Publications for Eric Csapo
Publications for Eric Csapo
2015
Csapo, E., Wilson, P. (2015). Drama Outside
Athens in the Fifth and Fourth Centuries BC.
Trends in Classics, 7(2), 316-395. <a
href="http://dx.doi.org/10.1515/tc-2015-0019">[
More Information]</a>
Csapo, E. (2015). The Earliest Phase of Comic
Choral Entertainments in Athens: The Dionysian
Pompe and the Birth of Comedy. In Stylianos
Chronopoulos, Christian Orth (Eds.),
<i>Fragmente einer Geschichte der griechischen
Komodie
Fragmentary History of Greek Comedy</i>, (pp.
66-108). Heidelberg: Verlag Antike.
2014
Csapo, E., Wilson, P. (2014). Dramatic Festivals.
In Hanna M. Roisman (Eds.), The Encyclopedia
of Greek Tragedy, (pp. 292-299). Chichester,
UK: Wiley-Blackwell Publishing.
Wilson, P., Csapo, E. (2014). Economic History
of the Greek Theater. In Hanna M. Roisman
(Eds.), The Encyclopedia of Greek Tragedy, (pp.
307-314). Chichester, UK: Wiley-Blackwell
Publishing.
Csapo, E., Green, J., Wilson, P., Rupprecht
Goette, H. (2014). Greek Theatre in the Fourth
Century B.C. Berlin: Walter de Gruyter.
Csapo, E., Wilson, P. (2014). Origins and
History of Greek Tragedy. In Hanna M.
Roisman (Eds.), The Encyclopedia of Greek
Tragedy, (pp. 926-937). Chichester, UK:
Wiley-Blackwell Publishing.
Csapo, E. (2013). Comedy and the Pompe:
Dionysian genre-crossing. In Emmanuela
Bakola, Lucia Prauscello, Mario Telo (Eds.),
Greek Comedy and the Discourse of Genres, (pp.
40-80). Cambridge, UK: Cambridge University
Press.
Csapo, E. (2013), The Dionysian Parade and the
Poetics of Plenitude (UCL Houseman Lecture,
UCL Department of Greek and Latin, 20
February 2013).
2012
Csapo, E. (2012). 'Parade Abuse', 'From the
Wagons'. In C.W. Marshall and George Kovacs
(Eds.), No Laughing Matter: Studies in Athenian
Comedy, (pp. 19-33). London, UK: Bristol
Classical Press.
Wilson, P., Csapo, E. (2012). From Choregia to
Agonothesia: Evidence for the Administration
and Finance of the Athenian Theatre in the Late
Fourth Century BC. In D Rosenbloom and J
Davidson (Eds.), Greek Drama IV: Texts,
Contexts, Performance, (pp. 300-321). Oxford,
United Kingdom: Aris and Phillips.
Csapo, E. (2012). The Economics, Poetics,
Politics, Metaphysics, and Ethics of the "New
Music". In D Yatromanolakis (Eds.), Music and
Cultural Politics in Greek and Chinese Societies:
Volume 1: Greek Antiquity. Cambridge: Harvard
University Department of the Classics.
2010
Csapo, E. (2010). Actors and Icons of the
Ancient Theater. United Kingdom:
Wiley-Blackwell Publishing.
Csapo, E. (2014). Performing Comedy in the
Fifth through Early Third Centuries. In Michael
Fontaine, Adele C Scafuro (Eds.), The Oxford
Handbook of Greek and Roman Comedy, (pp.
50-69). Oxford: Oxford University Press.
Csapo, E., Wilson, P. (2010). Le passage de la
chorégie à l'agonothésie à Athènes à la fin du
IVe siècle. In Brigitte Le Guen (Eds.), Largent
dans les concours du monde grec, (pp. 83-105).
Saint-Denis: Presses Universitaires de
Vincennes.
Wilson, P., Csapo, E. (2014). Records. In
Hanna M. Roisman (Eds.), The Encyclopedia of
Greek Tragedy, (pp. 1141-1142). Chichester,
UK: Wiley-Blackwell Publishing.
Csapo, E. (2010). The Context of Choregic
Dedications. In Oliver Taplin and Rosie Wyles
(Eds.), The Pronomos Vase and its Context, (pp.
79-130). Oxford: Oxford University Press.
Csapo, E., Wilson, P. (2014). The Finance and
Organisation of the Athenian Theatre in the Time
of Eubulus and Lycurgus. In Eric Csapo, Hans
Rupprecht Goette, J. Richard Green, Peter
Wilson (Eds.), Greek Theatre in the Fourth
Century B.C, (pp. 393-424). Berlin: Walter de
Gruyter.
Csapo, E. (2010). The Production and
Performance of Comedy in Antiquity. In
Gregory W Dobrov (Eds.), Brills Companion to
the Study of Greek Comedy, (pp. 103-142).
Leiden: Brill.
Csapo, E. (2014). The iconography of comedy.
In Martin Revermann (Eds.), The Cambridge
Companion to Greek Comedy, (pp. 95-127).
Cambridge: Cambridge University Press.
2013
2009
Csapo, E. (2009). Actors and Acting. The Oxford
Encyclopedia of Ancient Greece and Rome.
Oxford University Press.
Csapo, E. (2009). New Music's Gallery of
Images: the "Dithyrambic" First Stasimon of
Euripides'' Electra. In J.R.C. Cousland and J.R.
Publications for Eric Csapo
Hume (Eds.), The Play of Texts and Fragments:
Essays in Honour of Martin Cropp, (pp. 95-109).
Leiden, The Netherlands: Brill.
Wilson, P., Csapo, E. (2009). The End of the
Khoregia in Athens: A Forgotten Document. In
M.C. Martinelli (Eds.), La Musa dimenticata:
aspetti dell esperienza musicale greca in et
ellenistica, (pp. 47-74). Pisa, Italy: edizioini della
Normale.
Csapo, E. (2009). Theatrical Production, Greek.
In M. Gagarin (Eds.), The Oxford Encyclopedia
of Ancient Greece and Rome. UK: Oxford
University Press.
Csapo, E., Wilson, P. (2009). Timotheus the
New Musician. In Felix Budelmann (Eds.), The
Cambridge Companion to Greek Lyric, (pp.
277-294). Cambridge: Cambridge University
Press.
2008
Csapo, E. (2008). Star Choruses: Eleusis,
Orphism, and New Musical Imagery and Dance.
In Martin Revermann and Peter Wilson (Eds.),
Performance, Iconography, Reception: Studies in
Honour of Oliver Taplin, (pp. 262-290). Oxford,
NY, USA: Oxford University Press.
Csapo, E. (2008). The Iconography of the
Exarchos. Mediterranean Archaeology,
19/20(2007), 55-65.
2007
Csapo, E., Miller, M. (2007). General
Introduction. In Eric Csapo & Margaret Miller
(Eds.), The Origins of Theater in Ancient Greece
and Beyond: From Ritual to Drama, (pp. 1-40).
New York: Cambridge University Press.
Csapo, E. (2007). Satyr drama. Tragedy at play.
Bryn Mawr Classical Review, 57(2), 293-295.
Csapo, E. (2007). The Cultural Poetics of the
Greek Cockfight. Australian Archaeological
Institute at Athens Newsletter.
Csapo, E. (2007). The Men who Built the
Theatres: Theatropolai, Theatronai, and
Arkhitektones. In Peter Wilson (Eds.), The
Greek Theatre and Festivals: Documentary
Studies, (pp. 87-121). Oxford: Oxford University
Press.
Csapo, E., Miller, M. (2007). The Origins of
Theater. Cambridge: Cambridge University
Press.
2006
Csapo, E. (2006). Cockfights, Contradictions,
and the Mythopoetics of Ancient Greek Culture.
Arts: the Proceedings of the Sydney University
Arts Association, 28, 9-41.
2005
Csapo, E. (2005). Theories of Mythology.
Oxford: Blackwell Publishers.
2004
Csapo, E. (2004). Some Social and Economic
Conditions behind the Rise of the Acting
Profession in the Fifth and Fourth Centuries B.C.
In C. Hugoniot, F. Hurlet, S. Milanezi (Eds.), Le
Statut de l'acteur dans l'antiquité grecque et
romaine, (pp. 53-76). Presses Universitaires
François-Rabelais.
Csapo, E. (2004). The Politics of the New Music.
In Penelope Murray, Peter Wilson (Eds.), Music
and the Muses: the Culture of Mousike in the
Classical Athenian City, (pp. 207-248). United
Kingdom: Oxford University Press.
2003
Csapo, E., Slater, W. (2003). Anthesteria. In
Dennis Kennedy (Eds.), Oxford Encyclopedia of
Theatre and Performance. (pp. 64). Oxford:
Oxford University Press.
Csapo, E. (2003). Cothornus. In Dennis
Kennedy (Eds.), Oxford Encyclopedia of Theatre
and Performance. (pp. 327). Oxford: Oxford
University Press.
Csapo, E. (2003). Dionysia. In Dennis Kennedy
(Eds.), Oxford Encyclopedia of Theatre and
Performance. (pp. 374-375). Oxford: Oxford
University Press.
Csapo, E. (2003). Dionysus. In Dennis
Kennedy (Eds.), Oxford Encyclopedia of Theatre
and Performance. (pp. 375). Oxford: Oxford
University Press.
Csapo, E. (2003). Dionysus, Theatre of. In
Dennis Kennedy (Eds.), Oxford Encyclopedia of
Theatre and Performance. (pp. 375). Oxford:
Oxford University Press.
Csapo, E. (2003). Ekkyklema. In Dennis
Kennedy (Eds.), Oxford Encyclopedia of Theatre
and Performance. (pp. 418). Oxford: Oxford
University Press.
Csapo, E. (2003). Greek Theatre, Ancient. In
Dennis Kennedy (Eds.), Oxford Encyclopedia of
Theatre and Performance. (pp. 536-545).
Oxford: Oxford University Press.
Csapo, E. (2003). Lenaea. In Dennis Kennedy
(Eds.), Oxford Encyclopedia of Theatre and
Performance. (pp. 728). Oxford: Oxford
University Press.
Csapo, E. (2003). Mechane. In Dennis Kennedy
(Eds.), Oxford Encyclopedia of Theatre and
Performance. (pp. 823). Oxford: Oxford
University Press.
Csapo, E. (2003). Orchestra. In Dennis
Kennedy (Eds.), Oxford Encyclopedia of Theatre
Publications for Eric Csapo
and Performance. (pp. 974). Oxford: Oxford
University Press.
Csapo, E., Miller, M. (2003). Poetry, Theory,
Praxis: The Social Life of Myth, Word and Image
in Ancient Greece. Oxford: Oxbow Books.
Csapo, E. (2003). Preface. In Eric Csapo and
Margaret C Miller (Eds.), Poetry, Theory,
Praxis: The Social Life of Myth, Word and Image
in Ancient Greece, (pp. vii-viii). Oxford: Oxbow
Books.
Csapo, E. (2003). Satyr-play. In Dennis
Kennedy (Eds.), Oxford Encyclopedia of Theatre
and Performance. (pp. 1190). Oxford: Oxford
University Press.
Csapo, E. (2003). The Dolphins of Dionysus. In
Eric Csapo and Margaret C Miller (Eds.), Poetry,
Theory, Praxis: The Social Life of Myth, Word
and Image in Ancient Greece, (pp. 69-98).
Oxford: Oxbow Books.
Csapo, E. (2003). Vitruvius. In Dennis
Kennedy (Eds.), Oxford Encyclopedia of Theatre
and Performance. (pp. 1417). Oxford
University Press.
2002
Csapo, E. (2002). Kallippides on the
floor-sweepings: the limits of realism in classical
acting and performance styles. In Pat Easterling
& Edith Hall (Eds.), Greek and Roman Actors:
Aspects of an Ancient Profession, (pp. 127-147).
Cambridge, UK: Cambridge University Press.
Csapo, E. (2002). Review of B. Le Guen, Les
Associations de Technites dionysiaques à
l’époque hellénistique. Bryn Mawr Classical
Review, 2002.07.16.
Csapo, E. (2002). Review of P.J. Wilson, The
Athenian Institution of the Khoregia. Phoenix,
56(1), 150-153.
2001
Csapo, E. (2001). The First Artistic
Representations of Theatre: Dramatic Illusion
and Dramatic Performance in Attic and South
Italian Art. In G. Katz, V.F. Golini, and D.
Pietropaolo (Eds.), Theatre and the Visual Arts,
(pp. 17-38). Ottawa, Canada: Legas.
1999
Porter, J., Csapo, E., Marshall, C., Ketterer, C.
(1999). Crossing the Stages: The Production,
Performance and Reception of Ancient Theatre.
Iowa: University of Iowa Press.
1995
Csapo, E., Slater, W. (1995). The Context of
Ancient Drama. Ann Arbor: University of
Michigan Press.