Publications for Ursula Frederick
Publications for Ursula Frederick
2016
Frederick, U. (2016). 1. The last cathode ray
tube TV 2. Glitch #5 3. Glitch #4 4. Glitch#3 5.
Glitch #6 6-20. No Signal#1–15. In: Indecisive
Moments. PhotoAccess at Manuka Arts Centre.
Huw Davies Gallery, Canberra, Australia.
Clarke, A., Frederick, U. (2016). Born to be a
Stoway: Inscriptions, graffiti and the rupture of
space at the North Head Quarantine Station,
Sydney (forthcoming). International Journal of
Historical Archaeology.
Hobbins, P., Clarke, A., Frederick, U., Viera, D.,
Cornwall, J., McArthur, S. (2016). From
quarantine to Q Station: honouring the past,
securing the future. Crows Nest: Arbon
Publishing.
Hobbins, P., Clarke, A., Frederick, U., Bashford,
A. (2016). Geographies of commemoration:
Angel Island, San Francisco and North Head,
Sydney. Journal Of Historical Geography, 52,
16-25. <a
href="http://dx.doi.org/10.1016/j.jhg.2015.12.00
3">[More Information]</a>
Clarke, A., Frederick, U., Hobbins, P. (2016).
Landscapes of Quarantine: Sydney’s North Head
Quarantine Station. In A Bashford (Eds.),
Quarantine: Local and Global Histories. UK:
Palgrave Macmillan.
Frederick, U. (2016). Marks and Meeting
Grounds: Creative Encounters with Rock Art
(forthcoming). In L. Brady and P.S.C. Tacon
(Eds.), Relating to rock art in the contemporary
world : navigating symbolism, meaning and
significance. Boulder, USA: University of
Colorado Press.
Frederick, U., Clarke, A. (2016). That was then
this is now: Contemporary archaeology and
material culture in Australia. Cambridge, UK:
Cambridge Scholars Publishing.
Clarke, A., Frederick, U. (2016). That Was Then,
This is Now: An Introduction to Contemporary
Archaeology in Australia. In Ursula K
Frederick, Anne Clarke (Eds.), That Was Then,
This Is Now : Contemporary Archaeology and
Material Cultures in Australia, (pp. 1-13).
Newcastle upon Tyne: Cambridge Scholars
Publishing.
Frederick, U. (2016). The End of the Road:
Automobility and the Ruins of Modernity. In U.
K. Frederick and A. Clarke (Eds.), That was then
this is now: Contemporary archaeology and
material culture in Australia, (pp. 81-83).
Cambridge, UK: Cambridge Scholars Publishing.
2015
Brown, S., Frederick, U., Clarke, A. (2015).
Encounter, Engagement, and Object Stories. In
Steve Brown, Anne Clarke, Ursula Frederick
(Eds.), Object Stories: Artifacts and
Archaeologists, (pp. 13-27). Califonia: Left
Coast Press.
Frederick, U. (2015). Enter Sandman. In Steve
Brown, Anne Clarke, Ursula Frederick (Eds.),
Object Stories: Artifacts and Archaeologists, (pp.
201-207). Califonia: Left Coast Press.
Brown, S., Clarke, A., Frederick, U. (2015).
Object Stories: Artifacts and Archaeologists.
Califonia: Left Coast Press.
2014
Crisp, A., Clarke, A., Frederick, U. (2014).
Battlefield or Gallery? A comparative analysis of
contemporary mark-making practices in Sydney,
Australia. Australian Archaeology, 78, 84-92.
Frederick, U. (2014). Shake well midden: An
archaeology of contemporary graffiti production
in Perth, Western Australia. Australian
Archaeology, 78, 93-99.
Frederick, U., Clarke, A. (2014). Signs of the
times: Archaeological approaches to historical
and contemporary graffiti. Australian
Archaeology, 78, 54-57.
Frederick, U. (2014). Suspended Animations:
Mobilities in Rock Art Research. In Jim Leary
(Eds.), Past Mobilities: Archaeological
Approaches to Movement and Mobility, (pp.
63-78). Farnham: Ashgate.
2013
Frederick, U. (2013). 1. Dreamstate #1 2.
Dreamstate #2 3. Dreamstate #3 4. Dreamstate
#4 5. Dreamstate #5 6. Dreamstate #6 7.
Dreamstate #7 8. Sleepwalker 9. Dreamstate #8
10. Dreamstate #9 11. Dreamstate #10 12.
Dreamstate #11. In: Sleepwalker. Photoaccess,
Manuka Arts Centre. Huw Davies Gallery,
Canberra, Australia.
2012
Clarke, A., Frederick, U. (2012). 'Rebecca will
you marry me? Tim': inscriptions as objects of
biography at the North Head Quarantine Station,
Manly, New South Wales. Archaeology in
Oceania, 47(2), 84-90.
Frederick, U., Wodak, J. (2012). Art in the Era of
Climate Change: Artist's Roundtable. The
Cultural History of Climate Change Conference,
Canberra, ACT.
Frederick, U. (2012). Chris Drury: The
Blindsight of Ice. Antarctica, (pp. 999 - 999).
Canberra, Australia: ANU Press.
Frederick, U., Clarke, A. (2012). In Loving
Publications for Ursula Frederick
Memory: Inscriptions, Images and Imagination at
the North Head Quarantine Station, Sydney,
Australia. Stockholm Studies in Archaeology, 57,
51-75.
Frederick, U. (2012). Lament. In: Lament.
Canberra Contemporary Art Space (CCAS).
Gorman House, Canberra, Australia.
Frederick, U. (2012). Motorscapes. In:
Motorscapes. Canberra Contemporary Art Space
(CCAS), Canberra, ACT, Australia.
Frederick, U. (2012). The End of the World. In:
The End of the World, CCAS Members' Show.
Canberra Contemporary Art Space. Gorman
House, Canberra, Australia.
Frederick, U. (2012). The Other Side of the
Tracks: an archaeology of doing graffiti. That
was then, this is now: Contemporary
Archaeology in Australia, Sydney, Australia.
Clarke, A., Frederick, U., Williams, A. (2011).
Wish you were here: Historic inscriptions from
the North Head Quarantine Station, Manly,
NSW. Australasian Historical Archaeology, 28,
77-84.
2010
Frederick, U. (2010). Drive in Eggs. In: The
Contested Landscapes of Western Australia.
Field Study, Australian National University. The
See Street Gallery, TAFE NSW, Northern
Sydney Institute, Meadowbank, Australia.
Frederick, U. (2010). Enter Sandman.
Challenges for archaeology in understanding
cultural and natural landscapes: local, national
and global perspectives, Canberra, ACT.
2009
Frederick, U. (2012). The Transit of Venus.
Canberra, Australia: Photospace Gallery, ANU.
Edmundson, A., Message, K., Frederick, U.
(2009). Compelling Cultures: representing
cultural diversity and cohesion in multicultural
Australia. Humanities Research, XVI(1).
Frederick, U. (2012). When Worlds Collide
Quietly: Rock Art and the Mediation of Distance.
In Jo McDonald and Peter Veth (Eds.), A
Companion to Rock Art, (pp. 401-419). West
Sussex, UK: Wiley-Blackwell Publishing.
Edmundson, A., Message, K., Frederick, U.
(2009). Introduction - Compelling cultures:
Representing cultural diversity and cohesion in
multicultural Australia. Humanities Research,
XV(2), 9-16.
2011
Frederick, U. (2009). Revolution is the New
Black: Graffiti/ Art and Mark-making Practices.
Archaeologies: journal of the World
Archaeological Congress, 5(2), 210-237. <a
href="http://dx.doi.org/10.1007/s11759-009-910
7-y">[More Information]</a>
Frederick, U., Stefanoff, L. (2011). Cruising
Country: Automobilities in non-urban Australia.
Humanities Research, XVII (2).
Frederick, U., Stefanoff, L. (2011). Emerging
Perspectives on Automobility in non-urban
Australia: A context for cruising country.
Humanities Research, XVII (2), 1-16.
Clarke, A., Frederick, U. (2011). Making a Sea
Change: Rock art, archaeology and the enduring
legacy of Frederick McCarthy's research on
Groote Eylandt. In Martin Thomas and Margo
Neale (Eds.), Exploring the Legacy of the 1948
Arnhem Land Expedition, (pp. 135-155).
Canberra: ANU E Press.
Message, K., Frederick, U. (2011). Media and
Materiality: Extending the boundaries of object
research. Journal of Australian Studies, 35(4),
423-432.
Frederick, U. (2011). Photography at the
Intersection: Art Photography as a Tool for
Archaeological Thinking. <i>Theoretical
Archaeology Group USA 2011:
Archaeology of and in the Contemporary
World</i>, Berkley, California: Theoretical
Archaeology Group.
Frederick, U. (2011). Roadworks: Automobility
and belonging in Aboriginal Art. Humanities
Research, XVII (2), 81-108.
Frederick, U., O'Connor, S. (2009). Wandjina,
graffiti and heritage: the power and politics of
enduring imagery. Humanities Research, XV(2),
153-183.
2008
Grant, L., Frederick, U. (2008). Light Journeys:
Women Working in Australian Photography.
Australia: Light Journeys.
Foxlee, J., Frederick, U., Hall, N. (2008). Pieces
of place: Exploring the personal souvenir. In
Frank Vanclay, Matthew Higgens and Adam
Blackshaw (Eds.), Making sense of place:
exploring the concepts and expressions of place
through different senses and lenses, (pp.
198-205). Canberra, ACT: National Museum of
Australia Press.
Clarke, A., Frederick, U. (2008). The mark of
marvellous ideas: Groote Eylandt rock art and
the performance of cross-cultural relations. In
Peter Veth, Peter Sutton and Margo Neale (Eds.),
Strangers on the Shore: Early coastal contacts in
Australia, (pp. 148-164). Canberra: National
Museum of Australia Press.
2007
Publications for Ursula Frederick
Frederick, U. (2007). Drover's Drawings: A
visual archive of historical graffiti from outback
Australia. ANU Foyer Gallery, Canberra,
Australia: Centre for Cross-Cultural Research,
ANU.
Frederick, U. (2007). Past, Present, Future:
Finding Treasure in the Lives of Lara Croft. In
S. Andris & U. Frederick (Eds.), Women Willing
To Fight: The Fighting Woman in Film, (pp.
55-77). United Kingdom: Cambridge Scholars
Publishing.
Andris, S., Frederick, U. (2007). Why Women
Willing to Fight?: An Introduction. In S. Andris
& U. Frederick (Eds.), Women Willing To Fight:
The Fighting Woman in Film, (pp. 1-22). United
Kingdom: Cambridge Scholars Publishing.
Andris, S., Frederick, U. (2007). Women Willing
To Fight: The Fighting Woman in Film. United
Kingdom: Cambridge Scholars Publishing.
2006
Clarke, A., Frederick, U. (2006). Closing the
Distance: Interpreting Cross-Cultural
Engagements through Indigenous Rock Art. In
Ian Lilley (Eds.), Archaeology of Oceania:
Australia and the Pacific Islands, (pp. 116-133).
Malden, MA; Oxford: Blackwell Publishers.
Clarke, A., Frederick, U. (2006). Signs of
Contact: Groote Eylandt rock art and
cross-cultural exchange.
2005
Frederick, U., Stefanoff, L. (2005). rust, dust and
other places. Foyer Gallery, ANU, Canberra,
Australia: Centre for Cross-Cultural Research,
ANU.
2000
Frederick, U. (2000). Keeping the land alive:
changing social contexts of landscape and rock
art production. In Robin Torrence and Anne
Clarke (Eds.), Archaeology of Difference:
Negotiating Cross-Cultural Engagements in
Oceania, (pp. 308-338). London, Uk: Routledge.