
concepts and approaches, (pp. 401-418).
Amsterdam: Valiz.
Clark, J. (2007). Review: Kalighat Painting:
Images from a Changing World. Asian Art News,
(March).
Clark, J. (2007). Review: When was Modernism:
Essays on Contemporary Cultural Practice in
India. Australian and New Zealand Journal of
Art.
Clark, J. (2007). The Taipei Biennial 2006. Asian
Art News, (pp. 77 - 81). Hong Kong, Hong Kong
(SAR of China): Asian Art News.
Clark, J. (2007). Unashamedly Eurocentric.
World Sculpture News, 13(3), 40-41.
Jones, C., Clark, J. (2008). Nationalism and
Internationalism in Modern Art. In Sarvepalli
Gopal, Sergei L.Tikhvinsky (Eds.), History of
Humanity: Scientific and Cultural
Developement: Volume VII The Twentieth
Century, (pp. 408-446). Paris, France: UNESCO
Publishing.
Clark, J. (2007). Uncertain Identity. Asian Art
News, 17(5), 86-91.
2007
Clark, J. (2006). A narrowing of horizons: The
Shanghai and Gwangju Biennales 2006. Art
Monthly Australia, 196, (pp. 50 - 55). Acton,
ACT, Australia: Art Monthly Australia.
Clark, J. (2007). Art In The Present Tense. Asian
Art News 17(6), (pp. 110 - 117). Hong Kong,
Afghanistan: Asian Art Press.
Clark, J., McCallum, P., Maxwell, I. (2007).
Australian Arts: Where the Bloody Hell Are
You? Australian Arts in an International Context:
Proceedings of a Symposium held at University
of Sydney on 8 December 2006. Australian Arts
in an International Context: Symposium held at
University of Sydney, Sydney: Sydney University
Press.
Clark, J. (2007). Beyond Euramerica. In Peter
Weibel/Andrea Buddensieg (Eds.),
Contemporary art and the museum: a global
perspective, (pp. 66-78). Ostfildern: Hatje Cantz
Verlag.
Clark, J. (2007). Concluding Remarks 2. 27th
International Symposium. Traditional Japanese
Arts and Crafts in the 21st Century, Fukui Japan:
International Research Center for Japanese
Studies.
Clark, J. (2007). Global Intentions. Asian Art
News, 17, (pp. 77 - 81). Hong Kong, Hong Kong
(SAR of China): Asian Art News.
Clark, J. (2007). Histories of the Asian "New":
Biennales and Contemporary Asian Art. In
Vishakha N Desai (Eds.), Asian Art History in
the 21st Century, (pp. 229-249). United States:
Yale University Press.
Clark, J. (2007). Hybridity in Asian art now.
Journal of Korean Modern and Contemporary
Art History, 18, 192-208.
Clark, J. (2007). Münster Skulptur Projekte.
World Sculpture News, Hong Kong, Hong Kong
(SAR of China): Asian Art News.
Clark, J. (2007). Uncertain Identity: Documenta
12. Asian Art News, (pp. 86 - 91). Hong Kong,
Hong Kong (SAR of China): Asian Art News.
2006
Clark, J. (2006). A spectacle of questions. Asian
Art News, 16, (pp. 68 - 72). Hong Kong, Hong
Kong (SAR of China): Asian Art News.
Clark, J. (2006). An Australian Creative Space:
Where is Australian-Asian art now? In Charles
Green (Eds.), 2006 /contemporary
commonwealth/, (pp. 26-35). Melbourne:
National Gallery of Victoria.
Clark, J. (2006). Contemporary Asian Art at
Biennales and Triennales: The 2005 Venice
Biennale and Fukuoka Asian Triennale, the Sigg
Collection, and the Yokohama and Guangzhou
Triennales. CAA Reviews, (pp. 1 - 20). New
York, United States of America: College Art
Association.
Clark, J., Peleggi, M., Sabapathy, T. (2006). Eye
of the beholder: reception, audience, and
practice of modern Asian art. Sydney: Wild
Peony.
Clark, J., Peleggi, M., Sabapathy, T. (2006).
General introduction. In John Clark, maurizio
Peleggi & T.K Sabpathy (Eds.), Eye of the
beholder: reception, audience, and practice of
modern Asian art, (pp. 1-6). Sydney: Wild
Peony.
Clark, J. (2006). La modernite a l'horizon: La
culture populaire dans le Japon des annees vingt.
Edited by Jean-Jacques Tschudin and Claude
Hamon. Editions Philippe Picquier, Arles, 2004.
244 pages. $18.00. Journal of Japanese Studies,
32(1), 165-169. <a
href="http://dx.doi.org/10.1353/jjs.2006.0005">[
More Information]</a>
Publications for John Clark
Clark, J. (2006). Luis Chan: A Hong Kong
Modernist. In Jack Lee (Eds.), From Reality to
Fantasy: the Art of Luis Chan, (pp. 112-116).
Hong Kong: Asian Art Archive.
Clark, J. (2006). Okakura Tenshin and Aesthetic
Nationalism. East Asian History, 29(June), 1-38.
Clark, J. (2006). The discursive space of Asian
Cubism. The Japan Foundation International
Symposium 2005, Tokyo: The Japan Foundation.
Clark, J. (2006). What Modern and
Contemporary Asian Art is [or is not]: the view
from MoMA and the view from Asia. In John
Clark, Maurizio Peleggi, and T.K. Sabapathy
(Eds.), Eye of the beholder : reception, audience,
and practice of modern Asian Art, (pp. 297-317).
Sydney: Wild Peony Pty Ltd.
2005
Clark, J. (2005). A Short review of a Very, Very
Long Book. Yishu: A journal of Chinese
Contemporary Art, 4(4), 107-107.
Clark, J. (2005). Asian Modern and
Contemporary Art. Oxford Art Online; Groove
Art Online. (pp.
http://www.oxfordartonline.com/subscriber/articl
e/). online search engine: Oxford University
Press.
Clark, J. (2005). Between the worlds: Chinese
Art at Biennials since 1993. Yishu, (pp. 40 - 55).
Taipei, Taiwan: Art & Collection Group.
Clark, J. (2005). Foreword. Past peripheral:
curation in Southeast Asia, (pp. 1 - 3).
Singapore, Singapore: NUS Museum.
Clark, J. (2005). Foreword - Past Peripheral:
Curation in Southeast Asia. Past Peripheral:
Curation In Southeast Asia, (pp. 1 - 2).
Singapore, Singapore: National University of
Singapore Museum.
Clark, J. (2005). Japanese Modernisation and
Mingei Theory: Cultural Nationalism and
Oriental Orientalism. Journal of Design History,
18(3), 309-311.
Clark, J. (2005). Montien Boonma AND Modern
Thai Sculpture. Death Before Dying: The Art of
Montien Boonma, (pp. 256 - 258). Bangkok,
Thailand: Ministry of Culture, Thailand.
Clark, J. (2005). Shomei Tomatsu: Skin of the
Nation. History of Photography 29(4), (pp. 387 388). London, United Kingdom: Taylor and
Francis.
Clark, J. (2005). Three recent Biennales in Asia:
Gwangju, Busan and Shanghai. Art and
Australia, 42, (pp. 388 - 391). Sydney
(Paddington), Australia: Art and Australia Pty
Ltd.
Clark, J. (2005). Yao Souchou, Confucian
Capitalism: Discourse, practice and the myth of
Chinese enterprise, London and New York,
Routledge/Curzon, 2002, 192 pages, ISBN
0-7007-1583-5. Journal of Asian Pacific
Communication, 15(2), 317-320.
2004
Clark, J. (2004). Chinese And Thai Art Of The
1980S And 1990S. Beijing Forum, : University
of Melbourne.
Clark, J. (2004). Chinese Artists In France. In
Francis Alys, Gerardo Mosquera, Jean Fisher
(Eds.), Over Here: International Perspectives on
Art and Culture, (pp. 210-233). 'Cambridge,
Massachusetts': The MIT Press.
Clark, J. (2004). Food Stories. Gastronomica:
The Journal of Food and Culture, 4 Spring(2),
43-50.
Clark, J. (2004). Japanese Contemporary Art
And Globalization, Largely Seen From
Participation In The Venice Biennale.
Gobalization, Localization, and Japanese Studies
in the Asia-Pacific Region, : University of
Melbourne.
Clark, J. (2004). Review: Mavo: Japanese Artists
and the Avant-Garde, 1905-1931. Australian and
New Zealand Journal of Art, 5(1), 237-242.
2003
Clark, J. (2003). Ajia Bijutsui no Gendaisei ni
tsuite (On the Modernity of Asian Art). Gengo
Bunka, No.20, Japan: Doshisha Daigaku Gengo
Bunka Gakkai.
Clark, J. (2003). alors, la chine? Artlink, 23, (pp.
68 - 71). Adelaide, Australia: Artlink Australia.
Clark, J. (2003). Art Basel. Art Asia Pacific:
today's art from tomorrow's world, 38, (pp. 48 49). United States of America: Art Asia Pacific
Publishing, Llc..
Clark, J. (2003). Making merit, making art: A
Thai temple in Wimbledon by Sandra Cate
(review). Journal of Southeast Asian Studies,
34(3), 578-580.
Clark, J. (2003). Okakura Tenshin [Kakuzo] and
Aesthetic Nationalism. Arts: the Proceedings of
the Sydney University Arts Association, 25,
64-89.
Clark, J. (2003). Painting in Taiwan after 1945:
A Political and Economic Background. Yishu, A
journal of Chinese Contemporary Art, Vo.2
No.1, (pp. 62 - 76). Taipei, Taiwan (Province of
China): Art & Collection Group.
Clark, J. (2003). Style et systeme dans la
pratique de l'art contemorain chinois: la
disparition de l'exterieur. Paris, France, (pp. 90 -
Publications for John Clark
103). France: Centre Pompidou.
Clark, J. (2003). The charm of Foreign parts.
Asian Art Archive Newsletter.
Clark, J. (2003). Venice In Full Flow. Asian Art
News, 13, (pp. 46 - 50). Hong Kong, Hong Kong:
Asian Art News.
2002
Clark, J. (2002). Asian Modernisms. Marg, ,
102-111.
Clark, J. (2002). Review: Contemporary Korean
Cinema. International Journal of Cultural
Studies, 5(2), 242-243.
Clark, J. (2002). System and Style in the practice
of Chinese contemporary art : the disappearing
exterior? Yishu: A journal of Chinese
Contemporary Art, , 13-33.
Clark, J. (2002). What in the context of
contemporary art, is your vision of a future art?
Www.Anthology-Of-Art.Net.
Clark, J. (2002). Xiandai Dashi: Riben xiandai
yishu de zhuliu (Modern Masters: the makers of
Modernity. Lishi Wenwu (Journal of National
History Museum Taiwan), , 70-84.
2001
Clark, J. (2001). Japanese Exchanges in Art
1850s To 1930s: With Britain, Continental
Europe, and the USA. Australia: Power
Publications.
Clark, J. (2001). Review: Asian Artists at the
2001 Venice Biennale. IIAS Newsletter,
26(November).